The “Leap” of the Stags Leap District behind Stag’s Leap Wine Cellars.

Kirk Grace, director of vineyard operations for Stag’s Leap Wine Cellars, pointed those fabled peaks out to me when I visited the district on a recent press tour. I thought about those hunters often while tasting through a stellar line-up of Stags Leap District wines.

There’s a lot of great wine here, no doubt. Trophies and treasures abound with a close-knit community of growers and producers. It’s hard to find a bad bottle because they all hold each other accountable for maintaining the area’s reputation.

But even with the bounty of treasures, there is still the urge to hunt.

As I noted in my post, Napa Valley — Boomer or Bust?, there’s a dichotomy brewing in the valley. It’s between what the Boomers (and, to some degree, Gen Xers) want to buy against the boredom that Millennials have with seeing the same ole, same ole everywhere. It’s this boredom that pushes us away from Napa in a hunt for something different.

However, from a business point of view, the current Napa recipe is working spectacularly well right now. Folks are making outstanding Cabs and Chardonnays which Boomers and Gen Xers are gobbling up. Of course, the fact that Cabernet Sauvignon grows really well in Napa Valley helps a lot.

You can’t discount how delicious these Cabs can be. They are, indeed, “dialed in.”

As Doug Shafer of Shafer Vineyards noted, the valley has spent the last 40 years or so dialing things in. They have virtually perfected the art of making exquisite Cabernet. I can’t argue against that. The proof was loud and clear in the many sinfully delicious wines that I had on that trip. It has also been solidified over the years by several bottles that I’ve purchased and enjoyed on my own.

But even with all that velvet-glove gluttony, my Millennial heart was still tempted by another sin.

Lust

A craving for something different. Something exciting. Something worth stringing a bow and sharpening arrows for.

While the stag has gotten fat and easy to cull, I was excited to discover other beasts in the Stags Leap District that would have given the Wappos a good fight. These wines are often made in meager quantities and rarely see the light of retail or restaurant wine lists. Instead, these are the gems hidden in the tasting rooms and wine club offerings. But they are absolutely worth hunting down.

The Steltzner Stags Leap District Sangiovese was so good that a member of our tasting party bought another vintage (2015) to take to dinner.

What was even more remarkable–beyond their existence–is that each of these wines was quintessentially Stags Leap. The family resemblance you see in SLD Cabs of bright, juicy fruit with powerful, yet ripe and forgiving tannins echoes fiercely throughout these wines. Likewise, you can see the same care and “dialed in” attention that Stags Leap producers are known for in each bottle.

Of course, with all that care and the SLD banner comes a hefty price tag. With the average price of land in Napa over $300,000 an acre (and hitting over $400,000 an acre in the Stags Leap District), nothing here is going to be cheap.

Undoubtedly, this is always going to be an area where the Millennial Math is a struggle. However, one of the things that enhances value is excitement and uniqueness.

And you can’t get much more exciting and unique than hunting unicorns.

So let me share with you some of the unicorns I discovered in the Stags Leap District.

Again, I’m not trying to downplay the region’s flagship Cabernets. But trumpets have been heralding their triumphs for decades. If you’re like me, sometimes your ears get enchanted by a different tune. I think each of these wines offers notes worth singing about.

Note: the wines tasted below were samples provided on the press tour.

Steltzner Sangiovese ($55)

I’m going to be writing a dedicated piece on Dick Steltzner in the not too distant future. It’s fascinating how someone who is so ingrained into Stags Leap District history would step out of the parade so many times to do his own thing.

Even though Steltzner’s Cabernet Sauvignon has been prominently featured in iconic bottlings like the inaugural vintage of Joseph Phelps’ Insignia and the 1972 Clos du Val Cabernet Sauvignon (of Judgement of Paris fame), he’s never been afraid to try new things.

The 2016 Steltzner Sangio. Probably my favorite of the two vintages but they were both excellent.

The initial plantings of Steltzner Vineyards in the mid-1960s included Riesling which had been a favorite of Dick Steltzner since he tried Stony Hill’s version. The Riesling didn’t work out, but that didn’t discourage him from experimenting again in the 1980s with adding Merlot, Malbec, Cabernet Franc, Petit Verdot, Pinotage and Sangiovese.

Over the years, Dick Steltzner has gradually parcelled and sold off his vineyard–first in 1990 and most recently in 2012 to the PlumpJack Group. However, he’s kept many of his oldest and favorite plantings including the absolutely delicious Sangiovese as well as some Malbec vines which will occasionally be made as a varietal ($55).

Today, the vineyards are managed by Jim Barbour with the wines made by Mike Smith and Robert Pepi.

The Wine and Verdict

Medium-plus intensity nose. A mix of black cherries and plums. Not as herbal as an Italian example. Instead, there is an intense blue floral component.

On the palate, those dark fruits carry through and are quite juicy with medium-plus acidity. Full-Bodied but not overbearing with ripe medium-plus tannins. As with the Stags Leap District Cabs, the texture and mouthfeel are outstanding. The fruit wraps around your tongue, having a tug of war with the mouthwatering acidity. It makes you want to both hold the wine in your mouth to savor and swallow so you can enjoy another sip. Long finish brings back the floral notes and adds a little oak spice.

Like Villa Ragazzi’s Pope Valley/Oakville Sangioveses, you’re not going to mistake this for a Tuscan wine. But this wine has more than enough character to stand on its own compared to similarly priced Brunellos.

Ilsley Seis Primas ($79)

Not long after Nathan Fay pioneered Cabernet Sauvignon in the Stags Leap District, Robert Mondavi suggested to Ernest Ilsley in 1964 that he try his hand at the variety. The Ilsley Vineyard was already selling their Carignan and Zinfandel to Charles Krug winery. When Robert Mondavi opened his winery a couple of years later, a good chunk of the fruit for his very first Cab came from the young Ilsley vines.

The Ilsleys continue to sell fruit to wineries even after starting their own label in 2000–most notably to Shafer Vineyards where David Ilsley is the vineyard manager. David also manages the family vineyard with brother Ernie running operations and sister Janice handling hospitality and sales. Since 2009, Heather Pyle-Lucas has been making the wines after starting at Robert Mondavi Winery.

Such a delicious bottle. I’m kicking myself for not figuring out a way to bring a few bottles back to Paris.

The 2015 Seis Primas is a blend of 62% Malbec, 24% Cabernet Sauvignon, 12% Merlot and 2% Cabernet Franc with only 183 cases made. The name pays homage to the six girl cousins that make up the 4th generation of the Ilsley family. The wine is sourced from six separate vineyard blocks including a 1996 planting of Malbec that the girls’ grandfather, Ed Ilsley, added to the family estate.

The Wine and Verdict

High-intensity nose. Rich dark blackberry fruit and plum. Lots of blue floral notes of violet and irises. There is also some noticeable oak spice, but it’s not dominating at all.

On the palate, the oak is more noticeable with a chocolate component added to the dark fruit. But still not overwhelming with black pepper spice emerging that compliments the allspice and cinnamon. Full-bodied with high-tannins, the wine is balanced well with medium-plus acidity that keeps the fruit tasting fresh. Long finish lingers on the spices.

I know that I said that it’s hard to find value in the Stags Leap District, but this wine proves me wrong. I’m stunned that this bottle is less than $100. It was easily one of the Top 5 wines that I had that entire week in the Stags Leap District after visiting 15 wineries and trying lots of heavy-hitters.

Honestly, if this wine had the magical “C-word” on the label, it probably could fetch closer to $130. All the Ilsley wines are sold direct-to-consumer. If you want any chance of bagging this trophy, you need to visit this family winery.

Clos du Val Cabernet Franc ($100)

The 2016 Clos du Val Cabernet Franc. Still young but impressive already.

