Tag Archives: Columbia Crest

60 Second Wine Review — Sinclair Estate Vixen

A few quick thoughts on the 2013 Sinclair Estate Vixen from Columbia Valley.

The Geekery

Sinclair Estates was founded in 2010 by Tim and Kathy Sinclair, who also own the Vine & Roses Bed and Breakfast in Walla Walla.

This vintage was made by Amy Alvarez-Wampfler, an alum of Walla Walla Community College, who started at Columbia Crest Winery–eventually becoming responsible for their 10,000 barrel Chardonnay program. At Columbia Crest she was mentored by Ray Einberger, Juan Munóz Oca, Daniel Wampfler and Keith Kenison. In 2010, she was hired by the Sinclairs to be their head winemaker and general manager.

In 2015, Alvarez-Wampfler left Sinclair to join her husband, Daniel, as winemakers of Abeja–following John Abbott who launched the winery in 2002. She was succeed at Sinclair by Billo Naravane, a Master of Wine who also owns Rasa Vineyards in Walla Walla.

The 2013 Vixen is a blend of 63% Mourvedre, 26% Syrah and 11% Petit Verdot. The wine was aged for 36 months in French oak.  Around 475 cases were produced. Across all their wines, Sinclair Estate only produces about 1500 cases.

The Wine

Medium-plus intensity nose. Lots of black pepper and oak spice with blue floral notes. Underneath there is dark fruit–black cherries and plums–as well as a little tamarind for intrigue.

Photo by kaʁstn Disk/Cat. Uploaded to Wikimedia Commons under CC BY-SA 3.0 (DE)

The savory tamarind notes compliment the dark fruits of this wine very well.

On the palate, the spice notes–particularly nutmeg and clove–carry through but more of the vanilla from the oak emerges. The dark fruits and savory tamarind are still present with the medium acidity balancing them enough to compliment the full-bodied weight and medium-plus tannins. On the long finish the black pepper spice re-emerges.

The Verdict

The 2013 Sinclair Vixen is an intriguing “Rhone blend with a twist” with the Petit Verdot replacing Grenache. Very characterful wine that strikes an interesting balance between the lusciousness of New World dark fruit and oak with the savory spiciness of Old World influences.

At around $40-45, this is a very delicious red blend that is great by itself but worth savoring over a long dinner.

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Exploring The Burn with Borne of Fire

Going to need more than 60 Seconds to geek out about this new Washington wine.

In January, Ste. Michelle Wine Estates released their newest wine, Borne of Fire, featuring fruit from the newly proposed AVA The Burn of Columbia Valley. A 2016 Cabernet Sauvignon with 10% Malbec blended in, Borne of Fire is the only wine currently on the market that features fruit exclusively from this new region in Washington State.

The Burn

Located in Klickitat County just west of the Horse Heaven Hills and east of the Columbia Gorge AVA, The Burn encompasses the plateau and benchland bordered by the Columbia River to the south and two creeks (Rock and Chapman) flanking it northwest and northeastern sides. The name comes from the tradition of settlers in the late 1800s and early 1900s of setting the entire plateau on fire in the fall to provide ash and fertilizer that would rejuvenate the grasslands in the spring when the horses needed to be fed.

Cabernet Sauvignon vines were first planted in 2002 by Chateau Ste Michelle and the Mercer family of the Horse Heaven Hills. In 2015, plantings were greatly expanded with more Cabernet Sauvignon, Malbec, Syrah, Sangiovese and Chardonnay. Of the nearly 17,000 acres in the proposed AVA, 1261 acres are currently planted. Chateau Ste. Michelle already has plans to expand to 2100 acres.

This expansion would surpass the 1671 acres currently planted in Walla Walla and almost reach the 2225 acres planted in Red Mountain.

The Next Red Mountain?

Map from the Washington State Wine Commission with edits added by the author

Location of The Burn within Washington State

The propose AVA draws some comparison to Red Mountain with its warm temperatures and similar heat accumulation numbers. However, the heat is spaced out over a longer growing season that allows more hang time to ripen stem and seed tannins while still maintaining fresh acidity.

The unique soils of The Burn are a mixture of silt-loam and loess that retains water better than the gravel and sandy loam typical of Red Mountain and many other Eastern Washington AVAs. With an average of 8.7″ of rain, vineyards in The Burn have reduced needs for irrigation and the potential to dry farm in some vintages.

The AVA petition for The Burn was officially accepted October 31st, 2017 with Joan Davenport (of Washington State University and Davenlore Winery), Kevin Corliss (of Ste. Michelle Wine Estates) and John Derrick (of Mercer Canyons) as the petitioners.

