Tag Archives: Yountville

Sauvignon Gris — the key to making Napa Sauvignon Blanc interesting?

Note: All the wines reviewed here were samples provided on a press tour.

Sauvignon blanc grapes by Cserfranciska. Uploading to Wikimedia Commons under CC-BY-SA-4.0

Back in my retail days, premium Napa Sauvignon blanc was always some of the hardest wines to sell. I’d have fantastic producers like Araujo, Bevan,  Cakebread, Grgich Hills, Duckhorn, etc. sit on the shelf untouched. Even during the peak white wine season of summer, it took every bit of handselling savvy to get these bottles into baskets.

You’d think that good wine wouldn’t be that difficult to move, but Napa SB had two knocks against it.

1.) It’s a white Napa wine (usually) over $20 that’s not Chardonnay.
(Because, hey, why not get Chateau Montelena or Moone-Tsai Chard instead?)

2.) It’s a Sauvignon blanc over $20.
(Why spend more than Kim Crawford or Oyster Bay?)

Now I’m not saying that it’s impossible to sell a Napa Sauvignon blanc over $20.

Obviously, these bottles are selling somewhere (such as tasting rooms). But it’s a tough sell in many retail settings because of the way that most US stores are laid out.

Here you’ll often see varietal wines from New World regions like California, New Zealand, Chile and South Africa all grouped together. Napa Sauvignon blanc rarely seems like a compelling value when stocked among their more value-oriented peers. Even if a shop had a dedicated “California” or “American wine” section, these wines are still competing against sub-$20 options from Washington State, Sonoma, Monterey County, etc.

The few Napa bottles that manage to stay under that magical $20 mark–like St. Supery, Mondavi and Honig–tend to fare better. But even these wines regularly lose sales to other regions.

This is because, in the minds of many consumers, Napa Sauvignon blanc doesn’t have a distinctive style–only a distinctive price tag.

2017 Stags Leap Aveta sauvignon blanc
And while they’re more likely to swallow the Napa price for Chardonnay (and, of course, Cabernet Sauvignon), that halo effect rarely reaches the Sauvignon blanc aisle.

Instead, customers who are interested in spending top dollar for Sauvignon blanc are more likely to go over to the Old World aisles for Loire or White Bordeaux. Here, the premium pricing of Sancerre, Pouilly-Fumé and Pessac-Leognan doesn’t drag each other down. More importantly, they promise a unique regional identity–which is key.

Back in the varietal section, those few customers reaching for the top shelf are more apt to grab Cloudy Bay. Or maybe one of the few other high-quality New Zealand Sauvignon blanc wines that make their way to the US. Even if you don’t know the producer, seeing the words “Marlborough” and “New Zealand” on the label promises something distinctive.

What is Napa Sauvignon blanc promising?

Something less green and herbaceous than New Zealand? Maybe. Though some producers have been experimenting with things like early harvest, heavier crop load and canopy shading to create more NZ-like flavors.

Something with a lavish texture and noticeable oak influence? Perhaps. These tend to be the more expensive and highly rated examples of Napa Sauvignon blanc. But, again, you have the question of why should a consumer who’s looking to spend top dollar for that style not go with a Chardonnay or white Bordeaux instead?

Which brings us back to the muddled middle that premium Napa Sauvignon blanc finds itself in. It’s not a value-priced wine. But it’s not as distinctive as other premium white wine categories.

Napa has to deliver something compelling–something interesting–to merit those lofty prices.
SLD vineyards behind Quixote

Of course, Napa wine is always going to be premium priced because of the high cost of land here.

They can’t rely just on the name “Napa” or even the quality in the bottle. Yes, having an outstanding wine helps sell in the tasting room where people can try it for themselves. But you don’t always have that privilege on the sales floor or restaurant table. Those premium bottles have to be hand-sold by an enthusiastic wine steward or sommelier who has already been wowed by the wine.

Though here’s the rub.

Every steward and sommelier is going to have dozens upon dozens of bottles that they’re passionate about. Everything from geeky varieties, obscure regions, small-lot productions to wineries with great stories–they all need handselling. Even hand-sold wines need to find ways to stand out from the pack.

In search of interesting Napa Sauvignon blanc.

During my trip to the Stags Leap District, I had many showstopping wines. And, yes, that included some absolutely delicious Napa Sauvignon blanc.

