All posts by Amber LeBeau

Geeking out with Taupenot-Merme Gevrey-Chambertin Bel Air

Going to need more than 60 seconds to geek out over the 2009 Domaine Taupenot-Merme Gevrey-Chambertin Premier Cru Bel Air.

The Background

Domaine Taupenot-Merme is a 7th generation family estate based in Morey St.-Denis ran by siblings Romain and Virginie. The estate covers 32 acres in both the Côtes de Nuits and Côtes de Beaune including plots in the Grand Cru vineyards of Charmes-Chambertin, Mazoyères-Chambertin (Taupenot-Merme being one of the few estates to bottle these Grand Crus separately), Clos de Lambrays (the only other estate outside of the eponymous clos to own a piece of this Morey-St-Denis Grand Cru) and Corton in the Le Rognet climat.

According to Bruce Sanderson of Wine Spectator, until 1988 the estate did all their vine propagation and rootstock grafting in house, carefully selecting massale clones from their best vines. Since 2001, all the vineyards have been farmed organically.

For winemaking, the grapes get around 10 days cold soaking before fermentation with the estate using wild, indigenous cultures for both primary and malolactic fermentation. Fermentation is done in stainless steel with a mixture of punch downs and pump overs before the wines are transferred to barrel where they see 12-15 months aging before spending their last 3 months in tank prior to bottling. The amount of new oak each wine receives varies, ranging from 25% for village level to 40% for Grand Crus. Premier Cru wines, like the Gevrey-Chambertin Bel Air, usually see about 30% new oak. The wines are bottled without any fining or filtering.

The Vineyard

https://www.winescholarguild.org/programs/bourgogne-master-level-program/bourgogne-master-level-program.html

The Premier Cru vineyard of Bel Air surrounded by the Grand Crus of Gevrey Chambertain.
The pink line highlights the up-slope part of the vineyard that is village level.
Photo taken from screenshot of The Wine Scholar Guild’s Master Burgundy Course.

The Bel Air vineyard is located in an enviable position up-slope of the esteemed Grand Cru Chambertin-Clos de Bèze with 6.6 acres classified as Premier Cru.

The high altitude vines and rocky, oolithic limestone-rich soils tend to do particularly well in warm vintages (like 2009) where it can maintain fresh acidity. The vines are at the same altitude as much of the Grand Cru of Ruchottes-Chambertain and parts of Latricières-Chambertin but Bel Air is much more heavily shaded by forests and sits on a steeper slope which impacts the amount of direct sunlight the vines receive. Though the most heavily shaded plots are not permitted to Premier Cru classification but rather village level Gevrey-Chambertin.

As with a lot of Burgundy, it is hard to know exactly how many growers own pieces of a particular vineyard. Matt Kramer’s 1990 book Making Sense of Burgundy, list 11 owners with the family of Jean-Claude Boisset owning the largest segments with 1.5 acres. Domaine Taupenot-Merme’s 0.9 acre holdings in the Premier Cru were mostly planted in 1973 and produce around 205 cases of wine.

On WineSearcher.com, you can find several offerings of Bel Air Gevrey-Chambertin from producers like Domaine de la Vougeraie (ave price $73), Philippe Pacalet (ave price $123) and Domaine Philippe Charlopin-Parizot (ave price $79).

The Wine

Photo by Nissy-KITAQ. Released on Wikimedia Commons under CC BY-SA 3.0

The floral earthy component of this wines makes you feel like you are walking through a botanical forest.

Medium intensity with pop and pour. A mix of red and dark fruits with a tinge of sweet baking spices like cinnamon and allspice. Tossed in a decanter and after an hour, WOW! The aromatics jack it up to high intensity with the fruit becoming more defined as a mix of dark plums and red cherries. The spice is also more pronounced and is joined with a floral earthy component, like walking through a botanical forest.

On the palate there is silkiness to the mouthfeel with the ripe tannins but medium-plus acidity keeps it feeling very fresh. The fruit carries through but the spice notes get a little more quiet as the floral earthy notes come to the forefront and linger for a very long finish.

The Verdict

This is a wine with a lot of layers and while it was drinking gorgeously, I can’t help but feel like I opened it up too young. It probably has the legs to keep on developing for another 5-7 years easily.

The wine is averaging around $108 on WineSearcher.com but I was able to pick it up at a local wine shop for $90. That is a screaming deal for how scrumptious this Burg is drinking and I’m sincerely regretting not buying more. Even at $108, it is a very compelling bottle and one of those wines that screams “Yes, this is what high quality Burgundy is about!”

If you can find this bottle, nab it.

