All posts by Amber LeBeau

60 Second Wine Review — Quinta de la Rosa Douro

A few quick thoughts on the 2008 Quinta de la Rosa Reserva Douro Red Blend.

Quinta de la Rosa DouroThe Geekery

Quinta de la Rosa has been in Sophia Bergqvist’s family since her grandmother, Claire Feueheerd, inherited the estate as a christening present in 1906. Today, Berqvist farms her 55 hectares sustainably with Jorge Moreira producing the wine.

The 2008 Reserva is a field blend from the estate’s best blocks. It’s made up of a hodgepodge of traditional Port varieties–Touriga Nacional, Touriga Franca, Tinta Barroca, Tinta Cao and Tinta Roriz (Tempranillo). Around 1,500 cases produced with only 200 cases imported to the US.

The Wine

Photo By Marlies Cohen - http://marliesc.deviantart.com/art/Handful-of-Blackberries-65417429, CC BY-SA 3.0,

The freshness of the black fruits is scrumptious for a 10+ yr wine.

High-intensity nose. A mix of dark fruits (plums, black currants, blackberries) with savory, meaty tones. There is also anise and oak baking spice (nutmeg) with some subtle black tea notes. Even pop and pour, there is a lot going on here.

On the palate, the full-bodied weight of the fruit is balanced with medium-plus acidity. This keeps the dark fruits tasting fresh and juicy despite 10+ years of bottle age. The ripe medium-plus tannins are present but velvety at this point. The fruit impressively leads the long finish, but those meatier notes return.

The Verdict

This wine is a fantastic value in the $35-40 range. It easily drinks on par with $50-60 bottles. I was lucky enough to receive this as a gift from a good friend who visited the Quinta de la Rosa estate. But, with such limited quantities imported, this will be a tough bottle to find in the US.

However, this wine is just one of many outstanding values that are coming out of Portugal. Yet, because Portuguese wines are still relatively obscure, these wines are often dramatically underpriced. If you want to be a savvy wine drinker, look for some of these gems the next time you’re at a wine shop or perusing a wine list.

Take a flyer, regardless of producer. The odds are that you’re going to be pleasantly surprised.

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The Lost Wine Cellar of Notre Dame?

Like most of the world, I’ve spent the last 24 hours riveted by the tragedy of Notre Dame.

Notre Dame Cathedral in Paris

Having just moved to Paris, I heard the news while having dinner at a bistro north of the cathedral. Amidst the murmur of fellow diners’ evening conversations in French, there was a sudden interruption of punctuated English, “Notre Dame is burning!”

Reading the reactions that are emerging today as the embers cool, I came across an intriguing claim. Many stories recounting the long history of Notre Dame describe it as a converted wine cellar during the French Revolution.

What? Is this some cool secret wine history of Notre Dame?

Not quite.

While my heart fluttered at the idea, it didn’t take long before my old Wikipedian instincts kicked in. Even though news sites like USA Today, MSN and Live Science are generally considered reliable sources, they’re secondary sources regurgitating information that the author heard elsewhere. Like a game of telephone, the message can get muddled.

After noticing that the Notre Dame de Paris’ official website doesn’t make any mention of this secret wine history, I decided to investigate a little further.

Ideally, the best place to verify is by going to primary sources but my lack of familiarity with French limits that. Therefore I focused on finding reliable secondary sources written before our possible game of telephone started.

So what did I uncover?
Photo of public use painting taken by Dennis Jarvis Coronation of Napoleon, CC BY-SA 2.0,

The rise of Napoleon signaled the return of Notre Dame back to its original purpose as a church. It was also the site of his coronation.
Interestingly, Napoleon’s coronation did not involve the sacrament of communion and consecration with wine.

While I did find one 2012 blog post that mentioned the Notre Dame wine cellar (or “wine warehouse”), most of the sources I found on this period of Notre Dame’s history talk of the great Cathedral being confiscated from the church and turned into a secular temple dedicated to the “Goddess of Reason”.

Many sources do describe Notre Dame being used as a warehouse, but it seems like it was mostly for food and general purpose than necessarily being a wine cellar.

Now the French have historically viewed wine as food. I suspect that this connotation is where our little game of telephone got its start. But even the French don’t live off of wine alone, so it’s far more likely that wine was just a small part of the various goods and supplies stored in Revolutionary-era Notre Dame.

But even though wine wasn’t a big part of Notre Dame’s past, it will be a part of her future.

One of the bright spots after the tragedy is the spirit of cooperation and determination to rebuild this important symbol of France. Hundreds of millions of euros have been pledged to help with the efforts–with a good chunk of that coming from notable figures in the wine industry.

Photo By Jérémy Barande / Ecole polytechnique Université Paris-Saclay, CC BY-SA 2.0,

Bernard Arnault, owner of LVMH.

LVMH (Louis Vuitton Moët Hennessy) and the Arnault family announced that they were donating 200 million euros. Among the very many notable wine brands of LVMH include Clos des Lambrays, Krug, Ruinart, Ch. d’Yquem, Cheval Blanc, Numanthia, Newton Vineyard, Ao Yun, Cloudy Bay, Cape Mentelle, Champagne Mercier, Veuve Clicquot and Dom Pérignon.

François Pinault, who owns Ch. Latour, Clos de Tart, Araujo, Ch. Siaurac and Chateau-Grillet, has pledged 100 million euros.

The owners of Clos Rougeard and Ch. Montrose, Martin and Olivier Bouygues, have pledged 10 million euros.

Even notable cooperage firms have pledged their support.

The Charlois Group, makers of Leroi, Saury and Berthomieu barrels, have pledged their resources to help replace the treasured wood ceiling. This will go a long way towards restoring the 52 acres (21 hectares) of timber that was used to build the original roof.

Despite the devastation, it’s good to know that there is hope. Notre Dame will be rebuilt.

And who knows? Maybe the renovations might sneak in a new wine cellar.

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Start-ups and Sangio

Being in love with a techie, you’re never far from the siren song of start-ups. In her long career, my wife is 0 for 3 following that tune. Still, the excitement of building things from the ground up and being part of something innovative keeps luring her back. That’s why we found ourselves uprooting our lives and moving 5000 miles away from her cozy job at Google to a new start-up in France.

Villa Ragazzi Sangiovese

It takes a lot of nerve to set aside the doubts in your head to pursue what ignites your heart. That is a sentiment that Michaela Rodeno of Villa Ragazzi knows very well. As I learned more of Rodeno’s story, I began to understand the fire that drives people like my wife and Michaela. These are folks that don’t want to settle but, instead, want to see what more is possible.