Even among Stags Leap District Cabernet Sauvignons, Clos du Val is a unicorn. From founding winemaker Bernard Portet to current winemaker Ted Henry and assistant Mabel Ojeda, tasting a Clos du Val Cab stands out from the pack. While the use of new French oak has steadily increased over the years (100% for their 2015 Hirondelle estate), it’s never been as overt as it is with many of their Napa brethren.

With lively acid and more moderate alcohols, these are always wines that sing in harmony with food. Think Stevie Nicks and Tom Petty’s “Stop Draggin’ My Heart Around.” Yeah, Fleetwood Mac and the Heartbreakers are great–just like a big, bold, luscious Napa Cab is at times. But, damn, if there’s not something magical about tension and style.

These are also wines built for aging. That’s why it wasn’t shocking that when the historic 1976 Judgement of Paris wine tasting was recreated in 1986, it saw the 1972 Clos du Val Cab nab first place.

The Cabernet Franc comes from the estate Hirondelle Vineyard that surrounds the winery. It’s named after the French word for “swallows” and references the birds that build their nests on the northwest side of the winery every spring. The 2016 vintage was 99% Cabernet Franc with 1% Cabernet Sauvignon. Clos du Val’s winemaking team aged the wine 20 months in a mix of 80% new French and Hungarian oak.

The Wine and Verdict

Some of the swallows and nests that give the Hirondelle Vineyard its name.

High-intensity nose. Very floral but also an earthy, leather component. Underneath there is some dark fruit of blueberries and blackberries, but they’re secondary notes in this very evocative bouquet.

On the palate, the fruit makes its presence more known and are amplified by high acidity. Very mouthwatering. The earthy, leathery notes are still here but add a truffle component. It’s not like a Rhone, but it’s almost meaty. Firm, medium-plus tannins have solid structure but are still approachable. Moderate length finish brings backs the floral notes.

This is definitely a completely different Cabernet Franc than anything you would see in the Loire. It’s also not as “Cab Sauv-like” as many new world examples of Cabernet Franc can be (especially in Napa and Washington). The wine is certainly its own beast and is bursting with character. I can only imagine how much more depth and complexity this wine will get with age.

At $100 a bottle, you’re paying top-shelf Cab prices for it. But I guarantee this wine is going to have you scribbling a lot more tasting notes and descriptors than your typical $100+ Napa Cab.

Quixote Malbec ($80)

Or step into the shower they have in the visitor’s bathroom at the Quixote tasting room.

Quixote is pretty much the Narnia of Napa Valley. If you want to find unicorns, all you need to do is enter through the Friedensreich Hundertwasser-designed wardrobe and there you are.

Carl Doumani founded Quixote in 1996 not long before he sold Stags’ Leap Winery to Beringer (now Treasury Wine Estates). At Stags’ Leap, Doumani built a reputation for the high quality of his Petite Sirah.  When he sold the property,  he kept many of the choice parcels for his new venture. The current owners, the Chinese private firm Le Melange, which acquired Quixote in 2014, continues to make Petite Sirah a significant focus.

They make three tiers of Petite Sirah. The prices range from the red label Panza ($50) up to their premier black label Helmet of Mambrino ($105-125 depending on the vintage). Quixote also makes a very charming rose of Petite Sirah ($35). All of those are well worth trying. However, the one wine that really knocked my socks off was their Stags Leap Malbec.

Doumani fell in love with the grape after a trip to Argentina in the 2000s. He had a little less than an acre planted with the first vintage released in 2011. Only around 100-150 cases of this wine are produced each year.

The Wine and Verdict

The 2015 Quixote Stags Leap Malbec.

Medium-plus intensity nose. Blackberries clearly dominate the show with some noticeable chocolatey oak undertones. With a little air comes black pepper spice, anise and savory leather notes.

On the palate, this was one of the most quintessential Stags Leap wines I tasted. Totally “iron fist in a velvet glove” all the way. Very full-bodied with ripe, medium-plus tannins. The plush texture is accentuated by the creamy vanilla of the oak. Medium acidity gives enough balance to add juiciness to the blackberries and also highlight a red plum component. Moderate finish brings back the spice notes with the black licorice note lingering the most.

In many ways, I can see regular consumers (as opposed to blind tasters) thinking this was a Napa Cab. There’s the rich dark fruit with noticeable oak. Coupled with the full-bodied structure and mouthfeel, it hits all those hedonistic notes that many consumers seek out in top-shelf Napa wines. But I love what the Malbec-y spice brings to the table. It helps the wine stand apart as a unicorn worth seeking out.

It’s definitely different than Malbecs grown elsewhere in the world (and a lot pricier too). However, this is truly a unique expression of the grape that reflects the Stags Leap District exceedingly well.

Other Stags Leap District Unicorns that I haven’t had yet but am on the hunt for.

In 2014, Decanter magazine noted that the Stags Leap District was planted to 80% Cabernet Sauvignon, 15% Merlot, 2% Cabernet Franc, 2% Petite Sirah and 1% other. I honestly don’t think the numbers have changed much in the last five years. If anything, Cab has probably gained more ground and relegated Cabernet Franc and Petite Sirah to the One-Percenter Club.

So, yeah, these wines are going to be hard to fine.  But my experiences with the unicorns that I’ve already encountered has me feeling that these are going to be worth the hunt.

Chimney Rock Cabernet Franc ($85)

Yup. Totally fangirl’d.

I fully admit that I’m an Elizabeth Vianna fangirl. I adore her work at Chimney Rock and she also has a great twitter account worth following.  Another upcoming post in the works will see me getting geeky over Chimney Rock’s crazy delicious Elevage Blanc.

From a solely Stags Leap perspective, this Cabernet Franc from their estate vineyard intrigues me. Even though Chimney Rock’s vineyards essentially encircles Clos du Val’s Hirondelle vineyard, I suspect that this will be a very different expression of Cabernet Franc. That’s partly why it would be so cool to try.

Chimney Rock also occasionally releases a rose of Cabernet Franc as well as a varietal Sauvignon gris– when the latter is not being used up in their Elevage blanc.

Update: Oh and there’s now this to look forward to!

We bottled our first commercial version of that wine this year! We will have a 2018 Stags Leap District Fiano! Only 23 cases produced but it’s pretty fun wine!

— Elizabeth Vianna (@ChimneyRockWine) July 20, 2019

Yes! A Stags Leap District Fiano!

Pine Ridge Petit Verdot ($75)

While founded and based in the Stags Leap District, Pine Ridge sources fruit from many places and has estate vineyards in Carneros, Howell Mountain, Rutherford and Oakville.

Founded by Gary Andrus in 1978 and now owned by the Crimson Wine Group, Pine Ridge was also a big player in getting the Stags Leap District established as an AVA. While the winery is well-known for its Chenin blanc-Viognier blend (sourced mostly from the Clarksburg AVA in Sacramento, Solano and Yolo counties), the bread and butter of Pine Ridge’s Stags Leap estate is, of course, their Cab.

That’s what makes trying this Petit Verdot so intriguing even though a small amount comes from their Oakville property. Petit Verdot is a late-ripening variety that is seeing increased interest across the globe. It’s being planted more to help offset the toll that climate change is having on overripe Cab & Merlot. Of course, it can be a finicky grape to make as a varietal. However, when it’s done well, it’s a spicy delight!

Regusci Zinfandel ($60)

If you want to listen to a great podcast, check out Doug Shafer’s interview with Jim Regusci.

The Regusci family has a tremendous history in Napa Valley beginning with the site of the very first dedicated winery built in the Stags Leap District. The stone building, constructed by Terrill Grigsby in 1878, was known as the Occidental Winery for many years.

In 1932, Gaetano Regusci acquired the property and planted Zinfandel with many of those vines still producing fruit today. The family would sell grapes and maintain a dairy ranch on the property for several decades. In 1996, Gaetano’s son and grandson, Angelo and Jim Regusci, started the Regusci Winery.

