Tag Archives: Duckhorn

The Wine Industry’s Millennial Strawman

I have some bad news for wine industry folks like Bob Torkelson, president and CEO of Trinchero Family Estates. You guys are chasing a strawman trying to solve your “Millennial Problem.”
Photo By Silverije - Own work, CC BY-SA 4.0

At a recent wine industry conference at Sonoma State University, Torkelson and other industry executives shared their thoughts on why Millennials weren’t buying premium wine at the rate of previous generations.

Of course, the substantial college debt and poor job prospects of Millennials made its appearance as the scapegoat du jour with Bill Swindell of The Press Democrat quoting Torkelson:

Maybe they don’t have any money. The prospect of them getting a better job is going to be difficult for a while. We face a lot of obstacles in this area. It will be interesting to see how we approach it. — Bob Torkelson, “Wine executives debate the promise and peril of millennial wine consumers” 04/18/2019

The idea of college debt keeping Millennials from embracing wine is an oft-told narrative. After the Silicon Valley Bank report came out in January, sounding the warning call about waning Millennial interest in wine, many stories ran with the idea that the more than a trillion dollars of Millennial student debt was the culprit.

College debt and poor job prospects are serious issues but let me splash some cold truth on this burning strawman.

Even if you forgave all our college debts tomorrow, Millennials are not going to be running towards wine.

Photo By Sideways11 - Own work, Public Domain,

Seriously, it’s not Rex Pickett’s fault that no one is buying Merlot. It’s because the wines usually make us want to fall asleep.

Millennials are already spending money. That’s not the issue. The issue is that most of us are not spending money on wine.

Instead, we’re spending it on things that we want to spend it on–even if they may seem frivolous to other generations. We have no problem spending around $1200 a year (£904.20) socializing with friends or almost $600 (£441) on a daily treat of coffee.

For around $1800 a year, we could buy more than a case of the 2014 Duckhorn Three Palms Merlot that was Wine Spectator’s #1 Wine of the Year back in 2017. Or more than 7 cases of Duckhorn’s Decoy Merlot at around $20 a pop.

But why would we?

I’m in the minority as a Millennial who does spend money on wine but even I wouldn’t bother with chasing the Duckhorn Three Palms Merlot. No Millennial seriously cares about Wine Spectator’s Top Wine of the Year and while the Decoy Merlot is solid at $20, I could only enjoy one bottle before becoming dreadfully bored.

Henry Mckenna Bourbon.

Millennial Math in action. While the #1 wine of the year is usually $100+, you can buy the #1 whiskey in the world for around $30. And you don’t have to finish the bottle in one night.

Even if we had the money, even if you gave us the money (via debt forgiveness), the industry is still not bothering to answer the fundamental question of why Millennials should care about what they’re offering.

The wine industry just assumes that as soon as Millennials somehow get more money in our pockets that we’re going to eagerly start buying whatever it is they’re peddling.

I’m sorry guys, but that’s a pipe dream.

What the industry needs to realize is that for Millennials, it’s not about the money. It’s about the value (i.e. Millennial Math) and whether or not your product is actually interesting to us.

That’s true whether your wine is $10 or a $100+. It has to deliver on intrigue and value.

A bottle of Ménage à Trois or covering the $7.99 Uber Eats fee?

What I found most laughable about Torkelson’s worry about college debt impacting wine sales is that Trinchero’s most well-known brands are Sutter Home and Ménage à Trois. You don’t need to take out a payday loan or put off buying a house to drink these wines.

All you need is the money you spend on delivery fees. Yet, even with all our debts, Millennials have been enthusiastic consumers of services like Uber Eats, Deliveroo, GrubHub and the like.

Why? Because having someone bring us new and exciting food dishes from a variety of restaurants offers us far more value for an extra $8 bucks than a bottle of Ménage à Trois ever could.

Plus, we can always get an interesting craft beer, cider or even hard seltzer water to drink with our takeout that is certainly less boring than another same ole Cab, Chard or Red Blend.

The Avocado Toast Test

Millennials really don’t eat avocado toast all the time. It’s more of a meme than anything. But still, as an occasional treat, spending around $10-20 for some avocado toast is well-established as not being a big deal for us.

That $10-20 range is a sweet spot for a lot of wineries targetting Millennials. So that leads to an essential question that every winery should ask themselves.

Is my wine more interesting than avocado toast?
By Brenda Godinez cravethebenefits - https://unsplash.com/photos/k4116JZ07S0Image at the Wayback Machine (archived on 28 June 2017)Gallery at the Wayback Machine (archived on 28 June 2017), CC0

Does a bottle porn pic on Instagram make me want to drink your wine more than this picture makes me want to eat this dish? Probably not.

Why do people like avocado toast?

It’s different and definitely not something that our parents ate.

We can customize it and have it in a variety of ways (sliced, smashed, brioche, bagels, flatbread, baguette, tortillas) and with numerous toppings (bacon, cherry tomatoes, sesame seeds, balsamic, fried egg, grilled shrimp, toasted almonds, pomegranate, etc). Even loaded with all those goodies it still feels relatively healthy and a treat.

Does your wine offer any of that?

Does it offer us something interesting or unique? Or is it just the same old boring stuff that our parents drank?

Does it seem relatively healthy? Or is it sourced from conventionally farmed vineyards and highly manipulated in the winery with oak chips, mega-purple additives, and residual sugars?

By Agne27, CC BY-SA 3.0,

Hey, look! Another sub-$20 oaky, buttery Chardonnay. Lovely…..

Regardless of the price, does drinking your wine actually feel like a treat? Does buying your wine feel like a good value worth spending money on?

Yeah, Millennials do have a lot of college debt and shitty job prospects.

But wineries that are using this as a scapegoat to explain why we’re not buying their wines are fools.

Millennials do spend money on things beyond the bare essentials of food & rent. Like every generation that has come before us, we want to live and enjoy life even when so much around us royally sucks.

If your wine offers us that little bit of joy that our daily latte, going out with friends, a new outfit, getting take-out from a favorite restaurant or avocado toast does–then we’re going to buy it.

But if you’re peddling the same ole wines that we see everywhere, then no, you’ve lost us.

You could snap your fingers like Thanos and make all our college debt disappear, but that’s not going to change the fact that your wine is more boring than avocado toast.

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Cannonball Run and Review

The 1981 Burt Reynolds film Cannonball Run is a classic campy action film. But it’s also one of those films that can get a little cringe-worthy watching it in a modern light.

CannonBall Run posted. Uploaded to Wikipedia under Fair use, https://en.wikipedia.org/w/index.php?curid=11146898

Based around a fabled cross-country race, the film has an all-star cast that includes Reynolds, Farrah Fawcett, Dom DeLuise, Roger Moore, Dean Martin, Jackie Chan, Sammy Davis Jr., Peter Fonda, Mel Tillis and Terry Bradshaw as well as a heap of “good ole boy” bawdiness.

Fawcett’s character gets kidnapped to be a fake patient in Reynolds’ souped up ambulance. She’s drugged by a creepy doctor (played by Jack Elam) when it’s convenient for Reynolds to use her unconscious body to avoid speeding tickets.

When she comes to, she sleepily smiles and asks if any of the men laid a finger on her while she was out. The joke was that the only thing they did was give her “a little prick” (of a needle, har, har). But, of course, everything is okay because she eventually falls for her captor. Never mind that he didn’t care to even want to learn her name at the beginning and just called her “Beauty”.

Then there was the Vixen Team played by Marcie Thatcher and Jill Rivers who responded to every obstacle in their path by unzipping their racing suits to show more cleavage.

Yet as problematic as Cannonball Run is by today’s standards, it’s hard to judge it too harshly. It was certainly a different time 37 years ago and Cannonball Run was never meant to be taken as a serious film. It was always just a silly, popcorn muncher.

Why am I waxing philosophically about an old Burt Reynolds film?

You could blame a late night Netflix binge. But really why we’re here is because of my recent experience with the Cannonball Eleven wines from Share a Splash Wine Co.

While the Cannonball brand was built on value oriented supermarket wines in the $10-15 range (the popcorn munchers of the wine world), the Cannonball Eleven series is marketed as a more elevated and terroir driven offering.

It’s more Academy Award nominated Boogie Nights Burt Reynolds than Cannonball Run Reynolds–with certainly less “Captain Chaos”.

Intrigued by Cannonball’s all-star cast of Dennis Hill (formerly of Seghesio, Alexander Valley Vineyards, Martin Ray and founding winemaker of Blackstone) and Ondine Chattan (formerly of Ridge, Cline and Geyser Peak), I decided to give these new wines a try.

Full Disclosure: These wines were sent to me as samples.

The Background

Cannonball Wine Company was founded in 2006 in Healdsburg, Sonoma by Yoav Gilat and Dennis Hill.

Focusing on under $20 wines blended from a variety of California regions, the company eventually grew to include a portfolio of brands like Angels & Cowboys Wines, High Dive (a collaboration with Napa Valley winemakers Scott Palazzo of Palazzo Wines and Peter Heitz of Turnbull Wine Cellars) and the Marlborough winery Astrolabe.

In 2017, Cannonball Wine Company relaunched itself as Share a Splash Wine Co.

The Wines

2017 Cannonball Eleven Sauvignon blanc Dry Creek Valley ($24.99)
Cannonball Sauvignon blanc

I’m not a big fan of grassy and green New Zealand Sauvignon blancs so this tropical but elegant Cannonball Eleven Sauvignon blanc hit a lot of pleasure notes.

A 100% Sauvignon blanc, the wine was primarily fermented in stainless steel with a small portion fermented in (presumably neutral) French oak barrels. Around 14,000 bottles were made.

Medium-plus intensity nose. Very tropical with lots of citrus starfruit and melon notes. What’s interesting is that you can get both the zest and pulp aromatics from the fruit. No sign of oak on the nose.

On the palate, the medium-plus acidity makes the tropical fruit tastes very fresh and juicy. Still no oak flavors but the medium body weight of the fruit is balanced by a creamy texture that isn’t that dissimilar to a white Bordeaux. The moderate finish keeps with the fresh tropical flavors but tilts more towards the zestier aspects of the fruit.

2017 Cannonball Eleven Chardonnay Sonoma Coast ($34.99)
Cannonball Chardonnay

I gave these wines nearly a month from when I received them to settle down from travel shock.
I suspect the awkwardness of this Chard is due to its youth,

A 100% Chardonnay, this wine was fermented in a combination of stainless steel and French oak barrels (20% new and 15% second fill). After fermentation, 40% of the wine was aged 8 months in neutral French oak barrels sur lie. Around 15,000 bottles were produced.

Medium-minus intensity nose. Tree fruits like apple with some pastry tart elements. A little vanilla and baking spice from the oak. Rather muted even as the wine warms in the glass.

On the palate, the apple notes carry through and also spice d’Anjou pear with them. There is still some of the pastry baking elements but the presence of oak is much more toned down. Medium-plus acidity gives balance to the medium-plus body fruit. There’s texture to the mouthfeel but it isn’t very malo driven. Unfortunately everything just quickly fades on the mid-palate ending on a practically non-existent finish.

2016 Cannonball Eleven Merlot Sonoma County ($34.99)

A blend of 94% Merlot with 6% Petite Sirah sourced from the Dry Creek and Russian River Valleys. The wine received a cold soak prior to fermentation in stainless steel before being aged in French oak barrels for 6 to 20 months. I suspect that probably the Petite Sirah was aged closer to the 6 month mark while most of the Merlot lots in the blend were aged longer.

Medium-plus intensity nose. Lots of oak with noticeable vanilla as well as chocolate latte aromatics. It’s a very toasty latte like the burnt coffee base of Starbucks. Underneath the oak and chocolate is some dark fruit but it’s hard to make out at this point.

On the palate, the chocolate definitely carries through and so does the dark fruit which become more defined as cherries. But also here is where a distinct streak of pyrazines, particularly jalapeno, emerges. Medium acidity adds a soft lushness to the medium-plus tannins. It’s just enough to hold up the full-bodied fruit. The moderate finish unfortunately lingers on the chocolate-covered jalapenos.

