Tag Archives: Central Otago

The Lost Storytelling of Wine

Now that we’ve talked about the Millennial math that is stacked against the wine industry, let’s work on reframing the discussion about value.

Photo by Onderwijsgek. Uploaded to Wikimedia Commons CC-BY-SA-3.0

To appeal to Millennials, the industry has to demonstrate its value. They have to show us why a bottle of wine is worth shelling out our hard earned cash to purchase. As I mentioned in my post Is the Wine Industry boring Millennials to (its) death? the old playbook of marketing is not going to work.

We don’t care about high critic scores.

We don’t care about exclusive, high-priced cult wines that are famous for….being exclusive and high-priced?

And we certainly don’t care about the “lifestyle” image and traditions that enticed our parents’ generations.

But do you know what does entice us? A great story.

The Reading Generation.

Photo by Tmursch . Uploaded to Wikimedia Commons under CC-BY-SA-3.0

If you give a mouse a cookie, make sure he doesn’t pair it with something too dry.
A very dry wine will taste tart with a sweet cookie.

LeVar Burton would be proud because Millennials are leading the pack when it comes to reading. The popularity of digital formats are a big driver but even tried and true paper and hardback books are seeing an upswing in interest.

Millennials are infusing bookstores with new life because of the sense of nostalgia and authenticity they give us. When we feel overwhelmed with the world, books offer a haven and sure-fire antidote to the “Boredom Factor” we disdain.

Gosh, wouldn’t it be great if the wine industry could capture some of that?

If only we had a product that could convey a unique sense of place, crafted by people with a passion and personality?

If only we had something that constantly changed, both in the glass and in the bottle, like a great thriller with all its twists and surprises?

Hmm…if only.

A Story in a Bottle

The wine industry will continue to have problems converting Millennial consumers if it sticks with the old playbook of treating wine like it’s a commodity or status symbol. Neither of those interest us.

The health-consciousness of Millennials are moving us away from the idea of drinking cheap wine just to get a cheap buzz.

Photo by Jami430. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

Let see, should we spend $25 on a bottle of Meiomi or an order of organic avocados sliced on toasted nine-grain bread with sesame seeds?
…or we could buy a house?

We don’t have the money or inclination to buy luxury “status” wines because we’d rather pay rent, go on a trip or enjoy avocado toast.

Yes, the gameboard has changed with Millennials. But what should send a spike excitement through the industry is that it’s changed in a way that is tailored to the strengths of wine.

Step back and think about it–what beverage beyond wine can so perfectly cater to a Millennial’s sense of wanderlust or their cravings for authenticity and uniqueness?

What beverage can tell a story better than wine?

We just need to stop thinking of (and promoting) wine like its a commodity. We need to reclaim our lost storytelling.

Compelling Characters

This is the personality and people behind a wine. By far, it’s a winery’s most important asset and should be the number one marketing focus.

Print made by Sidney Paget (1860 - 1908). Uploaded to Wikimedia Commons under CC-PD-Mark

Watson, it was clearly the sulfites in his wine that poisoned him. Jenny McCarthy said they were bad.

The key to every great story is a compelling central character–our heroine or anti-hero. The central character is what separates one book from the myriad of others in the same genre. There are thousands of detective stories but there is only one Sherlock Holmes, one Alex Cross, one Hercule Poirot or one Kay Scarpetta.

And while there are god knows how many Cabernet Sauvignons, Chardonnays, Red Blends, Pinot noirs and Sauvignon blancs out there, what distinguishes each of them is their own central character–for better or for worse.

Maybe its a bulk wine with its central character a boring, non-descript narrator. They come and go like cheap penny dreadfuls.

A winery that wants to capture the attention of Millennials doesn’t need to be a Sherlock Holmes. But they do need to aim for more than non-descript and dreadful.

What makes a character compelling is that they come to life, they’re relatable. The readers learn details that add color to their understanding of the character. This lets the character jump off the page and resonate with them.

What makes a bottle of wine become more interesting and compelling is the character behind the bottle–not the grape or terroir (the backdrop). Of course, the plot (the wine itself) is important but readers will accept a few underwhelming books in a series (I’m looking at you Alex Cross’ Trial) if the character is still compelling enough to follow.

For a winery to appeal to Millennials, they need to build and promote this character.
Photo take by self. Uploaded to Wikimedia Commons as user:Agne27 under CC-BY-SA-3.0

And, honestly, a bottling truck is kind of cool.

