Tag Archives: James Laube

60 Second Wine Review — Kicker Cane Alexander Valley Cabernet Sauvignon

A few quick thoughts on the 2014 Kicker Cane Alexander Valley Cabernet Sauvignon from the Francis Ford Coppola Family of Wines.

The Geekery

Kicker Cane is made by the Coppola family whose modern history in winemaking dates back to the 1970s when Francis Ford Coppola purchased the historic Inglenook estate in Napa.

James Laube notes in California’s Great Cabernets that originally Coppola wanted to keep a low profile in the wine industry and had André Tchelistcheff oversee the management and winemaking of his early vintages.

Today the Coppola family’s holdings have grown into an extensive portfolio of wines that includes Francis Ford Coppola Presents, Director’s Cut, Sofia sparkling wine, Archimedes, Storytellers Wines, Votre Santé, Press Run Wine, Virginia Dare Winery and American Pioneer Wine Growers along with Inglenook (formerly Rubicon Estate and Niebaum-Coppola) and Kicker Cane.

The Kicker Cane series of wines are produced by Sandy Walheim and focuses on Cabernet Sauvignon grown in different regions of the North Coast with particular highlights on the the Rutherford AVA in Napa Valley and Alexander Valley AVA in Sonoma County. Prior to working for Coppola (where she also heads up winemaking for Virginia Dare), Walheim worked in Napa at the Robert Mondavi Winery, Beringer, Cain Vineyards as well as at Simi Winery in Sonoma.

The Wine

Photo by Cserfranciska. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

Very strong oak flavors characterize this wine.

Medium-plus intensity nose. Red fruits–currants, plums and cherry–with noticeable oak spice and coconut.

On the palate, those red fruits carry through and have a juicy element with medium-plus acidity. The oak also carries through and makes it present known. Ample vanilla adds weight to the ripe medium-plus tannins. Moderate length finish ends on the oak spice.

The Verdict

At $18-23, this is a very oak-driven Alexander Valley Cabernet (a la “a baby Silver Oak”). It  would certainly appeal to those who enjoy those oaky styles.

It does have enough acidity for balance though. That would make this wine a solid restaurant pour and pairing for weighty dishes like meat.

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Event Review — Stags’ Leap Winery Dinner

Daniel’s Broiler in Bellevue, Washington is one of my wife and I’s favorite restaurants to visit. Each year they host a Champagne Gala that we love going to. Even when we’re not thrilled with the wines selected, we nonetheless always enjoy the exquisite food crafted by Executive Chef Kevin Rohr and a chance to try interesting food pairings.

Recently I got to attend a dinner featuring the wines of Stags’ Leap Winery with Assistant Winemaker Joanne “Jo” Wing.

The Background

I geeked out about some of the backstory of Stags’ Leap Winery in my 60 Second Review of their 2013 Napa Valley Merlot. With a long history dating back to the late 19th century, the winery is one of Napa’s most historic properties.

In California’s Great Cabernets, James Laube notes that the rise of the modern-era of Stags’ Leap Winery under Carl Doumani went hand in hand with the “Cabernet boom” of the 1970s that saw the notable Cabs of Burgess, Cakebread, Caymus, Clos du Val, Mount Eden, Mt. Veeder, Silver Oak and Joseph Phelps hit the scene. It also saw the birth of Stag’s Leap Wine Cellars and decades-long legal intrigue.

The War of the Apostrophe” soon took off with Warren Winiarski of Stag’s Leap Wine Cellars (and winner of the famous 1976 Judgment of Paris) suing Doumani–who promptly counter-sued.

The two men eventually settled their differences in the mid-1980s and released a special collaborative bottling between the two estates called Accord from the 1985 vintage to commemorate. The agreement was that Winiarski’s Stag’s Leap Wine Cellars would have the apostrophe to the left of the ‘s’ while Doumani’s Stags’ Leap Winery would have it to the right.

You could tell that the Treasury Wine Estate rep at the dinner wasn’t too happy about the apostrophe typo on the menu.

Around this time, the two wineries faced another challenge with other wineries in the area like Gary Andrus’ Pine Ridge Winery, Steltzner Vineyards, Shafer Vineyards and more wanting to use the Stags Leap name and petitioning for American Viticultural Area (AVA) approval under that name for the region. After more legal challenges, a compromise was struck for the name of the new AVA to be the Stags Leap District (SLD) sans apostrophe.

Today the winery is owned by Treasury Wine Estates where it is part of a vast portfolio that includes 19 Crimes, The Walking Dead wines, Beaulieu Vineyards, Beringer, Ch. St Jean, Penfolds, Provenance, Hewitt Vineyard and more.