Wine Stats

Borne of Fire is made by Juan Muñoz-Oca, the head winemaker of Columbia Crest and Intrinsic, at Ste. Michelle Wine Estate’s Paterson facility. The wine is 90% Cabernet Sauvignon and 10% Malbec.  Sourced from 2015 plantings, the Malbec was harvested after only its second leaf.

The Cabernet grapes were mostly fermented whole cluster with the stems. The wine was then aged nearly a year in large 120 gallon puncheons of Hungarian oak. The casks were lightly toasted to pay homage to The Burn’s history. Around 35,000 cases were produced for the inaugural release. Plans for the 2017 release has that number jumping to 95,000 cases.

The Wine

Photo by Imtiyaz Ali. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

This very young wine has some fresh red cherry notes.

Medium-minus intensity nose. Very tight. Some red cherry and spice. There is an interesting black tea component on the nose that I usually associate with Pinot noir from the Yamhill-Carlton District (like stuff sourced from Shea Vineyards).

On the palate, the tightness and youth still hold court. Medium plus acidity and medium plus tannins lock the fruit and doesn’t allow much to express itself. Working it around a bit in the mouth lets some red currant join the cherry fruit from the nose. The finish is short but that intriguing mix of black tea and “Malbec-like” spice briefly appears.

The Verdict

At around $23-26, you are buying this wine on its potential–both of the wine and the terroir of The Burn. As Red Mountain Cabernet Sauvignon usually cost $35+, this AVA could offer compelling value.

There are definitely some intriguing hints. I can see this wine developing on a steep learning curve over the next year. Right now, it just needs more bottle age.

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Behind the Curtain

By The Wonderful Wizard of Oz / By L. Frank Baum; With Pictures by W.W. Denslow. Published: Chicago ; New York : G.M. Hill Co., 1900. - From the Library of Congress Online Catalog. The image page is here and the description page is here., Public Domain, https://commons.wikimedia.org/w/index.php?curid=3090042Harvey Steiman of Wine Spectator did a write up about the unique marketing approach of a new Oregon winery, Alit. With the pedigree of Evening Land Vineyard’s co-founder, Mark Tarlov, and winemaker Alban Debeaulieu, formerly of White Rose Estate, Domaine Drouhin Oregon and Maison Joseph Drouhin, this new project was already guaranteed intrigue but, as Steiman notes, Alit upped the ante by releasing their Pinots for the absurdly low price of $27.45 a bottle.

Yeah, you read that right. $27.45 for a premium Oregon Pinot noir from one of the Evening Land guys and a former Drouhin winemaker?!?! Toto, I don’t think we’re in Kansas anymore.

The idea behind Alit Wines is transparency with the winery’s website (and Wine Spectator article) going into great detail to describe how they break down the cost figures that brings them to charge $27.45 for a bottle of Pinot noir sourced from acclaimed vineyards in the Dundee Hills, McMinnville (including Momtazi Vineyard) and Eola-Amity Hills. The hope for Tarlov and Co. is that they’ll be rewarded for their transparency with consumers, empowered with the knowledge of the nuts and bolts cost of production, seeing the advantage of bypassing “the middlemen” and buying directly from the winery.

Alit's breakdown of the cost of wine. Credit: https://medium.com/@MarkTarlov

Alit’s breakdown of the cost of wine. Credit: https://medium.com/@MarkTarlov

On the surface this sounds like a solid strategy and I was intrigued enough to put in an order myself. Potentially great wine at a great price is always a plus and its exciting to think about what could happen if more premium wineries followed suited with this focus on transparency. But as both a consumer and as someone who has spent over a decade in the wine industry (both production and retail), I don’t see this as a yellow brick road leading to a revolution in wine pricing.

I also can’t escape the nagging feeling that instead of just empowering consumers, that this peek behind the curtain of production costs will have the same effect on consumers that Dorothy’s glimpse behind the curtain at the Wizard had on her. Yes, it is nice to see what’s behind the curtain but do you lose a bit of “magic” when everything doesn’t seem to be what you once thought it was? Are you going to enjoy as much that $60 Pinot you enjoyed before now that you can add up in the back of your mind that it may really only cost the winery around $15 to make?

Pay No Attention To The Conspicuous Consumption of Wine.

Wine is weird. On one hand, it is a consumable agricultural good just like any foodstuff. So drilling the price of a bottle of wine down to the price of the raw materials, labor and cost of production and transport sounds like a simple endeavor. Yet, wine is also much more than that and, especially in the United States, it can also be considered a Veblen good–an item whose price and value often drives demand, instead of just necessarily the demand driving the price.

