Tag Archives: Twitter

Re-opening Winery Tasting Rooms — What would bring me back?

For a follow up to tasting rooms reopening, see “How NOT to Respond to a Guest’s Concerns About COVID

Jason Haas of Tablas Creek recently posted a poll asking if people were ready to go back to tasting rooms. While the plurality was raring to go, the majority of respondents to his question were a bit more reserved.

A small sample size, but what’s notable is that Haas was polling highly engaged wine lovers–the kind of folks who would actively follow the personal Twitter account of a winery owner. So if over 60% of people who are probably pretty passionate and geeky about wine are still a little iffy about rushing out to tasting rooms, how do you think everyone else feels?

I know how I feel, and it’s not the best news for wineries.

Like the rest of Haas’ respondents, I’m certainly in the highly engaged and passionate wine lover category. I adore traveling with some of the hardest parts of this pandemic for me being the cancellations of wine trips and events that I had planned for the year. Yes, I fully realize that this is a position of immense privilege. I know that many others have suffered and lost so much more than just missing out on wine tastings.

But my point is is that I should be part of that group that can’t wait for tasting rooms to reopen. Yet looking at Haas’ question, my instinct was to click “Not for a while.”

Mask on a painting image from Mucsi Márton. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

Doesn’t this image just scream “Hey, let’s go visit some wineries!”?

My reasoning parallels my sentiments about shopping for wine. For me, wine is a source of joy and pleasure, so I want all my experiences with wine to reflect that. But while I love wine, I don’t need it.

Likewise, while I love visiting wineries and wine country, it’s never something that I absolutely need to do. Especially if the thought of doing so right now makes me wince.

Looking over all the different guidelines on opening tasting rooms from California, Oregon and Virginia is disheartening. There are so many hoops for wineries to jump through and, while they all have the best of intentions, none of them make me feel any better about visiting wineries.

Sure, these guidelines will undoubtedly keep the employees and me safe. I certainly appreciate that.

But they’re also going to add a lot more stress, rather than joy, to the experience.

Reading those guidelines, and even the well-meaning communications from wineries, has me picturing a tasting room visit going like this:

1.) Sitting in the parking lot waiting for my appointment because I’m always compulsively early.

But I can’t mill around the tasting room killing time like I usually do. And then being rushed at the end of the appointment to accommodate the much-needed sanitation and cleaning.

2.) Being greeted with smiling (?) tasting room staff in masks while also wearing my own mask.

Yes, I know it absolutely has to be this way for now, but that’s still such a glaring reminder that things are not normal. No matter how hard we try, it’s not easy to be happy and cheerful in a pandemic mask. You wear them out of solemn duty and necessity to protect yourself and others. And of all the mindsets to have when tasting wine and visiting wineries, solemn is certainly not at the top of anyone’s list.

3.) Receiving a laundry list of instructions–likely emailed before the tasting but also repeated in person as protocol–detailing precisely what we can and cannot do, where we can and cannot go.

Again, I understand why it has to be this way, but that doesn’t distract from the stress and fear of doing something wrong. Which is also not a stellar mindset to have when you’re supposed to be relaxing and doing something pleasurable.

4.) But, overall, having very limited interaction with the staff.

I know that this is for their safety as well as mine. But that interaction is so vital. It goes beyond just asking questions or getting tech notes on the wine. Tasting room staff are the face of a brand and reflects a winery’s personality and vibe. Wine is a social product–made and consumed by people. Losing that personal connection always diminishes the experience.

5.) Being acutely aware of the 6 ft+ spacing in all things–going to our tasting table, to the bathroom, to purchase bottles, etc.

This is a stress of everyday life now. While I have to tolerate it to get food essentials at the grocery store, going wine tasting is not essential. If it feels like a chore or ordeal, why do it?

That’s the ultimate question — if visiting tasting rooms feels more like an ordeal than a source of joy, why do it?

Pine Ridge Tasting Room sign

I do miss wine tastings terribly but…

Or at least, why go now? Why not wait until things eventually (hopefully?) settle with a vaccine and get back to at least semi-normalcy?

Of course, I want to support the wine industry–just like I want to support restaurants as well. I know that many small businesses are struggling and can’t wait for however many months it will take for things to actually settle. I get that.

I will still donate to relief charities, tip generously to delivery drivers and order wine and meals online. But I’m not going to spend my free time and money on joyless endeavors. And I seriously doubt that I’m alone in these sentiments.

Sure, there are going to be folks who are chomping at the bit to get back visiting wineries. But it remains to be seen how those folks feel after actually going through these “COVID experiences” and if they’ll return. They very well could end up joining the ranks of “Let’s wait and see” like the rest of us.

What can wineries do?

Robert Biale Black Chicken sign

Remember those carefree days when wayward black chickens were the worries of wine tastings?

I know this is an incredibly tough spot for wineries. There are no easy answers. But what I would recommend for wineries to keep in mind is that coaxing us back to the tasting room is going to take more than just reassurances about safety. That is undoubtedly important, but just as vital is the reassurance of joy–that this experience is going to be fun and not an ordeal.

While you won’t be able to recapture everything from what it was before, more than anything, an escape to wine country truly needs to feel like an escape. And, perhaps, with a little creativity, wineries may be able to come up with something even better.

Below are some things that would certainly make visiting a tasting room more appealing to me. I know that for many wineries, a lot of these ideas won’t be feasible. But, hopefully, they at least encourage some brainstorming.

And if you’re a winery already doing stuff like this, please let me know! Despite my reservations above, my heart still longs for a return to wine country. I’m also sure my readers would love to know what options they have.

My Ideal Covid Tasting Room Experience

1.) A waiting area that is not my car or out in the parking lot.

It could be a room with interesting art or things relating to the winery’s history. Even better is something outside, out in the vineyard. Just make it clearly designated and well known that here is where we are welcomed to wait (and relax!) till our appointment time. And speaking of vineyards…

2.) Patio tastings are nice, but more private tastings out in the vineyards are ideal.

It doesn’t necessarily have to be that fancy of a set-up. But for wineries with the space and means, I can definitely see many going down this path.

Just get me away from having to stress about the 6 feet thing with other guests and staff. Being greeted by one masked staff member who takes me to a set up in the vines would be much better. Out of sight, out of mind. Plus, it is even more of an enhanced experience that truly feels special and exciting.

I understand that these kinds of more intimate, isolated tastings will likely cost more. But if what’s promised is more compelling than the alternative, it’s worth paying.

3.) Give me some social interaction–even if it’s via an iPad.

This is going to be the most difficult because of safety concerns and regulations. But at least we have the tools to help soften the blow and sterility. As I’ve mentioned numerous times, everyone is getting more comfortable using digital platforms. Take advantage of that.

In my ideal covid tasting up in the vines, I see that masked staff member taking us to a set-up with pre-poured wines and an iPad. While enjoying the beauty, sights, sounds and smells all around us, we can tap on the iPad and be greeted by a truly smiling, unmasked face back in the tasting room. A real person, someone with a name and personality that we could interact with.

They could tell us a little about the wines and winery. Maybe even let us get up from our setting with the iPad and stroll along a delineated path in the vineyard as the staff guides us. Yeah, it’s basically a virtual wine tasting. But it’s going to be one of the least sucky virtual tastings ever because we’re actually out in the vines experiencing something genuinely unique and exciting.

That is something that stirs joy and gets the heart fluttering again at the thought of visiting tasting rooms.

That is worth putting on a mask and going to wine country.

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Wine Delivery & Shipping Costs — Is This a Battle that Wineries Can Win?

On Twitter, Jason Haas of Tablas Creek shared some of the struggles that wineries have battling consumers’ expectations for cheap or free shipping on wine deliveries.

He very justifiably blames Amazon for creating this quagmire. It’s a sentiment that I’m sure most e-commerce businesses would agree with. One recent study from the National Retail Federation found that 75% of respondents in the US expected free shipping–including 88% of Boomers.

And as retailers like Wine.com and Total Wine & More roll out their own free shipping programs, it won’t be only Amazon shaping wine consumers’ expectations.

As I noted in my retweet of Haas’ thread, this has me conflicted. I know that shipping wine is expensive and complicated. There are so many things that wineries and retailers have to consider which businesses shipping books and bed spreads don’t deal with.

But when I take off my “wine biz” glasses and look at how I act as a consumer, I know that I’ve been Amazon’d.

Shipping Cost screenshot

On second thought….maybe not.


I can’t count how many times I’ve been on a winery’s website picking out items only to go “Whoa” at checkout because of delivery. It’s not that I expect free delivery, but when I see a fee of more than $25-35 (roughly $2-3 a bottle) for a case, I start asking myself, do I really want this wine?

That should make wineries nervous. Because, usually, the answer is going to be “No. I don’t need this wine.”

Up until that point, I was fully onboard spending money and just rolling along with the sale. However, as soon as I was given a reason to pause and wonder if the wines are really worth it, the train derailed.

It’s not because I felt angry or offended that a winery was charging delivery fees–again, I completely understand the business behind it. But what wineries need to understand themselves, is that consumers have so many other choices–not just of different wines and wineries but also of other beverages.

There’s never a situation where we absolutely have to buy your wines. Our lives are not going to be incomplete and joyless without it. In that sense, buying wine (especially online) is always going to be a bit of an impulse purchase. A fleeting fancy carried by a moment of intrigue.

The last thing a winery wants to do is kill that momentum.

Now if I feel this way as a consumer who is reasonably knowledgeable and sympathetic about the tough market wineries face, think about the average consumer who doesn’t know the business. It becomes easy to see why they would expect free delivery or fees far less than the $25-35 that someone like me is comfortable with.

Likewise, it shouldn’t be a shock when e-commerce studies show that upwards of 50% of online baskets are abandoned on the delivery page. While I sincerely hope that cart abandonment numbers are better for wineries, I’m sure even a 30% rate of abandonment cuts deeply into a winery’s sales.

So how much should wineries subsidize shipping?

I don’t think there’s an easy answer to that question. Every winery is going to have its own numbers to crunch. But there’s always going to be a delta between what it costs to ship and how much consumers are willing to pay–and that gap is only going to get larger.

Therefore, I would encourage wineries to add a few more numbers to crunch.

1.) How much are you spending on new customer acquisitions?

So many of my abandoned carts were at wineries that I never tried before. I would come across an article or hear a recommendation that piqued my interest. I’d go check out the website, find other wines that intrigued me and start nibbling the hook. But the difference between reeling in a new customer or having the line break often comes down to how easy it is to get your wines. It doesn’t matter how good the wine is if crappy websites, poor user experience and, yes, delivery fees means that the consumer never tries it. It’s not only a lost sale but also a lost relationship.

Remember, there is always other wine and wineries out there casting their lines. Someone else is going to reel in that customer if you don’t.

2.) How much do you spend to break into a new market?

Many DtC sales are from consumers who can’t find your wine locally. If they’re not going to buy from you directly because of delivery fees, then how much do you need to invest in establishing a presence in their market? This is a big question for West Coast wineries who are looking at the East Coast–which is often the most expensive region to ship to.

Of course, thanks to the asinine three-tier system, even shipping into new markets usually requires licensing, fees and significant investment on top of shipping costs. More numbers to crunch.

3.) But even for the markets that you’re already in, what is the margin difference between a consumer buying 1-2 bottles of your wine retail versus 6-12 online?
Flat Rate screenshot

Oh I’m definitely going to spend way more than I intended here.

This is one part of the “Amazon Effect” that actually benefits wineries. We’re all really suckers when it comes to free shipping and will spend more to get it.