Rather than take the easy road, the easy life, they embrace the challenges that come with forging your own path. Whether it’s building three (!) wineries from scratch or being on the cutting edge of technology, it takes a lot of gumption to do what they do. And that’s certainly worth raising a glass.

From Bubbles to Boardrooms

From Bubbles to Boardrooms book

If you’re in the mood for a fun summer-time read, I highly recommend Michaela Rodeno’s memoir.

From Bubbles to Boardrooms is the title of Rodeno’s book that is part biography and part primer for the fortitude that one needs to make their own opportunities happen. Rodeno gifted us a copy, but I very enthusiastically recommend the book to any wine lover. Or lovers of books about kick-ass women.

Not only is it a great read full of fun stories about the early days of Domaine Chandon and St. Supéry, but Rodeno sprinkles throughout compelling tidbits about what it means to be a leader and trusting your own abilities.

The First of Many Firsts

A UC-Davis grad, Michaela Kane Rodeno moved to Napa Valley with her husband, Greg, in 1972. A lawyer, Greg followed the advice of friends that there was lots of legal work to be found in the burgeoning valley. Michaela found a job at Beaulieu Vineyard, becoming the first woman to serve as a tour guide at the historic winery.

A short time later, she noticed a newspaper article about a new California project by Moët & Chandon. This was the first significant investment in California by a major French winery and Michaela was intrigued. Armed with nothing but her French language degree and a whole lot of moxie, she drove up to the Mt. Veeder home of John Wright, the man tasked by Moët to head the project, offering her services. That day Michaela Rodeno became employee number two at what would become Domaine Chandon.

Changing the Game At Chandon

Domaine Chandon

The owners of Moët & Chandon were very hands-off in the early years of Domaine Chandon, giving Wright and Rodeno almost free reign to build the brand as they saw fit.

While building Domaine Chandon from the ground-up with John Wright, Rodeno had to tackle many winery start-up problems. Her solutions, which she developed over a 15-year career at Chandon, introduced many innovations to Napa Valley.

Back then, wineries often viewed restaurants and retailers as their main customers. Rodeno and Domaine Chandon steered the focus back to regular consumers with an emphasis on the tasting room experience, a direct-to-consumer newsletter and establishing the first wine club in the US, Club Chandon. To counter the higher excise tax on sparkling wine, Chandon also was the first to introduce tasting fees to winery visitors.

Noticing the lack of fine dining options in the valley, Rodeno worked with the Napa County council to get the zoning and permits to open up Étoile, which many give credit with launching the Napa Valley food-scene. That restaurant would go on to earn Michelin stars and global recognition before closing in 2014.

Taking the Next Step at St. Supéry

The author and Michaela Rodeno

The author with Michaela Rodeno at her Oakville estate.

After rising to the position of Vice-President of Marketing at Domaine Chandon, the Skalli family tapped Michaela Rodeno in 1988 to be the first CEO of their new start-up in Rutherford, St. Supéry. The very first female CEO in Napa Valley, Rodeno would build another winery from scratch during a period of explosive growth in Napa.

In her 20+ yr tenure as CEO, Rodeno help developed the winery’s vineyards in Rutherford and Pope Valley. A little unusual for Napa, St. Supéry focused heavily on Sauvignon blanc as a means of distinguishing itself from its numerous neighbors. She also made education a key component of the consumer experience St. Supéry–introducing things like ampelography master classes, sensory tastings and blending events featuring all five red Bordeaux varieties.

Rodeno’s efforts help grow St. Supéry into a 150,000 cases-per-year estate winery that was recognized by Wine & Spirits magazine as their Winery of the Year. Rodeno retired in 2009 to focus on her family’s estate winery in Oakville, Villa Ragazzi.

Sangiovese in the Heart of Cab Country

Photo by Anthonysthwd - Own work, Uploaded to Wikimedia Commons under CC BY-SA 4.0

The Pope Valley in the eastern part of Napa Valley.

Inspired by a visit with Piero Antinori in Tuscany, the Rodenos started Villa Ragazzi in 1985, planting a small vineyard in the sandy soils of the Pope Valley. Their planting of Sangiovese is believed to be the first commercial planting of Sangiovese in Napa Valley. The budwood came from an old Sonoma vineyard of mixed varieties that a family friend of the Rodenos introduced them to.

Villa Ragazzi’s wine quickly distinguished itself from other domestic examples of Sangiovese with Jeff Cox describing it in his book, Cellaring Wine, as the “…one notable example [in California] that has the stuffing and structure of an Italian wine.”

At the last State Dinner hosted by the Obamas, the 2012 Villa Ragazzi Sangiovese was served at the event honoring the Italian Prime Minister, Matteo Renzi, and his wife.

In 1998, phylloxera attacked the Pope Valley vineyard. The Rodenos were able to save some of the original budwood and commenced a long replanting program. They sold the Pope Valley vineyard (under the condition that they could still source fruit from there) in 2010 to focus on their Oakville estate plantings of Sangiovese and Cabernet Sauvignon.

The Rodeno Clone

Photo taken by of Sangiovese cluster. Uploaded to Wikimedia Commons under the user name Agne27.

A large-berried Sangiovese cluster from a Chianti clone grown in Washington State. These vines generally produce a higher output than the small-berried and low-yielding Rodeno clone.

The Sangiovese in the Pope Valley and estate vineyard in Oakville adapted to its terroir, developing distinct characteristics. It is now recognized as its own clone with budwood being propagated by UC-Davis.

Among the unique characteristics of the Rodeno clone is its natural propensity for low yields of small clusters with tiny berries. Most vintages, the harvest is around 1 to 2 tons an acre with a typical output being about 50 to 75 cases. Usually winemakers expect 1 to 2 tons of grapes to produce around 63 to 126 cases.

Over the years, other winemakers and wineries have experimented with the Rodeno (also spelled Rodino) clone including Randall Grahm of Bonny Doon, Silverado Vineyards at their Soda Creek Ranch vineyard, Araujo, Long Meadow Ranch, Krupp Brothers, Fess Parker, Foxen and Gargiulo Vineyard.

Villa Ragazzi’s Oakville Estate

Villa Ragazzi’s 22 acres of sustainably farmed grapes is in an envious spot in Oakville. Just east of Opus One, their next-door neighbors are Groth and Saddleback. A stone’s throw away is the vines of Swanson, Flora Springs and O’Shaughnessy.

