Archive for: April, 2018

Hospice du Rhône Weekend 2018

The BBQ prep for the closing dinner.

Just got back home from a wonderful weekend down in Paso Robles attending the 2018 Hospice du Rhône. This was my first time attending the event and I can tell you that my wife and I are already making plans to attend the 2020 event April 23rd-25th.

To be honest, we are even thinking about attending the 2019 event in the Rhône Valley.

We purchased two weekend passes at $995 each which got us:

4 seminars featuring 9-11 wines each including many wines with limited releases and very small production.
Two lunches (a Rosé lunch on Day 1 and Live Auction lunch on Day 2)
An Opening and Closing Tasting featuring hundreds of wines with each tasting having a different theme (older vintages for Day 1 and newer vintages for Day 2) so each day had different wines to try.
Farewell dinner and BBQ

As you can probably garner from the first paragraph, my wife and I left the event feeling that the cost of the weekend pass was more than worth it for the experience we got. So I’ll share some of my favorite geeky moments, top wines and the two slight negatives that put a damper on an otherwise stellar event.

I’ll save my reviews of the 4 seminars (South Africa’s Cinsault Renaissance, A 6th Generation Crusade in the Barossa Valley, Lost and Found: Old Vine Rhônes Across California, The Majesty of Guigal) for their own individual posts because there was a lot of great stuff from each to unpack.

Top 3 Geek Moments

Meeting two Masters of Wine in Billo Naravane of Rasa Vineyards and Morgan Twain-Peterson of Bedrock Wine Co. I got a chance to talk to Billo about the possibilities of Walla Walla hosting a future Hospice du Rhone (would be incredibly exciting!) and with Morgan it was hard not to be charmed with his unabashed geekiness for old vine vineyards in California.

John Alban, Morgan Twain-Peterson and Tegan Passalacqua at the old vine seminar.

Which along those lines….

Having the light bulb flick on about the treasure of old vine field blends. Some of the most exciting wines at the event were old vine field blends featuring a hodge podge of grapes like Mataro (Mourvedre), Syrah, Peloursin, Zinfandel, Petite Sirah, Trousseau noir, Grenache, Mondeuse, Alicante Bouchet and the like inter-planted and fermented together. In an industry dominated by monoculture and mono-varietal wines, the character of these field blends like Carlisle’s Two Acres and Bedrock’s Gibson Ranch are off the charts.

And no one is intentionally planting field blends right now. This truly is a treasure of the past when farmers, rather than viticulturists, just kind of did their thing and let what would grow, grow. That kind of proposition is way too risky today but that only heightens the importance of saving these old vineyards and supporting the wineries who source fruit from them.

As a Millennial, the character and stories behind field blend plantings is the perfect antidote to the mind-numbing boredom of the “same old, same old”. Millennials are changing the wine industry with their craving for new experiences and new things as well as authenticity–which an old vine field blend delivers in spades. It’s why I’m skeptical that Cabernet Sauvignon will continue it dominance and why I don’t think Merlot’s downturn is just because of a movie.

Potek Winery’s Mormann Vineyard Syrah from the Santa Rita Hills.
Great wine but Potek’s labels are WAAAAAAY too busy. Admittedly in a wine shop I wouldn’t even give them a second look because they’re so hard to read.

Though speaking of that movie…

Screw Pinot. Let’s start drinking Santa Barbara County Rhônes. I mentioned this in my quick take on Day 1 and day 2 only reaffirmed how special these cool climate Rhônes are. I’ll also add the Russian River Valley of Sonoma because not only can you find Carlisle’s Two Acre gem there but I was also thoroughly impressed with the wines from MacLaren.

Top 10 (non-seminar) Wines of the Event

When you have wines like a 2005 Guigal La Turque being poured at the seminars, it would be easy to fill up this list with nothing but seminar wines. But there were a lot of fantastic wines poured at the Opening and Closing tastings so here are 10 of my favorites in no particular order.

2016 Jada Hell’s Kitchen Paso Robles — It was actually hard to narrow down just one of the Jada wines to put on this list because every single one of them were stellar. This one was very full bodied and hedonistic with rich dark fruit, velvety smooth mouthfeel and a long finish with dark chocolate notes.

2016 Louis Cheze Condrieu Pagus Luminis — Crisp but mouthfilling. Lots of fresh tree fruit notes–apricots and peaches–with some stony minerality.

While I enjoyed the opportunity to try Saxum, I’m actually far more excited about the wines being made by their assistant, Don Burns, with his wife Claudia at their Turtle Rock Winery.

2016 CR Graybehl The Grenachista Alder Springs Grenache Mendocino County — I guess I could add this to my cool-climate Rhône discoveries. Like Jada, this was a hard one to narrow down because I loved everything from this producer. The Alder Springs had a particular vivacious mouthfeel of juicy blackberries with some spice and floral notes.

2012 Turtle Rock Willow’s Cuvee Paso Robles — Made by the assistant winemaker of Saxum. Truthfully, I liked these better than the Saxum wines I tried. Very floral with a mix of red and dark fruit. One of the best noses of the night.

2012 Dos Cabezas Wineworks El Campo Sonoita Arizona — One of the surprises of the event. A Tempranillo-Mourvedre blend from Arizona that tasted like a spicy Ribera del Duero and juicy Jumilla had a baby. Very impressive.

2008 Kunin Alisos Vineyard Syrah Santa Barbara County — Winners across the board from Kunin. Great mix of dark fruit and earthy forest floor. Very long finish. These were wines I wished I had more time to savor.

2012 Le Vieux Donjon Châteauneuf-du-Pape — This hit my perfect catnip style of savory, meaty undertones wrapped around a core of juicy, mouthwatering fruit. Such a treat to have and I suspect that the 2015 will be even better with a few more years.

2007 Carlisle James Berry Syrah Paso Robles — All in all, Carlisle probably made my favorite wines of the entire event. I can still taste the 2016 Two Acres from the old vine seminar but this James Berry was a close second. Still very lively with dark fruit, mouthwatering medium-plus acid and some spicy minerality on the finish.

A 100% Cinsault pet-nat was not only geeky good but also a palate savior.
Would really love to see more sparkling wines like this at future Hospice du Rhone events.


2017 The Blacksmith The Bloodline Cinsault Pet-Nat Darling W.O. South Africa — This was much needed salvation for the palate (see below) but it would have been a treat to try under any circumstance. Super geeky Cinsault pet-nat, this wine had a huge nose of orange blossoms and cherries that jumped out of the glass.

2005 Jean-Louis Chave Hermitage — This wine wasn’t part of any featured tasting and was certainly an unexpected treat that someone brought to the Live Auction lunch on Day 2. This was my first Chave and my lord! Still quite young and powerful for its age with layers of red fruit, savory Asian spices and a long finish of smokey BBQ notes.