And I fully admit that I’m one of those suckers. If a website gives me a spending target to get free shipping, I’m usually going to exceed it. Even though I know it’s a placebo and I’m still indirectly paying for shipping, it feels easier to justify the money. Instead of paying an “extra fee”, I’m getting an extra product, so I’m happy.

With wine, a flat rate delivery-fee always encourages me to buy more because I figure if I’m in for a penny, I’m in for a pound. And, hey, if someone else is going to carry the heavy wine bottles to my door, then I might as well buy two cases instead of one!

But if I’m at a wine shop, I’m buying far less. Plus, I’m filling up my basket with other wineries’ wines as well–giving you even less of my wallet.

So can wineries win the delivery cost battle?

In short, no. Consumer expectations for free and cheap delivery are only going to continue to grow stronger. Yes, it’s easy to blame Amazon. But, ultimately, it’s always going to be consumers writing the rules with their wallets.

And while your tactics might need to change, the battle for consumers’ wallets can certainly still be won.

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In Defense of Jargon

If you’ve been floating around the Wine Twittersphere anytime the last few weeks, I’m sure you saw The Tweet.

Taxi Photo by Cristian Lorini. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Like a Chia Pet doused in Miracle-Gro, the brew-ha over wine lists, anti-intellectualism, gatekeeping and winesplaining kept sprouting into sub-threads and subtweets.

A few readers asked for my take on the ordeal but I was too busy studying for upcoming exams to give it much thought.

Besides, the many different angles of this Twitter-controversy were more than covered by Robert Joseph, Esther Mobley, and W. Blake Gray‘s excellent summaries. I’ve never been a fan of regurgitating “hot takes” that’s already been aptly taken by folks more talented than me.

So I wasn’t going to write anything unless I could move the conversation forward, or maybe in a slightly different direction.

Then a recent cab ride took me by surprise.

Asking to go to St. Pancras for my train home, my cabbie responded by offering his congrats. In a split-second of paranoia, I wondered if he somehow worked part-time on the WSET Awards Panel, but no.

Instead, he was impressed that, despite my very clear American accent, I didn’t ask to go to St. Pancreas–a daily occurrence for him. (Though, apparently, this is not a mistake made by only Americans.)

The linguistic compliment was out of the blue because, usually, I am that American who horrendously mispronounces everything.
Gravois Park sign by Paul Sableman. Uploaded to Wikimedia Commons under CC-BY-2.0

Ah, GRAV-oize Park–or GRAV-oy if you’re fancy.
Definitely not how the French (or most anyone else) would say it.

Growing up in Missouri, my tongue was certainly not taught the Queen’s English. It took many years of living in other areas, such as Washington State and Paris, to learn to stop “warshing the dishes” or that places like Creve Coeur and Carondelet are not pronounced as Creeve Core and Cah-ron-duh-let.

Lord knows that I’ve baffled more than a few London cabbies asking to go to the WSET School on Beer-mond-see. But eventually, I started getting the hang of Bermondsey (Berm-zee) and those interactions got easier.

Beyond pronunciations, I also got used to standing in a queue, instead of a line, and asking where the toilets are instead of the restroom, ladies’ room or bathroom. I learned that an entrée is only a bite or two, not the main course as it is in the US.

When someone in Europe tells me something is on the second floor, I know that’s a bloody lie because it’s actually on the third floor. But if I need help with my bags, I should use the lift instead of the elevator. While seeing dates like February 1st written as 1-2-2020 will still have me backtracking to January, I’m slowly starting to adopt those habits too.

All of these things are the “jargon” of everyday life.

And while it is embarrassing, intimidating and even shame-inducing to make mistakes, those moments are fleeting. Just because I’m not familiar with Britishisms and European quirks of language, doesn’t mean that they’re wrong.

The important thing is whether or not the interaction produced results. Did I get my cab to Bermondsey? Was I directed to the bathroom? Do I have the right ticket for next Saturday’s train ride or do I need a time machine back to January 2nd?

Now, yes, a dickish cabbie, waiter or ticket attendant could amplify the shame, panning my ignorance of the local jargon and customs. But they’re probably going to be a dick anyways even if I had perfect pronunciations and total acclimation. That’s just how some people are.

It’s not the jargon or customs that are wrong. Sometimes an asshole is just an asshole.

And sometimes a crappy wine list is just a crappy wine list.

Wine List pic by Iwona Erskine-Kellie. Uploaded to Wikimedia Commons under CC-BY-2.0

Bold typeface is your friend.

Going back to the Helen Rosner tweet, many people noted that simple design fixes like bolding keywords and a better layout would have helped.

Folks like Robert Joseph brought up that the thread was a good reminder that we shouldn’t forget what the purpose of a wine list is.

Ultimately, it’s to sell wine. It’s a tool to communicate.

So is jargon.

Like any tool, it can be used poorly or effectively.

On the sales floor, I actively listened for jargon from my customers. Because it clued me in on what level of familiarity they might already have with wine. This better focused my questions and gave me a good idea of how I should proceed.

In this way, jargon is like shorthand or a schema.

Someone coming in and telling me that they don’t like “bretty wines” gives me a completely different starting point than someone telling me that they don’t like wines that “smell weird.” Or they use terms like acidic and sour compared to bright, fresh or “crunchy.” (That last one provoked another interesting Twitter thread which eventually won me over to the value of “crunchy wines.”)

It’s the same thing when people tell me that they love “Burgs.” Their shorthand familiarity lets me know that I probably don’t need to insult their intelligence by making sure they know that Pinot noir and Chardonnay are the grapes of Burgundy.

However, if someone says they’re a Chard fan, I may still need to feel around more to see where they’re coming from. Here too, peppering my words with a measured amount of jargon (minerally, malo, oaky) could help in seeing how they respond.

But the onus on me, as the salesperson, is ultimately to understand and communicate with my customer. Especially if I want to actually make a sale. Just as it doesn’t help the London cabbie wanting the fare to get dickish or “play dumb” over St. Pancreas or Beer-mond-see, there’s no value in a sommelier or wine steward belittling a customer who isn’t familiar with our language and customs.

Yes, wine is complicated.

Crunchy Australian red

If you want the perfect example of a “crunchy wine” seek this out. A crazy delicious Pinot noir, Pinot Meunier and Pinot gris (yes, really!) blend from the Adelaide Hills.

Yes, it’s littered with neologisms and strange parlances that make normal folks want to flee. There’s always going to be a cottage industry trying to make wine simple and accessible to those normal people.

We should be mindful of the language we use and whether or not we’re communicating effectively. But that doesn’t mean we have to ditch the jargon completely to be able to talk to less wine-savvy folks. Likewise, Europeans don’t need to “Americanize” the pronunciations of places or change their terminology to accommodate tourists and transplants.

Instead, we should be like cabbies–trying to understand just enough so we can get our consumers to their wine destinations. Eventually, if they keep coming back, they may pick up a bit of our jargon–making future interactions easier.

And who knows? Maybe someday they’ll even enjoy a Burg on Bermondsey.

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Dry January Can Go To Hell

Oh, it’s that time of year again.

Man with megaphone image by Peter Milne, Motion Picture Directing; The Facts and Theories of the Newest Art, Falk Publishing Co., New York, 1922, on the Internet Archive. Updated to Wikimedia commons under the Public Domain

Social media feeds are about to get flooded with #NewYearNewYou hashtags and selfies of self-determination. For those who frequently comment about wine and other beverage issues, the algorithm gods have a special treat in store for us.

The #DryJanuary fad.

Yay!

It’s not that I’m against the idea of drinking less.

Anyone that regularly reads this blog knows that I firmly support moderation and meaningful consumption. I’m also a staunch supporter of innovations in the wine industry that encourages moderation like small-format bottles and box wines. Heck, I even gave non-alcoholic wines a serious look.

But what I can’t get behind is sanctimonious virtue-signaling–especially for something that the science is far from conclusive about.

Yes, reducing overall alcohol intake is a good thing. But that is only good if it is sustained and habitual–not if it’s a temporary “binge” of abstinence. Just as detox diets don’t work, the idea of giving up alcohol for a month to “give your liver a rest” is similarly fraught with issues.

As Dr. Michael Apstein, a professor at Harvard Medical School and gastroenterologist, notes, “…there’s no science to support this practice, nor does it make sense physiologically.”

Bingeing during the holidays and then giving your liver “a rest” for January before bingeing again come February is like trying to catch up on sleep. It just doesn’t work. Overcompensating with sleep on Saturday and Sunday isn’t going to change the effects of your Monday-Friday sleeping habits.

Now I don’t think that everyone who scales back in January is a sanctimonious virtue-signaller.

Nor do I doubt the sincerity and good intent of folk who want to make more mindful choices in their lives.  However, these usually aren’t the people plastering their IG with #DryJanuary selfies.

The problem I have is that making “Binge Sobriety” a hashtag fad distracts from the seriousness of actual alcoholism.  To make matters worse, it’s often counterproductive. As Dr. Niall Campbell of Priory Hospital in London notes, many of the folks who feel compelled to try Dry January because of problematic drinking are setting themselves up for failure.

I know compulsive drinkers who have stopped for several Januarys in years gone by, but just counted the days until February…

They think ‘because I have stopped, I can stop anytime’. It’s rarely the case. — Dr. Niall Campbell, January 4th, 2019.

This sentiment is echoed by K.C. Clements in his very personal narrative about dealing with his own issues with alcohol, “I’m Skipping Dry January This Year— Here’s Why.”

He tried binge sobriety for many years. While he got some short term benefits, Dry January ultimately “provided just enough proof that I could continue on with my life unchanged, trapped in the delusion that I could quit drinking any time I wanted.

People who need help with alcohol addiction are not going to get it from a hashtag.

Photo by Susanne Nilsson. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

The road to hell is paved with #GoodIntentions.

The flexing and selfies of strangers on the internet are never going to replace genuine support from family, friends and trained health professionals.

But what about the rest of us?

On the website of the UK group Alcohol Change, which actively promotes Dry January, they describe their “fun challenge” as a way for folks to “reset their relationship” with booze.

However, for many people, binge sobriety doesn’t even pause–much less reset–that relationship. To truly “reset” anything, you can’t avoid the item in question. You have to reframe your thinking about it.

If alcohol is just a means to get drunk–a buzz, a “social lubricant”–then your relationship is always going to be a challenging one. It’s like if you value your partner only because he’s “so good-looking” or she’s “great in bed” and never move beyond those superficial reasons.

If you think that the sum total and benefit of a glass of wine, a bottle of beer, a shot of whiskey or a cocktail is just as an alcohol-delivery vehicle then, yeah, that’s not healthy. It will always be difficult for folks with that mindset to follow guidelines of moderate consumption–up to 1 drink per day for women and 2 for men.

But moderation is much easier when you practice mindful consumption.

This is the same tact that nutrition and wellness experts recommend we take with our food. Don’t just mindlessly gulp down your drink. Slow down. Take time to engage your senses.

Bevan at a Brazilian steak house

Another tactic of moderation and mindful consumption is to limit your alcohol intake to mealtime.

With alcohol, it’s especially important to think about what you’re drinking.

Who made it?
Where did it come?
What makes this drink different from anything else I could have ordered?

Frequent readers of the blog know that there is a story behind every bottle. However, the reality is that the story for some bottles is simply that they exist.

That mass-marketed Sauvignon blanc produced in an anonymous factory and shipped by the tanker? That patio-pounder Prosecco that always tastes the same every time you get it? Yeah, I’ll admit that their stories are pretty lame.

But these are essentially the fast-food versions of wine and it’s pretty hard to mindfully consume stuff like that. This is why mass-produced and anonymous wines should frankly be avoided.

That’s hard, no doubt. It’s so easy to order the house red or pick up that recognizable bottle that you see everywhere. Instead, you have to ask questions.

