Tag Archives: Napoleon III

Bordeaux Futures 2017 — Clos de l’Oratoire, Monbousquet, Quinault l’Enclos, Fonplegade

Photo by self. Uploaded to Wikimedia Commons as Agne27 under CC-BY-SA-3.0

For our next installment on the 2017 Bordeaux Futures campaign, we go to St. Emilion to look for values from the sister properties of the Premier Grand Cru Classe estates Ch. Canon-la-Gaffeliere and Ch. Cheval Blanc as well as the Grand Cru Classe estates of Ch. Monbousquet and Ch. Fonplegade.

To see some of the our previous posts on the 2017 campaign check out:

Bordeaux Futures 2017 — Palmer, Valandraud, Fombrauge, Haut-Batailley

Bordeaux Futures 2017 — Pape Clément, Ormes de Pez, Marquis d’Alesme, Malartic-Lagraviere

Bordeaux Futures 2017 — Lynch-Bages, d’Armailhac, Clerc-Milon and Duhart-Milon

Now onto the offers.

Clos de l’Oratoire (St. Emilion)

Some Geekery:

The history of Clos de l’Oratoire dates back to the 1800s when it was part of the large estate of Château Peyreau on the northeast slope of the St. Emilion plateau. In 1874, Edouard Féret ranked the Peyreau estate as one of “second growth quality.”

When the vineyards of St. Emilion were classified in 1955, the best sections of Peyreau were splintered off and became Clos de l’Oratoire. This new estate was ranked as a Grand Cru Classé while Ch. Peyreau would be bottled under the St. Emilion Grand Cru AOC.

Image by Leonhard Dorst von Schatzberg. Uploaded to Wikimedia Commons under Public Domain usage.

The label of Clos de l’Oratoire and many other wines in the portfolio of Vignobles Comtes von Neipperg prominently feature the family’s coat of arms that date back to the early 1700s.

In the 1970s, both Peyreau and Clos de l’Oratoire where purchased by the von Neipperg family with the estates joining a portfolio that now includes the Premiers Grands Cru Classé ‘B’ estates of Ch. Canon-La-Gaffeliere and La Mondotte, Ch. d’Aiguilhe in Cotes de Castillon, Clos Marsalette in Pessac-Léognan (jointly owned with Didier Miqueu), the Sauternes Premier Cru Ch. Guiraud, Capaia in the New Philadelphia region of South Africa and Bessa Valley in Bulgaria.

All the vineyards are farmed sustainably with some parcels biodynamically managed.

The 2017 vintage is a blend of 90% Merlot and 10% Cabernet Franc.

Critic Scores:

93-94 James Suckling (JS), 90-92 Wine Advocate (WA), 89-92 Wine Spectator (WS), 90-93 Vinous Media (VM), 90-92 Jeb Dunnuck (JD), 90-92 Jeff Leve (JL)

Sample Review:

The 2017 Clos de l’Oratoire is pliant and supple, with striking balance of fruit and tannin. In some recent vintages, Clos de l’Oratoire has been more massive, but I have to say, the balance of the 2017 is really quite compelling. A rush of red cherry, plum, blood orange, pomegranate and mint builds into the racy, pliant finish. This is a gorgeous vintage for Clos de l’Oratoire. Sadly, yields are down by 60% because of frost on the lower parts of the vineyard. As a result, only hillside parcels were used. Tasted two times. — Antonio Galloni, Vinous Media

Offers:

Wine Searcher 2017 Average: $35
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $39.97 (no shipping with wines sent to local Total Wine store for pick up)
K & L: $37.99 +shipping (no shipping if picked up at 1 of 3 K & L locations in California)

Previous Vintages:
2016 — Wine Searcher Ave. $43 Average Critic Score: NA
2015 — Wine Searcher Ave. $50 Average Critic Score: 91 points
2014 — Wine Searcher Ave. $40 Average Critic Score: 90
2013 — Wine Searcher Ave. $32 Average Critic Score: 89

Buy or Pass?