Palate Fatigue and a little clicky culture

While overall the event was fantastic, there were two things that stuck out as minor negatives. One was the absence of sparkling wines which are the guardian angels of the palate at tastings like these. As readers of my flashback review of the 2017 Taste Washington know, periodically taking a break from big, heavy reds with some palate cleansing bubbles is a must if you’re going to maximize your tasting experience.

There were a few producers pouring some roses and crisp white wines which helped but it was disappointing not to see more sparkling examples. I know that the Rhône is not particularly well known for bubbles but there is the Clairette de Die and Saint-Péray AOCs producing sparkling wine and Australia has a good tradition of making sparkling Shiraz. I’m sure there are also examples from New World producers experimenting with sparkling Viognier and other varieties. It would be great to give these wines more visibility and they would be absolute god sends during the big tastings.

While some of the “clickiness” at lunch was disheartening, the gracious couple who shared this wine from their table gave me an amazing thrill that was a joy to try.


The second negative was how “clicky” the culture among the attendees were–especially at the lunches. It’s wonderful that the Hospice du Rhône is in its 22nd year and it’s clear that there are many people who have been attending this event regularly. But for a “newbie”, it felt hard at times to break into the crowd.

Again, this was most felt at the lunches where several times seats and entire tables were reserved not by official organizers but other attendees who didn’t seem to have any interest in interacting with people who weren’t part of their local scene.

But there were certainly more than enough gracious attendees who were welcoming and approachable (as well as the organizers themselves like John and Lorraine Alban, Vicki Carroll and Faith Wells) to make the event exceedingly enjoyable and well worth attending again.

Subscribe to Spitbucket

New posts sent to your email!

Quick Thoughts — Day 1 Hospice du Rhone

I’m in Paso Robles this weekend attending the Hospice du Rhone. Look for a fuller review about the festivities and if I think the cost of a Weekend Pass (and travel to Paso) is worth it to be posted sometime next week.

But, in the meantime, here are a few quick thoughts from Day 1.

Seminars

Seminar One: South Africa’s Cinsault Renaissance — Very eye-opening. Cinsault is not a grape on many folks’ radar and, especially in the US, neither is South Africa but there are exciting things going on here. The diversity in styles from light, easy drinking and fruity to meaty, spicy and deep reds is remarkable.

All the wineries featured were stellar but the star of the show was Tremayne Smith’s The Blacksmith wines–particularly his Prince of Bones Cinsault.

Seminar Two: A 6th Generation Crusade in the Barossa Valley — This was a particularly fascinating seminar for someone familiar with Washington State wines to sit in on. I was surprised at how similar Barossa was to Washington with numerous vineyard growers who only grow grapes to sell to wineries that do not own any vineyards. What’s different though is that apparently Barossa has a lot more “corporate vineyards” ran by vineyard management teams rather than small family growers.

This seminar focused on wines made by 4 wineries with fruit from Hoffman Vineyard and 6th generation Barossa farmer, Adrian Hoffman. Once again the wines were stellar but I was particularly impressed with Soul Grower’s Shiraz sourced from 100 year old vines at Hoffman and Chris Ringland’s Dimchurch cuvee.

The author meeting Adrian Hoffman of Hoffman Vineyard.


Rosé Lunch

The Rosé Lunch included a very lovely memorial to the late Robert Haas of Tablas Creek and Seth Kunin of Kunin Wines. It also featured some delicious food that highlighted rosé’s versatility in food pairing with everything from Chicken Provençal, pork cassoulet to olive oil cake pairing wonderfully with the assortment of dry rosés on each table.

Opening Tasting

There were a lot of hits and misses here. I’m a bit concern about the prevalence of volatile acidity (VA) in several domestic examples. Nothing was full-blown vinegar or nail-polish (which are the more obvious signs of VA) but several wines had the subtle oxidize fruit notes on the nose and prickly “tomato ketchup” acid note on the tongue that trip my VA detector.

Truly some remarkable stuff coming from Santa Barbara County.

Among the hits though were several wineries from Santa Barbara County including the aforementioned Kunin Wines, Potek Winery and Bien Nacido Winery.

This cool-climate area is well known as “Sideways Country” for their Pinot noir but the Rhone varieties from this region were some of the most exciting wines at the tasting.

Stay Up to Date With Spitbucket!

The next few months will be a busy travel season with upcoming trips to Las Vegas for the Wine Spectator Grand Tour, to Burgundy for 5 days touring wineries and vineyards and to the Vodka Belt of the Baltic Sea countries of Sweden, Finland, Russia and more.

I won’t be able to post as frequently to the blog during that period but I will still be posting updates and cool stuff on other social media channels.

So check Spitbucket out on Facebook, Twitter and Instagram to follow the fun and geekery!

Subscribe to Spitbucket

New posts sent to your email!

The Winery Twitter Dance

Recently The Drinks Business reported that major spirit brands like Beefeater, Drambuie and Bacardi are abandoning Twitter and lessening their marketing focus on social media.

A primary reason for the withdrawal that was cited by the beverage analyst firm YesMore was that the labor commitment with maintaining multiple social media accounts–with not only Twitter but also Facebook, Instagram and other venues–was too high.

But let’s be frank here. With the average salary of an entry-level social media coordinator being around $38,000 a year, there is likely a larger reason why these multi-billion dollar corporations like Diageo, Bacardi and Beam Suntory are not interested in investing essentially pennies into having an active social media presence on platforms like Twitter.

They don’t think it’s worth the money.

Now if the big brands don’t think there is a solid return on investment with being active on Twitter, what about the small winery?

For many wineries, especially small family wineries where the owner is often the winemaker as well as the tasting room manager and janitor, there is likely not an extra $38K a year in the budget for a social media coordinator. For them, the decision to invest in Twitter or other social media is an investment in time and energy–which is often more valuable than money.

So the question again is “Is it worth it?”

And if so, how can wineries maximize the very limited and very valuable resource of their time and energy on social media platforms like Twitter?

Anecdotally, looking at my own Twitter feed with the wineries I follow and interact with as @SpitbucketBlog, the lay of the land looks fairly similar to the results of the YesMore study of major spirit brands. While there are a few exceptions (which I note below), many wineries seem to have abandoned Twitter in spirit, if not in action.

Those who do “engage” on Twitter often really aren’t engaging at all but rather fall into the routine of posting only random “bottle porn” shots of their wines in pretty portraits with maybe an occasional food pairing suggestion. (The “bottle porn” ill is an even bigger problem on Instagram whose format encourages its inane use.)

Photo by No machine-readable author provided. Ile-de-re~commonswiki assumed (based on copyright claims). - No machine-readable source provided. Own work assumed (based on copyright claims)., Public Domain, https://commons.wikimedia.org/w/index.php?curid=931732

Just as you hope that a good label will help you stand out from the “wall of wine”, an engaging Twitter account can help you stand out from a timeline of bottle porn.