Show us the details that add color to our understanding of your wine.

Who are you?

Why are you making wine?

What drives you and is distinct from all the other characters out there?

Show us the hard work and setbacks. Your consumer has setbacks too. Show us the excitement and joy of many months/years of labor coming down the bottling line. There are things in our lives that take months/years to come to fruition. We can relate to that.

Let us connect to your wine by telling us your story.

Because that is really the only compelling reason we have to pick up your bottle over every other option that is clamoring for our money.

The Backdrop

J. R. R. Tolkien, J.K. Rowling and Stephen King certainly had compelling central characters in their works. But they also brought the settings of their stories to life, even in short-stories that weren’t part of a larger world-building series. While the stories would still go nowhere without the central characters, the backdrop was an essential piece of the puzzle.

In wine, the backdrop is the grape varieties and places that the wine is from. One of my favorite definitions of terroir is “the story of a wine,” and this includes things like the climate of the vintage and the culture/traditions that a wine is brought up in.

Photo by Olivier Colas (http://olouf.fr). Uploaded to Wikimedia Commons under CC-BY-SA-4.0

Fun Fact: The Battle of Pelennor Fields was filmed only about an hour half away from the wine region of Central Otago.
“I am no Burgundy!”

A Pinot noir from New Zealand is distinct from one from Oregon, California or Burgundy for many reasons. All those reasons add richness to the story of the wine just like Middle Earth, Hogwarts and Shawshank added richness to their narratives.

When I encourage wineries to focus more on marketing the unique character of themselves, I’m not telling them to ignore the grapes or terroir. But they should recognize these things for what they are–the backdrop.

This is why making wine from unusual grape varieties or emerging wine regions is not enough to entice Millennials.

As fascinating as visiting Gondor is, we only care about that place because of Aragorn, Faramir and Boromir. Likewise, unique grape varieties like Fiano, Xinomavro, Cinsault and Trousseau or emerging wine regions in Denmark and Sweden are exciting but the novelty of new wears off quickly.

To keep consumers turning the page, you still need a compelling character to drive the story.

The Plot

However, you can have the most compelling character ever written with an imaginative world, but the plot still needs to deliver. As I mentioned above, readers will forgive a weak book or two in a series if the character is worth following. But the strength of that character gets weakened with every dud.

By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=4032043

Yeah, I know it was the Oxycontin but *shudders*.

Similarly, the strength of a winery’s character weakens with every subpar bottle they release. Plus, there is always the risk of a consumer’s first impression coming from that “off-vintage” and them deciding that the character is not worth waiting for another book. If your first experience with Stephen King was Dreamcatcher, it might take some coaxing to get you to try another bottle.

Most importantly, though, the plot of what’s inside the bottle is where wine separates itself from other options. Above all, here is where we can highlight a wine’s value above a similarly priced beverage.

Yeah, you can get flavor and a buzz from craft beer, cider, spiked seltzer water, cocktails and spirits. But each of those items is a short-story that stays static.

The story of a wine doesn’t end when the cork is pulled. That is merely the end of one chapter.

A Continuing and Changing Climax

The evolution of wine in a bottle is something that the wine industry does a poor job of explaining or marketing. And we wonder whatever happened to aging fine wines?

We promote “drinking windows” and isolate people/wines into camps of “instant-gratification” or “cellar-worthy.” We treat enjoyment of wine like it’s a timestamp on a theater ticket. Better get your butts into the seats before they lock the doors.

Photo by CynSimp. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

What they didn’t tell you was that the toxins were really kombucha.

All of that ignores the storytelling that adds value to wine.

Even after the cork is pulled, a great wine (like a great story) will unfurl itself over the course of each glass. Change of direction, build-ups and plot twists are around the corner with the next pour.

What equivalent priced beverage offers that? Yeah, your beer could get warm and change. Or your ice sphere could melt into your diluted whiskey. But that’s more discovering that trees are releasing toxins to purge the planet than realizing that Bruce Willis is dead.

Plus, with many wines, there are still chapters that have yet to be written and are waiting to be experienced months, years or even decades down the road. The bottle you open today is not going to be the same bottle–the same story–that it’s going to be when you pick up the book again.

That’s fascinating and exciting!

It’s something that not even the Choose Your Own Adventure series can top.

Leveraging our strength and adding value.

In hindsight, it will be silly if the wine industry continues to have a “Millennial Problem.” Our greatest strength is that our product has such potential to be compelling, unique and authentic.

