Category Archives: Washington wine

60 Second Wine Reviews — Sound Purveyors Cabernet Sauvignon

A few quick thoughts on the 2016 Sound Purveyors Cabernet Sauvignon from the Columbia Valley.

The Geekery

Sound Purveyors is a collaboration project between winemakers Morgan Lee of Two Vintners and Peter Devison, formerly of Efeste and now with Cadaretta in Walla Walla.

Lee began his winemaking career as an intern for Columbia Crest before moving to Woodinville in 2007 to take the assistant winemaking position at Covington Cellars. He eventually took over full winemaking duties and partnered with David and Cindy Lawson of Covington to start Two Vintners in 2010. (Check out our review of their 2014 Zinfandel here)

In 2016, Lee was named a “Winemaker to Watch” by Seattle Magazine as part of their 11th Annual Washington Wine Awards.

Devison is a Canadian winemaker who studied viticulture in New Zealand, working harvests both there and in Australia before moving to Washington in 2005 to work at Tsillan Cellars in Lake Chelan. In 2007, he moved to Precept Brands to oversee the winemaking of Alder Ridge and Apex Cellars.

In 2012, he succeeded Brennon Leighton as head winemaker of Efeste where he stayed until leaving in 2017 to join the Middleton family’s Cadaretta winery and to oversee production of their second label, Inconceivable.

Sourced from the Columbia Valley, the majority of the fruit (but not over 85%) for the 2016 Sound Purveyor Cabernet Sauvignon comes from Red Mountain.

The Wine

Medium intensity nose. Rich black currants and plums with noticeable oak spice.

Photo by FotoosVanRobin from Netherlands. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

The French oak spice in this wine compliments the big fruit.

On the palate those dark fruits come through but are balanced by medium-plus acidity. The ripe high tannins hold up the full-bodied fruit and are soften by the creamy vanilla from the oak. Moderate length finish ends on the dark fruit and oak spice.

The Verdict

This is a young Cabernet Sauvignon made in a very full-bodied and rich style that will be giving pleasure for several years.

Crafted by two of the best winemakers in Washington, it’s a very delicious and well made bottle in the $25-30 range.

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Getting Geeky with Davenport Ciel du Cheval Rosé of Sangiovese

Going to need more than 60 Seconds to geek out about Davenport Cellars’ 2017 Rosé of Sangiovese from the legendary Red Mountain vineyard of Ciel du Cheval.

The Background

Davenport Cellars was founded in 2006 by Jeff and Sheila Jirka. Alumni of the Northwest Wine Academy at South Seattle College, the Jirkas were members of the very first Wine Production class–helping to pioneer a program that would go on to educate such award winning winemakers as Michael Savage of Savage Grace Wines, William Grassie of William Grassie Wine Estates, Charlie Lybecker of Cairdeas Winery, Kit Singh of Lauren Ashton Cellars, Tom Stangeland of Cloudlift Cellars, Jason Morin of Ancestry Cellars, Scott Greenberg of Convergence Zone Cellars, John Patterson of Patterson Cellars and Louis Skinner of Betz Family Winery among many others.

In addition to their studies at NWA, Jeff studied winemaking through the University of California-Davis Extension winemaking program while Sheila studied viticulture through Washington State University’s certificate program.

Located in the Woodinville Warehouse District, Davenport Cellars makes around 1000 cases a year from fruit sourced from some of the top vineyards in Washington State such as Les Collines, Pepper Bridge and Seven Hills Vineyard in Walla Walla, Boushey and Sheridan Vineyard in the Yakima Valley as well as Ciel du Cheval and Kiona Vineyard on Red Mountain.

The 2017 Rosé of Sangiovese is 100% Sangiovese sourced from Ciel du Cheval. Around 25 cases were made.

The Vineyard

In his book Washington Wines and Wineries: The Essential Guide, Paul Gregutt list Ciel du Cheval as among the Grand Cru vineyards of Washington along with Boushey Vineyard, Cayuse Vineyard in Walla Walla, Celilo Vineyard in the Columbia Gorge, Champoux Vineyard in the Horse Heaven Hills and Klipsun Vineyard on Red Mountain.

The author with John and Ann Williams of Kiona Vineyards who help plant Ciel du Cheval Vineyard with Jim Holmes.

Along with Kiona Vineyard, Ciel du Cheval was first planted in 1975 by Jim Holmes and John Williams, two engineers from the nearby Hanford nuclear site. The two were inspired to plant on the relatively barren scrubland near Benton City after reading Dr. Walter Clore’s report from Washington State University on the viability of grape growing in the area.

After purchasing 80 acres from Williams’ father-in-law in 1972 for $200 an acre, the men invested in bringing electricity to Red Mountain for the first time, constructed roads and drilled in search of an underground aquifer. Their funding was close to running out by the time the drillers finally hit pay dirt with a water source located 560 feet beneath the surface.

Those first acres of plantings would become what is today known as Kiona Vineyard. Soon after its establishment, Holmes and Williams began planting another 80 acres across Sunset Road with a group of investors that included David and Patricia Gelles (who would later establish Klipsun Vineyard). This second vineyard was called Ciel du Cheval, a rough French translation for the Horse Heaven Hills that were visible from Red Mountain across Highway I-82.

The early vintages of the new vineyard were sold to local wineries like Preston Winery and Quilceda Creek as well as Amity Vineyards from Oregon. In the 1980s, Andrew Will began sourcing Ciel du Cheval fruit and DeLille Cellars started a long term relationship with the vineyard in 1990.

The Horse Heaven Hills from which Ciel du Cheval gets its name as seen from Col Solare on Red Mountain.
Just behind the vineyards of Col Solare in the foreground are the vineyards of Kiona’s Heart of the Hill, Ciel du Cheval and Galitzine.

In 1994, Holmes and Williams amicably split up their partnership with Williams taking complete control and ownership over the original Kiona Vineyard while Holmes took over Ciel du Cheval. In the early 2000s, Holmes started planting adjacent plots next to Ciel du Cheval as part of joint ventures with Quilceda Creek (Galitzine Vineyard) and DeLille (Grand Ciel Vineyard).

Today there are 103 acres of vines planted at Ciel du Cheval broken up into 36 plots of Barbera, Cabernet Franc, Cabernet Sauvignon, Cunoise, Grenache, Merlot, Mourvédre, Nebbiolo, Petit Verdot, Pinot gris, Roussanne, Sangiovese, Syrah and Viognier. The vineyard is farmed sustainably with no herbicides used on the vines and low impact viticulture practiced for soil conservation and dust control.

In 2012, the Holmes family started Côtes de Ciel winery but still sell the majority of their vineyard’s fruit to an all star roster of Washington wineries such as Andrew Will, Betz, Cadence, DeLille, Fidelitas, Force Majeure, Januik, Mark Ryan, McCrea, Quilceda Creek and Seven Hills.

What Makes Ciel du Cheval Fruit So Highly Sought After?

Photo taken by self and uploaded to Wikimedia Commons as User:Agne27 under CC-BY-SA-3.0

A sample of the sandy loam and rocky soils of Ciel du Cheval featured at Betz Family Winery which uses fruit from Ciel du Cheval for several of their wines including their La Côte Rousse Syrah and Clos de Betz Merlot-based blend.

The soils on Red Mountain were formed through a series of cataclysmic floods and glaciation during the Ice Ages which left an uneven dispersal of soils and cobblestones across the vineyards and even rerouted the ancient Columbia River around the contours of Red Mountain.

