Tag Archives: Kermit Lynch

Geek Notes 10/28/2018 — New Wine Books for November

Let’s take a look at some new wine books coming out next month that are worth geeking out over.

Feel free to also take a gander at the titles profiled in previous months’ Geek Notes for October, September and August. With the holidays approaching, it’s never too early get ideas for great gifts.

Age Gets Better with Wine Third Edition by Richard Baxter. (Hardcover release November 1st, 2018)

Richard Baxter is a plastic surgeon who wrote his first edition of Age Gets Better with Wine back in, honestly, I don’t know.

The oldest date for the 1st edition I could find was in 2007 yet somehow the 2nd edition came out in 2002. My best guess is that the two years were probably switched by Amazon. However, the Google eBooks copy of the 2nd edition dates to 2009. So who knows?

Regardless, quite a bit has changed in our scientific understanding of wine so this 2018 revision will likely have a lot of new material.

This books intrigues me because of the objective approach it appears to take on the many conflicting studies about the role of wine and health. I’ve not had a chance to read either of the two previous editions but I think I’m going to pull the trigger on this one. Blogger Joey Casco of TheWineStalker.net had a great review of the second edition. Describing it as “a wine-science-history geek’s wet dream”, he posted a 2 minute review of the 2nd edition back in 2016.

What Makes a Wine Worth Drinking: In Praise of the Sublime by Terry Theise. (Hardcover release November 6th, 2018)

Terry Theise is a phenomenal importer who has played a huge role in introducing Americans to the exciting world of Grower Champagne. Additionally, he’s done much to bring attention to the high quality production of small family estates in Germany and Austria.

If you want to learn more about his story, Levi Dalton of I’ll Drink To That! podcast had a fantastic interview with Theise back in 2015 (1:50:22 length).

Pierre Gerbais, a fantastic grower Champagne from the Côte des Bar. The fact that we can find a lot of these gems more easily in the US is because of the efforts of Terry Theise.

Theise’s previous work, Reading between the Wines, was a mix of manifesto and anthology taken from his years of writings for his import catalogs. Now part of the Skurnik portfolio, Theise still regularly writes about vintage years, producer profiles and numerous (often humorous) rants about the world of wine.

Frequently in his writings, Theise expounds on the question that is the title of his current release What Makes a Wine Worth Drinking? What makes a bottle of wine worth the money to procure and the time spent cellaring and savoring? What makes anything worth putting into your body or sharing as part of a moment with loved ones?

Rarely do wine drinkers really stop to think about the answers to those questions. I suspect that Theise’s book will give a lot of food for thought and be a great read.

Good, Better, Best Wines, 2nd Edition: A No-nonsense Guide to Popular Wines by Carolyn Evans Hammond. (Paperback release November 13th, 2018)

This is the updated edition to Hammond’s 2010 release that dived into the world of mass-produced bulk brands and supermarket wines. With the link to the first edition, you can “look inside” and get an idea about her approach and the type of wines being reviewed.

In many ways, I applaud her snob-free approach but I do wonder what audience she is aiming for? Many of the folks who buy the Lindeman’s, Kendall Jackson, Fetzer and Sutter Home wines she reviews aren’t necessarily the folks who purchase wine guides.

While Constellation Brands’ famous Project Genome study of wine buyers found that nearly 1/5th of wine consumers felt “overwhelmed”, these folks were far more likely to seek info on the spot at a retail store versus searching the internet or seeking out a published wine guide.

Likewise, the near third of consumers who fall into the combined categories of “Traditionalists” and “Satisfied Sippers” are already buying their favorite mass produced wines being profiled here. It doesn’t seem likely that one writer’s opinion that Bulk Brand X is slightly better than Bulk Brand Y will sway many people.

Perhaps the 20% of Image Seekers and 12% of Enthusiasts who are more inclined to look at wine guides will be tempted but often these segments of consumers either eventually settle into “Traditionalists” and “Satisfied Sippers” or move beyond the $15 & under category this book focuses on.

Good, Better and Less Snobby
Photo by Robbie Belmonte. Uploaded to Wikimedia Commons under CC-BY-2.0

You may not like them or drink them but there is no denying that Gallo has done a masterful job of marketing and selling Barefoot Wines.

However, I do see this book being a huge benefit to students pursuing certifications such as the WSET Diploma level which focuses on the business of wine in Unit 1. Often these students need a bit of an “anti-snobbery” jolt to realize that the vast majority of wine drinkers don’t drink the same kind of wines we do.

In our rush to dismiss these wines, we often forget that there are reasons why things like Barefoot, Franzia and Apothic are top selling brands in the US.

