All posts by Amber LeBeau

Now is the time for wineries to think BIG with online wine events

Since the launch of VirtualWineEvents.com, I’ve been stunned by the response. Even though the site has only been live for a few days, we’re going to hit more than 100,000 pages read by the end of today. We’ve haven’t even climbed to the top of Google search rankings yet. So nearly all of this is coming from word of mouth. However, the big driver behind the “pages read” number is that once users are on the site, they’re spending several minutes visiting multiple pages and clicking on events.
Chum salmon leaping photo by Photo: K. Mueller, USFWS. Uploaded to Wikimedia commons under CC-BY-2.0

Now, of course, there is some novelty at play. But as I noted in my last post, there’s no reason to think that audiences for online wine events are going to vanish as soon as things get “back to normal.” The horse has left the barn.

Every day, as consumers become more familiar with using Zoom and checking in on Instagram and Facebook Live events, new habits are being formed. While we all can’t wait to get the heck out of our house, eventually, the novelty of that will wear off too. Though (hopefully) quarantine-life won’t return, a new normal is already emerging. One that certainly involves more digital tools than it did before.

The fascinating thing about putting together VirtualWineEvents.com, as well as attending numerous online wine events myself, has been seeing the different approaches to these events.

Some have been very creative such as Peltier Winery in Lodi hosting “Wine and Comedy” shows featuring their winemaker with a professional comedian. Or Tinte Cellars in Woodinville doing Facebook takeovers with local musicians. Other wineries, shops and entrepreneurs are hosting cooking events, yoga, pajama parties, painting classes and even tasting parties centered around solving murder mysteries.

People are having fun, creating worthwhile and engaging events–taking advantage of digital platforms that give their brands a larger reach.

And then there are the folks who are thinking small.

While a lot of wineries are doing fantastic jobs focusing on retention and taking care of their wine club members with personal, one-on-one virtual wine tastings. Far too many wineries are limiting themselves to the same formula. Take a look at the listings on Virtual Wine Events or just Google and take a gander at Facebook event postings. You’ll see the same script.

Hey, we set up a special virtual wine tasting pack for you to enjoy. Order by _______ and we’ll get it sent to you in time for our next event on ________.

These events, in and of themselves, aren’t bad. Every winery should be doing them periodically to generate revenue. But the over-reliance on them, and making them the sole expression of their digital strategy, introduces the same problems that make the traditional tasting-room model unsustainable. You’re fishing from a small pond stocked with fish that likely already know your brand. You’re just playing catch and release.

Meanwhile, you have a whole digital stream of wine lovers spawning and flowing right past–and you’re not even casting a line.

Online wine events are brand-building bonanzas.

They allow consumers a chance to discover a brand without having to invest much commitment–just a little time. I don’t need to already be familiar with a winery in order to be intrigued by an engaging topic for a virtual event. Such as Pearl Morissette Estate Winery in Ontario talking about Cabernet Franc in the Niagara or Laird Family Estate’s Clone Wars. If it sounds interesting, I’ll check it out even if I don’t have the wine. If it ends up being boring, I can just leave. No biggie. It’s even more painless to drop in and out of IG or FB Live events.

That ease makes me more willing to check out news brands. For wine consumers, that low bar of commitment offered by digital is GOLD. It frees us to be adventurous because the barrier of entry is far lower than say, visiting a tasting room.

So why squander that gold by basically treating virtual wine events as tasting room visits?

Have you ever stopped to think about what wineries ask of consumers under that traditional tasting room model? How much of a commitment they’re counting on, just to discover a new brand? Let’s say someone has never heard of or knows very little about a winery, to get them interested in buying wine we expect them to commit:

Time
Planning
Travel
Money

…to come visit a tasting room, try the wines, hear the spiel and so on. All this, just to get to know your brand. You’re asking quite a bit, even for local consumers, much less of consumers in other markets. And this is just looking at it from a pure, self-interest consumer POV. We’re not even considering environmental concerns that will also diminish people’s motivation to travel across the country or oceans.

Now with the traditional VT script, the travel commitment is removed. However, wineries are still asking a commitment of time, planning and money upfront. Again, all this, just to get to know them and figure out if they’re a brand worth paying attention to.

No wonder so many wineries are fishing in a small pond.

Vineyard Chat

Jeff Harding, the Beverage Director at The Waverly Inn in New York, has been doing some great IG Live events with winemakers out in the vineyards.

To really buy-in to all the opportunities that digital offers, wineries need to think beyond the tasting room. Yes, the wine club and personal one-on-one virtual tastings are great. They can convey intimacy and personal attention, which will surely pay dividends. But that should just be one aspect of a broader digital strategy.

To maximize the massive potential of online wine events, wineries need to look beyond the pond. They need to expand the scope beyond just “Hey, let’s taste some of our wines–which we hope you already have!” Instead, they should be using these virtual events to show us the vibe and personality of the brand. Consumers want to know if wineries share their values and if they’re just plain likable or interesting.

These digital platforms are opening up new streams of consumers from across the globe and bringing them closer than ever to wineries.

Now is the time to be thinking big and casting lines.

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A New Tool to Help Promote Online Wine Events

My post last month on How Can We Make Virtual Wine Tastings Less Sucky? generated quite a response. While most of it came from wineries seeking honest feedback on their VTs, I also received numerous inquiries from folks wondering how I was finding these events. For me, it was relatively simple because they’re popping up everywhere on social media. But when I went to Google “Virtual Wine Tasting,” I quickly realized what a chore it was for consumers to find interesting online wine events.

Mobile screenshot from https://virtualwineevents.com/

Unless someone is actively following lots of wineries, wine schools, bloggers, etc., most of these events float under the radar. Yet, there’s clearly a growing interest even in a post-Covid future.

One silver lining emerging from this pandemic is that it has encouraged us to embrace digital tools like never before. Zoom is not going away, neither are Facebook and IG Live events. Everyday consumers are getting comfortable connecting with people and brands from across the globe on these platforms. Even when things get back to semi-normal, there’s always going to be an audience for online wine events.

We just need an easier way to find them.

VirtualWineEvents.com

I have to give credit to my wife, Beth, a former Google site reliability manager, for developing this site. She not only noticed that the domain name was available (as well as onlinewineevents.com) but that Google Trends was showing people searching for these terms. She had been itching to play around with wine-related technology in her quarantine downtime so, after a couple of weeks of work, we launched the site this weekend–already populated with over 200 events.