While Zinfandel has a long history in Napa, its numbers are slowly dwindling. That’s a shame because Zinfandel is the “Craft Beer” of American Wine and a grape that is poised to capture Millennials’ attention. I don’t think anyone else in the Stags Leap District is still growing the grape which certainly makes this a fun unicorn to find.

Stags’ Leap Winery Ne Cede Malis ($150)

I became fascinated with this wine when I attended a winemaker’s dinner last year with Stags’ Leap Winery’s winemaker Joanne Wing.

Stags’ Leap Winery Winemaker Joanne Wing.

Sourced from a tiny Prohibition-era block of vines, Ne Cede Malis is a field blend.  Mostly Petite Sirah with up to 15 other different grapes including Sauvignon blanc, an unknown Muscat variety, Carignane, Mourvedre, Grenache, Peloursin, Cinsault, Malbec and Syrah. The grapes are all harvested together and co-fermented.

Coming from the Latin family motto of Horace Chase, Ne Cede Malis means “Don’t give in to misfortune.” But with the last vintage of Ne Cede Malis on Wine-Searcher being 2015 (Ave price $86), I do fret that maybe these old vines came into some misfortune. If any of my readers know differently, do leave a comment. (UPDATE BELOW)

Of course, that is the risk that comes with all unicorns. One day they may simply cease to exist. But that is also part of the thrill of the hunt.

Sometimes you bag your prize. Other times you’re standing on the edge of a cliff watching it leap away.

UPDATE: The Ne Cede Malis lives on! I was very excited to get an email from Stags’ Leap Winery letting me know that these old vines are still going strong with the 2016 vintage slated to be released in the fall for a suggested retail of $150.  Only around 500 cases were produced so this is still a unicorn worth hunting!

The post Hunting Unicorns in the Stags Leap District appeared first on SpitBucket.

The Geekery

Joseph Phelps founded his namesake winery in 1973 in the Napa Valley. While most noted for their flagship Bordeaux-style blend, Insignia, a Pinot noir sourced from the Carneros region of Napa was also part of that inaugural vintage.

The winery would continue to produce a Napa Pinot until 1983. In the mid-1990s Joe Phelps became intrigued at the potential to make Burgundian-style Pinot noir and Chardonnay in the cool, ocean-influenced Sonoma Coast. After spending many years searching for vineyard sites, in 1999 the winery purchased land that would become their Freestone Estate.

Since 2009, Joseph Phelps has been producing 100% estate grown wines from their 490 acres of sustainably grown vines in Napa and Sonoma.

While Ashley Hepworth produces the Napa Valley wines, Justin Ennis oversees the Sonoma Freestone production.

Around 2080 cases of the 2012 Quarter Moon was produced.

The Wine

Really dig the savory black tea notes in this Pinot.

Medium-plus intensity nose. A mix of red fruits–cherries and raspberries–with an earthy black tea element. With air, some baking spices like clove and allspice come out.

On the palate, those red fruits carry through and are very juicy with medium-plus acidity. The acidity also amplifies those savory black tea and spice components. Ripe medium tannins hold up the medium-bodied fruit well. The moderate oak becomes more noticeable with a creamy vanilla mouthfeel. The long finish ends on the salivating acidity and spice notes.

The Verdict

Compared to the very ripe and luscious California Pinots that you usually see in the $70-75 price range, this Joseph Phelps Quarter Moon certainly delivers a lot of Burgundian complexity.

For the equivalent price in Burgundy, you’re looking at well-regarded village-level wines like a Grivot Vosne-Romanee or Hubert Lignier Morey-Saint-Denis as peers. While you can  get a little bit better value in Oregon at the $45-60 mark, this is still a very well made wine.

The post 60 Second Wine Review — Joseph Phelps Quarter Moon Pinot noir appeared first on SpitBucket.

Andy Perdue of Wine Press Northwest says it time for Washington State wine producers to “double down” on Cabernet Sauvignon.

The state needs to focus, he says, much like how Oregon did several decades ago with Pinot noir.

Washington has proved it can grow several wine grape varieties very well, and in some ways this has hurt the industry, because the state hasn’t had a focus. Now, we can align ourselves with other Cab regions, including Bordeaux and Napa Valley. — Andy Perdue, 9/13/18

Now why in the hell would we want to do that?

Napa On My Mind — And The Minds Of Most Consumers

Yes, I know that Cab is still king and there is no doubt that Cabernet Sauvignon sales are still going strong. You can’t fault vineyards for planting Cabernet Sauvignon or wineries for producing it.

But what you can fault is the idea that we should start hoarding all our eggs into one Cab basket–especially a basket that is already dominated by one really large hen.

Look at any “Most Popular” list of American wines and you can easily see a stark theme.

Wine & Spirits Top Restaurant Wines of 2018.

I would definitely be impressed seeing a wine list with Woodward Canyon prominently featured.

Cakebread, Caymus, Chateau Montelena, Corison, Duckhorn, Faust, Frank Family, Heitz, Jordan, Justin, Louis M. Martini, Mount Veeder, Rodney Strong, Sequoia Grove, Silver Oak, St. Francis Winery, Stag’s Leap Wine Cellars, Turnbull–all well known California Cabernet producers. Though, yes, Washington State does get a few nods with Woodward Canyon, L’Ecole 41 and Chateau Ste. Michelle (probably for their Riesling).

The Most Searched-For Cabernet Sauvignon on WineSearcher.com in 2017.

Screaming Eagle, Caymus, Scarecrow, Shafer, Dunn, Robert Mondavi and Silver Oak–all Napa Valley staples with only Penfolds 707 from Australia and Concha y Toro Don Melchor from Chile being outside Cabernets that cracked the list.

Vivino’s Top 20 Cabernet Sauvignon for Cab Day (which was apparently September 3rd)

Pretty much the same Napa-dominated list like the ones above with Quebrada De Macul’s Domus Aurea from Chile, Gramercy Cellars’ Lower East from Washington, Thelema Mountain Vineyards’s The Mint and Springfield Estate’s Whole Berry from South Africa sprinkled in for diversity.

This is not to say that Washington State can’t compete with California–in quality or in price. Lord knows we can and often exceedingly over deliver in both. Many years the state usually leads the pack in percentage of wines produced that receive 90+ scores from critics and often command a sizable chunk of year-end “Top 100” lists.

Perhaps the Washington State Wine Commission needs to get Steven Spurrier on the phone.

But to the vast majority of American wine buying consumers (particularly of Cabernet Sauvignon) that hardly makes a dent in their Napa-centric worldview. Pretty much since the 1976 Judgment of Paris, Cabernet Sauvignon in the United States has been synonymous with Napa Valley, California.

Of course, I’m not saying that Washington should stop producing its bounty of delicious and highly acclaimed Cabs but why should we double down on chasing a horse that has already left the stable?

The Lessons Of Oregon

To bolster his case, Perdue points to the example of Oregon which has built its brand (quite successfully) on the quality and notoriety of its Pinot noir. It’s no shock that on that same Wine & Spirits Top Restaurant List that Oregon has a healthy showing with Adelsheim Vineyard, Argyle Winery, Cristom Vineyards, Domaine Drouhin Oregon, Elk Cove Vineyards and King Estate representing the state–doubling the amount of wineries that Washington has featured.

Perdue would, presumably, attribute that success to Oregon’s seemingly singular focus on Pinot noir instead of the jack-of-all-trades approach that Washington State has taken in a modern history that is pretty close to the same age.

But what I don’t think Perdue has really taken into consideration is that Oregon started doubling down on Pinot long before Pinot noir was cool.

Pinot noir in early veraison at Cristom Vineyards in the Eola-Amity Hills

In his book Oregon Wine Country Stories Kenneth Friedenreich notes that many of Oregon’s early pioneers were thought to be crazy by their neighbors and bankers when they started planting Pinot noir in the Willamette Valley in the 1960s. It wasn’t until the 1980s when French producers like the Drouhin family of Burgundy took notice that the state began getting some attention on the world’s stage.

Even then, Oregon Pinot noir was still a tough sell in the domestic US market.