We just need to get back to telling our stories.

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Viva La Vida New Zealand — The Coldplay of the wine world?

At a recent panel on New Zealand wine held in London, Richard Siddle, a long time editor of several UK wine business publications, called the Land of the Long White Cloud “The Coldplay of the wine world”.

Photo by Zach Klein. Uploaded to Wikimedia Commons under CC-BY-2.5

Ouch.

Ostensibly, it was meant to be a compliment with Siddle noting that Kiwi wines are “consistent, popular and in everyone’s collection”.

But liking a country’s wines to a band that has just as much ink devoted to wondering why they’re so loathed as they do positive press, doesn’t exactly scream “Highly Recommended!”.

With compliments like that, who needs insults?

Dad Music and Mom’s Wine

Nylon columnist Anne T. Donahue aptly summed up the criticism of Coldplay following their 2016 Super Bowl performance as a chafing against “dad music”.

I mean, it’s not that Coldplay was incompetent or bad—they were fine. But “fine” isn’t enough, especially when compared to Beyoncé’s “Formation” battle cry, and her dance-off with Bruno Mars. To appear alongside both artists on stage served only to highlight Coldplay’s normality; to draw attention to the overt safeness of a band we once felt so strongly for, which then reminds us of who we used to be. Ultimately, Coldplay has become the musical equivalent of a friend we had in high school: okay, I guess, but someone you don’t have anything in common with anymore. — Anne T. Donahue, 2/12/2016

I have to admit, that “okay, I guess” sentiment really does encapsulate my thoughts on New Zealand Sauvignon blanc. Maybe Siddle is onto something?

Now don’t get me wrong. New Zealand Sauvignon blanc does have many charms. They’re always exceptionally well made and consistent. Virtually regardless of producer or vintage, you can order a Kiwi Sauvignon blanc and know exactly what you’re going to get.

Grapefruit, passion fruit, gooseberry and guava. Check. Lemongrass, green bean and jalapeno. Check. Crisp, lively mouthfeel. Check.

For students taking blind tasting examinations, you pray that a New Zealand Sauvignon blanc is included in your flight. In a world of so many exceptions, a classic Marlborough Sauvignon blanc is as much of a sure thing as you can get.

Which makes it boring as hell.

When you get what you want but not what you need

There’s no doubt that since Montana Wines/Brancott Estate introduced to the world Sauvignon blanc from Marlborough in the 1970s, it’s been a raging success for the New Zealand wine industry. In 1985, it status was elevated even further when David Hohnen established Cloudy Bay as the first dedicated premium Sauvignon blanc producer in New Zealand.

Soon supermarket shelves and restaurant wine lists were awash with the wine of choice for suburban moms everywhere. Led by labels like Kim Crawford, Nobilo, Villa Maria and Oyster Bay, around 86% of all the wine exported out New Zealand in 2017 was Sauvignon blanc.

The flood of grapefruit and gooseberries to the US alone generated around $571 million in sales. Those figures, coupled with still healthy sales in the United Kingdom, pushed the value of New Zealand exports over $1.66 billion NZ dollars in 2017.

Yet the overwhelming dominance of the industry by one grape variety has given many folks, such as Master of Wine Tim Atkin, reason to question if this is “…too much of a good thing?

Arguably the biggest problem with New Zealand Sauvignon Blanc is the influence it has had outside the country. It’s not just the idiotically named Kiwi Cuvée, produced in the Loire Valley by the French company Lacheteau, it’s also the me-too styles that are produced in countries like Chile, South Africa and Australia. Yes, I know that there are different interpretations of New Zealand’s signature grape, but the most successful is the one that someone described as a “bungee jump into a gooseberry bush”. With some residual sweetness, of course. — Tim Atkin, 3/7/2018

The bounty of options of not only authentic New Zealand Sauvignon blanc but also a parade of facsimiles is like skipping over “Clocks” on Spotify only to have the next song be a cover band version.

Is It All Yellow?

Really fantastic Pinot gris from Martinborough. It had some of the zippy acidity and even gooseberry of a NZ Sauvignon blanc with the tree fruits and weight of an Oregon Pinot gris.

Even New Zealand producers are starting to fret about the risks of having all their eggs in one grapefruit basket.

Lucy Shaw of The Drinks Business quotes Philip Gregan, CEO of New Zealand Winegrowers, at that London panel with Siddle “The challenge now is to broaden the story beyond Sauvignon Blanc. We’re a New World country so we need to be open minded, think differently and come up with fresh ideas in order to keep our wines exciting and relevant.”

