Tag Archives: Pinot gris

In a rut? Try these new grapes!

CC BY-SA 3.0, on Wikimedia Commons

We all get into ruts sometimes, especially during the heart of the January-February “Winter Blues” season. But ruts can be the perfect time to shake things up!

So how about trading out and swapping some of your same ole, same ole for something new? Here are 5 recommendations of geeky new grape varieties that are worth trying.

Do you like Sauvignon blanc and unoaked Chardonnay?

Try Pecorino!

According to Ian d’Agata’s Native Wine Grapes of Italy, Pecorino likely originated in the Marche region of eastern Italy where it is the dominant white grape of the Offida DOCG. The name comes from the Italian pecora for ‘sheep’ and is derived from anecdotal stories of sheepherders snacking on the grapes as they tended to their flocks. Other stores involve the sheep, themselves, breaking into vineyards to snack on the ripe grapes near harvest time.

Pecorino produces fragrant wines with citrus, apple and mineral notes that go fantastic with seafood (much like Sauvignon blanc and unoaked Chardonnay!). The wines are often light to medium body and can sometimes have delicate herbal notes (like the grassiness in a New Zealand Sauvignon blanc). Usually produced in stainless steel, some examples can see brief time in neutral oak that will add a little weight to the wine (like many Sauvignon blanc-based white Bordeauxs).

Do you like Pinot gris and dry Gewürztraminers?

Try Grüner Veltliner!

Photo taken by self as Agne27, on Wikimedia Commons

An Oregon Gruner Veltliner from the Willamette Valley.


We can also add fans of aged white Burgundies to the list too.

According to the Oxford Companion to Wine, Grüner Veltliner is the most widely planted grape variety in Austria, representing more than a third of all vineyard plantings. Here is used to produce everything from light cafe wine, to weighty ageworthy whites to sparkling Sekt.

Grüner Veltliner produces wines that have a mix of citrus and tree fruit notes (like Pinot gris) with a characteristic spicy note of white pepper (like Gewurz but a different spice). With age these wines take on a remarkable transformation with more weight and texture that is not that dissimilar to great white Burgundies.

Outside of it Austrian homeland, American wine lovers can find domestic examples being produced in the Willamette Valley of Oregon, Virginia and Maryland.

Do you like Merlot and Grenache?

Try Mencía!

Actually, you can also tally this one down if you are a fan of Pinot noir and Cabernet Franc or even Gamay because Mencía is a very versatile grape that produces different styles based how it is grown and winemaking choices.

By SanchoPanzaXXI - Own work, CC BY-SA 3.0, on Wikimedia Commons

Mencía grapes growing in the Ribeira Sacra DO of Spain

According to Jancis Robinson’s Wine Grapes, this very aromatic and fruit forward grape was once thought to be related to Grenache, Graciano and Cabernet Franc though DNA analysis has shown that there isn’t any relation.

But the similarities can been seen in Mencía wines that are fresh with ripe tannins and juicy fruit that can carry a tinge of herbal notes (a la Cabernet Franc). Like Gamay, some of these fruity wines are produced via carbonic maceration. However, when yields are kept low and Mencía sees some time in oak it can produce more dense, concentrated examples with ripe dark fruit and chocolate notes like Merlot.

Admittedly it is hard to know what style of Mencía you are getting with a particular bottle but the immense potential of deliciousness makes it worth exploring the whole spectrum!

Do you like Cabernet Sauvignon and spicy Zinfandels?

Try Touriga Nacional!

According to Karen MacNeil’s Wine Bible, while Touriga Nacional is most known for being the backbone of Portugal’s famous fortified Port wines, it also produces some of its best table wines that demonstrate great balance and aging ability.

As a dry red varietal Touriga Nacional crafts big full bodied tannic reds with intense color and mouth-filling juicy dark fruits (very much like Cabernet Sauvignon!). Its high aromatics can also bring a variety of spice notes that carry through to the palate, lingering towards a long finish (like your spicy Zins!).

Uploaded to Wikimedia Commons by Bauer Karl under CC-BY-3.0

Touriga Nacional from Wines of Portugal, i. V. Marie-Luise Bächle


Outside of Portugal, you can find domestic examples of Touriga Nacional from the Zinfandel hot beds of Lodi, Amador County and the Sierra Foothills as well as in Napa Valley, Georgia and Virginia.

Do you like Cabernet Sauvignon and Syrah?

