Tag Archives: Trevari

The Hits, Misses and Mehs of Wine Reviews

Earlier this week The Seattle Times published an article about the top Costco Kirkland wines as selected by a local wine blogger.

Kirkland brand Champagne

One of the wines featured was the Kirkland Signature Brut Champagne that I picked up for $19.99. Throughout the month of December, my wife and I like to open up a bottle of sparkling wine each night. That can get expensive with Champagne so we make sure to stock up on plenty of Proseccos, Cavas and Cremants.

Needless to say, I was pretty excited at the idea of trying a true Champagne for the price of a Crémant de Bourgogne.

Reading Owen Bargreen’s review of the wine intrigued me. The Champagne certainly had pedigree with fruit from the Grand Cru village of Verzenay. Also, unusual for Kirkland branded wines, the back label listed who actually made it as Manuel Janisson of the négociant firm Champagne Janisson.

“The Brut Champagne by Kirkland Signature is a blend of pinot noir, chardonnay and pinot meunier sourced from vineyards located in Verzenay. The wine starts off with lovely diatomaceous earth followed by lemon curd and brioche on the nose. The palate shows really nice citrus fruit with kumquat, lemon oil, sourdough bread and a light musty earth flavor. Dense and layered, this is a simply outstanding effort that is a one-of-a-kind value. Drink 2018-2024.” — Owen Bargreen as quoted by Tan Vinh for The Seattle Times 12/7/2018

Unfortunately my experience didn’t quite live up to that glowing review.
label of kirkland champagne

The back label of the Kirkland Brut Champagne.

I was originally planning to share my thoughts about the Kirkland Champagne as a 60 Second Review. But instead I think I need to talk about the risks of buying blindly on the recommendations of critics and wine writers.

At the end of this post I’ll give my take on the Kirkland Champagne. But I’ll blanket it with the same caveats that I’m going to discuss below.

First, let me say that this is not about bashing another blogger.

While I’m going to be disagreeing with a bit of Bargreen’s assessment of the Kirkland Signature Brut Champagne, I’ve been a big fan of his work on the Washington Wine Blog.

Among some of my favorite posts have been his interviews with wine industry insiders like:

Kit Singh of Lauren Ashton
Benjamin Smith of Cadence
Jason Fox of Lagana Cellars
Master of Wine Billo Naravane of Rasa Vineyards
Brooke Robertson of Delmas
Nina Buty of Buty Winery

And many more.

Bargreen has a terrific sense of what’s happening in the world of wine–particularly in Washington. He seeks out the people who are shaping the scene and produces content that is well worth following.

My intent is not to quibble about differences in tasting notes. Taste is highly subjective and personal. From one taster to the next, you are just as likely to agree with someone as you are to disagree.

And that’s precisely the point.

Photo by James Suckling. Uploaded to Wikimedia Commons under CC-BY-2.0

This is especially true with professional critics. It doesn’t matter how esteemed their careers or opinions are. The tastes of critics like James Suckling (pictured) may be quite different than yours.

When you buy a wine based on a newspaper, magazine or blog review, you’re essentially gambling on how likely your tastes will align with the reviewers. And I’m not talking Somm Game gambling here. Because with written reviews (as opposed to personal recommendations from a sommelier or wine steward), you really are going out on a ledge.

The author of a wine review is writing solely from the perspective of their tastes and their opinions. They’re not standing in front of you, listening to you describe the kind of wines that you like or don’t like. They’re not acting like a sommelier or wine steward, piecing together clues to recommend something that they feel confident that you’re going to enjoy.

The reviewer may have a tremendous palate with lots of experience tasting a vast array of wines. But when it comes to recommendations published in articles, blogs, “Best of…” and “Top Whatever” lists, your tastes and your opinions do not enter the reviewer’s equation whatsoever.

Yet it is your wallet that is buying the wine. Plus, either your mouth or your kitchen drain is going to end up with the contents of that bottle.

When you buy off of reviews, what are the odds that you’re going to absolutely love the wine?

I would say about 25% or a quarter of the time. For another quarter, it’s likely to be a complete whiff.

But for the majority of the recommendations you buy, the results will be in the middle of don’t love, but don’t hate or what I call “Meh wines”.

Photo by Katy Warner from Orlando, FL, USA. Uploaded to Wikimedia Commons under PD text

And then you got to figure out if it’s worth eating at McDonald’s again to redeem your small fry.

Getting a “Meh wine” is certainly not the end of the world.

It’s kind of like playing McDonald’s Monopoly where you pull off a tab and win a small fry. You didn’t lose per se, but you really didn’t win either. You essentially got a token of a prize and with a “Meh wine” you end up with a token of an experience–something drinkable but not much more.

Now ask yourself. How much money and time do you want to spend on “Meh wines”?

