Tag Archives: Trebbiano

WBC18 Day 1 Quick Impressions

Getting ready to start Day 2 of the 2018 Wine Bloggers Conference and my nervousness has subsided considerably.

It was really great meeting several bloggers who I’ve only known before as names on a screen. I’d love to give a particular shout out to Lisa Stephenson (Worldly Wino), Noelle Harman (Outwines), Anne Keery (Aspiring Winos), Maureen Blum (Mo Wino), Dwight Furrow (Edible Arts), Reggie Solomon (Wine Casual) and Margot Savell (Write For Wine) for being great geeking and drinking companions yesterday.

I also want to thank Nancy Croisier (Vino Social) who I’ve known outside of blogland but has done a lot to help me feel welcomed here at WBC.

Lustau’s Sherry Wine Specialist Certification Course

I will definitely be doing a full write-up in the next few weeks on this event. A big light bulb moment for me was realizing the similarities and overlap between Sherries and Scotches.

Both drinks mostly start out with a single main ingredient (Palomino grape and Malted Barley). Yes, there are some other minor grapes like Moscatel and Pedro Ximenez and Blended Scotches can have various grains like corn and rye but, for the most part, the reputation of both are built on these primary ingredients.

Many Scotches are aged in Oloroso Sherry casks which makes tasting the Lustau Don Nuno Oloroso Sherry a great education for Scotch fans. 

The diversity of styles that arise from those single ingredients begin early in the production process with pressing decisions with Sherries that dramatically impact mouthfeel while the shape of the still and angle of the lyne arm with Scotch will similarly have a pronounce influence on the resulting mouthfeel and body of the Scotch.

Then comes the ever important aging period with the environment, barrels and time leaving their indelible print. While the use of yeast seems to be more important to Bourbon producers than necessarily Scotch, you can still see an overlap with the presence or absence of Sherry’s famous Flor yeast. Though a better comparison on degree of influence may be more with water source.

You can also draw a parallel between the art and skill of blending for whiskies with the simplicity yet complex results of the solera system.

Welcome Reception Wine Tasting

Two big wine discoveries jumped out at the reception tasting–the wines of Mt. Beautiful in the Canterbury region of New Zealand and the Lugana DOC located at the south end of Lake Garda in Italy.

The 2016 Mt. Beautiful Pinot noir, in particular, was excellent and ended up being the best wine of the entire day (with the 2013 Mullan Road a close second). It reminded me of an excellent Oregon Pinot noir from the Eola-Amity Hills with its combination of freshness, dark fruit and a mix of floral and spice notes. I would have pegged it for a $35-40 bottle but the Wine Searcher Average for it is $26!

After tasting the Lugana wines, I want to explore more about its primarily grape Trebbiano di Soave–locally known as Turbiana. As I’ve discovered reading the work of my Vino-Crush Ian D’Agata, the Trebbiano group of grapes is a mix bag with a reputation that is often overshadowed by the blandness of Trebbiano Toscano (the Ugni blanc of Cognac) yet can produce some stellar wines such as Trebbiano d’Abruzzo made by its namesake variety.

That “mixed bag” feel also characterized my tasting of the Lugana wines with some of them being fresh and vibrant like a racy Verdicchio or complex and layered like a Vermentino while others were decidedly “meh”. That could be producer variation but I’d like to learn more about Turbiana and which side of the Trebbiano family tree this variety may fall on.

Mullan Road Winemaker’s Dinner

Dennis Cakebread of Mullan Road and Cakebread Cellars

It was very fun to meet Dennis Cakebread and learn about his plans for Mullan Road.  He doesn’t necessarily want it to go down the Cakebread path in Napa with a large portfolio of wines (including apparently a Syrah from the Suscol Springs Ranch Vineyard in Jamieson Canyon that I now eagerly want). Instead, he wants to keep this 3000 case label focused on being a Bordeaux-style blend.

I also found it interesting that instead of going the Duckhorn/Canvasback route of purchasing land in a notable AVA like Red Mountain, Cakebread is embracing the blending mentality with sourcing fruit from great vineyards like Seven Hills in Walla Walla, Stillwater Creek and the Lawrence Family’s Corfu Vineyard in the upcoming Royal Slope AVA.

They poured both the 2013 and 2015 vintages of Mullan Road (as well as a one-off bottling of extra Merlot from the 2013 vintage) and it is clear that Mullan Road is a wine that rewards patience. While I suspect the 2015 will eventually be the better bottle, it was still at least 2 to 3 years away from starting to hit it stride while the 2013 was just now entering a good place with a solid core of dark fruit, juicy medium-plus acidity but added spice and floral aromatics for complexity. I can see this 2013 continuing to deliver pleasure easily for another 7 to 10 years that more than merits its $40-45 price point.

The evening also featured an unexpected history lesson with a character actor re-enacting the story of Captain John Mullan and the military road he constructed to connect Fort Walla Walla to Fort Benton in Montana on the banks of the Missouri River.

All in all, a great day. Here’s to Day 2 following suit!