The soils that were deposited on what is now Ciel du Cheval are different from neighboring vineyards with more than 12 feet of sandy loam on top of a layer rich in calcium carbonate. The very high pH levels of the soils due to the calcium carbonate keeps a lot of the nutrients in the soil insoluble and inaccessible to the vines. This encourages the vines to struggle and dig their roots even deeper in search of nutrients.

This results in much smaller canopies and berry sizes compared to vines grown elsewhere. In Washington Wines, Holmes notes that while a typical grape berry grown in Napa Valley will weigh around 1.3 grams, from Ciel du Cheval the average weight is 0.88 grams.

These smaller berries develop fully ripe and intense flavors from the 2950 average heat units that the vineyard receives each year but maintain fresh acidity due to the wide diurnal temperature variation that can drop as much as 40-50 degrees from the day time highs in the 90s.

The balance of fresh acidity with intense flavors and ripe tannins is a trademark style of fruit from Ciel du Cheval.

The Grape

Photo taken by self. Uploaded to Wikimedia Commons as User:Agne27 under  CC-BY-SA-3.0

A cluster of Sangiovese from Alder Ridge Vineyard in the Horse Heaven Hills.

Widely known as the dominant grape of Tuscany, one of the earliest commercial plantings of Sangiovese in Washington State was at Red Willow Vineyard in Yakima Valley in the 1990s though it is likely that Italian immigrants to Walla Walla in the late 1800s brought cuttings from their native land for personal cultivation.

By 1999, there were around 100 acres of Sangiovese planted in Washington. After jumping to 220 acres in 2002, plantings dropped to around 134 acres in production as of 2017.

As a red wine, the style of Washington Sangiovese is noted for its combination of red fruit flavors like cherry, currant and cranberry paired with spicy anise and herbal tobacco leaf notes. As a rosé, those cherry and cranberry notes are often complimented with strawberry aromatics. The grape’s trademark high acidity lends itself well to rosé production with a good portion of Washington’s approximate 75,000 cases of Sangiovese based wines being rosés.

One of the distinctions of Sangiovese is its propensity to develop clonal mutations when it is grown in different environments.

At Ciel du Cheval there are two clones of Sangiovese planted, VCR 6 and VCR 23, that were cultivated and studied at the Vivai Cooperativi Rauscedo in the Friuli-Venezia Giulia region of north east Italy.

Photo by Francesco Sgroi. Uploaded to Wikimedia Commons under CC-BY-2.0

Sangiovese grapes growing in the village of Certaldo outside of Florence in the Chianti zone.


The VCR 6 clone was sourced from vineyards in the Brunello di Montalcino region of Tuscany while VCR 23 was sourced from Vecchiazzano in Romagna.

The Wine

Medium-plus intensity nose. Lots of strawberry and cherry notes with a little subtle spice that almost seems black pepper like.

On the palate this rosé has a lot of weight–more so than the WT Vintners Pinot noir rosé sampled the same night. Some noticeable residual sugar but amply balanced by the high acidity that gives the fruit a mouthwatering juiciness. Moderate length finish brings back the subtle pepper spice from nose and adds an intriguing savory/sweet element.

The Verdict

While no one would would confuse this for a bone-dry and minerally Provençal rosé, at around $18, the Davenport 2017 Rosé of Sangiovese is a refreshing and easy to drink rosé that is very crowd-pleasing and food friendly.

Quite enjoyable on its own, the bold flavor and touch of sweetness in this rosé would particularly shine with foods that have a hint of spiciness like ethnic Thai or Indian.

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60 Second Wine Review — WT Vintners Rose

A few quick thoughts on the 2017 W.T. Vintners Rosé.

The Geekery

W.T. Vintners was founded in 2008 by Seattle sommelier Jeff Lindsay-Thorsen and his wife Courtney with George and Casey White.

An advance sommelier working on his Master Sommelier certification, Lindsay-Thorsen is currently the wine director at Michael Mina and Rajat Parr’s RN74 in Seattle. Prior to this, he built highly acclaimed wine programs at Cascadia Restaurant (now closed), Wild Ginger Bellevue and Holly Smith’s Cafe Juanita.

100% Pinot noir with around 55 cases produced, the rosé is sourced from the Underwood Mountain Vineyard. Planted on the volcanic and clay loam “Underwood Series” soils of an extinct volcano, the vineyard is part of the Columbia Gorge AVA.

First established as an AVA in 2004, the Columbia Gorge is unique in being an Eastern Washington AVA that is technically outside the large Columbia Valley AVA that encompasses most of Washington’s wine regions. Extending into Oregon, the AVA includes the foothills of the Cascades that is bisected by the Columbia River with cool fierce winds following the river and creating a wind tunnel effect.

This creates cool climate terroir that can be dry farmed with annual rains ranging from 18 to 30 inches a year.

The Wine

Medium-plus intensity nose. Very floral with orange blossoms and rose petals. Underneath the flowers is some bright cherry.

Photo by LauraGh91. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

Really gorgeous orange blossom notes in this rosé.

On the palate this is a very weighty rosé, almost Tavel-like, which is pretty remarkable for a Pinot rosé made in what I presume was the short-maceration method. Medium-plus acidity, though, gives plenty of freshness and balance to the fruit and lets the lovely floral notes persist through the moderate-length finish.

The Verdict

At around $20, this is an exceptionally well-made and character-driven rosé that was a joy to drink.

The weight and texture of the rosé opens it up to more robust food pairing possibilities (like some of the one’s Jennifer Simonetti-Bryan mentions in her book Rosé Wine) but it is quite delicious on its own.

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August is Washington Wine Month!

Photo taken by self. Uploaded to Wikimedia Commons as User:Agne27 under  CC-BY-SA-3.0

Yeah, I know it kinda feels like we just had a Washington Wine Month not that long ago.

Technically this past March was just Taste Washington Wine Month which highlights the big Taste Washington Event in Seattle that features over 225 wineries and 65 restaurants as well as activities (like seminars and The New Vintage Party).

But this month is the real Washington Wine Month. I swear! The Washington State Wine Commission even bought the domain www.winemonth.com to let the world know that August is Washington Wine Month.

Okay, it’s silly marketing but, hey, why waste a good excuse to drink and geek out about Washington wine? I’m in.

While throughout the month I’ll be highlighting Washington wines in my 60 Second Wine Reviews, I wanted to kick off the fun with a little primer of some of the great blogs, Twitter feeds and books that I used when researching my posts on Washington wine and wineries.

At the end I also feature a highlight of some of my favorite Washington-related posts and reviews that I’ve done here on Spitbucket. If you want to stay up to date with the fun be sure to subscribe so you can get posts sent right to your email.

Great Wine Blogs with a Washington-bent

Washington Wine Report (@wawinereport) — Though Sean Sullivan has moved up to the big leagues of wine writing being the Washington beat reporter for Wine Enthusiast, he still finds time for his Washington Wine Report that has been the benchmark standard for Washington wine blogging for some time.

Screenshot from Great Northwest Wines (8/1/18)


Great Northwest Wine (@GreatNWWine) — More of an online magazine than necessarily a blog but few cover the Pacific Northwest wine scene better than Andy Perdue and Eric Degerman.

VinoSocial (@VinoSocialNancy) — While not completely Washington-centric, Nancy Croisier does have a lot of experience and great insights to share about the Washington wine industry. She also wrote up a great post with all the relevant hashtags for folks wanting to promote and follow Washington Wine Month activities.

Wine Diva Lifestyle (@Shona425) — Shona Milne is one of the original bloggers covering the Woodinville wine scene that is now home to over 100 wineries.

Woodinville Wine Blog (@woodinvillewb) — With such explosive growth in the industry, it’s great to have multiple feet on the ground covering it. Written by a team of 3 friends who explore the food and events happening in Woodinville as well the wine.