Try Aglianico!

In their book Vino Italiano, Joseph Bastianich and David Lynch describe young Aglianico wines as “… dark and feral, like the wolves that still roam the hills [in Basilicata].”

By Alexis Kreyder - L'Ampélographie (Viala et Vermorel), reproduced in

Aglianico from L’Ampélographie Viali i Vermorela


This grape produces big tannic wines with savory meatiness that can remind you of aged Cabernets and Rhone-style Syrahs. While it can develop even more layers of complexity with age, in its youth it still has charm and is worth seeking out by any big red wine fan.

Outside of Italy, there are domestic examples of Aglianco being produced in Paso Robles, Napa Valley, the Sierra Foothills and Amador County as well as in Texas and Virginia.

So seek out some of these obscure varieties and try something new! Life is too short to be in a rut of drinking just the same ole, same ole.

Cheers!

Book Reviews – Bursting Bubbles

A few thoughts on Bursting Bubbles: A Secret History of Champagne and the Rise of the Great Growers by Robert Walters.

Overview

Robert Walters is an Australia wine merchant and importer who over the years became bored and jaded with the Champagnes produced by the large négociant houses. A chance tasting of Larmandier-Bernier’s Terre de Vertus reignited his passion for the wines of the region. This book recounts his trek throug Champagne visiting several grower producers like Anselme Selosse, Francis Egly, Pascal Agrapart, Jérôme Prévost and Emmanuel Lassaigne.

Throughout the book, Walters gets his vino-mythbuster on and debunks 10 common myths relating to Champagne such as the fact that Dom Perignon didn’t invent Champagne (he actually spent his entire career trying to get rid of the bubbles), placing a spoon in a Champagne bottle does not help retain the bubbles, smaller bubbles are not a sign of higher quality and more.

I didn’t always agree with some of his extrapolations such as when Walters tries to dispel the myth that blending Champagne makes “a sum better than its parts” (Myth VI). I understand his point that blending wines made from vineyards scattered across a large region negates any chance of terroir showing through. However, I do think something should be said for the skill of the winemaker in using a palette with many different colors of paint to create an evocative picture. While you can argue that the large négociant houses are sourcing from too vast of an area, I think few would argue that producers in Bordeaux are not showing terroir in their blends.

Photo by Fab5669. Released on Wikimedia Commons under  CC-BY-SA-3.0

Vineyards in the Grand Cru village of Mailly.


The overriding theme of the book is that Champagne should be considered a wine first and a sparkling wine second. Walters contends that many in the wine industry give Champagne a free pass and do not judge it critically on the same standards that we judge other great wine regions.

In contrast to the work of the small “great growers” he highlights, many producers in Champagne practice viticulture and winemaking practices that would be considered anathema in fine wine estates across the globe–such as the extensive use of chemicals, excessively high yields, harvesting unripe grapes and mass adulteration in the winery.

Walters makes a lot of opinionated arguments and critical points that will certainly chafe some wine lovers the wrong way. But they do give you reasons to think.

Some Things I Learned

The journey through many of the smaller villages of Champagne and their different terroirs was very fascinating. While it wasn’t an academic exploration (like the Champagne section in The Wine Atlas), it was still interesting. The chapters (beginning with Part XVI) in the Aube (Côte des Bar) were my favorite. This region is considered the backwoods cousin of Champagne and is often ignored in favor of the more prestigious regions of Côte des Blancs, Montagne de Reims and Vallée de la Marne yet it may actually end up having the best terroir in all of Champagne. It certainly seems to be a hotbed for dedicated growers with a chip on their shoulders that are raising the bar on what quality Champagne is.

By 808 Mālama pono - Own work, CC BY-SA 3.0, on Wikimedia Commons

This doesn’t really jive with the luxury image of Champagne.


The most horrifying idea that Bursting Bubbles introduced me to was the concept of “boues de ville“, the (thankfully now discontinued) practice of literally using city garbage to fertilize the vineyards of Champagne (Part VI). The thought of broken glass, batteries, plastic milk jugs and soda cans littering the vineyards of some of the most prestigious wines in the world made my jaw dropped and rushed me to Google where….yeah, this apparently happened from the 1960s till it was outlawed in 1998.

Getting geeky, I loved reading about Selosse’s “perpetual blend” inspired by the solera system of Sherry (Part X). For several of his Champagnes, Selosse keeps them in casks that he “tops up” with the new harvest every year while only bottling a small portion. So for example, the blend for his Champagne Substance started in 1986. This means that his recent release that was disgorged 05/2016 theoretically had wines from 19 vintages.