This is a big reason why I doubt that you’ll see Alit’s marketing model being readily adopted by other wineries. Of course, nearly every winery in the world would wholeheartedly support encouraging consumers to buy most, if not all, their wines direct from the winery. Not only does it allow them to control the consumer’s experience, making sure that they are getting their wines in the best condition possible, it’s also how wineries make the most money. That last point is key. Look at the prices that you see at a winery’s tasting room and then compare them to what you would be paying at a typical retailer. Are you getting the savings of “cutting the middleman”?

Most likely not.

In the Wine Spectator article, Alit’s Tarlov explains that this is because wineries don’t want to hurt their distributor and retail partners by drastically undercutting them in price. There is certainly truth to this because the wheels of the wine industry are greased by trust and relationships. However, the one thing more valuable than relationships in the wine industry is the perception of your brand. This is why retailers sometimes get in trouble if they price a winery’s wine “too low”. It impacts the “brand”. Wineries are loathed to ever lower the prices of their wine because it can lower the prestige and value of the wine in the eyes of consumers.

A heart is not judged by how much you love; but a wine is judged by how much it is loved by others.

By Man vyi - Own work (own photo), Public Domain, https://commons.wikimedia.org/w/index.php?curid=7907924

And men are judged by how they wear fanny packs

Consumers are weird. We all want a great deal, but not too good or there must be something wrong. The placebo effect is alive and well as our brains are hardwired to get more pleasure from things that we perceive as being more expensive and ergo more valuable.

Now as wine lovers, who presumably want to get the most for our money, what should we do? Do we just chuck it all out the window and drink Two Buck Chuck from here on out?

Let me ask a different question. If you’re a fan of American football, what is more appealing to you? Spending around $50 or less for a family of four to see a local high school football game or spending an average of around $131.93 per person to see a team like the Cincinnati Bengals play home games against the Cleveland Browns and Buffalo Bills? No offense to the Bengals, Browns or Bills fans among my readers but there are certainly games where you can argue that maybe the high schoolers would field a better product for the money.

By Jeffrey Beall - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=16607189

“Seriously??? 5 missed FG and 4 missed xp…costing us 2 games. Yeah…sounds like a keeper…”(11/29/2016) — Kyra Olson, author’s Facebook friend and Bengals fan since 1981

Now we can argue about the nuts and bolts of the talent and skills of football players, the quality of equipment, the stadium atmosphere and then craft metaphors about how that relates to vineyard terroir, winemakers, new oak barrels and such. But I think we can drill it down to a much more simple question: What experience gives you more pleasure?

What experience fills you with more sense of excitement and anticipation as you enter the stadium before the game? If you were given a gift of tickets, opening which set (to the HS game or the NFL one) would quicken your heart more? For most people, it’s the latter and that is a huge reason why seeing an NFL game is often 12x more expensive than seeing a high school football game–regardless of the end quality result on the field. The value of the product is judged by how much it is loved by others. With the typical NFL stadium holding around 70,000 spectators, there are quite a bit of people who are willing to pay top dollar to be one of the few who get to sit in those seats.

The same is true with a bottle of wine. For as solid and tasty that something like a $8-12 bottle of Columbia Crest Grand Estates Cabernet Sauvignon can be, the level of excitement and anticipation of opening it up just can’t match up to opening something like a $60-68 bottle of DeLille Four Flags Cabernet Sauvignon. There is the bare nuts and bolts value of the raw materials and cost of production but how do you quantify the value in that sense of excitement, anticipation and pleasure that comes from that? With only around 1,450 cases made each year of DeLille’s Four Flags, there are plenty of people who put high value on being one of the few who get to enjoy that sense of excitement and anticipation.

You, my friend, are a victim of disorganized thinking (as we all are).

Plus there is always great beer under $20!


While I do applaud Mark Tarlov and the folks behind Alit for being bold with their marketing plan on transparency, I do think it creates an unfortunate impression that wine pricing is a simple affair. It’s not because wine isn’t simple and, more importantly, people aren’t simple. Just as in Oz, when the Wizard chastised the Cowardly lion for confusing courage with wisdom, we also shouldn’t confuse the value of our pleasure and enjoyment of wine with the nuts and bolts cost of things. Just as our perception of taste is personal, so too is our perception of value. A wine is good is if it is good for you and a wine is worth its price if it is worth it to you.

If an $8 Cabernet gives you pleasure and is worth $8 to you, Enjoy! If a $28 Pinot does the same, drink up! But, likewise, don’t devalue your pleasure and sense of the wine’s worth if your mouth drools with anticipation at pulling the cork out of a $60 bottle of Cabernet Sauvignon or Pinot noir. It’s your palate, your wallet and your pleasure.

And if paying around $131 to watch Mike Nugent miss fields goals and extra points gives you pleasure, well you can talk to my friend Kyra about that.

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