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Wine Clubs Done Right

It all started with a tweet.

Terret noir!?!

I was only familiar with this grape as one of the obscure little brother varieties in Châteauneuf-du-Pape. For some added geekiness, courtesy of Jancis Robinson’s Wine Grapes, the noir is a color mutation of the Terret grape with blanc and gris versions as well. Apparently, in the 1950s, Terret gris was the most widely planted grape variety in the Languedoc with over 20,000 acres!

Who knew? But now there are only around 257 acres of Terret gris left with approximately 3500 and 460 acres of Terret blanc and noir respectively.  I was excited to read about Tablas Creek’s version of this obscure grape. I visited Tablas Creek several years ago where I geeked out over their nursery of Rhone varieties, taking many leaf and vine pictures that I uploaded to Wikipedia (as Agne27). I’ve always been impressed with Tablas Creek’s effort to introduced new varieties to the American consumer.

So I tweeted my enthusiasm and went to Tablas Creek’s website to see what they had available.

Petit Manseng! Clairette blanche! Picardan! and, of course, Terret noir. But there was a catch—beyond many of them being sold out. Most of these uber geeky bottlings were limited to members of Tablas Creek’s wine clubs.

Instead of being bummed, my reaction was to appreciate the brilliance and good business sense. My biggest gripes about wine clubs, and why I join very few of them, is that they rarely offer compelling value.

What makes a wine club appealing to join?

Wine industry folks talk ad infinitum about how to improve wine clubs to encourage more sign-ups. It is no secret that the financial stability of consistent wine club sales is essential to many small wineries’ bottom line. With so many things competing for a consumer’s wallet, how does a winery entice folks to join?

Well for me, my decision to ultimately sign up for the Tablas Creek wine club was driven by three factors.

1.) How easy can I get your wines at home?
Photo taken by myself (as Agne27) on Wikimedia Commons

I live a little closer to Beaucastel in Seattle at around 8600km than Tablas Creek is to their partner estate. But I have no problem finding bottles of Ch. Beaucastel.

This is a big reason why I don’t join the wine clubs of many Washington (especially those in Woodinville) and Oregon wineries. Living in Seattle with an abundance of wine shops and tasting rooms close by, I can get most any wine I want from these local wineries. Yes, getting a 10-25% discount and invitation to “members only” events is nice but what is more appealing is access and exclusivity. This is where I tip my hat to Tablas Creek for their impressive selection of “Members Only” wines.

This created value in my mind because I wanted access to these wines. I want to try a Terret noir. I want a varietal Picardin. Even if I lived right next store to Tablas Creek, I still couldn’t get these wines easily if I wasn’t a member. That’s a strong incentive for a wine consumer like me.

Yes, I know plenty of my local Washington and Oregon wineries have “Members Only” bottlings, but very, very few of those wineries put them front and center on their wine shop page or highlight them as much as they should. And, truthfully, many of these “Members Only” bottlings are not that exciting compared to what the winery is already producing.

More than “Members Only”

A special one barrel “Members Only” blend? Um, okay that could be great but your regular red blend that I can buy is pretty darn good so why should I buy the whole cow and join your club when I’m already happy with the chocolate milk?

Now a three bottle “Members Only” set of the same grape variety but from 3 different clones, three different vineyards or 3 different kinds of oak barrels–THAT’S intriguing. That is not something I can regularly get from yours or any other winery. That’s something with compelling value and exclusivity.

In the case of Tablas Creek, I would have to do a fair amount of hunting on WineSearcher.com to find a bottle of Terret noir. While I can get their Esprit de Tablas and Patelin de Tablas blends at local wine shops, with these obscure varietal bottlings their wine club provides a chance to get something above and beyond their typical retail offering.

That’s intriguing. That’s worth buying the cow.

2.) How many bottles am I committing myself to?

But to be honest, I don’t really want a whole damn cow.

Frankly, I’m a bit of a slutty boozer that likes to play the field with many different types of wines and alcoholic beverages. Just peruse the archives of this “wine blog,” and you will see. For every couple of wine-related posts I do, I’m just as likely to post about a whiskey like the Edradour 10 year or a beer like the Bourbon County series from Goose Island.

I want to commit, but I’m truly only faithful to my wife.

That is why flexibility with wine clubs is so vital. Here, again, I’ll tip my hat to Tablas Creek for offering options of 6, 12 and 24 bottle commitments. Each tier has its ancillary perks, letting consumers pick just how much cow they want to bring home. Starting with a six-bottle a year commitment is not going to tie down my wine racks.