I noticed a pattern that many of the best examples prominently featured the Sauvignon Musqué clone. This caught my attention as growers in the Arroyo Seco region of Monterey County are also using this clone to make some thoroughly intriguing wines.

Taylor Sauvignon blanc

A few of my favorites were:
2018 Taylor Family ($40) made from 100% Musqué clone from Yountville.
2017 JK Ilsley ($35) also from Yountville and majority Musqué.
2017 Stag’s Leap Wine Cellar Rancho Chimiles ($40) made from 86% Musqué. This was way more aromatic and textural than SLWC’s regular Aveta Sauvignon blanc ($26) that is only 8% Musqué.

But as delicious as those wines were, it’s hard to say that they were compelling enough to merit a $20+ price tag–especially compared to the similarly delicious Sauvignon Musqué from areas like Arroyo Seco that cost far less. Picturing these bottles sitting on the same retail shelf, it’s not hard to see the higher-priced Napa bottles gathering dust.

However, there was one Napa Sauvignon blanc-based wine that more than stood out as being worth every penny.

The Chimney Rock Elevage Blanc ($50).

I was already familiar with Elizabeth Vianna’s outstanding Cabernet Sauvignon. Nestled in the southern end of the Stags Leap District, neighboring Clos du Val and one of Shafer’s vineyards, this is obviously prime red wine territory. But instead of offering the typical Carneros Chardonnay that is omnipresent in Napa, Chimney Rock’s flagship white is a fruit-forward but elegant white Bordeaux style blend–with a twist.

Chimney Rock exterior

Bordeaux-style wine made by a Brazilian winemaker at a Cape Dutch-inspired winery in the heart of Napa. There’s a lot going on at Chimney Rock and it’s all delicious.

Vianna has never been a fan of Semillon from Napa. Compared to Bordeaux, Semillon gets too lush and fat here. Now winemakers could do a juggling act with early harvests (like they do in the Hunter Valley) to retain acidity. But while that may work for a low alcohol varietal wine requiring long term aging, it’s not necessarily the ideal match for adding depth to Napa Sauvignon blanc.

Instead, Vianna and her predecessor, Doug Fletcher, fell in love with the “secret ingredient” hidden in many of the best white Bordeaux–Sauvignon gris.

Chateau Palmer in Margaux; Haut Brion, Smith Haut Lafitte and Pape Clement in Pessac-Leognan; Valandraud, Fombrauge and Monbousquet in St. Emilion. Depending on the vintage, you’ll often find anywhere from 5% up to 50% (2018 Blanc de Valandraud) of Sauvignon gris in these highly-acclaimed wines.

So what the heck is Sauvignon gris?

Jancis Robinson, Julia Harding and José Vouillamoz’s Wine Grapes notes that Sauvignon gris is a color mutation of Sauvignon blanc. Similar to the Pinot gris mutation of Pinot, it’s not known precisely where Sauvignon gris first emerged.

One possibility is the Loire, where the grape is known as Fié. Ridiculously low yielding, the vine was almost wholly lost to phylloxera as producers replanted with other varieties. It’s only recently, with the rediscovery of abandoned old vine vineyards such as Jacky Preys’ site in Mareuil-sur-Cher, that Sauvignon gris is getting another look.

Compared to Sauvignon blanc, Sauvignon gris tends to have slightly thicker skins often with a pink hue. It produces wines of medium-plus to high acidity with pronounced, concentrated flavors of melon, mango, stone and citrus fruit as well as a robust floral component. In the cooler climates of the Loire, it can add some subtle herbaceous notes though it rarely gets as green as Sauvignon blanc.

In addition to the Loire and California, producers in Chile, Argentina, Uruguay, Moldova and New Zealand are also experimenting with Sauvignon gris.

A tasting of three Chimney Rock Elevage Blanc

Kenneth Friedenreich & Elizabeth Vianna

Tasting the Elevage Blanc and other Chimney Rock wines with Elizabeth Vianna and Kenneth Friedenreich, author of Oregon Wine Country Stories.

The winemaking of Elevage Blanc is very Bordeaux-like with a mixture of barrel fermentation and stainless steel using several yeast stains for complexity. The barrel component (usually around 1/3 new French and 1/3 neutral) sees frequent bâttonage beginning with 3-4 times a week and then gradually decreasing. The wine often goes through malolactic fermentation for stability. Depending on the vintage, around 3000 cases a year are made.