The Verdict

The Dry Creek Sauvignon blanc is by far the strongest of the three Cannonball Eleven wines I tried. It’s clearly California with the warm climate fruit but it has an elegant structure and mouthfeel that you don’t often find in California Sauvignon blancs. It’s versatile as an easy drinking sipper but has the depth to be a solid food pairing wine.

Compared to its peers, I would put the Cannonball Eleven above the similarly priced Emmolo and Duckhorn and not that far off from the $30-35 Cakebread Sauvignon blanc.

I suspect that the Sonoma Coast Chardonnay is in an awkward phase. It tastes a bit disjointed with some of the baby-fat of oak on the nose and the fruit quickly fading on the palate.
It seems to have decent structure and probably will improve with at least 6 months more bottle age. With its acidity and balance I can see this improving even for another 2 to 3 years.

But right now it reminds me more of the $13-16 Kendall Jackson Grand Reserve than it does other Sonoma Coast Chardonnays like Amici and Paul Hobbs’ Crossbarn which can often be had in the $23-26 range. With a price in the realm of Ramey, Failia and Patz & Hall’s Sonoma Coast bottlings, it’s hard to say the Cannonball Eleven Chardonnay is justifying that at the moment.

Oh but that Merlot…
Cannonball Merlot

Yeah, not my thing.

The only Cannonball Eleven wine that wouldn’t personally buy is the Merlot. The combination of overt oak, chocolate and pyrazines just isn’t my style. The best way I can describe this wine is as a bowl of chocolate covered cherries and jalapenos.

Maybe we did have some “Captain Chaos” after all.

I can possibly see this wine working for folks who aren’t as sensitive to pyrazines. If you can look past the green notes, it does have jammy, chocolately fruit with a lush mouthfeel. However, you can find wines in that style (particularly California red blends) for far less than $35.

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WBC18 Day 1 Quick Impressions

Getting ready to start Day 2 of the 2018 Wine Bloggers Conference and my nervousness has subsided considerably.

It was really great meeting several bloggers who I’ve only known before as names on a screen. I’d love to give a particular shout out to Lisa Stephenson (Worldly Wino), Noelle Harman (Outwines), Anne Keery (Aspiring Winos), Maureen Blum (Mo Wino), Dwight Furrow (Edible Arts), Reggie Solomon (Wine Casual) and Margot Savell (Write For Wine) for being great geeking and drinking companions yesterday.

I also want to thank Nancy Croisier (Vino Social) who I’ve known outside of blogland but has done a lot to help me feel welcomed here at WBC.

Lustau’s Sherry Wine Specialist Certification Course

I will definitely be doing a full write-up in the next few weeks on this event. A big light bulb moment for me was realizing the similarities and overlap between Sherries and Scotches.

Both drinks mostly start out with a single main ingredient (Palomino grape and Malted Barley). Yes, there are some other minor grapes like Moscatel and Pedro Ximenez and Blended Scotches can have various grains like corn and rye but, for the most part, the reputation of both are built on these primary ingredients.

Many Scotches are aged in Oloroso Sherry casks which makes tasting the Lustau Don Nuno Oloroso Sherry a great education for Scotch fans. 

The diversity of styles that arise from those single ingredients begin early in the production process with pressing decisions with Sherries that dramatically impact mouthfeel while the shape of the still and angle of the lyne arm with Scotch will similarly have a pronounce influence on the resulting mouthfeel and body of the Scotch.

Then comes the ever important aging period with the environment, barrels and time leaving their indelible print. While the use of yeast seems to be more important to Bourbon producers than necessarily Scotch, you can still see an overlap with the presence or absence of Sherry’s famous Flor yeast. Though a better comparison on degree of influence may be more with water source.

You can also draw a parallel between the art and skill of blending for whiskies with the simplicity yet complex results of the solera system.

Welcome Reception Wine Tasting

Two big wine discoveries jumped out at the reception tasting–the wines of Mt. Beautiful in the Canterbury region of New Zealand and the Lugana DOC located at the south end of Lake Garda in Italy.

The 2016 Mt. Beautiful Pinot noir, in particular, was excellent and ended up being the best wine of the entire day (with the 2013 Mullan Road a close second). It reminded me of an excellent Oregon Pinot noir from the Eola-Amity Hills with its combination of freshness, dark fruit and a mix of floral and spice notes. I would have pegged it for a $35-40 bottle but the Wine Searcher Average for it is $26!

After tasting the Lugana wines, I want to explore more about its primarily grape Trebbiano di Soave–locally known as Turbiana. As I’ve discovered reading the work of my Vino-Crush Ian D’Agata, the Trebbiano group of grapes is a mix bag with a reputation that is often overshadowed by the blandness of Trebbiano Toscano (the Ugni blanc of Cognac) yet can produce some stellar wines such as Trebbiano d’Abruzzo made by its namesake variety.

That “mixed bag” feel also characterized my tasting of the Lugana wines with some of them being fresh and vibrant like a racy Verdicchio or complex and layered like a Vermentino while others were decidedly “meh”. That could be producer variation but I’d like to learn more about Turbiana and which side of the Trebbiano family tree this variety may fall on.

Mullan Road Winemaker’s Dinner

Dennis Cakebread of Mullan Road and Cakebread Cellars

It was very fun to meet Dennis Cakebread and learn about his plans for Mullan Road.  He doesn’t necessarily want it to go down the Cakebread path in Napa with a large portfolio of wines (including apparently a Syrah from the Suscol Springs Ranch Vineyard in Jamieson Canyon that I now eagerly want). Instead, he wants to keep this 3000 case label focused on being a Bordeaux-style blend.

I also found it interesting that instead of going the Duckhorn/Canvasback route of purchasing land in a notable AVA like Red Mountain, Cakebread is embracing the blending mentality with sourcing fruit from great vineyards like Seven Hills in Walla Walla, Stillwater Creek and the Lawrence Family’s Corfu Vineyard in the upcoming Royal Slope AVA.

They poured both the 2013 and 2015 vintages of Mullan Road (as well as a one-off bottling of extra Merlot from the 2013 vintage) and it is clear that Mullan Road is a wine that rewards patience. While I suspect the 2015 will eventually be the better bottle, it was still at least 2 to 3 years away from starting to hit it stride while the 2013 was just now entering a good place with a solid core of dark fruit, juicy medium-plus acidity but added spice and floral aromatics for complexity. I can see this 2013 continuing to deliver pleasure easily for another 7 to 10 years that more than merits its $40-45 price point.

The evening also featured an unexpected history lesson with a character actor re-enacting the story of Captain John Mullan and the military road he constructed to connect Fort Walla Walla to Fort Benton in Montana on the banks of the Missouri River.

All in all, a great day. Here’s to Day 2 following suit!

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60 Second Wine Review — Amici Spring Mountain Cabernet Sauvignon

A few quick thoughts on the 2013 Amici Cabernet Sauvignon from Spring Mountain.

The Geekery

Amici Cellars was founded in 1991 by Jeff Hansen who named the winery “Amici” after the Italian word for friends.

Hansen eventually sold the winery to Bob & Celia Shepard and John Harris who remain the owners today and have expanded Amici from being a “virtual winery” produced in a custom-crush facility to an established winery with the purchase of Greg Brown’s T Vine Wines facility in 2012.

In 2010 Joel Aiken, a protege of André Tchelistcheff who spent 25 years making the BV Georges de Latour, joined Amici where he stayed until 2015 when he was succeeded by Anthony Biagi as winemaker.

Biagi, who oversaw the final blend and bottling of the 2013 wines, previously worked at Clos du Val, Duckhorn, Paraduxx, Plumpjack, Cade and Hourglass before joining the Amici team.

The 2013 Spring Mountain is 90% Cabernet Sauvignon and 10% Cabernet Franc that spent 22 months aging in 80% new French oak. Around 260 cases were made.

The Wine

Photo by feiern1. Uploaded to Wikimedia Commons under CC-Zero

Lots of rich dark fruits in this Cab.

High intensity nose–lots of rich dark fruits of blackberry, black currants and black plums. After 30 minutes of air, blue floral and Asian spice notes with fennel and savory oolong tea begin to emerge.

On the palate the richness and weight of the dark fruit still dominate–giving the wine a very weighty, full-bodied mouthfeel. Medium-plus acidity goes a long way in balancing the wine and keeping the fruit tasting fresh and juicy without straying into jammy or sweet. The high tannins are very ripe but very present which suggests that this wine has a long life ahead of it still. The long finish brings back the Asian spice and savory tea components from the nose.

The Verdict

I first had this 2013 two years ago and, even though it was delicious then, it has come quite a ways.

Still quite youthful this wine more than merits it $125-150 price tag as a top shelf Napa Cab that combines hedonism with complexity.

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Doubling Down On What’s Been Done Before

Photo taken by self and uploaded to Wikimedia Commons under : CC-BY-SA-3.0

Andy Perdue of Wine Press Northwest says it time for Washington State wine producers to “double down” on Cabernet Sauvignon.

The state needs to focus, he says, much like how Oregon did several decades ago with Pinot noir.

Washington has proved it can grow several wine grape varieties very well, and in some ways this has hurt the industry, because the state hasn’t had a focus. Now, we can align ourselves with other Cab regions, including Bordeaux and Napa Valley. — Andy Perdue, 9/13/18

Now why in the hell would we want to do that?

Napa On My Mind — And The Minds Of Most Consumers

Yes, I know that Cab is still king and there is no doubt that Cabernet Sauvignon sales are still going strong. You can’t fault vineyards for planting Cabernet Sauvignon or wineries for producing it.

But what you can fault is the idea that we should start hoarding all our eggs into one Cab basket–especially a basket that is already dominated by one really large hen.

Look at any “Most Popular” list of American wines and you can easily see a stark theme.

Wine & Spirits Top Restaurant Wines of 2018.

I would definitely be impressed seeing a wine list with Woodward Canyon prominently featured.

Cakebread, Caymus, Chateau Montelena, Corison, Duckhorn, Faust, Frank Family, Heitz, Jordan, Justin, Louis M. Martini, Mount Veeder, Rodney Strong, Sequoia Grove, Silver Oak, St. Francis Winery, Stag’s Leap Wine Cellars, Turnbull–all well known California Cabernet producers. Though, yes, Washington State does get a few nods with Woodward Canyon, L’Ecole 41 and Chateau Ste. Michelle (probably for their Riesling).

The Most Searched-For Cabernet Sauvignon on WineSearcher.com in 2017.

Screaming Eagle, Caymus, Scarecrow, Shafer, Dunn, Robert Mondavi and Silver Oak–all Napa Valley staples with only Penfolds 707 from Australia and Concha y Toro Don Melchor from Chile being outside Cabernets that cracked the list.

Vivino’s Top 20 Cabernet Sauvignon for Cab Day (which was apparently September 3rd)

Pretty much the same Napa-dominated list like the ones above with Quebrada De Macul’s Domus Aurea from Chile, Gramercy Cellars’ Lower East from Washington, Thelema Mountain Vineyards’s The Mint and Springfield Estate’s Whole Berry from South Africa sprinkled in for diversity.

This is not to say that Washington State can’t compete with California–in quality or in price. Lord knows we can and often exceedingly over deliver in both. Many years the state usually leads the pack in percentage of wines produced that receive 90+ scores from critics and often command a sizable chunk of year-end “Top 100” lists.

Photo a compilation of creative commons licensed images uploaded to Wikimedia commons under CC-BY-SA-3.0

Perhaps the Washington State Wine Commission needs to get Steven Spurrier on the phone.

But to the vast majority of American wine buying consumers (particularly of Cabernet Sauvignon) that hardly makes a dent in their Napa-centric worldview. Pretty much since the 1976 Judgment of Paris, Cabernet Sauvignon in the United States has been synonymous with Napa Valley, California.