Coming full circle from the Rodenos’ original inspiration, Villa Ragazzi’s wines are made at Piero Antinori’s Atlas Peak property, Antica.

Villa Ragazzi rosé of Sangiovese.

You don’t see many rosés made from Oakville fruit. But this one is worth every penny.

The current winemaker is the legendary Robert Pepi who follows an excellent list of predecessors including Charles Thomas (Opus One, Cardinale, Rudd, Lokoya), Celia Welch (Scarecrow, Staglin, Corra), Nate Weiss (Antica, Silver Oak) and Melissa Apter (Antica, Metzker).

The Wines

Note: These wines were received as samples.

2018 Rosato di Sangiovese, Oakville (47 cases made) Suggested Retail $28

High-intensity nose. Fresh strawberries and red floral notes with a little blood orange citrus aromatics.

On the palate, the strawberries and blood orange notes carry through with mouthwatering medium-plus acidity. Bone-dry with medium body fruit. Very well-balanced given its low 11.4% alcohol. The moderate finish lingers on the strawberries but also introduces a subtle floral herbal note like rosemary. Very scrumptious and the best rosé that I’ve had so far this year.

2014 Sangiovese, Napa Valley (195 cases) Suggested Retail $42

Medium intensity nose. A mix of red fruits (cherries and cranberries) with savory herbal and spice notes.

On the palate, the high acidity amplifies the red fruit and defines the herbs and spice as being clove and thyme. The full-bodied weight is more significant than what I usually associate with Tuscan Sangiovese, but the balance of acidity keeps it from being jammy. Medium-plus tannins have a velvet edge that contributes to the balance. The long finish is mouthwatering with the fruit and adds some pepper spice. Would go exceptionally well with a lot of different food dishes.

2014 Faraona, Napa Valley (55 cases) Suggested Retail $54. A blend of 75% Sangiovese and 25% Cabernet Sauvignon

Medium-plus intensity nose. Lots of dark fruits–black currants and black plums. Moderate oak notes like vanilla and cedar. Overall this smells very Cab-like.

On the palate, those full-bodied Cab-dominant fruits carry through, but a little cherry emerges. Firm, high tannins give this wine a lot of grip and, with the medium-plus acidity, suggest that it has a fair amount of aging still ahead. Long finish plays up the Cab notes with some tobacco joining the black fruits.

2015 Faraona, Napa Valley (42 cases) Suggested Retail $54. A blend of 90% Sangiovese and 10% Cabernet Sauvignon

Medium-plus intensity nose. Much more red fruit character than the 2014 Faraona–cherries and red plums. A subtle smokiness adds a savory element to the herbal notes–like roasted thyme and rosemary.

On the palate, the youthful red fruit take center stage. Medium-plus acidity and ripe, medium-plus tannins hold the full-bodied weight of the fruit very well. Some oak flavors of vanilla and allspice emerge but are less pronounced than the 2014. Moderate finish is lip-smacking with savory herbs returning — definitely my favorite of the two vintages of Faraona.

The Verdict

Villa Ragazzi super tuscan Faraona.

While the 2015 Faraona had a lot of character now, this wine is only going to get more complex and layered with age.

In many ways, Villa Ragazzi feels like an “Insider’s Wine” that actually attainable in price. With their minuscule production of fewer than 300 cases a year, so few people will get a chance to try these wines. Even less get a chance to try these wines at their peak.

Some of that scarcity does play into the pricing. In the US, it is easy to walk into any decent wine shop and find tons of Italian Sangiovese and Super Tuscan blends for less. But let’s put this into context.

It wouldn’t be fair to compare Villa Ragazzi’s wines to massed produced Chiantis like Ruffino’s Ducale Oro ($41 with 32,500 cases made) or Gabbiano Chianti Classico Riserva ($22 with 13,900 cases made).

A fairer comparison would be wines made in a more age-worthy style like Isole e Olena’s Cepparello ($90 with 3700 cases made), Felsina’s Fontalloro ($65 with 2500 cases made), Tenuta Sette Ponti’s Crognolo ($40 with 7500 cases made) and Terrabianca’s Campaccio ($36 with 8000 cases made).

Some of these wines are less in price than Villa Ragazzi’s Sangiovese and Faraona. However, none of these come close to such a tiny production. You are also not finding them coming from Napa’s pricey terroir. With their prime Oakville real estate, the Rodenos could turn their entire property over to Cabernet Sauvignon that would certainly fetch much higher prices–especially for a 300 case micro-cuvee.

The fact that they don’t is a testament to Michaela Rodeno’s long history of forging her own path.

The Rodenos could have taken the easy way, selling their land or cranking out more $100+ Napa Cabs. Instead, they followed their passions to innovate and do something different.

It’s that same passion that leads so many people, like my wife, to leave the comforts of a cozy job to dive headfirst into the uncertain, but exciting, world of start-ups. It is also the passion that makes the best stories in wine.

As well as in life.

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60 Second Review — Catena Alta Cabernet Sauvignon

A few quick thoughts on the 2009 Catena Alta Cabernet Sauvignon from Argentina.

The Geekery
Catena Alta Cab

The origins of Catena Zapata date back to 1902 when Nicola Catena planted Malbec vines in Mendoza. An Italian immigrant, Catena was one of the first to pioneer Malbec as a single varietal in Argentina.

His grandson, Nicolás Catena Zapata, developed an interest in making premium Cabernet Sauvignon after spending time in Napa Valley with his family in the early 1980s while serving as a visiting economics scholar at the University of Berkley. Today, Nicolás runs the estate with his daughter, Laura.

Fruit from the Agrelo and Tupungato sub-regions of Mendoza makes up the backbone of the 2009 Catena Alta. The Catena family sourced lots from several of their favorite vineyards including La Pirámide, Domingo and the Nicasia Vineyard.

The wine spent 18 months aging in French oak barrels (80% new) before being bottled unfined and unfiltered.

The Wine

Photo by Evan Swigart from Chicago, USA - Max's Roasted Chicken, Uploaded to Wikimedia Commons under CC BY 2.0,

Nice savory, chicken-roasting herbs in this wine. Accordingly, it would’ve been smart to pair this with a roasted dish.

Medium-intensity nose. Some red currant and a little savory “roasting herb” spices like thyme and sweet marjoram. With air, some minty eucalyptus emerges.

On the palate, the red fruit comes in, but it is not very pronounced. In fact, most of the flavors are relatively muted. Medium-plus acidity gives ample freshness. Again, though, not much is making itself defined. Definitely disjointed. Medium-plus tannins are firm, holding up the medium-plus weight of the wine. Moderate finish brings back some of the spice.