2008 Elevage Blanc – 70% Sauvignon blanc, 30% Sauvignon gris

Medium-plus intensity nose of tropical fruit with a savory, smokey component. Proscuitto wrapped melon-balls comes to mind. Along with the melon is some noticeable spiced pear.

On the palate, the pear and oak spices (nutmeg, clove) come through with a little cardamon. The slightly salty, savory, smokey notes are there as well but less pronounced than they were on the nose. The full-bodied mouthfeel is well balanced with medium-plus acidity–giving a lot of life to this wine. But the moderate finish lingering on the spice shows that its time is nearing the end. Still quite impressive for a 10+-year-old white wine.

2014 Elevage Blanc – 54% Sauvignon gris, 46% Sauvignon blanc

High-intensity nose. Intense fresh and grilled peaches. Less noticeable oak than the 2008 with the smokiness being more flinty. This one was also the most floral of the three with a mixture of elderflower and white lilies. Very mouthwatering bouquet.

On the palate, the peaches carry through joined by apples that also have a grilled component. Again, the oak is far less noticeable with maybe some subtle vanilla creaminess to go with the full-bodied richness. However, the high acidity keeps this wine well in check. The mouthwatering grilled peaches continue throughout the long finish. The highest proportion of Sauvignon gris and one of the best wines I had on the entire trip.

2016 Elevage Blanc – 79% Sauvignon blanc, 21% Sauvignon gris

Medium-plus intensity nose–apple and citrus-driven (star fruit, lemon). It’s the only one of three without a smokey, savory component. However, the oak is noticeable with pastry dough and clove spice. With air, tropical mango emerges as well as very ripe apricot.

On the palate, the toasty pastry and ripe tree fruit (apple & apricot) carry through. While not as heavy and oaky as a Chard, this one definitely feels the weightiest with the pastry tart element. Medium-plus acidity helps keep the full-bodied wine balanced. It also highlights more of the citrus flavors from the nose, bringing some pomelo to the party. Those more defined fruits offset the oak flavors, letting the citrus dominant the medium-plus length finish.

Takeaways

2014 Elevage Blanc

Definitely was one of my top wines of 2019. Such a stellar white that still has several years to go.

While 2014 was my clear favorite, each of these Elevage Blancs was well worth a premium $50 price. They had complexity with each vintage showing its own distinct and unique personality.

It’s clear that Sauvignon gris, itself, adds interesting elements when blended with Sauvignon blanc that you don’t always get with Semillon or Muscadelle in white Bordeaux. Most notable for me was how Sauvignon gris seems to deal with oak, steering the wine towards more savory flavors as opposed to just “oaky” notes.

In contrast, I feel like Semillon and Sauvignon blanc tend to absorb oak flavors like a sponge–making the wine feel more Chardonnay like. It was notable that as the quantity of SG decreased, the oak in the Elevage Blanc became more noticeable.

Blend vs. Varietal

Only the 2016 vintage of Elevage Blanc could be labeled as a varietal Sauvignon blanc. But maybe ditching the varietal designation is the answer to avoiding that muddled middle which plagues these Napa white wines? While a New World “white blend” aisle probably doesn’t get as much traffic as the Sauvignon blanc section, it doesn’t come with the baggage either.

A premium Napa white blend isn’t competing with the value-driven options from New Zealand, Chile and elsewhere. Instead, it can pull more of the “halo effect” of the Napa name as it stands out from various white blends from Lodi, Paso Robles, Sonoma, Washington State, etc.

There is still the question of regional identity, but not many regions have staked a claim to Sauvignon gris. No matter which style you go with–crisp, stainless or lavish, oak-driven–Sauvignon gris adds its own “twist” to the wine. This is something that Napa can sink its teeth into, crafting a distinct regional style of Sauvignon blanc/Sauvignon gris blends.

Though, they better hurry before someone else beats them to the punch.

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Book Review — Drive Through Napa

The folks behind I Like This Grape were gracious enough to send me a copy of their latest book, Drive Through Napa: Your Ultimate Companion to Napa Valley’s Wines Regions.

Drive Through Napa cover

Photo courtesy of Naushad Huda, ILikeThisGrape.com

While working on a research project about the Stags Leap District, I had several opportunities to check out the eBook version written by Paul Hodgins and Naushad Huda with Kathy Lajvardi providing graphic design.

Below are a few thoughts about this modern primer on the most famous wine region in the United States.