But I decided to go with the 12 bottle VINsider tier because A.) I saw 12 bottles on their shop page alone that I want to drink and B.) It seemed like having “Shipment wines specially selected by our winemakers” increased my odds of getting the geeky bottles I want.

3.) How likely is the style of wine going to change?

Though I do wonder what happened to this potted Grenache blanc vine. Is it still chilling outside the tasting room? Or did it grow up to be a big boy vine in the vineyard?


In our tumultuous era of mergers and winery acquisitions by big mega-corps, there is always a chance that your favorite winery is going to sell out. That potentially could mean a new style of wine driven more by focus groups rather than a focus on terroir. While I know that doesn’t matter to everyone, it matters to me and how I spend my money. Sometimes it is not even an acquisition that changes a style but rather a winemaker moving on with the new winemaker doing things just a little bit too different for your taste.

As a newbie wine lover, I learned this lesson the hard way when I first moved to Washington State in 2004. I fell in love with the wines of David Lake at Columbia Winery and joined their club. Failing health caused Lake to retire in 2006 with him passing away in 2009. Of course, you can’t blame the winery or David for that but the style of the new winemaker, Kerry Norton, just wasn’t to my taste. It took a year’s worth of unexciting wine club shipments for us to finally realize that the style had changed and wasn’t coming back, leading us to quit the club. This was before Gallo later bought Columbia and took it even further away from David Lake’s style.

Change happens. I get it. But if I’m going to invest in a wine club, I want to wager on one that I’m confident that I’ll be liking their wines for a while.

Looking at Tablas Creek’s website, I got a lot of comfort seeing the continuity of their leadership, viticulture and winemaking team. Many of the same people that were making those delicious wines I tried on my visit in 2012 are still there six years later.

That makes Tablas Creek feel like a solid bet of being a winery that I’m going to enjoy being part of their wine club.

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Trading Out instead of Trading Up


Seven Fifty Daily reposted an old Jon Bonné article from October about Do Wine Drinkers Really Trade Up?

This is a question that regularly percolates in the wine industry, occasionally bubbling over. Bonné gives lip service to (but doesn’t link) the New York Times op-ed by Bianca Bosker Ignore the Snobs, Drink the Cheap, Delicious Wine that created a firestorm last year. The op-ed was an excerpt from her book, Cork Dork, which, likewise produced some interesting reactions.

The gist of Bosker’s take is that wine industry folks shouldn’t turn their noses up at so-called “cheap wine” because there is actually quality in these bottles, even if there isn’t terroir. To add seasoning to her opinion, she includes a quote from no less of an esteem source than that of Master of Wine Jancis Robinson.

“It is one of the ironies of the wine market today, that just as the price differential between cheapest and most expensive bottles is greater than ever before, the difference in quality between these two extremes is probably narrower than it has ever been.” — Jancis Robinson as quoted in the NYT March 17th, 2017.

This narrowing in the quality gap has come via technological advances and winemaker “tricks”, several of which Bosker list in her op-ed, like the use of the “cure-all” Mega-Purple, toasted oak chips, liquid oak tannins and fining agents like Ova-Pure and gelatin.

Still despite these mass manipulations, Bosker contended that these technological advances had help “democratize decent wine.”

Needless to say, many folks disagreed with Bosker, few more passionately than natural wine evangelist Alice Feiring in her post to Embrace the “Snobs.” Don’t Drink Cheap(ened) Wine. But my favorite rebuttal had to be from Alder Yarrow of Vinography.

By M.Minderhoud - Own work, CC BY-SA 3.0, from Wikimedia Commons

I think Ronald would want to have a few words with Alder.

“[Bosker’s argument] is the wine equivalent of saying that McDonalds deserves the affection and respect of food critics and gourmets the world over for having engineered such tasty eats that can be sold at prices everyone can afford.” Alder Yarrow, Vinography March 23rd, 2017

Some certainly defended Bosker’s view with most of those defenses centered around the idea that these cheap democratized wines introduce people to a less intimidating world of wine. A world that they may eventually trade up from for “better wine”–whatever that may be.

“She seems to share the view that mass-marketed, everyday wines eventually will lead a person introduced to wine through them to step up to more challenging wines. This perception isn’t without precedent.

I have a hunch that industrial wines will prompt neophytes who find that they enjoy wine to search for wines that have more to say.” — Mike Dunne, Sacramento Bee April 11th, 2017

And this is where we get back to the concept of “Trading Up”

Many people in the wine industry are unconvinced that this phenomenon exist. While the Bonné article above tries to paint some nuances around the concept, you will find many writers who doubt that people ever really trade up and instead think that the reason why we are seeing an increase in “premiumization” is simply because older 4 liter box wine drinkers are dying off while newer Millennial drinkers are starting right off the bat with a little more pricier $7-10 wines. In the article linked above, The Wine Curmudgeon expresses skepticism that a Bogle or Rodney Strong drinker would ever “trade up” to a Silver Oak.