The Verdict

I opened this at a party which wasn’t the right setting for this wine. This is certainly a wine that needed time in the decanter and a food dish to accompanied its charms.

At $45-50, new vintages may have more flesh and personality to show up with just a splash decant. However, it’s clear that this Catena Alta was made in a very old world style and should be treated more like a Bordeaux than a New World wine.

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Top Instagram Accounts to Follow for Bordeaux En Primeur

The 2018 Bordeaux en primeur tastings are going on right now. The event brings hundreds of journalists, critics and buyers to the Bordeaux region to taste barrel samples of the nascent vintage. The reviews and assessments written during this period help set the tone of the 2018 futures campaign that will be kicking off in the next few weeks.

2015 Ch. Margaux

My all-time favorite Bordeaux futures score.

As anyone that follows this blog knows, I’m an avid buyer of futures each year. I’ve been keeping tabs on the en primeur posts from several of my favorite writers on Twitter and Instagram. But this year I’ve discovered a few new accounts worth following as well.

Below I’ve created a list of the best accounts that I’ve enjoyed following during en primeur so far.

My criteria

What I look for in an Instagram account worth following is content beyond just bottle porn. I want to learn something about the estates, people and vintage that I can’t easily get from a wine book or magazine.

Yes, tasting note and impressions of a wine can be compelling but these wines are going to change dramatically by the time I can get a chance to try them. Beyond just someone’s tasting notes, I want to get a feel of the place and these spectacular events they’re attending.

Artistic picture quality can help. There are a few of the “new discoveries” that made this list on the merits of having some eye-catching photography. But, mostly, I compiled this list based on the content of the posts and how much edification I get from following them.

Old Favorites

Jane Anson (jane.anson)

Anson is the chief Bordeaux critic for Decanter and, in my opinion, is one of the best in the business. Her reviews are must-reads for anyone looking to purchase Bordeaux futures. They give you so much more than just a tasting note and score–often painting a bigger picture of the year and the estate’s efforts. She is also one of my top Women in Wine Twitter accounts to follow.

My favorite En Primeur insta so far: This photo of a swag gift of vine prunings from Ch. Phélan Ségur. Bonus points for the cat.

Lisa Perrotti-Brown (lisapbmw)

A Master of Wine, Perrotti-Brown is the editor-in-chief of Robert Parker’s Wine Advocate and it’s head Bordeaux critic. She is most certainly one of the tastemakers of Bordeaux but what I really respect is how down to earth her posts feel. Like Anson, she is one of my top Women in Wine Twitter accounts to follow.

My favorite En Primeur insta so far: This photo of some of the strangest amphorae that I’ve ever seen at Ch. Les Carmes Haut-Brion.

Jeff Leve (jeff_leve)
Jeff Leve's IG

Screen shot of Jeff Leve’s Instagram page.

Whether you are Bordeaux newbie or a connoisseur, Jeff Leve’s The Wine Cellar Insider should absolutely be one of your bookmarks. The amount of free content and details about nearly every single Bordeaux estate that is on that site is superb. I don’t think a single one of my 2017 Bordeaux futures posts last year failed to include some great insight or quote from Leve.

My favorite En Primeur insta so far: This photo from Ch. Latour Martillac that follows Leve’s style of giving compelling background on an estate’s effort in 2018 along with his tasting notes. Bonus points for the expression on the chocolate lab’s face.

Chris Kissack (chris_kissack)

Kissack is a longtime fixture on the blogosphere who first launched his Wine Doctor site back in 2000. Back in my early Wikipedia wine writing days, his site was one of my favorite resources to check facts on. But, admittedly, I haven’t been following him much outside of social media since he took his site behind a paywall.

My favorite En Primeur insta so far: This photo of some of the frost prevention equipment used in Bordeaux vineyards.

New Discoveries

Will Lyons (mrwill_lyons)

Lyons writes for The Sunday Times and has been previously featured in the Wall Street Journal.

My favorite En Primeur insta so far: This photo from La Conseillante of winemaker Marielle Cazaux next to one of the estate’s amphorae–which is apparently the en vogue thing right now in Bordeaux.

Magnus Ericsson (ericssonmagnus)

Ericsson is an editor and writer for the Swedish wine website Winefinder.
.
My favorite En Primeur insta so far: This photo and background tidbits about the Vignobles Comtes von Neipperg’s wine Le Blanc d’Aiguilhe. Very intriguing!

Magnus Olsson (bythebotti)

Olsson is a winebuyer for Winefinder.

My favorite En Primeur insta so far: This collage of some his favorite right bank estates in 2018 and the intriguing tidbit about the role that Cabernet Franc is playing in this year’s wines. Given my great love for Cab Franc (especially on the Right Bank at places like Angelus), that news made my heart soar.

Dunell’s Wines (dunellswines)
Dunell's IG

Screenshot of Dunell’s Wines’ Instagram page.

Dunell’s is a family-run wine merchant in Jersey.

My favorite En Primeur insta so far: This photo of bud break in Sauternes and the charming comparison of Ch. Sigalas-Rabaud’s Le 5 to Lillet Blanc.

Wine Owners (wineowners1)

Wine Owners is a management and trading platform for wine collectors that features over 16,000 users in 19 countries.

My favorite En Primeur insta so far: The horses of Ch. Pontet-Canet and some interesting commentary on the potential motivation of PC’s glowing review of the vintage.

Courtier du Vin (courtierduvin)

Courtier du Vin is a private wine management firm based in France. While there is some interesting content here, their inclusion was mainly driven by some of the lovely and artistic photos on their feed.

My favorite En Primeur insta so far: The perspective and lighting in this pic of the flowers at Ch. Ducru-Beaucaillou brightened my entire IG feed and has been my absolute favorite of the week so far.

Any Favorites That I Missed?

Post them down in the comments below. I’m always looking for great content and accounts to follow.

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Box Wine Envy

Right now, I am sipping on a glass of French Muscadet that I paid the equivalent of $3.86 a bottle for. With its medium intensity nose of citrus and green apple, crisp acidity and moderate finish, I would peg this wine in a blind tasting as something in the $8-10 range.

Muscadet box wine

It’s simple, refreshing and eminently drinkable. But instead of paying $8-10 for a bottle that I won’t finish by myself, I’m savoring this glass over lunch with many more opportunities over the next 3-5 weeks to repeat the experience. All for a grand total of 13.79 euros ($15.44 USD).