US Search terms

Google Trends in the US for Virtual Wine Tasting and Online Wine Tasting

Global search terms

Global results

This is a free tool for wineries, educators and other small businesses to promote their wine events.

While I will be managing the site and uploading events as I find them, it’s designed to be easy for anyone to use. All you have to do to upload an event is to create a login via FaceBook or Google. We also have an email login option that we’ll keep as long as it’s not being abused. The aim is to maintain some accountability on who is submitting events.

Once you’ve created a login, you can input an event on any date by filling in the details below. The listing will then need to be approved by admins who will make sure it is a legitimate event before going live.

Input page on Virtual Wine events

The timezone is based on the login IP of the submitter (in my case, Central European Time). For global visitors to the site, the time will be adjusted to their own time zone.

Future Developments in the Works

We just launched the site this weekend with several more features slated to be added–including some front-end design work and the ability to upload photos. But three significant items coming soon:

1.) Social media share buttons on each event listing so that consumers can easily post to their SM accounts events that they are interested in.

2.) An “Interested” icon that consumers can select to highlight events that intrigue them. This will contribute to a Reddit-style “Trending Events” listing that will appear on the main page to highlight future events that are garnering the most interest. While the homepage for today’s events will always list things in order of what’s coming up next, future calendar dates will elevate to the top more popular events for higher visibility.

3.) A back-edit feature to upload links to recordings of events that have passed. As I noted in my previous article, the long term benefit of virtual wine tastings and other online wine events is that this is content that can keep working for you.

Search results on Virtual Wine Events include several of the most recent past events that are relevant to the query. Like this example of what someone would see searching for a wine event about New Zealand.

NZ Search

Items that have a post-event recording available will have a special tag noting this for users to check out.

Another feature that will come a little further down the road is the ability to subscribe to be notified of events based on keywords such as a favorite winery or wine region. This way, whenever an event that matches is submitted, the consumer will automatically get an email notification of it.

How can wineries use this tool effectively?

Mobile view VWE

Mobile view of events.

While I highly encourage wineries to start using VirtualWineEvents.com as another promotion tool, you’ll quickly notice poking around the site that there are A LOT of online wine events happening. And more are popping up every day. So to maximize your reach, keep a couple tips in mind.

1.) Have a Catchy Title. Something more than just “Virtual Tasting with the Winemaker”–stuff. On mobile, all people are going to see at first is this title, so make it count. Do you have a particular theme like “The Battle of the Zins” or “Wines to convert Chardonnay-skeptics,” etc.? Think of something that is going to make folks want to click on your event.

2.) Have a Good Landing Page. This is the link that your event title goes to. Ideally, if it is an event that requires registration, you want the landing page to be that registration page. Consumers will lose interest if you make them have to click through multiple links.

3.) Make the Description Worthwhile. The search function pulls from the event title and description box. You want to make sure that if someone is looking for an event on Pinot noir, yoga, natural wine, etc., that they’re going to find you.

Any feedback or suggestions would be much appreciated!

As you can tell, this is still a work in progress. You can email me at amber@spitbucket.net with comments as well as hit me up on the Virtual Wine Events Twitter handle, @VirtualWineEvts.

This will definitely be a valuable tool for connecting consumers with wineries and other small businesses. The potential of online events is limitless and go far beyond just virtual wine tasting and webinars. There are folks hosting murder mystery parties, cooking and painting classes, R&B social events, trivia quizzes, watch parties for movies & YouTube premieres, etc. Long after we’ve emerged from our Covid slumber, there will still be consumers interested in online wine events.

Hopefully now they will be easier to find.

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60 Second Wine Review — Hess Collection Estate Napa Valley Chardonnay

A few quick thoughts on the 2016 Hess Chardonnay from Napa Valley.

The Geekery
Hess Chardonnay

Donald Hess came from a family of brewers in Switzerland. But in his twenties, Hess purchased a mineral water source and founded Valser Wasser that grew to become the largest in Switzerland. It was a search for new sources in California that would bring Hess to discover Napa Valley wines in the 1970s and eventually lease the old Mont La Salle winery on Mount Veeder from the Christian Brothers.

The Su’skol Vineyard, located just east of Carneros at the far southern extreme of Napa Valley, is the source for the estate Chardonnay. The vineyard is unique with Hess using massal selection to propagate and sustain a mixture of 9 different clones of Chardonnay–including several of the aromatic musqué clones. Like all their estate vineyards, Hess farms Su’skol sustainably and is certified Napa Green.

Depending on the vintage, around 20-30% is fermented in new French oak for nine months with weekly lees stirring for four months. A similarly small amount will see malolactic fermentation. In 2016, around 21,700 cases were made.

The Wine

Photo of citrus blossoms by Ανώνυμος Βικιπαιδιστής. Uploaded to Wikimedia Commons under CC-BY-3.0

Gorgeous citrus blossom notes in this Chardonnay.

High-intensity nose. Lots of lemon with very citrusy white blossom notes as well. Subtle herbal and white pepper spice reminds me of both Sauvignon blanc and Gruner Veltliner. With air, spiced pear hints at oak and more Chardonnay-like fruit.

On the palate, the Chardonnay character emerges with spiced pear, as well as apples, going along with the still pronounced citrus fruits. There’s also noticeable medium-plus weight and subtle vanilla creaminess of oak. It doesn’t dominate the profile, but the fresh lemon definitely moves to more lemon custard. High acidity still maintains freshness with a mouthwatering nature that lingers on a long finish.

The Verdict

This is definitely a very different Cali Chard that’s nothing like the butter bomb “cougar juice” stereotype. Nor is it trying to be a wannabe Chablis.

For around $17-20 retail, it’s just a plain delicious Chardonnay that is well worth finding.

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Talking about Millennial consumers today on The Real Business of Wine!

I’m very excited to have been asked by Robert Joseph, aka the Wine Thinker, and Polly Hammond of 5forests to join them on their April 20th Real Business of Wine panel talking about wine consumers. While I’ll be there to share some insights on Millennial buyers, the event is going to cover a lot of ground.