Of course, I’m not saying that Washington should stop producing its bounty of delicious and highly acclaimed Cabs but why should we double down on chasing a horse that has already left the stable?

The Lessons Of Oregon

To bolster his case, Perdue points to the example of Oregon which has built its brand (quite successfully) on the quality and notoriety of its Pinot noir. It’s no shock that on that same Wine & Spirits Top Restaurant List that Oregon has a healthy showing with Adelsheim Vineyard, Argyle Winery, Cristom Vineyards, Domaine Drouhin Oregon, Elk Cove Vineyards and King Estate representing the state–doubling the amount of wineries that Washington has featured.

Perdue would, presumably, attribute that success to Oregon’s seemingly singular focus on Pinot noir instead of the jack-of-all-trades approach that Washington State has taken in a modern history that is pretty close to the same age.

But what I don’t think Perdue has really taken into consideration is that Oregon started doubling down on Pinot long before Pinot noir was cool.

Photo by Ethan Prater. Uploaded to Wikimedia Commons under CC-BY-2.0

Pinot noir in early veraison at Cristom Vineyards in the Eola-Amity Hills

In his book Oregon Wine Country Stories Kenneth Friedenreich notes that many of Oregon’s early pioneers were thought to be crazy by their neighbors and bankers when they started planting Pinot noir in the Willamette Valley in the 1960s. It wasn’t until the 1980s when French producers like the Drouhin family of Burgundy took notice that the state began getting some attention on the world’s stage.

Even then, Oregon Pinot noir was still a tough sell in the domestic US market.

 

It’s hard to discount the impact that the 2004 film Sideways had on the perception of Pinot noir. As David Adelsheim noted “There were two great grapes of America [Cabernet Sauvignon & Chardonnay], and after ‘Sideways,’ there were three,” with the Oregon wine industry reaping the benefit of sustained sales ever since.

In the game of life, when Oregon wine producers were least expecting it, they rolled a ‘7’. But they could have just as easily crapped out.

Oregon was initially betting on a long shot–not a 2 to 1 favorite like Cabernet Sauvignon. It’s crazy to think that Washington could every get the same kind of payout.

How About Betting On What’s Exciting?

Seriously, if you are not on the Washington Cab Franc train than you are lagging behind my friend!

Earlier this week Sean Sullivan of Seattle Met and Wine Enthusiast published a fantastic list of “The 30 Most Exciting Wines in Washington”.

Now while there are certainly Cabs included on this list–several of which, like Passing Time and Quilceda Creek, I wouldn’t dispute–there are several wines included that are truly, genuinely exciting.

2013 Leonetti Cellar Aglianico Serra Pedace Vineyard Walla Walla Valley

Yes, an Aglianico! From Leonetti!

2015 Spring Valley Vineyard Katherine Corkrum Estate Grown Cabernet Franc Walla Walla Valley

The 2012 vintage of this wine was one of the best wines being poured at the Walla Walla Valley Wine Alliance tasting in Seattle earlier this year.

2017 L’Ecole No. 41 Old Vines Chenin blanc Columbia Valley

I’m no stranger to hollering into the void about the charms and deliciousness of Washington Chenin blanc. I love that L’Ecole is highlighting “Old Vines” on this bottle. It shows that their faith in this wonderful variety isn’t a fly-by-night fancy.

2015 Two Vintners Cinsault Make Haste Yakima Valley

Cinsault has been on my radar since attending the Hospice du Rhone seminar highlighting South African Cinsault. Obviously Washington doesn’t have anywhere close the vine age or experience but Morgan Lee of Two Vintners is an incredibly talented winemaker so it will be fun to see what he could do with the grape.

2016 Savage Grace Côt Malbec Boushey Vineyard Yakima Valley

Michael Savage makes some of my favorite Cabernet Francs from the Two Blondes Vineyard and Copeland Vineyard. The Boushey Vineyard is one of the grand crus of Washington. All perfect ingredients for what is likely a very kick ass wine.

2017 Syncline Winery Picpoul Boushey Vineyard Yakima Valley

If you’re not drinking Picpoul, is it really worth drinking anything?

2012 MTR Productions Memory Found Syrah Walla Walla Valley

This Syrah, made by Matt Reynvaan (of Reynvaan Family Vineyards fame),  is practically treated like a Brunello di Montalcino. It sees two years of oak aging followed by 3 years of bottle aging before release. A fascinating project.

2015 Sleight of Hand Cellars Psychedelic Syrah Stoney Vine Vineyard Walla Walla Valley

Yeah, yeah the Rocks District is technically Oregon. But since the wine consuming public is too myopically focused on Oregon Pinot noir,  Washingtonians can take credit for the insane depth and character that comes out of wines from this area. At the Taste Washington “Washington vs The World Seminar” this was the run away winner at an event that featured heavy hitters like Joseph Phelps Insignia, Lynch-Bages, Sadie Family, Amon-Ra and Duckhorn Merlot.

Lessons of Oregon part II

Another lesson from Oregon that’s often overlooked is the lack of attention given to other grapes grown in the state. This was a takeaway I had from Friedenreich’s Oregon Wine Country Stories that I noted in my review with the fascinating possibilities of the Southern Oregon AVAs like the Umpqua, Rogue and Applegate Valleys or the shared Columbia Gorge AVA up north with Washington.

There are over 50 grape varieties grown in Oregon–yet we really only hear about 1 to 3 of them. Sure the producers in prime Pinot country with blessed vineyards on Jory and Willakenzie soils, have a good gig right now. But the countless small wineries in other areas of the state trying to promote and sell their non-Pinot wines are facing an uphill battle.

Now What?

Does Washington State really want to  be associated with just one grape variety? With more than 70 different grape varieties, why limit ourselves?

As a Washington wine lover that adores the bounty and bevy of fantastic wines like Viognier that can compete with great Condrieu, geeky Siegerrebe and Pinot noir from the Puget Sound, Counoise rosé that echoes the grape’s Châteauneuf-du-Pape heritage and robust Malbecs that gets your mouth watering with their savory, spicy complexity, I vote no.

If are going to double down on anything then we should double down on what makes Washington, Washington.

We’re the Meryl Streep and Daniel Day-Lewis of the American wine industry. We can do it all and we can do it very, very well.

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Tracking the Tastemakers

Photo by Petrovsky. Uploaded to Wikimedia Commons under CC-BY-3.0

I’m reminded of Austrian puppeteer Karin Schäfer often when I walk into a supermarket’s wine department.

Recently Wine Enthusiast released their Top 40 Under 40 Tastemakers for 2018–a list highlighting the folks who are “… doing their part to lead the conversation and leave a lasting influence on the world of food and drink for generations to come.”

Admittedly lists like this usually illicit an eye roll response from me because of the feel of puffery that abounds in them. Often when I look more critically at these kinds of list, such as Social Vignerons’ 2018 Top 40+ Wine Influencers which I reviewed in my post Under the (Social Media) Influence, I find an absence of voices and views that actually do influence me to check out a new wine, winemaker or region.

Then there is the cynical part of me who looks at the world of wine through the jaded sunglasses of supermarket shelves dominated by mega-corporations and massive consolidation among distributors which leaves me feeling that the real “tastemakers” in the US sits on the boards of E&J Gallo, Constellation Brands, Diageo, Brown-Foreman, Beam Suntory, Treasury Wine Estates, AB InBev, Costco, Young’s Market Company, Republic National Distributing and Southern Glazer’s Wine & Spirits.

But that wouldn’t make a very exciting list now would it? Plus, I’m sure the puppeteers that are heading the decision-making at these companies would prefer to keep their strings hidden.

A Taste of Vox Populi

While the geek in me would love to see more people get excited about Pét-Nat sparklers and wines made from unique grape varieties like Trousseau, Fiano, Touriga Nacional, Pošip, Xinomavro and others, I know I’m in the minority.

So I sit by and shake my head as people go nuts over wines aged in bourbon barrels, mixed with cold brew coffee, Frosé cocktails, blue wine or silly packaging with “living labels”–the quality of the contents inside the bottle be damned.

Can’t argue with success even if it is not your cup of tea.


Even trends that start out on a craft level soon get co-opt and commercialized like how making cider from red-fleshed heritage apples became the latest rosé trend. The rye whiskey heritage that pre-dates the Revolution is now “marketable” with the big boys like Jack Daniels, Woodford Reserve, Wild Turkey and Jim Beam hopping on the rye wagon and expanding their portfolios. Patron and Jose Cuervo have their eyes set on the Mezcal market.

And let’s not even get started with what’s become of the sour beer and hazy IPA segments.

But c’est la vie.

If there is a dollar to be made in the beverage industry, somebody will be there to make it.

In vino veritas

Like wine, there is truth in innovation and if history has taught us anything over the course the 10,000+ years that humans have been consuming alcohol it is that we do like a little variety in our tipple–even if that variety is pumpkin spiced flavored.

Photo by Stephen Witherden. Uploaded to Wikimedia Commons under CC-BY-2.0

Y’all know its only a matter of time till Apothic PSL comes out, right?


To that extent, I’ll set aside my cynicism to look at Wine Enthusiast’s list and highlight for you some of the folks whose stories I’ve found spark just a bit of hope in my world weary heart.

Maggie Campbell – President/Head Distiller, Privateer Rum; Board of Directors Vice President, American Craft Spirits Association

A female head distiller who has a WSET diploma and is pursuing a Master of Wine certification? Badass! My wife is from the Peabody/Salem, Massachusetts area which is a short drive from Privateer Rum in Ipswich so the next time we’re visiting family back east, I’m definitely putting this distillery on my “Must Visit” list.

Paul Elliot — Founder, Loft & Bear

In all honesty, the vodka industry has been something of a joke the last couple decades with flavors and marketing holding more sway than quality and craftsmanship. I have to tip my hat to the small craft distilleries who try their best to forge a living in this category. While the whiskey, gin, rum and tequila categories have their Goliaths, those mediums at least give the Davids a few rocks of opporunities to differentiate themselves with their ingredients and aging. That’s a tougher task in the craft vodka segment.

Kudos to Elliot and Loft & Bear which not only wants to stand out from the pack but also wants to give back through their charity commitments.

Jim Fischer and Jenny Mosbacher — Co-winemakers, Fossil & Fawn

Photo by  Cornischong . Uploaded to Wikimedia Commons under PD-self

Admit it. You can see Treasury Wine Estates coming out with a “Living Amphora” series of Natural Wines at some point.

While I haven’t always been enthralled with the quality of natural wines, I do respect the commitment and passion behind the people who make them. I haven’t had a chance to try Fossil & Fawn yet but, being Pacific Northwest neighbors, I’ll certainly make an effort to seek them out when I’m in the Portland area.

But, and I’m going to let my cynicism slip in here, I do think that the moment when the Natural Wine Movement has made it will be when wineries like Fossil & Fawn start getting gobbled up by mega-corps like Constellation Brands (a la AB InBev’s mad buying spree of craft brewers).

It will be both a sad and triumphant time for the Natural Wine Movement but I’ll raise a glass and hope that folks like Fischer & Mosbacher still stay part of La Résistance and can make a healthy living doing so.

Maya Dalla Valle – Director, Dalla Valle Vineyards

Dalle Valle has been one of the few Napa “cult wines” that I’ve believed have been worth the hype. It is heartening to see the vineyards still stay in the family and that rather than resting on her name, Maya has gone out into the world to gain real experience at wineries across the globe.

Jésus Guillén — Owner/Winemaker, Guillén Family Wines; Winemaker, White Rose Estate

The last few times I’ve had White Rose wines from the Dundee Hills, I’ve been impressed. Learning about Guillén’s story gives me reason to explore these wines more as well as his own family estate wines.

The windmill that is featured on many of the Long Meadow Ranch wines is still holding the fort on their Mayacamas property overlooking Rutherford.