Such is the beauty and potential of boxed wines.

Unfortunately, this is an experience that is difficult to repeat in the US. Back home, while the selection is improving, the usual options for many wine drinkers are the mass-produced (and often highly manipulated) supermarket brands of Black Box, Bota Box, House Wine, Bandit or (shudder) Peter Vella, Almaden, Carlo Rossi and Franzia.

While Australia and parts of Europe have enthusiastically embraced the benefits of box wines, there is a chicken and egg conundrum in the US about them. Box wines have a poor reputation among US consumers. Therefore, quality minded producers don’t want to bother with them.

But why do US consumers associate box wines with poor quality?

Perhaps, because the quality of box wines that we’ve been exposed to has been shit?

The French Paradox

Corsican box rose.

Admittedly, not all of them are winners.
I’m sure 6 to 8 months ago this Corsican rosé was lovely. But now it is definitely on its wane and is just ho-hum.

How can a country with a reputation for snobbery be so ahead of the US in embracing box wines?

They’re everywhere and account for more than a third of retail wine sales in France. At the cafés, American tourists pair their Parisian memories with glasses of vin rouge and vin blanc.  Many go home none the wiser that their 25 and 50 cl carafes were filled via a plastic spigot.

Walk into a French grocer and at least half an aisle is dedicated not to the Franzia and Black Boxes of the world, but rather to things like Macon-Village, Beaujolais, Cotes du Rhone, Provençal rosé, Anjou blanc and Côtes de Bordeaux–in the box! Ranging in price from 12 to 20 euros ($13 to $22), these aren’t Franzia-level cheap but on-par with the pricing of “premium” Black and Bota Box offerings.

I have yet to visit a BiBoViNo, a French wine bar that specializes in box wines, but there I will have the option of trying old vine Cinsault, Cru Beaujolais and even Condrieu (!) sold by the box.

That would be akin to having an old vine Dry Creek Zinfandel, a Dundee Hills Pinot noir or a high-end Walla Walla White Rhone available to consumers in a box.

Can you imagine how wonderful that would be?

Why US Producers Should Give Box Wines Another Look

No one is arguing that we need to completely disregard bottles. Nor do we need to turn everything into bag-in-box. There is always going to be a place for fine wine and cellar-worthy treasures.

But the vast, vast majority of wine consumed is not cellar-worthy wine. Most wines that are consumed at lunch, dinner or relaxing on the couch with a book are young wines that do not benefit from the gradual aging of cork in a bottle.

Why have so many other parts of the world caught on to this before the US?

Maraval white bag wine cooking

Box and 1.5L bags are excellent for cooking–such as when you need just a splash to deglaze a pan or add flavor to steamed veggies.
However, you never want to cook with something you wouldn’t drink. Hence, the importance of needing a good quality box options.

With the changing market dynamics of Millennials and the upcoming Generation Z, the last thing that US producers want to do is rest on their laurels. What worked for selling wine to the Baby Boomers and Generation X is not guaranteed to work on these consumers.

Just as the wine industry has done for millennia, US producers are going to need to adapt or perish.

Not every solution is right for every producer, but it’s always wise for a winery to look at how their current production is fulfilling consumers’ needs.

1.) Moderation

While I’m skeptical of the scare-mongering reports that Gen Z is going to be the abstinence or teetotaling generation, I do think that moderation is firmly en vogue. Anyone that plans on selling wine over the next 40 years should probably take note.

Millennials and Gen Zers have seen too many of their peers lose jobs and college prospects over unflattering photos, tweets and videos that stem from over-indulgence. While Boomers and Gen Xers had the privilege of their college keggers and booze cruises going undocumented, we now live in an era of social shaming. Undoubtedly, that kind of negative reinforcement is going to influence behaviors.

But instead of the wine industry throwing this consumer base into the arms of “mocktails” and alcohol-removed Franken wines, they should be trumpeting the same mantra that has been preached since the days of the ancient Greeks–moderation.

It is best to rise from life as from a banquet, neither thirsty nor drunken. — Aristotle

Throw moderation to the winds, and the greatest pleasures bring the greatest pains. — Democritus

Think Outside the (750ml) Bottle.
Belgian beer

The lunchtime quandary — get snockered on a bottle of wine in one sitting or try to save it to finish at dinner (assuming you even want to drink the same thing).
Or…..you can have a beer.

What’s one big advantage that beer, cider and hard seltzers have over wine right now? Their go-to packaging is usually single-served options like 12 to 16 oz cans and bottles.

With spirits, they have the benefit of longevity after opening which still allows convenient single-served shots or cocktails without excess waste.

Now, yes, the wine world is playing catch-up with single-serving cans and tetra paks. Also, thankfully, more producers are giving half-bottle (375ml) another go.

But, usually, when you bring up the problem of opening up a full bottle for just a glass or two, you’re met with either condescending mocking of “Leftover wine? What’s that?” or calls to shell out $200+ for an expensive Coravin preservation system.

Of course, someone may suggest coughing up $10 for a vacuum pump system but, seriously, don’t waste your money.

For the $30+ wine, the Coravin is probably the best advice. But the vast majority of wine drinkers aren’t regularly consuming $30+ wine. For these consumers, who just want a nice glass after work or something to have with dinner, one of the best solutions for moderation without waste is a 1.5 or 3-liter box wine that can last 3 to 5 weeks.

But the quality (and value) has to be there.

2.) Value

As I’ve touted many times before, the wine industry can not let the Millennial Math get away from them. The industry has to deal with the lethargy of value options they’re peddling because other categories are far out-performing them.

However, box wines can be a great equalizer here.

The “filling” of bag-in-box packaging does require changes from the traditional bottling line. But there can be substantial savings in production costs. This is especially true when you consider freight and shipping costs of glass bottles. The typical 3 L box uses 91% less packaging material than the equivalent four (750ml) bottles of wine and weighs 41% less.

Those savings add up. Hopefully, they’re passed on to the consumer.

Guardian news print

The Guardian Newsprint Red Blend is a tasty bottle for $18.
But it would be insanely good as a $40 three liter box wine.

It would be a Millennial Math game-changer if instead of being relegated to the Barefoots, Yellow Tails, Apothics and Clos du Bois’ of the sub $10 world, a consumer could get a Washington red blend in a $40 three-liter box. Or Paso Robles rosé in a 1.5L bag for $20.