Making Twitter work for wineries

I’m going to break a little cold hard truth here and speak directly to the wineries. Just because you make wine doesn’t mean people want to drink it. While Mr. Rogers knows how special you are, in the beverage industry you have to work a lot harder to stand out from the pack.

On a daily basis, there are dozens of other beverage options competing for the attention of your potential customer. When they walk into a restaurant or bar and pick up a wine list, that number can jump to hundreds. Walk into a wine shop and you’ve got thousands of options.

Your bottle can’t speak directly to the customer from the shelf but you can on Twitter.

Engagement should be your first and foremost priority every time you or a winery employee logs onto Twitter. The point shouldn’t necessarily be to sell wine but rather to sell yourself–your story and what makes your winery unique.

And, truthfully, you do have a unique story. While you are “just making wine”–like your thousands of competitors–there are thousands of little decisions you are making in the vineyard and the winery that leave an indelible imprint on your wine. Share them. Share that part of you that you are putting in your wine.

Let people see some of the the wonders and mysteries of wine. When you are in the wine biz and surrounded by it all the time, every day, it is easy to forget how cool it can be to “regular folks” to see what bud break is or what a bubbling ferment looks like. The vast majority of wine drinkers have no idea how canopy management or green harvesting influences the end quality of wine. What do winemakers look for when picking out barrels and how do you “feed yeasts”?

These are things that make wine drinkers who are scrolling through a timeline of nothing but useless bottle porn stop and actually read your tweets.

Say No to Bottle Porn

One of the worst things a winery can do is get lazy and just post bottle porn pics on their timeline. What is bottle porn? Random pics of wine with little to no information outside of things like “Hey, it’s sunny out! Great day to open up our new Chardonnay!”

Maybe a winery will spice it up just a tad with a food pairing suggestion but it’s still pretty useless.

Yeah, we get it. You make wine and you want to sell it. But how does that make you different from the thousands of other wineries out in the world and on Twitter? It doesn’t.

Photo By Denkhenk - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=9655331

What’s in the blend? How was it made? What’s the story of the vineyard or winery? Who knows!?!? It’s just bottle porn.

And that’s the rip. In a competitive market like wine you want to stand out. Lazy bottle porn just keeps you chained to the pack of Twitter clones posting the same random bottles pics. It doesn’t matter if they have different wine labels or set in an exotic setting like a fire by a ski slope. It all looks the same.

Like regular porn, it’s pretty easy to get “desensitized” to bottle porn with the vast majority of Twitter followers just scrolling right past your tweet. That’s the lesson that the big corporations in the spirits world learned. Sure a Tweet is a heck of a lot cheaper than a billboard or magazine ad buy but they are far less effective.

If posting random bottle porn is all that you are willing to do to keep your winery’s Twitter active then why even bother? You might as well follow Bacardi and Beefeater to Twitter retirement.

But if you do want to take advantage of the potential reach that Twitter offers, here are three winery accounts that I recommend every winery take a look at.

A Few Great Winery Twitter Accounts to Follow

Rabbit Ridge Winery (@RabbitRidgeWine) — If I had to point to one account that I would encourage other wineries to emulate, this would be it because here is a winery that actually engages people–not only about their own wines but about wine in general. A small family winery in Paso Robles, I suspect that owner Erich Russell himself does most all the tweets because this account has a personal feel to it. Far from just being a “brand”, Rabbit Ridge has a personality to it that says there is a real person behind the keyboard and, most importantly, a real person behind the wine.

But this feel of a person behind the keyboard goes two ways. The problem with a lot of winery Twitter accounts is that they come across as too robotic and too promotional. I can’t emphasize enough how important it is for a winery to be engaging rather than static and solely promotional. The way you engage with other Twitter users should be approached the same way you engage potential customers–are they just wallets that (hopefully) buy your product or are they people that you are sharing the work of your land and your hands with? Rabbit Ridge Winery is a great example of an account that makes potential customers on Twitter feel like they are actually people who the family of Rabbit Ridge wants to share their story and love of wine with.

Tablas Creek (@TablasCreek) Anyone who has read my Wine Clubs Done Right post knows that I admire the business acumen and customer focus approach of this Paso Robles winery. That same savviness shows in their social media approach where they let consumers get a behind the scenes view of the vineyard and winemaking process.

While Rabbit Ridge and Tablas Creek are probably at the upper end of exceptional engagement, it is still possible for wineries to “up their game” and get more mileage out of Twitter without being quite as active. Below is one such example.

Lauren Ashton Cellars (@LaurenAshton_WA) While not immune to the siren song of occasional bottle porn, one thing that Lauren Ashton does exceptionally well is encourage people to come and engage with them at various tastings they do outside of their winery.

And their timeline has several more examples where an actual person, name and face, is introduced to perspective customers with a personal invite to meet them at an offsite event. It’s promotional but still engaging and even if that is the bare minimum that wineries on Twitter do, it’s still elevating the Twitter game and helping them stand out from the crowd of lazy bottle porn.

Subscribe to Spitbucket

New posts sent to your email!

60 Second Wine Review — Domaine des Pins St. Amour Les Pierres

A few quick thoughts on the 2015 Domaine des Pins Les Pierres from the Beaujolais cru of St. Amour.

The Geekery

Founded by Jean-Francois Echallier, Domaine des Pins was sold in 2011 to David Gobet, a family friend. The Les Pierres bottling is made in partnership with the Pardon family who have been making wine in Beaujolais since 1820.

One of the 10 crus of Beaujolais, St. Amour is unique for being in the Saône-et-Loire department of the Mâconnais. The rest of the crus (and greater Beaujolais region) are all in the Rhône department.

The Les Pierres is 100% Gamay produced with 50-80% semi-carbonic maceration where whole clusters of grapes are loaded into a fermentation tank that is then sealed. Since the the tank is not pre-filled with carbon dioxide to initiate an intracellular fermentation, this process is only a “semi” carbonic maceration. However, as the weight of the grapes crush the clusters underneath and release juice, native yeast start fermentation–filling the closed tank with carbon dioxide. This triggers carbonic maceration for the intact berries higher up in the tank.

Among the distinctive aromas produced by carbonic maceration, particularly in grapes like Gamay, are fruity esters such as benzaldehyde that produce cherry kirsch aromas and ethyl cinnamate that encourage raspberry and strawberry notes.

The Wine

Photo by ShakataGaNai. Released on Wikimedia Commons under CC-BY-SA-3.0

Bright, juicy cherry notes characterize this wine.

Medium intensity nose. Cherries and raspberries with some spice and floral notes.

On the palate those red fruit notes come through but bring an herbal (rosemary and thyme), rather than spicy, element with them that wasn’t present on the nose. With the medium-plus acidity those notes take on a savory quality that is intriguing. Medium tannins have some grip but balances well with the medium-plus body fruit. Moderate length finish brings back the floral notes but lingers on the cherry flavors.