You have to actively seek out the bottles that have genuine stories behind them driven by real people. At its core, wine is an agricultural product. It’s made by folks who shepherded it along from grapes to glass. Find wines that talk about those people.

Instead of Dry January, think about #TryJanuary.

I have to give credit to one of my #UKWineHour friends, James Hubbard, for bringing this idea to my attention.

His comment came up during an interesting thread that pointed out how independent wine shops and restaurants often bear the brunt of Dry January. The big grocery store chains and mega-corps behind mass-produced brands can weather a month of binge sobriety till February. However, small local businesses–the ones that employ your neighbors and support the community–keenly feel the pain of four weeks of lost sales.

Hubbard’s advice to spend January trying new things works hand in hand with becoming a moderate, more mindful drinker.

Break out of your rut. Try something different. Visit your local shop or wine bar and talk to the people there about wine. Ask about its story.

No one is saying that you have to become a wine connoisseur, obsessing over terroir and coming up with long, flowery tasting notes. You don’t have to do any of that.

But if you truly want to “reset your relationship” with alcohol, paying attention to what you’re drinking is going to do far more for you than a month of “Binge Sobriety.”

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What makes a winery Twitter account worth following?

The website Glass of Bubbly regularly publishes a list of their Top 200 Social Media Influencers in sparkling wine. Now while most people think of “influencers” as Instagramers and wine writers (none of which are The Real Influencers of the Wine World), the Glass of Bubbly list is made up almost entirely of winery brands.

Photo by 472301 from https://pixabay.com/illustrations/social-networking-marketing-business-2187996/. Uploaded to Wikimedia Commons under CC-Zero

I’ll admit that I don’t quite get the methods or metrics that Glass of Bubbly uses to compile their rankings. But as a regular Twitter user, I’m always game to finding new accounts worth following. So I went through and looked at all 200 accounts on this list.

I found that, much like winery Instagram feeds, a lot of them suck.

Now I did find a few worth following (which I’ll tag throughout this piece), but the most common theme of many of these accounts is that they were boring as hell. Instead of engaging and unique content, most winery Twitter accounts fall back on trite bottle shots and canned ad verbiage–if the account is being updated at all.

Unfortunately, many brands (like Jacob’s Creek) have not had a new post in months or even years. This is a darn shame because Jacob’s Creek Twitter actually had a lot of interesting posts that would make me want to follow them.

And there we get to the crux of it all. To make an account worth following, it has to be interesting.

It has to have content that you don’t find easily from other sources. It has to give you a reason to stop scrolling for a moment and pay attention. You’ll never “influence” someone if you don’t interest them first.

For most people, social media is an escape. So the question that every winery should ask themselves about their Twitter is,

“Is this a feed that someone would want to escape to?”
Sumaridge Twitter screenshot

I wasn’t planning on linking to any of the negative examples, but this Twitter feed baffles me to no end.

If you’re running your Twitter feed like a neverending ad or parade of bottle porn, then the answer is a resounding “No.”

More so than in any other type of marketing, wineries need to think like consumers when it comes to their social media.

Think about what you like seeing and reading about when you’re looking for a distraction from the day.

Think about what makes you stop scrolling.

Is it an endless stream of hashtags and emojis? Probably not.

Nothing but links to your IG or FB page? Erm.

And why on earth would any consumer care about an automated bot-message noting the number of people who followed & unfollowed you?

Plus, if I live several hundred miles away and can only buy your wine online, knowing what your holiday tasting bar hours are is not going to be a compelling reason to follow you.

But you know what is a compelling reason?

Monsoon Valley (@MonsoonValleyUK) sharing Thai dining customs and the unique sights of their homeland.

Parés Baltà (@paresbalta) posting a surprise they discovered while pruning, which highlights the biodiversity in their vineyards.

Rives-Blanques (@RivesBlanques) in Limoux, France pulling out an eye-catching quote from Jancis Robinson that “white wine can look even more alluring in a decanter than red.”

Raventós i Blanc (@RaventosiBlanc) in Spain sharing BABY SHEEP! First rule of winery Twitter–If you can post videos of baby animals, always post videos of baby animals. Guaranteed scroll stopper. Though do sheep always growl like that?

Dante Gabriel Rossetti - Hanging the Mistletoe from The Bridgeman Art Library, Object 87464. Uploaded to Wikimedia Commons under CC-PD-Mark

Dear, let’s kiss underneath the “poop on a stick.”

Dunleavy Vineyards (@DYvineyards) in Bristol & Somerset sharing an Italian greyhound puppy so small that they needed to use a pen for scale.

Ambriel Sparkling (@Ambriel_UK) of West Sussex shattering all my romantic notions about mistletoe with a tweet that sent me down the Google rabbit hole looking up the origins of the word “mistletoe.”

Carolyn Martin (@creationwines) of Creation Wines in South Africa tweeting (and sharing retweets) about what makes Overberg unique and worth visiting.

Show us the people and personalities behind your brand.

Wine is an agricultural product with dozens of distinct hands having a role in shepherding it from grape to bottle. Show us those hands and the heart of the people behind them because that is what truly makes your wine special.

Like Curtis Fielding of @FieldingWinery, who is apparently a big Toronto Maple Leafs fan and is fond of retweeting National Lampon Christmas Vacation clips. While I love geeking out about terroir, stuff like this is the cherry of the terroir sundae that people can relate to much more than soils and climate.

Biddenden Vineyards (@BiddendenVine) in Kent going back into the family archives to post old newspaper clippings from 1985 that shows that English sparkling wine isn’t that recent of a phenomenon.

Lakeview Wine Co. (@LakeviewWineCo) in Niagara-on-the-Lake, Ontario spreading some holiday cheer with their staff’s toy drive.

Featherstone Winery (@featherstonewne) in Vineland, Ontario celebrating the last pressing of the harvest.

The human touch and face
Screenshot from Waterford Twitter

When scrolling through a social media feed, our eyes are drawn to faces of people. Not only does it make us more likely to stop scrolling and pay attention to who is posting it, but we’re also more likely to respond to what we see thanks to the “Jennifer Aniston cells” in our brain.

Babylonstoren (@babylonstoren) in the Drakenstein Valley of South Africa paying tribute to their “pruning maestro” on his 80th birthday. In my article How Can Wineries Use Instagram Better?, I raved about a similar post from the Washington winery Côte Bonneville.

Waterford Estate (@waterfordestate) in Stellenbosch, South Africa highlighting the next generation taking a family trip to Table Mountain.

Reif Estate Winery (@Reifwinery) in Niagara-on-the-Lake, Ontario making excellent use of the #ThrowbackThursday hashtag. This is something that every winery should do. Share that nostalgia. Share the bad hairdos, shoulder pads, handlebar mustaches and bellbottoms. Those things resonate because we all have our own nostalgia and “Oh my god, did we really look like that?” pictures.

Show us the people and personality of your brand. That is why we follow your feeds.

Treat Self Promotion like Salt

By all means, post that great review or article mention. But make sure you’re sprinkling it in between other worthwhile and engaging content. Otherwise, we’re back to the same boring old ads. And, again as a consumer, why should I spend my time looking at your ads? If you want consumers to commit to following your Twitter account (and eventually seeing some of those ads), you have to make it worth their while.

A few wineries that do this well include:

Bob Lindo (@camelvalleybob) of Camel Valley sharing what makes English sparkling wine worth discovering with a well-produced Vimeo interview with BBC’s Saturday Kitchen.

Rathfinny Estate (@RathfinnyEstate) throwing out a bit of geeky wine history about Roman viticulture while encouraging folks to visit them in Sussex.

screenshot of Torres Twitter

Geeky and sentimental.

Familia Torres Wines (@TorresWines) has an outstanding winery blog so their posts highlighting their efforts to revive ancient varieties in their vineyards definitely stands out from the pack.

Dr. Loosen Wines (@drloosenwines) in Germany is headed by the legendary Ernst Loosen. Their social media team does a great job of highlighting articles and short videos featuring Loosen.

Newsflash: Wine drinkers who follow wineries on Twitter might actually like reading about other wines.

Know your audience. Not everyone is going to bother looking up the Twitter handle of a winery to specifically follow them. A lot of times, wineries are getting follows because Twitter’s algorithm is recommending their accounts to folks based on similar interests–such as WINE!

So make use of the retweet feature and tweet out interesting wine articles that capture your attention. This adds value to your feed. It can also help increase engagement, making your Twitter posts more likely to show up in other folks’ feeds.

A great example is L’Acadie Vineyards (@lacadiewine) in Nova Scotia who commented on Alice Feiring’s recent piece in The New York Times pondering if the Natural Wine Movement is dead.

Denbies Wine Estate (@denbiesvineyard) in Surrey, UK got a mention in this article about interesting dessert wines from around the world. But they didn’t make the tweet promotional and all about them. Remember, you want your social media feed to feel more like an escape for wine lovers than an endless ad. Well played, Denbies.

Even Bottle Porn can feel less “porn-ish” with meaningful content behind it.

screenshot JC Le Roux Twitter

Why hire models to pose with bottles when you could retweet photos of real live consumers *actually enjoying* your wine?

Villiera Wines (@villiera) in Stellenbosch, South Africa does this nicely with explaining the history of the wine as well as the meaning behind the color choices on their label. WAY less boring than another beautiful shot of bottles held by beautiful people in beautiful locations.

JC Le Roux (@JCLeRoux) in Stellenbosch, South Africa let their consumers supply the bottle shots with very effective use of their #JustCelebrate 🥂 hashtag. This is a terrific example of engagement and what I was desperately seeking from wineries in my post One Night Stands and Surprises. Bravo JC Le Roux!

Who else I followed from the Glass of Bubbly list

As I went through all 200 accounts, I focused on the most recent December tweets (if there were any). If I saw at least 2 to 3 posts of engaging content, I followed them.

Flat Rock Cellars (@Winemakersboots) in Ontario, Canada.

Klein Constantia (@KleinConstantia) in Capetown, South Africa.

Henry of Pelham (@HenryofPelham) in St. Catharines, Ontario. Admittedly more “bottle porn-ish” than I typically follow, but their Anchorman-inspired caption on their ice wine grapes made me smile and earned their inclusion here.

Prosecco Superiore (@ProseccoCV). One of the few non-brands on the Glass of Bubbly list.

Fox & Fox (@sussexvineyards) of Sussex, England.

screenshot from Spier Twitter Feed

Apparently the Spier Light Art Festival is quite a thing to experience in Stellenbosch.

Spier Wine Farm (@SpierWineFarm) in Stellenbosch, South Africa.

Katnook (@Katnook) in Coonawarra, South Australia.

Ridgeview Wine (@RidgeviewWineUK) in Sussex, England.

Bench 1775 Winery (@bench1775) in Penticton, British Columbia. Another Twitter that is a little heavy on the bottle porn but won me over with posts about the ice wine harvest. Truly a labor of love to go out in sub-zero temperatures at night to hand-harvest grapes.

Ravine Vineyard (@RavineVineyard) in St. Davids, Ontario.

Red Squirrel Wine (@RedSquirrelWine) in London, UK.

Hattingley Valley (@hattingleywines) in Hampshire, UK.

Breathless Wines (@BreathlessWines) in Sonoma, California.

Vasse Felix (@vassefelix) in Margaret River, Western Australia.

Balfour – Hush Heath Estate (@HushHeath) in Kent, UK.

Godstone Vineyards (@godstonevines) in Surrey, UK. If you’re a fan of Downton Abbey and the Christmas time classic Love Actually, you’ll be right at home following this winery.

Schramsberg (@Schramsberg) in Napa Valley, California.