Clos de l’Oratoire benefits from the same winemaking and viticultural teams as the blockbuster estates of Canon-La-Gaffeliere (Wine Searcher Ave $95) and La Mondotte (Wine Searcher Ave $252). While Clos de l’Oratoire will never reach the depths and pure hedonistic pleasures of those wines, I’ve always found it be a solid “baby brother” and good value.

Photo by Steve Ryan. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

While I certainly do enjoy nice Napa wines, getting a lush but elegant “New World-ish” Bordeaux like Clos de l’Oratoire for almost half the price is a stellar value.


In general, I find the wines of von Neipperg and his consultant Stéphane Derenoncourt to be very “New Worldish” and Napa-like meant for more short-term consumption. For a vintage like 2017 which I’m not planning on cellaring long that makes Clos de l’Oratoire a compelling buy–especially when I compare it to Napa wines in similar price points. I would put the quality of Clos de l’Oratoire on par with Napa Cabs like Silver Oak and Duckhorn or Merlots like Pride and Barnett Vineyards which all easily fetch far more than $40 a bottle. That makes this wine an easy Buy for me.

Ch. Monbousquet (St. Emilion)

Some Geekery:

First owned by François de Lescours in 1540, Monbousquet spent almost 150 years under the stewardship of the notable De Carles family who also owned Château de Carles in Fronsac and were very prominent in Bordeaux politics from the 15th to 17th centuries.

The modern history of Monbousquet began in 1993 when the estate was purchased by Gerard Perse who brought in Michel Rolland as a consultant. While Perse would go on to acquire the Premier Grand Cru Classe ‘A’ Ch. Pavie, Grand Cru Classé Ch. Pavie Decesse and St. Emilion Grand Cru Chateau Bellevue Mondotte as well as Clos Lunelles in the Cotes de Castillon, the chateau of Monbousquet would be the Perse family’s personal home until 2013 when it was sold to a French pension fund.

Photo by Private post-card collection. Uploaded to Wikimedia Commons under the Public Domain.

Ch. Monbousquet in the early 1900s.

Since 2006 the estate has been ranked as Grand Cru Classé with around 6000 cases a year produced. During the years of Perse’s ownership the percentage of Cabernet Franc and Cabernet Sauvignon was steadily increased in the more gravel and sand portions of the vineyards and today the estate is planted to around 60% Merlot, 30% Cabernet Franc and 10% Cabernet Sauvignon.

Critic Scores:

92-94 Wine Enthusiast (WE), 92-93 JS, 89-92 WS, 89-91 WA, 90-91 JL, 90-92 JD

Sample Review:

Incense, red cherries, thyme and smoke open the wine. On the palate, the wine is medium-bodied, full, velvety, polished and forward. The fruit is bright and you sense true freshness. The percentage of new oak has dropped to 50%, placing the fruit center stage. — Jeff Leve, The Wine Cellar Insider

Offers:

Wine Searcher 2017 Average: $52
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: $311.94 for minimum 6 pack + shipping (no shipping if picked up at Tustin, CA location)
Total Wine: $54.97
K & L: No offers yet.

Previous Vintages:
2016 — Wine Searcher Ave. $54 Average Critic Score: 89 points
2015 — Wine Searcher Ave. $60 Average Critic Score: 91
2014 — Wine Searcher Ave. $50 Average Critic Score: 90
2013 — Wine Searcher Ave. $44 Average Critic Score: 89

Buy or Pass?

While the 2012 Monbousquet is still a terrific value, I’ve been far more impressed with the efforts of many other St. Emilion estates (like Fleur Cardinale) in 2014 and 2015 for similar price points. That experience is encouraging me to take a “wait and see” approach to future Monbousquet releases.

I used to adore Monbousquet and have been avidly consuming vintages since 2005. While I’m still buying and getting a lot of pleasure from the 2012 vintage (Wine Searcher Average $55), I must confess that both the 2014 and 2015 underwhelmed me–especially for their price points.

