All posts by Amber LeBeau

Geek Notes — Insider’s Peek Into Champagne

I came across two great videos (≈ 10 min) on YouTube that share an insider’s peek into Champagne production. Both of these videos give a perspective that you don’t often find in wine books.

The first one is produced by GuildSomm. They have an excellent YouTube channel that is well worth subscribing to. Most of their videos are in the 10 to 12 minute range with the longest, on the wines of Burgundy, being almost 22 minutes.

The production quality is top notch with beautiful cinematography that really give you a feel for a region. Each episode is also jammed pack with useful historical details and insights from producers. Below the video I’ll highlight my notes from this Dec 27, 2016 episode on The Wines of Champagne.

Notes From The Wines of Champagne

(1:59) Charles Philipponnat of Philipponnat talks a little about the distinction of the sub-region of the Grande Vallée de la Marne from the greater Vallée de la Marne. Most wine books (and even the beginning of this video) treat the entire Vallée de la Marne as a monolith–Peter Leim’s Champagne: The Essential Guide being one of the few exceptions.

But the terroir (and wines produced here) are remarkably different. The Grand Vallée is dominated by Pinot noir with south facing slopes bordering the north side of the Marne river. Heading west through the rest of the Vallée de la Marne, the vineyards flank both sides of the river. Here Pinot Meunier is the main variety with these western sites being more frost prone as well.

(2:52) Rudolph Peters of Pierre Peters highlights the similarities between the Côte des Blancs and Burgundy’s Cote d’Or. Both have east facing slopes with abundant limestone that Chardonnay thrives in. Great close up shots of the vineyard soils where you can see the seashell fossils.

(4:00) The narrator, Tai Ricci, goes into the history of the 1910/11 Champagne Riots with some terrific photographs from the period. This part definitely has an old-school “History Channel” feel to it. Anyone wanting to learn more about the riots and issues behind it, I highly recommend Don and Petie Kladstrup’s Champagne: How the World’s Most Glamorous Wine Triumphed Over War and Hard Times. Hugh Johnson also covers it quite a bit in his all around excellent wine history book Vintage: The Story of Wine.

Grand Cru and Growers
 Jean Fannière Grand Cru Champagne

If the wine is 100% sourced from grapes grown in Grand Cru villages, like this Champagne Varnier Fannière’s Jean Fannière, the words “Grand Cru” can appear on the bottle.

(5:46) The difference in Grand Cru designations between Burgundy and Champagne are highlighted here.  Whereas in Burgundy the vineyards are classified, in Champagne it is the village. While there are over 300 villages in Champagne, only 17 villages are designated as Grand Cru.  If they were using the Champagne model in Burgundy, then villages like Vosne-Romanee, Puligny-Montrachet, Chambolle-Musigny would be “Grand Cru”. Then you would have villages like Santenay, St. Aubin and Marsannay designated as Premier Cru and so forth.

It’s not likely that Champagne will ever adopt the Burgundian model of having vineyards individually classified. However, there are certainly notable vineyards with “Grand Cru” reputations. Vineyards like Krug’s Clos d’Ambonnay, Philipponnat’s Clos des Goisses, Franck Bonville’s Belles Voyes, Billecart-Salmon’s Clos St-Hilaire and Pierre Peters’ Les Chêtillons have a long history of acclaim. Additionally, Peter Leim’s book lists numerous single vineyard bottlings from nearly ever major Grand Cru and Premier Cru village. While some of these certainly can get pricey, I found several on Wine Searcher in the $50-70 range.

(6:48) The topic moves to the difference between Grower Champagnes versus the big negociant houses. Here Rudolph Peters highlights some of the advantages and disadvantages for both. As I noted in my review of Robert Walter’s Bursting Bubbles, while I definitely get more excited about Grower Champagnes and their more terroir driven expressions, I don’t agree with the idea that blended Champagnes (like what the negociant houses do) are inferior.

