The Geekery

William and John Graham founded their eponymous Port house in 1820. Since 1970, it’s been part of the Symington family’s extensive portfolio along with Dow’s, Warre’s, Cockburn’s and Quinta do Vesuvio.

Five vineyards provided fruit for this vintage. The most notable is Quinta dos Malvedos, located on the border of the Cima Corgo and Douro Superior regions. Acquired in 1890, this was Graham’s first estate vineyard.

Peter Symington, widely considered one of the all-time great master blenders, crafted the 1985 as part of a 45-year career that lasted till his retirement in 2009. Still involved in winemaking, Symington tends to his estate, Quinta da Fonte Branca in the Baixo Corgo.

I couldn’t find the exact blend of this wine. Looking at the plantings of the vineyards gives some clue. It’s going to be primarily Touriga Nacional, Touriga Franca, Tinta Barroca and Tinta Roriz–as most Ports are. But there are varieties like Sousão and Tinta Amarela (from Malvedos and Quinta do Tua) as well as Alicante Bouschet (Malvedos)–along with assorted “old mixed vines”–that could be in here.

The Wine

Not sure if the black pepper note is from grapes or fortifying spirit. Since Port uses a 77% abv grape spirit (as opposed to 95% abv used for Sherry and Madeira), you pick up more of the spirit’s influence.

High-intensity nose. An intriguing mix of fresh black fruit–plums and cherries–with dried spices like anise and cinnamon.

On the palate, the fresh fruit is still lively with medium-plus acidity. But there are more concentrated fig flavors. The medium tannins are incredibly soft, wrapping around your tongue like velvet. Still quite full-bodied with the concentrated fruit. The spices from the nose carry through but are accompanied by very distinctive black pepper. Long finish lingers on the spice.

The Verdict

Remarkable freshness and life for something approaching its 35th birthday this year. But that’s vintage Port for you.

In the US, this is averaging around $108 and is worth every penny.

The post 60 Second Wine Review — Graham’s 1985 Vintage Port appeared first on SpitBucket.

But for the moms and dads, grandparents, aunts and uncles who want to set aside a thoughtful birth year bottle to share with someone on their 21st birthday, you’re better off ignoring 97% of the advice Roger Morris gives you in this Wine Enthusiast article.

A well structured Bordeaux from Pauillac or Margaux?

A nutty, toasty vintage Champagne?

A savory, spicy Hermitage or Côtes-Rotie?

A big, robust Napa Cabernet Sauvignon?

A brooding and mouthwatering Barolo?

A complex and nuanced Burgundy?

Those are all great wines, no doubt, and examples from the 2015 & 2016 vintages, in particular, will be giving wine lovers pleasure for the next two plus decades. But before you plunk down some serious cash and invest in the proper storage conditions to take care of these wines, ask yourself one crucial question.

Do you think the person that you are saving this wine for is going to appreciate and enjoy this wine when they turn 21?

Let me re-phrase that question for you from another perspective.

What were you drinking when you turned 21?

Unless your last name is Moueix, Bezos or Gates, I’d probably call BS on you sipping Petrus at 21.

Petrus?
Giscours?
Opus One?
Silver Oak?
Jordan?
Quilceda Creek?
Beaucastel?
Domaine du Pégau?
Cristal?
Romanée-Saint-Vivant Grand Cru?
Joly Coulée de Serrant?

If you were then my hat’s off to you but I’ll be honest and admit that 21 years old me was drinking Boone’s Farm, Arbor Mist Blackberry Merlot and St. James Winery’s Velvet Red and Pink Catawba. And that was after 16 to 20 year old me had graduated from drinking Bud Light and whatever alcohol made its way to the various jello shots at the parties I attended as a kid. Oh, and I guess growing up in the church I had my fair share of Mogen David and Manischewitz Concord wine as well.

Being a gambling woman (only somewhat reformed), I would wager that the vast majority of you had similar early drinking experiences and palates that I did.

What reason is there for us to think that the next generation of 21-year-olds is going to be any different?