Even better, take a page out of the French playbook and give American consumers the chance to enjoy a 6 oz glass of Muscadet for the equivalent of 97 cents a glass. That’s cheaper than soda at McDonald’s.

That’s how you start winning the Millennial Math.

3.) Sustainability

There is no doubt that the upcoming generations of wine consumers has the environment on their minds. Many wineries are responding by becoming more “green friendly” with better farming practices in the vineyard, controlling water waste and building LEED Platinum certified wineries.

recycle bin filled with bottles

Plus, there is only so much that a poor recycling bin can take.

All of those are successes that should be touted and emulated. But none of those things are physical, tangible items that a consumer can hold in their hands and feel good about putting in their cart.

It’s hard to get much feel-good mojo picking up a weighty glass bottle of wine that has the same carbon footprint as driving 3 miles in a gas-powered car–regardless of how many “green friendly” achievements are touted on the back label.

In contrast, a 3L box wine drastically cuts that footprint. In a New York Times opinion piece, Tyler Coleman (Dr. Vino) notes that “switching to wine in a box for the 97 percent of wines that are made to be consumed within a year would reduce greenhouse gas emissions by about two million tons, or the equivalent of retiring 400,000 cars.

That’s a lot of feel-good mojo.

The Chicken Needs to Act

Back to our chicken and egg scenario.

Quality-minded wineries are hesitant to invest in producing good quality box wines because of the lowly reputation they have among consumers. Consumers are reluctant to try box wines because of their lowly status and bad past experiences.

Photo by fir0002flagstaffotos [at] gmail.com Uploaded to Wikimedia Commons under GFDL 1.2,

Psst….hey you. You wanna try some kombucha?

Something’s got to give.  That something is US wineries taking the lead by putting better quality box wines out on the market. Leading instead of reacting.

The wine industry doesn’t have the luxury of sitting around waiting for consumers to “demand” better box wines. Other chickens are already busy courting them.

If wineries aren’t going to give consumers the eggs they want to make better omelets (moderation, value, sustainability), then craft beer, cannabis, cider, hard seltzers and spirit producers will be all too willing to step into that void.

So it’s time for the wine industry to stop running scared and embrace the box.

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60 Second Wine Review — Domaine des Perdrix Vosne-Romanée

A few quick thoughts on the 2010 Domaine des Perdrix Vosne-Romanée Pinot noir from Burgundy.

The Geekery

Domaine des Perdrix Vosne-Romanée

In 1996, the Devillard family purchased Domaine des Perdrix in the Prémeaux-Prissey commune of Nuits-Saint-Georges. Today, Christiane and Bertrand Devillard manage the 12 ha (30 acres) estate with the 6th generation of this winemaking family, Amaury and Aurore, already helping.

The Devillards also owns Domaine de la Garenne, Domaine Rolet, Domaine de la Ferté, Clos du Cellier aux Moines and Château de Chamirey in the Côte Chalonnaise and Mâconnais.

The Vosne-Romanée bottling comes from 1.05 ha (2.5 acres) spread out among the climats of Les Quartiers de Nuits, Les Hautes Maizières and Les Chaladins. Located in the northern part of the village, bordering the Grand Crus of Echézeaux and Clos Vougeot, the plots are in an enviable location downslope from the Premier Cru vineyard Les Suchots. The ages of the plantings range from 90 to 30 years.

Other producers that make single vineyard bottlings from these climats include Nicolas Potel, Arnoux-Lachaux, Prieure Roch, Mongeard-Mugneret and A.F. Gros.

The Wine

Photo by Steven Depolo - originally posted to Flickr as Michigan Cherries 7-12-09 -- IMG_9801, uploaded to Wikimedia Commons under CC BY 2.0

The freshness and juiciness of the dark cherries in this Pinot was impressive.

Medium-plus intensity nose. Ripe dark cherries with noticeable oak spice of cloves and nutmeg as well roasted coffee beans.

On the palate, the dark cherries come through and are very lively with medium-plus acidity. The acidity amplifies floral red fruit notes of strawberries as well. Medium tannins hold up the medium-bodied weight of the fruit and have a velvety texture that is accentuated by the creamy vanilla. Long finish brings back the oak spice but mostly lingers on the still remarkably fresh fruit.

The Verdict

When I purchased this bottle a couple of years ago, it was around $80. Since then the price has skyrocketed along with other Burgundies to now $129.

For under $100, this is a gorgeous village-level Burg from some choice plots that is certainly worth grabbing. Closer to $130, you are paying a premium, but it may still be worth it for a special occasion. It’s holding up very well.

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Geek Notes — New Wine Books for April

Today was a gorgeous 69 degree (20.6°C) day in Paris. In my old stomping grounds of Seattle, it was mostly sunny and 52°F (11°C). There is no doubt that Spring is on our doorsteps.

Photo by Traaf. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

I’m going to be apartment hunting over these next few weeks looking for a permanent place to call home. A big priority for the wife and I will be to find a flat with plenty of natural light. My Parisian dream is to curl up on the couch with a good book in the afternoon light with the ambient sounds of the city below.

Even though I’ve got around 20 boxes of books currently on a boat, I’m always on the lookout for more. With that, let’s take a look at a few recent releases that intrigue me.

Cheese Beer Wine Cider: A Field Guide to 75 Perfect Pairings by Steve Jones and Adam Lindsley (Flexibound released March 19, 2019)

Now that I’m in the land of a 1000 cheeses, I feel like this is a subject that I need to bone up on.

I already own Steven Jenkins’ Cheese Primer which is kind of like The Wine Bible of cheese. It’s a great book that I wholeheartedly recommend but it is a bit dense (576 pages) and likely outdated (1996).

While Jenkins’ book does touch a little on wine pairing, I’m very intrigued at Jones & Lindsley new work offering more of a pairing focus across a variety of beverages. This could come in handy as I start using the SpitBucket Instagram page to catalog my quest to try as many new cheeses as I can.

Tears of Bacchus: A History of Wine in the Middle East and Beyond by Michael Karam, Editor (Hardcover released March 1, 2019)
Sourced from File:Archeological sites - wine and oil (English).svg made by Makeemlighter. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Archeological sites where evidence of ancient wine and olive oil making have been found.

I was a history geek long before I was a wine geek, so anything with the words “wine” and “history” in the title is sure to capture my excitement. Two of my all-time favorite wine history books are Hugh Johnson’s Vintage (sadly no longer in print) and Patrick McGovern’s Ancient Wine: The Search for the Origins of Viniculture.

Both of those books devote chapters to the viticultural history of the Middle East (more so in McGovern’s work) but as part of a greater overview of wine history.