In fact, I think the master blenders of the major houses have remarkable skills and winemaking talents. It’s just that the proliferation of a “house style” can get repetitive and boring. They may be really delicious the first or second time you have it, but by the third time you have a bottle of something like the Veuve Cliquot Yellow Label, you begin feeling like you’re just drinking the same ole, same ole over and over again.

But that’s kind of the point.

Like an army of clones…or the Borg.
You will be assemblage! La résistance est futile!

It’s certainly a successful business model (much like McDonald’s) but it’s one that I get easily bored with—as I was at last year’s Champagne Gala at Daniel’s that was headlined by two vintages of Dom Perignon.

While there were some differences between the two vintages (with the 2004 being far superior to the 2006) neither of the bottles were any more distinctive or exciting than the other Moët & Chandon wines with the NV Rosé Impérial being the best Champagne of the evening.

Sparkling Wine Making From the Wine & Spirit Education Trust

This video was uploaded on Nov 21, 2012 by YouTube user McWilliamsWinesVideo who hasn’t uploaded anything else in nearly 6 years. I strongly suspect this was a sloppily edited recording of video series in the 1980s produced by First Growth Productions for the Wine & Spirit Education (WSET).

I tried to find the original broadcast on the WSET website but to no avail. Nor could I find an online presence for First Growth Productions either. WSET does have its own YouTube channel for their 3 Minute Wine School videos taught by Masters of Wine Jancis Robinson and Tim Atkin. While it hasn’t been updated in over 2 years, the 21 videos featured do have a lot of great content worth viewing.

The quality of this video is no where close to that of the GuildSomm video above. But the illustrations and up close view of the winemaking process used in Champagne has a lot of value.

My Notes From Sparkling Wine Making

(1:46) A discussion and illustration of the transfer method. This is how most 187ml airline splits are made but apparently was quite popular for Australian sparkling wines when this video was produced.

(2:28) Here the video switches to Champagne where they note that the grapes are often harvested in October. Boy has global warming changed that! This year’s harvest started on the 20th of August and was the fifth harvest since 2003 to start in August. And several vintages, like the very stellar 2015 vintage, have started the first week of September.

(3:45) A little subtle dissing of the Aube which is not out of line for the mindset of this time period. The Aubois led the Champagne Riots highlighted in the GuildSomm video when they were threatened with expulsion from the Champagne zone. It’s only recently that a wave of high quality grower producers from the Côte des Bar sub-region of the Aube have turned this into one of the most exciting regions in Champagne.

A crazy delicious blend of 25% Arbane, 25% Petit Meslier, 25% Blanc Vrai (Pinot blanc) and 25% Chardonnay.
It’s a hunt to find this unicorn but will certainly be worth it if you can score a bottle!

Producers like Pierre Gerbais, Cédric Bouchard, Vouette et Sorbée, Jacques Lassaigne, Marie-Courtin, Nathalie Falmet, Drappier and more are making outstanding bubbles. I’m still trying to hunt down another bottle of Pierre Gerbais’ L’Originale (100% Pinot blanc) and the Drappier Quattuor Blanc de Blancs that I had while playing the Somm Game in Vegas is a strong contender for my Wine of The Year.

Seriously, if you love Champagne, you need to start looking for bottles from the Côte des Bar and Aube.

Getting Into The Nitty-Gritty

(3:52) A really good demonstration of the traditional pressing process in large wooden basket presses. Champagne’s wine laws strictly regulate the press yields. Producers can use only the first 100 liters of juice from every 160 kgs of grapes they press. The first 80 of these liters (the cuvée) are highly values as the best quality. The next 20 liters are the taille. This is often used for producing fruity, aromatic wines that are meant to be consumed young.

(4:45) The video doesn’t explain why but says that the houses who ferment their wines in oak prefer casks from Hungary. Will need to research this more. Wines and Vines has a pretty in-depth article about Hungarian oak (though doesn’t mentioned Champagne houses using them) while the home-winemaking site MoreWine! has a simple breakdown of the difference between French, American and Hungarian oaks.