The Background

Naushad Huda came up with the idea of Drive Through Napa after wandering,

“If Pharrell or Complex Magazine were to write a wine book, what would it look like? What would it sound like?”

Previously, Huda had founded the digital creative agency XTOPOLY that focused on interactive marketing. They worked on T-Mobile’s first mobile eCommerce site and created campaigns for several global companies including Vitamin Water, Nestle, Emirates Airlines, Nivea and Google. After merging XTOPOLY with the Finnish software company Vincit in 2017, Huda served as their Director of Strategy and Partnerships.

It was during this time that Huda, along with his wife Kathy Lajvardi, wanted to take a fresh approach to the traditional concept of a regional wine guide.  Lajvardi is an accomplished artist whose done graphics work for the Iron Man and Transformer movie trailers. Her photographs and paintings are also regularly featured in major art galleries.

Partnering with Paul Hodgins, a longtime writer for the Orange County Register and author of The Winemakers of Paso Robles with Julia Perez, the Drive Through Napa team embarked on their project with Millennials as a target audience.

The Book

With that Millennial-focus in mind, Drive Through Napa is designed to be easily digestible within a 1-hour read. One of the goals of the creative team was to avoid many of the cliches that they saw in other wine guides–such as endless photos of vineyards that all look the same. The main graphics in the book are maps and price-to-rating charts taken from data provided by Vivino.

Another focus of the book was to steer clear of being a “what to drink” guide. Instead, Drive Through Napa takes more of a high-level approach to exploring the 16 AVAs (or “neighborhoods”) in Napa with brief blurbs on climate, elevation, rainfall, soils as well as principal grapes and their characteristics.

SLD Screenshot from Drive Through Napa

Screenshot of winery listing for the Stags Leap AVA which also includes notable vineyards.

Each AVA section touches a bit on some of the history and key pioneers. They also include a listing of most all the wineries and many notable vineyards that call each region home.

A critical distinction between Drive Through Napa and other regional wine guides is that there is no contact information about these wineries. Nor are there any details about which wineries are open to visitors and if appointments are necessary.

I suspect part of the reason for this stems from the goal of not being a “what to drink” guide.

The book does include a note directing folks to check out each individual AVA associations’ website. However, they unfortunately don’t include what those websites are so folks will have to Google them.

In addition to the AVA chapters, the introduction of the book goes into some of the history of California wine and the role that Napa has played in bringing prominence to the state. It touches on the usual characters of the Catholic Church and early 19th-century pioneers but also devotes time to post-Prohibition figures like Brother Timothy Diener of the Christian Brothers and putting the “Mondavi Effect” into context.

Additionally, the intro chapters include a short glossary of essential wine terms used in the book and briefly touches on a few of the major California wine regions beyond Napa.

Things I really liked about the book.

Photo by Sarah Stierch. Released on Wikimedia Commons under CC BY 4.0.

Burgundian winemaker and Raymond Vineyards owner Jean-Charles Boisset is one of several subjects interviewed for Drive Through Napa.

The team behind Drive Through Napa certainly achieved their goal in creating an approachable primer. There is brilliant simplicity in the graphics and design that makes it easy to digest even when a fair amount of information stray into technical viticultural details.

You don’t need to be a “wine geek” to pick up this book and find it useful. But if you are a geek, there is most certainly something in it for you as well.

My favorite part of Drive Through Napa was the interviews they included in several AVA chapters. Here Hodgins and Co. asked very pointed questions such as  “What effect does your region have on the grapes that are grown here?”, “What will we notice when tasting a wine from your AVA?” and What do people misunderstand about your AVA?”

This is where Drive Through Napa moves beyond just being an easily digestible primer on Napa Valley towards something that wine students will find immensely useful. In particular, I would encourage folks working on blind tasting exams to pay careful attention to the answers about AVA characteristics and their influence on the resulting wines.

The interview subjects have some serious pedigree.