What’s intriguing about Karam’s work is the specialized focus on wine from the cradle of civilization. He certainly has the background and pedigree after previously contributing Middle Eastern sections in both the Oxford Companion to Wine and The World Atlas of Wine as well as authoring Wines of Lebanon.

Languedoc-Roussillon (Guides to Wines and Top Vineyards) by Benjamin Lewin MW (Paperbook released March 10, 2019)
Photo by Delphine Ménard. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

Vines in the Minervois region of the Languedoc.

This is the latest offering in Master of Wine Benjamin Lewin’s fabulous series of French wine guides. I can not rave enough about Lewin’s work and have already bought several in this series.

They are all under $10 ($7.99 for Kindle) and easily digestible at 112 (Wines of Alsace) to 182 pages (Wines of Burgundy).

But don’t let their slim size fool you. These books are chockful of great details that both wine geeks and newbies will find worthwhile. They not only give you a feel for the land and key producers but are particularly invaluable for anyone planning to visit these regions. I got immense use out of the Burgundy book during my trip there last year which sold me on this entire series.

Beyond travel plans, anyone who is studying for French wine certification is well advised to take a look at Lewin’s books. You won’t find a better value among study materials.

Red & White: An unquenchable thirst for wine by Oz Clarke (Hardcover release March 26, 2019)
Photo by Colin1661music - Uploaded to Wikimedia Commons under CC BY-SA 3.0,

Oz Clarke

Oz Clarke is a legendary wine writer who is highly regarded for his wit and highly personable presentation style. His latest offering tackles the changing dynamics of the wine world today. This includes chapters on Portugal’s growth out of the shadows of Port, the impact of climate change on the “cool climate” regions of Germany, Austria and Switzerland, England’s growing sparkling wine industry and more.

While not necessarily a buying guide–at 656 pages–Red & White features several of Clarke’s buying tips and favorite producers.

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Wine Above Replacement (WAR) Part I — Hard Seltzer

It’s Opening Day for Major League Baseball. Unfortunately, I had to deal with my St. Louis Cardinals sleepwalking through their opener with the Milwaukee Brewers, so I’m looking for a good distraction. Thankfully, that mental break came from revisiting a Facebook thread about my Winery Moneyball article.

Spiked Seltzer

In a tongue-in-cheek comment, the Sierra Wine Guy wondered When will wineries start using WAR [Wins Above Replacement]?

That got me thinking, what would be a good wine industry equivalent to WAR?

What is WAR?

I’m not going to get into the nitty-gritty sabermetrics here. But WAR is essentially the calculation of a player’s value to the team above that of the typical bench player or minor-leaguer. Instead of focusing on just one aspect of a player’s game (like offensive stats), WAR aims to calculate their total value including defensive runs saved, baserunning and pitching.

Taking all these metrics together, WAR presumes that having a player like Mookie Betts on your team (10.9 WAR in 2018) is worth almost 11 more wins than signing Joe Schmoe off the waiver wire. In contrast, it may have been better for the Orioles in 2018 to sit Chris Davis and eat his $161 million contract instead of trotting him out on the field to deliver a -3.1 WAR. Ouch!

Though far from perfect, WAR stats have dramatically changed the evaluation of players in baseball (for better or worse). The reason is that, at its core, WAR doesn’t look at each player as a monolith. It tries to look at the bigger picture by recognizing that the needs of baseball teams are multi-faceted (hitting, pitching, base running, defense). It then tries to see how well each player fits into that jigsaw puzzle.

How does this apply to wine?
Photo By Keith Allison from Hanover, MD, USA . Uploaded to Wikimedia Commons under CC BY-SA 2.0,

And the under $9 category is starting to look really Chris Davis-y.

Like a baseball team, wine consumers are multi-faceted. They have a multitude of needs beyond just being thirsty that wine aims to fill. But wine is also similar to a ballplayer in that it’s not monolithic either. It is more than just a mixture of alcohol and water.

Which makes it kind of ironic that wine is losing “throat share” (particularly with Millennials) to things like hard (spiked) seltzer–which is literally just alcohol and water.

While wine sales in the US are expecting to level out, or even decline, in 2019, producers of hard seltzer like White Claw and Truly are looking forward to a gangbuster year. And why shouldn’t they? They had already seen growth from $85 million in sales between 2016-2017 to more than $250 million in 2018.

In the metric of Wine Above Replacement, the WAR of hard seltzer is rising while that of wine is most definitely falling.

Why?

Photo By Mwinog2777 - Own work, Uploaded to Wikimedia Commons under CC BY-SA 3.0,

Maybe I would have enough to buy a new Goldschmidt Cardinals jersey.

It all goes back to consumer needs and if they’re being met. Admittedly, dissecting the needs of the typical wine consumer is not cut and dry.

It’s certainly not as easy as looking at the St. Louis Cardinals leading the league in errors last year (133), and thinking that maybe they need some defensive help–like, perhaps, a Gold Glover at first base?

Decades of marketing ink has been spilled studying wine consumers and breaking them down into various segmentations based on needs. If I had all the answers, I’d be a wealthy woman. Well, actually no, I wouldn’t be wealthy because no one really pays for wine content anymore.

But, as W. Blake Gray has noted, Millennials are talking about what they want. Maybe the hard seltzer industry is simply doing a better job of listening?

A few of the things that Gray highlights in his piece are Millennials’ interest in healthier products, transparency, our aversion to boredom as well as our cravings for personal experiences. One other item that I would add is the sense of value and getting a good bang for the buck that is important to many Millennials.

Let’s see how hard seltzer is tackling these needs.
1.) Healthy

Believe it or not, a fair amount of consumers actually believe that hard seltzer is healthier than wine. Part of this is slick marketing from the big players in the seltzer industry (including the non-alcoholic leader La Croix). But this is also a failing of the wine industry in not counter punching the recent spate of negative press about wine and health issues.

Rob McMillan makes this latter point extremely well in a recent blog post.

We as an industry have lost our way in our daily quest to sell our production. We stopped talking to the consumer and stopped defending [against] the junk science out there. We stopped supporting the decades of science that proves there are health benefits of consuming wine. Our consumer is reading the press and without a rebuttal, they no longer believe moderate consumption [is] part of a healthy diet. — Rob McMillan, I Can’t Take the Lunacy!, 3/28/2019

Meanwhile, Truly and White Claw are peddling the “Vodka Paradox” that just because something is clear and low in calories, then it must be good for you.