Chris Hall — Proprietor/Chief Operating Officer, Long Meadow Ranch

Long Meadow Ranch has been one of my favorite Napa estates for a while. Such an under the radar gem with a great winemaking pedigree that began with the legendary Cathy Corison and now features Ashley Heisey (previously of Far Niente and Opus One), Stéphane Vivier (previously of Domaine de la Romanee-Conti’s owners’ California project–Hyde de Villaine) and Justin Carr (previously of Cakebread, Rudd and Hourglass).

But visiting the estate a couple years ago as well as their delicious farm-to-table restaurant really hit home for me the Hall family’s commitment to sustainability and the environment.

Jonathan Hajdu — Winemaker, Covenant Wines

I’m not Jewish but I’ve listened to many Jewish friends over the years lament about the poor selection and quality level of many kosher wines–especially those that are mevushal which are flash pasteurized so they can be handled by non-Jews.

While I know that there are quality minded producers in Israel and abroad making kosher wines, their small productions and the hurdles of importation limits their access to US consumers. Being based in Napa and Sonoma, Covenant Wines does have the potential to fill in a sorely needed niche. It never hurts when you have fruit sources like Rudd’s Oakville Estate and Mt. Veeder vineyards!

Their limited production will make them hard to find outside the Pacific Northwest but if you get an opportunity to try Trout’s VITAL wines, take it.

Ashley Trout — Owner/Winemaker, Brook & Bull Cellars; Head Winemaker, Vital Wines

I’ve been a fan of Ashley Trout since her first project, Flying Trout Wines which is now owned by TERO estates. Recently I was really impressed with her VITAL rosé at the Walla Walla Valley Wine Alliance tasting earlier this year which I documented in my Walla Walla Musings post.

The entire VITAL project is super cool and worth supporting with all the profits from the wine label going to the SOS Clinic of Walla Walla that provides healthcare for under-served members of the community–including many vineyard workers and their families.

I was wondering why Ashley Trout was pictured in her Wine Enthusiast photo op drinking Duckhorn wine until I read that she is married to Brian Rudin the winemaker of Duckhorn’s Red Mountain project, Canvasback. They have two kids who have likely inherited some really good winemaking genes.

Katarina Martinez — Owner/Head Brewer, Lineup Brewing

While no industry is immune, the beer industry has had a lot of light shined recently on the rampant sexism that women working in the industry face. There is even a website called Beer & Sexism which documents stories of women brewers and employees with experiences that range from mild (but thoroughly annoying) mansplaining to severe sexual harassment.

There is no universal blessing bestowed on women that means they’re going to make better beer but with women brewers representing only around 10% of the industry, its worth going out your way to support the underdog.

While it will probably be tough to find the New York-based Lineup Brewing on the West Coast, I’ll keep an eye out for Martinez’s brews.

Krista Scruggs — Vigneronne, Zafa Wines

This entry had me raising an eye brow and going “Whoa!”. Scruggs with her Vermont-based Zafa Wines is experimenting with co-fermenting wine grapes with farmed and forage apples as a sort of a wine-cider hybrid project that sounds crazy cool.

I have no idea how easy her stuff is to find but its worth the search to find what Scruggs describes on her website as “JUST FUCKING FERMENTED JUICE FROM RESPONSIBLY FARMED LIVING FRUIT.

Jeff Lindsay-Thorsen — Winemaker/Co-owner, W.T. Vintners/Raconteur Wine Company; Wine Director, RN74

I don’t hide my affections for W.T. Vintners’s wines like their delicious rosé and very Old Worldish 2015 Boushey Vineyard Rhone blend that beat out (for me) the 2014 Sadie Family Columella (which was nearly 3x the price) at this year’s Washington vs World Blind Tasting Event. Plus, the food and wine experience at RN 74 in Seattle is second to none.

This Madeira flight at RN74 featuring (left to right) a 1988 Malmsey, 1976 Terrantez and a 1948 Bual (!!!) is among my Top 10 lifetime wine moments for sure.


That said, I’m still a bit skeptical at how much influence winemakers and sommeliers have in the bigger scheme of the industry. Yeah, they can make great wine and put together a great list but for the majority of wine drinkers who are picking up a bottle of wine at the grocery store or Costco to take home for dinner, they’re more apt to be swayed by fancy packaging than by “terroir-driven, single-vineyard wines.”

Sorry, my cynicism is leaking out again.

Kelli White — Senior Staff Writer, GuildSomm

For me, personally, I will have to say that Kelli White has been the one figure on this list who has actually influenced my tastes and approach to wine. Over the last year since I’ve discovered her work on GuildSomm, she has become one of my favorite wine writers.

I’ve learned so much from her with this just being a small sampling of some of her outstanding work.

The Devastator: Phylloxera Vastatrix & The Remaking of the World of Wine

The Evolution of American Oak

Photo by εγώ. Uploaded to Wikimedia commons under free licenses.

The root of my Xinomavro obsession of late.

Gods & Heroes: Xinomavro in Northern Greece

Brettanomyces: Science & Context

Major Maladies of the Vine

The GuildSomm website is worth bookmarking just for her articles alone.

Hannibal ad portas

These next listings are probably the most realistic inclusions on Wine Enthusiast’s list because these folks actually have the position and power to influence the market in substantial ways.

Neil Bernardi – Vice President of Winemaking, Duckhorn Wine Company; General Manager, Kosta Browne

Duckhorn has grown immensely from it founding as a small Napa winery by Dan and Margaret Duckhorn in 1976. It’s becoming a large mega-corp in its own right with a portfolio of brands that includes Paraduxx, Goldeneye, Migration, Decoy, Canvasback, Calera and Kosta Browne. This is a story not that far off from that of Ste. Michelle Wine Estates which started as a small Washington winery and now has a portfolio that includes more than 26 brands like 14 Hands, Columbia Crest, Erath, Borne of Fire, Northstar, Spring Valley Vineyards, Conn Creek, Patz & Hall and Stag’s Leap Wine Cellars.

Duckhorn’s growth is on a steep trajectory and I don’t see their strings of acquisitions slowing down. A big question, especially as they acquire more vineyards and contracts, is whether they will continue to keep their brand holdings in the upper premium range or expand more of their value offerings like Decoy.

Katie Jackson — Vice President of Sustainability and External Affairs, Jackson Family Wines

Photo by 	Jim G. uploaded to Wikimedia Commons under CC-BY-2.0

Vineyards outside Kendall-Jackson’s Wine Center in Santa Rosa.

Yeah, Jackson Family Wines is huge with over 30 brands in California (including La Crema, Siduri, Brewer-Clifton, Byron, Cambria, Freemark Abbey, Cardinale and Copain), a growing presence in Oregon (buying Penner-Ash and Willakenzie among others) as well as wineries across the globe. They make (and have no problem selling) more than 3 million cases a year of their Vintner Reserve Chardonnay.

That translates to a lot of influence and sway in the industry so it is heartening to read about Katie Jackson’s effort to promote sustainability across her family’s empire including the public release of sustainability reports. Just a few days ago it was announced that more than three-quarters of the company’s vineyards (which includes 12,000 acres under the Kendall-Jackson label alone) are certified sustainable.

That’s a significant needle mover that will certainly have a long term impact on not only the wine industry but on the health of the environment as a whole. While I can often be dour on large wine companies, I have to sincerely applaud Katie Jackson and the Jackson family for these efforts.

Maybe there is hope for my cynical heart yet.

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60 Second Wine Review — Ambassador Rosé

A few quick thoughts on the 2017 Ambassador Rosé from Red Mountain.

The Geekery

The owners of Ambassador Winery started their project in 2004 with the goal of using the estate-grown fruit from their 22 acre Ambassador Vineyard on Red Mountain. In addition to the original vineyard, the estate has grown to include two sister vineyards–Sunset and Annex Vineyards.

The vineyards are managed by legendary grower Dick Boushey and are farmed sustainably. In addition to running his own Boushey Vineyards in the Yakima Valley that supplies fruit to many of the state’s top producers such as àMaurice, Avennia, Betz Family Winery, Bunnell Family Cellar, Chinook Wines, DeLille, Fidelitas, Gorman, Two Vintners, Long Shadows (Sequel and Saggi) and W.T. Vintners, Boushey also manages several estates on Red Mountain including Col Solare, Upchurch and Duckhorn’s Canvasback.

In 2002, Boushey was named by the Washington State Wine Commission as “Grower of The Year” and, in 2007, he was recognized internationally as “Grower of the Year” by Wine & Spirits magazine.

The wines of Ambassador are produced by Sarah Hedges Goedhart (of Hedges Family fame) with longtime Napa Valley winemaker Tom Rinaldi (of Provenance, Hewitt, Freemark Abbey and Duckhorn fame) consulting.

The 2017 rosé is a blend of Syrah and Grenache.

The Wine

Photo by C T Johansson. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

This rosé has a very lovely floral hibiscus note on the nose.

Medium-plus intensity nose. Very floral with hibiscus and tropical fruit notes such as passion fruit and mangosteen orange peel.

On the palate the wine is dry but the tropical fruits dominant with a pithy texture. With the fair amount of weight and tannins this rosé has I suspect it maybe a saignée. The medium-plus acidity balances the weight well and keeps the rosé tasting crisp and refreshing.

The Verdict

The weight and texture of this rosé definitely lends itself towards more robust food pairings like the kind that Jennifer Simonetti-Bryan describes in her book Rosé Wine.

At $20-25, this 2017 Ambassador rosé offers enough complexity and versatility with food pairings to merit the price.  A nice summertime sipper.

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Bordeaux Futures 2017 — Beau-Séjour Bécot, Canon-la-Gaffelière, Canon, La Dominique

After covering the 2017 Bordeaux futures offers of Clos de l’Oratoire, Ch. Monbousquet, Ch. Quinault l’Enclos and Ch. Fonplegade in our first visit to St. Emilion, we return now to look at the offers for the Premier Grand Cru Classé ‘B’ estates of Ch. Beau-Séjour Bécot, Ch. Canon-la-Gaffelière and Ch. Canon as well as the Grand Cru Classé estate of Ch. La Dominique.

While we are 10 entries deep into this series, first time visitors are always well-advised to check out the the first Bordeaux Futures 2017 post covering the offers of Palmer, Valandraud, Fombrauge and Haut-Batailley that gives an overview of what we are looking for here at SpitBucket in deciding on whether to Buy or Pass on these 2017 offers.

You can also check out the links at the bottom to see other offers that we have reviewed in this series.

Now onto the offers.

Ch. Beau-Séjour Bécot (St. Emilion)

Some Geekery:

The Ancient Romans were one of the first to cultivate vines in what is now Beau-Séjour Bécot more than 2000 years ago. During the Middle Ages the property came under the stewardship of the monks of Saint-Martin de Mazerat who also managed what is now Ch. Canon.

The exterior of Beau-Séjour Bécot.


Stephen Brook notes in The Complete Bordeaux that eventually the property came under the ownership of the Lord of Camarsacs. In 1722 when the daughter of one of the lords married into the Carles de Figeac family, the estate was given to the new couple as dowry.

One of their descendants, General Jacques de Carles renamed the property Beauséjour (meaning “good stay”) in 1787. By the early 1800s, Clive Coates describes in Grand Vins that the large estate was ranked highly in prestige in St. Emilion just behind Ch. Belair, Troplong-Mondot, Ch. Canon and Ausone.

In 1869, the estate was split between the heirs of Pierre-Paulin Ducarpe with his son getting the half that is today Beau-Séjour Bécot and his daughter, who married into the Duffau-Lagarosse family, inheriting the part that is now Ch. Beauséjour Duffau-Lagarrosse. In 1955 both estates were classified as Premier Grand Cru Classé ‘B’.

The Bécot family, who already owned Ch. La Carte, purchased Beau-Séjour in 1969–affixing their name and later expanding it with their holdings at La Carte and acquiring the nearby Trois Moulins vineyard. However, the use of these other vineyard plots in the Grand Vin of Beau-Séjour Bécot was not previously approved by the governing authority of the St. Emilion classification so in 1986 the estate was demoted to Grand Cru Classé.