I get it. They’re not my cup of tea either and I don’t vaguely hide my personal sentiments about them much on this blog.

But I do seek to understand them. This is why I give wines like Mamamanago, Apothic Brew, Capriccio and the like, just as much research and effort to figure them out as I do for Petrus and Cristal.

I see value in reading Carolyn Evans Hammond’s Good, Better, Best Wines as a window into the world of the “Traditionalists” and “Satisfied Sippers” and what they are drinking. While I don’t think anyone will ever quite cracked the code of how to convince these drinkers to “trade out”, much less “trade up”, we’ll never come close if we don’t first understand where they’re starting from.

Wine Reads: A Literary Anthology of Wine Writing edited by Jay McInerney. (Hardcover release November 13th, 2018)

I started geeking out over this book back in August when I was profiling Amira K. Makansi’s Literary Libations: What to Drink with What You Read.

Though he is the editor for this anthology, Jay McInerney has written several thoroughly entertaining wine books like Bacchus and Me: Adventures in the Wine Cellar, A Hedonist in the Cellar: Adventures in Wine and The Juice: Vinous Veritas–not to mention several other highly acclaimed works outside of wine.

He does contribute a chapter to Wine Reads which includes over 20 pieces of fiction and non-fiction writings about wine. Other writers in the work includes Rex Pickett (of Sideways fame), A. J. Liebling of The New Yorker, an excerpt from Kermit Lynch’s Adventures on the Wine Route, Jancis Robinson and more.

Just like with Makansi’s book, I can see this being the perfect companion for long flights or train rides.

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Geek Notes 8/28/18 — Upcoming Wine Books For September


Let’s take a look at some of the new upcoming wine books that will be hitting the market soon.

Crush: The Triumph of California Wine by John Briscoe (Paperback to be released Sept 1st. Hardcover on Sept 4th)

September is California Wine Month (I know, I know, someone needs to publish a calendar with all these various wine months and days) so the release timing of this 368 page book covering the history of the California wine industry is apt.

Given the breadth of its subject, it will be interesting to see how this book tackles its topic with most books on California’s wine history being more singularly focused like James Conway’s 3 book series on the history of Napa–Napa: The Story of an American Eden, The Far Side of Eden: New Money, Old Land, and the Battle for Napa Valley and Napa at Last Light: America’s Eden in an Age of Calamity, Charles Sullivan’s nearly completely California-centric Zinfandel: A History of a Grape and Its Wine or George Taber’s account of the famous Judgement of Paris tasting and its impact of the California wine industry.

It’s also telling of a daunting task that Thomas Pinney, a former professor at Pomona College in Claremont, California, needed more than a 1000 pages and two volumes to document a lot of California’s history in his work A History of Wine in America Volume 1 & Volume 2. Yes, Pinney does include a little bit of history of winemaking from other states–including the early booming industries of Missouri and Ohio–but the vast majority of his work focuses on California and even then you get the impression that he probably could have added a third volume.

Photo by Radicaldreamer29. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

California wine pioneer Martin Ray in the 1960s. Any good book on California history should have him featured.


If you are craving more, I can recommend for any geeks wanting to learn about California wine to check out Larry Bettiga’s Wine Grape Varieties in California which goes beyond the usual suspects of Cabernet Sauvignon and Chardonnay to detail more than 50 grape varieties growing throughout the state as well as Mike DeSimone and Jeff Jenssen’s Wines of California, Special Deluxe Edition that takes a little more of an overview approach of the state, focusing on wineries and winemakers. Likewise Jon Bonné’s The New California Wine: A Guide to the Producers and Wines Behind a Revolution in Taste also takes an overview approach but focuses on the wineries that Bonné particularly feels are driving the future of the California wine industry.

Literary Libations: What to Drink with What You Read by Amira K. Makansi (To be released Sept 4th)

I love when my passion for wine and literature cross paths which is why I’ve been really looking forward to Jay McInerney’s upcoming November release of Wine Reads: A Literary Anthology of Wine Writing which will include both fictional and non-fictional stories and anecdotes on wine from folks like Rex Pickett (of Sideways fame), Jancis Robinson, Kermit Lynch, New Yorker writer A. J. Liebling as well as McInerney who previously wrote Bacchus and Me: Adventures in the Wine Cellar, A Hedonist in the Cellar: Adventures in Wine and The Juice: Vinous Veritas.

Photo 	Screenshot from

Makansi recommends drinking a Bloody Mary while reading Bram Stoker’s Dracula.
But come on, you’ve got to go with the Hungarian wine Egri Bikavér (Bull’s blood) or a Romanian wine from Transylvania which is a legit wine region with more than 6000 years of viticulture and unique varieties like Fetească Regală (white) and Fetească Neagră.