The current winemaker is Christophe Paubert who succeeded Robert Brittan when the later left Napa to make wine in Oregon at his own Brittan Vineyards and consult for wineries such as Winderlea.

A Bordeaux trained winemaker, Paubert has extensive experience working at such illustrious estates as the 2nd Growth St. Julien estate of Ch. Gruaud-Larose and the First Growth Sauternes estate of Chateau d’Yquem. Prior to joining Stags’ Leap in 2009, Paubert was the head winemaker for 4 years at Canoe Ridge Vineyards in Washington State.

Assistant Winemaker Joanne Wing is a New Zealand native who started out at Indevin, one of New Zealand’s largest wine producers. She gained experience working harvest across the globe from Saintsbury in Napa to Mount Pleasant Winery in the Hunter Valley of Australia as well as in Bordeaux before accepting a position at Stags’ Leap as a harvest enologist and working her way up to Asst. Winemaker.

Gorgeous Viognier that is well worth seeking out.


Passed hors d’oeuvres paired with 2016 Stags’ Leap Winery Napa Valley Viognier
Smoked sablefish with soft scrambled farm egg, ikura, chives and Chevre crostini with watermelon beet, grilled apricot, chili spice

I’m not a big beet person so I let my wife try the Chevre Crostini while I had the smoked sablefish with the ikura roe caviar. Both were smashing pairings with the Stags’ Leap Viognier with the wine being a particular revelation.

Sourced primarily from cooler climate vineyards in the Carneros AVA and Oak Knoll District, the Viognier had medium-plus intensity nose of orange blossoms and white peach notes.

On the palate, those white peach tree fruits carried through but also brought some tropical notes of passion-fruit, manago and papaya. However this Viognier never came close to the tutti-fruity “Fruit Loop Cereal” style that unfortunately befalls many domestic Viogniers–especially those fermented and aged only in stainless steel. To avoid that pratfall, Paubert and Wing fermented the wine in neutral French oak barrels with weekly batonnage for 4 months. This very “Condrieu-style” approach produced a Viognier with textural weight and depth but with enough medium-plus acidity to keep it from being flabby or overly creamy.

The acidity also matched perfectly with the hors d’oeuvres, cutting through the “fishiness” of the sablefish and roe. My wife was particularly impressed at how well the acidity matched with the Chevre–the tangy goat cheese that often calls for high acid whites like Sauvignon blanc.

At $22-27, this is an outstanding Viognier with loads of personality and complexity that I would put on par with the àMaurice Viognier from Washington State as one of the stellar domestic examples of this variety.

The preserved kumquat vinaigrette on the salad were quite a treat.


First Course paired with 2016 Stags’ Leap Napa Valley Chardonnay
Spring Salad with Belgian endive, baby kale, avocado, marcona almonds, preserved kumquat vinaigrette

Sourced from the Carneros and Oak Knoll District, this Napa Chardonnay counters the stereotype of over-the-top, oaky, buttery Chardonnays. With 25% fermented and aged in new French oak, 50% in “seasoned” French oak and the rest in stainless steel with no malolactic fermentation, this Chardonnay aimed for an elegant and food-friendly style.

The wine had a medium intensity nose with apple and citrus lime notes. A little subtle baking spice from the oak rims around the edge.

On the palate, the citrus notes came through the most and played off the baby kale and avocado very well. Medium-plus acidity maintained freshness and balanced the moderate creaminess in the wine. The clove oak spice and an almost marzipan nuttiness lingered on the moderate finish.

Overall, this was a very drinkable and pleasant Chardonnay that did hit the target for food-pairing. But, admittedly, at $25-30 it didn’t jump out as anything wow-worthy–especially following in the footsteps of the scrumptious Viognier. It’s a very well made California Chard but it is still one of hundreds of similar well-made and similarly priced California Chards.

The star of the night. I can still taste the braised short ribs and that delectable sauce.

Second Course paired with 2014 Stags’ Leap Napa Valley Cabernet Sauvignon
Braised short ribs with seared sea scallops, morel mushrooms, chervil

From a food perspective, this was the winning course of the night. The braised short ribs melted in the mouth and had you dearly wishing you had more than just the bite. The scallops were perfectly cooked and while I was skeptical with pairing them with a big Cab, the morel and au jus sauce from the short ribs offered just enough weight to carry the pairing.

As with other wines in the white label Napa Valley series, the Stags’ Leap Cabernet Sauvignon includes some estate fruit but is mostly sourced from vineyards throughout Napa Valley. Joanne Wing noted that while Paubert likes the flexibility of having some fruit from warm climate sites like Calistoga, he’s far more excited about the fruit from the cooler southern reaches of Napa like Coombsville, Oak Knoll and Yountville.