RBW logo

Join us for this very special session in collaboration with ARENI Global, as we explore the changing face of the modern wine consumer. Millennials, Boomers: does it matter? Technophobes, Social media natives: what does it mean for communications? Wine shops, DTC: what does the future look like?”

The panel will start on Zoom at 18:00 BST (1 pm EST, 10 am PST). You can get the link by registering on the RBW site.

About #RealBizWine

Joseph and Hammond launched RBW earlier this year to bring wine professionals from across the globe together to talk about today’s hot topics. In a little over a month, they’ve broadcasted over a dozen episodes covering issues as diverse as biodynamics and natural wines to excelling at eCommerce, wine writing and working remotely from home.

Along the way, they’ve featured a literal Who’s Who of authoritative voices in wine such as Jancis Robinson, Jane Anson, Isabelle Legeron, Felicity Carter, Laura Catena, Rebecca Hopkins, Ronan Rayburn, Joe Fattorini, Monty Waldin, Eric Asimov, Tim Atkin, Elaine Chukan Brown, Alice Feiring, Paul Mabray, Jasper Morris, Ray Isle, Erica Duecy and DLynn Proctor.

*Cue “One of These Things is Not Like the Others….“*

But, hey, I’m just going to do my best to hold my head above water while talking about a topic that I’m passionate about. Beyond being a Millennial myself, over my 15+ years of retail experience (most of it in the wine industry), I’ve seen how the old playbook doesn’t always work with my cohorts. However, we’re far from monolithic with the oldest of my generation starting to hit their 40s while the youngest is still in college.

On this blog, I’ve written about Millennials a lot. These articles have been some of the most searched for and shared pieces I’ve produced.

Is the Wine Industry boring Millennials to (its) death?
The Wine Industry’s Millennial Strawman
Millennial Math — Where’s the value in wine?
The Wine Industry’s Reckoning With Millennials
Napa Valley — Boomer or Bust?
Under the (Social Media) Influence
The Real Influencers of the Wine World
Adapt or Perish — The Wine Industry’s Reckoning With Technology
The Lost Storytelling of Wine
Wine Above Replacement (WAR) — Hard Seltzer
How Can Wineries Use Instagram Better?
Why Do Winery Instagram Feeds Suck So Much?
Fake Wine and Real Boobs

However, more than participating, what I’m most looking forward to are the new insights.

One of the great things about the Real Business of Wine format is that it’s interactive with the hosts, Joseph & Hammond, frequently bringing in folks from the audience to ask questions and share their experiences. (Check out of one my favorite episodes below on Wine Tourism as an example.) It truly does become a global conversation that I’m thrilled to be a part of.

However, because of its popularity and bandwidth issues, they have to limit the audience to around 100 people. This is why they encourage registration via email to secure your place. So if you want to take in the panel live, definitely sign up!

But don’t worry if you miss the 100 person cut-off, the episode will be on The Real Business of Wine YouTube channel with clips posted on the @realbizwine Twitter feed.

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Dead Weight — Are heavy wine bottles a good idea?

The other night I had a gorgeous rosé….which I have ZERO desire to ever purchase again.

Empty Muga bottle

For comparison, I weighed a FULL bottle of Champagne as well. You expect that to be thick and heavy to hold the pressure.
It was 1595 grams, meaning that this empty rosé bottle (892 g) weighed more than HALF a full bottle of Champagne.

Oh, don’t get me wrong. It was absolutely lovely. Superb even.

The 2018 Flor de Muga from Rioja checked off so many of my yummy boxes. High-intensity aromatics of strawberries, citrus peel and peaches. Crackling acidity and freshness with a little bit of creamy texture coming from the oak. Long minerally finish that introduces some cinnamon spice to add complexity. Scrumptious to the last drop.

But every time I refilled my glass, enthusiasm for buying this rosé diminished. Because regardless of how much pleasure it was giving me, I couldn’t get past how obnoxiously heavy the bottle was.

It was ridiculous. Holding the empty Muga bottle in my hand, I was startled with how similar the weight felt compared to the bottle of Bodegas Tradición Amontillado I had just opened that was mostly still full. While I bought this bottle online, the next time I see this wonderful and exceptionally well-made rosé available for purchase, it’s going to get a big ole “Nope” from me.

Why?

Because there are TONS of wonderful and exceptionally well-made rosés out there that I can buy instead–including many that I have yet to discover. There’s no monopoly, anywhere, from any region or winery for quality wine. Like every other consumer, I have near limitless options to spend my money. Making good wine alone doesn’t cut it.

And, frankly, life’s too short to waste time with obnoxious fat ass bottles.

As part of a Millennial generation that has been telling brands for years that we want more sustainable, less wasteful packaging, seeing wineries still cling to these ridiculous heavy bottles sends the message that they’re not serious about sustainability. I don’t care what platitudes of stewardship you put on your website if I’m holding the contradiction right in my hands.

But this isn’t just a Millennial thing.

Folks like Jancis Robinson have been speaking about the foolishness of Naughty Heavy Bottles (NHBs) for years. Thankfully, savvy wineries have been responding. Many are finding that not only can they save a substantial amount of money by being more environmentally conscience, it’s what many of their customers want.

Jason Haas of Tablas Creek noted his surprise at this revelation when he looked back on his winery’s journey towards greener bottles.

But before we made our bottle change, we reached out to our fans on Facebook, Twitter, and this blog asking for what they looked for in a wine bottle. I was expecting a mix of people in favor of the solidity and feel of the heavier bottles and those who wanted the greener environmental footprint of the lighter bottles. And there were a few of each of those. But the overwhelming majority of the responses focused on utility: people wanted bottles that they could lift and store comfortably, and larger bottles don’t fit in many pre-made wine racks. The hostility toward the larger bottles was eye-opening.

— Jason Haas “A lighter wine bottle revisited, 10 years and 1,370,000 pounds of glass later”, July 29, 2019

But wait, Amber. What about all those marketing and psychology studies saying that people respond positivity to heavy bottles?

They’ve all got merit. I’m not going to dispute that. There are certainly plenty of case studies out there to back them up. But besides invoking the wisdom of Bob Dylan about times a-changin’, I want to cast light on something that those case studies don’t consider.

The success of the “Heavy Bottle=Better, more premium wine” strategy is wholly dependent on ignorance. It’s a tent propped up with two poles.