Walters’ cryptic snarkiness about a négociant running a tourist trap on the Avenue de Champagne in Epernay (which he wouldn’t name) had me playing detective to find out the identity of this mysterious Champagne house that supposedly made wines that taste like “battery acid plus sugar” (Part V).

Wines I Want to Try Because of This Book

One of the more enjoyable sections of Bursting Bubbles was when Walters dispelled the myth that Champagne is made from only 3 grapes (Myth V). I knew that there were other grapes permitted beyond Chardonnay, Pinot noir and Pinot Meunier but finding Champagnes that actually featured these obscure grapes was like trying to find a unicorn at the Kentucky Derby. But throughout the book Walters name drops several of these unicorns that I’m hunting for.

I had this Pierre Gerbais at a Champagne tasting featuring over 20 bottles and this was my runaway WOTN. It makes me eagerly want to find more Pinot blanc Champagnes.


Pascal Agrapart ‘Complantee’ – from the Grand Cru village of Avize, this wine has the 3 traditional grapes as well as Arbanne, Pinot blanc and Petit Meslier.

Aurelian Laherte ‘Les 7’ – This wine gets even geekier with adding Fromenteau (probably Pinot gris) to the 6 grapes used in the Agrapart.

Cedric Bouchard ‘La Boloree’ – 100% Pinot blanc from 50+ year old vines.

Vouette et Sorbee ‘Texture’ – 100% Pinot blanc with zero dosage.

Aubry ‘Le Nombre d’Or’ – a blend of six grape varieties with 3 g/l dosage.

Pierre Gerbais L’Originale – 100% Pinot blanc from vines planted in 1904. (SCORE! After getting this book and making this list, I had a chance to try this wine courtesy of a friend. You can read my 60 Second Review of it here.)

New Reading Recommendations I Got From This Book

One of my favorite things to do with books is to scour their references and notes section in the back to find new reading materials. Sometimes the author will make a direct recommendation in the book, as Walters did (in ‘Disclaimers’) for people looking for Champagne producer guides. The new additions that Bursting Bubbles added to my “To Read” list are:

Peter Liem’s Champagne [Boxed Book & Map Set]: The Essential Guide to the Wines, Producers, and Terroirs of the Iconic Region
Michael Edwards’ The Finest Wines of Champagne: A Guide to the Best Cuvées, Houses, and Growers
Tyson Stelzer’s The Champagne Guide 2018-2019: The Definitive Guide to Champagne
Becky Sue Epstein’s Champagne: A Global History
Thomas Brennan’s Burgundy to Champagne: The Wine Trade in Early Modern France
Kolleen M. Guy’s When Champagne Became French: Wine and the Making of a National Identity
Michel Bettane & Thierry Desseauve The World’s Greatest Wines
Andrew Jefford’s The New France: A Complete Guide to Contemporary French Wine
Gérard Liger-Belair’s Uncorked: The Science of Champagne

Final Thoughts

Regular readers know that I have a strong affinity for wines made by small, family-owned wineries. In my recent review of some LVMH (Louis Vuitton Moët Hennessy) Champagnes, I started it with the quote “You buy the big houses for the name, you buy the growers for the wine” , so I went into reading this book expecting to have a lot of sympathy with Robert Walters’ view.

But I found myself disagreeing with him more often than I agreed.

I don’t agree with his view that the use of dosage distorts the essence of “true Champagne” and that “toasty, biscuity” flavors are superficial, cosmetic notes and are not marks of “great Champagnes”. (Part VII).

I do agree that great Champagne should go with food.
This 2002 Lanson Noble Cuvee Blanc de Blancs spent 14 years aging on the lees and was bloody fantastic with Portuguese Pastéis de Bacalhau (fried salted cod).


I don’t agree that the bubbles in Champagne “get in the way” of appreciating the true quality of Champagne. That came from a quote of grower Cédric Bouchard (Part XX) and while, in the Epilogue, Walters says that he doesn’t agree with Bouchard that bubbles get in the way of terroir, he still highlights Bouchard point to say that, in his opinion, a “great Champagne must be a great wine first, and a great Champagne second.” This statement follows an entire book where he advocates serving Champagne at warmer temperatures, in large wine glasses and even decanted, while touting the positive benefits of minimizing the bubbles in Champagne.