I suspect that Makansi’s Literary Libations is going to have a more light-hearted and entertainment-focused approach than McInerney’s work–especially since the former is categorized as “Humor Literary Criticism” by Amazon. Still the description of the 224 page Literary Libations notes that it will offer nearly 200 wine, beer and cocktail recommendations for numerous classical works across a number of genres.

I can see this being a fun easy read, especially for something like a long train ride or airline flight.

Flawless: Understanding Faults in Wine by Jamie Goode (To be released September 7th).

Now this is a book to truly get your geek on. A plant biologist by training, Jamie Goode (the Wine Anorak) is an excellent writer who takes a keen scientific approach to all aspects of wine production and tasting, presenting it in both a thought provoking and digestible manner.

If your book shelf doesn’t have at least his The Science of Wine: From Vine to Glass then you are missing out. Likewise his I Taste Red: The Science of Tasting Wine and Authentic Wine: Toward Natural and Sustainable Winemaking with Master of Wine Sam Harrop are also well worth the read.

Photo by Maxdesbacchus. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

A plating of Brettanomyces bruxellensis. While mostly considered a fault in the wine world, many brewers are intentionally cultivating this yeast strain to produce sour beers.

With Flawless, Goode turns his attention to faults in wine which can have a myriad of causes in the vineyard and the winery. To add to the complexity of faults, humans have a wide range of sensitivity to them with some, like Brettanomyces, being considered anything from a component of terroir and complexity (see A Spice of Brett) to an incorrigible fault that should be eradicated in winemaking.

It will be fascinating to see Goode’s take on this so you better believe that this book will soon be on my shelf.

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Geek Notes 7/30/18 — New Wine Books to Geek Out With in August

Photo is from DEM of the New Zealand from GLOBE (topography) and ETOPO2 (bathymetry) datasets, precessed with Arcgis9.1 by jide. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Elevations of New Zealand

A look at some of the some of new releases in the world of wine books.

The Wines of New Zealand by Master of Wine Rebecca Gibb (released July 30th, 2018)

While there has been a few other books written to cover the wines of New Zealand such as Michael Cooper and John McDermott’s Wine Atlas of New Zealand (2002) and Warren Moran’s New Zealand Wine: The Land, The Vines, The People (2017), as far as I can tell this 356 page book is the first in-depth and exclusive look into the wines of New Zealand that has been written by a Master of Wine.

While previous books were written by New Zealand insiders, I’m intrigued at the perspective that UK-based Gibb may add to the story–especially in light of the global worldview of wine that is required to attain MW certification.

This intrigues me because it seems like in many ways that the NZ wine industry has been suffocating under the weight of success for their Sauvignon blancs with the grape still representing a staggering 72% of New Zealand wine production (2016).

Now with producers in other regions of the world breaking down the science of thiols and their precursors as well as the role of methoxypyrazines to tweak their own approach to Sauvignon blanc, wine shelves are awashed in pink grapefruit and gooseberries.

Suddenly New Zealand’s “distinctive style” doesn’t seem so distinctive anymore.

Photo by B.muirhead. Uploaded to Wikimedia Commons under CC-BY-3.0

View towards the Southern Alps but it honestly wouldn’t be out of place in the Malbec country of Mendoza, Argentina.

Yet for a country that spans over 10 degrees of latitude from the Northland region of the North Island down to Dunedin south of the Central Otago district on the South Island (more than the latitude difference between Champagne, France and Naples, Italy), it feels like there has to be more to the New Zealand wine story that just their ubiquitous Sauvignon blanc.

I mean, come on, this is a land that was able to bring to life on screen the diverse terrains Tolkien’s imagination in the Lord of the Rings series. Certainly there has to be a treasure trove of unique terroir that can be married to different varieties in magical ways.

As a wine geek and consumer, I would love to learn more about some of the 50+ other grape varieties grown in New Zealand.

What about Albariño in Gisborne? Syrah from Hawke’s Bay? Pinot blanc from Central Otago? Petit Verdot from Waiheke Island?

I know those varieties probably won’t excite the patio pounders and cafe sippers who guzzle down Kim Crawford, Oyster Bay and Nobilo by the caseful but it is certainly an answer for the legions of drinkers who’ve grown fatigued of Sauvignon blanc as is the inevitable fate for every fashionable variety.

Perhaps Gibb’s book would not only answer that fatigue but maybe also give a reason to give New Zealand’s old standby of Sauvignon blanc a fresh look with new eyes?