The Verdict

At $15-20, this is certainly a step up from your basic Beaujolais. However, it has enough character to more than merit the jump.

Charming and easy drinking, this wine lends itself easily to food pairing though it is quite enjoyable on its own.

Subscribe to Spitbucket

New posts sent to your email!

Event Review — Stags’ Leap Winery Dinner

Daniel’s Broiler in Bellevue, Washington is one of my wife and I’s favorite restaurants to visit. Each year they host a Champagne Gala that we love going to. Even when we’re not thrilled with the wines selected, we nonetheless always enjoy the exquisite food crafted by Executive Chef Kevin Rohr and a chance to try interesting food pairings.

Recently I got to attend a dinner featuring the wines of Stags’ Leap Winery with Assistant Winemaker Joanne “Jo” Wing.

The Background

I geeked out about some of the backstory of Stags’ Leap Winery in my 60 Second Review of their 2013 Napa Valley Merlot. With a long history dating back to the late 19th century, the winery is one of Napa’s most historic properties.

In California’s Great Cabernets, James Laube notes that the rise of the modern-era of Stags’ Leap Winery under Carl Doumani went hand in hand with the “Cabernet boom” of the 1970s that saw the notable Cabs of Burgess, Cakebread, Caymus, Clos du Val, Mount Eden, Mt. Veeder, Silver Oak and Joseph Phelps hit the scene. It also saw the birth of Stag’s Leap Wine Cellars and decades-long legal intrigue.

The War of the Apostrophe” soon took off with Warren Winiarski of Stag’s Leap Wine Cellars (and winner of the famous 1976 Judgment of Paris) suing Doumani–who promptly counter-sued.

The two men eventually settled their differences in the mid-1980s and released a special collaborative bottling between the two estates called Accord from the 1985 vintage to commemorate. The agreement was that Winiarski’s Stag’s Leap Wine Cellars would have the apostrophe to the left of the ‘s’ while Doumani’s Stags’ Leap Winery would have it to the right.

You could tell that the Treasury Wine Estate rep at the dinner wasn’t too happy about the apostrophe typo on the menu.

Around this time, the two wineries faced another challenge with other wineries in the area like Gary Andrus’ Pine Ridge Winery, Steltzner Vineyards, Shafer Vineyards and more wanting to use the Stags Leap name and petitioning for American Viticultural Area (AVA) approval under that name for the region. After more legal challenges, a compromise was struck for the name of the new AVA to be the Stags Leap District (SLD) sans apostrophe.

Today the winery is owned by Treasury Wine Estates where it is part of a vast portfolio that includes 19 Crimes, The Walking Dead wines, Beaulieu Vineyards, Beringer, Ch. St Jean, Penfolds, Provenance, Hewitt Vineyard and more.

The current winemaker is Christophe Paubert who succeeded Robert Brittan when the later left Napa to make wine in Oregon at his own Brittan Vineyards and consult for wineries such as Winderlea.

A Bordeaux trained winemaker, Paubert has extensive experience working at such illustrious estates as the 2nd Growth St. Julien estate of Ch. Gruaud-Larose and the First Growth Sauternes estate of Chateau d’Yquem. Prior to joining Stags’ Leap in 2009, Paubert was the head winemaker for 4 years at Canoe Ridge Vineyards in Washington State.

Assistant Winemaker Joanne Wing is a New Zealand native who started out at Indevin, one of New Zealand’s largest wine producers. She gained experience working harvest across the globe from Saintsbury in Napa to Mount Pleasant Winery in the Hunter Valley of Australia as well as in Bordeaux before accepting a position at Stags’ Leap as a harvest enologist and working her way up to Asst. Winemaker.

Gorgeous Viognier that is well worth seeking out.


Passed hors d’oeuvres paired with 2016 Stags’ Leap Winery Napa Valley Viognier
Smoked sablefish with soft scrambled farm egg, ikura, chives and Chevre crostini with watermelon beet, grilled apricot, chili spice

I’m not a big beet person so I let my wife try the Chevre Crostini while I had the smoked sablefish with the ikura roe caviar. Both were smashing pairings with the Stags’ Leap Viognier with the wine being a particular revelation.

Sourced primarily from cooler climate vineyards in the Carneros AVA and Oak Knoll District, the Viognier had medium-plus intensity nose of orange blossoms and white peach notes.

On the palate, those white peach tree fruits carried through but also brought some tropical notes of passion-fruit and papaya. However this Viognier never came close to the tutti-fruity “Fruit Loop Cereal” style that unfortunately befalls many domestic Viogniers–especially those fermented and aged only in stainless steel. To avoid that pratfall, Paubert and Wing fermented the wine in neutral French oak barrels with weekly batonnage for 4 months. This very “Condrieu-style” approach produced a Viognier with textural weight and depth but with enough medium-plus acidity to keep it from being flabby or overly creamy.

The acidity also matched perfectly with the hors d’oeuvres, cutting through the “fishiness” of the sablefish and roe. My wife was particularly impressed at how well the acidity matched with the Chevre–the tangy goat cheese that often calls for high acid whites like Sauvignon blanc.

At $22-27, this is an outstanding Viognier with loads of personality and complexity that I would put on par with the àMaurice Viognier from Washington State as one of the stellar domestic examples of this variety.

The preserved kumquat vinaigrette on the salad were quite a treat.


First Course paired with 2016 Stags’ Leap Napa Valley Chardonnay
Spring Salad with Belgian endive, baby kale, avocado, marcona almonds, preserved kumquat vinaigrette

Sourced from the Carneros and Oak Knoll District, this Napa Chardonnay counters the stereotype of over-the-top, oaky, buttery Chardonnays. With 25% fermented and aged in new French oak, 50% in “seasoned” French oak and the rest in stainless steel with no malolactic fermentation, this Chardonnay aimed for an elegant and food-friendly style.

The wine had a medium intensity nose with apple and citrus lime notes. A little subtle baking spice from the oak rims around the edge.

On the palate, the citrus notes came through the most and played off the baby kale and avocado very well. Medium-plus acidity maintained freshness and balanced the moderate creaminess in the wine. The clove oak spice and an almost marzipan nuttiness lingered on the moderate finish.

Overall, this was a very drinkable and pleasant Chardonnay that did hit the target for food-pairing. But, admittedly, at $25-30 it didn’t jump out as anything wow-worthy–especially following in the footsteps of the scrumptious Viognier. It’s a very well made California Chard but it is still one of hundreds of similar well-made and similarly priced California Chards.

The star of the night. I can still taste the braised short ribs and that delectable sauce.