Google “New Zealand wines beyond Sauvignon blanc” and you’ll get a laundry list of wine writers and bloggers craving something different.

Will those cravings eventually extend to consumers who are still driving the thirst for tankers of Sauvignon blanc?

Perhaps.

While right now Pinot noir has a head start in crafting its own identity in New Zealand, it could be the sirens of Chardonnay and Pinot gris that tempt bored Millennials back to the islands.

Tell me your secrets, And ask me your questions

The last chapter of Gibb’s book gives tips about visiting the wine regions of New Zealand. This will be extremely handy next year when the wife & I visit the country either before or after the Wine Media Conference in Australia.

If you’re interested in learning more about New Zealand wine–both Sauvignon blanc and the vast diversity beyond that grape–here are a few of my favorite resources.

The Wines of New Zealand by Master of Wine Rebecca Gibb.

I highlighted this book back in a July edition of Geek Notes and it has certainly lived up to its billing. By far this is the most comprehensive and in-depth coverage of the New Zealand wine industry that I’ve come across. While a lot of the producers and wine recommendations that Gibb make may be hard to find in the US market, she definitely spends considerable time highlighting the diversity of New Zealand wines beyond Sauvignon blanc.

UK Wine Show with Chris Scott

Chris Scott is a New Zealand native and wine educator in the UK. Sprinkled among the show’s 570+ episodes are numerous interviews with New Zealand wine producers and experts. A few of my favorites are below.

Harpers Podcast 1 New Zealand wine growers (58:23) — A bit unique compared to the usual UK Wine Show format with Chris interviewing Philip Gregan and 3 growers from different parts of New Zealand.

Allan Johnson on Palliser Estate, Martinborough (30:22) — Palliser is making some fantastic wines including Pinot gris (mentioned above) and Pinot noir that are distributed in the United States.

Martinborough Vineyards with Paul Mason (34:12) — Really great insights about the terroir of the Martinborough region on the North Island and the style of Pinot noir grown here.

Steve Smith Craggy Range on Terroir (20:27) — Steve Smith is a Master of Wine and here he touches on a lot of the unique aspects of New Zealand terroir–including why not every area is suitable for Sauvignon blanc.

Dr John Forrest of Forrest Estate on Riesling (24:12) — While I haven’t had an opportunity yet to try a New Zealand Riesling, it’s clear that there are some special areas in New Zealand (like the Waitaki Valley in the Central Otago) for the grape.

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Geek Notes 7/30/18 — New Wine Books to Geek Out With in August

Photo is from DEM of the New Zealand from GLOBE (topography) and ETOPO2 (bathymetry) datasets, precessed with Arcgis9.1 by jide. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Elevations of New Zealand

A look at some of the some of new releases in the world of wine books.

The Wines of New Zealand by Master of Wine Rebecca Gibb (released July 30th, 2018)

While there has been a few other books written to cover the wines of New Zealand such as Michael Cooper and John McDermott’s Wine Atlas of New Zealand (2002) and Warren Moran’s New Zealand Wine: The Land, The Vines, The People (2017), as far as I can tell this 356 page book is the first in-depth and exclusive look into the wines of New Zealand that has been written by a Master of Wine.

While previous books were written by New Zealand insiders, I’m intrigued at the perspective that UK-based Gibb may add to the story–especially in light of the global worldview of wine that is required to attain MW certification.

This intrigues me because it seems like in many ways that the NZ wine industry has been suffocating under the weight of success for their Sauvignon blancs with the grape still representing a staggering 72% of New Zealand wine production (2016).

Now with producers in other regions of the world breaking down the science of thiols and their precursors as well as the role of methoxypyrazines to tweak their own approach to Sauvignon blanc, wine shelves are awashed in pink grapefruit and gooseberries.

Suddenly New Zealand’s “distinctive style” doesn’t seem so distinctive anymore.

Photo by B.muirhead. Uploaded to Wikimedia Commons under CC-BY-3.0

View towards the Southern Alps but it honestly wouldn’t be out of place in the Malbec country of Mendoza, Argentina.

Yet for a country that spans over 10 degrees of latitude from the Northland region of the North Island down to Dunedin south of the Central Otago district on the South Island (more than the latitude difference between Champagne, France and Naples, Italy), it feels like there has to be more to the New Zealand wine story that just their ubiquitous Sauvignon blanc.