Bonné also notes that there is a significant segment of wine drinkers that are risk and change adverse, pointing to Constellation Brands’ Project Genome study that found around 40% of consumers prefer to stick with drinking the same ole thing they drink everyday.

British wine writer Guy Woodward, in another Seven Fifty Daily article, quoted a buying manager at the UK grocery chain Morrisons flat out saying that his customers aren’t interested in trading up, being quite content with their £5 (around $7) bottles.

Maybe the industry should count its blessings that Millennials are even buying $7-10 wines and just cross our fingers that the next batch of wine drinkers in Generation Z start out their wine journey in the $10-15 range?

Or we can stop talking about “Trading Up” and start talking about “Trading Out”.

A major hang up in the “Should we love ‘cheap wine’ debate?” is the focus on the word “cheap”– which means different things to different people. For some, it means the type of mass manipulated wines that Bosker describes from her visit to Treasury Wine Estates. For others, cheap just means…cheap. This is especially true when you are talking about a Millennial generation of wine drinkers saddled with student loans and a lower wage economy. It is a victory for the wine industry when a Millennial reaches for that $7-10 wine instead of a six-pack of craft beer.

By Jami430 - Own work, CC BY-SA 4.0, on Wikimedia  Commons

I mean, seriously, we could get about 7 meals of avocado toast for the price of one bottle of Silver Oak.

But for “natural wine advocates” like Alice Feiring who want wine drinkers to take their wine seriously and folks, like me, who despair at supermarkets monopolized by brands made by the same handful of mega-corps like Constellation, Treasury and Gallo, perhaps the potential of the Millennial market offers the perfect solution to our woes.

Going back to Alder Yarrow’s Vinography post, he references a Bosker rebuttal from Troon Vineyard’s general manager Craig Camp, that aptly notes the abundance of inexpensive but non-industrialize wine on the market. These include under $20 wines made in Beaujolais, the Cote du Rhone, Languedoc, Spain, Portugal, etc. Heck, you can even find tasty wines from these regions under $10. Now you might not find these in a grocery store, but they exist and often just down the road from the grocery at your local wine shop.

But how do we get drinkers to seek out these wines?

I think it is best to start small and encourage wine drinkers to get in the habit of “trading out” which simply means trying something new. Even if you are still shopping at your convenient grocery store looking at the litany of industrialize wines–try a new one. Sure, grab a bottle of your regular “go-to” but also grab something else. Just one bottle of something you never had before. Try it. If you hate it, you still have your ole trusty.

Why? Because drinking the same wine over and over again is like eating the same food. To echo back to Yarrow’s quote, you wouldn’t eat at Mcdonald’s everyday, why would you want to drink the same thing everyday?

So let’s say you try something different but in the same grape or from the same wine region. That’s a good start but it is still like limiting yourself to just one type of cuisine (Italian, Chinese, Indian, pizza, etc). Now granted, you can have a fair amount of pleasure exploring all the delicious possibilities of pizzas or Indian cuisine, just like you could have exploring all the delicious possibilities of the Riesling grape or the wines of Washington State. But you have even more potential for more pleasure when you trade out your standby cuisine for a chance to try something different–like Moroccan food or stuffed portobello mushrooms.

So many Cru Beaujolais….which incidentally goes great with both pizza and Indian food.

Encouraging the wanderlust and sense of adventure that Millennials have demonstrated, is the best path for wine industry folks promoting alternatives to industrialized wines. Yeah, mass produced and mass manipulated wines are probably going to be the starting point for a lot of wine drinkers. Bosker is quite right in that their accessibility and approachabilty has helped democratize wine.

But stop stressing if people reach for bottles of 19 Crimes or Apothic. Instead, keep encouraging them to “trade out” at least one of those bottles for something, anything different.

Perhaps if they keep trading out and exploring new wines, they may eventually find themselves on the wine industry’s holy path of “trading up” into more esteemed quality wine. But even if they don’t end up trading up to a higher price tier of wine, at least their journey is going to be a heck of a lot more interesting than just eating at McDonalds.

Avocado photo image from Jami430 from Veganliftz using NikonD90. Uploaded to Wikimedia Commons under CC-BY-SA-4.0.

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Are Americans Ditching Beer?

The Spirits Business is blaring the headline that “US alcohol consumption declines for second year”.

Yikes!