Second Course paired with 2014 Stags’ Leap Napa Valley Cabernet Sauvignon
Braised short ribs with seared sea scallops, morel mushrooms, chervil

From a food perspective, this was the winning course of the night. The braised short ribs melted in the mouth and had you dearly wishing you had more than just the bite. The scallops were perfectly cooked and while I was skeptical with pairing them with a big Cab, the morel and au jus sauce from the short ribs offered just enough weight to carry the pairing.

As with other wines in the white label Napa Valley series, the Stags’ Leap Cabernet Sauvignon includes some estate fruit but is mostly sourced from vineyards throughout Napa Valley. Joanne Wing noted that while Paubert likes the flexibility of having some fruit from warm climate sites like Calistoga, he’s far more excited about the fruit from the cooler southern reaches of Napa like Coombsville, Oak Knoll and Yountville.

Medium-plus intensity with rich dark fruit–black currants, black plums, blackberries. This screams Napa Cab from the nose but it is not as overtly oak-driven as the norm with a little tobacco spice element.

On the palate those dark fruits carry through but there is a little earthy forest-floor element that emerges that adds some intrigue. Medium acidity adds juiciness to the fruit but not enough to be mouthwatering. The oak is a little more pronounced but is more spice driven than vanilla. The medium-plus tannins are still quite firm and young but are more tight than biting. Moderate length finish ends on the fruit which testifies to the youth of this wine.

Stags’ Leap Winery Assistant Winemaker Joanne Wing.

At $45-50, this is priced in lined with many of its Napa peers as a sort of “entry-level” Napa Cab. It’s hard to say it is a compelling value compared to what you can get for equivalent pricing from other regions like Washington and Paso Robles. Like the Chardonnay, I feel like this Cab is certainly well made but not blow-your-socks-off-you-must-find-it good partly because of the premium you are paying for the Napa name (and the winery’s history).

However, I do suspect that this wine could kick it up a couple notches with a few more years of bottle age that potentially could make it far more compelling.

Third Course paired with 2014 Stags’ Leap “The Investor” Red Blend
Piedmontese New York Steak with herb polenta, spring vegetables, blackberry demiglace

Admittedly, this was one of the few times I’ve been disappointed with a Daniel’s steak. Perhaps it was just this cut but I found it was in the weird position of being both too fatty and too dry and lacking flavor. The polenta and blackberry demi-glace were excellent though. But I found myself again wishing that the braised short ribs were the main course.

A unique blend of Merlot, Petite Sirah, Cabernet Sauvignon and Malbec, The Investor pays homage to former owner Horace Chase who made his fortune investing in gold and silver mines during the Gold Rush days of California. The Merlot and majority of the Petite Sirah come from estate fruit in the Stags Leap District and Oakville while the Cabernet and Malbec are sourced from vineyards throughout Napa Valley.

The medium-plus acidity and savory, herbal element of The Investor red blend definitely helped interject some much needed flavor into the Piedmontese New York steak.

Medium-plus nose with a mix of red and dark fruits–plums and currants. There is more overt oak vanilla on the nose of this wine than with the Cab but it doesn’t seem overwhelming. Underneath there is also a blue floral element that is not defined.

On the palate, the mix of fruits carry through with mouthwatering medium-plus acidity tilting the favor towards the red fruit. Some savory herbal and smokey notes join the party that dearly helps the food-pairing with the flavorless Piedmontese New York steak. The vanilla oak notes add a layer of velvety softness to the high tannins that still have a fair amount of gripe. Like the Cab, the moderate length finish ends on the youthful fruit.

At $50-60, The Investor intrigues me a lot more than the Napa Cabernet (and the Napa Merlot) because of the savory, smokey element and mouthwatering acidity. It’s still young and has some “baby fat” of oak that needs to be shed but this is a unique blend that could turn into something exceptionally good.

Dessert paired with 2014 Stags’ Leap Napa Valley Petite Sirah
Chocolate torte with Devonshire cream, coconut crisp

While the chocolate torte was amazing and sinfully delicious and the wine outstanding, this was not a winning pairing. The wine was nowhere near sweet enough to balance with the torte.

While delicious on their own, the pairing of the chocolate torte with the Stags’ Leap Petite Sirah just didn’t do it for me.

Still, it was somewhat fitting to end the Stags’ Leap Winery dinner with the wine that truly epitomizes the estate. While the name “Stags Leap” is synonymous with Cabernet Sauvignon, Stags’ Leap Winery was always a vanguard in cultivating and promoting Petite Sirah.

High intensity nose that started jumping out of the glass as soon as the waiter poured it. Blackberries and boysenberries with some peppery spice and violets.

On the palate, the first thing that hits you is the weight and richness of the wine with the full brunt of the dark fruits and high tannins. But there is an elegance with the juicy medium-plus acidity and fine balance that keeps the wine from being overbearing. On the moderate finish, there is some subtle dark chocolate notes that come out but not enough to make the food-pairing work. This was definitely a wine to savor on its own.

At $32-40, this is a more premium-priced Petite Sirah but it is well worth not only its price but also its reputation as the winery’s flagship. During this course, Jo told us about the Ne Cede Malis block of Prohibition-era vines that is a field blend of majority Petite Sirah with Muscat, Malbec, Mourvèdre, Cinsault, Carignan and up to 9 other varieties. The grapes are harvested together and co-fermented to produce a limited release bottling. I have to admit that if Stags’ Leap Winery’s mobile ordering website wasn’t so buggy and difficult to navigate, I would have purchased a bottle of the Ne Cede Malis Petite Sirah (as well as several bottles of the Viognier) right then.

Overall Impressions

Attending this dinner left me wondering if Stags’ Leap Winery is a victim of its own name and location in Napa Valley. While the winery absolutely shined with its Viognier and Petite Sirah, their more typical Napa offerings of Cabernet Sauvignon and Chardonnay were just “ho-hum”.

I do appreciate that Treasury Wine Estates has let Paubert, Wing and Co. continue producing their more obscure bottlings but I have no doubt that the health of the winery’s bottom line depends on the case sales of the bread and butter Cab, Chardonnay and Merlot. It’s where the money is–especially in Napa–and that is what they’re out to sell.

Yet after tasting their outstanding Viognier, scrumptious Petite Sirah and very character-driven Investor blend, its hard not to think about what more the winery could do with their talented winemaking team and unique approach if they didn’t have to live up to the name Stags’ Leap.

Subscribe to Spitbucket

New posts sent to your email!

60 Second Wine Review — 2004 Nicolas Joly Coulée de Serrant

A few quick thoughts on the 2004 Nicolas Joly Clos de la Coulée de Serrant.

The Geekery

Hugh Johnson describes Nicolas Joly in his Wine Companion as one of the “high priest” of Biodynamics and says he was the first French vigneron to apply Rudolf Steiner’s principles to grape growing.

Located in the Anjou region of the Loire Valley, Savennières is noted for dry 100% Chenin blanc wines that are often distinctly different from the better known Vouvray wines of Touraine.

