Tag Archives: Canadian wine

Getting Geeky with Nik Weis St. Urbans-Hof Rieslings

Amber LeBeau in Wine grapes, Wine Knowledge, Wine reviews

Published on March 13, 2020

Note: The wines reviewed here were samples.

Today is Riesling’s birthday!

We’re celebrating one of the world’s greatest wine grapes because of an important document from March 13th, 1435. In an old cellar log from 585 years ago, the estate of Count John IV of Katzenelnbogen in Hessische Bergstrasse noted the purchase of “Riesslingen” vines.

This is widely considered to be the first written account about Riesling. While Jancis Robinson pegs the date as March 3rd, 1435 in Wine Grapes and some sources say it was actually February, the trade org Wines of Germany has declared that today is as good of a day as any to give our regards to Riesling.

I’m totally down with that.

As frequent readers of the blog know, you don’t need much to convince me to drink Riesling. Besides how incredibly food-friendly it is, I absolutely adore how it expresses terroir. From fantastic Australian Rieslings coming out of Mudgee to Napa Valley and numerous Washington State examples, these wines all exhibit their own unique personalities.

Yet they’re always quintessentially Riesling–with a tell-tale combination of pronounced aromatics and high acidity.

While the details of those aromatics change with terroir, that structure of acid is tattooed in typicity. If you don’t overthink it too much with flavors that can tempt you to wonder about Pinot gris, Gruner Veltliner and even Albarino, that acid is what should bring you home to Riesling in a blind tasting. Master of Wine Nick Jackson describes this well in his excellent book Beyond Flavor (received as a sample), noting that, like Chenin blanc, the acidity of Riesling is always present no matter where it is grown.

However, while Jackson describes Chenin’s acidity as creeping up on you like a crescendo–with Riesling, it smacks you immediately like a fireman’s pole. On your palate, all the other elements of the wine–its fruit, alcohol and sugar–wrap around Riesling’s steely acidity. Jackson’s firepole analogy is most vivid when you’re tasting an off-dry Riesling because while you can feel the sense of sweetness ebb, like a fireman sliding down, that acid holds firm and doesn’t move.

Seriously, next time you have a glass of Riesling, hold it in your mouth and picture Jackson’s vertical firepole. It will really change your blind tasting game.

And for some great benchmark bottles to try those skills out on, may I suggest the geeky good wines of Nik Weis St. Urbans-Hof in the Mosel?

The Background

Glass window feature of St. Urban at a church in Deidesheim.

Along with his wife, Daniela, Nik Weis is a third-generation winegrower based in the middle Mosel village of Leiwen. His family’s estate, St. Urbans-Hof, was founded by his grandfather, Nicolaus Weis, after World War II. Named after the 4th-century patron saint of winegrowers who hid in vineyards to escape persecution, Weis’ family estate covers 40 hectares along the Mosel and its southern tributary, the Saar.

Many of these plots, including choice plantings in the villages of Ockfen and Wiltingen in the Saar and Piesport in the Middle Mosel, were acquired by Nik’s father, Hermann Weis.

Hermann was also the notable pioneer of Riesling in Canada. Bringing some of his family’s unique proprietary clones of Riesling to the Niagara Pennisula, Weis founded St. Urban Vineyard in the 1970s. Now known as Vineland Estates Winery, cuttings of the Weis clone Riesling from the original vineyard has been used to spread the variety all across Canada. The clones are also used in American vineyards–where they are known as Riesling FPS 01.

But the Weis family’s influence is also felt keenly in Germany as the keeper of the “Noah’s Ark of Riesling.” In his book, Riesling Rediscovered, John Winthrop Haeger notes that the Weis Reben nursery is one of the most renowned private collections of massale selected Riesling clones around. Founded by Weis’ grandfather, the source for much of the bud wood is the family’s treasure trove of old vine vineyards going up to 115 years of age.

Moreover, Master of Wine Anne Krebiehl notes in The Wines of Germany that without the efforts of Weis and his vineyard manager, Hermann Jostock, much of the genetic diversity of Mosel Riesling would have been lost.

Vineyards and winemaking

Depending on the vintage, Nik Weis can make over 20 different Rieslings ranging from a sparkling Brut to a highly-acclaimed trockenbeerenauslese. He also grows some Pinot noir, Pinot gris and Pinot blanc as well.