Richie Allen, Director of Viticulture and Winemaking for Rombauer Vineyards (Carneros)
Taylor Martin, Managing Partner of Italics Winegrowers (Coombsville)
Dave Guffy, Director of Winemaking for The Hess Collection (Mt. Veeder)
Lorenzo Trefethen of Trefethen Family Vineyards (Oak Knoll)
Celia Welch, consulting winemaker of Keever Vineyards and many others (Yountville)
Jon Emmerich, winemaker of Silverado Vineyards (Stags Leap District)
Jean Hoefliger, winemaker of Alpha Omega Winery (Atlas Peak)
Nicole Marchesi, winemaker of Far Niente Winery (Oakville)
Ivo Jeramaz, winemaker of Grgich Hills Estate (Rutherford)
Jean-Charles Boisset, owner of Raymond Vineyards and many others (St. Helena)
Stuart Smith, owner and winemaker of Smith-Madrone Vineyards (Spring Mountain)
Danielle Cyrot, winemaker of CADE Winery (Howell Mountain)
Dawnine and Bill Dyer, owners and winemakers of Dyer Vineyard (Diamond Mountain)
Bo Barrett, owner of Chateau Montelena (Calistoga)
Andy Erickson, consulting winemaker and owner of Favia (Napa Valley)

Things that were “Meh.”

Diamond Mountain screenshot from Drive Through Napa

Good luck trying to find those $30-40 Diamond Mountain wines. My best guess is that these are white wines and roses.

I found the Price-To-Rating charts to be pretty useless. Using Vivino’s 1 to 5-star ratings, Drive Through Napa featured a bar chart for most of the AVAs. Here they highlighted what the average score was of wines at various price points.

Spoiler alert: In every AVA but Diamond Mountain, Spring Mountain and Carneros, the wines with the highest ratings are the ones that cost $70+.

And really, the $70+ wines are still the highest rated segment even in those exceptions. They just happen to share the same rating as another price category.

I honestly don’t think a single person is going to be surprised at these charts.

I also do wish they did little more with the winery listings for each AVA. In particular, I think they should have found a way to signify which wineries had open tasting rooms, those that needed appointments and which ones that there is no way in hell you’re getting into.

I doubt including little icons (asterisk, smiley faces, etc.)  next to each name would have added much to reading time. Plus, even if they didn’t want to be a “What to Drink” guide, anyone that is buying this book is likely going to want to visit Napa. And they’re probably going to want to drink something.

Steering folks to the individual AVA associations is fine (though, again, would be helpful to have their web addresses in the book). But that one small change to the winery listing pages would have significantly enhanced the overall utility of Drive Through Napa.

The Verdict

While I was fortunate to receive my e-copy of Drive Through Napa as a sample, I would buy this book without question. For $18 paperback and $9.99 for Kindle, it more than delivers in content and usefulness.

In particular, I wished I had this book back when I worked at Total Wine and helped train their wine staff in my region. I would have recommended Drive Through Napa to every wine associate there, especially those studying for their California TWP certifications. Likewise, I can see this book being handy for sommeliers–especially with those interviews I mentioned above.

You can’t talk about American or Californian wines without talking about Napa. If you want to understand this famous wine region, Drive Through Napa is a great place to start.

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Event Review — Stags’ Leap Winery Dinner

Daniel’s Broiler in Bellevue, Washington is one of my wife and I’s favorite restaurants to visit. Each year they host a Champagne Gala that we love going to. Even when we’re not thrilled with the wines selected, we nonetheless always enjoy the exquisite food crafted by Executive Chef Kevin Rohr and a chance to try interesting food pairings.

Recently I got to attend a dinner featuring the wines of Stags’ Leap Winery with Assistant Winemaker Joanne “Jo” Wing.

The Background

I geeked out about some of the backstory of Stags’ Leap Winery in my 60 Second Review of their 2013 Napa Valley Merlot. With a long history dating back to the late 19th century, the winery is one of Napa’s most historic properties.

In California’s Great Cabernets, James Laube notes that the rise of the modern-era of Stags’ Leap Winery under Carl Doumani went hand in hand with the “Cabernet boom” of the 1970s that saw the notable Cabs of Burgess, Cakebread, Caymus, Clos du Val, Mount Eden, Mt. Veeder, Silver Oak and Joseph Phelps hit the scene. It also saw the birth of Stag’s Leap Wine Cellars and decades-long legal intrigue.

The War of the Apostrophe” soon took off with Warren Winiarski of Stag’s Leap Wine Cellars (and winner of the famous 1976 Judgment of Paris) suing Doumani–who promptly counter-sued.

The two men eventually settled their differences in the mid-1980s and released a special collaborative bottling between the two estates called Accord from the 1985 vintage to commemorate. The agreement was that Winiarski’s Stag’s Leap Wine Cellars would have the apostrophe to the left of the ‘s’ while Doumani’s Stags’ Leap Winery would have it to the right.