How to Import Wine: An Insider’s Guide (2nd Edition) by Deborah M. Gray. (To be released August 13th, 2018)

Gray’s first edition of How to Import Wine from 2011 was an extremely valuable resource for me in studying for the business unit of the WSET diploma.

It laid out clearly a lot of the complexities behind finding clients, building brands as well as the licensing, regulations and expenses that go into importing wine and finding distribution for those wines. It’s a far less romantic reality than you would imagine after reading Kermit Lynch’s Adventures on the Wine Route.

And then there is the reality of a rapidly changing market–driven particularly by Millennials and our wanderlust tastes. The second edition of Gray’s book looks to tackle some of those changes along with new laws and regulation that have emerged since the previous edition.

In Vino Duplicitas: The Rise and Fall of a Wine Forger Extraordinaire (paperback) by Peter Hellman. (To be released August 21st, 2018)

Seems like folks love reading (and writing) about rich folks getting snookered on wine.

Similar to how Benjamin Wallace’s The Billionaire’s Vinegar chronicled Hardy Rodenstock’s forgeries and scandals, Hellman takes a look at the build up and fall out of Rudy Kurniawan’s nearly 10 year con of infiltrating the big spenders clubs of the wine world and then blending his own fake bottles of legendary wines to sell to his buddies.

Hellman’s book was originally released in hardcover and audio book back in July 2017 and is a great read for folks who like historical non-fiction along with a peak into the gaudy wine drinking lifestyles of people who pop Petrus and DRC like a Sunday brunch wine.

Photo by Camw. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Why have mimosas when you can have La Tache? Assuming it’s real of course.

I also recommend checking out the 2016 documentary Sour Grapes which covers the Rudy Kurniawan from the perspective of those who knew Rudy as well as his victims and the people who brought him down.

That film also introduced me to the awesome work of Maureen Downey (aka ‘The Sherlock Holmes of Wine’) who was at the forefront in exposing Kurniawan. The day she releases a book on wine forgery, you better believe I will be snapping that sucker up on preorder.

The Wines of Eastern Europe by John Hudelson PhD. (To be released August 1st, 2018)

Photo by David Boyle. Uploaded to Wikimedia Commons under CC-BY-2.0

Seriously, Pošip is a fantastic white wine! Kind of like a less green and pungent New Zealand Sauvignon blanc.

Admittedly the wines of Bulgaria, Slovenia, Hungary, Romania, Georgia, Croatia and the like are a bit of a blind spot for me. Sure I’ve had Tokaji before (including a huge jackpot score with The Somm Game on my last trip to Vegas) and my mind was blown away on my trip to Croatia with how incredibly delicious their whites made from Pošip, Grk and Maraština were.

I’ve also had an oddball Bulgarian, Georgian and Romanian wine but outside of flashcard WSET knowledge about Bull’s Blood, Fetească Regală, Saperavi and the like I don’t really have much in-depth knowledge about the wines and culture of this part of the world. And I doubt that I’m alone in sharing this blind spot.

But exciting things are happening in the wine industries of Central and Eastern Europe with new winemakers taking fresh approaches to their bevy of unique indigenous varieties–to say nothing of the Natural Wine Movement that seems to have its spiritual home here.

With 386 pages written by John Hudelson, the author of Wine Faults: Causes, Effects, Cures (which was super valuable to me during my winemaking studies), I can see The Wines of Eastern Europe going a long way towards filling in that gaping blind spot.

Though giving Hudelson’s previous work on wine faults, I’ll be really curious to see how he approaches the topic of sulfite use and natural wines.

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Getting Geeky with Rubus Barossa Shiraz

Going to need more than 60 Seconds to geek out about the 2014 Rubus Shiraz from the Barossa.

The Background

Rubus is a negociant label of the importing firm Kysela Pere et Fils that was founded by Master Sommelier Fran Kysela.

Prior to earning his MS in 1989 and starting his firm in 1994, Kysela previously worked for California wineries Fetzer and Gallo as well as importers Kermit Lynch and Weygandt-Metzler. In his more than 40 years in the wine business, Fran Kysela has earned numerous awards including 2013 Importer of the Year from Wine Enthusiast magazine.