Nik Weis’ wealth of old vine vineyards makes it easy for him to make this stellar bottle for less than $20.

The family estate covers six main vineyards–three in the Mosel that all hold the VDP’s highest “Grand Cru” designation of Grosse Lage. When these wines are made in a dry style, they can be labeled as Grosse Gewächs or “GG.” These vineyards include:

Laurentiuslay, planted on gray Devonian slate in the village of Leiwen with vines between 60-80 years old.
Layet, planted on gray-blue slate in the village of Mehring with vines between 40-100 years old.
Goldtröpfchen, planted on blue slate in the village of Piesport with vines between 40-100 years old.

Saar Estates.

Along the Saar, Weis has two vineyards with Grosse Lage status and one with the “premier cru-level” Ortswein status (Wiltinger). Compared to the greater Mosel and the Ruwer, the Rieslings from the Saar tend to have higher acidity because this region is much cooler.

In The Sommelier’s Atlas of Taste (another must-have for wine students), Master Sommelier Rajat Parr and Jordan Mackay note that despite its more southerly location, the wider Saar Valley acts as a funnel bringing cold winds up through the valley. However, those vineyards closer to the river benefit from enough moderating influence to ripen grapes consistently for drier styles while vineyards further inland tend to be used for sweeter wines.

Bockstein, planted on gray Devonian slate in the village of Ockfen with vines between 40-60 years old.
Saarfelser, planted on red slate and alluvial soils in the village of Schoden with vines between 40-60 years old.
Wiltinger, planted on red slate in the village of Wiltigen with vines dating back to 1905.

As a member of the German FAIR’N GREEN association, Weis farms all his family’s vineyards sustainably. To help reflect the individual terroir of each plot, Weis uses native ambient yeast for all his fermentations.

The Wines

2016 Bockstein Spatlese (WS Average $27)

This was my favorite of all the wines. High-intensity nose of golden delicious apples, apricot and peach with some smokey flint.

On the palate, this wine was extremely elegant with 8% ABV that notches up to medium-minus body with the off-dry residual sugar. However, the high acidity balances the RS well and introduces some zesty citrus peel notes to go with the pronounced tree and stone fruit. Long finish lingers on the subtle smokey note.

2017 Goldtröpfchen Spatlese (WS ave $32)

Medium-plus intensity nose with riper apples and apricot fruit. It is also the spiciest on the nose with noticeable ginger that suggests some slight botrytis.

On the palate, while medium-sweet, it tasted drier than I expected from the nose. This wine spent some time in neutral (5+-year-old) oak, which added roundness. That texture consequently helps to make this 10.5% ABV Riesling feel more medium-bodied. Moderate length finish is dominated by the primary fruit, but I suspect that this wine will develop into something very intriguing.

2018 Wiltinger Alte Reben Riesling (WS ave $18)

It’s crazy to think of drinking century-plus old vines for only around $18.

Sourced from the Weis family’s oldest vines that date back to 1905, this is an insane value for under $20.

High-intensity nose, this is very floral with lilies and honey blossoms. A mix of citrus lime zest and green apples provide the fruit.

On the palate, there is a slight ginger spice that emerges despite it tasting very dry and not something that I would suspect with botrytis. Still well balanced with high acidity that enhances the fruit more than the floral notes from the nose. Long finish is very citrus-driven and mouthwatering.

2018 Old Vine Estate Riesling (WS ave $17)

Another very excellent value sourced from low yielding vineyards between 30-50 years of age.

High-intensity nose with white peach and apricots as well as minerally river stones. This also has some petrol starting to emerge.

On the palate, the stone fruits continue to dominate with a little pear joining the party. Off-dry veering towards the drier side of that scale. The high acidity makes the 11% alcohol feel quite light in body. Moderate finish intensifies the petrol note–which I really dig.

2018 Mosel Dry Riesling (WS ave $15)

Medium-plus intensity nose. Very citrusy with ripe Meyer lemons. In addition, some apple and honey blossoms emerge to complement it.

On the palate, the lemons still rule the roost with both a zest and ripe fleshy depth. The ample acidity makes the wine quite dry and also introduces some minerally salinity as well. At 12% alcohol, this has decent weight for food-pairing but still very elegant. Moderate length finish stays with the lemony theme.