Along with Château-Grillet and Romanée Conti, the 17 acre vineyard of Coulée de Serrant is one of three estates to have their own AOCs. First planted by Cistercian monks in 1130, the vineyard has nearly 900 years of winemaking history. Owned by the Joly family since 1959, the average age of the vines are 35-80 years.

The wine is harvested late in multiple passes through the vineyard over 3-4 weeks. It is then fermented in neutral wood with native yeasts–allowing the fermentation itself to regulate the temperature. This can often take 2 to 4 months for the wine to get to complete dryness. Around 2,000 cases a year are made.

The Wine

The color looks like an aged Sauternes or an orange wine but the high intensity nose isn’t sweet or oxidized. Instead it is very floral with honeysuckle and apple blossoms as well as some spicy ginger. Underneath there is a little straw hay and subtle orange citrus notes.

Photo by Walter Siegmund. Released on Wikimedia Commons under CC-BY-2.5

Very fresh floral honeysuckle notes characterize this 13+ yr Chenin.

On the palate the wine has incredible weight with an oiliness and some tannin texture to the mouthfeel. Lots of rocky minerality that is amplified by the still fresh and vibrant high acidity. The orange notes come through and bring an apricot note that aren’t quite dried but aren’t fresh as well. Long finish brings back the spicy ginger.

The Verdict

Stunningly beautiful for a 13+ year white wine that probably has the legs to go on for several more years.

At $90-110, there is certainly a premium for this wine but the character and complexity is off the charts.

Subscribe to Spitbucket

New posts sent to your email!

Keeping Up With The Joneses of Burgundy — Coche Edition

Photo by Torsade de Pointes. Released on Wikimedia Commons under CC-Zero

Vineyards in Meursault, home to many of the Coche family’s prime holdings.

Welcome to the latest installment of my on-going series about the winemaking families of Burgundy!

Be sure sure to check out previous editions about the Boillot, Morey and Gros families.

If you have any suggestions for future editions (or know anything I missed!), feel free to leave a comment below.

Along with some internet sleuthing, my tools on this journey will be:

Remington Norman and Charles Taylor’s The Great Domaines of Burgundy
Clive Coates’ The Wines of Burgundy
Matt Kramer’s Making Sense of Burgundy
Bill Nanson’s The Finest Wines of Burgundy
Benjamin Lewin’s Burgundy (Guides to Wines and Top Vineyards)

The Coche Family

Photo by e_calamar. Uploaded to Wikimedia Commons under CC-BY-2.0

Through Léon’s grand daughter, some of the Coche family holdings are now in the hands of Domaine Roulot.

In the 1920s, Léon Coche started his domain after acquiring six parcels in Meursault, Auxey-Duresses and Monthélie. While he did some estate bottling, most of his grapes were sold to négociants. On his passing, the estate was inherited by his 3 children–Julien (who already had founded his own estate in 1940), Georges and Marthe. Georges took over his share of the family estate in 1964 and expanded his holdings with parcels in the Volnay Premier Crus of Clos des Chênes and Les Taillepieds.

Georges’ son, Jean-François Coche, assumed the domain in 1972 and appended the maiden name of his wife, Odile Dury, in 1975. In his nearly 40 years at the helm, Jean-François elevated Domaine Coche-Dury to “cult wine” level. Along with Comtes Lafon, Jancis Robinson describes the estate as one of “Masters of Meursault”. In 2010, Jean-François’ son Raphael took over the family domain as the fourth generation of Coche.

The inheritance of Léon’s daughter, Marthe, eventually passed to her daughter Geneviève who married Guy Roulot of Domaine Roulot. That estate is now ran by their son, Jean-Marc Roulot.

Julien’s Branch

In 1940, Julien Coche founded Domaine Julien Coche-Debord with just a single hectare in Meursault. The estate was expanded with some of his inheritance from his father Léon and was further enlarged when his son, Alain, took over added several notable Meursault premier crus like Les Charmes and La Goutte d’Or. Alain also changed the name to Domaine Coche-Bizouard et Fils.

Alain’s son Fabien joined the family estate in 1991 and started a négociant firm (Maison Coche-Bouillot) in 2001. Up through at least the 2013 vintage, wines have been produced under the label Domaine Alain Coche-Bizouard but now the estate is known as Domaine Fabien Coche à Meursault.

Current Coche Estates

Domaine Fabien Coche à Meursault/Maison Coche-Bouillot (Meursault) The estate formerly known as Domaine Coche-Bizouard et Fil and the négociant firm of Alain’s son Fabien. In addition to their holdings in Meursault, the estate also owns parcels in Auxey-Duresses, Monthélie and Pommard. The entire estate produces around 50,000 bottles.

Prime holdings: Batard-Montrachet Grand Cru, Meursault Premier Cru Les Charmes (0.28 ha), Pommard Premier Cru La Platière (0.20 ha)

Domaine Coche-Dury (Meursault) Ran today by Raphael Coche, son of the legendary winemaker Jean-François Coche. The estate bottles more than 70% of its holding.  Négociants like Louis Latour and Louis Jadot often purchase the rest. The winery farms the estate’s holdings sustainably with an annual production of around 50,000 bottles.

Prime holdings: Corton-Charlemagne Grand Cru (0.34 ha), Meursault Premier Cru Les Perriéres (0.23 ha and 0.37 ha in Les Perriéres-Dessus), Meursault Premier Cru Les Genevriéres (0.20 ha)

Additional Keeping up with the Joneses in Burgundy

The Boillot Familly
The Morey Family
The Gros Family
The Leflaive Family

Subscribe to Spitbucket

New posts sent to your email!

60 Second Wine Review — Les Faverelles Bourgogne Vézelay

A few quick thoughts on the 2015 Les Faverelles Le nez de Muse Bourgogne Vézelay.

The Geekery

Les Faverelles was founded in 2001 by Patrick Bringer and Isabelle Georgelin in the village of Asquins tucked in the foothills of the Morvan massif in northwest Burgundy.

Part of the Yonne department, south of Chablis and the Sauvignon blanc AOC of Saint-Bris, Vézelay is a Chardonnay-only AOC that was recently promoted to village-level classification (like Meursault or Chassagne-Montrachet) in 2017. Red wines produced in the region qualify for only the Bourgogne AOC.

The husband and wife team of Les Faverelles farm all 13.5 acres of Pinot noir, Chardonnay and César organically with some plots biodynamic. The wines see little to no sulfur additions and are bottled unfined and unfiltered. The entire estate produces around 20,000 bottles a year.

The Le nez de Muse Bourgogne Vézelay is 100% Chardonnay from vines that are over 18 years of age.  The wine saw no oak during production, being fermented and aged in stainless steel.

The Wine

Photo by Andrew Comings. Uploaded to Wikimedia Commons under CC-BY-2.0

Fresh cut lemon notes dominate this wine.