Coates & Seely (@coatesandseely) in Hampshire, UK. I’ve realized in compiling this list that a lot of UK wine producers have a very solid winery Twitter game going on.

So check out these accounts and let me know what you think!

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375ml Bottles — A halfway good idea?

Before we hit the bottle, let’s talk about cans.

Photo by KlausFoehl. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

I’ve been a canned wine skeptic for a while. But my skepticism has faded quite a bit in the almost three years since I wrote that post.

One reason for that is the data showing that consumers are adopting canned wines to the tune of $45 million in sales (June 2017-June 2018). That quickly jumped to $69 million by the end of 2018 with more than 739,000 cases of canned wines sold in the US.

But the biggest eye-opener for me was when I started noticing my elderly (70 year-plus) consumers buying canned wines.

Wait…what?

House wine pride can

My favorite was the lady who bought a bunch of these cans for her after church treat because the colors just made her feel cheerful.

All the hype and marketing reports attribute the canned wine boom to Millennials. It’s fun! It’s convenient! You can take cans backpacking and to concert festivals! This is the feedback that we’re getting from the focus groups.

Now, I sold a lot of canned wines to Millenials back in my retail days. No doubt. There is smoke to that fire.

But seeing my elderly customers adopting canned wines caught me off-guard. This is a demographic that is notoriously reluctant to embrace novelty and change.

So I did what anyone should do when you have real live customers standing in front of you on the sales floor.

I talked to them.

And I found out that their reasons for buying canned wine were pretty darn practical.

Some of my customers were buying them because cans were easier for them to open with a beer key than cork or screwtop. Another customer who regularly bought boxed wines told me that the 3 and 5L boxes were getting a little heavy for her to take up the stairs into her house. So she keeps a cooler in her car now with a few cans of wine and carries them up in her purse a couple at a time.

But the most common refrain when I asked these consumers why they were buying cans was that they simply liked the portion size and not worrying about waste. They found the standard 375ml to be perfect for a couple of glasses. One gentleman described it as his lunch-dinner combo. He’d open a can at lunch for a glass and then finish it off with his supper.

No waste. No worries about leftovers that might not taste as good the next day. And he doesn’t have to listen to his wife yelling at him for getting snockered.

Hearing these real-world perspectives made me realize that underneath all the smoke and hype about canned wines were some serious embers burning. Yeah, novelty and fun can get a fad flowing, but what makes something become a category are these practical considerations that criss-cross demographics.

That’s what wineries need to pay attention to.

The practical considerations that drive sales trends.

Photo from

Will 2020 herald the new Roaring 20s?

While I’m not really convinced that we’re seeing the dawn of Neo-Prohibition in the US, I do fully buy-in that we’re in the midst of a “moderation movement.”

People are drinking less (but hopefully better) and they are paying attention to calories and serving sizes. Again, this is a movement that is being mostly attributed to Millennials and Generation Z, but it stretches across generations. Boomers are starting to drink less and Weight Watchers has always been recommending that the calorie conscious limit themselves to a 125ml (4.2 oz) serving size.

These are strong headwinds of influence that the wine industry is going to have to consider. The days of a couple (or an individual) regularly dusting off a full 750ml bottle in one setting are waning. We can’t bank on consumption levels staying the same.

Nor do I think we should put our faith in the Coravin saving the day.

Don’t get me wrong. I love my Coravin. It’s been an invaluable study tool when I need to open up multiple bottles of wine for tasting. Whenever Amazon has a Prime Day sale on it, I enthusiastically endorse folks checking it out.

Author using her Coravin

Again, the Coravin is excellent for blind tastings but not for the Wednesday night pizza wine.

But it’s a $200+ investment with replacement capsules costing around $20 for a 2-pack. It’s not something that I’m going to use for my everyday drinking wine. Truthfully, outside of wine studies, I rarely use it on a wine less than $50. The capsule cost and wear & tear just aren’t worth it for me.

And the Vacu-Vin sucks ass. I’m sorry. I’m not going to waste my money on a placebo-product.

The bottom line though is that wineries really shouldn’t be banking their future on the solutions of other people’s products. They need to guide their own destiny and, to borrow my favorite phrase from Emetry’s Paul Mabray, “future-proof” their business.

So how do they answer the concerns of the moderation movement, serving-size and waste issues? Portion-controlled cans and boxed wines are one answer.

But let’s be serious.

Do you really see Lynch-Bages in a can?

Or how about a nice Napa Cab? A Washington Syrah? A Mosel Riesling?

Most likely not. For a lot of wineries, the canned and box wine options aren’t going to fit with their branding. But 375ml half-bottles do.

There’s just that pesky problem of production costs. I asked about this on Twitter a few days ago where several winery folks laid out the hard truth. Bottling 375ml doesn’t follow the same logistics as bottling 750mls with wineries not only needing different glassware but also different sized labels, capsules and case packaging.

Jason Haas of Tablas Creek was especially forthcoming.

In a Tablas Creek Vineyard Blog piece, Haas shared more details about the difficulties in selling half-bottles. Even though it cost 2/3 that of producing a 750ml, not many consumers are willing to pay 2/3 the price. The mental math and perception issues make it tough.

Back in my retail days, I saw a similar situation with magnums. Many would see a 1.5L magnum and expect it to be no more than double the price of the regular 750ml–or even cheaper because of a “bulk discount.” Eventually, more educated consumers would grasp that there is some premium for the bottling costs and storage potential.

That may be the case with 375ml–especially if the retail price of the wine can stay closer to 55-60% of the 750ml price. But I don’t doubt that will involve subsidizing some of the production cost–at least until supplies and logistics become favorable.

Nor do I doubt Haas’ other point about the dwindling demand (and production) that Tablas Creek sees in their half-bottle program.

At our apex in the late 2000’s we were bottling 450 cases each of our Esprit and Esprit Blanc in half-bottles. By the early 2010’s we were down to 250 cases of each. Then 200, then 150. Last year we bottled just 125 cases of each. This year, it will be only 75. — Jason Haas, “Is there a future for half-bottles?” June 3rd, 2019

Being ahead of the headwinds.

It doesn’t shock me that a winery as innovative and savvy as Tablas Creek is 15 years ahead of the curve. I give massive credit to Haas for picking up critical insights in the early 2000s from the sommeliers at his restaurant accounts about their use of half-bottles.

I know for myself, some of the most gang-buster experiences I’ve ever had playing the Somm Game (where I essentially give a somm my budget and let them pick out anything) have been at programs that made liberal use of their half-bottle selection.

But being ahead of the curve means that the timing isn’t always there to hit a home run.

That is always going to be the scourage of innovation. Sometimes the best ideas for the future are ones that haven’t worked out the best in the past. Back in April, I posed this question to wine writer and producer Robert Joseph when he was featured on Sorcha Holloway’s #UKWineHour Twitter chat.

It’s well worth reading Joseph’s answer on Twitter. As the 2019 winner of the Born Digital Wine Awards for innovation in the wine industry, he does give a lot of food for thought.

We didn’t talk about 375ml half-bottles and packaging in that thread. However, I think this is a vitally important conversation for the industry to start having now.

The “Canned Wine Boom” is a wake-up call for wineries.

But don’t let the ringtone of Millennials! Novelty! Fun! distract you from picking up the phone and listening to the voice on the other end of the line.

The moderation movement is real.

Calorie counting and serving-size awareness are real.

Waste considerations are real.

That is why wineries investing in 375ml bottles is absolutely more than a halfway good idea.

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Geek Notes — Twitter Wine Chats To Follow

Yeah, I know. Twitter can be a bunch of noise and nonsense. But like with every social media platform, it’s only as useful or useless as you make it. One way to steer Twitter towards the former is by checking out the wine-themed Twitter chats that happen every week. These chats offer an excellent opportunity to learn more about wine and to connect with other passionate wine geeks.

Photo By Jamie from Birmingham, AL, USA - DSC_6519, CC BY 2.0,

That latter point is key because the more good wine accounts you follow–and engage with–the less drudge and drivel you’ll find in your feed. I don’t fully understand all the wonkery behind Twitter’s algorithms that decide what you see and when you see it. But I can vouch that my feed got populated with a lot more quality wine content as soon as I started participating in more Twitter wine chats.

What the heck is a Twitter wine chat?

Twitter chats are virtual meet-and-greets centered around a common theme. They are usually hosted by a blogger or someone in the industry who moderates the discussion and may feature a special guest. While they can feel like a free-for-all, there are some etiquette rules and coordination (which I’ll discuss below) that adds structure.

But the biggest thing to remember is that they are open for everyone to participate. You don’t have to be a blogger or someone in the wine industry to share your thoughts or follow the conversation. In fact, these chats are often greatly enriched by the presence of non-industry folks because it helps break the bubble that the wine world is prone to inducing.

Somm Chat page

Many chats have a primary Twitter account (such as this one for #SommChat) where you can see when the next chat is and who the featured guest will be.

What’s in it for me?

For the regular wine lover, there are several benefits of participating in Twitter wine chats. As we already noted, a significant one is finding more great wine accounts to interact with. But others include:

1.) An escape from the real world to get your geek on for at least an hour.

Cause that’s what social media is all about–an escape. Rather than keep scrolling, hitting like and moving on, you can actually have some real wine convos with other like-minded folks. Often these chats are fun, even silly, little breaks from everyday life.

2.) Learning about new wines and recommendations.

Though I will add one huge caveat here as many wine chats are sponsored by wineries or regional associations. For the most part, blogger participants are upfront in noting that the wines they’re talking about have been sent to them as samples or that a post they’re linking to was paid for. But sometimes that can get hazy.

Keep an open mind but be aware that just like with everything on the internet, there are often other angles at play. That said, there are a lot of independent commentaries in these chats. I’ve seen many bloggers give very blunt and truthful assessments of sample wines. But I’m not going to lie. There can be a little dog & pony show fluffery in some of these sponsored chats. However, I wouldn’t be personally following or interested in any of the ones I listed below if there wasn’t enough substance to keep me satiated.

What’s in it for wine students?

Wine students absolutely need to have a global perspective on what is happening in the wine world. This makes participating in wine chats with users across the globe a sorely-needed benefit. For myself, as an American now living abroad, every week that I check out the #UKWineHour, I’m always startled at how different the UK wine scene is compared to the US. From pricing/discounting to marketing approaches, it’s like a whole other world.

Suddenly it made sense why I struggled my first-go-around with the WSET Diploma unit on the Global Business of Wine. My American-centrism was a huge blind spot for me. Apart from actually going to London, participating in the #UKWineHour chat has been one of the best answers to that blind spot.

Even outside of the chat times, the #ukwinehour hashtag is well worth following.

Chat Etiquette and Tips

Most chats will kick off with some housekeeping rules about how the topic of the day is going to be discussed. Often these involve the host asking questions which are usually numbered (Q1, Q2, etc.) with chat followers responding by labeling their answers in a similar fashion (A1 to respond to Q1, A2 for Q2 and so forth).

The key is always to include the hashtag. What I try to do is keep my cursor highlighted on the chat’s page so that I can copy & paste it first into the response box with a couple of clicks. This is important because the hashtag is the lifeblood of the chat and what tethers everything together.

Pink society page

My low-tech solution for remembering to include the hashtag. Just keep a page open with the tag highlighted.

Without it, you’re mainly talking into the void and will be mostly baffling the folks who follow your regular feed. It’s also a courtesy for your followers who may want to mute the hashtag for a short time because, honestly, feeds can get pretty spammy during chat hours.

My secret? Multiple tabs

I’m sure there are more tech-savvy ways to juggle Twitter wine chats, but I take the simple three tab approach.