Bonus Geekery

On YouTube, Kerry Wines has a short 1:37 video on St. Urbans-Hof. It includes some winery views as well as gorgeous vineyard shots that surprised me. While you certainly see those classic steep Mosel slopes, there’s also much flatter terrain as well. I haven’t had the privilege yet to visit the Mosel but will certainly need to check that out.

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The Tariff Trap

Amber LeBeau in General, Shopping for Wine

Published on December 20, 2019

During the baseball season in Seattle, there’s a curious event that happens every year when the Toronto Blue Jays visit Safeco Field to play the Mariners.

A Canadian invasion.

While I’m a huge baseball fan, I never really followed the Mariners much. However, working at wine shops along the I-5 corridor connecting Vancouver to Seattle, I was always acutely aware of when the Blue Jays were in town.

Because then I would get a massive run on J. Lohr Seven Oaks Cabernet Sauvignon and Kim Crawford Sauvignon blanc.

It was bizarre how cases I would be sitting on for weeks would suddenly vanish in a mist of maple leafs and excessive politeness. When I talked to these customers to understand why these two wines seemed to be the national drink of Canada, I would hear a familiar response.

“Oh, you won’t believe how expensive these are up in Canada!”

Or $23 in Toronto

When I traveled to British Columbia and Toronto with the wife for curling tournaments, I saw first hand how right they were.

That $13 bottle of J. Lohr Cab back in the US? $24
That $11 bottle of Kim Crawford? $18-20
That $5 bottle of Yellow Tail Shiraz? $12
That $7 bottle of Ch. Ste. Michelle Riesling? $16-18

Now some of that is obviously because of the exchange rate (currently 1 USD to 1.31 Canadian). But that would only make those J. Lohr and Kim Crawford bottles around $17 and $14. A significant contributor to the disparity is the local taxes and various tariffs that the Canadian government imposes on wine.

Canada has had a long history of protectionist tariffs–which used to be much higher. This CBC broadcast from 1987 when the original NAFTA negotiations were taking place is well worth the 6:38 to watch. There were stark fears that lowering tariffs (which were as high as 66% in Ontario) would be the end of the Canadian wine industry.

https://t.co/6ZfDuVqGXf

— Amber @ SpitBucket.net (@SpitbucketBlog) December 20, 2019

Note: I wanted to embed the video directly, but apparently CBC’s website and WordPress don’t get along.

Of course, those concerns were unfounded.

And, in fact, Canadian wines got better because the increased competition pushed producers to improve. You can see a microcosm of this quality movement in the CBC video (4:33) when they interviewed Harry McWatters at his Sumac Ridge Estate vineyard.

As they showed McWatters working in the vineyard, my eyes popped at the 5:01 mark seeing the overhead sprinkler system they were using for irrigation. This is something that California and a lot of major wine regions started phasing out back in the 1970s as drip irrigation became more widely available. Moving away from wasteful overhead systems towards understanding the importance of controlled deficit irrigation has been a harbinger of quality improvement in many regions.

But you can also see from the interview that McWatters was convinced that he could compete with small, quality-minded producers in California. Clearly, over the next couple of decades, he put that faith into practice as evidenced by Master of Wine James Cluer’s 2012 visit to Sumac Ridge (7:46).

Starting at the 1:40 mark, Cluer interviews McWatters’ daughter, Christa-Lee McWatters Bond, who described many of the changes her dad did in response to the free trade agreement–including pulling out hybrid varieties to plant more vinifera.

However, there is still more work to do.

While the quality of Canadian wine is rapidly improving, the high prices of foreign wine continue to be a crutch that holds them back. This is always the folly that comes with limiting competition.

Think about this. In the minds of many Canadian consumers, J. Lohr Seven Oaks is the benchmark standard of a $24 wine. So how much effort then do Canadian wineries need to put in to make a better $20-25 bottle? Certainly not the same amount that producers in Washington State, Oregon and California need to do where consumers who are looking to spend $20-25 aren’t thinking about J. Lohr Seven Oaks.

It’s hard to imagine paying $20 retail for Kim Crawford when stuff like Gramercy’s Picpoul (or $10-15 French Picpoul de Pinet) exists.