Medium intensity. A mix of citrus and apple notes with some subtle floral notes like lillies. Very fresh and clean smelling.

On the palate, the citrus notes carry through. The wine tastes like you plucked a lemon off the tree and sliced into it. Noticeably high acidity but the medium weight of the fruit balances it surprisingly well. Moderate finish brings a suggestion of some stoney minerality but fades fairly quickly.

The Verdict

This was my first time trying a Vézelay and it was certainly pleasant enough. I paired it with seared scallops which, given the racy acidity and citrus notes, was probably the best approach.

The pricing is on par with Petit Chablis at around $16-20. While there are some similarities, I do think you’re paying a premium. Especially when you consider the value of an over-performing Petit Chablis like the Dauvissat from my review of the SommSelect Blind Six, it’s hard to say this wine is a compelling value worth hunting for.

Subscribe to Spitbucket

New posts sent to your email!

Who makes your Supermarket Wine? (A Running List)

Sept 2018 update: If I come across new connections that haven’t been widely publish I will update this page. But I’d like to direct folks interested in this info to Elizabeth Schneider’s way more user-friendly and searchable list on her Wine For Normal People blog. It’s also regularly updated and is a fantastic resource that is worth bookmarking.

Beverage Dynamics released their report this month of The Fastest Growing Wine Brands and Top Trends of 2017.

One of the most glaring features of the report is how often you see the names Constellation Brands, E & J Gallo, The Wine Group and more appear in the rankings with their multitude of different brands. As I described in my post The Facade of Choice, when you walk the wine department of your typical grocery store the vast majority of the wines you see are going to be made by the same handful of companies.

It’s important for consumers to be aware of just how artificially limited their choices really are–especially because consumers should have choices when there are over 4000 wineries in California, over 700 each in Washington and Oregon and tens of thousands more across the globe.

Yet the average wine drinker is only ever going to see a fraction of a percent of these wines–especially those of us in the US. This is not just because our archaic three-tier distribution system severely limits consumers’ access to wine but also because of the wave of consolidations among large wine distributors.

Consolidation of Choices
Photo by Tatsuo Yamashita. Uploaded on Wikimedia Commons under CC-BY-2.0

To the best of my knowledge, General Mills and Unilever are not in the wine business….yet.

For the sake of efficiency (and profits) these large distributors tend to focus on the big clients in their portfolios–the Constellations and the Gallos. They can back up a trailer to a warehouse and load in pallets of “different wines” with different labels from all across the globe and then take that trailer right to the major grocery chains. With about 42% of the “off premise” wine (as opposed to on-premise restaurant purchases) in the US being bought at supermarkets, every consumer should take a hard look at how limited their options really are.

In some cases, you have more true options in the yogurt section than you do in the wine department.

For a couple years now I’ve been keeping an Excel spreadsheet of the various brands I’ve came across and which mega-corporation they’re made by. This is FAR from an exhaustive list and has room for a lot of expansion. Plus with the way that winery brands get bought and sold almost like trading cards it will probably be outdated by the time I hit publish. If you know of any additions or errors, please post in the comments.

Note some of the names are linked to the companies by exclusive distribution agreements.

Constellation Brands

7 Moons
Alice White
Arbor Mist
Black Box
Blackstone
Charles Smith Wines
Clos du Bois
Cooks
Cooper & Thief
Diseno
Dreaming Tree
Drylands
Estancia
Franciscian Estate
Hogue
Inniskillian
J. Roget
Jackson Triggs
Kim Crawford
Manischewitz
Mark West
Meiomi
Robert Mondavi
Monkey Bay
Mount Veeder
Naked Grape
Night Harvest
Nk’Mip
Nobilo
Paso Creek
Paul Masson
Prisoner
Primal Roots
Ravenswood
Red Guitar
Rex Goliath
Rioja Vega
Ruffino
Schrader
Simi
Simply Naked
Taylor Dessert
Thorny Rose
Toasted Head
The Prisoner
Vendange
Wild Horse
Woodbridge

E & J Gallo

Alamos
Allegrini
Andre
Apothic
Ballatore
Barefoot
Bella Sera
Bodega Elena de Mendoza
Boone’s Farm
Bran Caia
Bridlewood
Carlo Rossi
Carnivor
Chocolate Rouge
Clarendon Hills
Columbia Winery
Covey Run
Dancing Bull
DaVinci
Dark Horse
Don Miguel Gascon
Ecco Domani
Edna Valley Vineyard
Fairbanks
Frei Brothers
Gallo of Sonoma
Ghost Pines
J Vineyards
La Marca
Laguna
Las Rocas
Liberty Creek
Livingston Cellars
Locations
Louis Martini
MacMurray Ranch
Madria Sangria
Martin Codax
Maso Canali
McWilliams
Mia Dolcea
Mirassou
Orin Swift
Peter Vella
Pieropan
Polka Dot
Prophecy
Rancho Zabaco
Red Bicyclette
Red Rock
Redwood Creek
Sheffield Cellars
Starborough
Souverain
Talbott
The Naked Grape
Tisdale
Winking Owl
Turning Leaf
Vin Vault
Whitehaven
Wild Vines
William Hill Estate

Brown-Foreman

Sonoma Cutrer
Korbel Sparkling wine

Delicato Family Vineyards

Black Stallion
Bota Box
Brazin
Diora
Domino
Gnarly Head
Irony
Night Owl
Noble Vines
Twisted Wines
Z. Alexander Brown

Terlato Wines

Boutari
Bodega Tamari
Chimney Rock
Domaine Tournon
Ernie Els Wines
Federalist
Hanna
Josmeyer
Il Poggione
Luke Donald
Markham
Mischief & Mayhem
Rochioli
Rutherford Hill
Santa Margherita
Seven Daughters
Sokol Blosser
Tangley Oaks

Precept Brands

Alder Ridge
Browne Family
Canoe Ridge Vineyard
Cavatappi
Chocolate Shop
Gruet
House Wine
Pendulum
Primarius
Red Knot
Ross Andrews
Sagelands
Sawtooth
Shingleback
Ste. Chappelle
Waitsburg Cellars
Washington Hills
Waterbrook
Wild Meadows
Willow Crest

Vintage Wine Estates

B.R. Cohn
Buried Cane
Cameron Hughes
Cartlidge & Browne
Cherry Pie
Clayhouse Wines
Clos Pegase
Cosentino Winery
Cowgirl Sisterhood
Delectus Winery
Firesteed
Game of Thrones
Girard
Girl & Dragon
Gouguenheim
Horseplay
If You See Kay
Layer Cake
Middle Sister
Monogamy
Promisqous
Purple Cowboy
Qupé
Sonoma Coast Vineyards
Swanson
Tamarack Cellars
Viansa Sonoma
Windsor
Wine Sisterhood