His wine import portfolio represents over 200 producers, including notable wineries such as Abeja, Accordini Igino, Alain Jaume, Avennia, Bressia, Bonny Doon, Buty, Betz, Chakana, Cholila Ranch, Clos de Sixte, Domaine Mordoree, Finca Sobreno, Gravas, Hahn, Jip Jip Rocks, La Petite Frog, Levendi, Long Shadows, Loring, Maipe, Marcassin, Mas Sinen, Maysara, Milton Park, Montebuena, Mt. Monster, Pago de Carraovejas, Palacio de Bornos, Paradigm, Patton Valley, Poggio Nardone, Quilceda Creek, Rebuli, Reverdy, Rinaldi, Segries, St. James Winery, Tamarack, Thorn Clarke, Tiza, Tres Ojos, Valminor and Vinsacro among many others.

The first wine released under the Rubus label was in 1997 with 1200 cases of an Amador County Zinfandel. Since then the brand has expanded to include Cabernet Sauvignon from Napa Valley, Chardonnay from Colchagua Valley in Chile, Pinot noir from the Waipara Valley in New Zealand, Prieto Picudo from Tierra de León in Spain, a Grenache-based Vin Gris from Corbières in the Languedoc-Roussillon region of France as well as a Shiraz from the Barossa of South Australia.

All the wines bottled under the Rubus label are personally selected by Fran Kysela.

Photo by davitydave. Uploaded to Wikimedia Commons under CC-BY-2.0

While the oak used for the Rubus Shiraz was entirely American, for half the barrels the staves were sent to France to be seasoned (air dried) and coopered in the French style.

The 2014 Rubus Shiraz was only the third release of a Shiraz from Kysela. A co-ferment of 98% Shiraz with 2% Viognier, the wine was aged 12 months in 100% American oak with half the barrels being seasoned and coopered in France. Around 2,000 cases were produced.

Instead of being labeled as the Geographical Indication (GI) of Barossa Valley, the 2014 Rubus is labeled as being from simply “Barossa” which Mike Desimone and Jeff Jenssen note in Wines of the Southern Hemisphere: The Complete Guide means that fruit from neighboring Eden Valley could have been blended in. Conversely, if a wine is labeled as being from the “Barossa Valley” then only 100% Barossa Valley fruit could be used.

The Origins of Syrah

In Jancis Robinson’s Wine Grapes, co-authored by Julia Harding and José Vouillamoz, it is noted that the origins of Syrah have been proven to be distinctly French despite myths attributing its origins to the Persian city of Shiraz in modern-day Iran.

Map from Rhône-Alpes map.png on Wikimedia Commons created by Utilisateur:Rinaldum. Derivations done by self and uploaded to Wikimedia Commons under CC-BY-SA-3.0

With Mondeuse Blanche native to the Savoie region (#4) and Dureza originating from the Ardèche (#1), it is likely that the cross-pollination that created Syrah happened somewhere in the Isère (#3) where Dureza is known to have reached.
The Drôme department (#2) includes the Northern Rhone wine region of Hermitage where there are written accounts of Syrah being grown here by at least the 1780s.

DNA analysis conducted in 1998 by Dr. Carole Meredith and others at UC-Davis have shown the parents of Syrah to be the Savoie wine grape Mondeuse blanche and the Ardèche variety Dureza. Both grapes were at one time cultivated in the department of Isère, southeast of Lyon, in the Auvergne-Rhône-Alpes region with ampelographers speculating that this was the likely area that Syrah originated in.

Further research by José Vouillamoz has shown a potential parent-offspring relationship between Syrah’s parent Dureza and the Pinot grape meaning that potentially Pinot noir could be a grandparent variety to Syrah.

Additional research into the origins of Viognier has shown a parent-offspring relationship with Syrah’s other parent, Mondeuse blanche, and Viognier though it is not yet clear which variety is the parent and which is the offspring–partly because the other potential parent of Viognier hasn’t been identified yet. This means that Viognier could be either a half-sibling or a grandparent to Syrah.

Aussie Shiraz vs French Syrah

Syrah was first brought to Australia in 1832 by viticulturalist and “father of Australian wine” James Busby as part of a collection of 75 different grapevine varieties from Europe. Known initially as Hermitage and then Scyras it was first planted in New South Wales before spreading westward.

Today it is the most widely planted variety in Australia, accounting for around 45% of the yearly harvest. It is planted across the country with the Barossa Valley known for having some of the oldest vineyards of Shiraz in the world–including many pre-phylloxera plantings on their own rootstock.

Photo by Louis Roving. Uploaded to Wikimedia Commons under CC-BY-2.0

The Barossa Valley

Among these old vine Shiraz plantings include Langmeil’s 1843 vineyard in Tanunda and Turkey Flat’s 1847 parcel planted by Johann August Frederick Fiedler. In neighboring Eden Valley, Henschke’s Hill of Grace has Shiraz plantings dating back to the 1860s.