It’s hard to discount the impact that the 2004 film Sideways had on the perception of Pinot noir. As David Adelsheim noted “There were two great grapes of America [Cabernet Sauvignon & Chardonnay], and after ‘Sideways,’ there were three,” with the Oregon wine industry reaping the benefit of sustained sales ever since.

In the game of life, when Oregon wine producers were least expecting it, they rolled a ‘7’. But they could have just as easily crapped out.

Oregon was initially betting on a long shot–not a 2 to 1 favorite like Cabernet Sauvignon. It’s crazy to think that Washington could every get the same kind of payout.

How About Betting On What’s Exciting?

Seriously, if you are not on the Washington Cab Franc train than you are lagging behind my friend!

Earlier this week Sean Sullivan of Seattle Met and Wine Enthusiast published a fantastic list of “The 30 Most Exciting Wines in Washington”.

Now while there are certainly Cabs included on this list–several of which, like Passing Time and Quilceda Creek, I wouldn’t dispute–there are several wines included that are truly, genuinely exciting.

2013 Leonetti Cellar Aglianico Serra Pedace Vineyard Walla Walla Valley

Yes, an Aglianico! From Leonetti!

2015 Spring Valley Vineyard Katherine Corkrum Estate Grown Cabernet Franc Walla Walla Valley

The 2012 vintage of this wine was one of the best wines being poured at the Walla Walla Valley Wine Alliance tasting in Seattle earlier this year.

2017 L’Ecole No. 41 Old Vines Chenin blanc Columbia Valley

I’m no stranger to hollering into the void about the charms and deliciousness of Washington Chenin blanc. I love that L’Ecole is highlighting “Old Vines” on this bottle. It shows that their faith in this wonderful variety isn’t a fly-by-night fancy.

2015 Two Vintners Cinsault Make Haste Yakima Valley

Cinsault has been on my radar since attending the Hospice du Rhone seminar highlighting South African Cinsault. Obviously Washington doesn’t have anywhere close the vine age or experience but Morgan Lee of Two Vintners is an incredibly talented winemaker so it will be fun to see what he could do with the grape.

2016 Savage Grace Côt Malbec Boushey Vineyard Yakima Valley

Michael Savage makes some of my favorite Cabernet Francs from the Two Blondes Vineyard and Copeland Vineyard. The Boushey Vineyard is one of the grand crus of Washington. All perfect ingredients for what is likely a very kick ass wine.

2017 Syncline Winery Picpoul Boushey Vineyard Yakima Valley

If you’re not drinking Picpoul, is it really worth drinking anything?

2012 MTR Productions Memory Found Syrah Walla Walla Valley

This Syrah, made by Matt Reynvaan (of Reynvaan Family Vineyards fame),  is practically treated like a Brunello di Montalcino. It sees two years of oak aging followed by 3 years of bottle aging before release. A fascinating project.

2015 Sleight of Hand Cellars Psychedelic Syrah Stoney Vine Vineyard Walla Walla Valley

Yeah, yeah the Rocks District is technically Oregon. But since the wine consuming public is too myopically focused on Oregon Pinot noir,  Washingtonians can take credit for the insane depth and character that comes out of wines from this area. At the Taste Washington “Washington vs The World Seminar” this was the run away winner at an event that featured heavy hitters like Joseph Phelps Insignia, Lynch-Bages, Sadie Family, Amon-Ra and Duckhorn Merlot.

Lessons of Oregon part II

Another lesson from Oregon that’s often overlooked is the lack of attention given to other grapes grown in the state. This was a takeaway I had from Friedenreich’s Oregon Wine Country Stories that I noted in my review with the fascinating possibilities of the Southern Oregon AVAs like the Umpqua, Rogue and Applegate Valleys or the shared Columbia Gorge AVA up north with Washington.

There are over 50 grape varieties grown in Oregon–yet we really only hear about 1 to 3 of them. Sure the producers in prime Pinot country with blessed vineyards on Jory and Willakenzie soils, have a good gig right now. But the countless small wineries in other areas of the state trying to promote and sell their non-Pinot wines are facing an uphill battle.

Now What?

Does Washington State really want to  be associated with just one grape variety? With more than 70 different grape varieties, why limit ourselves?

As a Washington wine lover that adores the bounty and bevy of fantastic wines like Viognier that can compete with great Condrieu, geeky Siegerrebe and Pinot noir from the Puget Sound, Counoise rosé that echoes the grape’s Châteauneuf-du-Pape heritage and robust Malbecs that gets your mouth watering with their savory, spicy complexity, I vote no.

If are going to double down on anything then we should double down on what makes Washington, Washington.

We’re the Meryl Streep and Daniel Day-Lewis of the American wine industry. We can do it all and we can do it very, very well.

The post Doubling Down On What’s Been Done Before appeared first on SpitBucket.

However, while exploring the Tablas Creek story and all they had to offer I found many compelling reasons to pull the trigger and join. Much to my surprise, the folks at Tablas Creek were actually interested in my tale and offered on their blog some cool behind the scene insights into their thought processes in how they set up their wine club programs.

You usually don’t see that kind of receptivity and transparency with many wineries but, as I’ve found out in the nearly eight months since I’ve been a member of Tablas Creek’s wine club, that is just par for the course with them. It’s not marketing or show. These folks are really just wine geeks through and through. They love what they are doing and sharing that passion with others.

If you are wine geek yourself, I honestly can’t recommend a more exciting winery to discover.

Beyond their hugely informative blog with harvest and business details, the Tablas Creek website also offers a trunkload of goodies. This includes a fantastic vintage chart of their wines that gets updated regularly. You’ll also find a comprehensive listing of grape varieties they farm.

Jancis Robinson’s Wine Grapes is still my holy writ (and I like Harry Karis’ The Chateauneuf-du-Pape Wine Book chapter on grapes). But when I’m away from my books and want to check up on a Rhone variety, there is no better online source than the Tablas Creek site. Plus, the particular winemaking details they cover in the entries is often stuff that you won’t find in many wine books because it comes from their decades of hands-on experience working with these grapes between themselves and the Perrins’ Ch. Beaucastel estate.

But enough with the effusive gushing and let’s get down to some hardcore geeking over the 2017 Tablas Creek Vermentino from the Adelaida District of Paso Robles.

The Background

Counoise vine outside the tasting room at Tablas Creek.

Tablas Creek Vineyards was founded in 1989 as a partnership between the Perrin family of Château de Beaucastel and Robert Haas of Vineyard Brands. As I noted in my 60 Second Review of the 2000 Beaucastel Châteauneuf-du-Pape, the Perrins have been in charge of the legendary Rhone property since 1909.

Robert Haas established Vineyard Brands in 1973 as part of a long wine importing career.  He began in the 1950s working for his father’s Manhattan retail shop M. Lehmann (which was eventually bought by Sherry Wine and Spirits Co. to become Sherry-Lehmann). After World War II, he was the first American importer to bring Chateau Petrus to the United States. Haas also helped popularize the idea of selling Bordeaux futures to American consumers.

In addition to Beaucastel, Haas represented the importing interests of several notable Burgundian estates. These include Domaine Ponsot, Henri Gouges, Thibault Liger-Belair, Jean-Marc Boillot, Etienne Sauzet, Mongeard-Mugneret, Domaine de Courcel, Thomas Morey, Vincent & Sophie Morey, Vincent Girardin and Vincent Dauvissat. He also represented the Champagne houses Salon and Delamotte. Haas would go on to sell Vineyard Brands to the firm’s employees in 1997. His son, Daniel, manages the company today.

Aaron Romano of Wine Spectator noted that Haas also helped launch Sonoma-Cutrer and promoted on a national stage the prestigious California wines of Chappellet, Joseph Phelps, Hanzell, Kistler and Freemark Abbey. In 1980, he co-founded the distribution firm Winebow Group.