While the 2012 was undoubtedly blended and bottled under the new winemaking team following the 2013 sale, I’m still a bit skeptical that Monbousquet is going to continue to be the reliable pleasure producer that it was for so many years under the Perse family’s stewardship. For a vintage like 2017 that skepticism is enough to merit a Pass for me.

Ch. Quinault l’Enclos (St. Emilion)

Some Geekery:

Historically part of the satellite region Sables St. Emilion that surrounded the city of Libourne, Quinault l’Enclos was often overlooked until 1997 when it was purchased by Alain Raynaud.

Raynaud renovated the cellars and replanted many under-performing parcels by the time he sold the estate in 2008 to Bernard Arnault and Albert Frere, the owners of the legendary Cheval Blanc. Today the vineyards and winemaking of the Grand Cru Classé is managed by Pierre Lurton with the same team used at Cheval Blanc. Since 2009 all vineyard parcels have been farmed organically.

Under Lurton and the Cheval Blanc team the percentage of Cabernet Sauvignon and Cabernet Franc used in the final blend has steadily increased with the 2017 vintage being a blend of 62% Merlot, 22% Cabernet Sauvignon and 16% Cabernet Franc. Around 7500 cases are made yearly.

Critic Scores:

92-93 JS, 90-92 WE, 89-91 VM, 89-91 WA, 88-90 JL

Sample Review:

The Cheval Blanc team changed everything when they started working there 10 years ago. Replanting with good clones etc and more Cabernet Sauvignon because there is a lot of gravel. Now also a new cellar, concrete for fermentation. Experimenting with foudres and bigger 500-litre barrels to reduce the oak impact but all new.
Deep crimson. Delicately herbaceous and slightly dusty aroma. Smells of stone dust. Or is it the concrete in the cellar? Under that, light cassis. Strange mix of herbaceous flavours and sweet chocolate. Sweet/sour at the moment. Smooth tannins, chocolate texture. Gentle but fresh.(16 out of 20) — Julia Harding, JancisRobinson.com

Offers:

Photo by schuey. Uploaded to Wikimedia Commons under CC-BY-2.0.

Being managed by the same viticultural and winemaking team as the illustrious Cheval Blanc (pictured) makes Quinault L’Enclos a compelling value for under $35 a bottle.


Wine Searcher 2017 Average: $31
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $33.97
K & L: No offers yet.

Previous Vintages:
2016 — Wine Searcher Ave. $ 36 Average Critic Score: NA
2015 — Wine Searcher Ave. $ 44 Average Critic Score: 92 points
2014 — Wine Searcher Ave. $ 35 Average Critic Score: 90
2013 — Wine Searcher Ave. $ NA Average Critic Score: NA

Buy or Pass?

Quinault L’Enclos first caught my attention with its savory and elegant 2010 vintage. While that vintage today averages around $50 (which is still a good value for its quality), it was a raging steal of a deal a few years back when it was around $35-40. The estate continued to impressed me with very solid offerings in the troublesome vintages of 2011 and 2012 and has been drinking fantastic for a young 2015.

Even though it has been under the Cheval Blanc teams stewardship for almost 10 years, this estate is still vastly underrated and is truly a gem worth discovering. As you can tell by the dearth of retail offers, this is a tough wine to get in the US (though I’ve noticed an uptick in savvy sommeliers putting this on restaurant wine lists), it’s worth finding and nabbing a few bottles if you can–especially the 2015 that is out in the market now.

Eventually folks are going to catch on and the prices will rise to match the quality but for under $50 this is a no-brainer Buy for me.

Ch. Fonplegade (St. Emilion)

Some Geekery:

Home to ancient Roman ruins that date back to AD 400, Fonplegade is one of the oldest and most historical properties in Bordeaux. The Roman settlement of St. Emilion likely took advantage of the fountain that still sits among the vines in the vineyard. The name “Fonplegade” itself roughly translates to “flowing fountain” or “fountain of plenty”.