(6:54) This is probably the best segment of the entire video. A fantastic explanation and illustration of riddling. At the 7:15 mark  they show an illustration of the two different types of sediments that form during the autolysis process. Again, this is something that wine books rarely draw out and explain. But learning about these two different types of sediment (heavy & sticky vs light & dusty) helps explain why the riddling process needs to be so methodical.

Enjoy the videos! If you find these Geek Notes breakdowns helpful, post a comment below!

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SpitBucket on Social Media

Photo by Today Testing. Uploaded to Wikimedia Commons under CC-BY-SA-4.0. Utilizes several derivatives that can be found at https://commons.wikimedia.org/wiki/File:Social_Media_Strategy.jpg

Attending the Wine Bloggers Conference last month has given me a lot of food for thought about what I’d like to do with this blog and various social media channels. While I didn’t get everything that I’d hoped for from the Day 3 seminar “Advanced Strategies for Facebook and Instagram”, it did encourage me to think more critically about how I use those platforms and Twitter.

Ultimately I’ve decided that while all these channels work together, I want them to have different focuses apart from the blog. I’ll breakdown the differences below.

The Blog

At its core, this blog will is a study tool. As items in my personal life get settle, I will have more time to devote towards pursuing the WSET diploma. After finishing Unit 2, I hit a wall with the business unit but am ready now to start tackling the remaining units. I’m setting an ambitious (but hopefully realistic) goal of not only completing my diploma but getting accepted into the candidate program of the Institute of Masters of Wine by the time I turn 40. (I’m 36 now)

I mentioned in my last Geek Notes, that I use podcasts to reinforce the material I study in wine books. But the third leg of my learning stool is the application or regurgitation of that material in writing. As I work on different topics (like blind tasting, wine business and marketing, etc.), I will write posts applying the material I’ve learned.

Future Plans

I’ve got a bit of a backlog here.

A new tact that I will add to the blog in the next coming weeks with be more study tips and resources that I’ve found useful in my journey. These will be companions to my current Geek Notes series that highlights resources like wine books, podcasts and maps that are helpful to wine students. I also plan to increase the frequency of my book reviews as well.

I will still do wine reviews as part of my 60 Second and Getting Geeky series. While the WBC has encouraged me to develop a samples policy, the wines that I ultimately choose to review will be those that have a story or an educational bent to them (interesting winemaker, region, production method, grape variety, etc.).

Above all my goal with this blog is not to become an “influencer” that tells people what to buy but rather someone that simply encourages folks to get a little geeky about what they’re drinking and seek out the stories behind each bottle.

Facebook

I really do like the idea of creating winemaker trees of estates that have had several notable winemakers in their history. I’ll probably treat it a little similar to how I do my Keeping Up With the Joneses of Burgundy series.

Distinct from the main blog, the SpitBucket Facebook page is news focused. It combines the original idea of “Geek Notes” with a curated news feed.

Everyday I’m combing through blogs and news sites to find something interesting and new to learn. On the Facebook page, I post the items that I found were most worth my time reading.

In someways these are “mini-blog posts” as I will usually add other relevant details or thoughts I have on topic. A few FB posts may end up inspiring more fully fleshed out posts on the main blog. But, for the most part, the majority of the material on the Facebook page will be different from the content that appears on the blog or other social media channels.

Twitter

I explored the value of Twitter from a winery’s perspective in my post The Winery Twitter Dance but I think a lot of those sentiments can apply to bloggers too.

Twitter is about immediacy and engagement. With the SpitBucket Twitter handle, you’re talking to me personally. While I’ll keep my political and sports related viewpoints contained to my private Twitter account, there is a whole world of wine and beverage topics worth chatting about.

I haven’t yet participated in the various online #hashtag tasting groups but now that I have a lot more free time, I can see that happening.

Instagram

Note: The focus of the SpitBucket IG account has changed somewhat with the introduction of the Mystery Grape game.

One of my biggest chuckles from the Wine Bloggers Conference came when another blogger told me that she thought I posted too much on Instagram. I found that humorous because, admittedly, Instagram is probably the channel that I’ve always been least active on.