Ignorance of what makes a wine truly high quality and premium.
Ignorance of the huge carbon footprint and environmental debt of transporting heavy glass bottles.

Pup tent photo by 	Joost J. Bakker. Uploaded to Wikimedia Commons under CC-BY-2.0

Another thing to consider–a flimsy tent is easy to set up. Other, even cheaper, brands can adopt thicker bottles–negating your “competitive” advantage.


Sure, you may fool Joe RandoCustomer on the sales floor with your hefty Bottle A swaying him away from Bottle B. But you can’t escape that the long-term success of this trick depends on sustained ignorance. As soon as any of that ignorance chips away, the tent collapses.

Go back to Haas’ Tablas Creek blog.

Note that it was his loyal (i.e., repeat) customers who were telling him so overwhelmingly how much they hated the heavy bottles. These customers are less likely to be fooled on the sales floor by a heavy bottle because they’ve found plenty of premium wines, like Tablas Creek, that aren’t in those kinds of bottles. The light bulb has “clicked” for them so that pillar of ignorance loses its support.

However, losing that second pillar of ignorance is what’s really going to sink heavy bottles.

With all the talk about sustainability these days, would you really want to place a wager on your customers staying ignorant about wine’s carbon footprint? Or that the vast majority of a winery’s carbon costs come from the packaging and transport of glass bottles?

Glass waste bin photo by Usien. Uploaded to Wikimedia Commons under CC-BY-SA-3.0.

While glass is 100% recyclable, it does have its share of problems.

Sure, we can talk about cans, pouches and other alternative packages, but I’m not going there today. Instead, I just want wineries to start reading the writing that’s on the wall and the messaging that their customers (both current and future) are getting.

Every day, we see more companies reducing packaging waste. Coca Cola has been making their bottles lighter. The beer and cider industry have adopted “lightweighting”.

And in the wine industry, numerous forward-thinking wineries like Jackson Family Estates, Tablas Creek, Torres and more have long ago shown that, for them, sustainability isn’t a platitude. While they might not aggressively market their lighter bottles as a competitive distinction, there’s going to be wineries that will.

While it’s not just a “Millennial Thing,” it certainly is important to us.

Lots of ink has been wrung worrying about Millennials and Gen Z consumers. The hot question is always when are we going to come around and start adopting wine like previous generations. There is some truth to the optimism that all that my cohorts need is time. However, wineries need to be thinking now about the messaging that they’re sending to these consumers.

Because, yeah, your wine may be great. But so are numerous other wines that similarly want a piece of our wallets. If we have the choice between a wine that speaks to our values and one that doesn’t (or is even hypocritical about it), you know which one has the advantage.

Ignorance may be bliss, but it’s not something I would wager on.

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How Can We Make Virtual Wine Tastings Less Sucky?

Note: This piece was mentioned in Meiningers Wine Business International’s April 15th, 2020 article “Can virtual wine tastings be saved?” by Robert Joseph

The last few weeks, I’ve been wrapping my head around the new abnormal. This has included indulging in the smorgasbord of virtual wine events that have sprung up everywhere. They’re fairly easy to find via social media and handy calendar pages. But while several events, such as Master of Wine Rebecca Gibb’s Lockdown Wine Quiz, have been terrific distractions, most of the virtual wine tastings held by wineries have been absolute duds.

Eduard Ritter - Wine tasting. Uploaded to Wikimedia Commons under the public domain

Which has really bummed me out.

I was very high on this idea. Virtual tastings seemed like an excellent way for wineries to stay connected while generating revenue with the sale of VT wines for the events.

While sommeliers, retailers and bloggers have also been hosting virtual wine tastings of their own, I focused on winery VTs to see how they were adapting to this platform. But after sitting in on numerous virtual tastings (or watching the post-broadcast YouTube recording) from wineries big and small, US, Australia, UK, France–one consistent theme emerged.

Most of these events are boring as hell.

I’ve not seen a winery publicize data from their virtual tastings. But for the ones that have conducted multiple events, I’m willing to bet that they’re already seeing a participation drop as we move from novelty to reality.

However, rather than scrap the idea altogether, we should take a critical look at where these events may be falling short.

Other writers, such as Antonio from Wine and Other Stories, have offered feedback and suggestions from a consumer’s POV. But I want to focus on how these virtual tastings are likely failing with their two main objectives (building connections & generating revenue)–and how we can reframe them to make them more effective.

It’s hard to make a connection when you’re missing the critical connecting link.

This is the Achilles’ heel of winery virtual wine tastings. They want to “bond” and connect with consumers over bottles of wine that the person on the other side of the screen probably doesn’t have. Even tastings that are tied to wine club shipments or special VT kits are hampered by limitations as most people don’t want to open up multiple bottles at once. And you certainly can’t bank on everyone having a Coravin at home.

Few things increase the “suckitude” of a virtual wine tasting more than listening to folks go on and on about a wine that you’re not tasting. It doesn’t feel like a chat or a connection. At best, it’s a wine review of something that you might be interested in buying in the future.

But consumers don’t want to devote much time and attention listening to wine reviews. Think of why digital-savvy wineries tend to keep their “About this Wine” video clips reasonably short. You lose people’s interest droning on about wines that they’re not tasting.

Sometimes, you even lose it while they are tasting.

The goal shouldn’t be to connect over the wine but to connect with the people.

Now we’re not going to abandon objective #2 (generate revenue) completely. But if wineries want to make virtual wine tastings a long term success then they have to divest from the “tasting” part that’s limiting their reach. Instead, we need to start thinking of these events as FaceTime Podcasts.

Every winery should make it a priority to check out Levi Dalton’s I’ll Drink to That! podcast before they even think of doing another virtual wine tasting. These fireside chats with winemakers and other industry folks are chockful of best practices on how to maintain a wine lover’s interest for an hour (or more).

Many episodes of IDTT start with a special offer to buy a wine from the featured guest.
Levi Dalton I'll Drink to that

I haven’t yet hunted down a bottle of Hanno Zilliken’s Saarburger Rausch Riesling but this winery is still top of mind even 5 years after I first listened to this episode.

But that single wine is never the focus, nor are the chats ever bogged down with tasting notes and minutiae–even though they can get plenty geeky. Instead, Dalton keeps the attention on the person behind the wines. And it’s not just the stories or anecdotes that are superb. In the interactions between Dalton and his guests, you get a feel of their personality and presence. They become real and more than just a name or label.