Washington Wine Blog (@WA_WINE_BLOG) — A blog ran by 3 doctors who also share their love for the wines of Oregon and California as well.

Write for Wine (@WriteforWine) — Though Margot Savell’s blog has a global scope, she is another pioneer in the Washington wine blogosphere which she has been covering since 2007.

Wild Walla Walla Wine Woman — While Catie McIntyre Walker’s blog isn’t as active as it once was, she–like Shona–is one of the original pioneers in the Washington wine blogging scene with Catie’s focus being on the outstanding wines of Walla Walla. With over 140 wineries, there is still a lot of great stuff to discover.

Washington Wineries on Twitter Worth a Follow

Of course all wineries are going to want to promote their wines and events, but I like following these wineries because they will also give you behind the scenes peaks into the fun stuff of making wine instead of only posting promotions and bottle porn pics.

Lagana Cellars (@LaganaCellars) — Carmenere at bud break and just before veraison. Oh and robin eggs!

Photo taken by self and uploaded to Wikimedia Commons as User:Agne27 under CC-BY-SA-3.0

Chris Figgins at the 2012 Taste Washington Grand Tasting.


Cote Bonneville (@cotebonneville) — Baby chicks!

Figgins Estate/Leonetti (@FigginsFerment) — This is more of Chris Figgins’ personal twitter account but it has great content and pics showing life in Walla Walla as well as the development of their new Toil vineyard (my review of one their wines) and construction of their Figgins barrel room caves.

Claar Cellars (@claarcellars) — Veraison on Pinot gris! Watch a bottling machine in action!

Maryhill Winery (@MaryhillWinery) — I’m okay with bottle porn when it is tied into mouthwatering and delicious food-pairing recipes but what I live for are retweets of aerial drone shots of their spectacular vineyards in the Columbia Gorge!

Books About Washington Wine

Washington Wines and Wineries: The Essential Guide by Paul Gregutt — Still the magnum opus of Washington wine. Check out my review of the book here.

Wines of Walla Walla Valley: A Deep-Rooted History by Catie McIntyre Walker — Written by the original Wild Walla Walla Wine Woman, no one knows the valley, the people or the wines better than her.

Essential Wines and Wineries of the Pacific Northwest: A Guide to the Wine Countries of Washington, Oregon, British Columbia, and Idaho by Cole Danehower — Up until he passed away in 2015, Cole Danehower was one of the best authorities on the wines of the Northwest. Coupled with the beautiful photographs from Andrea Johnson, this book is something to treasure for multiple reasons.

Discovering Washington Wines: An Introduction to One of the Most Exciting Premium Wine Regions by Tom Parker — A bit outdated (2002) but super cheap on Amazon. What I found most fascinating about this quick and easy to read book was the compare and contrast between how the future looked for the Washington wine industry back at the turn of the century versus the whirl wind of success it’s seen over the last 20 years.

WineTrails of Washington by Steve Roberts — Also a tad outdated (2007) but still a quite useful tool to plan your winery tours in Washington. Just keep in mind that we have around 300 more wineries than we did when Roberts first wrote his book. Still my dog-earred and marked up copy gets pulled off the shelf from time to time as I compare the growth in his very well thought out “wine trails” that group wineries by locations. His WineTrails of Walla Walla (2010) is a smidgen more up-to-date.

The Wine Project: Washington State’s Winemaking History by Ronald Irvine and Dr. Walter Clore — A required textbook for my Washington Wine History class when I was at the Northwest Wine Academy because this truly is the textbook dictum of the people and moments that deeply impacted this state’s wine industry.

A Few of My Favorite Washington-related SpitBucket posts

The author with Bob Betz (right) and Louis Skinner (left) at Betz Family Winery

The Legend of W.B. Bridgman
The Mastery of Bob Betz
Exploring The Burn with Borne of Fire

Getting Geeky with Whidbey Island Siegerrebe
Getting Geeky with Bunnell Malbec
Getting Geeky with Gramercy Picpoul
Getting Geeky with Savage Grace Cabernet Francs
Getting Geeky with Soaring Rooster Rose of Counoise

Quilceda Creek Release Party
Event Review — Washington vs The World Seminar
Walla Walla Musings
It’s time to catch on to Passing Time
Making a Bet on Washington Chenin blanc

Loved the interplay of rich dark fruit and savory spice with mouthwatering acidity in this 2015 Hence Syrah from Walla Walla.


60 Second Wine Review — Hedges In Vogue Cabernet Sauvignon
60 Second Wine Review — àMaurice Viognier
60 Second Wine Review — Temper Red Blend
60 Second Wine Review – Gordon Cabernet Sauvignon
60 Second Wine Review — Hence Syrah
60 Second Wine Review — Lauren Ashton Cuvee Meline
60 Second Wine Review — Apex Catalyst
60 Second Wine Review — Sinclair Estate Vixen
60 Second Wine Review — Lost River Syrah
60 Second Wine Review – Browne Site Series Cabernet Sauvignon
60 Second Wine Review — Scarborough Stand Alone Cabernet Sauvignon
60 Second Wine Review — Tagaris Pinot noir
60 Second Wine Review — Woodward Canyon Artist Series

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Getting Geeky about Malbec

Photo by Marianne Casamance. Released on Wikimedia Commons under  CC-BY-SA-4.0Continuing our celebration of the oddly named Malbec World Day we’re going to get geeky here at Spitbucket about the Malbec grape.

What’s In a Name?

In Jancis Robinson’s Wine Grapes, the entry for Malbec is under Cot (or Côt) because of the association with grape’s likely birthplace in the region of Cahors in the historical province of Quercy in southwest France. Ampelographers note that like Côt many of the other early names for the grape such as Cos, Cau, Cor and Cors all seem to be contractions of Cahors.

However, the first written account of Malbec was actually in the Bordaux region of Pomerol in 1761 when the grape was called Noir de Pressac (black of Pressac), likely referring to the individual who first cultivated the grape. From Pomerol, the grape made its way to the Left Bank region of the Medoc where it was called Èstranger (stranger) or Estrangey.

The name Malbec came from a grower named Malbeck who propagated the grape in what is now known as Sainte-Eulalie in the Premières Côtes de Bordeaux AOC of the Entre-Deux-Mers region.

When a Mommy Grape and a Daddy Grape Cross-Polinate…

In 2009, DNA analysis discoevered that Magdeleine Noire des Charentes–the mother grape of Merlot (Check out the Academic Wino’s Who’s Your Daddy? series on Merlot)– and an obscure grape from the Tarn department called Prunelard were the parent varieties of Malbec.

In addition to being a half-sibling of Merlot, Malbec has done a bit of its own “cross-pollinating” being a parent grape to Jurançon noir (with Folle blanche) and Caladoc (with Grenache).

Malbec in Bordeaux

Photo by   Ian L. Uploaded to Wikimedia Commons under CC-BY-2.0

Malbec used to be far more prevalent in the Bordeaux region. In fact, Stephen Brook noted in The Complete Bordeaux that it was the most widely planted grape in the vineyards of Lafite in the 18th century. Many of the estates that were classified in 1855 had Malbec account for as much as 50% of their blends in the early 19th century.

However, the later half of the 19th century would usher in the decline of the variety due to its sensitivity to coulure and mildew. Following the devastation of phylloxera, many growers who did replant choose to replace Malbec in their vineyards with the more popular and easier to grow Cabernet Sauvignon and Merlot. Into the 20th century, Malbec still maintain a presence, particularly in the Right Bank, but the devastating frost of 1956 killed off a significant number of plantings and practically signal the death kneel for the grape in Bordeaux.