Personally, I find things like this new cork made from sugar cane (guaranteed TCA free) that L’Ecole is using for their Semillon to be much more interesting than pictures of me posing with random bottles.

I’ve tried a few different approaches with the SpitBucket Instagram account but going forward I plan to focus more on posting from tasting events and travels to different regions. This will mean posting less frequently though I hope it will mean providing content with more context.

Outside of a Caribbean cruise in January and attending the next Wine Bloggers Conference in the Hunter Valley of Australia, I haven’t finalized my travel plans for next year. While I think I will skip the next Wine Spectator Grand Tour, the wife and I are still intrigued about attending the 2019 Hospice du Rhone in the Rhone Valley.

We’re also likely to take smaller wine tasting trips to southern Oregon, Napa & Sonoma, Eastern Washington as well as back home to Missouri wine country as well. I will use Instagram to highlight interesting discoveries from those trips.

Feel free to check out and subscribe to the various channels above. Also share your comments below on what content you’d like to see.

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60 Second Wine Review — Villa Wolf Pinot Noir Rosé

A few quick thoughts on the 2017 Villa Wolf Pinot noir rosé from the Pfalz region of Germany.

The Geekery

Villa Wolf’s origins date back to 1756 when it was founded as J.L. Wolf estate. While the winery saw some prosperity in the 19th century, its fortunes steadily declined throughout the 20th century until it was purchased by Ernst Loosen in 1996.

Today the estate is managed for Dr. Loosen by Sumi Gebauer and her partner, Patrick Moellendorf. Gebauer started her winemaking career as an apprentince at Dr. Loosen’s Mosel estate where she met Moellendorf. Moving to the Pfalz in 2011, the couple oversees all aspects of Villa Wolf’s production from tending to the estate’s vineyards–Königswingert (“King’s Vineyard”), Belz and Forster Pechstein–to winemaking.

In addition to working with their own estate fruit, Villa Wolf also purchases grapes from contract growers in the Pfalz.

The 2017 Pinot noir rosé is a Weissherbst. Master of Wine Elizabeth Gabay notes in Rosé: Understanding the pink wine revolution that under German wine laws these rosés must be composed of a single grape variety harvested at QbA or Prädikat levels.

The rosé was made in the short maceration style and bottled with 10.5 g/l residual sugar.

The Wine

Photo by Paul Goyette. Released on Wikimedia Commons under CC-BY-SA-2.0

The fresh basil notes adds complexity and freshness to this rosé.

Medium intensity nose. A mix of red strawberry and white peach aromatics. There is a little subtle herbalness around the edge but it’s more of a sweet floral herb like fresh basil.

On the palate, the red fruit carries through more than the peaches. High acidity balances the medium bodied weight of the fruit and slight residual sugar very well. Moderate finish bring back the basil herb notes which contributes to the freshness of the wine.

The Verdict

At $10-15, this is a very enjoyable and well made rosé. Compared to summertime sippers, this wine’s medium body and high acidity certainly amps up the pairing potential.

I can see this wine doing well on the table with holiday fare like Thanksgiving turkey.

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Geek Notes 11/4/2018 — Weekly Wine Show Ep. 17 “Keep Clam and Drink Prosecco”

Frequent readers know that I’m a big fan of wine podcasts. They’re immensely valuable as a learning tool. While I love my wine books and highlighters, I found that coupling book learning with audio reinforcement is a fantastic approach to tackling new material.

Weekly wine show icon

The beauty of podcasts is their accessibility. Pretty much any monotonous task (like driving to work, doing the dishes, working out, etc.) is a perfect opportunity to turn on a podcast. All you need is a podcast player–which most phones have or can be easily downloaded.

Many cars now a days are Bluetooth compatible but adapters are cheap and easy to use. Likewise, Bluetooth headsets are abundantly available for listening at the gym or around the house.

My love of podcasts have led me to review episodes of several favorites already like I’ll Drink To That!, Grape Radio, UK Wine Show and Wine For Normal People. While attending the Wine Bloggers Conference last month in Walla Walla, I was introduced to two new podcasts that have enter my rotation–Decanted Podcast and Weekly Wine Show.