Well not so much. Digging a little deeper beyond the headline, The Spirit Business notes that the IWSR report attributes the 0.2% drop in alcohol consumption to a 0.5% decline in beer sales which represents 79% of the alcohol market in the US.

If you look at wine and spirits, we’re actually seeing positive growth of 1.3% and 2.3% respectively.

Phew!

Or is it?

There is clearly something going on with the decline of beer consumption with the mega-Goliaths of the industry like Constellation Brands and AB InBev struggling. Though while people may not be drinking as much Corona and Bud Light, the craft beer market is still seeing steady growth. Likewise, the cider industry has also been seeing positive numbers.

Could it be that more Americans are following the adage of “drink less, but better”?

Perhaps.

Why drink Corona when you could have some fantastic ciders from Elemental Cider in Woodinville, WA?


Instead of the light lagers of macrobrews, it seems that Americans drinkers are moving towards IPAs and seasonal beers that often have higher alcohol %. These tend not be brews that you can guzzle down a six-pack or do keg stand with. Indeed, part of the appeal of craft beers is that you can sit down and actually geek out over them, taking time to savor the experience.

And, of course, we know how Millennials are all about those experiences.

Plus with the growth in hard alcohol and cocktails, it is very likely that rather than ditching alcohol, Americans are simply trying to get more out of their drinking than just getting their buzz on.

I would say to my friends in the beverage industry not to fret about the headlines touting a decline in consumption. Americans are drinking plenty.

Drynuary be damned.

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Snooty or Flute-y?

Photo by Quinn Dombrowski. Release under CC-BY-SA-2.0 on Wikimedia CommonsDid you ring in the New Years with a flute of bubbles?

You uncouth swine!

Don’t you know that all the cool kids are ditching flutes in favor of regular wine glasses? As Margareth Henriquez, president of Champagne Krug, describes it, drinking your bubbly from flutes is like going to a concert with ear plugs and should only be used for “…bad Champagne, sorbet or gazpacho.”

Oh my!

A few folks had some dissenting opinions on this anti-flute craze, most notably Jameson Fink of Wine Enthusiast who wrote an impassioned defense of the unfashionable flute, bringing some scientific expertise for back-up.

It’s a good defense. The most persuasive argument comes from David Gire, assistant professor at the University of Washington’s psychology department. Gire notes how important visionary aesthetics are to our enjoyment. He also describes how these aesthetics can psychologically impact our perception of flavor.

As Fink points out, even the most ardent anti-flutists can’t discount the visual appeal that flutes have with their cascading beads of bubbles.

Now for me, I take a pragmatic approach. I’ll drink my bubbles from a variety of vessels and see what I like. So far, my runaway favorite has been the Luigi Bormioli Wine Styles Pink Wine Glass. You can see it in use for many of my sparkling wine reviews such as for the Paringa Sparkling Shiraz and Deligeroy Cremant de Loire.

I’ll also use a traditional flute as I did in my reviews of the Levert Freres Cremant de Bourgogne, Heidsieck Monopole Blue Top and Segura Viudas Cava. And I will do like the cool kids sometimes in using a regular ole wine glass such as with the De Venoge Princes Blanc de Noirs.

The Bormioli pink wine glass has become my go-to because it combines the best of both worlds. I get a wider opening that allows the aromatics to come out, but it is sufficiently narrow to showcase the bubbles.

You can see the difference in bubbles between the three types of glasses – the Bormioli pink wine glass, a flute and a regular wine glass.

For the most part, I agree with Fink that the visual spectacle of the bubbles is key to enjoyment.

There are advocates in the wine industry (such as Robert Walters in his book Bursting Bubbles) that argue that focusing on the “bubbles” in Champagne takes away from appreciation and evaluation of it as a “real wine.” In their opinion, a great Champagne is one that you could completely degas and it would stand on its own. The trend away from flutes (so they say) helps highlight the “realness” of great Champagne.

There may be truth to that but, dammit, I like my bubbles!

My go-to bubbles glass, the Luigi Bormioli pink wine glass

However, I can’t wholly join Fink on the dark side of Flute Apologetics. In my own anecdotal experience, I don’t get as much life and depth from my bubbles when I’m nosing them through the narrow opening of a flute.

In fact, a friend of mine of who read my lackluster reviews for the 2004 and 2006 vintages of Dom Perignon at Daniel’s Champagne Gala, urged me to try them again in a regular wine glass because, in his view, the “yeasty depth of Dom never shows well in a flute.” He probably has a point.

So I like my compromise Bormioli glasses but I’ll certainly keep on experimenting.

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60 Second Whiskey Reviews – Hakushu 12

Some quick thoughts on the Hakushu 12 Single Malt Whiskey.