There are still some small plantings of Bordeaux with the Côtes de Bourg and Côtes de Blaye being the most significant strongholds. In St. Emilion, Cheval Blanc and Jean Faure are two notable estates with some plantings of Malbec. In Pomerol, Chateau L’Enclos (owned by the Adams family who also own Chateau Fonplegade in St. Emilion) also maintain some Malbec.

On the Left Bank, a small 1 ha block of old vine Malbec is still producing for 2nd Growth estate of Ch. Gruaud Larose in St. Julien. Fellow 2nd Growth Ch. Brane Cantenac in Margaux grows a few parcels of Malbec (as well as Carmenère). In the Graves region of Pessac-Leognan, Ch. Haut Bailly owns a 4 ha block of 100+ year old vines that includes a field blend of all six Bordeaux varieties–including Malbec and Carmenère.

Malbec in Argentina

Photo by PABLO GONZALEZ. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

Malbec vines growing in Argentina.

Michel Pouget is credited with introducing Malbec to Argentina, bringing pre-phylloxera cuttings of the grape from Bordeaux to the country in the 1850s.

Compared to their French counterparts, clusters of Malbec in Argentina are smaller with tighter berries. These smaller grape berries create a skin to juice ratio that tends to produce more deeply colored wines with intense black fruit.

The Bordeaux influence in Argentina is still felt today with producers like like Léoville Poyferré (Cuvelier de Los Andes), Michel Rolland (Clos de los Siete), Cheval Blanc (Cheval des Andes), Hélène Garcin-Lévêque (Poesia) and Lafite-Rothschild (CARO) having projects in Argentina making both varietal Malbec and using it in Bordeaux style blends.

Malbec in the United States

The grape is widely planted throughout the US including in states like Missouri, Idaho, Georgia, Arizona, Virginia, North Carolina, New York, Maryland, Texas and Michigan. Here it is made as both as varietal wine and as a blending component.

In Napa Valley, despite being a regular feature of popular blends like Opus One and Joseph Phelps Insignia, Malbec is sometimes considered the “Gummo Marx” of the Bordeaux varieties. Part of the grape’s low standing in the region was historically due to poor clonal selection but as better clone options from Cahors and Argentina become available, Napa is seeing increased plantings of the variety on Mt. Veeder, Coombsville and Atlas Peak.

Outside of Napa, Malbec is most widely planted in the San Joaquin Valley where it is used for mass produced bulk blends. However, there are quality minded producers making varietal Malbec wines throughout the state, particularly in regions like Paso Robles, Dry Creek Valley, Santa Ynez, Lodi and the Sierra Foothills.

Photo taken by self. Uploaded to Wikimedia Commons as User:Agne27 and released under CC-BY-SA-3.0

Red Willow Vineyard in Washington State.


In Washington State, Malbec has the curious distinction of being the most expensive grape per ton with the average price for a ton of Malbec in 2016 being $1,587 as opposed to varieties like Cabernet Sauvignon $1,442/ton, Merlot $1,174/ton, Chardonnay $940/ton and Semilion (the most expensive white grape) at $1,054 ton.

While Red Willow Vineyard in the Yakima Valley helped pioneer the grape in Washington State, Paul Gregutt in Washington Wines and Wineries: The Essential Guide notes that Casey McClellan of Seven Hills Winery was the first to plant the grape in Walla Walla in the early 1990s.

Want More Malbec?

Check out the hashtags #MalbecWorldDay and #WorldMalbecDay on Twitter and the Malbec tag on Instagram for more fun.

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The Legend of W.B. Bridgman


With more than 900 wineries producing over 17.5 million cases, the future of the Washington wine industry looks bright.

But as we wrap up Taste Washington Wine Month, it would be remiss to not take a look at a pivotal figure of the past who put Washington on the path to such a future–A Canadian ex-pat from Sunnyside, Washington named William B. (W.B.) Bridgman.

Early History and Irrigation Laws

Born in 1877, W.B. Bridgman grew up on the Niagara Peninsula in Ontario where his family grew Concord grapes. Ronald Irvine notes in The Wine Project that it was at Hamline University in St. Paul, Minnesota where Bridgman met Walter Hill, son of railroad tycoon James J. Hill. To help pay his way through law school, Bridgman became a tutor for the younger Hill and this arrangement led Bridgman to accompany Walter on a rail journey to the Pacific Northwest in 1899.

Intrigued at the opportunities in this new frontier, Bridgman found work at a local irrigation company and settled permanently in the Yakima Valley in the town of Sunnyside–about 175 miles southeast of Seattle. An expert in irrigation laws, Bridgman wrote many of the early statutes that outlined access and development of irrigation usage for agriculture in Eastern Washington–several of which are still on the books.

Due to the rain shadow effect of the Cascade Mountains, a significant portion of the central basin of Eastern Washington averages only around 8 inches of rain a year–most of it in winter months. To grow grapevines that often need 3 to 6 gallons of water a week during the heat of summer to avoid heat stress, the development and use of irrigation proved vital to the growth of viticulture in Washington.

Planting of Harrison Hill and Snipes Mountain

Settling into Sunnyside, Bridgman was elected mayor twice and in 1914 purchased land on two uplifts that are today separated by Interstate 82. Among the first vines he planted on Harrison Hill were Black Prince (Cinsault), Flame Tokay and Ribier. In 1917, he planted Muscat of Alexandria and Thompson Seedless on Snipes Mountain.

Map a derivative from Washington State AVA map provided by the Washington State Wine Commission for public use.

The Snipes Mountain AVA with a rough approximation of the location of Harrison Hill and present-day Upland Vineyard bisected by Highway 82.

Eventually Bridgman expanded to plant Zinfandel, Alicante Bouschet, Carignan, Mataro (Mourvedre), Pinot noir, Semillon, Sauvignon blanc, Black Malvoisie and many other varieties.

In the early years, Bridgman mostly sold grapes to the Italian and Croatian immigrants in the towns of Cle Elum and Roslyn. But when Prohibition was enacted in 1919, Bridgman actually saw demand skyrocket as a “loophole” in the legislation permitted up to 200 gallons a year of self-made wine–essentially producing overnight what Ronald Irvine describes as “a nation of home-winemakers”.

Upland Winery

Thomas Pinney notes in A History of Wine in America, Volume 2 that by the end of Prohibition, Bridgman had over 165 acres of vinifera planted. He decided to open a winery in 1934, hiring German winemaker Erich Steenborg–a graduate of the famous Geisenheim Institute who had worked for several wineries in the Mosel.

Photo taken by self. Uploaded to Wikimedia Commons as User:Agne27 under  CC-BY-SA-3.0

Soil sample from Upland Vineyard on Snipes Mountain.


At Steenborg’s urging and with his connections, Bridgman brought in around a half million cuttings of Riesling, Sylvaner, Gutedel (Chasselas), Blauer Portugieser and Müller-Thurgau vines. (Incidentally, Irvine notes that most of the Riesling cuttings that Upland brought in turned out to actually be Scheurebe.)

Named Upland Winery, Bridgman and Steenborg desired to make dry European-style table wines from vinifera grapes. However, post-Prohibition wine drinkers favored sweet dessert and fortified wines made from a mix of vinifera, hybrid and labrusca grape varieties so, to pay the bills, Upland also produced “ports” and “sherries” as well.

When Steenborg left in 1951, Bridgman hired Marie Christensen, who had been working as a lab assistant at Upland, to take over winemaking–making her the first woman in the state to head winemaking at a major winery.

Dealing with market forces that favored sweet and boozy wines eventually proved too much for Bridgman who sold the winery in 1960 to George Thomas. Thomas changed the name to Santa Rosa Winery and continued to operate it in some degree until 1972 when the winery was shuttered.