The chateau was built in the 1850s and by 1863 the estate came under the ownership of Napoleon III’s step-brother, Charles de Morny the Duke of Morny. In 1953, the Moueix family (of Petrus fame) purchased Fonplegade. The property stayed in the family for several decades until 2004 when Armand Moueix sold it to Americans Denise and Stephen Adams.

The fountain in the vineyards of Fonplegade.


The Adams hired Michel Rolland as a consultant and began converting the vineyards over to organic and biodynamic (a similar path they took with the Pomerol estate they purchased in 2006, Ch. L’Enclos). By 2013, Fonplegade was certified organic with aims of being fully certified biodynamic by 2020. In 2015 Stephane Derenoncourt was hired to replace Rolland as consulting winemaker working with Corinne Comme the wife of Pontet-Canet’s Jean-Michel Comme.

In 2010, all the Cabernet Sauvignon vines were removed and replaced with Cabernet Franc. Sensing the potential of the variety in their clay and limestone dominant soils, the Adams have a goal of eventually 20% of the vineyard being planted to the grape.

The 2017 vintage is a blend of 90% Merlot and 10% Cabernet Franc. Around 4000 cases a year are produced.

Critic Scores:

93-95 WA, 92-94 VM, 92-93 JS, 90-93 WS, 93-95 JL, 90-92 JD

Sample Review:

The deep garnet-purple colored 2017 Fonplegade has quite a spicy nose sporting notes of anise, cloves, fenugreek and black pepper over a core of warm black plums and blackberries plus a waft of potpourri. Medium-bodied with a rock-solid frame of grainy tannins and wonderful freshness, it features bags of vibrant black fruits and a long, spicy finish. — Lisa Perrotti-Brown, Wine Advocate

Offers:

Photo by 	Mkonikkara. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Ch. Fonplegade in 2011 before work to reconstruct the right tower that was damaged in World War II began.

Wine Searcher 2017 Average: $34
JJ Buckley: $35.94 + shipping (no shipping if picked up at Oakland location)
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $34.97
K & L: No offers yet.

Previous Vintages:
2016 — Wine Searcher Ave. $ 38 Average Critic Score: 92 points
2015 — Wine Searcher Ave. $ 50 Average Critic Score: 91
2014 — Wine Searcher Ave. $40 Average Critic Score: 89
2013 — Wine Searcher Ave. $35 Average Critic Score: 89

Buy or Pass?

Fonplegade in 2016 after the right tower was restored. Beginning with the 2015 vintage you can see the two towers illustrated on the wine’s label.


Visiting the estate of Ch. Fonplegade was one of the highlights of my 2016 trip to Bordeaux and it is clear that the Adams family are dedicated to raising the profile and quality level of the property. Touring the vineyards and their immaculate winery you could tell that no expense was being spared in their quest. Along with Ch. Fleur Cardinale, Fonplegade is one of the Grand Cru Classé that I can see eventually being promoted to Premier Grand Cru Classé ‘B’.

I am intrigued with the change from Rolland to Derenoncourt as I tend to prefer the later’s style a bit more. I’m also quite pleased at the very reasonable pricing for the futures being noticeably less than the current market prices for the 2014 and 2015. With value seeking being a primarily driver in my approach to the 2017 vintage this puts Fonplegade as a solid Buy for me.

More Posts About the 2017 Bordeaux Futures Campaign

Why I Buy Bordeaux Futures

*Bordeaux Futures 2017 — Langoa Barton, La Lagune, Barde-Haut, Branaire-Ducru

*Bordeaux Futures 2017 — Pape Clément, Ormes de Pez, Marquis d’Alesme, Malartic-Lagraviere

*Bordeaux Futures 2017 — Lynch-Bages, d’Armailhac, Clerc-Milon and Duhart-Milon

*Bordeaux Futures 2017 — Cos d’Estournel, Les Pagodes des Cos, Phélan Ségur, Calon-Segur