With the aid of consultant Michel Rolland, the Bécots worked 10 years to improve the vineyard quality of the new parcels and agreed not to use any parcels deemed inferior by the authorities for the Grand Vin. When the 1996 classification was released, Ch. Beau-Séjour Bécot was restored to its Premier Grand Cru Classé ‘B’ ranking.

The author touring the estate with Caroline Bécot.


Today the property is still in the hands of the Bécot family with Juliette Bécot managing the estate alongside Julien Barthe. In 2018, Michel Rolland left as consultant and was replaced by Thomas Duclos.

The 2017 vintage is a blend of 80% Merlot, 15% Cabernet Franc and 5% Cabernet Sauvignon. Around 6000 cases are produced each year.

Critic Scores:

93-96 Wine Spectator (WS), 93-95 Wine Enthusiast (WE), 93-94 James Suckling (JS), 92-94 Wine Advocate (WA), 91-93 Vinous Media (VM), 93-95 Jeff Leve (JL), 91-94 Jeb Dunnuck (JD)

Sample Review:

Coming from an incredible terroir located on the limestone plateau just outside the village, the 2017 Château Beau-Séjour Bécot is a medium-bodied, refined, incredibly elegant 2017 that offers awesome notes of crème de cassis, crushed violets, earth, and a saline-like minerality. Winemaker Thomas Duclos compares the 2017 to 2012, saying the wines will put on weight in barrel as well in bottle. Their 2017 is a fresh, vibrant wine and has tons of potential. The blend is 80% Merlot, 15% Cabernet Franc and the rest Cabernet Sauvignon, with the Merlot brought in from the 14th to the 22nd of September, and the Cabernets on October 28 and 29. The wine will spend 16 months in 65% new French oak, with the balance in stainless steel, amphora, and larger oak. — Jeb Dunnuck, JebDunnuck.com

Offers:
Wine Searcher 2017 Average: $58
JJ Buckley: $59.94 + shipping (no shipping if picked up at Oakland location)
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $59.97 (no shipping with wines sent to local Total Wine store for pick up)
K&L: $59.99 + shipping (no shipping if picked up at 1 of 3 K & L locations in California)

Previous Vintages:
2016 Wine Searcher Ave: $74 Average Critic Score: 93 points
2015 Wine Searcher Ave: $77 Average Critic Score: 93
2014 Wine Searcher Ave: $59 Average Critic Score: 91
2013 Wine Searcher Ave: $57 Average Critic Score: 90

Buy or Pass?

Compared to its peers in the Premier Grand Cru Classé tier, the wines of Beau-Séjour Bécot have always struck me as solid (if not slightly underrated) values.

The 2011 was very tight in 2016 and is still slowly starting to come out of its shell.
This makes me think that the 2017 is a wine that will probably need a good 10+ years itself.

My esteem for the estate rose even more during my 2016 visit to the region where I was also introduced to Juliette Bécot’s very delicious Joanin Bécot label from her Cotes de Castillon estate. Both the 2012 and 2015 of that label have been screaming good values under $30 that I eagerly seek out at retail stores and on restaurant wine lists.

While the 2017 will be a compelling buy for many Bordeaux fans, my only hitch is that my past experiences with the wines of Beau-Séjour Bécot have taught me that these wines need time in the cellar and rarely deliver much pleasure early in their life. While that is great for “cellar investment” years like 2015/2016, that is not my objective for futures buying with the 2017s.

So I will Pass on this offer even though it is a solid buy. However, I will certainly be buying some of the 2017 Joanin Bécot when it hits retail stores in 2019/2020.

Ch. Canon-la-Gaffelière (St. Emilion)

Some Geekery:

Canon-la-Gaffelière is a relatively young estate that was previously known as Canon Boitard (after an early 19th century owner) and La Gaffelière-Boitard with La Gaffelière coming from the medieval term for “lepers” and denoting the area’s previous history as part of manor grounds for a hospital that treated leprosy. Eventually the two names were combined in the 19th century to its current incarnation of Ch. Canon-la-Gaffelière.

The modern history of the estate began in 1971 when Count Joseph Hubert von Neipperg purchased the property from Pierre Meyrat, a former mayor of St. Emilion. In 2012, the estate was promoted to Premier Grand Cru Classé ‘B’.

Photo by Librairie Mollat. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Stéphane Derenoncourt, the consultant behind the von Neipperg wines, has a very distinctive style.


Today von Neipperg’s son, Stephan, manages the estate along with fellow Premier Grand Cru Classé ‘B’ La Mondotte as well as Clos de l’Oratoire, Ch. Peyreau, Ch. d’Aiguilhe in Cotes de Castillon, Clos Marsalette in Pessac-Léognan, the Sauternes Premier Cru Ch. Guiraud, Capaia in South Africa and Bessa Valley in Bulgaria.

Stéphane Derenoncourt is the longtime consultant who early on began Canon-la-Gaffelière’s conversion to organic viticulture with the estate being 100% certified organic in 2014.

The 2017 vintage is a blend of 60% Merlot, 30% Cabernet Franc and 10% Cabernet Sauvignon. Around 5000 cases a year are produced.

Critic Scores:

94-95 JS, 91-93 WA, 90-93 WS, 92-95 VM, 93-95 JL, 92-94 JD

Sample Review:

The 2017 Canon La Gaffelière is superb. Compelling in its aromatics and overall balance, the 2017 has so much to offer. All the elements simply fall into place. As is the case with all of Stephan von Neipperg’s wines, the 2017 is wonderfully fresh and nuanced, with less muscle than in the past and noticeably more finesse. Bright floral and mocha notes add lift to the dark red stone fruits. What a gorgeous wine this is. Tasted two times. — Antonio Galloni, Vinous

Offers:
Wine Searcher 2017 Average: $75
JJ Buckley: $79.94 + shipping
Vinfolio: No offers yet.
Spectrum Wine Auctions: $467.94 for minimum 6 bottles + shipping (no shipping if picked up at Tustin, CA location)
Total Wine: $78.97
K&L: $79.99 + shipping

Previous Vintages:
2016 Wine Searcher Ave: $92 Average Critic Score: 93 points
2015 Wine Searcher Ave: $99 Average Critic Score: 94
2014 Wine Searcher Ave: $83 Average Critic Score: 92
2013 Wine Searcher Ave: $73 Average Critic Score: 91

Buy or Pass?

If you pay attention to Wine Spectator’s yearly Top 100 list, few names appear more frequently than Canon-la-Gaffelière which has been ranked #7 (2014 vintage, 2017 list), #2 (2010 vintage, 2013 list), #23 (2009 vintage, 2012 list) and #95 (2008 vintage, 2011 list) in the last 7 years. To say that Canon-la-Gaffelière has been on a roll lately is an understatement.

Photo by Dave Minogue. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

When you can buy 3 bottles of Canon-la-Gaffelière for the price of 1 bottle of Opus One and get something of very similar style and quality (if not better), it’s a no-brainer for me.

As I noted in my review of Clos de l’Oratoire’s 2017 futures offer, I find the style of Derenoncourt and von Neipperg to be very “New World-ish” so I always evaluate the pricing of their wines on the scale of equivalent priced Napa wines more so than other Bordeaux.

Compared to wines like Opus One, Stag’s Leap Wine Cellars, Silver Oak, Duckhorn and Caymus, I find that there is virtually no contest in the value that Derenoncourt and von Neipperg’s Bordeaux wines provide in delivering lush, hedonistic power for much more compelling prices.

And the wines always seem to be reliably approachable for early consumption. While, on the flip side, I tend to avoid buying Canon-la-Gaffelière and Clos de l’Oratoire in stellar vintages where I’m looking for more classic and age-worthy Bordeaux, these wines fit the bill perfectly for the “cellar defender” role I’m seeking out of vintages like 2017. That makes them an easy Buy, especially when the prices are right.

Ch. Canon (St. Emilion)

Some Geekery:

This photo was taken in the limestone caves of Beau-Séjour Bécot but through here you can access the caves of Ch. Canon which is only separated by a gated door.

Like neighboring Beau-Séjour Bécot, Ch. Canon was once an ecclesiastical vineyard ran by the monks of Clos St. Martin in the 1700s. It was during this period that much of the extensive limestone caves that still connect Beau-Séjour Bécot, Ch. Canon and Clos Fourtet were quarried out with the limestone used to build many chateaux in the Libournais.

The estate was known as Domaine de Saint-Martin in 1760 when it was purchased by Jacques Kanon, a privateer from Dunkirk who served as a lieutenant in the Royal Marines during the Seven Years’ War and earned his fortune from looting and piracy. However, the name of the domaine did not change to Ch. Canon until 1853 when it was owned by the descendants of Raymond Fontemoing who purchased Domaine de Saint-Martin from Kanon in 1770.

The Fontemoing family already owned the famous Chateau Canon in the Canon-Fronsac area which Clive Coates notes in Grand Vins was fetching the highest wine of any Libournais wine in the late 18th century.

The Fontemoings wanted to avoid confusion between their two properties and kept them separate until the wines of St. Emilion began earning more prominence on the market. By the mid 1850s, the newly rechristened Ch. Canon was ranked among the top 4 estates of St. Emilion alongside Ausone, Belair and Magdelaine.

The modern history of Ch. Canon was kick started in 1996 when the estate was sold by the Fournier family to the Wertheimer brothers, Alan and Gerard, who owned the luxury brand Chanel. Today it is part of a portfolio that includes the Margaux 2nd Growth Rauzan-Ségla, Ch. Berliquet in St. Emilion and St. Supéry in Napa Valley as well as the negociant firm Ulysse Cazabonne.

Under the Chanel Group’s ownership, significant capital was invested into replanting the vineyards and renovating the cellars. John Kolasa was brought on to manage Ch. Canon (as well as the other Bordeaux estates) where he stayed till 2015 when he was succeeded by Nicolas Audebert who formerly managed the LVMH Argentine project of Cheval des Andes. Thomas Duclos was also brought on that year as a consultant.

Photo by Maïelr. Uploaded to Wikimedia Commons under CC-BY-3.0

The vineyards of Ch. Canon.

The vineyards of Ch. Canon are smack dab in the heart of St. Emilion’s famous limestone plateau with additional parcels on the slopes neighboring Angelus and Ch. Quintus. In recent years, the owners have acquired Chateau Matras and Chateau Cure Bon with the INAO permitting some of the hectares from Cure Bon to be used in the Grand Vin.

The 2017 vintage is a blend of 73% Merlot and 18% Cabernet Franc. Around 6,000 cases a year are produced.

Critic Scores:

94-96 WA, 93-96 WS, 94-95 JS, 93-95 WE, 92-94 VM, 94-97 JD, 94-96 JL

Sample Review:

Another successful year for Canon; not as voluptuous as in 2016 or 2015, but it has a wonderful salinity and a crisp, fresh curl to the fruit. They aim for crystalline flavours, vibrant fruit and a sense of forward motion, and for me it has that again this year. The flavours of blueberries, blackberries and soft, smoky almonds are drawn out through the palate, and by the time it has finished you are ready to go again. It has an austerity that is overridden by the juice, not quite overriding the vintage, but it’s a delicious wine that again showcases the beauty of limestone. 50% new oak. Thomas Duclos is consultant here, and it really is a great year for the estates that he works with. (94 points) — Jane Anson, Decanter

Offers:
Wine Searcher 2017 Average: $94
JJ Buckley: $95.94 + shipping
Vinfolio: $96.00 + shipping
Spectrum Wine Auctions: $581.94 for minimum 6 bottles + shipping
Total Wine: $94.97
K&L: $94.99 + shipping

Previous Vintages:
2016 Wine Searcher Ave: $153 Average Critic Score: 95 points
2015 Wine Searcher Ave: $271 Average Critic Score: 96
2014 Wine Searcher Ave: $91 Average Critic Score: 92
2013 Wine Searcher Ave: $66 Average Critic Score: 91

Buy or Pass?