The Geekery

According to Dave Broom’s The World Atlas of Whisky, Hakushu was built in 1973 in the Japanese Southern Alps among the forests that surround Mt. Kaikomagatake.

The distillery is owned by Beam Suntory where it is part of a portfolio that includes the Japanese whiskey brands of Hibiki and Yamazaki as well as Jim Beam, Maker’s Mark and Knob Creek bourbon, Bowmore and Laphroaig Scotches and Courvoisier cognac among many other liquor brands.

Additionally, Suntory owns the management rights to the 3rd Growth St. Julien estate of Château Lagrange and 4th Growth St. Julien estate of Château Beychevelle as well as the German estate of Weingut Robert Weil in Rheingau.

Hakushu production emphasizes variety with the distillery using 4 different types of barley, both brewer’s and distiller’s yeast as well as six pairs of different sized stills with various lyne arm angles. The distillery uses mostly ex-bourbon American oak barrels with some Japanese barrels and French wine casks. All this variety gives Hakushu’s blenders a wide palette of flavors to work with.

The Whiskey

Medium plus intensity. Very grassy but with a sweetness to it. It’s almost like someone sprinkled sugar on freshly cut wet grass. There is some subtle almond smokiness that rounds out the bouquet.

By Copyright © National Land Image Information (Color Aerial Photographs), Ministry of Land, Infrastructure, Transport and Tourism, Attribution, on Wikimedia commons

Aerial shot of the large Hakushu Distillery

On the palate, the almond smokiness comes to the forefront but it is surprisingly less sweet than what the nose would have you expect. It still has some sweetness with an apple fruit note but no where as sweet as the Glenfiddich 18 that I recently reviewed or many Glenmorangie and Balvenie offerings.

The Verdict

This whiskey has a fair amount of complexity and a lot to offer. At around $80-85, you are paying a premium but this is one of the better values in Japanese whiskeys (compare to say the Yamakazi 12 at $120+) so if you want to dip your toes in this area, it’s worth checking out.

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60 Second Wine Reviews – Winzer Krems Blauer Zweigelt

Some quick thoughts on the 2011 Winzer Krems Blauer Zweigelt St. Severin.

The Geekery

Winzer Krems is a co-operative based in the Kremstal region of Austria. Founded in 1938, today the co-op includes 962 growers farming over 2400 acres of grapes.

According to Jancis Robinson’s Wine Grapes, Blauer Zweigelt is a 1922 crossing of Blaufränkisch and Saint Laurent. Through its parent Blaufränkisch, Blauer Zweigelt is a grandchild of Pinot and Gouais blanc and niece/nephew of Auxerrois.

Covering more than 16,000 acres in Austria, Zweigelt can be found in limited plantings in Germany, United Kingdom, Hungary, Czech Republic, Slovakia and Canada. In the United States, there are a few producers in Ohio, Pennsylvania and the Snake River Valley AVA of Idaho experimenting with the variety. It has also been a beneficiary of global warming with increased plantings in the northern Japanese island of Hokkaido that is considered a wine region to watch out for in 2018.

This bottling of Winzer Krems’ Zweigelt is dedicated to St. Severinus of Noricum, the Austrian saint who, according to legend, lived and worked in the vineyards of Krems during the later years of his life.

The Wine

Medium intensity nose. Fresh and fruity like red cherries and blueberries. There is a little green note like tomato leaf around the edges.

On the palate is medium-plus acidity that adds juiciness and freshness to the fruit. A little bit of spice pops up to add some interest.

The Verdict

By Jerry Stratton / http://hoboes.com/Mimsy, CC BY-SA 4.0 on Wikimedia Commons

Pair this wine with something on the grill.

At around $12-15, this is a fun BBQ wine. Medium body with moderate alcohol, the recurring theme is freshness which makes its an easy wine to kick back and drink without wearing down the palate.

A good bet for someone who wants something a little bit bigger than Pinot noir but not quite as jammy or spicy as what a Malbec can get.

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A Spice of Brett

Photo by Susan Slater. Released on Wikimedia Commons under CC BY-SA 4.0
Recently I watched a webinar from The Wine Scholar Guild by Master Sommelier Tim Gaiser about wine faults. One of the topics covered was Brettanomyces.

Gaiser noted how the presence of Brett in wine is fairly controversial with some wine industry folks having zero tolerance, considering any occurrence of it as a fault in the wine. Others are more forgiving, taking the view that a little bit of Brett can add complexity.

I am in that later group.