Can You Hedge Your Bets?

You most definitely can. But to do that, you need to think more like a bettor at the horse races.

1.) Do Your Homework. Admittedly, a good chunk of this is trial and error. The only way to increase your odds for successful drinking is to learn how your palate aligns with the reviewers. Paying attention to how many Hits/Misses/Mehs you get with a certain reviewer will key you in on if it’s worth the gamble. Even this is not absolute. There still may be wines that you don’t completely jive with. But, at the very least, you’ll be able to weed out more of the misses and the mehs.

Photo by Ronnie Macdonald from Chelmsford, United Kingdom. Uploaded to Wikimedia commons under CC-BY-2.0

Though there is some truth to the old Will Rogers’ quote: “You know horses are smarter than people. You never heard of a horse going broke betting on people.”

2.) Pay Attention To The Jockeys–i.e. the wineries who made the wine. Often this is even better than betting on the horse. If you’ve had past experiences enjoying a winery’s wines, your bet just got a whole lot better. Because now you’re not really taking a blind recommendation from a reviewer but rather letting your own palate and experience have a say.

3.) Don’t Bet Big On An Unknown. Buying blindly on a review is never an occasion to buy a case. It doesn’t matter what high score or glowing review it got or how killer of a deal it looks like. It could still wind up being a colossal dud. You’re far better off taking a flyer on a single bottle to try first. Even though I really loved the idea of a $20 Champagne to drink all month, I am so grateful that I only spent $20 on the Kirkland Brut instead of a couple hundred.

4.) Spread Out Your Risk. Don’t bet it all on one wine. While I’m a huge supporter of trying new things, it’s always a good strategy to spread your bets out between long-shots mixed with a few favorites. Go ahead and take a chance on that new bottle, but also pick up something that is more of a sure bet just in case.

A Personal Note

Since I do reviews here on the blog, I hope all my readers take the above to heart and apply these strategies to my recommendations as well.

My favorite wines might only hit a 25% jackpot with you–or even less. Our tastes could be polar opposites and that is perfectly fine. My hope is that with the Geekery tidbits and other posts, you’re still finding resources that’ll help you find bottles you enjoy.

In the end, finding great wines that give you pleasure is the only thing that matters. Life is too short to drink “Meh wines”.

Now About That Kirkland Champagne

Photo by Ananda. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Lots of citrus notes in this Champagne but they’re more on the bitter green side like unripe pomelos.

Medium intensity nose. Definitely citrus driven but more bitter green citrus notes like unripe pomelo and Bergamot orange. Noticeable yeasty notes reminds me of raw Pillsbury buttermilk biscuit dough.

On the palate, those green citrus notes carry through but they fade pretty quickly. It’s definitely the dough notes that dominate but they taste much sweeter than the nose would have suggested. I couldn’t find the exact dosage but it’s certainly on the sweeter side of brut–likely 10-12 g/l.

The sweet dough with citrus flavors makes me think they were trying to go for the Veuve Clicquot style. However, the medium-plus acidity and moderate mousse has a tangy edge (like Bargreen’s sourdough) that doesn’t quite match the creamy mouthfeel that trademarks Veuve. The finish does have a hint of dustiness but is very short.

The Verdict

At $20, this isn’t a horrible wine. It’s definitely drinkable. If it’s aiming to be a budget Veuve Yellow Label for half the price then it’s not that far off. But it certainly tastes like a half-price “Meh” version of Veuve.

Levert Freres

While I might slightly give the nod to the regular Brut, the rose Cremant de Bourgogne from Levert Freres is also quite delicious for less than $20.

However, this is not “a one-of-a-kind value” by any stretch of the imagination.

There are so many stronger bottles of sparkling wines under $20–most notably the many available Cremants from Burgundy, Alsace and the Loire. These include wines like Levert Freres, Louis Bouillot, Albrecht, Gratien & Meyer and Champalou. Often these wines are aged as long as nonvintage Champagne (15 months) and many times much longer.

These Cremants may not have the magical “C-word” on the label like the Kirkland Brut but they are far more Champagne-like.

Then in the US, we have producers like Gruet, Jacqueline Leonne, Trevari and Roederer Estate who make very solid bottles in the $15-20 range. And, of course, Cava has some tremendous bangs for the buck with the Insito, Juve & Camps and Anna de Codorniu being highly reliable sparklers.

Champagne Dreams With a Budget-Friendly Reality

If you want to go Champagne, paying just a little bit more will give you huge quality dividends above the Kirkland Brut.

Bargreen’s article mentions the Feuillatte Blue Label that is often around $27-29 during holidays. Then there is the Moët & Chandon Brut Imperial ($33-36), Petrois Moriset Cuvee ($30-33), Moutard Grand Cuvee ($30-33) Chanoine Frères Grande Reserve ($33-35), Montaudon Brut ($32-35), Pommery Brut Royal ($33-36) and Laurent Perrier La Cuvee ($33-36).