1.) One tab opened with the #hashtag set on the latest tweets.
2.) One tab on my notifications so I can respond to things personally directed at me.
3.) One tab on my regular Twitter feed where I can type out a message that isn’t a direct response to someone.

Three tab system

My three tab system. Probably not the most elegant solution but, eh, it works.

This works well for me, but anyone that has their own system is welcomed to share their secrets in the comments.

A couple more tips.

Don’t feel like you have to respond to everything or answer every question. However, if someone does tag or responds to you directly, it is polite to at least acknowledge them with a like. But you can do this after the chat is over by going back through your notifications.

Try to keep your conversations under the chat hashtag on topic. This is where chats can quickly go array. If a great side conversation emerges between you and other users, just drop the hashtag from your replies.

Be considerate of mobile users, especially when replying with gifs and videos. This can make participating in chats brutal when you don’t have the best internet connection. There have been some chats when the gif spam is flying and I just have to check out.

Twitter Wine Chats

The chats below are ones that either I personally participate in or am interested in following because wine folks who I respect have recommended them. Part of the reason why this post exists is to be my own personal cheat sheet of when these chats happen and the relevant hashtags.

I have them ordered based on days on the week they usually happen on–starting with Monday. Times listed will be in PST (West Coast US), EST (East Coast US), BST/GMT (British Standard Time) and CET (Central European Time–where I am).

#WiningHourChat

Weekly chat hosted by three bloggers, Li, Cara & Maggie, who also run the @WiningHourChat account. This is one that I haven’t personally followed or observe much as the time makes it pretty impossible for those of us in Europe to participate in. They cover various topics and will sometimes have featured guests.

Time: 6 pm PST, 9 pm EST, 2 am BST, 3 am CET most Tuesdays.

#winestudio

Moderated by wine educator Tina Morey (@winestudioTINA) this chat has been on hiatus for a while, but it is slated to start back up on June 4th. It usually takes place on Tuesday with a weekly topic.

Time: 6 pm PST, 9 pm EST, 2 am BST, 3 am CET most Tuesdays.

#SommChat

A weekly chat moderated by the Keeper Collection in Texas (@keepercoll) under the @sommchat account. This is definitely geared more towards sommeliers and other industry folks with featured guests and a geekier bent than a lot of other chats.

Time: 9 am PST, Noon EST, 5 pm BST, 6 pm CET most Wednesdays.

#UKwinehour

Moderated by Sorcha Holloway who also runs the @ukwinehour account. This is a weekly chat with a mix of featured guests and discussions on a topic of the week.

Time: 11 am PST, 2 pm EST, 7 pm BST, 8 PM CET most Thursdays except during parts of August and Christmas.

#PinkSociety

Founded by Dave Razzari (@_drazzari) and moderated by the #PinkSociety Twitter handle (@thepinksociety_) with Lin (@boozychef) and Joe Florez (@jflorez), this is more of a social chat. It’s kind of like a drinking party on Twitter that everyone is invited to. Can be a great source for wine humor and fun accounts to follow. Often sponsored by wineries.

Time: 6 pm PST, 9 pm EST, 2 am BST, 3 am CET every 3rd Thursday, except in the summer when it’s every other Thursday. Next chats will be 5/30/19, 6/20/19 and 7/11/19.

#ItalianFWT

A monthly event with a different blogger hosting. They feature a discussion of the Italian wine topic of the month with many bloggers participating by writing additional articles and reviews.

Time: 8 am PST, 11 am EST, 4 pm BST, 6 pm CET on the 1st Saturday of the month.

#winepw

A monthly food and wine pairing event with a different blogger hosting. Often this event is sponsored with bloggers pairing sampled wines with various food dishes. An excellent chat for foodies but, be forewarned–it will make you hungry.

Time: 8 am PST, 11 am EST, 4 pm BST, 6 pm CET on the 2nd Saturday of the month.

#winophiles

Basically the French-themed counterpart to the #ItalianFWT chat. A monthly event with a different blogger hosting. Sometimes they select the topic, but other times it may be sponsored by a winery or regional association.

Time: 8 am PST, 11 am EST, 4 pm BST, 6 pm CET on the 3rd Saturday of the month.

Know of any others?

I’m always looking for good chat recommendations. Post your favorite Twitter wine chat down below in the comments, when it takes place and why you think it’s worth following.

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Top Instagram Accounts to Follow for Bordeaux En Primeur

The 2018 Bordeaux en primeur tastings are going on right now. The event brings hundreds of journalists, critics and buyers to the Bordeaux region to taste barrel samples of the nascent vintage. The reviews and assessments written during this period help set the tone of the 2018 futures campaign that will be kicking off in the next few weeks.

2015 Ch. Margaux

My all-time favorite Bordeaux futures score.

As anyone that follows this blog knows, I’m an avid buyer of futures each year. I’ve been keeping tabs on the en primeur posts from several of my favorite writers on Twitter and Instagram. But this year I’ve discovered a few new accounts worth following as well.

Below I’ve created a list of the best accounts that I’ve enjoyed following during en primeur so far.

My criteria

What I look for in an Instagram account worth following is content beyond just bottle porn. I want to learn something about the estates, people and vintage that I can’t easily get from a wine book or magazine.

Yes, tasting note and impressions of a wine can be compelling but these wines are going to change dramatically by the time I can get a chance to try them. Beyond just someone’s tasting notes, I want to get a feel of the place and these spectacular events they’re attending.

Artistic picture quality can help. There are a few of the “new discoveries” that made this list on the merits of having some eye-catching photography. But, mostly, I compiled this list based on the content of the posts and how much edification I get from following them.

Old Favorites

Jane Anson (jane.anson)

Anson is the chief Bordeaux critic for Decanter and, in my opinion, is one of the best in the business. Her reviews are must-reads for anyone looking to purchase Bordeaux futures. They give you so much more than just a tasting note and score–often painting a bigger picture of the year and the estate’s efforts. She is also one of my top Women in Wine Twitter accounts to follow.

My favorite En Primeur insta so far: This photo of a swag gift of vine prunings from Ch. Phélan Ségur. Bonus points for the cat.

Lisa Perrotti-Brown (lisapbmw)

A Master of Wine, Perrotti-Brown is the editor-in-chief of Robert Parker’s Wine Advocate and it’s head Bordeaux critic. She is most certainly one of the tastemakers of Bordeaux but what I really respect is how down to earth her posts feel. Like Anson, she is one of my top Women in Wine Twitter accounts to follow.

My favorite En Primeur insta so far: This photo of some of the strangest amphorae that I’ve ever seen at Ch. Les Carmes Haut-Brion.

Jeff Leve (jeff_leve)
Jeff Leve's IG

Screen shot of Jeff Leve’s Instagram page.

Whether you are Bordeaux newbie or a connoisseur, Jeff Leve’s The Wine Cellar Insider should absolutely be one of your bookmarks. The amount of free content and details about nearly every single Bordeaux estate that is on that site is superb. I don’t think a single one of my 2017 Bordeaux futures posts last year failed to include some great insight or quote from Leve.

My favorite En Primeur insta so far: This photo from Ch. Latour Martillac that follows Leve’s style of giving compelling background on an estate’s effort in 2018 along with his tasting notes. Bonus points for the expression on the chocolate lab’s face.

Chris Kissack (chris_kissack)

Kissack is a longtime fixture on the blogosphere who first launched his Wine Doctor site back in 2000. Back in my early Wikipedia wine writing days, his site was one of my favorite resources to check facts on. But, admittedly, I haven’t been following him much outside of social media since he took his site behind a paywall.

My favorite En Primeur insta so far: This photo of some of the frost prevention equipment used in Bordeaux vineyards.

New Discoveries

Will Lyons (mrwill_lyons)

Lyons writes for The Sunday Times and has been previously featured in the Wall Street Journal.

My favorite En Primeur insta so far: This photo from La Conseillante of winemaker Marielle Cazaux next to one of the estate’s amphorae–which is apparently the en vogue thing right now in Bordeaux.

Magnus Ericsson (ericssonmagnus)

Ericsson is an editor and writer for the Swedish wine website Winefinder.
.
My favorite En Primeur insta so far: This photo and background tidbits about the Vignobles Comtes von Neipperg’s wine Le Blanc d’Aiguilhe. Very intriguing!

Magnus Olsson (bythebotti)

Olsson is a winebuyer for Winefinder.

My favorite En Primeur insta so far: This collage of some his favorite right bank estates in 2018 and the intriguing tidbit about the role that Cabernet Franc is playing in this year’s wines. Given my great love for Cab Franc (especially on the Right Bank at places like Angelus), that news made my heart soar.

Dunell’s Wines (dunellswines)
Dunell's IG

Screenshot of Dunell’s Wines’ Instagram page.

Dunell’s is a family-run wine merchant in Jersey.

My favorite En Primeur insta so far: This photo of bud break in Sauternes and the charming comparison of Ch. Sigalas-Rabaud’s Le 5 to Lillet Blanc.

Wine Owners (wineowners1)

Wine Owners is a management and trading platform for wine collectors that features over 16,000 users in 19 countries.

My favorite En Primeur insta so far: The horses of Ch. Pontet-Canet and some interesting commentary on the potential motivation of PC’s glowing review of the vintage.

Courtier du Vin (courtierduvin)

Courtier du Vin is a private wine management firm based in France. While there is some interesting content here, their inclusion was mainly driven by some of the lovely and artistic photos on their feed.

My favorite En Primeur insta so far: The perspective and lighting in this pic of the flowers at Ch. Ducru-Beaucaillou brightened my entire IG feed and has been my absolute favorite of the week so far.

Any Favorites That I Missed?

Post them down in the comments below. I’m always looking for great content and accounts to follow.

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Women, Wine and Twitter — Great Accounts To Follow

In my early Twitter days, I would pretty much follow anyone with “wine” in their bio–wineries, writers, news sites and other personalities. But I’ve gotten far more selective over the years as I started to view my Twitter feed as a tool.

Photo by MainlyTwelve. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

I’m on here nearly every day looking for new content to devour. Above all, I want to find engaging conversations that encourage me to think more deeply about my sentiments on wine. Admittedly, I don’t always find that amidst the noise and other rubbish that can populate the site.

However, in the waning hours of International Women’s Day, I wanted to highlight the accounts that are written by women which do provide me the intriguing content and conversations I crave.

While this may appear to be fairly exhaustive, it’s far from it. I created a list on the SpitBucket Twitter page titled “Women Wine Twitter” which features many more accounts.

I’m always looking to add more so if you know of someone that I missed, add their names in the comments below.

Rules for Inclusion

The women listed below are accounts that I follow myself. As I noted above, I try to be somewhat selective in my follows. My criteria for following is dependent on an account being active, engaging and mostly wine focused.

I understand how outside life can get in the way. But I have little interest in following an account that only tweets once or twice a month if that. Even more important than activity, though, is the quality of the content. I want to get something out of the accounts I follow–whether that be learning something new about wine, an inspiration for a post or a reason to think about things in a different way.

All of the accounts listed below deliver on those criteria and are well worth following.

Masters of Wine and Master Sommeliers

Sadly not too many Masters of Wine and Master Sommeliers are really active on Twitter. Quite a few fall into the “tweet every once in a while” mindset and it seems like most Master Sommeliers have migrated over to Instagram.

But the ones below are a few notable exceptions that I’ve found.

Jancis Robinson (@JancisRobinson)

The Beyoncé of Wine. Need I say more?

Sarah Abbott (@SarahAbbottMW)

Sarah is a Master of Wine who posts reasonably regularly about various tastings she’s attending, MW affairs, timely news articles as well as posts from her Swirl Wine Group blog.