I’ll probably get to a review of Decanted Podcast later this month but first let’s dive into Tony and Betty Notto’s Weekly Wine Show.

Some Background

One of the Proseccos that the Nottos review at the end of the podcast is Cavit’s Lunetta.

The Nottos started their podcast in early 2016 to document their journey exploring the world of wine. Based in Minnesota, they are now up to 139 shows (as of early November) with new episodes coming out weekly.

Most of the shows are fairly short, being anywhere from 10 minutes for their quickie “Four Wines” reviews to 30 minutes for standard episodes. While they will review wines that they’ve received as samples, many of the wines featured look to be wines that the Nottos have purchased from local shops. I find that adds a lot of relatability to their podcasts as most of the wines they review are actually attainable by regular folks.

Since I’m currently prepping for a class that I’ll be teaching soon on sparkling wines, I’ve been working through the bubbles-related episodes of the Weekly Wine Show. For this Geek Notes, I’m going to review their episode on Prosecco from June 2016 (28:10).

Other episodes that are certainly worth checking out include:

Ep 003 – Moscato Time!!! (24:11)
Ep 014 – Any Day is Special when you’re Drinking Cava! (25:33)
Ep 020 – Lambrusco, The Comeback Wine (23:29)
Ep 041 – Sparkle Time!!! (24:19)
Ep 066 – Crémant d’Alsace (19:41) — I really liked this episode and may review it in a future edition of Geek Notes.
Ep 070 – German Sekt (17:35)
Ep 092 – Champagne Holiday (18:45)

Fun Things I Learned and Enjoyed From This Podcast

(1:02) A nice highlight of what DOC/G means and how it is not necessarily a guarantee of a great wine or something people will enjoy. This is probably the biggest misconception of European appellations in that folks often assume that these higher levels “guarantee” a better wine over something from another quality level like IGT/Vin de Pays or even table wines. There is the hope, certainly by the governing authorities, that the top classifications of AOC, DOC/G and Spanish DOs are better wines because of their delineated terroir and more restrictive rules. However, as Tony points out, nothing is guaranteed except that the wine producers followed the rules of their appellation.

(2:03) Betty notes that Prosecco was the 2nd leading sparkling wine in Italy by volume with Moscato d’Asti being number one. I’m wondering if she is talking about consumption volume instead of production. This episode is from 2016 so the figures she’s quoting could be outdated but I still think even then that Prosecco led all other Italian sparklers by both production volume and exports. Exact year-to-year figures to compare are hard to track down but Italian Wine Central notes in 2016 that 7,083,000 cases of Asti were produced compared to 29,393,000 cases of Prosecco DOC in 2015. It seems unlikely Prosecco’s numbers were drastically different in 2016.

(5:13) I had no idea that there were Prosecco producers making Proseccos using the traditional method! Very cool! Betty also introduces the col fondo method which is apparently a super old-school means of producing Prosecco. A totally new discovery for me. Now I have some unicorns to hunt and try.

(8:56) A great shout-out to another unicorn that I hope to bag someday–Tranquillo or basically still white Glera labelled as Prosecco. Since obviously the Prosecco consorzio wants to focus on branding Prosecco as a popular sparkling wine, you are more likely to see an IGT Veneto or Venezia Giulia Glera (still quite rare) than a Prosecco Tranquillo. But they exist and would be fun to try even though I suspect that, like Coteaux Champenois, the wines will probably highlight why the grape does better as sparkler. Good research on the Nottos’ part for noting some of these geekier versions of Prosecco.

Photo by John Phelan. Uploaded to Wikimedia commons under CC-BY-SA-3.0

Unless they’re using Cook’s or Andre’s “champagnes”. Then they’re definitely cheaping out.

(18:36) From here the Nottos expand out to give a nice big picture view of the Veneto and Friuli-Venezia Giulia regions as well as some of the other wines produced here beyond Prosecco.