I’ve never been very impressed with John Kolsa’s style at Ch. Canon (or Rauzan-Ségla for that matter) so this is an estate that is usually not on my radar. I will say that the 2014 Canon was intriguing at the 2017 UGC Bordeaux tasting though. Given that that year’s wine was finished and bottled by Audebert and Duclos, I may have reason to give Canon another look.

But 2017 is not a vintage I’m using for revisiting or taking flyers on new estates and winemaking teams. Looking at the price history of the last 4 vintages of Canon, I won’t deny that there is clearly value here in the 2017 pricing and I can see this being a very compelling offer for other Bordeaux fans. I’m just more incline to be cautious which is leading me to Pass on buying this as a future.

Ch. La Dominique (St. Emilion)

Some Geekery:

Photo by Vignoblesfayat. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Ch. La Dominique

Ch. La Dominique is named after the Caribbean island of Dominica where the estate’s 18th century owners also had property.

The modern history of the estate began in 1933 when it was purchased by the de Bailliencourt family who own Ch. Gazin in Pomerol. The de Bailliencourts sold La Dominique in 1969 to billionaire Clément Fayat who made his fortune in the construction industry. Today it is part of a portfolio that includes Ch. Clément-Pichon in Haut-Médoc and Ch. Fayat in Pomerol.

In 2007, Fayat brought in Jean-Luc Thunevin (of Château Valandraud fame) to consult. He also purchased nearby Ch. Vieux Fortin, merging their 5 hectares of vines into La Dominique’s holding. The estate is experimenting with biodynamic viticulture.

Located in the western end of St. Emilion on the border with Pomerol, La Dominique has exceptional terroir neighboring Cheval Blanc and Ch. Figeac in St. Emilion as well as La Conseillante and L’Evangile across the way into Pomerol. From the rooftop of their restaurant, La Terrasse Rouge located among their vineyards, you can see the vineyards of Ch. Petrus as well.

The 2017 vintage is a blend of 70% Merlot, 20% Cabernet Franc and 10% Cabernet Sauvignon. Around 7000 cases a year are produced but with significant frost damage experienced in 2017, production this year is likely closer to 3500 cases.

Critic Scores:

92-94 WE, 92-93 JS, 90-93 WS, 89-91 VM, 91-93 JL

Sample Review:

70% frosted so they had more Cabernet Sauvignon (10%) and Cabernet Franc (20%) in 2017. This is 50% of production. Inky dark with purple rim. Dark, rocky/mineral fragrance. Juicy and scented on the palate, with some red as well as black fruit. Super-polished tannins that are a fine framework for the fruit. Refined, not over-oaked. Long. (17/20 points) — Julia Harding, JancisRobinson.com

Offers:
Wine Searcher 2017 Average: $57
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $59.97
K&L: No offers yet.

Previous Vintages:
2016 Wine Searcher Ave: $62 Average Critic Score: 92 points
2015 Wine Searcher Ave: $58 Average Critic Score: 92
2014 Wine Searcher Ave: $51 Average Critic Score: 91
2013 Wine Searcher Ave: $41 Average Critic Score: 89

Buy or Pass?

The restaurant also had a killer collection of vintage Armagnacs.


Visiting the vineyards of La Dominique and their La Terrasse Rouge restaurant was one of the highlights of my 2016 Bordeaux trip. This site truly has remarkable potential but not a single one of their wines really left any kind of impression.

While I adore Thunevin’s work at his own personal estate of Valandraud and his consulting work at Fleur Cardinale, I have a hankering suspicion that the business goals of La Dominique are more geared towards tourism than necessarily raising the quality of their wines above other Grand Cru Classé. And with pricing closer to 2015/2016 levels than 2014 this is an easy Pass for me.

More Posts About the 2017 Bordeaux Futures Campaign

Why I Buy Bordeaux Futures

*Bordeaux Futures 2017 — Langoa Barton, La Lagune, Barde-Haut, Branaire-Ducru

*Bordeaux Futures 2017 — Pape Clément, Ormes de Pez, Marquis d’Alesme, Malartic-Lagraviere

*Bordeaux Futures 2017 — Lynch-Bages, d’Armailhac, Clerc-Milon and Duhart-Milon

*Bordeaux Futures 2017 — Clos de l’Oratoire, Monbousquet, Quinault l’Enclos, Fonplegade

*Bordeaux Futures 2017 — Cos d’Estournel, Les Pagodes des Cos, Phélan Ségur, Calon-Segur

*Bordeaux Futures 2017 — Clinet, Clos L’Eglise, L’Evangile, Nenin

*Bordeaux Futures 2017 — Malescot-St.-Exupéry, Prieuré-Lichine, Lascombes, Cantenac-Brown

*Bordeaux Futures 2017 — Domaine de Chevalier, Larrivet Haut-Brion, Les Carmes Haut-Brion, Smith Haut Lafitte

*Bordeaux Futures 2017 — Beychevelle, Talbot, Clos du Marquis, Gloria

*Bordeaux Futures 2017 — Carruades de Lafite, Pedesclaux, Pichon Lalande, Reserve de la Comtesse de Lalande

*Bordeaux Futures 2017 — Vieux Chateau Certan, La Conseillante, La Violette, L’Eglise Clinet

*Bordeaux Futures 2017 — Montrose, La Dame de Montrose, Cantemerle, d’Aiguilhe

*Bordeaux Futures 2017 — Clos Fourtet, Larcis Ducasse, Pavie Macquin, Beauséjour Duffau-Lagarrosse

*Bordeaux Futures 2017 — Kirwan, d’Issan, Brane-Cantenac, Giscours

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Bordeaux Futures 2017 — Clos de l’Oratoire, Monbousquet, Quinault l’Enclos, Fonplegade

Photo by self. Uploaded to Wikimedia Commons as Agne27 under CC-BY-SA-3.0

For our next installment on the 2017 Bordeaux Futures campaign, we go to St. Emilion to look for values from the sister properties of the Premier Grand Cru Classe estates Ch. Canon-la-Gaffeliere and Ch. Cheval Blanc as well as the Grand Cru Classe estates of Ch. Monbousquet and Ch. Fonplegade.

To see some of the our previous posts on the 2017 campaign check out:

Bordeaux Futures 2017 — Palmer, Valandraud, Fombrauge, Haut-Batailley

Bordeaux Futures 2017 — Pape Clément, Ormes de Pez, Marquis d’Alesme, Malartic-Lagraviere

Bordeaux Futures 2017 — Lynch-Bages, d’Armailhac, Clerc-Milon and Duhart-Milon

Now onto the offers.

Clos de l’Oratoire (St. Emilion)

Some Geekery:

The history of Clos de l’Oratoire dates back to the 1800s when it was part of the large estate of Château Peyreau on the northeast slope of the St. Emilion plateau. In 1874, Edouard Féret ranked the Peyreau estate as one of “second growth quality.”

When the vineyards of St. Emilion were classified in 1955, the best sections of Peyreau were splintered off and became Clos de l’Oratoire. This new estate was ranked as a Grand Cru Classé while Ch. Peyreau would be bottled under the St. Emilion Grand Cru AOC.

Image by Leonhard Dorst von Schatzberg. Uploaded to Wikimedia Commons under Public Domain usage.

The label of Clos de l’Oratoire and many other wines in the portfolio of Vignobles Comtes von Neipperg prominently feature the family’s coat of arms that date back to the early 1700s.

In the 1970s, both Peyreau and Clos de l’Oratoire where purchased by the von Neipperg family with the estates joining a portfolio that now includes the Premiers Grands Cru Classé ‘B’ estates of Ch. Canon-La-Gaffeliere and La Mondotte, Ch. d’Aiguilhe in Cotes de Castillon, Clos Marsalette in Pessac-Léognan (jointly owned with Didier Miqueu), the Sauternes Premier Cru Ch. Guiraud, Capaia in the New Philadelphia region of South Africa and Bessa Valley in Bulgaria.

All the vineyards are farmed sustainably with some parcels biodynamically managed.

The 2017 vintage is a blend of 90% Merlot and 10% Cabernet Franc.

Critic Scores:

93-94 James Suckling (JS), 90-92 Wine Advocate (WA), 89-92 Wine Spectator (WS), 90-93 Vinous Media (VM), 90-92 Jeb Dunnuck (JD), 90-92 Jeff Leve (JL)

Sample Review:

The 2017 Clos de l’Oratoire is pliant and supple, with striking balance of fruit and tannin. In some recent vintages, Clos de l’Oratoire has been more massive, but I have to say, the balance of the 2017 is really quite compelling. A rush of red cherry, plum, blood orange, pomegranate and mint builds into the racy, pliant finish. This is a gorgeous vintage for Clos de l’Oratoire. Sadly, yields are down by 60% because of frost on the lower parts of the vineyard. As a result, only hillside parcels were used. Tasted two times. — Antonio Galloni, Vinous Media

Offers:

Wine Searcher 2017 Average: $35
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $39.97 (no shipping with wines sent to local Total Wine store for pick up)
K & L: $37.99 +shipping (no shipping if picked up at 1 of 3 K & L locations in California)

Previous Vintages:
2016 — Wine Searcher Ave. $43 Average Critic Score: NA
2015 — Wine Searcher Ave. $50 Average Critic Score: 91 points
2014 — Wine Searcher Ave. $40 Average Critic Score: 90
2013 — Wine Searcher Ave. $32 Average Critic Score: 89

Buy or Pass?

Clos de l’Oratoire benefits from the same winemaking and viticultural teams as the blockbuster estates of Canon-La-Gaffeliere (Wine Searcher Ave $95) and La Mondotte (Wine Searcher Ave $252). While Clos de l’Oratoire will never reach the depths and pure hedonistic pleasures of those wines, I’ve always found it be a solid “baby brother” and good value.

Photo by Steve Ryan. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

While I certainly do enjoy nice Napa wines, getting a lush but elegant “New World-ish” Bordeaux like Clos de l’Oratoire for almost half the price is a stellar value.


In general, I find the wines of von Neipperg and his consultant Stéphane Derenoncourt to be very “New Worldish” and Napa-like meant for more short-term consumption. For a vintage like 2017 which I’m not planning on cellaring long that makes Clos de l’Oratoire a compelling buy–especially when I compare it to Napa wines in similar price points. I would put the quality of Clos de l’Oratoire on par with Napa Cabs like Silver Oak and Duckhorn or Merlots like Pride and Barnett Vineyards which all easily fetch far more than $40 a bottle. That makes this wine an easy Buy for me.

Ch. Monbousquet (St. Emilion)

Some Geekery:

First owned by François de Lescours in 1540, Monbousquet spent almost 150 years under the stewardship of the notable De Carles family who also owned Château de Carles in Fronsac and were very prominent in Bordeaux politics from the 15th to 17th centuries.

The modern history of Monbousquet began in 1993 when the estate was purchased by Gerard Perse who brought in Michel Rolland as a consultant. While Perse would go on to acquire the Premier Grand Cru Classe ‘A’ Ch. Pavie, Grand Cru Classé Ch. Pavie Decesse and St. Emilion Grand Cru Chateau Bellevue Mondotte as well as Clos Lunelles in the Cotes de Castillon, the chateau of Monbousquet would be the Perse family’s personal home until 2013 when it was sold to a French pension fund.

Photo by Private post-card collection. Uploaded to Wikimedia Commons under the Public Domain.

Ch. Monbousquet in the early 1900s.

Since 2006 the estate has been ranked as Grand Cru Classé with around 6000 cases a year produced. During the years of Perse’s ownership the percentage of Cabernet Franc and Cabernet Sauvignon was steadily increased in the more gravel and sand portions of the vineyards and today the estate is planted to around 60% Merlot, 30% Cabernet Franc and 10% Cabernet Sauvignon.