Planting Tablas Creek

The vineyards of Tablas Creek with some of the rocky limestone soil visible.

Haas and the Perrins saw the similarity in maritime climate and limestone soils of the Adelaida District and Rhone.  They purchased 120 acres west of the city of Paso Robles and established Tablas Creek. Planting of their estate vineyard began in 1994. Today the winery has 115 acres of biodynamically farmed vines–producing around 30,000 cases a year.

Utilizing its close connection to the Chateauneuf estate, Tablas Creek would go on to become an influential figure in the Rhone Ranger movement in the United States. They did the heavy lifting of getting cuttings from Beaucastel through quarantine and TTB label approval. Over the years,  Tablas Creek would help pioneer numerous varieties like Counoise, Terret noir, Grenache blanc and Picpoul in the US. Additionally, the high quality “Tablas Creek clones” of Syrah, Grenache and Mourvedre have populated the vineyards of highly acclaimed producers across California, Oregon and Washington.

In the mid-2000s, Robert’s son Jason joined the winery and is now the general manager. He’s also the main contributor to Tablas Creek’s award-winning blog.

In March 2018, Robert Haas passed away at the age of 90, leaving a lasting legacy on the world of wine.

The Grape

Vermentino from Giorgio Gallesio’s ampelography catalog published between 1817 and 1839.

Wine writers and producers hotly debate the origins and synonyms of Vermentino. Some ampelographers claim that the grape came from Spain via Corsica and Sardinia sometime between the 14th and 17th centuries. However, DNA evidence point to potentially the mainland of Italy as the birthplace. Here they suggest that the Vermentino of Tuscany, Corsica and Sardinia are the same grape as the Ligurian Pigato and the Piemontese Favorita.

But, Ian D’Agata, in his Native Wine Grapes of Italy, notes that these conclusions are vigorously disputed by Italian growers, particularly in Liguria, who point out that Pigato produces different wine compared to other Vermentino. D’Agata finds Pigato to create “bigger, fatter wines” with a creamier texture than most Vermentino. The name “Pigato” may have derived from the word pigau in the Ligurian dialect, meaning spotted. It could be a reference to the freckled spots that appear on the berries after veraison.

It is possible that the grape is a relatively recent arrival to Sardina. The absence of Vermentino in the 1877 Bollettino Ampelografico listing of Sardinian varieties suggests this. However, the 1887 edition later included it. Today the grape plays a prominent roll in Sardinia’s only DOCG wine–Vermentino di Gallura.

The connection to Favorita seems to be less disputed, though.

Vermentino vineyards in Sardinia.

Robinson, Julia Harding and José Vouillamoz note in Wine Grapes that historically the grape was believed to have been brought to Piedmont originally as a gift from Ligurian oil merchants. The first documentation of the vine was in the Roero region in 1676, where it was a “favorite” table grape.

Almost two decades earlier, in the Piemontese province of Alessandria, a grape named “Fermentino” was described.  Growing in vineyards along with Cortese and Nebbiolo,  this may be the earliest mention of Vermentino.

Historically, as Favorita, the grape has a long history of being blended with Nebbiolo. It was a softening agent, used to smooth out the later grape’s harsh tannins and acid. This is very similar to how producers once blended white grapes like Trebbiano and Malvasia with Sangiovese in Chianti.

While once the primary grape of Roero, in recent decades, Favorita has fallen out of favor. In its place,  Arneis and Chardonnay have gained in popularity.

Beyond Italy

Rolle/Vermentino grapes growing in southern France.

Outside of Italy and Corsica, Vermentino also grows in the Languedoc-Roussillon. Here the grape is known as Rolle. Beyond Europe, Lebanese producers are growing in the Bekaa Valley. It has become one of the fastest-growing “alternative grape varieties” in Australia. As of 2016, there are nearly 300 acres across Victoria, the Hunter Valley, King Valley, the Barossa and Murray Darling.

While Tablas Creek mostly focuses on Châteauneuf-du-Pape grapes, they were one of the first US producers of Vermentino. They planted the vine in 1993 based upon the recommendation of the Perrin family’s nurseryman. He thought that Vermentino would do well in the soils and climate of the Adelaida District. While initially used as a blending component, the winery has been making a varietal Vermentino since the 2002 vintage.

Growing in popularity

In 2008, there were around 20 acres of the Vermentino planted in California when there was some speculation that the grape could have appeal to Sauvignon blanc drinkers. By 2017 that number had jump to 91 acres as producers like Tablas Creek, Seghesio in the Russian River Valley, Mahoney Vineyards, Fleur Las Brisas and Saddleback in Carneros, Unti Vineyards in the Dry Creek Valley, Gros Ventre Cellars in El Dorado, Brick Barn in Santa Ynez, Twisted Oak in the Sierra Foothills and others began receiving acclaim for their bottlings.

Outside of California, notable plantings of Vermentino are in the Applegate Valley of Oregon (Troon Vineyard and Minimus Wines). You can also find it in the Texas High Plains (Duchman Family Winery) and Monticello AVA of Virginia (Barboursville Vineyards).

In 2017, Tablas Creek produced 1430 cases of Vermentino. While some producers age their Vermentino in neutral oak, Tablas Creek fermented and ages theirs in stainless steel tanks.

The Wine

The mix of citrus and yellow peach notes is very intriguing with this wine.

High-intensity nose. Very citrus-driven with kefir lime, pink grapefruit and pummelo–both the zest and the fruit. There is also a tree fruit element that seems a bit peachy. But I would put it more in the less sweet yellow peach category than white peach.

On the palate, those citrus notes carry through and have an almost pithy element to them. Not bitter at all. But it adds weight and texture to the medium body of the wine. The medium-plus acid is mouthwatering and lively but well balanced with the acid highlighting the yellow peach note. The palate also introduces some racy minerality with a very distinctive streak of salinity that lingers long throughout the finish.

The Verdict

The best way I can describe this 2017 Tablas Creek Vermentino is if a New Zealand Sauvignon blanc, a sur lie Muscadet from the Loire and an Italian Pinot grigio had a threesome. This would be their baby.

Such a fascinatingly unique and character-driven wine. It combines multiple layers of tropical and tree fruit with acidity, minerality, weight and texture. Well worth its $27 price.

The post Getting Geeky with Tablas Creek Vermentino appeared first on SpitBucket.

Daniel’s Broiler in Bellevue, Washington is one of my wife and I’s favorite restaurants to visit. Each year they host a Champagne Gala that we love going to. Even when we’re not thrilled with the wines selected, we nonetheless always enjoy the exquisite food crafted by Executive Chef Kevin Rohr and a chance to try interesting food pairings.

Recently I got to attend a dinner featuring the wines of Stags’ Leap Winery with Assistant Winemaker Joanne “Jo” Wing.

The Background

I geeked out about some of the backstory of Stags’ Leap Winery in my 60 Second Review of their 2013 Napa Valley Merlot. With a long history dating back to the late 19th century, the winery is one of Napa’s most historic properties.

In California’s Great Cabernets, James Laube notes that the rise of the modern-era of Stags’ Leap Winery under Carl Doumani went hand in hand with the “Cabernet boom” of the 1970s that saw the notable Cabs of Burgess, Cakebread, Caymus, Clos du Val, Mount Eden, Mt. Veeder, Silver Oak and Joseph Phelps hit the scene. It also saw the birth of Stag’s Leap Wine Cellars and decades-long legal intrigue.

“The War of the Apostrophe” soon took off with Warren Winiarski of Stag’s Leap Wine Cellars (and winner of the famous 1976 Judgment of Paris) suing Doumani–who promptly counter-sued.

The two men eventually settled their differences in the mid-1980s and released a special collaborative bottling between the two estates called Accord from the 1985 vintage to commemorate. The agreement was that Winiarski’s Stag’s Leap Wine Cellars would have the apostrophe to the left of the ‘s’ while Doumani’s Stags’ Leap Winery would have it to the right.