*Bordeaux Futures 2017 — Clinet, Clos L’Eglise, L’Evangile, Nenin

Bordeaux Futures 2017 — Malescot-St.-Exupéry, Prieuré-Lichine, Lascombes, Cantenac-Brown

*Bordeaux Futures 2017 — Domaine de Chevalier, Larrivet Haut-Brion, Les Carmes Haut-Brion, Smith Haut Lafitte

*Bordeaux Futures 2017 — Beychevelle, Talbot, Clos du Marquis, Gloria

*Bordeaux Futures 2017 — Beau-Séjour Bécot, Canon-la-Gaffelière, Canon, La Dominique

*Bordeaux Futures 2017 — Carruades de Lafite, Pedesclaux, Pichon Lalande, Reserve de la Comtesse de Lalande

*Bordeaux Futures 2017 — Vieux Chateau Certan, La Conseillante, La Violette, L’Eglise Clinet

*Bordeaux Futures 2017 — Montrose, La Dame de Montrose, Cantemerle, d’Aiguilhe

*Bordeaux Futures 2017 — Clos Fourtet, Larcis Ducasse, Pavie Macquin, Beauséjour Duffau-Lagarrosse

*Bordeaux Futures 2017 — Kirwan, d’Issan, Brane-Cantenac, Giscours

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Champagne Masters and their Bull Shit

By Comite Champagne - Own work, CC BY-SA 3.0, On Wikimedia CommonsFood & Wine recently published an article by wine educator and “prophet” Jonathan Cristaldi titled “Pop These 25 Bottles and Become a Champagne Master”.

The article had so many mistakes (some glaringly obvious) that it made my head hurt.

While I wholeheartedly support any message that begins with “Pop these bottles…”, if you don’t want to look like a bloody fool to your friends, let me tell you some of the things you SHOULDN’T take away from Cristaldi’s list.

1.) Veuve Clicquot did not develop techniques to control secondary fermentation. Nor did they perfect the art of making Champagne. (Intro)

Oh good Lordy! At least Cristaldi later redeemed himself a bit by accurately noting that Dom Perignon didn’t invent Champagne. Instead, the good monk spent his entire career trying to get rid of the bubbles. But this is a whopper of marketing BS to start an article.

First off, let’s give Veuve Clicquot due credit for what her and her cellar master, Anton Mueller, did accomplish. From 1810 to 1818, they developed the technique of riddling to remove the dead sediment of lees leftover from secondary fermentation. This helped produce clearer, brighter Champagnes. Important, yes. But even this technique wasn’t perfected at Veuve Clicquot. It was a cellar hand from the Champagne house of Morzet and M. Michelot who perfected the pupitre (riddling rack) that truly revolutionized Champagne production.

Furthermore, riddling has nothing to do with controlling secondary fermentation. It merely deals with the after-effects that happen months (usually years) after secondary fermentation is completed.

A Toast to a Team Effort
By Albert Edelfelt - Photograph originally posted on Flickr as Albert EDELFELT, Louis Pasteur, en 1885. Date of generation: 27 August 2009. Photographed by Ondra Havala. Modifications by the uploader: perspective corrected to fit a rectangle (the painting was possibly distorted during this operation), frame cropped out., Public Domain, on Wikimedia Commons

Pasteur’s work detailing the role of yeast in fermentation and Jean-Baptiste François’ invention to precisely measure how much sugar is in wine, contributed far more to the Champagne’s industry efforts to “control secondary fermentation” than a riddling table did.

Credit for understanding the secondary fermentation in sparkling wine goes to Christopher Merret.  In 1662, he delivered a paper in London on the process of adding sugar to create gas in wines. But this process was fraught with risks. Regularly producers would lose a quarter to a third of their production due to exploding bottles. It was challenging figuring out how much sugar was needed to achieve the desired gas pressure.