Critic Scores:

92-94 Wine Enthusiast (WE), 92-93 JS, 89-92 WS, 89-91 WA, 90-91 JL, 90-92 JD

Sample Review:

Incense, red cherries, thyme and smoke open the wine. On the palate, the wine is medium-bodied, full, velvety, polished and forward. The fruit is bright and you sense true freshness. The percentage of new oak has dropped to 50%, placing the fruit center stage. — Jeff Leve, The Wine Cellar Insider

Offers:

Wine Searcher 2017 Average: $52
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: $311.94 for minimum 6 pack + shipping (no shipping if picked up at Tustin, CA location)
Total Wine: $54.97
K & L: No offers yet.

Previous Vintages:
2016 — Wine Searcher Ave. $54 Average Critic Score: 89 points
2015 — Wine Searcher Ave. $60 Average Critic Score: 91
2014 — Wine Searcher Ave. $50 Average Critic Score: 90
2013 — Wine Searcher Ave. $44 Average Critic Score: 89

Buy or Pass?

While the 2012 Monbousquet is still a terrific value, I’ve been far more impressed with the efforts of many other St. Emilion estates (like Fleur Cardinale) in 2014 and 2015 for similar price points. That experience is encouraging me to take a “wait and see” approach to future Monbousquet releases.

I used to adore Monbousquet and have been avidly consuming vintages since 2005. While I’m still buying and getting a lot of pleasure from the 2012 vintage (Wine Searcher Average $55), I must confess that both the 2014 and 2015 underwhelmed me–especially for their price points.

While the 2012 was undoubtedly blended and bottled under the new winemaking team following the 2013 sale, I’m still a bit skeptical that Monbousquet is going to continue to be the reliable pleasure producer that it was for so many years under the Perse family’s stewardship. For a vintage like 2017 that skepticism is enough to merit a Pass for me.

Ch. Quinault l’Enclos (St. Emilion)

Some Geekery:

Historically part of the satellite region Sables St. Emilion that surrounded the city of Libourne, Quinault l’Enclos was often overlooked until 1997 when it was purchased by Alain Raynaud.

Raynaud renovated the cellars and replanted many under-performing parcels by the time he sold the estate in 2008 to Bernard Arnault and Albert Frere, the owners of the legendary Cheval Blanc. Today the vineyards and winemaking of the Grand Cru Classé is managed by Pierre Lurton with the same team used at Cheval Blanc. Since 2009 all vineyard parcels have been farmed organically.

Under Lurton and the Cheval Blanc team the percentage of Cabernet Sauvignon and Cabernet Franc used in the final blend has steadily increased with the 2017 vintage being a blend of 62% Merlot, 22% Cabernet Sauvignon and 16% Cabernet Franc. Around 7500 cases are made yearly.

Critic Scores:

92-93 JS, 90-92 WE, 89-91 VM, 89-91 WA, 88-90 JL

Sample Review:

The Cheval Blanc team changed everything when they started working there 10 years ago. Replanting with good clones etc and more Cabernet Sauvignon because there is a lot of gravel. Now also a new cellar, concrete for fermentation. Experimenting with foudres and bigger 500-litre barrels to reduce the oak impact but all new.
Deep crimson. Delicately herbaceous and slightly dusty aroma. Smells of stone dust. Or is it the concrete in the cellar? Under that, light cassis. Strange mix of herbaceous flavours and sweet chocolate. Sweet/sour at the moment. Smooth tannins, chocolate texture. Gentle but fresh.(16 out of 20) — Julia Harding, JancisRobinson.com

Offers:

Photo by schuey. Uploaded to Wikimedia Commons under CC-BY-2.0.

Being managed by the same viticultural and winemaking team as the illustrious Cheval Blanc (pictured) makes Quinault L’Enclos a compelling value for under $35 a bottle.


Wine Searcher 2017 Average: $31
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $33.97
K & L: No offers yet.

Previous Vintages:
2016 — Wine Searcher Ave. $ 36 Average Critic Score: NA
2015 — Wine Searcher Ave. $ 44 Average Critic Score: 92 points
2014 — Wine Searcher Ave. $ 35 Average Critic Score: 90
2013 — Wine Searcher Ave. $ NA Average Critic Score: NA

Buy or Pass?

Quinault L’Enclos first caught my attention with its savory and elegant 2010 vintage. While that vintage today averages around $50 (which is still a good value for its quality), it was a raging steal of a deal a few years back when it was around $35-40. The estate continued to impressed me with very solid offerings in the troublesome vintages of 2011 and 2012 and has been drinking fantastic for a young 2015.

Even though it has been under the Cheval Blanc teams stewardship for almost 10 years, this estate is still vastly underrated and is truly a gem worth discovering. As you can tell by the dearth of retail offers, this is a tough wine to get in the US (though I’ve noticed an uptick in savvy sommeliers putting this on restaurant wine lists), it’s worth finding and nabbing a few bottles if you can–especially the 2015 that is out in the market now.

Eventually folks are going to catch on and the prices will rise to match the quality but for under $50 this is a no-brainer Buy for me.

Ch. Fonplegade (St. Emilion)

Some Geekery:

Home to ancient Roman ruins that date back to AD 400, Fonplegade is one of the oldest and most historical properties in Bordeaux. The Roman settlement of St. Emilion likely took advantage of the fountain that still sits among the vines in the vineyard. The name “Fonplegade” itself roughly translates to “flowing fountain” or “fountain of plenty”.

The chateau was built in the 1850s and by 1863 the estate came under the ownership of Napoleon III’s step-brother, Charles de Morny the Duke of Morny. In 1953, the Moueix family (of Petrus fame) purchased Fonplegade. The property stayed in the family for several decades until 2004 when Armand Moueix sold it to Americans Denise and Stephen Adams.

The fountain in the vineyards of Fonplegade.


The Adams hired Michel Rolland as a consultant and began converting the vineyards over to organic and biodynamic (a similar path they took with the Pomerol estate they purchased in 2006, Ch. L’Enclos). By 2013, Fonplegade was certified organic with aims of being fully certified biodynamic by 2020. In 2015 Stephane Derenoncourt was hired to replace Rolland as consulting winemaker working with Corinne Comme the wife of Pontet-Canet’s Jean-Michel Comme.

In 2010, all the Cabernet Sauvignon vines were removed and replaced with Cabernet Franc. Sensing the potential of the variety in their clay and limestone dominant soils, the Adams have a goal of eventually 20% of the vineyard being planted to the grape.

The 2017 vintage is a blend of 90% Merlot and 10% Cabernet Franc. Around 4000 cases a year are produced.

Critic Scores:

93-95 WA, 92-94 VM, 92-93 JS, 90-93 WS, 93-95 JL, 90-92 JD

Sample Review:

The deep garnet-purple colored 2017 Fonplegade has quite a spicy nose sporting notes of anise, cloves, fenugreek and black pepper over a core of warm black plums and blackberries plus a waft of potpourri. Medium-bodied with a rock-solid frame of grainy tannins and wonderful freshness, it features bags of vibrant black fruits and a long, spicy finish. — Lisa Perrotti-Brown, Wine Advocate

Offers:

Photo by 	Mkonikkara. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Ch. Fonplegade in 2011 before work to reconstruct the right tower that was damaged in World War II began.

Wine Searcher 2017 Average: $34
JJ Buckley: $35.94 + shipping (no shipping if picked up at Oakland location)
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $34.97
K & L: No offers yet.

Previous Vintages:
2016 — Wine Searcher Ave. $ 38 Average Critic Score: 92 points
2015 — Wine Searcher Ave. $ 50 Average Critic Score: 91
2014 — Wine Searcher Ave. $40 Average Critic Score: 89
2013 — Wine Searcher Ave. $35 Average Critic Score: 89

Buy or Pass?

Fonplegade in 2016 after the right tower was restored. Beginning with the 2015 vintage you can see the two towers illustrated on the wine’s label.


Visiting the estate of Ch. Fonplegade was one of the highlights of my 2016 trip to Bordeaux and it is clear that the Adams family are dedicated to raising the profile and quality level of the property. Touring the vineyards and their immaculate winery you could tell that no expense was being spared in their quest. Along with Ch. Fleur Cardinale, Fonplegade is one of the Grand Cru Classé that I can see eventually being promoted to Premier Grand Cru Classé ‘B’.

I am intrigued with the change from Rolland to Derenoncourt as I tend to prefer the later’s style a bit more. I’m also quite pleased at the very reasonable pricing for the futures being noticeably less than the current market prices for the 2014 and 2015. With value seeking being a primarily driver in my approach to the 2017 vintage this puts Fonplegade as a solid Buy for me.

More Posts About the 2017 Bordeaux Futures Campaign

Why I Buy Bordeaux Futures

*Bordeaux Futures 2017 — Langoa Barton, La Lagune, Barde-Haut, Branaire-Ducru

*Bordeaux Futures 2017 — Pape Clément, Ormes de Pez, Marquis d’Alesme, Malartic-Lagraviere

*Bordeaux Futures 2017 — Lynch-Bages, d’Armailhac, Clerc-Milon and Duhart-Milon

*Bordeaux Futures 2017 — Cos d’Estournel, Les Pagodes des Cos, Phélan Ségur, Calon-Segur

*Bordeaux Futures 2017 — Clinet, Clos L’Eglise, L’Evangile, Nenin

Bordeaux Futures 2017 — Malescot-St.-Exupéry, Prieuré-Lichine, Lascombes, Cantenac-Brown

*Bordeaux Futures 2017 — Domaine de Chevalier, Larrivet Haut-Brion, Les Carmes Haut-Brion, Smith Haut Lafitte

*Bordeaux Futures 2017 — Beychevelle, Talbot, Clos du Marquis, Gloria

*Bordeaux Futures 2017 — Beau-Séjour Bécot, Canon-la-Gaffelière, Canon, La Dominique

*Bordeaux Futures 2017 — Carruades de Lafite, Pedesclaux, Pichon Lalande, Reserve de la Comtesse de Lalande

*Bordeaux Futures 2017 — Vieux Chateau Certan, La Conseillante, La Violette, L’Eglise Clinet

*Bordeaux Futures 2017 — Montrose, La Dame de Montrose, Cantemerle, d’Aiguilhe

*Bordeaux Futures 2017 — Clos Fourtet, Larcis Ducasse, Pavie Macquin, Beauséjour Duffau-Lagarrosse

*Bordeaux Futures 2017 — Kirwan, d’Issan, Brane-Cantenac, Giscours

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Event Review — Washington vs The World Seminar

Every year as part of Taste Washington weekend, the Washington Wine Commission host several education seminars to highlight the unique terroir, wines and personalities of the Washington wine industry.

This year I participated in the Washington vs the World: Old World, New World, Our World seminar that was moderated by Doug Charles of Compass Wines. The event was presented as a blind tasting of 5 flights–each pairing a Washington wine with a counterpart from elsewhere in the world.

Featuring a panel of winemakers including Casey McClellan of Seven Hills Winery, Jeff Lindsay-Thorsen of WT Vintners, Keith Johnson of Sleight of Hand and Anna Schafer Cohen of àMaurice Cellars as well as Damon Huard of Passing Time Winery and Sean Sullivan of Wine Enthusiast and The Washington Wine Report, the one and half hour event was a terrific opportunity to learn insights from the panel while honing your blind tasting skills with some world class wines.

Below are my notes from each of the flights followed by the reveal of what the wines were.

Flight 1

Wine 1: Opaque ruby with more red than blue hues. Medium-minus intensity nose–floral roses with red berries. Some oak spice.
On the palate–red cherry and currant. High acidity, medium-plus tannins. Little skeletal and thin. Short finish but the floral notes come back and seem promising. Feels like a young Cab that needs some time to flesh out. No minerality so likely New World. Cool climate Washington–Yakima/Walla Walla?

Wine 2: Very opaque purple. Much darker than #1. Little hazy so likely unfiltered. Medium-minus intensity–dark fruit but also a noticeable green note. Vanilla.

The sediment from wine #2. There was no sign of age so clearly this wine wasn’t filtered.