You could tell that the Treasury Wine Estate rep at the dinner wasn’t too happy about the apostrophe typo on the menu.

Around this time, the two wineries faced another challenge with other wineries in the area like Gary Andrus’ Pine Ridge Winery, Steltzner Vineyards, Shafer Vineyards and more wanting to use the Stags Leap name and petitioning for American Viticultural Area (AVA) approval under that name for the region. After more legal challenges, a compromise was struck for the name of the new AVA to be the Stags Leap District (SLD) sans apostrophe.

Today the winery is owned by Treasury Wine Estates where it is part of a vast portfolio that includes 19 Crimes, The Walking Dead wines, Beaulieu Vineyards, Beringer, Ch. St Jean, Penfolds, Provenance, Hewitt Vineyard and more.

The current winemaker is Christophe Paubert who succeeded Robert Brittan when the later left Napa to make wine in Oregon at his own Brittan Vineyards and consult for wineries such as Winderlea.

A Bordeaux trained winemaker, Paubert has extensive experience working at such illustrious estates as the 2nd Growth St. Julien estate of Ch. Gruaud-Larose and the First Growth Sauternes estate of Chateau d’Yquem. Prior to joining Stags’ Leap in 2009, Paubert was the head winemaker for 4 years at Canoe Ridge Vineyards in Washington State.

Assistant Winemaker Joanne Wing is a New Zealand native who started out at Indevin, one of New Zealand’s largest wine producers. She gained experience working harvest across the globe from Saintsbury in Napa to Mount Pleasant Winery in the Hunter Valley of Australia as well as in Bordeaux before accepting a position at Stags’ Leap as a harvest enologist and working her way up to Asst. Winemaker.

Gorgeous Viognier that is well worth seeking out.

I’m not a big beet person so I let my wife try the Chevre Crostini while I had the smoked sablefish with the ikura roe caviar. Both were smashing pairings with the Stags’ Leap Viognier with the wine being a particular revelation.

Sourced primarily from cooler climate vineyards in the Carneros AVA and Oak Knoll District, the Viognier had medium-plus intensity nose of orange blossoms and white peach notes.

On the palate, those white peach tree fruits carried through but also brought some tropical notes of passion-fruit, manago and papaya. However this Viognier never came close to the tutti-fruity “Fruit Loop Cereal” style that unfortunately befalls many domestic Viogniers–especially those fermented and aged only in stainless steel. To avoid that pratfall, Paubert and Wing fermented the wine in neutral French oak barrels with weekly batonnage for 4 months. This very “Condrieu-style” approach produced a Viognier with textural weight and depth but with enough medium-plus acidity to keep it from being flabby or overly creamy.

The acidity also matched perfectly with the hors d’oeuvres, cutting through the “fishiness” of the sablefish and roe. My wife was particularly impressed at how well the acidity matched with the Chevre–the tangy goat cheese that often calls for high acid whites like Sauvignon blanc.

At $22-27, this is an outstanding Viognier with loads of personality and complexity that I would put on par with the àMaurice Viognier from Washington State as one of the stellar domestic examples of this variety.

The preserved kumquat vinaigrette on the salad were quite a treat.

Sourced from the Carneros and Oak Knoll District, this Napa Chardonnay counters the stereotype of over-the-top, oaky, buttery Chardonnays. With 25% fermented and aged in new French oak, 50% in “seasoned” French oak and the rest in stainless steel with no malolactic fermentation, this Chardonnay aimed for an elegant and food-friendly style.

The wine had a medium intensity nose with apple and citrus lime notes. A little subtle baking spice from the oak rims around the edge.

On the palate, the citrus notes came through the most and played off the baby kale and avocado very well. Medium-plus acidity maintained freshness and balanced the moderate creaminess in the wine. The clove oak spice and an almost marzipan nuttiness lingered on the moderate finish.

Overall, this was a very drinkable and pleasant Chardonnay that did hit the target for food-pairing. But, admittedly, at $25-30 it didn’t jump out as anything wow-worthy–especially following in the footsteps of the scrumptious Viognier. It’s a very well made California Chard but it is still one of hundreds of similar well-made and similarly priced California Chards.

The star of the night. I can still taste the braised short ribs and that delectable sauce.

Second Course paired with 2014 Stags’ Leap Napa Valley Cabernet Sauvignon
Braised short ribs with seared sea scallops, morel mushrooms, chervil

From a food perspective, this was the winning course of the night. The braised short ribs melted in the mouth and had you dearly wishing you had more than just the bite. The scallops were perfectly cooked and while I was skeptical with pairing them with a big Cab, the morel and au jus sauce from the short ribs offered just enough weight to carry the pairing.

As with other wines in the white label Napa Valley series, the Stags’ Leap Cabernet Sauvignon includes some estate fruit but is mostly sourced from vineyards throughout Napa Valley. Joanne Wing noted that while Paubert likes the flexibility of having some fruit from warm climate sites like Calistoga, he’s far more excited about the fruit from the cooler southern reaches of Napa like Coombsville, Oak Knoll and Yountville.

Medium-plus intensity with rich dark fruit–black currants, black plums, blackberries. This screams Napa Cab from the nose but it is not as overtly oak-driven as the norm with a little tobacco spice element.

On the palate those dark fruits carry through but there is a little earthy forest-floor element that emerges that adds some intrigue. Medium acidity adds juiciness to the fruit but not enough to be mouthwatering. The oak is a little more pronounced but is more spice driven than vanilla. The medium-plus tannins are still quite firm and young but are more tight than biting. Moderate length finish ends on the fruit which testifies to the youth of this wine.

Stags’ Leap Winery Assistant Winemaker Joanne Wing.

At $45-50, this is priced in lined with many of its Napa peers as a sort of “entry-level” Napa Cab. It’s hard to say it is a compelling value compared to what you can get for equivalent pricing from other regions like Washington and Paso Robles. Like the Chardonnay, I feel like this Cab is certainly well made but not blow-your-socks-off-you-must-find-it good partly because of the premium you are paying for the Napa name (and the winery’s history).

However, I do suspect that this wine could kick it up a couple notches with a few more years of bottle age that potentially could make it far more compelling.

Third Course paired with 2014 Stags’ Leap “The Investor” Red Blend
Piedmontese New York Steak with herb polenta, spring vegetables, blackberry demiglace

Admittedly, this was one of the few times I’ve been disappointed with a Daniel’s steak. Perhaps it was just this cut but I found it was in the weird position of being both too fatty and too dry and lacking flavor. The polenta and blackberry demi-glace were excellent though. But I found myself again wishing that the braised short ribs were the main course.

A unique blend of Merlot, Petite Sirah, Cabernet Sauvignon and Malbec, The Investor pays homage to former owner Horace Chase who made his fortune investing in gold and silver mines during the Gold Rush days of California. The Merlot and majority of the Petite Sirah come from estate fruit in the Stags Leap District and Oakville while the Cabernet and Malbec are sourced from vineyards throughout Napa Valley.

The medium-plus acidity and savory, herbal element of The Investor red blend definitely helped interject some much needed flavor into the Piedmontese New York steak.

Medium-plus nose with a mix of red and dark fruits–plums and currants. There is more overt oak vanilla on the nose of this wine than with the Cab but it doesn’t seem overwhelming. Underneath there is also a blue floral element that is not defined.

On the palate, the mix of fruits carry through with mouthwatering medium-plus acidity tilting the favor towards the red fruit. Some savory herbal and smokey notes join the party that dearly helps the food-pairing with the flavorless Piedmontese New York steak. The vanilla oak notes add a layer of velvety softness to the high tannins that still have a fair amount of gripe. Like the Cab, the moderate length finish ends on the youthful fruit.

At $50-60, The Investor intrigues me a lot more than the Napa Cabernet (and the Napa Merlot) because of the savory, smokey element and mouthwatering acidity. It’s still young and has some “baby fat” of oak that needs to be shed but this is a unique blend that could turn into something exceptionally good.