Pioneered by German Lutheran settlers from Prussia and Silesia (in modern-day Poland), the Barossa Valley is home to numerous 6th generation family wine growers. Often traditionally aged in American oak, the style of Shiraz here is characterized by James Halliday in his Wine Atlas of Australia as “…lush, velvety and mouthfilling with flavors in the black cherry to blackberry spectrum, the tannins ripe and soft.”

The soils in the Barossa are mostly sandy and clay loam which will have varying water-retaining abilities in the hot Australian sun depending on the percentage and type of clay. This tends to produce concentrated wines with lower acidity and higher pH that contributes to the powerful and lush dark fruit typical of Aussie Shiraz.

In contrast, the mainly granite and schist-based soils of the Northern Rhone (particularly in Côte-Rôtie) produces wines that John Livingstone-Learmonth notes in The Wines of the Northern Rhône tend to be “… less intensely coloured–red rather than black–and much more sinewed. Their fruit is more stone and pebbly in texture, their tannins more upright and raw at the outset. Pepper tones are drier and more evident…”

The Wine

Medium-plus intensity. Noticeable oak with coconut and cinnamon. Certainly dark fruit like black cherries but there also seems to be some faint red fruit like red plums on the edges. Red flowers like dahlias add some intrigue.

Photo by Dinkum. Uploaded to Wikimedia Commons under CC-Zero

While the oak and dark fruits certainly play a prominent role in this wine, I was very intrigued by some of the layers of potential complexity suggested by the red floral notes like dahlias on the nose.

On the palate the oak is still quite pronounced with creamy vanilla mouthfeel and dark chocolate joining the party. However, medium-plus acidity does add enough freshness and a mouthwatering component to keep this from being jammy. The ripe medium-plus tannins are soft but well structured holding up the full-bodied fruit. On the moderate-length finish there is a subtle herbal note (maybe eucalyptus) that isn’t quite defined but does add some complexity.

The Verdict

Overall, I wouldn’t describe this as a stereotypical “Big, bombastic Aussie Shiraz” that seems to dominant the shelves of the American market. No one would ever confuse this for something from Mollydooker or Glaetzer.

While definitely oaky and fruit-forward, this is a little more in the Penfolds style with an element of elegance and additional layers that I suspect could become even more complex with a few more years of bottle age. With its juicy acidity and structured tannins, I can easily see this going another 3 to 4 years in delivering ample pleasure.

At $20-25, this is a well-made Shiraz that would certainly appeal to many New World drinkers who like their wines fruity and ripe but not sweet or jammy.

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Wine Spectator Grand Tour 2017 Las Vegas (Part I)

The 2017 Wine Spectator Grand Tour Las Vegas was held at the Mirage on Saturday, May 6th

For thoughts on the 2018 Wine Spectator Grand Tour check out the post Déjà Vu at the Wine Spectator Grand Tour

On May 6th, I had the opportunity to attend Wine Spectator’s Grand Tour at the Mirage Hotel & Casino in Las Vegas. Earlier in the day, the 143rd Kentucky Derby was held but for wine lovers like me, the real race that evening was trying to see how many of the 244 outstanding 90+ rated wines we could taste in three short hours.

I topped out at 68 wines with that involving making some hard decisions to miss areas that I would have loved to explore more like New Zealand and Piedmont. It also meant missing some of the wines that poured out quickly such as Stag’s Leap Wine Cellars’ 2012 Cask 23 which was gone about 2 hours into the event. Heading over to the Champagne side last also meant missing the Perrier Jouet’s 2007 Belle Epoque by about half an hour.

One of the observations I made during the evening was how many truly incredible wines only got 90 points. Historically, achieving 90 points from a reputable wine critic was considered a significant achievement for a wine but now it generates as much excitement in many consumers’ eyes as a baseball slugger who hits only 30 home runs a season. Yeah, Ted Williams’ 30 homers was a big deal back in 1951 but that would have him tied for 32nd and keeping company with folks like Kendry Morales, Jedd Gyorko and Curtis Granderson in 2016.

You can partly blame the proliferation of wine critics and wine rating magazines but the truth is that the market is literally flooded with great wine. Advancement in technology and knowledge in both the vineyard and the winery means that consumers have access to more wine of very high quality than ever before. This abundance of choice often means that consumers who focus on critic scores start moving their eye balls higher up the 100 point scale, making wines with scores under 94 points hard press to catch some consumers’ attention.