Ste Michelle Wine Estates

14 Hands
Chateau Ste Michelle
Col Solare
Columbia Crest
Conn Creek
Erath
Merf
Northstar
O Wines
Patz & Hall
Red Diamond
Seven Falls
Snoqualmie
Spring Valley Vineyard
Stag’s Leap Wine Cellars
Stimson
Tenet/Pundit wines
Vila Mt. Eden
Villa Maria

Crimson Wine Group

Archery Summit
Chamisal
Double Canyon
Forefront
Pine Ridge
Seghesio
Seven Hills Winery

Jackson Family Estates

Arrowood
Arcanum
Byron
Cambria
Cardinale
Carmel Road
Copain
Edmeades
Freemark Abbey
Gran Moraine
Hickinbotham
Kendall Jackson
La Crema
La Jota
Lokoya
Matanzas Creek
Mt. Brave
Murphy-Goode
Penner-Ash
Siduri
Silver Palm
Stonestreet
Tenuta di Arceno
Yangarra Estate
Zena Crown
Wild Ridge

Vina Concha y Toro

Almaviva
Bonterra
Casillero del Diablo
Concha y Toro
Cono Sur
Don Melchior
Fetzer
Five Rivers
Jekel
Little Black Dress
Trivento

The Wine Group

13 Celsius
Almaden
AVA Grace
Benzinger
Big House
Chloe
Concannon
Corbett Canyon
Cupcake
Fish Eye
FlipFlop
Foxhorn
Franzia
Glen Ellen
Herding Cats
Insurrection
Love Noir
Mogen David
Seven Deadly Zins
Slow Press
Pinot Evil
Stave & Steel

Treasury Wine Estates

19 Crimes
Acacia
Beaulieu Vineyards
Beringer
Butterfly Kiss
BV Coastal
Cellar 8
Ch. St Jean
Chalone
Colores del Sol
Crème de Lys
Dynamite Vineyards
Etude
Gabbiano
Greg Norman
Hewitt Vineyard
Lindeman
Matua
Meridian
New Harbor
Once Upon a Vine
Penfolds
Provenance
Rosemount
Rosenblum Cellars
Seaview
Sledgehammer
Snap Dragon
Souverain
St. Clement
Stags’ Leap Winery
Stark Raving
Sterling
The Walking Dead
Uppercut
Wolf Blass
Wynns Coonawarra

Bronco Wine Company

Black Opal
Carmenet
Cellar Four 79
Century Cellars
Charles Shaw
Crane Lake
Colores del Sol
Estrella
Forest Glen
Forestville
Gravel Bar
Great American Wine Co.
Hacienda
Little Penguin
Montpellier
Quail Ridge
Rare Earth
Robert Hall
Sea Ridge
Stone Cellars

(LVMH) Louis Vuitton Moet Hennessey

Bodega Numanthia
Cheval Blanc
Cheval de Andes
Cloudy Bay
Dom Perignon
Domaine Chandon
D’yquem
Krug
Mercier
Moet & Chandon
Newton Vineyard
Ruinart
Terrazas de Los Andes
Veuve Clicquot

Trinchero Estates

Bandit
Charles & Charles
Dona Paula
Duck Commander
Fancy Pants
Folie a Deux
Fre
Joel Gott
Los Cardos
Menage a Trois
Montevina
Napa Cellars
Newman’s Own
Pomelo
SeaGlass
Sutter Home
Sycamore Lane
The SHOW

Deutsch Family Brands

Cave de Lugny
Clos de los Siete
Enza
Eppa
Fleurs de Praire
Hob Nob
Joseph Carr
Josh Cellars
Kunde Family
Peter Lehmann
Ramon Bilbao
Ruta 22
Skyfall
The Calling
The Crossing
Villa Pozzi

Guarachi Wine Partners

Black Ink
Castillo de Monseran
Guarachi
Kaiken
Nobilissima
Santa Ema
Surf-Swim
Tensley
Tenshen

Foley Family Wines

Acrobat
Awatere Pass
Butterfield Station
Chalk Hill Winery
Chalone Vineyard
Clifford Bay
Dashwood
EOS
Firestone
Foley Johnson
Four Sisters
Goldwater
Guenoc
Lancaster Estate
Lincourt
Lucien Albrecht
Merus
Nieto Senetiner
Pebble Row
Pepperwood Grove
Piccini
Poizin
Roth
Sebastini
Smoking Loon
Tahbilk
The Four Graces
Three Rivers Winery
Wayne Gretzky

Pernod Ricard

Brancott
Campo Viejo
Graffigna
Jacob’s Creek
Kenwood
Stoneliegh
George Wyndham

Subscribe to Spitbucket

New posts sent to your email!

60 Second Wine Review — Louis Bouillot Extra Brut

A few quick thoughts on the Louis Bouillot Extra Brut Cremant de Bourgogne.

The Geekery

The sparkling wine house of Louis Bouillot was founded in 1877 in the Burgundy wine village of Nuits-Saint-Georges.

Tom Stevenson and Essi Avellan note in the Christie’s World Encyclopedia of Champagne & Sparkling Wine that the house owns around 50 acres of vineyards but works with over 70 growers throughout the Côte d’Or as well as in the Côte Chalonnaise, the Mâconnais and Chablis.

Since 1997, the house has been a part of the Boisset Collection along with other notable Burgundian houses like Bouchard Aîné & Fils, Domaine de la Vougeraie, Ropiteau Frères and the California estates of Raymond Vineyards, Buena Vista Winery, DeLoach Vineyards and Lyeth Estate.

The Limited Edition Extra Brut is a blend of Chardonnay, Pinot noir, Gamay and Aligoté. The wine spent 30 months aging on its lees (well above the 9 months minimum required for regular non-vintage Cremant de Bourgogne and 12 months required for NV Champagnes) before being bottled with a dosage of 6 g/l.

The Wine

High intensity nose. A mix of ripe apples and lemons with toasty pastry. There is also a white floral note that adds a sweet smelling element–honeysuckle?

Photo by Tomwsulcer. Released on Wikimedia Commons under CC-Zero

Perfect balance of apple fruit and toastiness in this dry sparkler.

On the palate, the apple notes come through the most and with the toastiness reminds me of a freshly baked apple turnover with some cinnamon spice. Noticeably dry I would have pegged the dosage more in the 3 g/l range. Impeccably well balanced with fresh lively acidity and silky smooth mousse. Long finish brings the lemon notes back with them being more zesty than fruity.

The Verdict

At around $20-25, this is a fantastic sparkling wine that would put many of the grocery store level NV Champagne brands in the $35-45 range to shame. I’ve long been a fan of Cremant de Bourgogne (and Louis Bouillot in particular–especially their rose sparkler) but this Extra Brut takes it to another level.

Being a limited edition, it will be hard to find but well worth the hunt.

Subscribe to Spitbucket

New posts sent to your email!