Dessert paired with 2014 Stags’ Leap Napa Valley Petite Sirah
Chocolate torte with Devonshire cream, coconut crisp

While the chocolate torte was amazing and sinfully delicious and the wine outstanding, this was not a winning pairing. The wine was nowhere near sweet enough to balance with the torte.

While delicious on their own, the pairing of the chocolate torte with the Stags’ Leap Petite Sirah just didn’t do it for me.

Still, it was somewhat fitting to end the Stags’ Leap Winery dinner with the wine that truly epitomizes the estate. While the name “Stags Leap” is synonymous with Cabernet Sauvignon, Stags’ Leap Winery was always a vanguard in cultivating and promoting Petite Sirah.

High intensity nose that started jumping out of the glass as soon as the waiter poured it. Blackberries and boysenberries with some peppery spice and violets.

On the palate, the first thing that hits you is the weight and richness of the wine with the full brunt of the dark fruits and high tannins. But there is an elegance with the juicy medium-plus acidity and fine balance that keeps the wine from being overbearing. On the moderate finish, there is some subtle dark chocolate notes that come out but not enough to make the food-pairing work. This was definitely a wine to savor on its own.

At $32-40, this is a more premium-priced Petite Sirah but it is well worth not only its price but also its reputation as the winery’s flagship. During this course, Jo told us about the Ne Cede Malis block of Prohibition-era vines that is a field blend of majority Petite Sirah with Muscat, Malbec, Mourvèdre, Cinsault, Carignan and up to 9 other varieties. The grapes are harvested together and co-fermented to produce a limited release bottling. I have to admit that if Stags’ Leap Winery’s mobile ordering website wasn’t so buggy and difficult to navigate, I would have purchased a bottle of the Ne Cede Malis Petite Sirah (as well as several bottles of the Viognier) right then.

Overall Impressions

Attending this dinner left me wondering if Stags’ Leap Winery is a victim of its own name and location in Napa Valley. While the winery absolutely shined with its Viognier and Petite Sirah, their more typical Napa offerings of Cabernet Sauvignon and Chardonnay were just “ho-hum”.

I do appreciate that Treasury Wine Estates has let Paubert, Wing and Co. continue producing their more obscure bottlings but I have no doubt that the health of the winery’s bottom line depends on the case sales of the bread and butter Cab, Chardonnay and Merlot. It’s where the money is–especially in Napa–and that is what they’re out to sell.

Yet after tasting their outstanding Viognier, scrumptious Petite Sirah and very character-driven Investor blend, its hard not to think about what more the winery could do with their talented winemaking team and unique approach if they didn’t have to live up to the name Stags’ Leap.

The post Event Review — Stags’ Leap Winery Dinner appeared first on SpitBucket.

The Background

Taste Washington is the largest event in the state highlighting the food and wine of Washington. Now in its 21st year, the event will feature over 225 wineries and 65 restaurants as well as seminars and culinary exhibitions. It looks like VIP tickets are sold out at this point so the 2 Day Pass for General Admission (2-5:30pm) to the Taste Washington Grand Tasting is $145 while individual days are $95 a piece.

In addition to the Grand Tasting that will be Saturday & Sunday, March 24-25 from 1pm(VIP)/2pm-5:30pm at Century Link Field, Taste Washington will also feature:

Red & White Party at AQUA by El Gaucho–Thursday, March 22nd 7-10pm ($175)

Dinner and tasting featuring 91+ rated wines from àMaurice Cellars, Lauren Ashton Cellars, Fidélitas Wines, Leonetti Cellar, Guardian Cellars, Obelisco Estate Winery, L’Ecole No 41, Quilceda Creek, Passing Time Winery, Doubleback, Woodward Canyon Winery and more.

Taste Washington on the Farm–Friday, March 23rd 10am-3pm ($85-185)

Three different farm to table experiences with lunch and farm tours that people can choose from places like Center for Urban Horticulture in Seattle, Heyday Farm on Bainbridge Island and Finnriver Farm & Cidery in Chimacum, WA with featured wineries such as Matthews, Rolling Bay and Doubleback.

The New Vintage at Fisher Pavillon–Friday, March 23rd 7-10pm ($80)

Small bites by celebrity chefs, a Rosé Lounge, live music and dancing featuring the wines of Alexandria Nicole Cellars, Boudreaux Cellars, Browne Family Vineyards, DeLille Cellars, Hedges Family Estate, Mullan Road Cellars, Sinclair Estate Vineyards, TruthTeller Winery and more.

Taste and Savor Tour of Pike Place Market –Saturday, March 24th 9am ($80)

An early morning food tour through the historic Pike Place Market operated in conjunction with Savor Seattle.

Wine Seminars at Four Seasons Hotel Seattle Saturday & Sunday, March 24-25 10:30 to 12pm ($45-85)

Six seminars featuring writers, winemakers, growers, educators as well as Master Sommeliers (Chris Tanghe, Rebecca Fineman, Jackson Rohrbaugh, Greg Harrington) and Masters of Wine (Bob Betz, Mary Ewing-Mulligan) covering a variety of topics from blind tasting, single vineyard Syrahs, Celilo Vineyard in the Columbia Gorge, Washington vs the World and more.

Each seminar features a tasting of 6 to 12 wines from producers like Savage Grace, Andrew Will, Gorman‘s Ashan Cellars, Avennia and Two Vintners as well as non-Washington comparative tastings from Mollydooker, Lynch-Bages, Joseph Phelps’ Insignia, Duckhorn and Glaetzer Wines’ Amon-Ra.

Sunday Brunch at Quality Athletics — Sunday, March 25th 10am-12:30pm ($75)

Music and two celebrities chefs host a brunch featuring bloody mary’s and brunch cocktails.

My Top 5 Wines from the 2017 Grand Tasting

Even with some hard core dedication, and using the extra hour VIP ticket, I was able to hit, at most, around 60 of the 600+ wines available for tasting. This is why trying to minimize the stress of the crowds and maximize the experience (see my tips below) is so important. You’re paying a decent chunk of change to attend the Grand Tasting and you want to leave the event with some great memories and new wine discoveries.

Still, out of those 60 or so wines, I tasted a lot of great juice. Here are five wines from last year’s tasting that I thoroughly enjoyed.

Aquilini 2014 Red Mountain blend — Cabernet Sauvignon and Merlot blend made by Napa Valley rockstar Philippe Melka. I most certainly did not spit this one out. It was the run away Wine of the Event for me and got me to sign up for their mailing list. Tremendous structure, velvety fruit, fresh acidity and long finish. I would put this toe to toe with virtually any $100+ Napa wine. Unfortunately they don’t look to be pouring at this year’s event.

Cairdeas Winery 2014 Caislén an Pápa–a Chateauneuf du Pape style blend from Meek Vineyard in the Yakima Valley. Beautiful balance of rich fruit and savory, spicy complexity. They will be pouring the 2015 vintage of this wine at this year’s event.

Andrew Will 2014 Malbec — a known winery but you hardly ever see a varietal Malbec from them and this was scrumptious! Reminded me of a spicy Cabernet Franc. It doesn’t look like they will be pouring a Malbec this year though.

Cloudlift Cellars 2015 Lucy rosé of Cabernet Franc — In my tip section below I talk about making a point to periodically refresh your palate with bubbles, dry Rieslings and rosés. There are so many delicious reds that will wear you down and start tasting the same if you don’t give your palate a frequent jolt of crispness and acidity. It was this strategy that led me to discovering this beautiful rosé. Gorgeous nose and lively fruit. Best rosé at the event. Unfortunately, it doesn’t look they will be pouring a rosé this year. Update: In the comments below, Tom Stangeland of Cloudlift Cellars note that he will be pouring the new vintage of Lucy.