I actually like a little bit of Brett in wine. To me, it’s like a spice that can add a dash of character and intriguing aroma notes. But my tolerance is usually only for that dash. It’s like ordering Thai food where you specify the level of chili pepper spice. With chili spice, I’m a wimpish zero stars but my wife loves her dishes 5 stars. With Brett, I like wines in what I call the 1 star range. Give me just enough savory meatiness to make my mouth water and I’m hooked.

Sure there are folks who would like wines with more “Brett-stars” and, of course, there are folks who are decidedly on the “zero-star Brett” side of the spectrum. But I’ll disagree with the zero-star Brett folks who think any instances of it is a sign of a flawed wine. It’s like thinking anyone who orders a difference spice level at a Thai restaurant is ordering bad food.

Yes, it’s different. Yes, it may not be your style. But that doesn’t necessarily means it’s faulted. Now, I say necessarily faulted because I think the winemaker’s intent needs to be considered. There are certainly cases where there could be no intention to have any Brett develop in a wine but it occurred via faulty barrels or bad hygiene or, perhaps, emerged to a degree far beyond what was expected. Those are wines that could rightly be described as faulted but I’ll acquiesce that some souls may still find charm in those wines.

Though I should clarify here that when folks talk about Brett in wine, there are different types of aromas and flavors that fall under that catchall term–some of which are more apt to be described as positive notes than others.

Three types of Brett-related compounds

Photo by Oldsoft. Released on Wikimedia Commons under CC-BY-SA-3.0

Typically the more gooey the cheese, the more likely it is to have some funk.

A few things to keep in mind. One, not all of these compounds occur in every wine that has Brett. Two, everyone’s sensory threshold is unique and driven by genetics. What’s given below are the average sensory thresholds for the various compounds. Three, aroma descriptors are subjective. What is one person’s band-aid could be another person’s wet leather or iodine.

Isovaleric acid (sensory threshold >1000 µg/L or 1 ppm)

Sweaty socks and rancid cheese. For many people (even those who tolerate a few stars of Brett) these aromas often fall into “wine fault” territory. However, there are pretty funky cheeses out there that some people would describe as “rancid” while others find them gorgeous. Different strokes for different folks. Heck, there are even folks who have fetishes for sweaty socks (which I’m not going to link to). While a wine with these aromas may have too many Brett stars for me (and probably most people), I can’t discount that there are going to be tasters that are fascinated with these wines.

4-ethyl phenol (4EP) (sensory threshold >140 µg/L)

Barnyard and band-aids. For many people, these are the typical “tell-tale” signs of Brett and it is not surprising that these sensory notes are the most easily detectable among the Brett-related compounds. They’re probably also the most divisive. While I don’t find the smell of horses and pigs in the barn very appealing (That’s getting into “2 star Brett” territory for me), I can’t begrudge someone who like a little bit of odeur de cheval in their wine. Hey, if that rocks your boat then you go Glen Coco!

The wines of Washington cult producer Cayuse can be very divisive among wine lovers. For some they’re “too bretty”, for others they are savory, bacon-y goodness.

4-ethyl guaiacol (4EG) (sensory threshold of >600 µg/L)

Bacon, smoke, mushroom, cloves. This is the bastion where I defend my spice analogy of Brett. A lot of people don’t realize that many of these savory aroma and flavors in wine are actually derived from the unsavory origins of the much-maligned Brettanomyces.

Old World Brett

In fact, you can argue (and many wine folks do) that typical “terroir characteristics” of great Old World wines like Northern Rhone Syrahs, Ribera del Duero and old school Barolo and Bordeaux, are really just the earmarks of Brettanomyces. This is why, for me, Brett isn’t a bad word but rather a tool that a winemaker can use to add more layers to a wine.

Sure, there are things that can make a wine “too Bretty” for me. Bad hygiene in the winery and tainted barrels can pile on the Brett stars and take a wine far out of my pleasure zone. I’ll also confess that I’m not a fan of sour beers where Brettanomyces often plays a big role (though the “sour” part mostly comes from Lactobacillus and Pediococcus).

But variety is the spice of life and sometimes a little Brett can go a long way towards making a wine more interesting. I’ll drink to that.

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60 Second Wine Reviews – Heidsieck Monopole Blue Top

Some quick thoughts on the Heidsieck & Co Monopole ‘Blue Top’ NV Brut.

The Geekery

Heidsieck & Co is one of three Heidsieck brands of Champagne that can trace its origins to the 18th century German trader Florens-Louis Heidsieck. Founded in 1785, disagreements among Heidsieck’s heirs lead Christian Heidsieck, Florens-Louis’ nephew, to break away to start his own company in 1834 that eventually became Piper-Heidsieck. A little later, Charles Camille Heidsieck, a great-nephew of Florens-Louis, started Champagne Charles Heidsieck in 1851.