Is it Better for the Giver or the Receiver?

Even when I turned 30, I don’t know if I had the palate to fully appreciated this birth year wine.

The problem with articles like the Wine Enthusiast guide is that they are almost entirely driven by the perspective and palate of the person giving the wine. Yeah, folks like us are going to adore what a 2016 Lynch Bages, Gaja Sperss, Guigal La Mouline or Chappellet Pritchard Hill Cabernet Sauvignon will taste like in 2037. At that point, these wines are going to have evocative bouquets of savory tobacco spice, dried herbs and other tertiary flavors with long, lingering and mouthwatering finishes.

But you know who is probably not going to like those wines at all?

My niece Elise.

At best, she would smile politely and acknowledge the gift. I’m sure at dinner she would take a sip or two, trying not to gag at the bitterness and acidity. I could see her swirling the wine a little in the glass, trying to imitate what the other adults at the table are doing, hoping that maybe somehow the air would magically transform the wine into a strawberry margarita.

I’m not going to put her through that dog and pony show. But I’m still squirreling away special wines to share with her and my other nieces and nephews when they turn 21.

However, it’s not Barolos, Napa Cabs or other age-worthy red wines.

No, I’m squirreling away Sauternes, Tokaji, German Rieslings, Vouvray Demi-Secs, vintage Ports and Madeira.

The Overlooked Majesty of Age-worthy Sweet Wines

To Roger Morris and Wine Enthusiast‘s credit, they do name drop a couple of these Birth Year worthy sweet wines in the article noting the quality of the 2016 vintage for German Rieslings and quoting Joe Campanale, owner/beverage director at Fausto in New York City on the potential of 2017 for vintage Port and Madeira. But the fact that these great wines got lip service at best (with others like Sauternes not even mentioned) is sadly reflective of the “Rodney Dangerfield-status” of sweet wines in general.

It’s a shame that cheap mass-market Moscato gives the category such a bad rap because well made Moscato d’Asti from high-quality producers like Mauro Sebaste are delicious wines.

In an age of Moscato Mania, Stella Rosa’s rapid ascent and the Capriccio Craze, the idea of enjoying sweet wines often gets a negative reaction from “wine people.”

This snobbish aversion to anything sweet persists even with many of the best selling “dry” red wines laden with residual sugar via the additions of Mega Purple or, in the case of wines like Meiomi Pinot noir, sneaking in sweet white grapes like Riesling and Gewürztraminer.

Yet there is a reason why some of the most legendary wines throughout history have been sweet dessert wines.

They’re freaking delicious!

Plus, the presence of all that sugar coupled with acidity (Rieslings and Vouvray), fortification (Ports and Madeira) and Noble Rot (Sauternes, Tokaji and some German & Alsatian wines) gives these wines fantastic aging potential. The evolution of Sauternes, in particular, is a remarkable journey to follow as the fresh, youthful exuberance of tropical fruit give way to richer notes of honey, spice, caramel and crème brûlée.

The Beauty Of It All

When you look at the pros and cons of saving sweet dessert wines for future 21-year-olds versus the typical roll call of great red wines and dry Champagnes, there is no contest.

These dessert wines are wines that in 20 + years will not only have the complexity and nuance to appeal to seasoned wine drinkers. But for newly christened 21-year-olds these wines will be sweet and approachable with identifiable flavors of fruit, candy and honey.

I have one nephew and one niece born in 2008. However, I bought a couple of extra bottles of this Rieussec so I could crack into it a bit earlier. Purely for educational and research purposes, of course.

Sure, they may not “get” all the concepts of terroir, Botrytis, aging and vintage variation behind these wines. For them, each sip will probably taste the same while you’re likely going to see each sip unfurling another layer of flavor that has spent decades developing.

But you’re both going to still really enjoy those sips and are far more likely to share a celebratory moment that’s worth treasuring for many years to come.

The post Birth Year Wine Myopics appeared first on SpitBucket.