Grenache made by Kerloo Cellars from Upland Vineyard.


Today, the old buildings of Upland Winery and vineyards have been owned by the Newhouse family since 1968 with several of Bridgman’s original 1917 Muscat of Alexandria vines still producing grapes. Paul Gregutt speculates in Washington Wine that these may be the oldest Vitis vinifera vines in the state.

In addition to selling grapes from Upland Vineyard to over 20 different wineries like Betz, DeLille, Pomum, K Vintners and Kerloo–the Newhouses produce wine under Todd Newhouse’s Upland Estate and Steve Newhouse’s Newhouse Family Vineyards made in partnership with Ron Bunnell.

Influence on the Washington Wine Industry

While Dr. Walter Clore is considered the “Father of Washington Wine”, W. B. Bridgman can rightfully be called “the Grandfather“.

After Prohibition, Bridgman and his Upland Winery were charter members of the Washington Wine Producers Association. Founded in 1935, Bridgman was the only charter member from the east side of the mountains as most of the winemaking during that period was done on the west side of the state by fellow charter members St. Charles Winery and Davis Winery on Stretch Island, Wright Winery in Everett, Werberger Winery on Harstine Island and Pommerelle Winery in Seattle.

In Goldendale, Bridgman advised Samuel Hill (who married Walter Hill’s sister, Mary) to plant a mix of vinifera and American hybrids developed by Thomas Volney Munson in what is now Maryhill in the Columbia Gorge AVA.

Pinot gris from Upland Vineyard on Snipes Mountain.


Dr. Walter Clore

In 1940, Bridgman encouraged a young horticulturalist from Washington State University named Walter Clore to plant wine grape varieties at the Irrigation Experiment Station in Prosser. With Bridgman supplying many of the initial vine cuttings, this experimental vineyard would eventually become known as “The Wine Project” and include over 250 different varieties of vinifera, hybrid and American wine grape varieties.

Observing the success of several varieties in the vineyard, Clore authored academic papers extolling the viability of a wine industry in Washington State. Spurred on by the results of Dr. Clore’s work, the Washington wine industry today is responsible for more than 27,000 jobs with an economic impact of nearly $15 billion dollars.

Associated Vintners

In 1954, W.B. Bridgman sold grapes to a group of University of Washington professors making wine under the name of Associated Vintners. Impressed by the wines made by Lloyd Woodburne, Bridgman gave the young academics advice and encouragement in their endeavors. In 1960, Bridgman met with the AV group at the Roosevelt Hotel in Seattle to discuss the future of the Washington wine industry.

A Columbia Valley Syrah made under the W.B. Bridgman label by Precept Brands.


That meeting would lead to a long term contract for grapes that eventually turned into Associated Vintners purchasing the 5.5 acre Harrison Hill Vineyard in 1962 from Bridgman. Uprooting most of the older plantings, AV replanted with Cabernet Sauvignon and other red grape varieties. While Associated Vintners is now known as Columbia Winery and owned by Gallo, those Cab plantings at Harrison Hill Vineyard (managed by the Newhouse family) are today some of the oldest and most prized plantings in the state.

Legacy Today

William B. Bridgman died in 1968 at the age of 90, leaving a last imprint on the Washington wine industry even as his name has faded into obscurity.

Beyond the irrigation laws he authored that allowed viticulture to prosper, the roots of Upland Vineyard and Harrison Hill Vineyard continue to produce world class wine grapes. The first Chardonnay in the state was planted here and cuttings from AV’s replanting of Harrison Hill was used by Mike Sauer in the 1970s to plant Red Willow Vineyard.

To help keep the name of Bridgman alive, Washington Hills Winery (co-founded by Brian Carter) created a special line of wines in 1993 to honor the pioneer. When Precept Brands acquired Washington Hills in 2003, they kept the Bridgman Cellars label and today still produce wines that bare the name and legacy of W.B. Bridgman.

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60 Second Wine Review — Kerloo Grenache

A few quick thoughts on the 2014 Kerloo Cellars Grenache from Upland Vineyard on Snipes Mountain.

The Geekery

Kerloo Cellars was founded in 2007 by Ryan Crane, a protege of Forgeron Cellars’ Marie-Eve Gilla and Justin Wylie of Va Piano. The winery’s name is a play on “Curlew”–a genus of long, slender birds with down-curved bills that are distantly related to cranes.

Located on Snipes Mountain, Upland Vineyard is owned by the Newhouse family who have been farming wine grapes since 1968. The vineyard includes blocks that were originally planted by W.B. Bridgman in 1917 with Paul Gregutt speculating, in Washington Wine, that the 1917 Muscat of Alexandria at Upland may be the oldest vinifera vines in Washington.

Kerloo is one of over 20 wineries that sources fruit from Upland–joining a list that includes Betz, DeLille, Pomum and K Vintners.

The 2014 vintage was Kerloo’s 4th release of Grenache from Upland Vineyard. 100% varietal, the wine was aged in neutral French oak barrels for around 9 months before being bottled unfined and unfiltered. Around 240 cases were produced.

The Wine

Medium-plus intensity nose–an interesting mix of black fruit and toasty cinnamon spice. This wine smells like Cinnamon Toast Crunch cereal.

Photo by Bryanwake. Released on Wikimedia Commons under PD-user

This wine smells and tastes like a less sweeten bowl of Cinnamon Toast Crunch cereal.


On the palate, the black fruits carry through and become more defined as blackberries and black cherries. Medium acidity gives the wine some lift and freshness but not quite enough to be mouthwatering. The Cinnamon Toast Crunch cereal action also carries through but it adds character rather than sweetness. Medium tannins are very silky and balances well the medium-plus body of the fruit. Moderate length finish brings some pepper spice to the party.

The Verdict

At around $40, this is a well made and pleasurable wine but it is certainly one that you are paying a bit of a premium for it being a single vineyard wine and a relatively unique varietal.

It’s a good change of pace but would be a far more exciting wine in the $25-30 price range.

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Event Review — Washington vs The World Seminar

Every year as part of Taste Washington weekend, the Washington Wine Commission host several education seminars to highlight the unique terroir, wines and personalities of the Washington wine industry.

This year I participated in the Washington vs the World: Old World, New World, Our World seminar that was moderated by Doug Charles of Compass Wines. The event was presented as a blind tasting of 5 flights–each pairing a Washington wine with a counterpart from elsewhere in the world.

Featuring a panel of winemakers including Casey McClellan of Seven Hills Winery, Jeff Lindsay-Thorsen of WT Vintners, Keith Johnson of Sleight of Hand and Anna Schafer Cohen of àMaurice Cellars as well as Damon Huard of Passing Time Winery and Sean Sullivan of Wine Enthusiast and The Washington Wine Report, the one and half hour event was a terrific opportunity to learn insights from the panel while honing your blind tasting skills with some world class wines.

Below are my notes from each of the flights followed by the reveal of what the wines were.

Flight 1

Wine 1: Opaque ruby with more red than blue hues. Medium-minus intensity nose–floral roses with red berries. Some oak spice.
On the palate–red cherry and currant. High acidity, medium-plus tannins. Little skeletal and thin. Short finish but the floral notes come back and seem promising. Feels like a young Cab that needs some time to flesh out. No minerality so likely New World. Cool climate Washington–Yakima/Walla Walla?

Wine 2: Very opaque purple. Much darker than #1. Little hazy so likely unfiltered. Medium-minus intensity–dark fruit but also a noticeable green note. Vanilla.

The sediment from wine #2. There was no sign of age so clearly this wine wasn’t filtered.