Heidsieck & Co Monopole changed ownership numerous times throughout the years. Today it is owned by Vranken-Pommery as part of a portfolio of brands that include Champagne Vranken, Champagne Pommery and Champagne Charles Lafitte.

Despite having “Monopole” in its name, Heidsieck is a négociant brand sourcing its grapes from the 34,000 hectares of shared Vranken-Pommery vineyards with an additional 2000 hectares of contract grapes.

According to Christie’s World Encyclopedia of Champagne & Sparkling Wine, the NV Blue Top Brut is usually a blend of 70% Pinot noir, 20% Chardonnay and 10% Pinot Meunier. I could not find information on dosage or time spent aging on the lees.

The Wine

Photo from Wikimedia commons by Xocolatl. Released under CC BY-SA 4.0

A fair amount of apple strudel notes going on with this Champagne. But rather than a freshly baked strudel, it taste more like a Pillsbury toaster strudel.

Medium intensity nose. Lots of tree fruits like fresh cut apples and white peach. There is a little pastry toast but its subtle like a Pillsbury toaster strudel.

On the palate, it’s noticeably sweet so it’s probably has 11-12 g/l dosage. The apple notes come through the most, tasting like very ripe honey crisp apples. Creamy mouthfeel with some lingering floral notes on the finish that add a little bit of complexity.

The Verdict

A pleasant and easy drinking Champagne that’s essentially a less toasty version of Veuve Clicquot. Considering that the Heidsieck & Co Monopole ‘Blue Top’ NV Brut is in the $33-37 range while the Veuve Yellow Label is usually in the $42-50 range, the Blue Top is an undoubtedly better value.

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Geek Notes — Killer Clos Vougeot Map

Burgundy geeks!

For full map go to http://thevinofiles.typepad.com/the_vino_files/files/clos_de_vougeot.jpg

Just a tiny segment of the map showing most of “Cuvée du Pape” area around the Chateau du Clos de Vougeot

You have to check out this high quality (and downloadable) map of the Grand Cru Clos Vougeot over at The Vino Files.

I literally squealed when I came across this map while watching this interesting and well put together Youtube video essay on Clos de Vougeot by Antonio Ferrel.

While usually one of the most affordable and accessible Grand Crus, Clos Vougeot is saddled with the reputation of being highly variable due to its vast size (125 acres) and multiple bottlings being produced by 80+ growers. The tried and true advice to buy Burgundy based on producer, rather than necessarily terroir, is always the best approach. The video I linked to above by Antonio Ferrel names some top Clos Vougeot producers.

But what’s exciting about this map is that we can apply some historical context behind the terroir that the great producers of Clos Vougeot have. No one knew this land better than the Cistercian monks who planted and farmed the vineyard for almost 700 years. Carefully observing the vines and the wine produced from them, they subdivided the large Clos into essentially 3 bands or climats.

As Decanter noted in a 2011 article about the Grand Cru:

The top of the Clos (bordering the grand cru Grand-Echézeaux) is the best land – pebbly, oolitic limestone. The exceptional terroir was identified by the monks, who used it for their top wine: the Cuvée du Papes. Halfway down the slope, the soil is a mix of limestone and clay; the monks used this for their mid-level Cuvée du Roi. Further down still, the soil becomes more alluvial and drains less well – the plots left for the monks’ basic Cuvée des Moines.

By Christophe.Finot - Own work, CC BY-SA 2.5, from Wikimedia commons

One of the entrances to the walled Grand Cru of Clos Vougeot


This top Cuvée du Pape area includes the vineyards surrounding Château du Clos de Vougeot in what is essentially the top right hand corner of the map linked above.

Here we find such famous names as the Gros family, Meo-Camuzet and Hudelot-Noëllat. Seeing the favorable location of their terroir on the map makes it is no wonder why these producers regularly produce some of the most highly regarded examples of Clos Vougeot.

Studying the map, you find more recognizable names even in the less heralded Cuvée des Moines band of climats going downslope towards the RN74 auto-route. Seeing such esteemed names like Domaine Jacques Prieur, Domaine Jean Grivot and Louis Jadot reiterates the truism that great producers will still make quality wine even with less favorable terroir.

So have fun geeking out and exploring the terroir of the Clos Vougeot Grand Cru!

Unfortunately, it doesn’t appear that The Vino File site is still active (and the tip jar link on the site seems to have been removed). However, I still want to tip my hat to them for providing this fantastic resource for Burgundy wine lovers.

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