Instead, those consumers are looking at wines like:
Chateau Ste Michelle’s Borne of Fire and Intrinsic
Gordon Estate Cabernet Sauvignon
Adelsheim Willamette Valley Pinot noir
Ponzi Tavola Pinot noir
Elk Cove WV Pinot noir
Schug Carneros Pinot noir
Au Bon Climat Santa Barbara Pinot noir
Stags’ Leap Merlot
Trefethen Double T Meritage
Heitz Zinfandel
BV Napa Valley

Or, for a few dollars more, J. Lohr’s Paso Robles Hilltop Reserve Cabernet Sauvignon.

That’s before you even get to loads of compelling values from Australia, South America and Europe as well.

Yes, there is always a risk that consumers will choose these better value options from somewhere else. But the answer to that problem is to raise the bar, not artificially lower it with protectionist taxes and tariffs.

The US is at risk of making the same mistake.

There’s been lots of ink spilled over the recent threat from the US government to slap 100% tariffs on European wines such as Champagne. The primary justification for these threats is “unfair” trade practices, with some thinking that domestic American wineries will benefit from consumers turning away from more expensive European wines.

Already wine writers are penning posts about how folks can “drink around” the tariffs–noting many domestic options as well as countries that are not yet being hit by tariffs.

But it’s extremely telling that many American wine producers, as well as the US Wine Institute, are firmly against the proposed tariffs.

On Twitter, Jason Lett of Eyrie Vineyards in Oregon shared the letter that he sent to the US trade ambassador.

@jbonne Thanks for bringing this to our attention. I just submitted the following letter of testimony in opposition to these damaging tariffs.@WineAmerica @oregonwineboard pic.twitter.com/4MDCKlctaf

— Jason Lett (@JasonLett) December 19, 2019

Lett brings up numerous excellent points about the impacts of retaliatory tariffs in other markets (which is already being felt in China). However, he touches on the pratfalls of limiting consumer choice.

Here Lett looks at it from the angle of distributors being hampered in providing a diverse portfolio. However, the lessons of those Blue Jay Weekends in Seattle still echos.

US wines are better when they’re striving to be the best.

Things like Roederer L’Ermitage from California already out-drink many Champagnes. Using tariffs to push up the price of Veuve Clicquot to $60 is not going to make this sparkler more outstanding.

From the fanatical quest of Martin Ray and Robert Mondavi to make wines on par with the greats of Europe to the legendary Judgement of Paris wines that beat them, the American wine industry has succeeded by raising the bar and not settling.

It’s the competition of outstanding Champagne at affordable prices that inspires high-quality producers in Oregon and elsewhere to keep driving. Otherwise, why not settle for Korbel?

The fabulous rosés of Provence put into context how incredibly delicious Bedrock’s Ode to Lulu, DeLille and other American rosés can be.

It’s the high benchmark of Savennières and the Mosel that encourages folks like Tracey & John Skupny and Stu Smith to make some of the best white wines in California.

Likewise, Anna Shafer of àMaurice in Walla Walla doesn’t need the bar artificially lowered with more expensive French white blends to have a reason to chase after the heights of Condrieu with her Viogniers.

It’s a trap to get complacent and think that pricing or placement is going to win the day. Yeah, that protectionism might give you a short term buffer, but it comes at a cost.

After all, how much of a victory is it to have consumers singing your anthem in another stadium if they’re drinking someone else’s wine?

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Getting Geeky with Adelsheim Auxerrois

Amber LeBeau in Wine grapes, Wine laws, Wine reviews

Published on January 8, 2018

Going to need more than 60 seconds to geek out with the 2011 Adelsheim Auxerrois.

The Background

Adelsheim Vineyards started in 1971 when David & Ginny Adelsheim purchased land in what is now the Chehalem Mountains AVA. The next year they established their Quarter Mile Lane vineyard, becoming the first to plant in this northern part of the Willamette Valley.

In 1994, Jack and Lynn Loacker joined the Adelsheims as co-owners and began planting their Ribbon Springs Vineyards in the Ribbon Ridge sub-AVA of the Chehalem Mountains. Among the varieties planted in this vineyard are Pinot noir, Pinot gris and a little over 2 acres of the obscure French variety Auxerrois.

Ribbon Springs Vineyard highlighted.
Map courtesy of the Chehalem Mountains Winegrowers

On all the estate vineyards, Adelsheim practices sustainable viticulture and are certified Salmon Safe and LIVE.