En Primeur week, day 2… Featuring our 2017, described by Head of Duclot merchant house, Ariane Khaida: The best vintage ending in 7 since the 1947! pic.twitter.com/y0LTVrFOXH

— LYNCH-BAGES (@lynch_bages) April 10, 2018

I absolutely adore Lynch-Bages but I’m not sure that this is the best marketing approach for Duclot. While I get the point of this tweet, I fret that the 2017 Bordeaux vintage may have a bit more in common with the other “7 vintages” than the legendary 1947 and it’s probably not wise to remind folks of this woeful trend.

2007 — The quintessential “Cellar Defender” vintage. A wet and rainy summer saved by a warm September that produced wines that are exceptionally light on fruit and alcohol but have enough charm for short term consumption–especially when paired with food. While it certainly wasn’t a vintage for wine drinkers who favor big “New World-ish” style wines of Napa, it’s a vintage that still holds some positives for fans of “classic clarets”.

Especially compared to their 2008 & 2006 counterparts, the value of many 2007s right now are terrific.

1997 — Rainy vintage that diluted flavors and brought mildew problems. However, this vintage like 2007 (and 2017) is a beneficiary of increased knowledge and technology that has tempered the impact of troublesome vintages. Good wineries, especially those who can afford to be highly selective in the vineyard and final blend, will still make good (albeit not great) wine–just in much smaller quantity. Ian d’Agata notes that this vintage (as well as 2007, 1994, 1999 and 2002) is one that shouldn’t be written off.

1987 — A cool year that favored the early ripening Merlot grape on the Right Bank and the warmer soils of the Graves. Until 2017, this was probably considered the best “7 vintage” since 1947. The biggest problem for 1987 was that it followed a string of gorgeous vintages in the early 1980s which artificially inflated the prices for the quality. Though I have to admit that I would have been tempted by a $75 Chateau Lafite.

Following the very successful 2015/2016 vintages and with quite a bit of 2009/2010 still on the market, you have to wonder if 2017 will follow the same fate?

1977 — “Worst vintage of the Decade” says Jeff Leve of The Wine Cellar Insider. Ouch. Severe frost from late March into April particularly ravaged the early budding Merlot vines on the Right Bank. However, for 1977 birth year babies it was fantastic for vintage Port in the Douro.

1967 — A cool spring followed by a hot July/August only to be capped by a cold September and then a rainy harvest month of October. Particularly rough for the Medoc.

1957 — Another rainy, wet vintage marked by a very cold summer. If you have a 1957 Bordeaux still lying around, you better hope that it is a Sauternes.

The post Oh dear heaven — the woeful ‘7s’ appeared first on SpitBucket.

I don’t give a numerical score.

It’s not that I’m morally opposed to using the 100 point scale popularized by Robert Parker and Wine Spectator or the 20 point scale favored by Jancis Robinson and UC-Davis. I regularly look at scores by those publications and use them as tools in researching wines.

But I think they’re useless for me to give out.

A 7 Point Scale

When I first started using CellarTracker, I got into the habit of rating wines numerically but soon discovered a disturbing trend. While in theory, I had 100 points to divvy out, in truth, I was really only working on a scale of 87-94.

If the wine was well made but not my style, 90-91 points. If it had some issues then 87-89. For wines I liked it was 92-93. If it blew me away then a 94.

For some reason, I just couldn’t rate anything above 94. I always felt like there was the potential for something else to come along to raise the bar—even though I’ve enjoyed some fantastic wines over the years.

Trust me, I’m a professional drinker.

The 1996 Chateau Margaux? 94 points.
The 2010 Angelus? 94 points.
The 2005 Quilceda Creek? 94 points.
The 2012 Chappellet Pritchard Hill? 94 points.
The 1970 Taylor Vintage Port? 94 points.
The 1996 Champagne Salon? 94 points.

This is not a slight on any of those wines. They all deserved the much higher scores that they got from professional critics. But for me, even though I richly enjoyed them and felt that I got more than my money’s worth with each, there was still that mental and emotional barrier that didn’t want to go higher than 94 points.