In debunking the myth that flutes are the proper vessels for Champagne (something advocated by folks like Wine Enthusiast’s Jameson Fink), Walters says:

If you have a real wine in your glass, the kind of wine that I am advocating for in this book, it deserves a real wine glass that will showcase the quality that is on offer. — Robert Walters (Myth VIII)

In Walters’ view, great Champagnes are ones that can be served as still wines even after they’ve lost their bubbles. While I will confess that I’m curious enough to experiment more with intentionally decanting and degassing Champagnes, I can vividly recall numerous bottles of gorgeous Champagnes that I’ve enjoyed that tasted horrible warm or the day after when the bubbles were gone. The fact that those wines did not taste good as still wines is not reason enough for me to dismiss them as “not great Champagnes”.

While I agree with Walters’ main argument that we should judge Champagne and Champagne producers on par with how we judge other great wines in the world, I do not think it is required to shelve the uniqueness of Champagne to do so. The bubbles give me pleasure. Ultimately, that is what I look for in any wine–does it give me pleasure drinking it?

There were other areas that I found common ground in Bursting Bubbles. I fully support exploring the terroir of single vineyards and single village wines, instead of just cranking out millions of bottles of mass regional blends.

There is so much Dom Perignon flooding the market that they are literally turning it into gummie bears.
It’s hard to see this happening with a Chateau Margaux or a Corton-Charlemagne.


An astute point that Walters make is that in most great wine regions, a mass regional blend would be at the bottom of the quality pyramid like an AOC Bourgogne or Bordeaux Supérieur. But in Champagne, you can make 5 million bottles a year of Dom Perignon sourced from hundreds of vineyards across at least 21 villages and it is called a “prestige cuvee”. Wine drinkers should start thinking more critically about where their Champagne is coming from and who is making it.

So while I understand Walters’ point that “Champagne should be considered a wine first and a sparkling wine second”, I’m going to part ways with him when it comes to separating the sparkling from the wine.

I can easily find great Burgundy, great Bordeaux, great Rieslings and the like. The world is awash with great still wines. But when it comes to Champagnes, and yes, I believe there are great Champagnes, I don’t want my bubbles to burst.

Getting Geeky with Adelsheim Auxerrois

Going to need more than 60 seconds to geek out with the 2011 Adelsheim Auxerrois.

The Background

Adelsheim Vineyards started in 1971 when David & Ginny Adelsheim purchased land in what is now the Chehalem Mountains AVA. The next year they established their Quarter Mile Lane vineyard, becoming the first to plant in this northern part of the Willamette Valley.

In 1994, Jack and Lynn Loacker joined the Adelsheims as co-owners and began planting their Ribbon Springs Vineyards in the Ribbon Ridge sub-AVA of the Chehalem Mountains. Among the varieties planted in this vineyard are Pinot noir, Pinot gris and a little over 2 acres of the obscure French variety Auxerrois.

Ribbon Springs Vineyard highlighted.
Map courtesy of the Chehalem Mountains Winegrowers

On all the estate vineyards, Adelsheim practices sustainable viticulture and are certified Salmon Safe and LIVE.

It was announced in December 2017 that Adelsheim’s winemaker David Paige was stepping down with associate winemaker Gina Hennen being promoted to replace him. This makes Hennen only the third head winemaker in Adelsheim’s 40+ year history with Paige following founder David Adelsheim in the position in 2001. She joins vineyard manager Kelli Gregory as one of the few all female winemaker/vineyard manager combos at a major winery.

The Grape

By Rosenzweig - Self-photographed, CC BY-SA 3.0

Auxerrois grapes in Weinsberg


According to Jancis Robinson’s Wine Grapes , Auxerrois is the second most widely planted white grape variety in Alsace after Riesling.

While it is not permitted in Alsatian Grand Cru or the dessert wine styles of Vendange Tardive or Sélection de Grains Nobles, it is often used in the production of Crémant d’Alsace and Edelzwicker as well as wines labeled as Klevener and Pinot blanc. In fact, it is a quirk of Alsatian wine laws that a wine can be 100% Auxerrois but labeled as Pinot blanc.

The close association with Auxerrois and Pinot blanc is due to the similarities in wine styles produce by both. Typically low in acid but with a rich mouthfeel that has weight and texture. DNA analysis has shown that Auxerrois is a progeny of Pinot and Gouais blanc–making it a sibling of Chardonnay, Aligote, Melon de Bourgogne and Gamay. It is also a half-sibling of Blaufränkisch and Colombard.