There’s scarcely an episode of IDTT featuring a winemaker which doesn’t make me more interested in finding that producer’s wines. Even if I don’t immediately buy them, seeds have been planted that make their brands more likely to blossom, top-of-mind, when I see them on a wine list or retail shelf.

Before even tasting a drop of their wine, a connection has been forged.

Now think of combining that seed-planting with digital video and interactive platforms.

The advantage of a virtual wine tasting is that folks can see the winemaker interacting in real-time. They can ask questions and have them answered live on screen. That’s freaking cool and we should be excited about this potential.

These are powerful tools to build strong connections with consumers. So why limit them to just people who already know your brand and have pre-bought your wine?

You want the reach and effectiveness of a podcast. The difference between a virtual wine tasting and a “FaceTime Podcast” is like fishing with a small hand net vs. a large casting one.

Cast with a bigger net. Broaden your web event’s topic.

By far, one of the better virtual wine tastings I watched was done by Elizabeth Vianna of Chimney Rock Winery in the Stags Leap District. Now, yes, I am admittedly biased because I clearly adore Chimney Rock wines. But over the past few weeks, I’ve sat through at least a half-dozen virtual tastings, FB and IG live events done by other wineries I equally love that were thoroughly lackluster.

I want to highlight Chimney Rock’s tasting because it has both the inherent limitations of VTs (focus on a pre-sale kit of wines) as well as the tantalizing hints of what a good “FaceTime Podcast” could be like.

While talking about the four wines in front of her, Vianna kept dropping intriguing tidbits that spoke to broader topics about vintages, blending, aging wine, etc. While answering questions from the audience, more fertile themes emerged that could be their own dedicated topic for future events.

For example.

(6:33) Ying & Yang of blending hillside fruit vs. valley fruit

(8:06) The “Lazy Winemaker Vintages” of 2013, 2014, 2015

(17:34) When should I drink this wine?

(20:50) Why Cab is king

(21:50) Winemakers as interpreters instead of creators, aka “What happened in 2012”

(27:25) The 2011 vintage, aka “What would happen if Napa Valley had Bordeaux weather in a tough year.”

(40:04) White wines for red wine drinkers

All of these could be done inclusively while still prominently featuring a winery’s wines.

Picture promoting this kind of an event.

The 2013, 2014 and 2015 vintages produced some spectacular wines in the Napa Valley. With droughts and Mother Nature doing a lot of the heavy lifting, these vintages are playfully nicknamed “The Lazy Winemaker Vintages.” Join us this Saturday, April 4th, with your favorite 2013-2015 Napa wine as our winemaker answers your questions and takes you through what made these years special. Don’t have a bottle handy? We’ve got you covered [link to store], but you can bring anything you like.

Throughout the event, you’re featuring your wines from those vintages but they’re more like “product placement” props. People are still seeing the labels and getting your insights on how the vintages shaped those wines. There’s plenty of seeds being planted to intrigue the consumer. However, because the focus is on the vintages, rather than those specific wines, the audience doesn’t feel left out or that the event isn’t relevant to them if they’re not tasting the exact same wine you are.

Also, your content becomes way more useful and searchable for people to discover down the road. A YouTube video with strong keywords in the title like “Why Cabernet Sauvignon is King in Napa Valley” is going to get a lot more views over the years than “Live Tasting Event April 4th” or “March Wine Club Shipment Live Event”.

Long term vs. short term thinking

seedling pic from Petr Smagin. Uploaded to Wikimedia Commons under CC-BY-4.0
The current en vogue of virtual wine tastings built around wine club shipments and VT kits might produce some short-term revenue. I don’t discount that that is incredibly important right now.

But their inherent limitations still mean that you’re fishing with a small net that’s not going to get much bigger. And you’re relying on those existing consumers to stay interested enough in the “virtual tasting” format to continue participating. While it’s too early to have any concrete data, the shelf life for VTs doesn’t seem very promising.

But the potential of these online tools is extremely promising. We just need to continue to innovate and experiment on how we use them.

The key to remember is that even when you’re not selling bottles, you’re still selling your brand. You’re selling your passion, personality and insights.

You’re planting seeds.

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60 Second Wine Review – Four Graces Pinot noir

A few quick thoughts on the 2017 Four Graces Pinot noir from the Willamette Valley.

Four Graces Pinot

The Geekery

Paula Marie and Steven Black named Four Graces in Dundee after their four daughters when they founded the estate in 2003. Legendary Oregon winemaker Laurent Montalieu (Bridgeview, WillaKenzie, Solena, Kudos and Westmount) crafted Four Graces’ early vintages-which quickly captured acclaim.

In 2014, the winery became part of the Foley Family’s extensive portfolio of brands that includes nearly two dozen wineries in California, Oregon, Washington and New Zealand.

Owned by Bill Foley, who also owns the NHL’s Vegas Golden Knights, the holdings of Foley Family Estates includes many well-known names such as Chalone Vineyards, Chalk Hill, EOS, Firestone, Guenoc, Lancaster Estate, Merus, Roth, Butterfield Station and Sebastiani as well as Foley-Johnson in Napa. In the Pacific Northwest, Foley also owns Three Rivers Winery in Walla Walla and Acrobat in Oregon–acquired from King Estate in 2018.

Today, the heart of Four Graces are two sustainably farmed estate vineyards. The Foley Family Vineyard, located in Dundee, covers 110 acres on red volcanic soils with a few parcels biodynamic. The 90-acre Doe Ridge Vineyard in Yamhill-Carlton is planted on marine sedimentary soils.

The Willamette Valley Pinot is a blend of plots from the two vineyards. The wine sees around nine months in French oak with about 15% of the barrels being new.

The Wine

Cherries photo by Ronnie Macdonald. Uploaded to Wikimedia Commons under CC-BY-2.0

Ample red fruit but this wine needs at least another year or 2 to show more.

Medium-intensity nose of red fruit-cherries, cranberry and raspberries. A little earthy component around the edge but somewhat muted.

On the palate, the earthiness comes out more with a mix of forest and garden herbs. It’s a bit Burgundian with medium-plus acidity, firm medium tannins and a medium body. The red fruit carries through but, overall, the wine feels fairly shy and tight. Moderate finish introduces spice components (cinnamon and clove) that suggest potential.