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Getting Geeky with Tablas Creek Vermentino

Back in January, I wrote a post called Wine Clubs Done Right that detailed my discovery of Tablas Creek’s Wine Club program. Which I promptly joined. As I noted in that post, I don’t join many wineries’ wine clubs. They rarely offer compelling value. Plus, I don’t like being committed to buying quantities of wine that may eventually shift in style due to changing winemakers/ownership, etc.

However, while exploring the Tablas Creek story and all they had to offer I found many compelling reasons to pull the trigger and join. Much to my surprise, the folks at Tablas Creek were actually interested in my tale and offered on their blog some cool behind the scene insights into their thought processes in how they set up their wine club programs.

You usually don’t see that kind of receptivity and transparency with many wineries but, as I’ve found out in the nearly eight months since I’ve been a member of Tablas Creek’s wine club, that is just par for the course with them. It’s not marketing or show. These folks are really just wine geeks through and through. They love what they are doing and sharing that passion with others.

If you are wine geek yourself, I honestly can’t recommend a more exciting winery to discover.

Beyond their hugely informative blog with harvest and business details, the Tablas Creek website also offers a trunkload of goodies. This includes a fantastic vintage chart of their wines that gets updated regularly. You’ll also find a comprehensive listing of grape varieties they farm.

Jancis Robinson’s Wine Grapes is still my holy writ (and I like Harry Karis’ The Chateauneuf-du-Pape Wine Book chapter on grapes). But when I’m away from my books and want to check up on a Rhone variety, there is no better online source than the Tablas Creek site. Plus, the particular winemaking details they cover in the entries is often stuff that you won’t find in many wine books because it comes from their decades of hands-on experience working with these grapes between themselves and the Perrins’ Ch. Beaucastel estate.

But enough with the effusive gushing and let’s get down to some hardcore geeking over the 2017 Tablas Creek Vermentino from the Adelaida District of Paso Robles.

The Background

Photo taken by self and uploaded to Wikimedia Commons under CC-BY-SA-3.0

Counoise vine outside the tasting room at Tablas Creek.

Tablas Creek Vineyards was founded in 1989 as a partnership between the Perrin family of Château de Beaucastel and Robert Haas of Vineyard Brands. As I noted in my 60 Second Review of the 2000 Beaucastel Châteauneuf-du-Pape, the Perrins have been in charge of the legendary Rhone property since 1909.

Robert Haas established Vineyard Brands in 1973 as part of a long wine importing career.  He began in the 1950s working for his father’s Manhattan retail shop M. Lehmann (which was eventually bought by Sherry Wine and Spirits Co. to become Sherry-Lehmann). After World War II, he was the first American importer to bring Chateau Petrus to the United States. Haas also helped popularize the idea of selling Bordeaux futures to American consumers.

In addition to Beaucastel, Haas represented the importing interests of several notable Burgundian estates. These include Domaine Ponsot, Henri Gouges, Thibault Liger-Belair, Jean-Marc Boillot, Etienne Sauzet, Mongeard-Mugneret, Domaine de Courcel, Thomas Morey, Vincent & Sophie Morey, Vincent Girardin and Vincent Dauvissat. He also represented the Champagne houses Salon and Delamotte. Haas would go on to sell Vineyard Brands to the firm’s employees in 1997. His son, Daniel, manages the company today.

Aaron Romano of Wine Spectator noted that Haas also helped launch Sonoma-Cutrer and promoted on a national stage the prestigious California wines of Chappellet, Joseph Phelps, Hanzell, Kistler and Freemark Abbey. In 1980, he co-founded the distribution firm Winebow Group.

Planting Tablas Creek

Photo by Deb Harkness, Uploaded to Wikimedia commons under CC-BY-2.0

The vineyards of Tablas Creek with some of the rocky limestone soil visible.

Haas and the Perrins saw the similarity in maritime climate and limestone soils of the Adelaida District and Rhone.  They purchased 120 acres west of the city of Paso Robles and established Tablas Creek. Planting of their estate vineyard began in 1994. Today the winery has 115 acres of biodynamically farmed vines–producing around 30,000 cases a year.

Utilizing its close connection to the Chateauneuf estate, Tablas Creek would go on to become an influential figure in the Rhone Ranger movement in the United States. They did the heavy lifting of getting cuttings from Beaucastel through quarantine and TTB label approval. Over the years,  Tablas Creek would help pioneer numerous varieties like Counoise, Terret noir, Grenache blanc and Picpoul in the US. Additionally, the high quality “Tablas Creek clones” of Syrah, Grenache and Mourvedre have populated the vineyards of highly acclaimed producers across California, Oregon and Washington.

In the mid-2000s, Robert’s son Jason joined the winery and is now the general manager. He’s also the main contributor to Tablas Creek’s award-winning blog.

In March 2018, Robert Haas passed away at the age of 90, leaving a lasting legacy on the world of wine.

The Grape

Photo provided by NYPL Digital Gallery. Uploaded to Wikimedia Commons under CC-PD-Mark with an author that died more than 100 years ago.

Vermentino from Giorgio Gallesio’s ampelography catalog published between 1817 and 1839.