Outside of Alsace, Auxerrois can be found in the French Moselle, Côtes de Toul, Luxembourg, England and the Netherlands. The grape can also be found in Germany in the Baden, Nahe, Palatinate and Rheinhessen.

Outside of Europe, Canada has a few plantings of Auxerrois in Ontario as well as the Okanagan Valley and Vancouver Island wine producing regions of British Columbia. The grape was unexpectedly discovered in South Africa in the 1980s when vines that were thought to be Chardonnay turned out to actually be Auxerrois.

This “Chardonnay Scandal” in South African wine history began in the 1970s when growers responding to the rush to plant more Chardonnay tried to get around quarantines and bureaucratic paperwork by turning to smugglers for their vine materials. In addition to getting Auxerrois vines instead of Chardonnay, the smugglers also inadvertently brought in Chenel (a crossing of Chenin blanc and Ugni blanc).

In the United States, beyond the Willamette Valley, there are small plantings of Auxerrois in the Lake Erie region of Ohio and the Leelanau Peninsula AVA of Michigan which Appellation America proclaims is the “best home” for the grape. Here the Bel Lago Vineyards & Winery stakes claim to producing the first American Auxerrois in 1998 with Adelsheim’s first bottling coming in 2004.

Auxerrois photo from Bauer Karl released on Wikimedia Commons under   CC-BY-3.0-AT; Chardonnay photo  from Viala und Vermorel 1901-1910 (Ampélographie. Traité général de viticulture) released under the Public Domain; Pinot blanc photo By Bauer Karl - Own work, CC BY 3.0

Auxerrois grapes comparison to Chardonnay and Pinot blanc


The Wine

The 2011 Adelsheim Auxerrois has medium plus intensity on the nose which is very surprising for a 6 year old white wine. The aromas are a mix of spiced tree fruit (mostly pear) with some floral herbal elements like bay laurel and tarragon.

By Zeynel Cebeci - Own work, CC BY-SA 4.0

This wine has the floral fragrance of a fresh herb like bay laurel.


The palate has lively medium plus acidity which is, again, surprising for its age and with Auxerrois typically being considered a “low acid” variety.

This fresh acidity brings out citrus notes but for the most part the spiced pear and herbal notes carry through. The medium body has the texture of an unoaked Pinot blanc and Chardonnay which would give me some trouble in a blind tasting. Ultimately it is the floral herbal notes that distinguishes this as a different grape variety. The wine’s age finally catches up to it with the finish that is very short and quickly fades.

Still this is an impressive wine that has held up much better than how many domestic white wines (outside of Riesling) usually do. For the most part I try to open up my domestic whites within 3 years of vintage date and start getting really nervous when they get close to 5 years. But this Adelsheim Auxerrois still has a good story to tell and I would be quite interested in trying a newer release.

At around $20-25, it does command a premium for an obscure white variety but I think that premium is worth it for a very character driven wine that clearly has aging potential.

Brave New Burgs (Part 1)

One believes things because one has been conditioned to believe them. — Aldous Huxley, Brave New World

Pop quiz, wine geeks.

1.) What is the white grape of Burgundy?

If you know enough to be dangerous with a restaurant wine list or in a wine shop, then you probably didn’t hesitate to answer “Chardonnay”.

And for the most part, you’d be right.

But also a little wrong.

Some of the best “intro to wine” texts around like Karen MacNeil’s The Wine Bible, Kevin Zraly’s Windows on the World Wine Course and Madeline Puckette’s Wine Folly will teach you that it is easy to start getting a grasp of Burgundy.

Just remember that there is only two grapes–Pinot noir and Chardonnay.

It’s a reflex condition to think with Burgundy that if its red, it’s Pinot noir. If it’s white, then Chardonnay. Sure, everything else about Burgundy with it’s 100 appellations and intricate classification system of 23 regional AOCs, 44 villages, 33 Grand Crus, 585 Premier Crus and countless named lieu dits is enough to make your head spin—but it’s easy to nail the grape varieties. Right?