But Jedd’s got nothing on Teddy Ballgame’s “Blue Steel” action

That made me appreciate the beauty of the Wine Spectator‘s Grand Tour even more. This event, billed as a “United Nations of Wine”, showcased not only the breadth of quality around the globe but also, somewhat ironically, highlighted how much quality is not really defined by a number. While Wine Spectator makes its mark dishing out scores for wine, it was very telling that the vast majority of the 244 wines featured at their event had scores in the 90-93 point range, including 61 wines that scored a mere 90 points. Several of these were highly impressive including one that would make my Top 10 list by the end of the night.

That is why I’m going to start my three part series on the 2017 Wine Spectator Grand Tour with highlighting some of these Jedd Gyorko-scoring wines that are delivering Ted Williams-like quality.


Benovia 2014 La Pommeraie Russian River Pinot noir (90 points. Wine Searcher Average price $59) This was my first time trying wine from this tiny Russian River winery and I was so impressed that I signed up for their mailing list.

Beautiful high intensity aromatics that mixed floral and spice elements. The palate had medium-plus dark fruit notes which were well balanced with enough juicy medium-plus acidity to add elegance to the weight of the fruit. In an evening where I was comparing this wine side by side to other highly acclaimed Pinots such as the Belle Glos (2014 Clark & Telephone), Patz & Hall (2014 Hyde Vineyard) and even a Grand Cru Burgundy from Louis Latour (2014 Corton Grancey), this was the best Pinot noir of the night.

Clos Beauregard 2012 Pomerol (90 points. Wine Searcher Average price $56) Another first time pleasure for me to try. While 2012 as a vintage is a far cry from the very heralded 2009-2010 or the upcoming 2015-2016, it is, in my opinion, a solid vintage that offers good bargains for Bordeaux enthusiasts who need “Cellar Defenders” that that can open up as younger wines while giving their 09/10s and 15/16s more time to age. This Beauregard from Pomerol fits that bill perfectly in offering soft, but full-bodied and structured, tannins with rich dark fruit with spice and chocolate on the finish.

Montecillo 2009 Gran Reserva Rioja (90 points. Wine Searcher Average price $20) Probably one of the best values of the night. Savvy Rioja lovers have long known about Montecillo since it is one of the oldest estates in Rioja and has spent over 140 years making outstanding wines. This 2009 Gran Reserva most impressed me with how well it straddled the line between the modernist, more fruit-forward style of Rioja and the classic, more old-school and oak driven style.

The Montecillo was clearly classic with tobacco and oak spice but it had a rich core of fruit that made the wine seem more fresh than a lot of old-school Gran Reservas tend to be. The event features a lot of great Riojas from producers like Muga (2009 Prado Enea), LAN (2012 Edicion Limitada), and CVNE (2010 Imperial Gran Reserva) but I would put the Montecillo second only to the 2007 La Rioja Alta Gran Reserva 904 for top Rioja of the evening.

Quinta do Vale Meao 2013 Meandro (90 points. Wine Searcher Average price $21) This Portuguese wine is probably fighting head to head with the 2009 Montecillo Gran Reserva for best bargain of the night. Full bodied with chewy tannins and a long savory finish. Again, this will be no surprised to savvy wine geeks who have already been well aware of the outstanding value of dry red wines coming out of the Douro. Nor will this be a shock to Port lovers as the Olazabal Family’s Quinta do Vale Meão vintage Ports have been raking in critical acclaim for several years now.

This wine is a blend of 35% Touriga Nacional, 34% Touriga Franca, 20% Tinta Roriz, 6% Tinta Barroca, 3% Tinto Cão and 2% Sousâo and is almost a “baby brother” to the Quinta do Vale Meão Tinto 2013 that earned 94 points from Wine Spectator and 95 points from Robert Parker. The 2011 version of that wine was #4 on the 2014 Wine Spectator Top 100 wines list. For a $20 wine, this wine punches WAY above its weight and out-shined many bottles that were 3 to 4x the price.

Emilio Moro 2011 Malleolus de Valderramiro Ribera del Duero (90 points. Wine Searcher Average price $85) One of my Top 10 wines of the night. Absolutely stunning wine from one of the top estates in the Ribera del Duero. The nose smelled like dinner at an incredible restaurant with tons of savory meaty character mixed with fragrant Indian spices that can’t help but make your mouth water before taking a sip.

The mouthfeel is velvety with oak and black plums mixed with medium-plus acidity that continues making your mouth water with lingering flavors of fruit and spice for a finish that was several minutes long. And that was just from a taste! I can only imagine how many more layers could unfurl if I had a chance to savor an entire bottle of this wine.