It’s silly but isn’t trying to quantify all the nuances of wine a fool’s errand anyway?

And truthfully when it comes playing the fool (and doing it well), we can’t all be a Falstaff, Stanczyk, Claus Narr or James Suckling.

I Rate With My Wallet

And I believe that most wine drinkers do the same.

While we might sometimes indulge our inner Robert Parkers with scoring, I would wager that most of the time when we evaluate a wine, we judge it on if we got enough pleasure to merit the cost of what we paid. It’s human nature to expect more from a $100 bottle of wine than a $10 bottle and that is the approach I take with each wine I taste.

I view the cost of each bottle as a potential investment in pleasure and I seek a solid return on my investment.

94 points but well worth splurging on to try at least once in your life.

And it is my investment as my wife and I personally buy more than 90% of the wines (and whiskeys) that I review on this blog whether it be the 2006 Petrus, 20 year Pappy Van Winkle, Taittinger Champagne Comtes de Champagne Rosé or the Groth, Pegau CdP, etc. A few times even at restaurant markups!

Now some wines like the 2007 Poisot Romanée-Saint-Vivant and the wines featured in my Walla Walla Musings post, I do get to taste at tastings open to industry/media. I often get my tasting fees waived at wineries for being in the industry. But with each wine, I always default back to the question of “Would I pay $$ to purchase this wine?”

If I taste it blind and don’t know the cost, I ascribe a price point that I feel would be a good value if I was buying the wine.

But unlike Robert Parker, Jancis Robinson, James Suckling and the like, I’m not trying to be a professional wine critic or consumer advocate. I’m just a geek who likes to drink.

I rate wines on my personal scale of if I think they’re worth spending money on. I do that ultimately because that’s what I’m interested in. Do I want to buy this wine (again)? Just as other folks have their own tastes, people also have their own scale of value.

That’s perfectly fine and, frankly, is the reason why I put the “Verdict” section at the very bottom of each review. My opinion is just my opinion and, besides, it’s really the “Geekery” section where you’ll find the good stuff anyways.

The post Why I Don’t Use Scores appeared first on SpitBucket.

While the wines featured in Part I were described as Ted Williams wines, the wines that I’m featuring now are more the Joe Dimaggios. They got the big scores and married Marilyn Monroe (or MaryAnn Worobiec) so of course they garnered the bulk of attendees’ attention. Out of the 244 wines, there were 25 wines that received scores 94+ available for tasting, headlined by two Vintage Ports–the 98 point rated Graham’s 2000 and 97 pt Croft 2011.

I got a chance to try several of them and while there were many delicious treats that made my Top Ten list, there were also a few that were just “meh”. It’s good to remember that while Joe did get Marilyn–so did Arthur Miller.

Adobe Road 2013 Beckstoffer Vineyard Georges III A1-Block Cabernet Sauvignon (94 points. Wine Spectator list price $175) Hands down, my wine of the night. Tiny production wine from a single block of Cabernet Sauvignon in the legendary Beckstoffer Georges III vineyard in Rutherford. The highly sought after fruit from this vineyard is prized by a “Who’s Who” of high-end California wineries like Caymus, Alpha Omega, Chateau Boswell, Duckhorn, Staglin, Hunnicutt, Myriad, Stag’s Leap Wine Cellars, Provenance, Robert Craig, Sojurn and Schrader. This example from Adobe Road delivers in spades.

High intensity aromatics of black currant, blackberry with floral elements and a mixture of baking and Asian spices. I spent several minutes just smelling my glass before taking sip because the bouquet was so intoxicating alluring. The mouthfeel was classic Napa–silky smooth tannins that added weight and depth to the palate but wrapped around your tongue like kiss. But unlike a few of the other high scoring wines, this is not a fruit bomb. The acidity was still medium-plus to keep the fruit lively and fresh with the ability to age in the cellar for several more years. However, it is at such a fantastically delicious spot now, I don’t know if anyone lucky enough to get their hands on one of these bottles will want to wait. Just a perfect combination of power, balance and elegance.