Wine writers and producers hotly debate the origins and synonyms of Vermentino. Some ampelographers claim that the grape came from Spain via Corsica and Sardinia sometime between the 14th and 17th centuries. However, DNA evidence point to potentially the mainland of Italy as the birthplace. Here they suggest that the Vermentino of Tuscany, Corsica and Sardinia are the same grape as the Ligurian Pigato and the Piemontese Favorita.

But, Ian D’Agata, in his Native Wine Grapes of Italy, notes that these conclusions are vigorously disputed by Italian growers, particularly in Liguria, who point out that Pigato produces different wine compared to other Vermentino. D’Agata finds Pigato to create “bigger, fatter wines” with a creamier texture than most Vermentino. The name “Pigato” may have derived from the word pigau in the Ligurian dialect, meaning spotted. It could be a reference to the freckled spots that appear on the berries after veraison.

It is possible that the grape is a relatively recent arrival to Sardina. The absence of Vermentino in the 1877 Bollettino Ampelografico listing of Sardinian varieties suggests this. However, the 1887 edition later included it. Today the grape plays a prominent roll in Sardinia’s only DOCG wine–Vermentino di Gallura.

The connection to Favorita seems to be less disputed, though.
Photo by trolvag. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Vermentino vineyards in Sardinia.

Robinson, Julia Harding and José Vouillamoz note in Wine Grapes that historically the grape was believed to have been brought to Piedmont originally as a gift from Ligurian oil merchants. The first documentation of the vine was in the Roero region in 1676, where it was a “favorite” table grape.

Almost two decades earlier, in the Piemontese province of Alessandria, a grape named “Fermentino” was described.  Growing in vineyards along with Cortese and Nebbiolo,  this may be the earliest mention of Vermentino.

Historically, as Favorita, the grape has a long history of being blended with Nebbiolo. It was a softening agent, used to smooth out the later grape’s harsh tannins and acid. This is very similar to how producers once blended white grapes like Trebbiano and Malvasia with Sangiovese in Chianti.

While once the primary grape of Roero, in recent decades, Favorita has fallen out of favor. In its place,  Arneis and Chardonnay have gained in popularity.

Beyond Italy

Photo by Magnetto. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Rolle/Vermentino grapes growing in southern France.

Outside of Italy and Corsica, Vermentino also grows in the Languedoc-Roussillon. Here the grape is known as Rolle. Beyond Europe, Lebanese producers are growing in the Bekaa Valley. It has become one of the fastest-growing “alternative grape varieties” in Australia. As of 2016, there are nearly 300 acres across Victoria, the Hunter Valley, King Valley, the Barossa and Murray Darling.

While Tablas Creek mostly focuses on Châteauneuf-du-Pape grapes, they were one of the first US producers of Vermentino. They planted the vine in 1993 based upon the recommendation of the Perrin family’s nurseryman. He thought that Vermentino would do well in the soils and climate of the Adelaida District. While initially used as a blending component, the winery has been making a varietal Vermentino since the 2002 vintage.

Growing in popularity

In 2008, there were around 20 acres of the Vermentino planted in California when there was some speculation that the grape could have appeal to Sauvignon blanc drinkers. By 2017 that number had jump to 91 acres as producers like Tablas Creek, Seghesio in the Russian River Valley, Mahoney Vineyards, Fleur Las Brisas and Saddleback in Carneros, Unti Vineyards in the Dry Creek Valley, Gros Ventre Cellars in El Dorado, Brick Barn in Santa Ynez, Twisted Oak in the Sierra Foothills and others began receiving acclaim for their bottlings.

Outside of California, notable plantings of Vermentino are in the Applegate Valley of Oregon (Troon Vineyard and Minimus Wines). You can also find it in the Texas High Plains (Duchman Family Winery) and Monticello AVA of Virginia (Barboursville Vineyards).

In 2017, Tablas Creek produced 1430 cases of Vermentino. While some producers age their Vermentino in neutral oak, Tablas Creek fermented and ages theirs in stainless steel tanks.

The Wine

Photo by David Adam Kess. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

The mix of citrus and yellow peach notes is very intriguing with this wine.

High-intensity nose. Very citrus-driven with kefir lime, pink grapefruit and pummelo–both the zest and the fruit. There is also a tree fruit element that seems a bit peachy. But I would put it more in the less sweet yellow peach category than white peach.

On the palate, those citrus notes carry through and have an almost pithy element to them. Not bitter at all. But it adds weight and texture to the medium body of the wine. The medium-plus acid is mouthwatering and lively but well balanced with the acid highlighting the yellow peach note. The palate also introduces some racy minerality with a very distinctive streak of salinity that lingers long throughout the finish.

The Verdict

The best way I can describe this 2017 Tablas Creek Vermentino is if a New Zealand Sauvignon blanc, a sur lie Muscadet from the Loire and an Italian Pinot grigio had a threesome. This would be their baby.

Such a fascinatingly unique and character-driven wine. It combines multiple layers of tropical and tree fruit with acidity, minerality, weight and texture. Well worth its $27 price.

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