The major breakthrough for that came in 1836 when Jean-Baptiste François, a pharmacist and optical instrument maker, invented the sucre-oenomètre. This allowed producers to measure the amount of sugar in their wine. By the 1840s, a tirage machine was invented that could give precise amounts of sugar to each bottle to make the wine sparkle without exploding. These developments, followed by Louis Pasteur’s work in the 1860s on the role of yeast in fermentation, set the industry on the road to “perfecting the art of making Champagne.”

Truthfully, it was a team effort with many hands involved. It’s disingenuous (and, again, marketing BS) to give exorbitant credit to anyone for making Champagne what it is today.

2.) No vintage of Krug’s Grande Cuvée is the same because it is not a vintage Champagne! (Item #2 & Item #4)

Likewise, Dom Perignon is not “a blend of several older vintage base wines”.  This is one of Cristaldi’s most glaring errors that he repeats throughout the article. He truly doesn’t seem to understand the differences between vintage and non-vintage Champagnes.

A non-vintage or “multi-vintage” Champagne.
Note the lack of a vintage year on the label.

Non-vintage Champagnes, like Krug’s Grande Cuvée, are blends of multiple years that need to be aged at least 15 months. As Cristaldi correctly notes, some examples like Krug are aged far longer and can include stocks from older vintages.  But it’s still not a vintage Champagne. This is why you do not see a year on the bottle.

A vintage Champagne, such a Dom Perignon, is the product of one single year and will display that year on the bottle. By law, it needs to be aged a minimum of 36 months. You can’t “blend in” older base wines from another vintage. If you want an older base wine, you need to age the entire vintage longer.

3.) Speaking of Dom Perignon, the “6 vintages released per decade” thing hasn’t been true since the ’80s (Item #4)

Again, marketing mystique and BS.

While, yes, the concept of vintage Champagne was once sacred and reserved only for years that were truly spectacular, today it all depends on the house. Some houses, like Cristaldi notes with Salon, do still limit their vintage production to truly spectacular years. But other houses will make a vintage cuvee virtually every year they can.

Seriously…. there is so much Dom made that it is being turned into gummy bears.

In the 2000s, while the 2008 hasn’t been released yet (but most assuredly will be), Dom Perignon declared 8 out of the ten vintages. In the 1990s, they declared 7 out of 10–including the somewhat sub-par 1993 and 1992 vintages.

Now, as I noted in my post Dancing with Goliath and tasting of the 2004 & 2006 Dom Perignon, LVMH (Louis Vuitton Moët Hennessy) credits global warming for producing more “vintage worthy” vintages. There is undoubtedly some truth to that. But there is also truth in the fact that LVMH can crank out 5 million plus bottles of Dom Perignon every year if they want and have no problem selling them because of their brand name.

And, if they don’t sell… well they can always make more gummy bears.

4.) Chardonnay grapes do not take center stage in every bottle of Henriot (Item #5)

The Henriot Blanc de Blancs is excellent and worth trying. But so are their Pinot noir dominant Champagnes like the Brut Souverain and Demi-Sec (usually 60% Pinot according to Tom Stevenson and Essi Avellan’s Christie’s World Encyclopedia of Champagne & Sparkling Wine) and the vintage rosé (at least 52% Pinot plus red Pinot noir wine added for color). Even Henriot’s regular vintage Champagne is usually a 50/50 blend. Again, not to discredit a great recommendation to try an awesome Champagne from a well-regarded house, but it is just lazy research for a “Champagne Master” to describe Henriot as a “Chardonnay dominant” (much less exclusive) house.

If you want to talk about Chardonnay-dominant houses, look to some of the growers based around the Grand Cru villages of Avize, Cramant and Le Mesnil-sur-Oger in the prime Chardonnay territory of the Côte des Blancs. Here you will find producers like Agrapart & Fils, Franck Bonville, Salon-Delamotte and Pierre Peters that, with few exceptions–such as Agrapart’s six grape cuvee Complantee and Delamotte’s rosé, can be rightly described as putting Chardonnay “on center stage in every bottle.”

5.) No, not all the vineyards that go into Cristal are biodynamically farmed. (Item #6)

Some great resources if you don’t want to sound like an idiot when spouting off about your “mastery” of Champagne.