And if you really want a slightly cheaper Veuve Clicquot Yellow Label, the Heidsieck Monopole Blue Top hits those notes better than the Kirkland Brut does in the $33-36 range.

I’m sure you can find even more under $40 Champagne or under $20 sparkling wine options checking out your local wine shop. Plus, you can talk with a wine steward and let them know what you like or don’t like.

That way you’re more likely to go home with a Secretariat, Justify or American Pharoah than you would betting on “Meh”.

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Event Review — The New Vintage at Taste Washington

After many years of only attending the Grand Tasting of Taste Washington, I decided to participate in some of the other events going on during Taste Washington weekend–the seminars and The New Vintage party.

While the Washington vs The World seminar was awesome, the New Vintage party was….less than stellar.

Is it a party, a tasting or a cattle call?

On the Taste Washington website, they describe The New Vintage at Fisher Pavillon ($80 a ticket) as an event to “See and be seen at this stylish soirée. Sample exquisite Washington wine and even discover new favorites as you chat with celebrity chefs and chow down on gourmet bites. Grab your closest friends and dance the night away, but don’t forget to pay a visit to the popular Rosé Lounge for a tasty glass of pink before the evening ends.”

In reality, it was an event to bump and be bumped into by other people as you try to make your way through the sea of humanity to a table to get a sample of wine or food. In many ways, it felt like a more scaled down version of the Taste Washington Grand Tasting. But instead of having the spacious CenturyLink event center, you had this large crowd of folks squeezed into a smaller event space at Fisher Pavilion.

Most of the strategies I talked about for dealing with the crowds at the Grand Tasting didn’t apply to The New Vintage because of how difficult it was to move around. Even if there was an empty table somewhere (which, with about a 1/5th of the wineries and restaurants compared to the Grand Tasting, wasn’t likely) you still had to literally fight, slip, slide, sneak, ope, excuse me, pardon, sorry your way to that table.

To give you a feel of the environment, this was a 30 second video I took about an hour into the event trying to move past the music stage and get to the Rosé Lounge. Note that my short 5’3 self is juggling my phone, wine glass and event brochure while trying to film this.

Good luck trying to “chat” with celebrity chefs as they were busy working their tails off to keep a steady stream of food going for the crowds. Ditto with winemakers but that is usually par for the course with these types of tastings as people always want to monopolize winemakers’ time.

Truthfully, the only people that were easy to talk to were the lonely guys at Voya Financial who were somewhat conveniently located by the stage. Before the music started, that was the only table in the event that didn’t have a mass of people in front of it.

This picture was taken just after the video where I had a clearing to raise my arms up and capture a better crowd shot.
The Rosé Lounge I was working towards is ahead in the corner.


And dancing? Ha! Maybe we could’ve gotten some mosh-pit action going on at best–though really the music provided by the synth pop duo Man Made Time wasn’t of the “moshing” vibe. Plus, where were you going to put your wine glasses while dancing?

The Positives

Just like at the Grand Tasting, there was good wine and good food to be discovered at The New Vintage. Below I list some of my favorite wines but among the food, I was blown away by the pork rillettes made by Brooke Williamson of the Hudson House on Redondo Beach. Compared to the Grand Tasting of Taste Washington which focuses on local restaurants, I appreciated that The New Vintage gave us a chance to try something new from this LA area chef.

The music was actually great. I never heard of Man Made Time before but their singer, Hillary Grace, has a gorgeous voice.

I also loved the concept of a “Rosé Lounge” (though, in reality, it was actually more of just a Rosé Table with only sparse seating nearby). I fought my way through the crowds several times to use that table as a palate cleanser and ended up finding several of my favorite wines of the evening. With Taste Washington weekend usually happening close to the beginning of Spring, having a prominent Rosé featuring event is a great idea and one that I would love to see expanded.

My Top 5 Wines from the Event

Even with the frustration and cattle call atmosphere, I still had a chance to discover some great wines. Here were are my 5 favorites.

Fantastic bubbles! And unlike the guy who was working the Domaine Ste Michelle booth, yelling for people to try his “champagne”, the folks at Karma where very professional and knowledgeable about their product.


1.) 2013 Karma Brut sparkling wine — Everytime I taste Karma’s bubbles, I become more and more impressed. They have long passed Argyle as the Northwest’s best sparkling wine producer and are giving Schramsberg in California a run for their money as the best in the United States. A blend of 49% Chardonnay, 48% Pinot noir and 3% Pinot Meunier, this vintage sparker spent 48 months aging on its lees, creating beautiful depth of toasted spice pear with a creamy, silky mousse. Truly a gem out in Lake Chelan.