“But I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.” — Aldous Huxley, Brave New World

A Sauvignon blanc produced less than 20 km from the heart of Chablis’ Grand Cru

I started working on the Wine Scholar Guild‘s Bourgogne Master Level Program lead by Don Kinnan with the desire to get more comfortable with Burgundy. But it wasn’t long before I found myself diving head-first into a rabbit hole that would shake me out of my comfort zone but introduce me to a world far more exciting than the one I began studying.

As Allen Meadows, the Burghound, is fond of saying–Burgundy is “the land of exceptions”.

It wasn’t long before the first exceptions started blowing in like the north wind across the Yonne. Here, in the land of Chablis, we have the Auxerrois where grapes like Sauvignon blanc run wild in Saint-Bris and Melon de Bourgogne (the grape of Muscadet) in Vézelay.

However, the exceptions aren’t limited to obscure villages in the northern backwoods of Burgundy. Instead, in the heart of the Côte-d’Or we have the curious case of Pinot Gouges.

In the 1930s, Henri Gouges was inspecting his vineyards in the Nuits-St-Georges premier cru monopole of Clos des Porrets. He noticed that one of his red Pinot noir vines was producing white grape clusters. Intrigued, Gourge took cuttings from the vine and planted them in the NSG premier cru vineyard of La Perrières. His grandchildren still cultivate this “Pinot blanc” though instead of labeling it as that grape, the Gouges family describe Pinot Gouges as “Pinot noir that lost their color“. Regardless of what the vines are called–the fact still remains that in the middle of Chardonnay land, we have an exciting and distinctively non-Chardonnay white Burgundy being produced from a premier cru vineyard.

My notes on the Pinot Gouges “The color looks like a regular white Burg with some oak influence. On the nose, tree fruits of apples and pears but there is a lot of spice here–not oak spice but rather exotic spices.
On the palate there is a lot of weight and texture–things that would make me think of oak except for the complete absence of oak flavors. There is no vanilla, cinnamon, clove, allspice, etc.”


Now while it is technically illegal to plant Pinot blanc in most of the Côte d’Or (though, again, there are exceptions), several producers still tend to legacy vines. Inspired by bottles of Pinot blanc from the 1960s that aged remarkably well, Domaine Méo-Camuzet sourced Pinot blanc vines from Alsace to plant in their Clos St Philibert vineyard in Flagey-Echézeaux. The wine produced from these vines is blended with Chardonnay and classified under Bourgogne Hautes-Côtes de Nuits AOC (as opposed to a village level Vosne-Romanée).

Then there is the case of Pinot Beurot (Pinot gris), the sneaky pink-skinned mutation of Pinot noir that can sometimes find itself interspersed among Pinot noir vines. Not content to just be an interloper, the grape plays a starring role in wines like Domaine Comte Senard Aloxe-Corton blanc that is 100% Pinot Beurot as well Domaine Lucien Boillot et Fils Les Grands Poisots sourced from a parcel of Pinot Beurot first planted in the Volnay vineyard in 1958. Not legally permitted to be called a Volnay, the wine is labeled under the basic regional Bourgogne appellation. Likewise, in the famed white wine vineyards of Puligny-Montrachet, Domaine Guillemard-Clerc has a little less than an acre of Pinot Beurot which goes into it regional Bourgogne blanc. In the Bourgogne Hautes-Côtes de Beaune AOC, Domaine Guillemard-Pothier à Meloisey also produces a Pinot Beurot.

My notes on the Cave de Genouilly Aligote “As if a Sauvignon blanc and an unoaked Chardonnay had a baby. Great mouthfeel with weight. Smooth but fresh.”


And this is not even getting into the more widely known exception of Aligoté which has its own AOC and has earned the affection of a literal “Who’s Who” of legendary Burgundy producers like Aubert de Villaine, Lalou Bize-Leroy, Marquis d’Angerville and Michel Lafarge. Domaine Ponsot takes the love affair a step further to make premier cru level Aligoté in the Morey-St-Denis monopole of Clos des Monts Luisants.

The faith in these producers to devote precious terroir to this obscure grape is a testament that there is something interesting about Aligoté that makes it stand out in the Chardonnay-saturated world of Burgundy. It’s high acidity enchants with racy and mouthwatering appeal that is balanced by a weighty mid-palate that gives a sense of lemon custard richness which can charm even the most traditional white Burgundy lover.

There is no doubt that Burgundy is home to some of the greatest expressions of Chardonnay. However, for the wine geeks conditioned to merely think White Burgundy=Chardonnay, there is brave new world of exciting white Burgs waiting to be discovered.