Ch. Calon Segur 2003 Saint Estephe (95 points. Wine Searcher average price $117) Another wine that made my Top 10 list. The 2003 vintage often sends a shudder down the spines of European wine lovers because it was a “heat wave” vintage. Indeed, a staggering number of people died from the heat and, while nowhere near as tragic as the loss of human life, grapevines also suffered. But the axiom that “Good wine is made even in bad vintages” is still aptly true. You just have to be more selective and look for the gems that had the kismet of the right terroir and right winemaking touch for the vintage. The 2003 Calon Segur is a perfect case in point.

Located in St. Estephe, the Third Growth estate of Calon Segur is the most northern of the classified growth in the Medoc. While the soils have the typical Medocian mixture of gravel and sand, you also find a far amount of clay. This coupled with the overall coolness of its northernly location, gives you soils that were more apt to retain the limited, precious amount of water needed to weather the heat. Then you add a winemaking style of Calon Segur that (was then) focused on lower alcohol but brawny wines that prized acidity and structure, and you have a wine with a fighting chance to not only be good but maybe even great.

It was a long term bet but one that paid off exceptionally well for the 2003 Calon Segur. The wine had a floral, spicy nose with a delicate touch of fruit that almost smelled like a great red Burgundy. The palate, though, was very Bordeaux–almost full-bodied with velvety tannins that had no greeness or bite. The spice from the nose carried through as a mixture of tobacco and baking spices that complimented the juicy, ripe dark fruits which still had plenty of acidity and life. This wine easily has several more years that it could go on but it is at a great point right now and an absolute bargain at this price. I would put this toe to toe with Bordeaux from the more heralded 2005 vintage in the $170-200 range.

Croft 2011 Vintage Port (97 points. Wine Searcher average price $81) This was the highest rated wine that I got to try that night and it came from the highly acclaimed 2011 vintage. This is a vintage that is often compared to the great vintages of the 1970s as well as 1963 and 1945. However, the thing to keep in mind with vintage Port is that after a few brief years of youthful exuberance following release, these wines tend to “shut down” and enter their quiet phase or “awkward adolescence” that can last for several years or even a decade plus. The trade off is that when these wines re-emerge from that “dumb phase”, they are even more outstanding and mind-blowing. You need the patience of a grasshopper to reap the beauty of a butterfly.

I go through that tangent because, sadly, this Croft has entered that awkward adolescence. This is a fate rapidly befalling upon its 2011 peers with the Cockburn and Graham’s that I’ve tried in the last year likewise being a bit underwhelming despite their pedigrees and potential. What does a “quiet vintage Port” taste like? Well in the case of the Croft it was very muted on the nose, red fruit and that was about it. On the palate, instead of being focused or concentrated, it was a rather clumsy hodgepodge of undistinguished fruit flavors and sweetness. I have no doubt that the potential to live up to its lofty score is there but it is clear that this wine was tasting exponentially better 2-3 years ago when it was being reviewed and that its best years is still much further down the road.

Kistler 2013 Hudson Vineyard Carneros Chardonnay (94 points. Wine Spectator list price $80) Combine one of California’s top Chardonnay producer with a legendary Chardonnay vineyard and you are sure to have a winning combination. This wine was classic Cali Chard with tropical fruit aromas on the nose–papaya and ripe honeydew melon–followed by a creamy, rich mouthfeel. But what keeps this from being a butter bomb was the elegance with medium-plus acidity that held up the weight of the malo and a minerally streak that you’re often hard pressed to find in many California Chardonnays. No one would ever mistake this wine for a white Burgundy, but fans of the more weightier examples from Meursault and Puligny-Montrachet could appreciate this wine for being a well-made example of a California benchmark.