Medium-plus intensity with rich dark fruit–black currants, black plums, blackberries. This screams Napa Cab from the nose but it is not as overtly oak-driven as the norm with a little tobacco spice element.

On the palate those dark fruits carry through but there is a little earthy forest-floor element that emerges that adds some intrigue. Medium acidity adds juiciness to the fruit but not enough to be mouthwatering. The oak is a little more pronounced but is more spice driven than vanilla. The medium-plus tannins are still quite firm and young but are more tight than biting. Moderate length finish ends on the fruit which testifies to the youth of this wine.

Stags’ Leap Winery Assistant Winemaker Joanne Wing.

At $45-50, this is priced in lined with many of its Napa peers as a sort of “entry-level” Napa Cab. It’s hard to say it is a compelling value compared to what you can get for equivalent pricing from other regions like Washington and Paso Robles. Like the Chardonnay, I feel like this Cab is certainly well made but not blow-your-socks-off-you-must-find-it good partly because of the premium you are paying for the Napa name (and the winery’s history).

However, I do suspect that this wine could kick it up a couple notches with a few more years of bottle age that potentially could make it far more compelling.

Third Course paired with 2014 Stags’ Leap “The Investor” Red Blend
Piedmontese New York Steak with herb polenta, spring vegetables, blackberry demiglace

Admittedly, this was one of the few times I’ve been disappointed with a Daniel’s steak. Perhaps it was just this cut but I found it was in the weird position of being both too fatty and too dry and lacking flavor. The polenta and blackberry demi-glace were excellent though. But I found myself again wishing that the braised short ribs were the main course.

A unique blend of Merlot, Petite Sirah, Cabernet Sauvignon and Malbec, The Investor pays homage to former owner Horace Chase who made his fortune investing in gold and silver mines during the Gold Rush days of California. The Merlot and majority of the Petite Sirah come from estate fruit in the Stags Leap District and Oakville while the Cabernet and Malbec are sourced from vineyards throughout Napa Valley.

The medium-plus acidity and savory, herbal element of The Investor red blend definitely helped interject some much needed flavor into the Piedmontese New York steak.

Medium-plus nose with a mix of red and dark fruits–plums and currants. There is more overt oak vanilla on the nose of this wine than with the Cab but it doesn’t seem overwhelming. Underneath there is also a blue floral element that is not defined.

On the palate, the mix of fruits carry through with mouthwatering medium-plus acidity tilting the favor towards the red fruit. Some savory herbal and smokey notes join the party that dearly helps the food-pairing with the flavorless Piedmontese New York steak. The vanilla oak notes add a layer of velvety softness to the high tannins that still have a fair amount of gripe. Like the Cab, the moderate length finish ends on the youthful fruit.

At $50-60, The Investor intrigues me a lot more than the Napa Cabernet (and the Napa Merlot) because of the savory, smokey element and mouthwatering acidity. It’s still young and has some “baby fat” of oak that needs to be shed but this is a unique blend that could turn into something exceptionally good.

Dessert paired with 2014 Stags’ Leap Napa Valley Petite Sirah
Chocolate torte with Devonshire cream, coconut crisp

While the chocolate torte was amazing and sinfully delicious and the wine outstanding, this was not a winning pairing. The wine was nowhere near sweet enough to balance with the torte.

While delicious on their own, the pairing of the chocolate torte with the Stags’ Leap Petite Sirah just didn’t do it for me.

Still, it was somewhat fitting to end the Stags’ Leap Winery dinner with the wine that truly epitomizes the estate. While the name “Stags Leap” is synonymous with Cabernet Sauvignon, Stags’ Leap Winery was always a vanguard in cultivating and promoting Petite Sirah.

High intensity nose that started jumping out of the glass as soon as the waiter poured it. Blackberries and boysenberries with some peppery spice and violets.

On the palate, the first thing that hits you is the weight and richness of the wine with the full brunt of the dark fruits and high tannins. But there is an elegance with the juicy medium-plus acidity and fine balance that keeps the wine from being overbearing. On the moderate finish, there is some subtle dark chocolate notes that come out but not enough to make the food-pairing work. This was definitely a wine to savor on its own.

At $32-40, this is a more premium-priced Petite Sirah but it is well worth not only its price but also its reputation as the winery’s flagship. During this course, Jo told us about the Ne Cede Malis block of Prohibition-era vines that is a field blend of majority Petite Sirah with Muscat, Malbec, Mourvèdre, Cinsault, Carignan and up to 9 other varieties. The grapes are harvested together and co-fermented to produce a limited release bottling. I have to admit that if Stags’ Leap Winery’s mobile ordering website wasn’t so buggy and difficult to navigate, I would have purchased a bottle of the Ne Cede Malis Petite Sirah (as well as several bottles of the Viognier) right then.