You could tell that the Treasury Wine Estate rep at the dinner wasn’t too happy about the apostrophe typo on the menu.

Around this time, the two wineries faced another challenge with other wineries in the area like Gary Andrus’ Pine Ridge Winery, Steltzner Vineyards, Shafer Vineyards and more wanting to use the Stags Leap name and petitioning for American Viticultural Area (AVA) approval under that name for the region. After more legal challenges, a compromise was struck for the name of the new AVA to be the Stags Leap District (SLD) sans apostrophe.

Today the winery is owned by Treasury Wine Estates where it is part of a vast portfolio that includes 19 Crimes, The Walking Dead wines, Beaulieu Vineyards, Beringer, Ch. St Jean, Penfolds, Provenance, Hewitt Vineyard and more.

The current winemaker is Christophe Paubert who succeeded Robert Brittan when the later left Napa to make wine in Oregon at his own Brittan Vineyards and consult for wineries such as Winderlea.

A Bordeaux trained winemaker, Paubert has extensive experience working at such illustrious estates as the 2nd Growth St. Julien estate of Ch. Gruaud-Larose and the First Growth Sauternes estate of Chateau d’Yquem. Prior to joining Stags’ Leap in 2009, Paubert was the head winemaker for 4 years at Canoe Ridge Vineyards in Washington State.

Assistant Winemaker Joanne Wing is a New Zealand native who started out at Indevin, one of New Zealand’s largest wine producers. She gained experience working harvest across the globe from Saintsbury in Napa to Mount Pleasant Winery in the Hunter Valley of Australia as well as in Bordeaux before accepting a position at Stags’ Leap as a harvest enologist and working her way up to Asst. Winemaker.

Gorgeous Viognier that is well worth seeking out.


Passed hors d’oeuvres paired with 2016 Stags’ Leap Winery Napa Valley Viognier
Smoked sablefish with soft scrambled farm egg, ikura, chives and Chevre crostini with watermelon beet, grilled apricot, chili spice

I’m not a big beet person so I let my wife try the Chevre Crostini while I had the smoked sablefish with the ikura roe caviar. Both were smashing pairings with the Stags’ Leap Viognier with the wine being a particular revelation.

Sourced primarily from cooler climate vineyards in the Carneros AVA and Oak Knoll District, the Viognier had medium-plus intensity nose of orange blossoms and white peach notes.

On the palate, those white peach tree fruits carried through but also brought some tropical notes of passion-fruit, manago and papaya. However this Viognier never came close to the tutti-fruity “Fruit Loop Cereal” style that unfortunately befalls many domestic Viogniers–especially those fermented and aged only in stainless steel. To avoid that pratfall, Paubert and Wing fermented the wine in neutral French oak barrels with weekly batonnage for 4 months. This very “Condrieu-style” approach produced a Viognier with textural weight and depth but with enough medium-plus acidity to keep it from being flabby or overly creamy.

The acidity also matched perfectly with the hors d’oeuvres, cutting through the “fishiness” of the sablefish and roe. My wife was particularly impressed at how well the acidity matched with the Chevre–the tangy goat cheese that often calls for high acid whites like Sauvignon blanc.

At $22-27, this is an outstanding Viognier with loads of personality and complexity that I would put on par with the àMaurice Viognier from Washington State as one of the stellar domestic examples of this variety.

The preserved kumquat vinaigrette on the salad were quite a treat.


First Course paired with 2016 Stags’ Leap Napa Valley Chardonnay
Spring Salad with Belgian endive, baby kale, avocado, marcona almonds, preserved kumquat vinaigrette

Sourced from the Carneros and Oak Knoll District, this Napa Chardonnay counters the stereotype of over-the-top, oaky, buttery Chardonnays. With 25% fermented and aged in new French oak, 50% in “seasoned” French oak and the rest in stainless steel with no malolactic fermentation, this Chardonnay aimed for an elegant and food-friendly style.

The wine had a medium intensity nose with apple and citrus lime notes. A little subtle baking spice from the oak rims around the edge.

On the palate, the citrus notes came through the most and played off the baby kale and avocado very well. Medium-plus acidity maintained freshness and balanced the moderate creaminess in the wine. The clove oak spice and an almost marzipan nuttiness lingered on the moderate finish.

Overall, this was a very drinkable and pleasant Chardonnay that did hit the target for food-pairing. But, admittedly, at $25-30 it didn’t jump out as anything wow-worthy–especially following in the footsteps of the scrumptious Viognier. It’s a very well made California Chard but it is still one of hundreds of similar well-made and similarly priced California Chards.