Jennifer Simonetti-Bryan MW (@JediWineMaster)

By far, the coolest wine name on Twitter. And it’s a moniker that Simonetti-Bryan certainly lives up to as evidenced by her tweets and fabulous Rosé Wine wine book (which I reviewed here).

Elizabeth Gabay MW (@LizGabayMW)

One of the foremost authorities on rosé wine, I also get quite a bit of insight into the European market and politics from following her Twitter feed. Recently, she was in the Canary Islands where she posted a great pic of the many old-school styles of vine trellising still used on the Spanish islands.

Debra Meiburg MW (@DebraMeiburgMW)

Debra is an Asian-based Master of Wine who comments on various aspects of the wine industry. Her Twitter feed is always an excellent source for keen insights such as the quotes she pulled from Laura Catena’s recent seminar in Hong King.

Photo by Asianpalate. Uploaded to Wikimedia Commons under CC-BY-3.0

Jeannie Cho Lee

Jeannie Cho Lee MW (@JeannieChoLee)

The first Asian Master of Wine, Jeannie is a frequent contributor to Decanter and the Robb Report. While her Twitter feed has its fair share of bottle porn, I appreciate that she adds some context and details to describe all the fabulous wine she is drinking. It’s always nice to know that your sentiment on Cristal is shared by a Master of Wine.

Pascaline Lepeltier (@plepeltier)

Along with Alice Feiring, Pascaline authored the Dirty Guide to Wine and is a big advocate of Natural Wine. She is also an evangelist for the wines of her native Loire Valley including the incredibly underrated Chenin blanc grape. Bringing more attention to Chenin is a mission that I can certainly get behind!

Wine Business and Marketing Mavens

Rebecca Hopkins (@beckhopkinswine)

Rebecca is a long time industry vet who frequently comments and retweets articles about important happenings in the industry. A native Australian, she’ll often tweet about some of the silly ways that Australian wines and other beverages are marketed.

Cathy Huyghe (@cathyhuyghe)

The co-founder of Enolytics, many of Cathy’s tweets (as well as her articles for Forbes and other publication) are business and data-driven. I particularly like the way that she tends to cut through the noise to show unique perspectives about hot-button wine topics such as her post in January about diversity in the wine business.

https://twitter.com/VinoSocialNancy

Screenshot of Nancy Croiser’s Vino Social Twitter page.

Nancy Croisier (@VinoSocialNancy)

Nancy is a long time marketing specialist who runs Vino Social which helps wineries better utilize social media. Her mission is one close to my heart and such a vital component in regaining the lost storytelling of wine. Needless to say, her Twitter feed is a master class in savvy social media use and is well worth following for anyone in the wine business.

Jessyca Lewis (@JessycaLewis)

Jessyca is a wine educator with a business and marketing focus. Every other Monday she hosts interviews and moderates conversations about wine marketing topics under the #winemktmonday hashtag. For anyone wanting to learn more about the business, particularly in the US, this is a must-follow.

Polly Hammond (@mme_hammond)

Along with Reka Haros and Felicity Carter (mentioned below), Polly usually gets tagged and contributes to really informative and interesting wine conversations on Twitter. It makes sense way given her background in the marketing world running 5forests in New Zealand.

Melanie Ofenloch (@dallaswinechick)

A professional marketing consultant in the Dallas area, Melanie is a fixture at many tasting events where she interacts with industry folks such as Anne Bousquet from Domaine Bousquet. Her Twitter feed features a lot of pics and her thoughts from these events as well as useful retweets of interesting wine articles.

Brilliant Women Winemakers and Winery Owners

Reka Haros (@RekaHaros)

Reka owns Sfriso Winery with her husband in the Treviso region of Venice. But she has a background in marketing and advertising which gives her great insights as well. She contributes to some of the best Twitter convos happening in the wine industry (IMO). Like this recent thread about a Harvard Business Review article on wine consumers that was stirring up controversy.

Treveri blind bottles

Don’t be misled by the bling display bottles, there is some seriously good sparkling wine being made here.

Julie Grieb (@cuveetirage)

Julie owns the Washington State sparkling wine producer Treveri with her husband and is an alum of Sonoma University Wine Business Management program. While a lot of her tweets, understandably, focus on sparkling wine (including highlighting the super cool single-vineyard Pinot Meunier bottling from Alfred Gratien) she also participates in a lot of fun win convos.

WOWSonoma (@wowsonoma)

This Twitter account highlights women-owned wineries in Sonoma. But their tweets often extend beyond Sonoma including a directory of women-owned wineries across the US.

Sarah Garrett  (@SerranoWine)

I’ve mentioned Sarah on the blog before because of her skillful marketing to Millennials. Together with her husband Brice, they run a winery down in Paso Robles that specializes in Rhone varieties. Their Twitter feed gives great behind-the-scenes insights into all the hard work that goes into maintaining a vineyard and running a winery.

Lori Budd (@Dracaenawines)

With her husband Michael, Lori runs Dracaena Wines in Paso Robles. While their wines have won many awards, so has her blog which has expanded to a podcast that features interviews with winemakers and other industry folks. She was also the spark plug behind the development of Cabernet Franc Day.

Elizabeth Vianna (@ChimneyRockWine)

I may get an opportunity to meet Elizabeth in early May when I do an interview tour with producers of the Stags Leap District AVA. I’ll be completely honest; it will be tough not to fangirl out if that happens. She is such a tremendous winemaker who injects a lot of personality into her wines that can also be seen on her twitter feed like in this behind-the-scenes post from a UC-Davis seminar conducted by Dr. Linda Bisson (another rockstar).

Kronos vineyard

The Kronos vineyard outside Corison’s tasting room in St. Helena.

Cathy Corison (@cathycorison)

So I actually did fangirl out when I met Cathy. I couldn’t help it. She is such a legend in the industry and one of the kindest, most humble voices you will ever meet. Her feed is not only worth following for her insights but also links to great articles like this write-up on Elaine Chukan Brown (a marvelous wine writer worth following as well @hawk_wakawaka).

Amelia Ceja (@AmeliaCeja)

Pioneering owner of the Napa Valley winery Ceja in Carneros. She is the first and only Mexican-American woman to own a winery, earning honors at the Smithsonian.

Good Sources For Wine News and Other Perspectives

Anyone that follows the SpitBucket Facebook page knows that I’m a news junkie. If you’ve ever wondered where I get many of the articles I post and comment on, it’s from the feeds of these ladies below.

Esther Mobley (@Esther_mobley)

As the wine critic for the San Francisco Chronicle, Esther holds a lot of sway in the California wine industry. But what I love is that she doesn’t lord over her domain with a pen but instead looks for the humanity behind each story such as her incredibly thought-provoking piece on migrant female workers’ role in the California wine industry. More recently, she wrote a very touching tribute to the late Stags Leap District icon, John Shafer.

Jane Anson (@newbordeaux)

Jane is the lead Bordeaux writer for Decanter and, frankly, I think she is the best Bordeaux reviewer currently in the business. When I was reviewing Bordeaux Futures offers for the 2017 campaign, I found her detailed reports and honest assessment of this uneven vintage to be the most informative and useful. While there are a lot of great writers on Bordeaux, if you want to only follow one–follow Jane.

Kelli White's Napa book

My Christmas present last year was Kelli White’s 1255 page tome on Napa Valley. It’s a beauty!

Kelli Audrey White (@kelliwhitewine)

One of the lead writers on GuildSomm, her articles are can’t miss reads. The amount of background research and details that she puts into her work is inspirational. Simply put, I want to be Kelli White when I grow up.

Felicity Carter (@FelicityCarter)

The editor-in-chief of Meininger’s Wine Business International, Felicity Carter is one of the most influential women in wine. I can only imagine how jammed pack her schedule must be but she still manages to find time to contribute to many thoroughly engaging wine conversations on Twitter. In fact, it was one of her tweets that inspired my Wine & Politics — Strange Bedfellows or Drinking Buddies? post.

Becca Yeamans-Irwin (@TheAcademicWino)

Along with Lewis Perdue, Becca curates the daily wine news fetch for Wine Business Insight. On her blog, her posts aptly take an academic bent focusing on scientific studies and literature related to the beverage industry–such as this review of social media use on Facebook by wineries in Sicily.

Dorothy J. Gaiter (@winecouple)

With her husband, John Brecher, Dottie wrote the Wall Street Journal’s wine column for 12 years and is still producing outstanding content on her Grape Collective site. She also pioneered “Open That Bottle Night” which has even been immortalized on Jeopardy!

Jill Barth (@jillbarth)

Jill’s work is featured in Wine Enthusiast, Decanter, Forbes and USA Today. Her Twitter feed is a smorgasbord of highly informative news articles from many different sources–as well as many different topics like this uber geeky piece on the genetic history of yeast strains used in beer.

Michelle Williams (@Fiery01Red)

In addition to her Rockin Red Blog, Michelle also writes for Snooth, Forbes and other publications. Like most great writers, her Twitter feed is very well-curated with links and retweets to many interesting articles as well as her own work.

Liza Zimmerman (@LizaWineChick)

A longtime writer and wine educator, Liza brings a wealth of experience and insight to her writings. On sites like WineSearcher.com and Forbes, she often gets inside scoops and valuable interviews on leading wine topics–like the recent MS scandal.

Lauren Mowery (@chasingthevine)

Lauren is an MW student who also contributes to Wine Enthusiast, USA Today, Forbes and other publications. You’ll often find her posts being retweeted and circulated around the Twitter-sphere. Among her many great articles was this recent interview with Nicole Salengo, winemaker for Berryessa Gap Vineyards.

screenshot of Seven Fifty Daily's twitter page

I’m shocked at how few people are following Seven Fifty Daily’s Twitter feed right now.
There is some seriously good stuff being published here.

Katherine Cole (@kcoleuncorked)

A leading voice on Seven Fifty Daily, Katherine wrote a tremendous piece on legendary French wine importer Martine Saunier that is a must read any time of the year. But it particularly fits for Women’s History Month. Seven Fifty Daily is becoming one of the top resources for compelling content and Katherine (along with editor-in-chief Erica Duecy @ericaduecy) is a big reason why.

Wine Bloggers/Media Conference Discoveries

Noelle Harman (@outwinesblog)

Noelle is a fellow WSET Diploma student who chronicles her journey on her Twitter feed and blog, Outwines. The name comes from the terrific outlines of major wine regions and wine styles that she has created for her exams–which she freely provides for anyone to use. Without a doubt, one of the best things that any wine student can do is to bookmark that page I just linked and incorporate these outlines into your studies.

Luciana Braz (@WineTalkGroup)

I met Luciana at the Wine Bloggers Conference and love following her feed which includes pictures and videos from her travels and dining. But instead of just posting boring old bottle porn, she includes fun stuff like this Madeira Wine Tower that I would probably have the same expression as she does here upon seeing.

Nancy Koziol (@WriterNancy)

Nancy gave the best and most informative presentation of WBC18 about the importance of good writing and how it affects your Google traffic. That talk and her follow-up correspondence with me has helped me immensely in becoming a better writer. If you are a long time reader, you may have noticed the change in my writing from early October 2018 to after. A considerable part of that is because of Nancy.

Amanda Barnes (@amanda_tweeter)

Amanda is a Southern Hemisphere-based wine writer who also gave another great presentation at WBC18. Her account is a must follow to gain insights on dreadfully underreported areas of wine. Especially with wine students, it is so easy to get so Euro and USA-focused that you overlook the cool stuff that is happening in places like Uruguay.

Mo Blum (@MoWino_com)

While I’ve not had the privilege of trying her dishes, Mo looks to be a fabulous cook and she frequently posts about her creations and wine pairings. She’s recently branched out into publishing short cooking tips videos on how to use wine in your cooking that are hugely informative.