(21:05) Betty shares the origins of the Bellini before ending the show with food pairing tips and their wine reviews. I love that she notes that the bars who use Prosecco in a Bellini instead of Champagne are not cheaping out but rather being true to the cocktail’s roots.

Final Thoughts

In many ways, the Weekly Wine Show reminds me a lot of Elizabeth Schneider’s Wine for Normal People podcast except I would say that the Nottos are more “normal”.

While Betty Notto does have a level 2 certification through the Wine and Spirit Education Trust (WSET), I feel like her and Tony approach their topics far closer to how most wine drinkers who haven’t been in the wine industry would. In contrast, Schneider (who I absolutely adore as a fellow geek) definitely brings her industry background and experience as a wine educator to the table in her Wine For Normal People podcasts.

Both angles are great but, as a wine student, one of our biggest pratfalls is isolating ourselves in a “bubble” of wine think. It’s very easy when you’re immersed in wine to start assuming that every body approaches things from that same geeky perspective.

But the vast, vast majority of wine drinkers aren’t geeks. They aren’t snobs. They aren’t even enthusiasts. Most are just regular folks looking to pick up a nice bottle of wine to have with dinner.

The Nottos get that which gives great currency to their podcast. The Weekly Wine Show offers a refreshing point of view that has a broad appeal to many types of wine drinkers–even students who are working on their own journeys.

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Playing the Cellar Lottery — When Should You Open Up That Bottle?

Someone in South Carolina last month won $1.537 billion playing the Mega Millions lottery.

Photo by Lieutenant Ramathorn. Uploaded to Wikimedia Commons under CC-Zero

At the peak of the frenzy, retailers were selling 12,700 tickets a minute. It reached a point where so many people were playing, that experts estimated that all possible 302,575,350 combinations of numbers were likely claimed before the jackpot was finally won.

I didn’t get a ticket. Though I used to be quite a gambler in my younger days, now my risky activities involve more playing the Somm Game in Vegas and maybe putting a few dollars down on my St. Louis Cardinals, Blues and Mizzou Tigers.

Besides, I’m playing the lottery virtually every time I pull a bottle out from my cellar.

Sometimes I hit the jackpot and open up a wine at a point when it perfectly fits my palate. Other times it may be too young and “Meh-y”. Worst of all is when it is far past its peak time for giving me pleasure.

It’s always a gamble but, like a good gambler, I try to hedge my bets. With a little knowledge, you can too.

Hitting a Moving Target

The first thing we need to do is understand what is happening to a wine as it ages. While it looks simple on the surface, a bottle of wine is a living chemistry lab with an endless progression of reactions taking place between acids, phenols, flavor precursors, alcohol compounds and the like. It is estimated that there is anywhere from 800 to over a 1000 different chemical compounds in a typical bottle of wine.

All of these compounds will react differently to the unique environment of wine that is majority water (which we remember from high school chemistry is “the universal solvent”) as well as alcohol–which is also a pretty darn good solvent itself. Then you add in the potential reductive reactions (especially with screw caps) and slight oxidative reactions (especially with cork) and you have a whole cooking pot of change that is constantly happening to that bottle of wine sitting in your cellar.

Photo by tympsy. Released on Wikimedia Commons under CC-BY-SA-2.0

Or a video game with that damn mocking dog

In many ways, it’s like a story that is constantly having a new chapter being written. That can be exciting as with each page you turn–each month or year you wait–you never quite know what’s going to happen next.

In other ways, it’s like a carnival game with the moving duck targets that you’re trying to hit to win a prize. Those can be fun or immensely frustrating.

Resources for more geeking

I don’t want to bog you down too much with the geeky science at this point. However, for those who do want to understand more about the chemical compounds in wine and how they change over time here are my three favorite wine science books on the topic.

Starting with the least technical (and easiest to read) to the uber-hardcore tome of wine science geekdom:

The Art and Science of Wine by James Halliday and Hugh Johnson. A tad outdated (2007) but this text covers the basics really well. The last section “In the Bottle” deals with the components of wine with a chapter specifically dedicated to what happens as a wine ages (“The Changes of Age”).