The star of the night. I can still taste the braised short ribs and that delectable sauce.

Second Course paired with 2014 Stags’ Leap Napa Valley Cabernet Sauvignon
Braised short ribs with seared sea scallops, morel mushrooms, chervil

From a food perspective, this was the winning course of the night. The braised short ribs melted in the mouth and had you dearly wishing you had more than just the bite. The scallops were perfectly cooked and while I was skeptical with pairing them with a big Cab, the morel and au jus sauce from the short ribs offered just enough weight to carry the pairing.

As with other wines in the white label Napa Valley series, the Stags’ Leap Cabernet Sauvignon includes some estate fruit but is mostly sourced from vineyards throughout Napa Valley. Joanne Wing noted that while Paubert likes the flexibility of having some fruit from warm climate sites like Calistoga, he’s far more excited about the fruit from the cooler southern reaches of Napa like Coombsville, Oak Knoll and Yountville.

Medium-plus intensity with rich dark fruit–black currants, black plums, blackberries. This screams Napa Cab from the nose but it is not as overtly oak-driven as the norm with a little tobacco spice element.

On the palate those dark fruits carry through but there is a little earthy forest-floor element that emerges that adds some intrigue. Medium acidity adds juiciness to the fruit but not enough to be mouthwatering. The oak is a little more pronounced but is more spice driven than vanilla. The medium-plus tannins are still quite firm and young but are more tight than biting. Moderate length finish ends on the fruit which testifies to the youth of this wine.

Stags’ Leap Winery Assistant Winemaker Joanne Wing.

At $45-50, this is priced in lined with many of its Napa peers as a sort of “entry-level” Napa Cab. It’s hard to say it is a compelling value compared to what you can get for equivalent pricing from other regions like Washington and Paso Robles. Like the Chardonnay, I feel like this Cab is certainly well made but not blow-your-socks-off-you-must-find-it good partly because of the premium you are paying for the Napa name (and the winery’s history).

However, I do suspect that this wine could kick it up a couple notches with a few more years of bottle age that potentially could make it far more compelling.

Third Course paired with 2014 Stags’ Leap “The Investor” Red Blend
Piedmontese New York Steak with herb polenta, spring vegetables, blackberry demiglace

Admittedly, this was one of the few times I’ve been disappointed with a Daniel’s steak. Perhaps it was just this cut but I found it was in the weird position of being both too fatty and too dry and lacking flavor. The polenta and blackberry demi-glace were excellent though. But I found myself again wishing that the braised short ribs were the main course.

A unique blend of Merlot, Petite Sirah, Cabernet Sauvignon and Malbec, The Investor pays homage to former owner Horace Chase who made his fortune investing in gold and silver mines during the Gold Rush days of California. The Merlot and majority of the Petite Sirah come from estate fruit in the Stags Leap District and Oakville while the Cabernet and Malbec are sourced from vineyards throughout Napa Valley.

The medium-plus acidity and savory, herbal element of The Investor red blend definitely helped interject some much needed flavor into the Piedmontese New York steak.

Medium-plus nose with a mix of red and dark fruits–plums and currants. There is more overt oak vanilla on the nose of this wine than with the Cab but it doesn’t seem overwhelming. Underneath there is also a blue floral element that is not defined.

On the palate, the mix of fruits carry through with mouthwatering medium-plus acidity tilting the favor towards the red fruit. Some savory herbal and smokey notes join the party that dearly helps the food-pairing with the flavorless Piedmontese New York steak. The vanilla oak notes add a layer of velvety softness to the high tannins that still have a fair amount of gripe. Like the Cab, the moderate length finish ends on the youthful fruit.

At $50-60, The Investor intrigues me a lot more than the Napa Cabernet (and the Napa Merlot) because of the savory, smokey element and mouthwatering acidity. It’s still young and has some “baby fat” of oak that needs to be shed but this is a unique blend that could turn into something exceptionally good.

Dessert paired with 2014 Stags’ Leap Napa Valley Petite Sirah
Chocolate torte with Devonshire cream, coconut crisp

While the chocolate torte was amazing and sinfully delicious and the wine outstanding, this was not a winning pairing. The wine was nowhere near sweet enough to balance with the torte.

While delicious on their own, the pairing of the chocolate torte with the Stags’ Leap Petite Sirah just didn’t do it for me.