On the palate, the noticeable oak vanilla comes to the forefront but the green leafy notes are also there. Dark fruits but still not very defined, especially with the oak. Medium-plus acidity and high tannins that have a chalky grittiness to them. Some clove spice from the oak. Likely a Cab like wine #1 and it feels like a New World Napa with dark fruit and all the oak but the green notes are throwing me off. Napa Mountain AVAs? 2014 Walla Walla?

Flight 2

Wine 3: Opaque with more red than blue hues. Medium intensity nose. Chocolate covered cherries and spice.

On the palate, chocolate cover cherries still with blue floral notes (Cab Franc?) and a mix of oak baking spice and Asian cooking spice. A lot of layers to evolve. High acidity–very juicy cherries. Medium-plus tannins, very velvet. Some pencil graphite minerality on the long finish (Cab Franc x2?) Kinda Old Worldish but the chocolate covered cherries seem New World or a very modern Right Bank Bordeaux? Very lovely.

Wine 4: Opaque ruby with a little fuchsia hues. Pretty similar color depth to #3, just slightly different shades. Medium intensity nose with some floral and perfume nose. Vanilla blossoms. Smells like a Macy department store. Some blue fruits.

On the palate, the blue fruits–plums and blueberries–carry through and has noticeable oak. Medium-plus acidity and high grippy tannins. Seems very Cab-like with that big structure. No minerality and really short finish. Like wine #1 this seems a bit skeletal and young but I don’t think this one is as promising as #1. Washington BDX blend?

Flight 3

Wine 5: Opaque ruby with noticeable blue hues. High intensity nose. Smokey tobacco and meatiness but also an earthy forest element. It smells like you’re hiking through the forest to get to a brisket BBQ.

On the palate, lots of dark fruit–black currant, black raspberry–but lots of smokey, meatiness too. Some leather. High acidity, high tannins. Big wine! Long finish with cigar notes. Taste like a Left Bank Bordeaux and Cote Rotie had a baby. Fantastic wine but I can’t think of a WA producer doing this.

Wine 6: Opaque ruby with noticeable blue hues. A tad darker than #5. Medium-plus intensity nose. Dark fruits. Chocolate covered acai berries. Lovely blue floral notes.

On the palate, rich black fruits–black plums, black currants. Noticeable oak vanilla. Juicy medium-plus acidity and medium-plus tannins. Very well balanced. Long finish. Taste like a high-end Napa so high-end WA? Both of these are outstanding.

Flight 4

Wine 7: Opaque ruby with some blue hues. High intensity nose with leather and smoked meat. More intense than Wine #5! A little green olive tapenade on toasted bread. Grilled rosemary skews. Floral violets. Roasted coffee. Lots and lots of layers!

On the palate, blackberries and bacon. The roasted coffee notes come through as well as most of the bouquet. Medium-plus acidity and medium-plus tannins. Little back end heat. Long finish. Very Northern Rhone-like. Really delicious wine that I want more time with.

The panel for the seminar. (Left to Right)
Doug Charles, moderator
Casey McClellan, Seven Hills
Jeff-Lindsay-Thorsen, WT Vintners
Keith Johnson, Sleight of Hand
Damon Huard, Passing Time
Anna Schafer Cohen, àMaurice
Sean Sullivan, Wine Enthusiast


Wine 8: Very opaque purple. Much darker than #7. Medium-intensity nose. Almost shy compare to #7. Black fruits. Citrus-lime zest? (WA Syrah?) Medium acidity and medium tannins. High pH. Little rocky minerality on moderate finish. Warm climate New World. Seems like a Red Mountain Syrah. Reminds me a little of the Betz La Cote Rousse.

Flight 5

Wine 9: Clear ruby with red hues. First wine that I can see through. Medium-plus intensity nose. Roasted chicken herbs–thyme and sage. Some blue floral notes.

On the palate, a mix of red and dark fruits–cherries and berries–with the herbal and floral notes. High acidity. Medium-plus tannins. Little minerality on the moderate finish. Seems like a cool climate New World or Old World Rhone.

Wine 10: Clear pale ruby. Lighter than #9 but darker than a Pinot noir. High intensity aromatics with earthy notes and red fruits. Some bacon fat smokiness.

On the palate, all red fruits–cherries and tart cranberries. The smokey bacon fat also comes through (Syrah?). High acidity and medium-plus tannins but way more biting. Not as well balanced as #9 and coming across as more thin and skeletal. Short finish. Seems young.

The Reveal
My favorite for each flight is highlighted with ***

Wine 1: 2012 àMaurice Cellars Artist Series Ivey Blend Columbia Valley (Wine Searcher Ave $43)***
Wine 2: 2013 Joseph Phelps Vineyards Insignia Napa Valley (Wine Searcher Ave $213) Update: Sean Sullivan informed me that this was poured from a magnum which likely highlighted how young tasting and underwhelming this wine was.

Wine 3: 2014 Duckhorn Vineyards Merlot Napa Valley (Wine Searcher Ave $47)***
Wine 4: 2014 Seven Hills Winery Merlot Seven Hills Vineyard Walla Walla Valley (Wine Searcher Ave $45)

Wine 5: 2012 Château Lynch Bages Pauillac (Wine Searcher Ave $114)***
Wine 6: 2015 Passing Time Winery Cabernet Sauvignon Horse Heaven Hills (Winery price $80)

Wine 7: 2015 Sleight of Hand Cellars Psychedelic Syrah Stoney Vine Vineyard Walla Walla Valley (Wine Searcher Ave $61)***
Wine 8: 2015 Glaetzer Wines Amon-Ra Shiraz Barossa Valley (Wine Searcher Ave $75)

Wine 9: 2015 WT Vintners Rhone Blend Boushey Vineyard Yakima Valley (Winery price $40)***
Wine 10: 2014 Sadie Family Columella Coastal Region (Wine Searcher Ave $107)

My Top 3 Wines of the Event

2015 Sleight of Hand Cellars Psychedelic Syrah Stoney Vine Vineyard — WOW! This wine was so funky and character driven that I can still memorably taste it over 4 days later. I’m usually not that blown away by Sleight of Hand wines–finding them well made but often jammy and fading quickly–and while I don’t think this wine is necessarily built for the cellar, it certainly built to deliver loads of pleasure and layers of complexity over the next few years.

The Sleight of Hand Psychedelic Syrah from the Stoney Vine Vineyard was my Wine of the Event.


2012 Château Lynch Bages Pauillac — I don’t know what kind of decanting this wine saw before the event but this wine was tasting exceptional for a young Pauillac–more so for a young Lynch Bages! I suspect it was opened earlier in the morning with the somm team pouring the glasses at least an hour before the event started–which is still a relatively brief amount of time for a top shelf Bordeaux. Update: I learned from Nick Davis of Medium Plus and the somm team at the seminar that the 2012 Lynch Bages was opened only 40 minutes before the event and poured 20 minutes prior to the tasting beginning. That only adds to how impressive the wine was showing.

The 2012 vintage in Bordeaux is not getting a lot of attention being bookend between the stellar 2009/10 and 2015/16 vintages. Like 2014, you hear Bordeaux lovers note that 2012 is much better than 2011 and 2013 but that almost seems like damning with faint praise. It’s clear that there is a lot of great value to be had in this vintage–compare the Wine Searcher Ave for 2010 Lynch Bages ($190) & 2015 ($142) to the $114 average for 2012–and if it is starting to deliver pleasure at a little over 5 years of age then it’s worth investing in as a “cellar defender” to enjoy while waiting for your 2009/10 and 2015/16 wines to age.