2.) 2017 WIT Cellars Rosé — A blend of Tempranillo and Sangiovese that I believe was made in a saignée style. Lots of red wine character with strawberry and raspberry but bone dry with a long minerally finish. Impeccably made and well worth hunting for.

3.) 2017 Amelia Wynn Albarino — Beautiful high intensity aromatics of citrus and tropical fruit that I could smell as soon as it was poured into the glass. Very full-bodied for a white but with ample acidity and crispness. They also featured a Tempranillo rosé at the Rosé Lounge that was going toe to toe with WIT Cellars for the rosé of the night.

I also dug the schwag stickers from AniChe.


4.) 2017 AniChe Cellars Bombadil — a white Rhone blend of Grenache blanc, Picpoul and Viognier sourced from the Boushey vineyard in the Yakima Valley. Anyone who read my review of Gramercy’s Picpoul could probably guess how excited I was to hear about this blend–and sure enough it delivered. A lot more weighty than a varietal Picpoul with the dominant Grenache blanc and Viognier, this wine had a silky mouthfeel of apples and lemon custard. Great summertime white to pair with heartier cuisine.

5.) 2014 Gard Vaucluse — A very savory Rhone blend of 68% Syrah, 29% Grenache and 3% Viognier that had a mix of juicy blue fruit, floral and spice notes. This table was on the opposite corner of the Rosé Lounge and after tasting this huge wine I wanted to give my palate a break with some rosé. It took me over 10 minutes to navigate through the crowds to get to the other side of the room and I was still tasting this wine.

A white Cab Franc!


Honorable mention for the most geeky wine I tried at the event–2015 Ellensburg Canyon Winery White Cabernet Franc — Yes! A white Cab Franc! Sourced from Cox Canyon Vineyards, the grapes were whole cluster pressed right after harvest to produce this white wine. While it didn’t have all the evocative aromatics of red Washington Cabernet Francs that I adore so much, it was still a tasty white wine that I applaud Ellensburg Canyon Winery for trying their hand with. It reminded me of a more weighty and textured Italian Pinot grigio.

Another honorable mention to Ducleaux Cellars who featured several wines that impressed me–their One Night Stand rosé, Jordyn white Rhone blend and Anarchy red. The only reason they didn’t make my top 5 is because I honestly couldn’t figure out which of the three that I liked the best. Ducleaux, AniChe, WIT Cellars and Amelia Wynn were first time tastes for me and all four are wineries that I’m eagerly looking forward to discovering more about.

One of the empty winery tables that had already packed up and left by 9:17pm — with more than 40 minutes left in the event. But also look at all that space in the center. A better layout would have minimized the “moshing” and cattle call feel of the event.

Ways to Improve The New Vintage for Next Year

The first thing the event organizers need to do is nail down exactly what they want this event to be and then tailor the event space to serve that purpose. If they want it to be a party vibe with dancing and socializing then they need to move the tasting tables to the perimeter and leave a large clearing in the center for people to dance, mingle and socialize.

The organizers also need to make the hard decision of either A.) selling less tickets or B.) renting a bigger space.

Personally, I vote for selling less tickets as one of the other frustrating narratives of the night was how many food and winery tables closed up early because they ran out of stuff. It was a sad irony that by the time the crowds started to wane (around 9:20pm), and you could actually maneuver around more and hit the tables you missed, was when most of those tables were done for the night. One table I regret missing was the St. Germain/Trevari sparkling cocktail table. Located right near the entrance it was always swamped by people and I was hoping to have that cocktail be my nightcap before switching to water.

Pretty emblematic of the whole event. This photo of one of the restaurant tables was taken at 9:09 pm with almost an hour left to go.

As I mentioned above, it would also be nice if the organizers developed and expand the Rosé Lounge concept. It would be awesome to see it made into a true lounge setting that was roped off or somehow separate from the rest of the tasting with more seating and its own food pairing tables. This would offer a fantastic opportunity to truly explore the diversity of Washington State rosé–especially if they had separate tables within the lounge dedicated to different styles of rosés like the ones that Master of Wine Jennifer Simonetti-Bryan highlights in her book Rosé Wine–Blush, Crisp, Fruity and Rich.

I’ll keep an open mind for next year’s Taste Washington weekend and see if I hear about any changes to the format or venue for The New Vintage. But at this point I would say the event is certainly not worth the $80 to attend. Instead I would rather spend the extra $15 to get a general admission pass to one of the Taste Washington Grand Tasting days where you’ll have 5x as many food and wine options and a heck of a lot more room to enjoy the event.

Yes, there will always be crowds at the Grand Tasting but at least that event never felt like a cattle call.

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