The Verdict

Usually with WV entry-level Pinots ($25-30), the wines are ready to go on release. But this Four Graces really needs some time.

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The Coronavirus Email I’d Like to Get

Like many wine lovers, my inbox has been flooded this week with notes from wineries and wine shops detailing their response to the Coronavirus outbreak. Even places that I’ve not heard from in years, such as shops I patronized in the early 2000s when I lived in Missouri and Florida, have suddenly rediscovered my email address.

virus image photo by Harris A, et al. Released by the US gov under the public domain

It’s great that so many businesses are being proactive in closing to protect employees and guests. It’s also a smart move to offer free deliveries and curbside pick up.

But that’s not what I need right now.

As much as I love shopping for wine, a barrage of “BUY! BUY! BUY!” is going to get a quick ‘delete.’ At worst, it may even prompt me to unsubscribe. That’s because even though I do want to support small businesses, it’s just not where my head is at the moment.

Instead, my thoughts are taken up with concerns on how my high-risk dad is doing 5000 miles away. Or whether my sisters are going to be laid off and need help with bills as they juggle homeschooling their kids. Not to mention my own quarantine situation here in Paris.

So when I go to my inbox or social media feeds, I’m looking for something that I desperately need.

A distraction.

Something to do or look forward to that breaks me out of this rut of endless bad news and worry. I need something that feels somewhat normal even though every single thing around me feels alien and bizarre.

The emails and social media posts that resonate the most with me right now are ones that give me an outlet to not think about Coronavirus for a moment. Yet, I fret that in the desire to do something (and drum up sorely needed sales), many businesses are going overboard. It’s not a bad idea to want to communicate to customers. Nor is it misguided to let folks know that you’re still open for business even in a reduced capacity.

But it’s more about how you go about it.

1.) Drop the Form Letter Speak

I’m going to splice together text from several different emails I’ve received this week. Even though some are from wineries and others from wine shops, I doubt many will pick out the splicing because they all sound pretty much the same.

Dear Friends,

During these challenging times, we’re are so grateful for the overwhelming heartfelt support from you — our amazing customers. We would like to announce the following steps that we are taking in response to the Coronavirus (COVID-19) outbreak in the community. The well-being of our staff, customers, and the community remains our top priority, and we will continue to adapt and adjust these measures due to the evolving circumstances.

In compliance with the California public health mandate, our tasting rooms are temporarily closed. We appreciate everyone’s patience and understanding during this unprecedented time.

The positive news is that the rest of the business is up and running. If you’d like to place an order, you can do so online, or by speaking to one of the team. Whether you are self-isolating, lying low or just love good wine, keep your spirits up and enjoy FREE delivery.

Please stay safe and healthy, follow CDC guidelines, and we’ll all make it through this together.

Sincere thanks for all of your support!

Your customers have likely already received at least a dozen of these emails with several more still to come.

If someone is going to know exactly what an email says before they open it, it’s not an effective email. Businesses must find ways to break out of the formula. One way is to turn it back to the customer with a personal touch. Such as:

Dear Amber,

How are you holding up? As you may have heard, our tasting room is temporarily closed. But our staff has been coming in each day to check in on our wine club members. Please feel free to call or email us if you just want to chat, have questions about what we’re doing at the winery, or even need some wine sent your way. We’ll figure something out…

Think of how different it feels to receive the second email as opposed to the first. They both basically convey the same thing. (Hey, our tasting room is closed, but we’re still here and can get you some wine!) But the first feels formulaic while the second feels sincere and empathetic.

2.) Offer more than just wine to buy and free delivery

Maslow's Hierarchy of Needs image by 	FireflySixtySeven. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

Yes, we all love wine. But right now, we need a little more than free shipping.


I wrote before about Maslow’s Hierarchy of Needs in the context of wine education, but let’s go back to its traditional use. Because, truthfully, wine really doesn’t have a ready place in the pyramid.

You have to realize that most all your customers are going to be focusing a lot on those bottom tiers of physiological and safety needs. But as more communities get locked down in isolation, that middle tier of needing communication and connection (belonging) is going to be more prominent.

This is when wineries and wine shops need to offer more than just their products. They need to offer themselves. We always talk about how the wine industry is a people-oriented business. That’s never going to ring more true than it will over the next several months.

Now is the time to think outside the box about how to reach consumers–not just to sell, but to connect. Numerous creative ideas are emerging from forward-thinking wineries like Kendall-Jackson which is planning a series of virtual concerts, cooking classes & yoga.

Several wineries such as St. Supéry are launching virtual tastings. While this runs the risk of being overdone, it’s a starting point for other creative ways to utilize platforms such as Facebook Live, Discord or Zoom to interact with consumers.

But there are so many other ideas that can be explored.

Movie night with your own Mystery Science Theatre 3000-type Rifftrax.

By Source (WP:NFCC#4), Fair use, https://en.wikipedia.org/w/index.php?curid=60496972

Wine + indulging your inner Tom Servo & Crow = a hella fun time.


I would love to be in a Zoom room listening to winemakers riffing films like Sideways, A Walk in the Clouds, Wine Country, Bottle Shock, A Good Year, etc. The awesomeness potential could be off the charts.

And it’s fairly simple to do, not requiring the purchasing of any movie rights. Select a movie that is currently available on Netflix, Amazon Prime, Hulu or even YouTube. Pick a date and time where folks can start watching at the same point. Encourage them to keep the movie on mute and then have fun drinking and riffing.

Virtual Book Clubs

Independent bookstores and libraries are taking the lead on this, but there is no reason why wineries and wine shops can’t follow suit. With many titles available on eReaders, lots of folks are going to be turning to books for a change of pace. You can discuss popular wine books or something completely different. This could be done on a Facebook and Instagram thread or, better still, setting up an interactive Zoom room that folks can participate in face-to-face (virtually).

Wine Games

On Instagram, I do a Mystery Grape game utilizing the IG Story feature. Other bloggers such as Outwines, The Grape Grind and Bin 412 do similar games as well. It’s an easy platform that many wineries and wine shops can pick up.

Whether it be wine education games or silly scavenger hunts around the house, it’s all good fun for a few moments of distraction. And, honestly, it’s probably a better use right now of your Instagram than glamour shots of the vineyard and bottle porn.