Update: It took almost two years but the “wine prophet” finally got one right. In December 2019, Roederer released the first Cristal sourced entirely from biodynamic grapes.

In November, I got a chance to try the new 2009 Cristal with a brand ambassador from Louis Roederer. And while I noted in my post, Cristal Clarity, that Roederer’s push towards eventually converting all their vineyards to biodynamics is impressive–right now they are only around 41% biodynamic. Of course, most of this fruit does get funneled towards their top cuvee, but in 2017, that was still just 83% of their Cristal crop.

6.) No, Taittinger’s Comtes de Champagnes are not Chardonnay only wines. (Item #11)

The Comtes de Champagne is a series of prestige vintage cuvees made by Taittinger to honor Theobald IV, the Count of Champagne. This includes a delicious Comtes de Champagne rosé that is virtually always Pinot noir dominant.

In the 1930s, Pierre Taittinger purchased the historical home of the Comtes de Champagne in Reims. Renovating the mansion, they released the first Comtes de Champagne in 1952. Yes, that was a Blanc de Blancs, but the rosé version followed soon after in 1966. While there are some vintages where only one style is released (such as only the rosé Comtes de Champagne in 2003 and the Blanc de Blancs in 1998) in most vintages that are declared, both versions are released.

7.) I doubt Queen Victoria and Napoleon III time traveled to drink Perrier-Jouët’s Belle Epoque (Item #14)

By W. & D. Downey (active 1855-1940) - collectionscanadanpg.org, Public Domain, on Wikimedia Commons

With all the Champagne houses with histories of being run by widows, it’s kind of surprising that no one has ever done a special bottling for the world’s most famous widow.

Perrier-Jouët’s first release of the Belle Epoque was in 1964.

Cristaldi may have been trying to insinuate that those long-dead Champagne aficionados enjoyed the wines of Perrier-Jouët that were available during their time (which were FAR different in style than they are today). However, he’s dead wrong to say “Napoleon III, Queen Victoria and Princess Grace of Monaco were all fans of this gorgeous bubbly, which boasts classic white-floral notes (hence the label design), along with candied citrus and a creamy mouthfeel.

I’ll give him the benefit of the doubt, though, on Princess Grace since she didn’t pass away till 1982.

Likewise….

8.) Marie Antoinette was dead more than 40 years before Piper-Heidsieck was founded (Item #15)

Kinda hard to be a brand ambassador when you don’t have your head. (Too soon?)

Again, I suspect this is just lazy research (and/or falling for marketing BS). But considering that the picture Cristaldi uses for his recommendation of Piper-Heidsieck (founded in 1834) is actually a Champagne from Charles Heidsieck (founded in 1851), the betting money is on general laziness.

A bottle of Piper-Heidsieck, in case Jonathan Cristaldi is curious.

Now for most people, I wouldn’t sweat them getting confused about the three different Champagne houses with “Heidsieck” in the name. While Champagne is nothing like Burgundy with similar names, there are some overlaps with the Heidsiecks being the most notable.

As I recounted in my recent review of the Heidsieck & Co Monopole Blue Top Champagne, the three houses (Heidsieck & Co. Monopole, Charles Heidsieck and Piper-Heidsieck) trace their origins to the original Heidsieck & Co. founded in 1785 by Florens-Louis Heidsieck.

But Piper-Heidsieck didn’t appear on the scene until 1834. That was when Florens-Louis’ nephew, Christian, broke away from the family firm to establish his own house. Even then, it wasn’t known as Piper-Heidsieck until 1837 when Christian’s widow married Henri-Guillaume Piper and changed the name of the estate.

Now, wait! Doesn’t the label on a bottle of Piper-Heidsieck say “founded in 1785”? That’s marketing flourish as the house (like the other two Heidsieck houses) can distantly trace their origins back to the original (but now defunct) Heidsieck & Co. But Christian Heidsieck and Henri-Guillaume Piper likely weren’t even born by the time Marie Antoinette lost her head in 1793–much less convincing the ill-fated queen to drink Piper-Heidsieck with her cake.