Antinori 2013 Guado Al Tasso (94 points. Wine Searcher average price $86) A Super Tuscan blend of 55% Cabernet Sauvignon, 25% Merlot, 18% Cabernet Franc and 2% Petit Verdot, this wine captures some of the savory herbalness of a nice Pauillac but with a lighter touch and riper tannins. It was a bit tight at this tasting and, like the 2014 Ornellaia noted in the previous blog entry, will need several years to show its stuffing.

Marchesi Fumanelli 2009 Octavius Riserva Amarone (94 points. Wine Searcher average price $173) This was another first-time find and it had me googling where in the US I could buy this wine. That’s always a good sign that something is heading towards my Top Ten list. This was a very spicy Amarone with some floral and earthy elements that smelled like you were hiking through a mint and clover field while carrying a bouquet of roses. The palate was very bold, almost decadent, with rich dark fruit flavors that tasted like a savory Christmas fruitcake. Every sip revealed something different with this wine unfurling on the tongue like chapters and verses of an exciting story. The balance between savory and rich was outstanding. Situated among tables next to a stunning list of top Amarone producers like Allegrini, Masi, Zenato and Bertani, Marchesi Fumanelli stood head over shoulders above them all.

Much like the Emilio Moro Ribera del Duero I talked about in Part I, I was left feeling that if this wine was this impressive based on a single taste, how much more pleasure could be discovered over the course of a whole bottle?

Mollydooker 2014 Carnival of Love McLaren Vale Shiraz (95 points. Wine Searcher average price $72) This winery has its legions of fans but much like smokey, peaty Islay Scotches, its a singular taste that either people love or find that its not really their cup of tea. Being a wine geek, I try to find the nuance of appeal in every wine and while the lush, over the top oak and fruity style of Mollydooker is usually not my cup of tea, I have found examples of their wines that I’ve been able to enjoy for their simple, hedonistic pleasures. But it is kind of like shooting with a bow and arrow at an apple that a circus clown is juggling. Sometimes you hit the apple and win the prize. Sometimes you miss and sometimes you impale the poor the clown.

This one was just a miss. It wasn’t horrible by any stretch of the imagination. It was just really, really, really, really oaky. In fact it was competing with the Orin Swift Abstract and Belle Glos Clarke & Telephone for most oaky wine at the tasting. Lots of sweet vanilla with more overt taste of toast instead of more subtle baking spice. Trying to get past the oak to venture for some fruit, I did feel a sense of richness and intense fruit on the palate but I was hard pressed to really identify what kind of fruit it was or pick up any other layer of complexity. While, in general, Mollydooker wines are often meant to be consumed young as their low acidity usually doesn’t bode well for cellaring, I find that giving them 4 to 5 years from vintage date allows the oak to temper itself a bit while letting some character show.

Ramos Pinto 30 year Tawny Port (95 points. Wine Searcher average price $85) Not too long ago, I did a tasting featuring the tawnys of Taylor-Fladgate where I absolutely adored the 30 year tawny. As phenomenal as that Taylor 30 was, I have to say that the Ramos Pinto ran laps around it. Wow, just wow. This may be one of the single best Tawny Ports that I’ve ever tasted and I would start putting it close to the 1970 Taylor and 1970 Fonseca vintage Ports as one of the best Ports, I’ve had. Period.

While I was extremely discipline in spitting throughout the evening, I swallowed and savored every drop of this wine. The nose was a beautiful blend of spice and hazelnuts. The palate introduced butterscotch and dried golden raisins. The mouthfeel was the star with a silkiness that seemed almost feather-light around the tip of the tongue but pulled you in with its richness and weight towards the mid-palate. The finish was the longest of the evening. Several minutes. In fact, I ended up savoring it for so long that I missed out on the 98 point rated Graham’s 2000 vintage port that was being emptied in glasses as I stood by the table still reveling in the Ramos Pinto 30. While I’m sure the Graham’s would have been wonderful, I think the sacrifice of being able to enjoy the Ramos longer was well worth it. Needless to say, this wine was one of my Top 10 of the night.