Crushed Grape Chronicles (@CrushGrapeChron)

Robin Renken runs the Crushed Grape Chronicles blog with her husband, Michael. They not only post great content that seeks out the backstory of wine but their Twitter feed is a source for fun articles from a variety of publications.

Aspiring Winos (@aspiringwinos)

While Anne is a bit more active in her Unique Gifter account (@UGifter), she posts fun stuff about her and her husband, Jeff’s, journey in learning more about wine.

Cayuse En Cerise

I also have to admire Sandi’s wine picking skills. At my “free-for-all” cellar clean out party last month she nailed it with this 2012 Cayuse En Cerise.

Decanted Podcast (@DecantedPodcast)

Sandi Everingham is one half of this podcasting team that I not only follow on Twitter but subscribe to on Overcast as well. Back in December, I did a review of the Decanted Podcast. What particularly impressed me was how well intuned that Sandi and Dave were in the happenings of the Washington wine scene. That savvy come through in their tweets as well as their podcast.

Liz Barrett (@LizBChicago)

Along with the incredibly charming Odd Bacchus, Liz frequently posts hilarious video wine reviews on a broad range of topics. One recent one that I liked was a blind tasting of musician-related wineries like Sting’s Il Palagio and Constellation Brands’ Dreaming Tree which features Dave Matthews lyrics on its labels.

Diane Roberts (@Positive_Vines)

A Dallas-based blogger, Diane’s posts feature not only great photos and insights from her travels but also a lot of fun stuff about her experiences in the Texas wine and beverage scene.

Drinky LaRue (@Winelover0227)

If you’re looking for the joie de vivre of wine, check out Drinky’s Twitter feed and blog. At its core, wine is about sharing great times and great memories with friends which Drinky does in her posts, retweets and convos. She also brings you to some terrific tasting events she attends that may make you feel a wee bit jealous.

Wine Travel Eats (@winetraveleats)

With her partner David and frequent blog contributor Wendy Baune (@GrnLakeGirl), Amber produces excellent content and gorgeous photos on her Wine Travel Eats and companion sites.  She covers a broad spectrum of topics. One recent favorite was her post on Sherry wine.

Leeann Froese (@leeannwine)

As co-owner of Town Hall Brands in Vancouver, British Columbia, Leeann brings a lot of marketing savvy and insights to her posts. She’s one of my go-to sources on what is happening in the BC wine scene.

Thea Dwelle (@Luscious_Lushes)

Thea was an icon at the WBC and it was easy to see why. She has been producing great content on her blog for years which she frequently posts on her Twitter feed–like this recent revisiting on her exploration of the Mencia grape in the Bierzo region of Spain.

Margot Savell (@WriteforWine)

Margot is one of the original Washington wine bloggers that I’ve been following for more than ten years. While she is a fixture in the Washington wine scene, she posts about a variety of wine topic including all the fun discoveries she is currently having on her Australian tour.

US-Focus Bloggers

Kirkland Wine Gal (@kirklandwinegal)

A Pacific Northwest blogger, a lot of Kirkland Wine Gal’s tweets are Washington focused–including this fun Buzzfeed-like quiz from Woodinville Wine Country about “What Woodinville Wine Are You?”. Apparently, I’m Cabernet Sauvignon which will make a handful of readers chuckle.

Amy Lieberfarb (@amylieberfarb)

Amy is a Sonoma-based blogger who gets tagged in many great wine conversations, particularly under the #sonomachat hashtag. These convos feature fun back and forth chats about food and wine pairing as well as some gorgeous photos of wine country life. She also posts and retweets a lot of helpful wine articles.

Kathy Wiedemann's Twitter

Screenshot of Kathy Wiedemann’s Twitter page.

Kathy Wiedemann (@Virginia_Made)

A passionate advocate for the wines of Virginia, Kathy’s Twitter feed is a great introduction and inspiration to learn more about the wines of Thomas Jefferson’s home state. But even beyond Virginia wine, Kathy is a frequent instigator and contributor to a lot of engaging wine convos including this recent one on Orange wine.

Elaine Schoch (@thecarpetravel)

Elaine is a Denver-based travel writer who runs Carpe Travel. Here she publishes unique content about exciting places including one on the growing New Mexico wine industry.

Jacqueline Coleman (@HistoryandWine)

Jacqueline has another great Twitter handle and her posts often combine her love of history and wine like this recent link to an article on the Coravin blog about the origins of the Grenache grape.

Rupal Shankar (@Syrah_Queen)

Another great Twitter handle but Rupal tweets about more than just Syrah. A recent fav of mine was her post about Nero d’Avola in Sicily.

Nancy Brazil (@MsPullThatCork)

In addition to running her blog, Nancy is a big reader of wine articles from across the globe and posts the best content she finds–including a fantastic piece from Wine Enthusiast about notable first among women in the wine industry.

The Swirling Dervish (@theswirlingderv)

Lauren Walsh is another WSET Diploma student that is a geek after my own heart. Not only does she create great content but I love when she shares tidbits about unique wines she comes across like this white (yes, white!) Cabernet Franc.

Cathie Schafer (@SideHustleWino)

This is another Twitter handle that makes me smile when I see it appear in my news feed. Cathie has a keen eye for interesting wine reviews and photos that she retweets. She also produces fun articles like this recent write-up of the Santa Cruz Pinot noir that Prince Harry and Meghan Markle served at their wedding.

Bloggers Across The Globe

Elena Amigo (@sommenite)

Elena looks to be an Argentine-based sommelier as many of her tweets (often in Spanish) are about wine reviews and producers in Argentina. But she also has a good following list and will often retweet articles from other accounts that I might otherwise miss on my dash.

Steph (@Winellennial)

Steph is a London-based blogger who seeks out and posts lots of great wine news articles. A recent favorite of mine that her feed brought to my attention was a post about winemakers in Chile training dogs on how to sniff out TCA in new corks.

Fran Marshall (@thefoodmarshall)

Fran is an Australian based blogger that brings a great perspective on Southern Hemisphere wines. She’ll post about wines that she’s drinking and retweet fun stuff from wineries she follows like this mesmerizing cascade of Shiraz berries from Clonkilla.

Travelling Corkscrew (@TravelCorkscrew)

Casey at Travelling Corkscrew is an Aussie blogger who I’m glad to be following.  This is one of the few ways that I get to learn about all the fantastic, small production Australian wines that rarely make their way to the US. She also brought to my attention the existence of National Drink Wine With Your Cat Week.

Allison Wallace (@allison_wallace)

A Canadian blogger, Allison’s Twitter feed is another terrific source for retweets and links to interesting articles. She’ll also do posts from her blog such as her recent interview with Mari Womack of Damsel Cellars, a fantastic female winemaker from Washington State.

Kirsten MacLeod (@TheKirstenMac)

Kirsten is a WSET Diploma student based in London that takes a global perspective to wine in her tweets and retweets. One article that she recently brought to my dash was Miquel Hudin’s piece on the follies of blind tasting Priorat wines.

Savor the Harvest twitter page

Screenshot of Savor the Harvest’s Twitter page

Savor the Harvest (@savortheharvest)

Lynn, with her partner Mark, is based in Bordeaux and writes about their experiences in one of the benchmark wine regions of the world. In addition to wine, she also post and retweet fun food articles like this interesting piece about cocoa butter.

Jacky Blisson (@JackyBlisson)

Jacky is a Montreal-based MW candidate and wine educator. She posts on a variety of topics, including links to her YouTube wine education channel.

Folks you’re probably already following but are still worth a mention

Lettie Teague (@LettieTeague1) — Wine columnist for the Wall Street Journal.

Ella Lister (@EllaLister) — Founder of Wine Lister.

Maureen Downey (@moevino) — The foremost expert on wine fraud.

Cathrine Todd (@damewine) — At nearly 22,000 tweets and comments, one of the most prolific voices in the Wine Twittersphere.

Kelly Mitchell (@KellyMitchell) — With over 21,500 tweets, the Wine Siren is not that far off either from Dame Wine and contributes quite a bit to the wine convos on Twitter.

Boozychef (@boozychef) — But with almost 250,000 tweets, it is clearly Boozychef’s world and we’re just living in it.

Wedding photo

Getting married with the Wine Bible.
Photo by Neil Enns of Dane Creek Photography.

Karen MacNeil (@KarenMacNeilCo) — The author of THE Wine Bible–which I actually got married with. Seriously!

Meg Maker (@megmaker) — Founder of the Terroir Review.

Tia Butts (@WineInkByTia) — Napa-based wine communicator and host of Farmers Fresh Hour on KVON 1440 am

Fiona Beckett (@winematcher) — Decanter contributor and host of the Batonnage podcast.

Natalie MacLean (@NatalieMacLean) — Longtime wine pro and manager of her eponymous site.

Joanie Metivier (@Joaniemetivier) — Creator of the Wine Regions Coloring Book.

Amy Corron Power (@WineWonkette) — Photojournalist and editor of Another Wine Blog.

Leslie Sbrocco (@lesliesbrocco) — Bay Area-based wine communicator featured on many television shows and publications.

Wine Harlots (@WineHarlots) — A wine site with a humous bent run by Nannette Eaton.

Alice Feiring (@alicefeiring) — Leading Natural Wine advocate and author of numerous wine books.

Elizabeth Schneider (@NormalWine) — Host of the Wine for Normal People podcast which I review here.

Lisa Perrotti-Brown (@LisaPBMW) — Editor-in-chief of Robert Parker’s Wine Advocate.

Madeline Puckette (@WineFolly) — Founder of the wine education site Wine Folly.

Who did I miss? Be sure to comment below on who you think is worth following!

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The Real Influencers of the Wine World

Earlier this month, the Drinks Insight Network published their top ten influential wine experts in the beverage industry. They highlighted 10 Twitter accounts with 17,000-245,000 followers and a ranking of at least 54 on GlobalData’s “influencer score”.

Photo by Dantadd. Uploaded to Wikimedia Commons under CC-BY-2.0

Yes, that is Kevin Bacon.

I follow all these accounts on Twitter and it’s not a bad recommendation to check them out. But I only actively interact and read 2-3 of them–Jamie Goode (@jamiegoode), Robert Joseph (@robertjoseph) and Ken Alawine (@alawine). I follow Goode and Joseph for their engaging dialogue about wine topics while Alawine’s feed is a nice diversion of fun memes and infographics.

I don’t think I’ve ever been influenced to buy a wine mentioned by any of them.

And I’m an active social media user who is already motivated to seek out wine stuff.

If I’m so minorly influenced by the most prominent influencers, then what kind of influence do these folks (as well as other influencers/bloggers) really have on the typical wine consumer?

Do You Want The Brutal Truth? 

Very little.

I know this post is not going to make me friends among my fellow bloggers or “influencers”. But I can’t forget about my past life before I really started blogging. In addition to several years working wine retail, I studied winemaking at the Northwest Wine Academy with thoughts of one day opening up my own winery.

Bottling wine

One of my favorite photos from winemaking school. Featured here is my mentor, Peter Bos.

While I’ve moved on from that goal, I still have many friends who work at or own wineries in the Pacific Northwest. When I talk to them about my experiences working in the trenches selling wines like theirs, I’m not going to bullshit them.

I know how tough it is for a small winery to compete in a saturated market. With time and money scarce, I’m not going to encourage my friends to waste either chasing the favor of “influencers”–especially if it’s not really going to help them sell wine.

Yeah, this is a self-defeating post for a blogger to write. Oh well. But I will share with you the same advice I give my winemaker friends. While this is, of course, anecdotal, it’s drawn from my years of helping tens of thousands of consumers while working as a wine steward at a major grocery store chain and a big-box retailer.