It’s not an issue for regular wine drinkers to fall for marketing slogans. But someone who is presenting himself as a wine educator (nay a Wine Prophet) should know better.

9.) Carol Duval-Leroy is not one of the few women to lead a Champagne house (Item #21)

Beyond ignoring the essential roles that women like Lily Bollinger, Louise Pommery, Marie-Louise Lanson de Nonancourt, Mathilde-Emile Laurent-Perrier and Barbe-Nicole Ponsardin (Veuve Clicquot) have played throughout the history of Champagne, it also discounts the many notable women working in Champagne today.

The De Venoge Princes Blanc de Noirs is made by a pretty awesome female chef de cave, Isabelle Tellier.

Maggie Henriquez, in particular, is one of the most influential people in Champagne in her role as CEO of Krug. Then you have Vitalie Taittinger of that notable Champagne house; Anne-Charlotte Amory, CEO of Piper-Heidsieck (and probable BFFs with Marie Antoinette’s ghost); Cecile Bonnefond, current president of Veuve Clicquot Ponsardin; Nathalie Vranken, manager of Vranken-Pommery; Floriane Eznak, cellar master at Jacquart; Isabelle Tellier, cellar master at Champagne Chanoine Frères and De Venoge, etc.

Is there room for more women in leadership in the Champagne industry? Of course, especially in winemaking. But let’s not belittle the awesome gains and contributions of women in the history (and present-day) of Champagne by sweeping them under the rug of “the few.”

Though what did I expect from a man who literally uses a woman as a “table” in his profile pic on his personal website?

Is there an end to the pain? God, I hope there is an end…

Though not as egregious as the glaring errors of mixing up Vintage vs. Non-vintage and touting long-dead brand ambassadors, I would be amiss not to mention one last thing that upset at least one of my Champagne-loving friends on Facebook.

At the end of his article Cristaldi throws out two (excellent) recommendations for a Californian sparkling wine from Schramsberg and a Franciacorta made in the traditional method in Italy. I appreciate that Cristaldi does point out that these two items are technically not Champagnes. However, it is hard not to miss the general laziness in how he leads off his article. He describes the list of wines to follow as “… some of the most iconic Champagnes out there, featuring an array of styles and price-points, so study up and become the Champagne know-it-all you’ve always wanted to be.” Again, a sin of imprecision and sloppiness.

To sum up this article, my dear Champagne-loving friend, Charles, had this to say about Jonathan Cristaldi’s article on Food & Wine.

The article is “riddled” errors. The author should be given an “ice bath” so that he can contemplate “disgorging” himself of the idea he is a master. At the very least someone should burst his “bubbles”. The article never should have made it to “press”

Now what?

I’m not going to claim to be a “Champagne Master” (though I’ll confess to being a Bubble Fiend) because frankly, I don’t think that title really exists. Even Tom Stevenson and Master of Wine Essi Avellan who literally wrote one of THE books on Champagnes and sparkling wine, probably wouldn’t consider themselves “Champagne Masters.”

To celebrate the Supreme Court decision in US v Windsor that legalized gay marriage nationwide, my wife and I threw a party in honor of the five justices that voted for equality.

People who put themselves in positions as wine educators or influencers owe it to their readers to provide valid information. Encouraging people to open bottles and try new things is terrific advice. Backing that advice up with falsehoods, embellishments, conflicting and confusing statements? Not so terrific.

No one knows everything and people make mistakes. It’s human nature. Hell, I’m sure I made at least one mistake in this post. But 9+ errors (2 of which are basic ‘Champagne 101’ stuff) is failing the readers of Food & Wine and everyone that those readers pass this faulty information along to.

Wine drinkers deserve better from our “prophets.”

Note: A follow up to this article can be found at Thought Bubbles – How to Geek Out About Champagne

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