While folks want diversions, you have to toe the line to avoid sounding tone deaf. Things aren’t very glamorous these days and likely won’t be for a while. It’s important to acknowledge the hardship and uncertainty even when you’re trying to provide other outlets.

Move wine classes online

Zoom screenshot

Robert Joseph, The Wine Thinker, and Polly Hammond of 5Forests are using Zoom to conduct their Real Business of Wine live streams. It’s a great medium for many virtual events.


This is especially important for wine shops to stay connected with the community. Many shops use their wine classes to help differentiate themselves from their competitors and build relationships with regular attendees. You can still have face to face interactions with your customers–just in a different format.

These classes should be free since you’re not providing wine and food. Though you could take a page out of the wineries’ virtual tasting book by offering a discounted package for delivery beforehand. But most people aren’t going to want to open up 6 to 8 wines at home. And you can’t bank on them having a Coravin.

So I would encourage you to build your classes around one bottle of wine to taste while listening and interacting with the instructor. The other bottles in a delivery pack could be “homework” for later to try at their leisure.

The important thing is to keep offering these classes–to keep offering that connection.

While it’s easy to get overwhelmed now, we’re all in this for the long haul.

It’s likely going to be several weeks, maybe even months, before things start feeling normal. Every wine business need to take that distant vision in their planning.

The craving for a distraction and normalcy is only going to grow. Wine can be both a blessing and balm during these troubling times. But wineries and wine shops need to do more than just ask for a sale.

They have to acknowledge the other needs that consumers have and find ways to deliver more than just a great bottle of wine.

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Getting Geeky with Nik Weis St. Urbans-Hof Rieslings

Note: The wines reviewed here were samples.

Today is Riesling’s birthday!

Well, sort of.

Riesling grapes photo by Peter Ellis, Uploaded to Wikimedia Commons under CC-BY-SA-2.5

We’re celebrating one of the world’s greatest wine grapes because of an important document from March 13th, 1435. In an old cellar log from 585 years ago, the estate of Count John IV of Katzenelnbogen in Hessische Bergstrasse noted the purchase of “Riesslingen” vines.

This is widely considered to be the first written account about Riesling. While Jancis Robinson pegs the date as March 3rd, 1435 in Wine Grapes and some sources say it was actually February, the trade org Wines of Germany has declared that today is as good of a day as any to give our regards to Riesling.

I’m totally down with that.

As frequent readers of the blog know, you don’t need much to convince me to drink Riesling. Besides how incredibly food-friendly it is, I absolutely adore how it expresses terroir. From fantastic Australian Rieslings coming out of Mudgee to Napa Valley and numerous Washington State examples, these wines all exhibit their own unique personalities.

Yet they’re always quintessentially Riesling–with a tell-tale combination of pronounced aromatics and high acidity.

While the details of those aromatics change with terroir, that structure of acid is tattooed in typicity. If you don’t overthink it too much with flavors that can tempt you to wonder about Pinot gris, Gruner Veltliner and even Albarino, that acid is what should bring you home to Riesling in a blind tasting. Master of Wine Nick Jackson describes this well in his excellent book Beyond Flavor (received as a sample), noting that, like Chenin blanc, the acidity of Riesling is always present no matter where it is grown.

However, while Jackson describes Chenin’s acidity as creeping up on you like a crescendo–with Riesling, it smacks you immediately like a fireman’s pole. On your palate, all the other elements of the wine–its fruit, alcohol and sugar–wrap around Riesling’s steely acidity. Jackson’s firepole analogy is most vivid when you’re tasting an off-dry Riesling because while you can feel the sense of sweetness ebb, like a fireman sliding down, that acid holds firm and doesn’t move.

Seriously, next time you have a glass of Riesling, hold it in your mouth and picture Jackson’s vertical firepole. It will really change your blind tasting game.

And for some great benchmark bottles to try those skills out on, may I suggest the geeky good wines of Nik Weis St. Urbans-Hof in the Mosel?

The Background

St Urban pic by MR 2017. Uploaded to Wikimedia Commons under : CC-BY-SA-4.0

Glass window feature of St. Urban at a church in Deidesheim.

Along with his wife, Daniela, Nik Weis is a third-generation winegrower based in the middle Mosel village of Leiwen. His family’s estate, St. Urbans-Hof, was founded by his grandfather, Nicolaus Weis, after World War II. Named after the 4th-century patron saint of winegrowers who hid in vineyards to escape persecution, Weis’ family estate covers 40 hectares along the Mosel and its southern tributary, the Saar.

Many of these plots, including choice plantings in the villages of Ockfen and Wiltingen in the Saar and Piesport in the Middle Mosel, were acquired by Nik’s father, Hermann Weis.

Hermann was also the notable pioneer of Riesling in Canada. Bringing some of his family’s unique proprietary clones of Riesling to the Niagara Pennisula, Weis founded St. Urban Vineyard in the 1970s. Now known as Vineland Estates Winery, cuttings of the Weis clone Riesling from the original vineyard has been used to spread the variety all across Canada. The clones are also used in American vineyards–where they are known as Riesling FPS 01.

But the Weis family’s influence is also felt keenly in Germany as the keeper of the “Noah’s Ark of Riesling.” In his book, Riesling Rediscovered, John Winthrop Haeger notes that the Weis Reben nursery is one of the most renowned private collections of massale selected Riesling clones around. Founded by Weis’ grandfather, the source for much of the bud wood is the family’s treasure trove of old vine vineyards going up to 115 years of age.

Moreover, Master of Wine Anne Krebiehl notes in The Wines of Germany that without the efforts of Weis and his vineyard manager, Hermann Jostock, much of the genetic diversity of Mosel Riesling would have been lost.

Vineyards and winemaking

Depending on the vintage, Nik Weis can make over 20 different Rieslings ranging from a sparkling Brut to a highly-acclaimed trockenbeerenauslese. He also grows some Pinot noir, Pinot gris and Pinot blanc as well.

Old vine Riesling

Nik Weis’ wealth of old vine vineyards makes it easy for him to make this stellar bottle for less than $20.