2014 Duckhorn Vineyards Merlot Napa Valley — I was not expecting this result. During the blind tasting I was very intrigued by this wine and ultimately pegged it as a Right Bank Bordeaux made in a style along the veins of Valandraud, Fleur Cardinale, Monbousquet or Canon-la-Gaffelière. Never would have pegged it as a Napa Merlot! In hindsight the chocolate covered cherries should have been my clue but they were so well balanced by the acidity and minerality that it didn’t come across as “Napa sweet”. Well done Duckhorn!

An honorable mention goes to the 2015 Passing Time Horse Heaven Hills Cabernet Sauvignon. I was very impressed with how how Napa-like it has become. I was already a fan of the winery and tried this 2015 as a barrel sample at last year’s release party where its potential was evident. Still, I wasn’t expecting it to be this good, this quickly. It was rather unfair to compare the Passing Time to the 2012 Lynch Bages which was so different and so fantastic in its own right. A better pairing would have been with the Joseph Phelps Insignia or any other high end Napa like Silver Oak, Caymus, Frank Family, Cakebread, etc and I have no doubt that the Passing Time would have came out on top for most tasters.

Things I Learned About Blind Tasting

Admittedly I was a tad concerned finding myself consistently liking the first wine in each tasting flight but I can’t think of any systematic reason that would lead to that result. The wines were all poured in advance and I cleared my palate with crackers and water between each so I have to chalk it all up to coincidence.

For the most part, the varietal character and identity of each flight stood out and I was fairly accurate in identifying them. The main outlier was the Merlot flight (#2) featuring the Duckhorn and Seven Hills Merlots. The Duckhorn was tripping some of my Cab Franc notes while the Seven Hills was exceptionally Cabernet Sauvignon-like so that led me to deduce Right Bank Bordeaux blend which was wrong but at least in the ballpark.

The more difficult task was trying to nail down the region and which was the Washington example versus the World example. Here I felt like I only solidly hit 2 of the 5 flights (Flight #1 and Flight #3–Cab and Cab-dominant blends) but that was mostly just by 50/50 luck–especially in Flight #1.

The WT Vintners Rhone blend from Boushey Vineyards in the Yakima Valley is a tough wine to pin down in blind tasting because of its mix of Old/New World characteristics.

I was often tripped up by how “Old Worldish” many of the Washington wines were–especially the Sleight of Hand Cellars Psychedelic Syrah from the Stoney Vine Vineyard in the Rocks District. In hindsight, this should have screamed “ROCKS!” to me much sooner. While technically Oregon, this sub-AVA of Walla Walla produces some of the most complex and interesting Syrahs being made in Washington. I commented from the audience that putting this Syrah in a blind tasting is a little evil because of how Old World and Cote Rotie-ish it is.

Another thing that makes Washington a bit difficult to peg down is how frequently “cool climate notes” like red fruit, juicy medium-plus acidity, bright floral perfumes and subtle herbal notes appear in wines that are actually grown in rather warm climates (especially compared to Old World regions like Bordeaux). This is largely because of the significant diurnal temperature variation in Eastern Washington that can swing as much as 40℉ from the high heat of the daytime to cool low temperatures of night. This allows Washington grapes to get fully ripe and develop some of those dark fruit notes but, especially in cooler areas like Boushey and Red Willow Vineyard in Yakima and parts of Walla Walla, also maintain ample acidity and some of those cool climate characteristics.

From a blind tasting perspective, I need to solidify in my mind that getting a wine with that mix of warm/cool climate characteristics should be a tip off that I’m dealing with a Washington wine.

Is it Worth it?

Hell yeah. While I wasn’t impressed at all with attending The New Vintage, I will certainly make an effort to attend future seminars at Taste Washington.

At $85 a ticket, this was one of the more expensive seminars with others being as low as $45 a ticket, but the experience (and tasting over $800 worth of wine) delivers more than enough value to merit the cost.

A lot of great wine to taste through.


The only slight criticism is the rush between tasting each wine and getting the panel and audience to start commenting on them. Especially being a blind tasting, I wanted more than just a minute or two to critically taste and evaluate the wine before I start hearing other people’s comments that may sway my assessment.

Granted, I’m sure I’m in the minority here as I could tell that for many other participants in the audience, tasting the wines and being able to ask questions of the panel was a bigger draw than getting a chance to sharpen their blind tasting skills. When you have 10 wines being presented over 90 minutes–and allotting time for questions about vineyards, grape varieties, winemaking style, etc–something got to give so I understand why the tasting time got the short shrift.

Still, it was an exceedingly worthwhile experience that I highly recommend for Washington wine lovers and wine geeks alike.

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60 Second Wine Review — Ancestry Cellars Pinot gris

A few quick thoughts on the 2017 Ancestry Cellars Prosperita Pinot gris from the Columbia Valley.

The Geekery

Ancestry Cellars was founded by Jason and Erin Moran in 2011. Full disclosure, like Michael Savage of Savage Grace, Jason is an alum of the Northwest Wine Academy and was in my wine production class.

The accolades for Ancestry came quickly after its founding with Sean Sullivan of the Washington Wine Report and Wine Enthusiast noting that Jason Morin particularly excels with his white wines.

With a tasting room in Manson, as well as in Woodinville, Ancestry Cellars has been focusing more on the developing Lake Chelan AVA. In addition to sourcing white grape varieties like Pinot gris and Chardonnay, Ancestry also produces a Malbec sourced from Dry Lake Vineyard in Manson.

The 2017 Prosperita Pinot gris is sourced from fruit from the Lake Chelan AVA and from Sagemoor Vineyards in the greater Columbia Valley AVA. The wine is 100% Pinot gris that was fermented and aged in stainless steel.

The Wine

High intensity nose of fresh white peaches and orange blossoms. In the background is a little pear note as well.

On the palate, that fresh white peach note comes through but the floral orange blossom notes gets more zesty and citrusy. Medium-plus acidity keeps the mouthfeel very lively and fresh but is amply balanced by the medium bodied weight of the fruit.

Photo by Fir0002. Released on Wikimedia Commons under CC-BY-NC-3.0

Lovely fresh white peach notes in this Pinot gris.

Dry but fruit forward. The acidity also adds a mouthwatering aspect that quickly makes you want to take another drink. Moderate length finish brings back some of the floral notes.

The Verdict

This wine tastes like Spring and is exceptionally well made. While some Northwest Pinot gris producers have a difficult time balancing the sense of fruitiness/sweetness with crisp acidity, this Ancestry Pinot gris hits those notes perfectly making a dry Pinot gris with ample weight and fruit.

For $12-15, this is a delicious white wine that is perfect for patio sipping as well as food pairing.

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Event Review — The New Vintage at Taste Washington

After many years of only attending the Grand Tasting of Taste Washington, I decided to participate in some of the other events going on during Taste Washington weekend–the seminars and The New Vintage party.

While the Washington vs The World seminar was awesome, the New Vintage party was….less than stellar.

Is it a party, a tasting or a cattle call?

On the Taste Washington website, they describe The New Vintage at Fisher Pavillon ($80 a ticket) as an event to “See and be seen at this stylish soirée. Sample exquisite Washington wine and even discover new favorites as you chat with celebrity chefs and chow down on gourmet bites. Grab your closest friends and dance the night away, but don’t forget to pay a visit to the popular Rosé Lounge for a tasty glass of pink before the evening ends.”

In reality, it was an event to bump and be bumped into by other people as you try to make your way through the sea of humanity to a table to get a sample of wine or food. In many ways, it felt like a more scaled down version of the Taste Washington Grand Tasting. But instead of having the spacious CenturyLink event center, you had this large crowd of folks squeezed into a smaller event space at Fisher Pavilion.