W.T. Vintners 2013 Les Collines Syrah — Seeing that Jeff Lindsay-Thorsen of W.T. Vintners was going to be on the panel of the Washington vs the World Sunday Seminar, with his Boushey Vineyard Rhone blend being poured, pretty much sold me on attending that event. This Les Collines Syrah was spectacular and demonstrated everything that is knee-bendingly delicious about Washington Syrah–beautiful balance of rich yet mouthwatering fruit, high intensity and inviting aromatics with a long memorable finish. Looks like they will be pouring the 2014 vintage of this wine.

Is it Worth it?

General Admission, yes. VIP upcharge, no.

While I can’t speak for the seminars and other events, I’ve gone to the Grand Tasting six times and each time I had a blast attending. If it wasn’t for some scheduling conflicts, I would be attending the Grand Tasting again this year but, instead, I’m going to attend one of the seminars and the New Vintage party to see how those are.

The extensive list of wineries and restaurants that you can experience in one setting is a wine geek and foodie’s dream. But that said, it can be very frustrating with how crowded it quickly gets. I’ve sprung for the VIP (which was $210 for the 2-day pass/$165 per day) and even that first hour got aggravatingly crowded about 20 minutes in. The VIP is really not worth the extra $70–especially when you can get the two day General Admission pass ($145) for less than a single day VIP admission ($165).

Even the $95 for a single day General Admission which gives you 3 and half hours of the Grand Tasting is still a good deal with everything that you have a chance to taste and experience–especially if you follow some of my tips below.

Grand Tasting Tips

1.) Uber/Lyft or find a hotel close by. Believe me, even if you are extremely diligent about spitting (which is hard with the people crowding the tables and blocking the spit buckets) you will much prefer having someone else do the driving or walking back to your hotel after the tasting. For the spitters, bringing along a red solo cup is also not a bad idea.

2.) No wine is worth waiting in line for! Seriously, there are so many great wineries and new wines waiting to be discovered that it is pointless to wait around a crowded table to get a pour. You only have around 3-4 hours and you will find yourself getting irritated at the crowds. Tables like DeLille, Col Solare, Mark Ryan, Figgins, K Vintners, Long Shadows, Pepper Bridge, Upchurch and the like always draw crowds–and they certainly are outstanding wines–but they’re not worth stressing over.

Yes, the big name tables deserve the attention but sometimes your Wine of The Event is hidden away on a table everyone is passing by.

3.) Along those lines above, make it a point to visit wineries you’ve never heard of. With more than 900 wineries, even the 200+ at Taste Washington is only a tiny slice of what the state has to offer. Sure, you have your favorites but they’re your favorites because you’ve already had them. Why spend $95 to $200+ to taste them again? When I attend, I aim for a 1 to 2 ratio–for every 1 known winery I taste at, I visit the tables of 2 new ones.

4.) Visit the sparkling wine producers periodically to help refresh your palate. This year Karma Vineyards, Townshend Cellar, Treveri Cellars, Domaine Ste. Michelle and maybe Patterson Cellars will be pouring bubbles. Aim to visit one of these every 45 minutes or so to wake up your palate and keep it from getting fatigued. Likewise, producers of dry Rieslings and rosé are also great tables to visit frequently. A few names I spot from the winery list that look to be pouring these kinds of wines include Ancestry Cellars, Randolph Cellars, WIT Cellars, Balboa Winery, Locus Wines, Tunnel Hill Winery and Gard Vintners.

5.) Check out the featured vineyards and AVA tables. These tables are rarely crowded and offer fantastic opportunities to geek out and compare different wines made from similar terroirs.

6.) Enjoy the food! Yes, as wine geeks it’s tempting to think of the wine as always the star of the show but, truthfully, most years I feel like the food was the best part of the entire experience. It’s very fun to hit up a food table, grab some tasty bite and see what random, nearby wine table has a wine that may pair well with it. I can’t count how many amazing discoveries of food & wine pairing bliss I’ve encountered with this method. It truly completes the package of the Taste Washington Grand Tasting experience. Plus the food helps quite a bit with dealing with the alcohol.

Most importantly, have fun and stay safe!

The post Flashback — Taste Washington 2017 appeared first on SpitBucket.

The Geekery

Mark Herold got his start in the wine industry as a research enologist for Joseph Phelps before founding Merus in 1998 in his garage with his then wife, Erika Gottl. Jim Gordon notes in Opus Vino, that over the next 10 years Herold turned his small 1500 case production of Merus into one of the most acclaimed wines in Napa. In 2007, Merus was sold to Foley Wine Group with Herold leaving the following year as Camille Benitah and Paul Hobbs took over winemaking.

After leaving Merus, Herold continued consulting at estates like Buccella, Celani Family, Kamen, Kobalt, Harris, Hestan and Maze. As part of a divorce settlement and non-compete, he agreed not to make any Cabernet Sauvignon under his own label until 2010.

According to Barnivore, Mark Herold Wines are vegan-friendly. The 2012 Brown Label is 100% Cabernet Sauvignon with around 575 cases made.

The Wine

Medium-plus intensity nose. Lots of sweet oak spices and vanilla. Rich dark fruit–currants, blackberries. There is also a smokey, roasted coffee element to the nose as well.

On the palate, the wine is very big and full-bodied with medium-plus acidity and medium-plus tannins. The dark fruits carry through but the oak still dominants with the vanilla adding a lushness that rounds out the tannic edge. I wished the coffee note carried through with the smokey element instead being more toasted wood on the palate instead of roasted coffee. Moderate length finished.

Rich dark fruits like black currant and oak are abundant in this Cab.

The Verdict

The 2012 Mark Herold Brown Label falls in line with your classic big, bold Napa Cabs that have noticeable oak. Though while it does have rich dark fruit and vanilla lusciousness, it is a bit better balanced than most of its peers with the tannins keeping it from being sweet and the acidity bringing freshness.

At around $95-110, it is very much in line with wines from estates like Cakebread, Silver Oak, Frank Family and Stag’s Leap Wine Cellars.

The post 60 Second Wine Review — 2012 Mark Herold Brown Label appeared first on SpitBucket.

The Geekery

In his 1989 book California’s Great Cabernets, James Laube of Wine Spectator ranks Groth’s estate Cabernet Sauvignon as one of the “Third Growths” of California–putting it on par with other great wines like Shafer’s Hillside Select, Louis Martini’s Monte Rosso and Stag’s Leap Wine Cellars’ SLV and above Laube’s “Fourth Growths” of Silver Oak Napa Valley, Joseph Phelps’ Backus Vineyard and Rombauer’s Le Meilleur du Chai.

Founded in 1982 by Dennis Groth, a former executive of Atari, and his wife Judy, the winery owns a little over 136 sustainably farmed acres between their Oakville Estate Vineyard and Hillview Vineyard in Yountville. Usually Groth produces a reserve Cabernet (which Laube ranked as a “Second Growth” on par with Dominus and Grace Family Vineyards) but because of vineyard replanting no reserve Cab was produced between the 2000 and 2004 vintages.

The 2002 vintage of the Oakville Cab was 76% Cabernet Sauvignon and 24% Merlot. The wine saw 23 months in 50% new French oak.

The Wine

Medium plus intensity nose. Rich roasted coffee aromas with savory black tea notes. You would expect this to be served by a barista.

On the palate you can find some fruit but it is more dried red cranberry and currants. The coffee and tea notes carry through and are met with more savory notes of leather and meatiness. Medium acidity still gives the wine life and balances well with the soft medium tannins.

The Verdict

If you’re needing a Starbucks fix, the huge roasted coffee aromas in this Groth Oakville Cab will get you jonesing even more for the java.

It’s clear that this wine is on the waning side of maturity but it still had immense character with a lot of story left to tell. This is a wine worth savoring over a couple hours with good friends as each sniff and sip reveals something different.

Being an older vintage, the price will vary but at between $75-95 it is a solid bet for someone who likes elegant and savory Cabernet Sauvignons.

The post 60 Second Wine Review — Groth Oakville Cabernet appeared first on SpitBucket.