Overall Impressions

Attending this dinner left me wondering if Stags’ Leap Winery is a victim of its own name and location in Napa Valley. While the winery absolutely shined with its Viognier and Petite Sirah, their more typical Napa offerings of Cabernet Sauvignon and Chardonnay were just “ho-hum”.

I do appreciate that Treasury Wine Estates has let Paubert, Wing and Co. continue producing their more obscure bottlings but I have no doubt that the health of the winery’s bottom line depends on the case sales of the bread and butter Cab, Chardonnay and Merlot. It’s where the money is–especially in Napa–and that is what they’re out to sell.

Yet after tasting their outstanding Viognier, scrumptious Petite Sirah and very character-driven Investor blend, its hard not to think about what more the winery could do with their talented winemaking team and unique approach if they didn’t have to live up to the name Stags’ Leap.

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60 Second Wine Review — 2004 Opus One

A few quick thoughts on the 2004 Opus One from Napa Valley.

The Geekery

Opus One was founded in 1979 as a joint partnership between Robert Mondavi and Baron Philippe de Rothschild of Ch. Mouton-Rothschild.

In his 1989 book, California’s Great Cabernets James Laube describes Opus as one of the “First Growths” in California back when they were making around 11,000 cases a year.

The 2004 Opus One is a blend of 86% Cabernet Sauvignon, 7% Merlot, 4% Petit Verdot, 2% Cabernet Franc and 1% Malbec with around 22,000 cases made.

The Wine

Photo by terri_bateman. Uploaded to Wikimedia Commons under CC-Zero

Simple black currant fruit characterize this wine.

Medium intensity nose. A mix of dark fruits that aren’t very defined, noticeable oak spice but also some tertiary tobacco notes.

On the palate those dark fruits become slightly more defined as black currants and bring an herbal element with them. Medium-plus acidity adds freshness and balances well with the velvety soft medium-plus tannins. The mouthfeel is the best part of the wine by far. The mix of oak and tobacco spice are still present and last thru the moderate length finish.

The Verdict

This was the third time I’ve had Opus after tasting the 2009 at an event and 2011 at the winery. I was very underwhelmed with both but have been told repeatedly by wine folks that “Opus needs time” and that it’s unfair to judge them with less than 10 years of bottle age. After trying an Opus now with more than 13 years of bottle age, I have to wonder what follows the old proverb after “Fool me thrice…”.

Especially at the $300+ price point (with the 2004 now around $450 a bottle), I can name dozens of Bordeaux wines at or below that level that deliver way more value and pleasure. From Napa, there are bottles from Chappellet, Groth, Bevan, Frank Family, Moone-Tsai, Diamond Creek, Blankiet, Dominus and more that I would be happily content with having 2-3 bottles of for the price of one Opus.

It’s not a horrible wine but it is distinctly one that you are paying more for the name than anything else and, frankly, I’m done paying.

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60 Second Wine Review — Groth Oakville Cabernet


A few quick thoughts on the 2002 Groth Oakville Cabernet Sauvignon.

The Geekery

In his 1989 book California’s Great Cabernets, James Laube of Wine Spectator ranks Groth’s estate Cabernet Sauvignon as one of the “Third Growths” of California–putting it on par with other great wines like Shafer’s Hillside Select, Louis Martini’s Monte Rosso and Stag’s Leap Wine Cellars’ SLV and above Laube’s “Fourth Growths” of Silver Oak Napa Valley, Joseph Phelps’ Backus Vineyard and Rombauer’s Le Meilleur du Chai.

Founded in 1982 by Dennis Groth, a former executive of Atari, and his wife Judy, the winery owns a little over 136 sustainably farmed acres between their Oakville Estate Vineyard and Hillview Vineyard in Yountville. Usually Groth produces a reserve Cabernet (which Laube ranked as a “Second Growth” on par with Dominus and Grace Family Vineyards) but because of vineyard replanting no reserve Cab was produced between the 2000 and 2004 vintages.

The 2002 vintage of the Oakville Cab was 76% Cabernet Sauvignon and 24% Merlot. The wine saw 23 months in 50% new French oak.

The Wine

Medium plus intensity nose. Rich roasted coffee aromas with savory black tea notes. You would expect this to be served by a barista.

On the palate you can find some fruit but it is more dried red cranberry and currants. The coffee and tea notes carry through and are met with more savory notes of leather and meatiness. Medium acidity still gives the wine life and balances well with the soft medium tannins.