I mean, come on, this is a land that was able to bring to life on screen the diverse terrains Tolkien’s imagination in the Lord of the Rings series. Certainly there has to be a treasure trove of unique terroir that can be married to different varieties in magical ways.

As a wine geek and consumer, I would love to learn more about some of the 50+ other grape varieties grown in New Zealand.

What about Albariño in Gisborne? Syrah from Hawke’s Bay? Pinot blanc from Central Otago? Petit Verdot from Waiheke Island?

I know those varieties probably won’t excite the patio pounders and cafe sippers who guzzle down Kim Crawford, Oyster Bay and Nobilo by the caseful but it is certainly an answer for the legions of drinkers who’ve grown fatigued of Sauvignon blanc as is the inevitable fate for every fashionable variety.

Perhaps Gibb’s book would not only answer that fatigue but maybe also give a reason to give New Zealand’s old standby of Sauvignon blanc a fresh look with new eyes?

How to Import Wine: An Insider’s Guide (2nd Edition) by Deborah M. Gray. (To be released August 13th, 2018)

Gray’s first edition of How to Import Wine from 2011 was an extremely valuable resource for me in studying for the business unit of the WSET diploma.

It laid out clearly a lot of the complexities behind finding clients, building brands as well as the licensing, regulations and expenses that go into importing wine and finding distribution for those wines. It’s a far less romantic reality than you would imagine after reading Kermit Lynch’s Adventures on the Wine Route.

And then there is the reality of a rapidly changing market–driven particularly by Millennials and our wanderlust tastes. The second edition of Gray’s book looks to tackle some of those changes along with new laws and regulation that have emerged since the previous edition.

In Vino Duplicitas: The Rise and Fall of a Wine Forger Extraordinaire (paperback) by Peter Hellman. (To be released August 21st, 2018)

Seems like folks love reading (and writing) about rich folks getting snookered on wine.

Similar to how Benjamin Wallace’s The Billionaire’s Vinegar chronicled Hardy Rodenstock’s forgeries and scandals, Hellman takes a look at the build up and fall out of Rudy Kurniawan’s nearly 10 year con of infiltrating the big spenders clubs of the wine world and then blending his own fake bottles of legendary wines to sell to his buddies.

Hellman’s book was originally released in hardcover and audio book back in July 2017 and is a great read for folks who like historical non-fiction along with a peak into the gaudy wine drinking lifestyles of people who pop Petrus and DRC like a Sunday brunch wine.

Photo by Camw. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Why have mimosas when you can have La Tache? Assuming it’s real of course.

I also recommend checking out the 2016 documentary Sour Grapes which covers the Rudy Kurniawan from the perspective of those who knew Rudy as well as his victims and the people who brought him down.

That film also introduced me to the awesome work of Maureen Downey (aka ‘The Sherlock Holmes of Wine’) who was at the forefront in exposing Kurniawan. The day she releases a book on wine forgery, you better believe I will be snapping that sucker up on preorder.

The Wines of Eastern Europe by John Hudelson PhD. (To be released August 1st, 2018)

Photo by David Boyle. Uploaded to Wikimedia Commons under CC-BY-2.0

Seriously, Pošip is a fantastic white wine! Kind of like a less green and pungent New Zealand Sauvignon blanc.

Admittedly the wines of Bulgaria, Slovenia, Hungary, Romania, Georgia, Croatia and the like are a bit of a blind spot for me. Sure I’ve had Tokaji before (including a huge jackpot score with The Somm Game on my last trip to Vegas) and my mind was blown away on my trip to Croatia with how incredibly delicious their whites made from Pošip, Grk and Maraština were.

I’ve also had an oddball Bulgarian, Georgian and Romanian wine but outside of flashcard WSET knowledge about Bull’s Blood, Fetească Regală, Saperavi and the like I don’t really have much in-depth knowledge about the wines and culture of this part of the world. And I doubt that I’m alone in sharing this blind spot.

But exciting things are happening in the wine industries of Central and Eastern Europe with new winemakers taking fresh approaches to their bevy of unique indigenous varieties–to say nothing of the Natural Wine Movement that seems to have its spiritual home here.

With 386 pages written by John Hudelson, the author of Wine Faults: Causes, Effects, Cures (which was super valuable to me during my winemaking studies), I can see The Wines of Eastern Europe going a long way towards filling in that gaping blind spot.

Though giving Hudelson’s previous work on wine faults, I’ll be really curious to see how he approaches the topic of sulfite use and natural wines.

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