It’s also the advice that I would put into practice myself if I started my own winery. There are real influencers out there that drive people to a store looking for wines. But few of them would rank an “influencer score”.

The #1 Influencer — Friends and Family

In over seven years working on the floor, I’ve never had a customer come in with a blog post, Instagram or tweet on their phone looking for a wine. Again, anecdotal, but that is the stark truth.

However, every single day I would have multiple customers come in looking for a wine that a friend or family member recommended to them. These personal recommendations are, by far, the most valuable currency in the industry—and not just in wine.

Of course, friends and family are on Facebook, Twitter and Instagram. You can consider some social media influence from outside sources. But the reach of a blogger or “influencer” is going to be indirect and weaken with each link away from that personal connection.

The Bacon number of wine

A Few Good Men and some Sleepers

Essentially if we want to “Kevin Bacon” this, your best influencers are going to be the folks with a Bacon number of 1. When you start getting 2 steps or more removed from the consumer, the amount of influence dwindles considerably.

Advice for Wineries

Remember, keep your eye on the Bacon.

Personal recommendations from friends and family are more valuable than 90+ points from a famous critic. Wineries should seek these recommendations out every bit as aggressively as they court a high score.

Many wineries allow wine club members to bring guests to the tasting room for free. But I can’t think of many who do “friends and family” wine club events. Most events allow their members to bring only a single guest who is usually going to be a spouse.

How does that help you grow your clientele list? Think about expanding that allowance to 3-4 guests as well as promotions that reward current customers for referrals.

#2 Restaurant By-The-Glass Programs

While Millennials tend to be more adventurous than previous generations, there is always a risk in accepting a recommendation. For many, the risk of paying $7-20 for a glass pour of wine at a restaurant is more appealing than spending $25+ for a full bottle at a store.

After personal recommendations from friends and family, the second biggest driver of consumers to my wine shops was the desire to find something they had at a restaurant. Once in a while, a customer would be seeking something they ordered a bottle of but the vast majority of the time it was something they had from the BTG list.

Advice for Wineries
Photo by Iwona Erskine-Kellie. Uploaded to Wikimedia Commons under CC-BY-2.0

There is a reason why the big mega-corps focus so heavily on their on-premise accounts.

Getting on restaurant wine lists should always be a priority for small wineries. In many ways, it is the perfect setting for people to have their first experience with your wine–with great food and great company.

Placement on the BTG list is even more valuable than being on the general wine list. The intimidation factor is less while the openness to explore is greater. Of course, well-run programs will have talented sommeliers that can hand sell the entire list. However, there are very few consumers (like me) who indulge in things like playing the Somm Game.

Plus, for those consumers who are open to recommendations, the odds are better for your wine getting a BTG recommendation from the sommelier than getting one of your bottles recommended from the full list. Think about it. You’re competing against a dozen or so options by-the-glass versus potentially hundreds of bottle options.

I know competition for placement in these programs is high and brings a lot of challenges. But I firmly believe that the effort pays more dividends than chasing online influencers.

#3 First-Hand Winery Experience

While the influencers above drove more people to my shops, this is the area where wineries most control their destinies. Of course, the quality of your wine should be of paramount importance but second only to that should be the type of experience guests get in your tasting rooms.

Photo by Georg Botz. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

I know the sight of a “Bridesmaid Brigade” fills tasting rooms with dread. But they are all prospective customers, even if they don’t buy jack on that first visit.

Living so close to Woodinville Wine Country and within driving distance of all the major wine regions in the Pacific Northwest, I’ve seen the best and worst of tasting room experiences. I’ve also heard on the floor, from consumers, the best and worst as well.

The best experiences give people a reason to be excited about a winery. Often people visit 2-4 wineries on a trip, so the goal should be to stand out positively. Every tasting room is going to be pouring wine. That’s old hat. The memorable wineries are the ones that give their guests something more than just booze.

Advice for Wineries

I can not emphasize enough the importance of making sure you have a great staff working your tasting rooms. Pay the good ones well and work like hell to retain that talent. They are truly the difference between bringing home the bacon or burning it to a crisp.

I can’t count how many times I recommended a wine only to have a customer recount a bad tasting room experience that they (or friends and family) had. Even if it was several years ago when the winery was owned by someone else, it was a non-starter.

If I started a winery, I would take this Maya Angelou quote and frame it in my tasting room.

I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel. — Maya Angelou

#4 Published Media “Best of…” lists and Wine Competition Awards

My last retail holiday season was 2017 but I remember it quite well. This is when all the “Top Wines of the Year” and “Best of….” lists come out. It seems like every newspaper and magazine publishes some year-end compendium.

For retailers, these lists are both blessings and a royal pain in the ass. They’re easy sales because consumers come in ready to buy and you can fill their basket in 3 to 5 minutes—that is, if you happen to have the exact wine and vintages. The pain in the ass comes from nearly all these lists featuring wines of limited availability (sometimes even winery-only) or from a vintage long sold out.

Advice for Wineries
Photo by Wine Enthusiast Magazine. Uploaded to Wikimedia Commons under CC-BY-4.0

Customers coming into a wine shop with an actual print copy of a wine magazine is becoming rarer and rarer.

I ranked this one #4 but it could have easily been #5. The influence of traditional print media is certainly fading. When I first got into retail, I would almost weekly have customers coming in with the latest copy of Wine Spectator or the local newspaper critic’s column. Now it seems mostly concentrated on these year-end lists.

I’ve also noticed that the clientele that actively uses these lists skew older as well. Again, only anecdotal, but I suspect that the influence of these media sources will only continue to wane with the growing prominence of Millennials and Generation Z in the market.

Likewise, I see less excitement and influence surrounding wine competitions every year. But there is still some fight in the old girl. Personally, I don’t think they should have much any influence but people like shiny things. Wine competitions dish out lots and lots of shiny things.

For my own winery, I would still be entering competitions and sending samples out to the traditional print media. However, I wouldn’t put all my eggs in these baskets and focus more on the top #1-3 influencers above.

But you ultimately can’t discount the easy sales that a winery can get with prominent list placement. Nor can you downplay the influence that even a silly bronze medal sticker has in making a wine stand out on the shelf.

#5 Wine Apps

Wine apps with Yelp-like rating systems are another thing that I think shouldn’t hold much influence–but they do. As I described in my post Naked and Foolish, I think these apps are incredibly gameable and ripe for misuse.

My apprehensions aside, I realize that wine consumers (particularly the younger set) are downloading and using them. It’s not yet a considerable quantity, hence my #5 ranking, but it is growing. Before I left retail, I would see maybe a handful of customers a week whipping out their phones and scanning bottles to see how many “stars” something got. I can only expect that number to increase.

Advice for Wineries
Wine Searcher screen grab

While not necessarily a rating app itself, I often saw consumers on the floor using WineSearcher to check prices and critic scores.

While I doubt that wine apps would ever supplant the top 3 influencers, it is nonetheless a Bacon number 1 influencer that shouldn’t be ignored.

At the very least, I would recommend that wineries download these apps and pay attention to what scores their wines are getting from consumers. For small wineries that aren’t likely to get many inputs, it is probably not a bad idea to upload nice pictures of your labels. That way when someone is searching for your wines they can find them more easily.

I would avoid the temptation to add your own ratings and take part in the easy gaming of these apps. But that’s just me.

#?? Recommendations of Wine Stewards/Sommeliers

As a steward on the floor with face-to-face contact with consumers, I carried a Bacon number of 1. But how influential I truly was depended on a lot of factors. This makes it difficult to give a blanket ranking on how influential stewards (and in the same vein, sommeliers) really are.

For customers that I interacted with often and built a relationship, my influence would be only behind that of the #1 influencer–family and friends. I earned trust by learning their palates and backing up my recommendations with my knowledge.

But more broadly, my influence probably fell in the #3-5 range depending on the consumer’s personality (i.e. willingness to seek out a recommendation) as well as their past experiences with other stewards and wine shops. It’s very easy for a consumer to feel burned by a bad recommendation that they received one time, from one person, and then be skeptical about any recommendations they get–from anyone.

The hiring prowess and training programs of a wine shop/restaurant have an immeasurable impact on how influential their stewards and somms will be.

Advice for Wineries
Picture with Jean Triaud of Ch. Gloria

A pic from my retail days where I had a chance to meet Jean Triaud, the grandson of Ch. Gloria’s founder Henri Martin.
Trying the wine was nice, but I was able to introduce many more consumers to Ch. Gloria’s wines through the stories and insights that Jean shared.

After family and friends, wine stewards and sommeliers have the potential to be the second most potent influencer selling your wine. I would give the nod to a winery’s own tasting room staff vis-à-vis, but when you add up how many people visit your tasting room versus the numbers that visit wine shops and restaurants, the potential is higher with the latter.

It is undoubtedly in a winery’s best interests to influence these influencers. These are the folks that are in the trenches presenting your wine to consumers. They have the potential to move far more cases of your wine than a blogger like me ever will.

But it is not just about getting wine stewards and sommeliers to try your wines. Keep in mind that they’re likely getting samples, trips and other perks from dozens upon dozens of other wineries.

You need to sell them on what makes your winery unique and distinctive, just like you do to a consumer face-to-face. Successful wineries reach out to wine stewards and sommeliers and give them tools (great stories, behind-the-scenes insights, etc.) that they can share to the thousands of consumers they interact with yearly.

I’m not saying that bloggers and social media influencers have zero influence, though.

I don’t want to come across as slamming my fellow bloggers or denigrating their efforts. I know we’re all working hard to make original and useful content that people will want to read. Believe me; I feel the same flutter of excitement and gratification looking at page views and subscription numbers as you do.

But the truth is, is that we are, at best, Bacon number 2s when it comes to the true reach of our influence. We have some influence, but it is quite limited.

We can contribute content that shows up on Google searches when an already engaged and intrigued consumer looks for more info on a wine. Indeed, this is the area where we probably exert the most influence which is why creating original and compelling content is critical.

But that audience of actively engaged consumers is still relatively small. And those prospective consumers needs to be initially “engaged” by something else before they start searching–often by things in the Bacon number 1 realm like sommeliers and wine stewards.

Photo from Renee Comet of the National Cancer Institute. Uploaded to Wikimedia Commons under PD-author

Engage bacon is by far the most influential bacon.

Now bloggers and social media influencers can certainly influence those sommeliers and wine stewards. Stepping back and thinking about my retail days, I most certainly read blogs and got intrigued by wines.

However, when I step back further and look at the blogging and “wine influencer” scene–when I look at what I’m doing–I realize that we are mostly just influencing ourselves.

Spend any amount of time scanning the comments and likes on Instagram of notable wine influencers and you start seeing a pattern.
It’s the same people talking to each other.

Now, truthfully, that is great because this is a community that abounds with terrific friendships. One of the most edifying results of attending the Wine Bloggers Conference was meeting fellow bloggers that I could geek out with.

But we can’t mistake shared passion for influence.
Photo by J.Dncsn. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Non-engaged bacon.
This is how I view my blog posts. They’re an ingredient that needs to be “cooked” before its sweet aroma influences anyone.

Wineries that invest hundreds, if not thousands, of dollars sending out samples to influencers are not getting their money’s worth. Especially compared to the return on investment they could get focusing on the Top 3 influencers I noted above.

Preaching to the choir will never bring people off the streets and into the pews. And getting people off the streets to check out wines is the whole point of marketing. It’s what wineries need to do in order to survive.

That is why when my good friends with wineries approach me about sampling their wines for review, I’ll accept them–but I’m not going to mislead them about my “influence.” I know that there are better ways that they could be spending their time and money.

And sharing that might be my real influence.

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