The Verdict

By François Bianco - Freshly roasted coffee, CC BY-SA 2.0, on Wikimedia Commons

If you’re needing a Starbucks fix, the huge roasted coffee aromas in this Groth Oakville Cab will get you jonesing even more for the java.

It’s clear that this wine is on the waning side of maturity but it still had immense character with a lot of story left to tell. This is a wine worth savoring over a couple hours with good friends as each sniff and sip reveals something different.

Being an older vintage, the price will vary but at between $75-95 it is a solid bet for someone who likes elegant and savory Cabernet Sauvignons.

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Jamie Goode is a tool

by Dezertscorpion on Wikimedia Commons released under PD-Self
So is Robert Parker.

And Jancis Robinson.

And Antonio Galloni, Allen Meadows, Michel Bettane, James Suckling, James Laube, Alice Feiring, Karen MacNeil, Tom Wark.

Tools.

Frankly, so am I. But rather than one of the nice Sears Craftsman or Ryobi tools from Lowes, I’m more of the extra Phillips-head screw driver you picked up at the dollar store on impulse. A tool stashed away at the bottom of a kitchen drawer but a tool none the less.

All wine writers are tools which is why I read Jamie Goode’s defense of wine criticism and expertise on Vine Pair, Wine Critics Matter Because Some Opinions Are Better Than Others, with great amusement. The source of Goode’s ire is the view that the musings of wine critics like him are merely personal opinions and, since everyone has an opinion, there is not enough due credit given to the value and experience of expert opinions like his.

This is not a new complaint with many critics such as Jancis Robinson commenting on how the proliferation of smartphones and websites like Wikipedia and CellarTracker creates an arena where the esteemed opinion of a Master of Wine like hers has to fight for attention. Even outside of wine, many commentators have noted a general apathy towards “expert opinions” with anti-intellectualism being a full-fledged cultural movement in the West.

In this day and age since everyone has an opinion, everyone is an expert. It’s no wonder that this modern arena of ideas is terrifying for folks who have devoted years of time, patience and labor into building a well of experience and expertise in their trade.

But what should be the response of the beleaguered experts who find themselves shouting into the void of crowd-sourced expertise?

Show, don’t tell.

I suppose the opinion from the god of wine, Bacchus, would be better than most. But only on wine. Not sure how much I would trust his opinion on fashion.

Jamie Goode is quite right in that there is immense value in the writings and opinions of wine experts like him. But it is not because he’s a pontiff, whose opinion and superior palate is blessed to be better than that of us regular joes.

It’s because he’s a tool. A tool that been honed and tested over time to produce reliable and dependable results. The value in wine critics like Jamie Goode is not in their opinion, itself, but in the background story and context that they can bring. When the average wine drinker is limited to the extent of their wallet and options at the local liquor store, a critic that can take them into the vineyard and winery offers a lens to the world of wine that can’t be gleamed from Wikipedia or in the pages of a new wine book.

This was a conclusion that Jancis Robinson, herself, came to during her existential pondering on the state of wine writing today.

But could it also have something to do with the fact that, even in this era of the citizen critic, my 40 years of visiting vineyards, listening to winemakers, watching trends emerge, making comparisons and seeing wines evolve from barrel to decades in bottle might just be regarded as worth something? — Jancis Robinson, The Financial Times September 4th, 2015

Jamie Goode is wrong in that his opinion, or final pronouncements on wine, is better. No one really cares if he picks up apricots and quince aromas or finds a wine to be exceptionally well balanced. Opinions are just the holiday wrapping around the package. Some packages are more skillfully wrapped than others. But really anyone with some tape and paper can wrap a package or deliver an opinion about wine.

Give a monkey a typewriter…. and he will be able to wrap Christmas gifts better than me.

The value in Jamie Goode’s expertise comes in what’s inside the package.

There his readers can unpack his years of observations and experience, following winemakers and wine regions as they emerge and evolve, gaining from him a perspective and tools that will ultimately help them get more pleasure out of finding and drinking new wines.

The value in anyone’s opinion peters out when the subjectivity of taste comes in. What might be a fabulous wine to one person could be just “meh” or even downright awful to another. Wine drinkers do not need wine experts to tell them what is good. Instead, show us why you think its good.

Show us the story behind the wine. Show us the care in the vineyard or winery that shaped the wine’s journey from grape to glass. Show us where this fits in the big picture of the world of wine and maybe, just maybe, our opinion of the wine’s greatness will eventually fall in line with the “better” expert opinion.

Show, don’t tell.

Because wine writers are tools, not pontiffs.

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