Still, it was somewhat fitting to end the Stags’ Leap Winery dinner with the wine that truly epitomizes the estate. While the name “Stags Leap” is synonymous with Cabernet Sauvignon, Stags’ Leap Winery was always a vanguard in cultivating and promoting Petite Sirah.

High intensity nose that started jumping out of the glass as soon as the waiter poured it. Blackberries and boysenberries with some peppery spice and violets.

On the palate, the first thing that hits you is the weight and richness of the wine with the full brunt of the dark fruits and high tannins. But there is an elegance with the juicy medium-plus acidity and fine balance that keeps the wine from being overbearing. On the moderate finish, there is some subtle dark chocolate notes that come out but not enough to make the food-pairing work. This was definitely a wine to savor on its own.

At $32-40, this is a more premium-priced Petite Sirah but it is well worth not only its price but also its reputation as the winery’s flagship. During this course, Jo told us about the Ne Cede Malis block of Prohibition-era vines that is a field blend of majority Petite Sirah with Muscat, Malbec, Mourvèdre, Cinsault, Carignan and up to 9 other varieties. The grapes are harvested together and co-fermented to produce a limited release bottling. I have to admit that if Stags’ Leap Winery’s mobile ordering website wasn’t so buggy and difficult to navigate, I would have purchased a bottle of the Ne Cede Malis Petite Sirah (as well as several bottles of the Viognier) right then.

Overall Impressions

Attending this dinner left me wondering if Stags’ Leap Winery is a victim of its own name and location in Napa Valley. While the winery absolutely shined with its Viognier and Petite Sirah, their more typical Napa offerings of Cabernet Sauvignon and Chardonnay were just “ho-hum”.

I do appreciate that Treasury Wine Estates has let Paubert, Wing and Co. continue producing their more obscure bottlings but I have no doubt that the health of the winery’s bottom line depends on the case sales of the bread and butter Cab, Chardonnay and Merlot. It’s where the money is–especially in Napa–and that is what they’re out to sell.

Yet after tasting their outstanding Viognier, scrumptious Petite Sirah and very character-driven Investor blend, its hard not to think about what more the winery could do with their talented winemaking team and unique approach if they didn’t have to live up to the name Stags’ Leap.

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60 Second Wine Review — Groth Oakville Cabernet


A few quick thoughts on the 2002 Groth Oakville Cabernet Sauvignon.

The Geekery

In his 1989 book California’s Great Cabernets, James Laube of Wine Spectator ranks Groth’s estate Cabernet Sauvignon as one of the “Third Growths” of California–putting it on par with other great wines like Shafer’s Hillside Select, Louis Martini’s Monte Rosso and Stag’s Leap Wine Cellars’ SLV and above Laube’s “Fourth Growths” of Silver Oak Napa Valley, Joseph Phelps’ Backus Vineyard and Rombauer’s Le Meilleur du Chai.

Founded in 1982 by Dennis Groth, a former executive of Atari, and his wife Judy, the winery owns a little over 136 sustainably farmed acres between their Oakville Estate Vineyard and Hillview Vineyard in Yountville. Usually Groth produces a reserve Cabernet (which Laube ranked as a “Second Growth” on par with Dominus and Grace Family Vineyards) but because of vineyard replanting no reserve Cab was produced between the 2000 and 2004 vintages.

The 2002 vintage of the Oakville Cab was 76% Cabernet Sauvignon and 24% Merlot. The wine saw 23 months in 50% new French oak.

The Wine

Medium plus intensity nose. Rich roasted coffee aromas with savory black tea notes. You would expect this to be served by a barista.

On the palate you can find some fruit but it is more dried red cranberry and currants. The coffee and tea notes carry through and are met with more savory notes of leather and meatiness. Medium acidity still gives the wine life and balances well with the soft medium tannins.

The Verdict

By François Bianco - Freshly roasted coffee, CC BY-SA 2.0, on Wikimedia Commons

If you’re needing a Starbucks fix, the huge roasted coffee aromas in this Groth Oakville Cab will get you jonesing even more for the java.

It’s clear that this wine is on the waning side of maturity but it still had immense character with a lot of story left to tell. This is a wine worth savoring over a couple hours with good friends as each sniff and sip reveals something different.

Being an older vintage, the price will vary but at between $75-95 it is a solid bet for someone who likes elegant and savory Cabernet Sauvignons.

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