On the palate, the noticeable oak vanilla comes to the forefront but the green leafy notes are also there. Dark fruits but still not very defined, especially with the oak. Medium-plus acidity and high tannins that have a chalky grittiness to them. Some clove spice from the oak. Likely a Cab like wine #1 and it feels like a New World Napa with dark fruit and all the oak but the green notes are throwing me off. Napa Mountain AVAs? 2014 Walla Walla?

Flight 2

Wine 3: Opaque with more red than blue hues. Medium intensity nose. Chocolate covered cherries and spice.

On the palate, chocolate cover cherries still with blue floral notes (Cab Franc?) and a mix of oak baking spice and Asian cooking spice. A lot of layers to evolve. High acidity–very juicy cherries. Medium-plus tannins, very velvet. Some pencil graphite minerality on the long finish (Cab Franc x2?) Kinda Old Worldish but the chocolate covered cherries seem New World or a very modern Right Bank Bordeaux? Very lovely.

Wine 4: Opaque ruby with a little fuchsia hues. Pretty similar color depth to #3, just slightly different shades. Medium intensity nose with some floral and perfume nose. Vanilla blossoms. Smells like a Macy department store. Some blue fruits.

On the palate, the blue fruits–plums and blueberries–carry through and has noticeable oak. Medium-plus acidity and high grippy tannins. Seems very Cab-like with that big structure. No minerality and really short finish. Like wine #1 this seems a bit skeletal and young but I don’t think this one is as promising as #1. Washington BDX blend?

Flight 3

Wine 5: Opaque ruby with noticeable blue hues. High intensity nose. Smokey tobacco and meatiness but also an earthy forest element. It smells like you’re hiking through the forest to get to a brisket BBQ.

On the palate, lots of dark fruit–black currant, black raspberry–but lots of smokey, meatiness too. Some leather. High acidity, high tannins. Big wine! Long finish with cigar notes. Taste like a Left Bank Bordeaux and Cote Rotie had a baby. Fantastic wine but I can’t think of a WA producer doing this.

Wine 6: Opaque ruby with noticeable blue hues. A tad darker than #5. Medium-plus intensity nose. Dark fruits. Chocolate covered acai berries. Lovely blue floral notes.

On the palate, rich black fruits–black plums, black currants. Noticeable oak vanilla. Juicy medium-plus acidity and medium-plus tannins. Very well balanced. Long finish. Taste like a high-end Napa so high-end WA? Both of these are outstanding.

Flight 4

Wine 7: Opaque ruby with some blue hues. High intensity nose with leather and smoked meat. More intense than Wine #5! A little green olive tapenade on toasted bread. Grilled rosemary skews. Floral violets. Roasted coffee. Lots and lots of layers!

On the palate, blackberries and bacon. The roasted coffee notes come through as well as most of the bouquet. Medium-plus acidity and medium-plus tannins. Little back end heat. Long finish. Very Northern Rhone-like. Really delicious wine that I want more time with.

The panel for the seminar. (Left to Right)
Doug Charles, moderator
Casey McClellan, Seven Hills
Jeff-Lindsay-Thorsen, WT Vintners
Keith Johnson, Sleight of Hand
Damon Huard, Passing Time
Anna Schafer Cohen, àMaurice
Sean Sullivan, Wine Enthusiast


Wine 8: Very opaque purple. Much darker than #7. Medium-intensity nose. Almost shy compare to #7. Black fruits. Citrus-lime zest? (WA Syrah?) Medium acidity and medium tannins. High pH. Little rocky minerality on moderate finish. Warm climate New World. Seems like a Red Mountain Syrah. Reminds me a little of the Betz La Cote Rousse.

Flight 5

Wine 9: Clear ruby with red hues. First wine that I can see through. Medium-plus intensity nose. Roasted chicken herbs–thyme and sage. Some blue floral notes.

On the palate, a mix of red and dark fruits–cherries and berries–with the herbal and floral notes. High acidity. Medium-plus tannins. Little minerality on the moderate finish. Seems like a cool climate New World or Old World Rhone.

Wine 10: Clear pale ruby. Lighter than #9 but darker than a Pinot noir. High intensity aromatics with earthy notes and red fruits. Some bacon fat smokiness.

On the palate, all red fruits–cherries and tart cranberries. The smokey bacon fat also comes through (Syrah?). High acidity and medium-plus tannins but way more biting. Not as well balanced as #9 and coming across as more thin and skeletal. Short finish. Seems young.

The Reveal
My favorite for each flight is highlighted with ***

Wine 1: 2012 àMaurice Cellars Artist Series Ivey Blend Columbia Valley (Wine Searcher Ave $43)***
Wine 2: 2013 Joseph Phelps Vineyards Insignia Napa Valley (Wine Searcher Ave $213) Update: Sean Sullivan informed me that this was poured from a magnum which likely highlighted how young tasting and underwhelming this wine was.

Wine 3: 2014 Duckhorn Vineyards Merlot Napa Valley (Wine Searcher Ave $47)***
Wine 4: 2014 Seven Hills Winery Merlot Seven Hills Vineyard Walla Walla Valley (Wine Searcher Ave $45)

Wine 5: 2012 Château Lynch Bages Pauillac (Wine Searcher Ave $114)***
Wine 6: 2015 Passing Time Winery Cabernet Sauvignon Horse Heaven Hills (Winery price $80)

Wine 7: 2015 Sleight of Hand Cellars Psychedelic Syrah Stoney Vine Vineyard Walla Walla Valley (Wine Searcher Ave $61)***
Wine 8: 2015 Glaetzer Wines Amon-Ra Shiraz Barossa Valley (Wine Searcher Ave $75)

Wine 9: 2015 WT Vintners Rhone Blend Boushey Vineyard Yakima Valley (Winery price $40)***
Wine 10: 2014 Sadie Family Columella Coastal Region (Wine Searcher Ave $107)

My Top 3 Wines of the Event

2015 Sleight of Hand Cellars Psychedelic Syrah Stoney Vine Vineyard — WOW! This wine was so funky and character driven that I can still memorably taste it over 4 days later. I’m usually not that blown away by Sleight of Hand wines–finding them well made but often jammy and fading quickly–and while I don’t think this wine is necessarily built for the cellar, it certainly built to deliver loads of pleasure and layers of complexity over the next few years.

The Sleight of Hand Psychedelic Syrah from the Stoney Vine Vineyard was my Wine of the Event.


2012 Château Lynch Bages Pauillac — I don’t know what kind of decanting this wine saw before the event but this wine was tasting exceptional for a young Pauillac–more so for a young Lynch Bages! I suspect it was opened earlier in the morning with the somm team pouring the glasses at least an hour before the event started–which is still a relatively brief amount of time for a top shelf Bordeaux. Update: I learned from Nick Davis of Medium Plus and the somm team at the seminar that the 2012 Lynch Bages was opened only 40 minutes before the event and poured 20 minutes prior to the tasting beginning. That only adds to how impressive the wine was showing.

The 2012 vintage in Bordeaux is not getting a lot of attention being bookend between the stellar 2009/10 and 2015/16 vintages. Like 2014, you hear Bordeaux lovers note that 2012 is much better than 2011 and 2013 but that almost seems like damning with faint praise. It’s clear that there is a lot of great value to be had in this vintage–compare the Wine Searcher Ave for 2010 Lynch Bages ($190) & 2015 ($142) to the $114 average for 2012–and if it is starting to deliver pleasure at a little over 5 years of age then it’s worth investing in as a “cellar defender” to enjoy while waiting for your 2009/10 and 2015/16 wines to age.

2014 Duckhorn Vineyards Merlot Napa Valley — I was not expecting this result. During the blind tasting I was very intrigued by this wine and ultimately pegged it as a Right Bank Bordeaux made in a style along the veins of Valandraud, Fleur Cardinale, Monbousquet or Canon-la-Gaffelière. Never would have pegged it as a Napa Merlot! In hindsight the chocolate covered cherries should have been my clue but they were so well balanced by the acidity and minerality that it didn’t come across as “Napa sweet”. Well done Duckhorn!

An honorable mention goes to the 2015 Passing Time Horse Heaven Hills Cabernet Sauvignon. I was very impressed with how how Napa-like it has become. I was already a fan of the winery and tried this 2015 as a barrel sample at last year’s release party where its potential was evident. Still, I wasn’t expecting it to be this good, this quickly. It was rather unfair to compare the Passing Time to the 2012 Lynch Bages which was so different and so fantastic in its own right. A better pairing would have been with the Joseph Phelps Insignia or any other high end Napa like Silver Oak, Caymus, Frank Family, Cakebread, etc and I have no doubt that the Passing Time would have came out on top for most tasters.

Things I Learned About Blind Tasting

Admittedly I was a tad concerned finding myself consistently liking the first wine in each tasting flight but I can’t think of any systematic reason that would lead to that result. The wines were all poured in advance and I cleared my palate with crackers and water between each so I have to chalk it all up to coincidence.

For the most part, the varietal character and identity of each flight stood out and I was fairly accurate in identifying them. The main outlier was the Merlot flight (#2) featuring the Duckhorn and Seven Hills Merlots. The Duckhorn was tripping some of my Cab Franc notes while the Seven Hills was exceptionally Cabernet Sauvignon-like so that led me to deduce Right Bank Bordeaux blend which was wrong but at least in the ballpark.

The more difficult task was trying to nail down the region and which was the Washington example versus the World example. Here I felt like I only solidly hit 2 of the 5 flights (Flight #1 and Flight #3–Cab and Cab-dominant blends) but that was mostly just by 50/50 luck–especially in Flight #1.

The WT Vintners Rhone blend from Boushey Vineyards in the Yakima Valley is a tough wine to pin down in blind tasting because of its mix of Old/New World characteristics.

I was often tripped up by how “Old Worldish” many of the Washington wines were–especially the Sleight of Hand Cellars Psychedelic Syrah from the Stoney Vine Vineyard in the Rocks District. In hindsight, this should have screamed “ROCKS!” to me much sooner. While technically Oregon, this sub-AVA of Walla Walla produces some of the most complex and interesting Syrahs being made in Washington. I commented from the audience that putting this Syrah in a blind tasting is a little evil because of how Old World and Cote Rotie-ish it is.

Another thing that makes Washington a bit difficult to peg down is how frequently “cool climate notes” like red fruit, juicy medium-plus acidity, bright floral perfumes and subtle herbal notes appear in wines that are actually grown in rather warm climates (especially compared to Old World regions like Bordeaux). This is largely because of the significant diurnal temperature variation in Eastern Washington that can swing as much as 40℉ from the high heat of the daytime to cool low temperatures of night. This allows Washington grapes to get fully ripe and develop some of those dark fruit notes but, especially in cooler areas like Boushey and Red Willow Vineyard in Yakima and parts of Walla Walla, also maintain ample acidity and some of those cool climate characteristics.

From a blind tasting perspective, I need to solidify in my mind that getting a wine with that mix of warm/cool climate characteristics should be a tip off that I’m dealing with a Washington wine.

Is it Worth it?

Hell yeah. While I wasn’t impressed at all with attending The New Vintage, I will certainly make an effort to attend future seminars at Taste Washington.

At $85 a ticket, this was one of the more expensive seminars with others being as low as $45 a ticket, but the experience (and tasting over $800 worth of wine) delivers more than enough value to merit the cost.

A lot of great wine to taste through.


The only slight criticism is the rush between tasting each wine and getting the panel and audience to start commenting on them. Especially being a blind tasting, I wanted more than just a minute or two to critically taste and evaluate the wine before I start hearing other people’s comments that may sway my assessment.

Granted, I’m sure I’m in the minority here as I could tell that for many other participants in the audience, tasting the wines and being able to ask questions of the panel was a bigger draw than getting a chance to sharpen their blind tasting skills. When you have 10 wines being presented over 90 minutes–and allotting time for questions about vineyards, grape varieties, winemaking style, etc–something got to give so I understand why the tasting time got the short shrift.

Still, it was an exceedingly worthwhile experience that I highly recommend for Washington wine lovers and wine geeks alike.

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