Most of the strategies I talked about for dealing with the crowds at the Grand Tasting didn’t apply to The New Vintage because of how difficult it was to move around. Even if there was an empty table somewhere (which, with about a 1/5th of the wineries and restaurants compared to the Grand Tasting, wasn’t likely) you still had to literally fight, slip, slide, sneak, ope, excuse me, pardon, sorry your way to that table.

To give you a feel of the environment, this was a 30 second video I took about an hour into the event trying to move past the music stage and get to the Rosé Lounge. Note that my short 5’3 self is juggling my phone, wine glass and event brochure while trying to film this.

Good luck trying to “chat” with celebrity chefs as they were busy working their tails off to keep a steady stream of food going for the crowds. Ditto with winemakers but that is usually par for the course with these types of tastings as people always want to monopolize winemakers’ time.

Truthfully, the only people that were easy to talk to were the lonely guys at Voya Financial who were somewhat conveniently located by the stage. Before the music started, that was the only table in the event that didn’t have a mass of people in front of it.

This picture was taken just after the video where I had a clearing to raise my arms up and capture a better crowd shot.
The Rosé Lounge I was working towards is ahead in the corner.


And dancing? Ha! Maybe we could’ve gotten some mosh-pit action going on at best–though really the music provided by the synth pop duo Man Made Time wasn’t of the “moshing” vibe. Plus, where were you going to put your wine glasses while dancing?

The Positives

Just like at the Grand Tasting, there was good wine and good food to be discovered at The New Vintage. Below I list some of my favorite wines but among the food, I was blown away by the pork rillettes made by Brooke Williamson of the Hudson House on Redondo Beach. Compared to the Grand Tasting of Taste Washington which focuses on local restaurants, I appreciated that The New Vintage gave us a chance to try something new from this LA area chef.

The music was actually great. I never heard of Man Made Time before but their singer, Hillary Grace, has a gorgeous voice.

I also loved the concept of a “Rosé Lounge” (though, in reality, it was actually more of just a Rosé Table with only sparse seating nearby). I fought my way through the crowds several times to use that table as a palate cleanser and ended up finding several of my favorite wines of the evening. With Taste Washington weekend usually happening close to the beginning of Spring, having a prominent Rosé featuring event is a great idea and one that I would love to see expanded.

My Top 5 Wines from the Event

Even with the frustration and cattle call atmosphere, I still had a chance to discover some great wines. Here were are my 5 favorites.

Fantastic bubbles! And unlike the guy who was working the Domaine Ste Michelle booth, yelling for people to try his “champagne”, the folks at Karma where very professional and knowledgeable about their product.


1.) 2013 Karma Brut sparkling wine — Everytime I taste Karma’s bubbles, I become more and more impressed. They have long passed Argyle as the Northwest’s best sparkling wine producer and are giving Schramsberg in California a run for their money as the best in the United States. A blend of 49% Chardonnay, 48% Pinot noir and 3% Pinot Meunier, this vintage sparker spent 48 months aging on its lees, creating beautiful depth of toasted spice pear with a creamy, silky mousse. Truly a gem out in Lake Chelan.

2.) 2017 WIT Cellars Rosé — A blend of Tempranillo and Sangiovese that I believe was made in a saignée style. Lots of red wine character with strawberry and raspberry but bone dry with a long minerally finish. Impeccably made and well worth hunting for.

3.) 2017 Amelia Wynn Albarino — Beautiful high intensity aromatics of citrus and tropical fruit that I could smell as soon as it was poured into the glass. Very full-bodied for a white but with ample acidity and crispness. They also featured a Tempranillo rosé at the Rosé Lounge that was going toe to toe with WIT Cellars for the rosé of the night.

I also dug the schwag stickers from AniChe.


4.) 2017 AniChe Cellars Bombadil — a white Rhone blend of Grenache blanc, Picpoul and Viognier sourced from the Boushey vineyard in the Yakima Valley. Anyone who read my review of Gramercy’s Picpoul could probably guess how excited I was to hear about this blend–and sure enough it delivered. A lot more weighty than a varietal Picpoul with the dominant Grenache blanc and Viognier, this wine had a silky mouthfeel of apples and lemon custard. Great summertime white to pair with heartier cuisine.

5.) 2014 Gard Vaucluse — A very savory Rhone blend of 68% Syrah, 29% Grenache and 3% Viognier that had a mix of juicy blue fruit, floral and spice notes. This table was on the opposite corner of the Rosé Lounge and after tasting this huge wine I wanted to give my palate a break with some rosé. It took me over 10 minutes to navigate through the crowds to get to the other side of the room and I was still tasting this wine.

A white Cab Franc!


Honorable mention for the most geeky wine I tried at the event–2015 Ellensburg Canyon Winery White Cabernet Franc — Yes! A white Cab Franc! Sourced from Cox Canyon Vineyards, the grapes were whole cluster pressed right after harvest to produce this white wine. While it didn’t have all the evocative aromatics of red Washington Cabernet Francs that I adore so much, it was still a tasty white wine that I applaud Ellensburg Canyon Winery for trying their hand with. It reminded me of a more weighty and textured Italian Pinot grigio.

Another honorable mention to Ducleaux Cellars who featured several wines that impressed me–their One Night Stand rosé, Jordyn white Rhone blend and Anarchy red. The only reason they didn’t make my top 5 is because I honestly couldn’t figure out which of the three that I liked the best. Ducleaux, AniChe, WIT Cellars and Amelia Wynn were first time tastes for me and all four are wineries that I’m eagerly looking forward to discovering more about.

One of the empty winery tables that had already packed up and left by 9:17pm — with more than 40 minutes left in the event. But also look at all that space in the center. A better layout would have minimized the “moshing” and cattle call feel of the event.

Ways to Improve The New Vintage for Next Year

The first thing the event organizers need to do is nail down exactly what they want this event to be and then tailor the event space to serve that purpose. If they want it to be a party vibe with dancing and socializing then they need to move the tasting tables to the perimeter and leave a large clearing in the center for people to dance, mingle and socialize.

The organizers also need to make the hard decision of either A.) selling less tickets or B.) renting a bigger space.

Personally, I vote for selling less tickets as one of the other frustrating narratives of the night was how many food and winery tables closed up early because they ran out of stuff. It was a sad irony that by the time the crowds started to wane (around 9:20pm), and you could actually maneuver around more and hit the tables you missed, was when most of those tables were done for the night. One table I regret missing was the St. Germain/Trevari sparkling cocktail table. Located right near the entrance it was always swamped by people and I was hoping to have that cocktail be my nightcap before switching to water.

Pretty emblematic of the whole event. This photo of one of the restaurant tables was taken at 9:09 pm with almost an hour left to go.

As I mentioned above, it would also be nice if the organizers developed and expand the Rosé Lounge concept. It would be awesome to see it made into a true lounge setting that was roped off or somehow separate from the rest of the tasting with more seating and its own food pairing tables. This would offer a fantastic opportunity to truly explore the diversity of Washington State rosé–especially if they had separate tables within the lounge dedicated to different styles of rosés like the ones that Master of Wine Jennifer Simonetti-Bryan highlights in her book Rosé Wine–Blush, Crisp, Fruity and Rich.

I’ll keep an open mind for next year’s Taste Washington weekend and see if I hear about any changes to the format or venue for The New Vintage. But at this point I would say the event is certainly not worth the $80 to attend. Instead I would rather spend the extra $15 to get a general admission pass to one of the Taste Washington Grand Tasting days where you’ll have 5x as many food and wine options and a heck of a lot more room to enjoy the event.

Yes, there will always be crowds at the Grand Tasting but at least that event never felt like a cattle call.

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