Rodney Strong 2012 Rockaway Alexander Valley Cabernet Sauvignon (94 points. Wine Searcher average price $74) If you mostly know of Rodney Strong for their low-end, chain-restaurant wines then this wine is an eye-opener. Much like Sbragia’s Monte Rosso I reviewed in the last post, it seems sinful to compare this Alexander Valley Cabernet to a Napa wine but I’d be damn if this wouldn’t fool me for a Silver Oak Napa (but still priced like their Alexander!). Though while the Silver Oak Napa usually needs 7 to 10 years to get to this level of complexity and drink-ability, this Rodney Strong Rockaway is already roaring on all cylinders.

The nose has a great mix of ripe black currant and plum with tobacco oak spice and cedar cigar box. The palate is powerful and fills up your entire mouth with seductive fruit but also has layers of savory meaty notes underneath. The oak is present but plays a supporting role while letting the fruit and power of the wine take center stage. This wine would be equally at ease paired with a juicy prime rib as it would be with an elegant lamb dish or just being savored by itself.

Torbreck 2013 Descendant Shiraz Barossa Valley (96 points. Wine Searcher average price $89) This wine was tussling with the Penfolds 2014 RWT, Two Hands 2014 Bella Garden and the Hickinbotham Clarendon 2013 Brooks Road for best Australian wine of the night. A co-ferment with 8% Viognier, this wine has an absolutely beautiful floral nose paired with vibrant berry fruit. Even though time is precious with just 3 hours to taste upwards of 244 wines, this was a wine that deliberately slows you down, encouraging you to spend several minutes just smelling and enjoying it.

When you finally do get to tasting it, the pay off is well worth it with it full-body but elegant mouthfeel that testifies to but also defies it 15.5% alcohol. Tasting blind, I would’ve peg it more around 14% because of how graceful it carries it heavy weight across the palate. Medium-plus acidity keeps the fruit fresh and invites your taste buds to water enough to pick up some of the black pepper and baking spices of cinnamon and nutmeg that wraps around the berry fruit. It’s a shame that Torbreck gets no where near the amount of attention that Penfolds or Mollydooker gets because this wine is certainly among Australia’s best.

K Vintners 2013 Royal City Syrah (95 points. Wine Searcher average price $129) Like Mollydooker, I find Charles Smith’s wines of K Vintners to be “hit or miss” for me with, thankfully, more hits than misses. But these are still wines that I will hardly ever buy “on faith” without tasting first because when they miss, they’re “impale the clown” kind of misses. Partly that’s because of K Vintner’s style which seems to favor high pH, very lush wines that can sometimes veer towards issues with volatile acidity and brettanomyces. I don’t mind a little brett because it can add complexity but VA is something that I’m personally hyper-sensitive about.

This 2013 Royal City had a smidgen of brett but was, thankfully, just in the gamey arena instead of the full-blown camping-in-the-horse-barn arena of brett. Also, thankfully, there was no overt signs of VA but the very dense and lush mouthfeel with medium-minus acidity doesn’t leave me optimistic that VA won’t make an appearance over time as the fruit fades with bottle age. The tannins are smooth, of course, and the fruit sweet and dark. It’s definitely a drink-now kind of wine that I’m sure will give many people much pleasure. It’s just not a wine that I would, personally, risk the clown for.

Well….maybe I’d risk that clown.

El Nido 2013 Jumilla (95 points. Wine Searcher average price $125) Much like Mollydooker and K Vintners, El Nido is about lush, decadence and lip smacking fruit. But while those wines were underwhelming, this wine was absolutely scrumptious. The nose gave off the siren song of rich, intensely concentrated dark fruit signaling a very fruity and full-bodied wine but the palate surprised with high, almost Bordeaux-like, acidity that added a splash of freshness to the fruit. It not only made your lips smack but your mouth water as well. It’s a big, big wine (probably the most full-bodied outside of the Amarones and Ports) but it had finesse to it that would open it up to more food-pairing possibilities than it lush co-horts. Of course, it was quite delicious still on its own.

Coming up next: My Top Ten Wines of the 2017 Wine Spectator Grand Tour

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