Montes 2012 Alpha M (90 points. Wine Searcher Average price $64) Another great delivery from the Montes family of Chile. This is a Cabernet Sauvignon dominant Bordeaux blend with 10% Cabernet Franc, 5% Merlot and 5% Petit Verdot which gave this wine a lot of tobacco spice and cedar cigar box notes on the nose. Very Bordeaux-like but it was paired with a palate of ripe, juicy black currant and black plum with a velvety mouthfeel closer to that of a nice Napa Cabernet Sauvignon.


S.A. Prum 2010 Wehlener Sonnenuhr GG Old Vine Dry Riesling (90 points. Wine Spectator list price $47) At the beginning of the tasting the Champagne and white wine tables where crushed as people, logically, sought to try those wines first before moving on to the big reds. In order to maximize the amount wines we could experience, my wife and I made the strategy decision to hit the reds first and then towards the end hit the whites with the Rieslings and Bubbles being palate cleansers. It was a risky strategy but this dry Riesling from S.A. Prum made it a smashing success. Intensely dry with lively acidity that scrubbed all the tannins and extract from the 40+ red wines we’ve had by then right off the palate. It was like a B12 shot for the palate and it awaken my taste buds to enjoy the vibrant stone fruit of white peach and almost salty minerality. Such vivacious life for a 7 year old Riesling that still could go on kicking for several more years!

Sbragia 2013 Monte Rosso Vineyard Cabernet Sauvignon (90 points. Wine Spectator list price $65) From the legendary Monte Rosso Vineyard in the Moon Mountain district of Sonoma, it would be a sin to call this Cabernet “Napa-like”. Sure, it has the power of ripe black fruits of a great Oakville or Rutherford Cab but there is a freshness to this wine that I often find missing in Napa. It reminds me of an NFL linebacker who studied ballet. Power and grace. While the winery was founded Ed Sbragia, former head winemaker of Beringer, I learned that his son Adam now heads up winemaking duties. While I always enjoyed Ed’s wine, tasting this wine has me even more intrigued at what the future holds for Sbragia.

Ch. du Tertre 2011 Margaux (90 points. Wine Searcher Average price $42) A blend of 60% Cabernet Sauvignon, 20% Cabernet Franc, 10% Merlot and 10% Petit Verdot from the 5th growth estate in Margaux. In the “Intermission Years” of Bordeaux between 2009/2010 and 2015/2016, the 2011 vintage would probably rank just slightly ahead of 2013 for roughest of this very rough patch. But as I noted with my comment on the 2012 Clos Beauregard, there are still gems to be found but wine lovers need to be realistic. These are not wines to lay down in the cellar for decades. A wine like the 2011 du Tertre has character and personality with its woodsy and black tea notes on the nose. The medium body tannins with blueberries, dark cherry and truffles and medium-plus acidity would shine with dinner featuring game, mushrooms or a hearty stew.

Caiarossa 2011 Toscana (90 points. Wine Searcher Average price $43) This is an exciting Italian wine project from Eric Albada Jelgersma, owner of the 3rd Growth Bordeaux estate Chateau Giscours and 5th Growth Chateau du Tertre. A blend of 30% Merlot, 24% Cabernet Franc, 22% Syrah and 4% Cabernet Sauvignon it is an unusual blend even by Bordeaux standards, much less something you would expect from Tuscany. But the Cabernet Franc and Syrah in this wine really sing with a mix of blackberry, violet and peppery spice. On the finish there is some intriguing dark chocolate and espresso notes that pop out. This is a wine tailor-made to impress wine geeks.

Ornellaia 2014 (90 points. Wine Searcher Average price $168) I was shocked to see this wine as I didn’t even realized it was released yet! One of the classic Super Tuscans, this wine is a blend of 34% Cabernet Sauvignon, 32% Merlot, 20% Petit Verdot and 14% Cabernet Franc. Huge, huge tobacco. There are many cigar bars in Vegas and this wine smelled like I walked into one. It has some interesting aspects but with the big, chewy tannins this wine needs a lot of time. If I had a bottle, I wouldn’t think of touching it for at least another 3-5 years but its best days are probably 10+ years away.

Volver 2014 La Mancha (90 points. Wine Searcher Average price $16) For many New World wine lovers, shopping for European wines can be a scary proposition with so many unfamiliar names, labels and grape varieties. One of the easiest thing you can do is to start learning importer names. Flip the bottle around and look at the back label for names like Kermit Lynch, Becky Wasserman, Alfio Morconi, Frederick Wildman and, if you’re looking at Spanish wine, Jorge Ordonez. The gems he finds are outstanding such as this old vine, single vineyard Tempranillo that had gorgeous juicy red fruit with a medium-plus body that gave the wine elegance and finesse.

Coming up next: The Heavy Hitters and 94+ rated wines.

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