The family estate covers six main vineyards–three in the Mosel that all hold the VDP’s highest “Grand Cru” designation of Grosse Lage. When these wines are made in a dry style, they can be labeled as Grosse Gewächs or “GG.” These vineyards include:

Laurentiuslay, planted on gray Devonian slate in the village of Leiwen with vines between 60-80 years old.
Layet, planted on gray-blue slate in the village of Mehring with vines between 40-100 years old.
Goldtröpfchen, planted on blue slate in the village of Piesport with vines between 40-100 years old.

Saar Estates. 

Along the Saar, Weis has two vineyards with Grosse Lage status and one with the “premier cru-level” Ortswein status (Wiltinger). Compared to the greater Mosel and the Ruwer, the Rieslings from the Saar tend to have higher acidity because this region is much cooler.

In The Sommelier’s Atlas of Taste (another must-have for wine students), Master Sommelier Rajat Parr and Jordan Mackay note that despite its more southerly location, the wider Saar Valley acts as a funnel bringing cold winds up through the valley. However, those vineyards closer to the river benefit from enough moderating influence to ripen grapes consistently for drier styles while vineyards further inland tend to be used for sweeter wines.

Bockstein, planted on gray Devonian slate in the village of Ockfen with vines between 40-60 years old.
Saarfelser, planted on red slate and alluvial soils in the village of Schoden with vines between 40-60 years old.
Wiltinger, planted on red slate in the village of Wiltigen with vines dating back to 1905.

As a member of the German FAIR’N GREEN association, Weis farms all his family’s vineyards sustainably. To help reflect the individual terroir of each plot, Weis uses native ambient yeast for all his fermentations.

The Wines

2016 Bockstein Spatlese (WS Average $27)

This was my favorite of all the wines. High-intensity nose of golden delicious apples, apricot and peach with some smokey flint.

On the palate, this wine was extremely elegant with 8% ABV that notches up to medium-minus body with the off-dry residual sugar. However, the high acidity balances the RS well and introduces some zesty citrus peel notes to go with the pronounced tree and stone fruit. Long finish lingers on the subtle smokey note.

2017 Goldtröpfchen Spatlese (WS ave $32)

Medium-plus intensity nose with riper apples and apricot fruit. It is also the spiciest on the nose with noticeable ginger that suggests some slight botrytis.

On the palate, while medium-sweet, it tasted drier than I expected from the nose. This wine spent some time in neutral (5+-year-old) oak, which added roundness. That texture consequently helps to make this 10.5% ABV Riesling feel more medium-bodied. Moderate length finish is dominated by the primary fruit, but I suspect that this wine will develop into something very intriguing.

2018 Wiltinger Alte Reben Riesling (WS ave $18)
Wiltinger Riesling

It’s crazy to think of drinking century-plus old vines for only around $18.

Sourced from the Weis family’s oldest vines that date back to 1905, this is an insane value for under $20.

High-intensity nose, this is very floral with lilies and honey blossoms. A mix of citrus lime zest and green apples provide the fruit.

On the palate, there is a slight ginger spice that emerges despite it tasting very dry and not something that I would suspect with botrytis. Still well balanced with high acidity that enhances the fruit more than the floral notes from the nose. Long finish is very citrus-driven and mouthwatering.

2018 Old Vine Estate Riesling (WS ave $17)

Another very excellent value sourced from low yielding vineyards between 30-50 years of age.

High-intensity nose with white peach and apricots as well as minerally river stones. This also has some petrol starting to emerge.

On the palate, the stone fruits continue to dominate with a little pear joining the party. Off-dry veering towards the drier side of that scale. The high acidity makes the 11% alcohol feel quite light in body. Moderate finish intensifies the petrol note–which I really dig.

2018 Mosel Dry Riesling (WS ave $15)

Medium-plus intensity nose. Very citrusy with ripe Meyer lemons. In addition, some apple and honey blossoms emerge to complement it.

On the palate, the lemons still rule the roost with both a zest and ripe fleshy depth. The ample acidity makes the wine quite dry and also introduces some minerally salinity as well. At 12% alcohol, this has decent weight for food-pairing but still very elegant. Moderate length finish stays with the lemony theme.

Bonus Geekery

On YouTube, Kerry Wines has a short 1:37 video on St. Urbans-Hof. It includes some winery views as well as gorgeous vineyard shots that surprised me. While you certainly see those classic steep Mosel slopes, there’s also much flatter terrain as well. I haven’t had the privilege yet to visit the Mosel but will certainly need to check that out.

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60 Second Wine Review — Audrey Wilkinson Gewurztraminer

Note: This wine was a sample at the 2019 Wine Media Conference.

A few quick thoughts on the 2019 Audrey Wilkinson Gewurztraminer from the Hunter Valley.

Audrey Wilkinson Gewurz

The Geekery

Now owned by the Agnew family of Agnew Wines, Audrey Wilkinson is a historic estate in the Hunter Valley. Founded in 1866 by brothers Frederick and John Wilkinson, it was the first vineyard established in Pokolbin.

When Audrey joined the family estate in 1897, he introduced cement fermenters and new techniques for handling the grapes in the winery. His wines would go on to win numerous awards at some of Australia’s most prestigious wine competitions.

Acquired by the Agnews in 2004, the heart of the Audrey Wilkinson vineyard is still one of the oldest in the Hunter Valley. The family maintains a 20 ha estate that includes a small block of Gewurztraminer.

The Wine

Lychee fruit photo by sannse.. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

There would be no excuse for not pegging this as Gewurz in a blind tasting. It has the typicity nailed.

High-intensity nose– lots of lychee and rose petal terpenes. This screams Gertie from across the room. However, it also has lime and apricot notes adding complexity.

On the palate, the wine tastes distinctly dry with the lime note emphasizing medium-plus acidity. Very mouthwatering. There is a fair amount of weight and roundness with some phenolic texture. It’s not distracting at all with the fruit balancing well with the full-bodied weight of the wine. Long finish lingers on the lychee with a slight ginger note coming out.

The Verdict

This wine is probably not going to make its way to the US, unfortunately. However, at around $18 USD (Wine Searcher estimate), it would be a very solid bottle if it did. Most likely in the US, you’d see it more on restaurant wine lists. No doubt, its dry style, fresh acidity and high quality would pair very well with a variety of cuisines.

I can easily see a savvy somm falling in love with this wine. And if you happen to come across it, I’m sure you will too.

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