2.) Transparency
Photo By Naotake Murayama - Uploaded to Wikimedia Commons under CC BY 2.0,

Though if more wineries adopted Ridge’s approach to transparency and labeling, that would be a positive step.

Gray does an excellent job of illustrating the dichotomy of back labels between hard seltzer packaging and most wine bottles.

I’m not entirely sold on the idea of extensive ingredient lists and nutritional labeling on wine. Ultimately, I think it will bury small family wineries in bureaucracy more than it will expose mass-produced and additive laden commodity wines. But, I will concede that the labeling (or lack thereof) does provide a stark contrast.

However, the perception of the wine industry as opaque and obtuse is also not helped by our myriad of grape varieties, wine regions and laws that require an insider’s knowledge to untangle. This is another stark contrast with hard seltzer.

Even with the sleight of hand “healthy” marketing, any consumer buying hard seltzer knows what they are getting. Water and alcohol. They don’t need to attend classes, buy books, read blogs, subscribe to magazines or attend special tastings to understand what they’re drinking. That transparency of “getting it” is something that wine is never going to match.

But this doesn’t have to be negative. Keep reading.

3.) Interesting
Photo by Kaitlin Lunny. Uploaded to Wikimedia Commons under CC-Zero

As soon as hard bacon seltzer hits the market, the shark-jumping will commence.

Right now, hard seltzer has the “cool factor.” It’s not boring and it is certainly not what your parents are drinking. It’s the Instagram to wine’s Facebook.

But that shine will eventually wear off, leaving exposed how transparently simple hard seltzer really is. Yeah, it’s water and alcohol with some flavoring added. It’s flavored vodka for newbies. Been there. Done that.

Eventually, Millennials are going to get bored as there are only so many flavors and fancy packaging that the industry can come up with to keep entertaining them. When the market moves on to find something new, wine’s “weakness” of its complexity and diversity can be a strength.

That’s when the wine industry needs to be the heavily tattooed guy streaking on the field in the middle of the game. Folks might not know what the heck is going on, but they know that something is going on. And no one is taking their eyes away until the naked dude gets tackled.

4.) Personal Experience (relatability)

But what do we do when the Millennials’ eyes are finally upon us? How do we bump up our WAR to make wine more enviable over the many options clamoring to replace it?

Show them our tattoos. Tell them our stories. Give them a reason to connect with wine on a personal level.

Here is where wine can smoke its competitors.

This is where we can get WAR separation as an industry. This is where we are more Mookie and less Chris Davis.

The industry is chockful of so many compelling personal stories (check out this terrific write-up of Dirty & Rowdy’s Hardy Wallace for one example) that we don’t need to resort to gimmicks like Bon & Viv Spiked Seltzer’s “made-up” female founders.

AB InBev’s SuperBowl commercial featuring Bon & Viv’s “founders” was a big hit. But this quote from an AB InBev vice-president shows how patronizing and nauseating that ad really was.

“It has two females in a founder position and presented in a different way than we have ever seen alcohol present females characters before,” [Chelsea] Phillips says about the fictional founders depicted in the commercial. “The strength of these women is very important to me. As a female VP, I want to see more of that representation in this space, but I didn’t want it to be a trope. I just wanted it to feel natural… versus more of an overt statement.” — Greg Morabito, Eater, 2/3/2019

Instead of actually promoting a brand founded by women, you make up some female founders to show them in this powerful position? Right….

So much for transparency, eh?

5.) Value
Spiked water.

Spiked water–not seltzer, not sparkling. Just boozy water.
Though, is this really that far off from cheap, bulk Pinot grigio?

I can not bang this drum loud enough. The wine industry sucks at Millennial Math.

Not only do we do a poor job of conveying value at all levels of the pricing scale, but we’ve also virtually abandoned the bottom shelf of budget-priced options to craft beer, cider and, now, hard seltzer.

For less than $10, a Millennial can buy a 6pk of dozens of different flavors of various hard seltzers. What kind of sub $10 options is the wine industry giving them? A plethora of mass-produced (and often highly manipulated) Cabs, Chards and Red Blends that all virtually taste the same.

Yeah, eventually all those different hard seltzers are going to start tasting the same too. But then the Millennials can move onto hundreds of craft beer options or cider or cannabis or kombucha or cocktails or who knows what comes next.

The Moral of WAR in the Wine Industry

If you’re not producing–if you’re not fulfilling multiple needs–there is always a replacement.

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60 Second Wine Review — Pedroncelli Sonoma Classico

A few quick thoughts on the 2016 Pedroncelli Sonoma Classico Red Blend from the Dry Creek Valley. Note: This wine was received as a sample.

Pedroncelli Sonoma Classico

The Geekery

John Pedroncelli, Sr. started Pedroncelli Vineyards during the height of Prohibition, purchasing land in the Dry Creek Valley in 1927. He survived those years by selling grapes to home winemakers until he could legally produce wine in the 1930s.

Today, the winery remains family-owned with now the fourth generation joining the team. Many of the prominent stakeholders of Pedroncelli are women. This includes winemaker Montse Reece who joined the winery in 2007 after working at Gloria Ferrer, Rodney Strong and Ferrari-Carano.

The Sonoma Classico is a proprietary blend of Merlot, Zinfandel, Petit Sirah and Syrah sourced from throughout the Dry Creek Valley.

The Wine

Photo By VoDeTan2 - Own work, Uploaded to Wikimedia Commons under CC BY 3.0

A gorgeous mix of spices characterizes this wine.

Medium-plus intensity nose. Mix of red and dark fruit with blackberries and red currant. Lots of spice on the nose that ranges from pepper to coriander to star anise.

On the palate, the rich dark fruits carry through the most, giving the wine medium-plus bodied weight. Medium-plus acidity accentuates the spice but also brings out a savory black olive note that reminds me of old world Syrahs. The ripe medium tannins have a slight edge that adds structure. Moderate finish lingers on the spice.

The Verdict

There were several bottles in the Pedroncelli sampler set that impressed me including their 2017 Russian River Pinot noir and 2016 Mother Clone Zinfandel. But at $18-20, the Sonoma Classico struck me as the most criminally underpriced of them all.

This wine is loaded with character and could easily be priced in the $25-30 range without anyone blinking an eye. While exquisitely food friendly, the balance of rich fruit and tangy spice also plays well as a treat to enjoy on its own.

Smart sommeliers will certainly snatch this bottle for their wine lists. If you see it at a restaurant, it will be one of the best buys on the list and worth getting.

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