It was announced in December 2017 that Adelsheim’s winemaker David Paige was stepping down with associate winemaker Gina Hennen being promoted to replace him. This makes Hennen only the third head winemaker in Adelsheim’s 40+ year history with Paige following founder David Adelsheim in the position in 2001. She joins vineyard manager Kelli Gregory as one of the few all female winemaker/vineyard manager combos at a major winery.

The Grape

Auxerrois grapes in Weinsberg

According to Jancis Robinson’s Wine Grapes , Auxerrois is the second most widely planted white grape variety in Alsace after Riesling.

While it is not permitted in Alsatian Grand Cru or the dessert wine styles of Vendange Tardive or Sélection de Grains Nobles, it is often used in the production of Crémant d’Alsace and Edelzwicker as well as wines labeled as Klevener and Pinot blanc. In fact, it is a quirk of Alsatian wine laws that a wine can be 100% Auxerrois but labeled as Pinot blanc.

The close association with Auxerrois and Pinot blanc is due to the similarities in wine styles produce by both. Typically low in acid but with a rich mouthfeel that has weight and texture. DNA analysis has shown that Auxerrois is a progeny of Pinot and Gouais blanc–making it a sibling of Chardonnay, Aligote, Melon de Bourgogne and Gamay. It is also a half-sibling of Blaufränkisch and Colombard.

Outside of Alsace, Auxerrois can be found in the French Moselle, Côtes de Toul, Luxembourg, England and the Netherlands. The grape can also be found in Germany in the Baden, Nahe, Palatinate and Rheinhessen.

Outside of Europe, Canada has a few plantings of Auxerrois in Ontario as well as the Okanagan Valley and Vancouver Island wine producing regions of British Columbia. The grape was unexpectedly discovered in South Africa in the 1980s when vines that were thought to be Chardonnay turned out to actually be Auxerrois.

This “Chardonnay Scandal” in South African wine history began in the 1970s when growers responding to the rush to plant more Chardonnay tried to get around quarantines and bureaucratic paperwork by turning to smugglers for their vine materials. In addition to getting Auxerrois vines instead of Chardonnay, the smugglers also inadvertently brought in Chenel (a crossing of Chenin blanc and Ugni blanc).

In the United States, beyond the Willamette Valley, there are small plantings of Auxerrois in the Lake Erie region of Ohio and the Leelanau Peninsula AVA of Michigan which Appellation America proclaims is the “best home” for the grape. Here the Bel Lago Vineyards & Winery stakes claim to producing the first American Auxerrois in 1998 with Adelsheim’s first bottling coming in 2004.

Auxerrois photo from Bauer Karl released on Wikimedia Commons under CC-BY-3.0-AT; Chardonnay photo from Viala und Vermorel 1901-1910 (Ampélographie. Traité général de viticulture) released under the Public Domain; Pinot blanc photo By Bauer Karl - Own work, CC BY 3.0

Auxerrois grapes comparison to Chardonnay and Pinot blanc

The Wine

The 2011 Adelsheim Auxerrois has medium plus intensity on the nose which is very surprising for a 6 year old white wine. The aromas are a mix of spiced tree fruit (mostly pear) with some floral herbal elements like bay laurel and tarragon.

This wine has the floral fragrance of a fresh herb like bay laurel.

The palate has lively medium plus acidity which is, again, surprising for its age and with Auxerrois typically being considered a “low acid” variety.

This fresh acidity brings out citrus notes but for the most part the spiced pear and herbal notes carry through. The medium body has the texture of an unoaked Pinot blanc and Chardonnay which would give me some trouble in a blind tasting. Ultimately it is the floral herbal notes that distinguishes this as a different grape variety. The wine’s age finally catches up to it with the finish that is very short and quickly fades.

Still this is an impressive wine that has held up much better than how many domestic white wines (outside of Riesling) usually do. For the most part I try to open up my domestic whites within 3 years of vintage date and start getting really nervous when they get close to 5 years. But this Adelsheim Auxerrois still has a good story to tell and I would be quite interested in trying a newer release.

At around $20-25, it does command a premium for an obscure white variety but I think that premium is worth it for a very character driven wine that clearly has aging potential.