The Science of Wine: From Vine to Glass by Jamie Goode. There is a reason why Jamie is one of my favorite tools. He’s a brilliant writer who can distill complex science into more digestible nuggets for those of us who do not have a PhD. Like with Halliday and Johnson’s book, this will also spend a significant amount of time talking about the science behind viticulture and winemaking but in section 3, “Our Interaction With Wine”, he gets into how the changes happening to wine (as well as the environment of tasting) impact our perception of a wine’s components. This is very important because so much of knowing when to open a bottle of wine will depend on knowing when’s it good for you–something I’ll discuss more about below.

Wine Science: Principles and Applications by Ronald S. Jackson. This was one of my textbooks when I went to winemaking school so I won’t sugar coat how technical and dense it is. This is definitely not something you can read from cover to cover like with the first two books above. But if you really want to dive deep into the chemistry, there is no better resource out there. If you come from a non-scientific background, I do also recommend picking up some of the “For Dummies” refresher books like Chemistry Essentials and Organic Chemistry. Silly titles aside, those books certainly helped this Liberal Arts major understand and appreciate Jackson’s insights a whole lot more.

That said, I’m going to condense here some of what I’ve learned from those books above as well as my own experiences (and mistakes) in figuring out when to open a bottle.

What’s Happening to the Fruit?

When most people think of wine, they think of fruit. Therefore, it’s vitally important to understand what is happening to the fruit as a wine ages.

A good way to start is to think about cherries and the different flavors of its various forms.

Collage of photos from Wikimedia Commons from (L to R) George Chernilevsky released under PD-self; rebecca small released under CC-BY-2.0; Geoff released under CC-BY-SA-3.0

A young wine can taste like freshly picked cherries.
With some age, the cherries flavors get richer and more integrated with the secondary notes of wine.
Gradually the fruit will fade till you’re left with the dried remnants.

Young wines (like say an Oregon Pinot noir) will have the vibrant taste of its primary fruit flavors–such a cherries picked right from the tree. Combined with the wine’s acidity, these cherry flavors with taste fresh and even juicy. But they can also be quite simple because the freshness of the fruit dominants. Think about eating ripe cherries. While delicious, there isn’t much else going on.

With a little age (like 5 to 10 years for that Oregon Pinot noir), the fruit gets deeper and richer in flavor. Think of more canned cherries that you would use to make a cherry pie. The wine will also have time to integrate more with the secondary flavors of the wine that originated during the fermentation and maturation. This often includes oak flavors like the “baking spices” that French oak impart–cinnamon, allspice, nutmeg, etc. These additional flavors add more layers of complexity. The fruit is still present. It’s just not as fresh and vibrant tasting as it once was.

Older wines with more age will see the fruit progressively fading. The flavors will start tasting like dried cherries as earthy and more savory tertiary flavors emerge. In the case of our Oregon Pinot, this could be forest floor, mushroom or even dried flowers and herbal notes. Eventually these tertiary flavors will completely overwhelm the faint remnants of dried cherries notes. When that happens will depend on the producer’s style, terroir and vintage characteristics. For me, I tend to notice the Oregon Pinots in my cellar go completely tertiary after 15 or so years.

Now…is that a good thing or a bad thing?

It depends. On you.

When Is Your Peak Drinking Window?

While nearly ever critic in the world will toss out “peak drinking windows” with their scores, that info is utterly useless if you’re not sure what you like.

Some people like lots of earthy, savory tertiary notes. That’s perfect and often the tail end of these critic’s windows will take those folks right through that sweet spot.

Other people might want more fruit and find those very aged wines to be disappointing. That’s also perfect because they may want to start opening up their bottles at the beginning of those windows or even a little before.

For me, I tend to like my wines just on the wane of the “pie filling fruit” stage when some of the tertiary notes are emerging but the wine still has a solid core of fruit. Going back to Oregon Pinots, I often find that between 7 to 12 years is my perfect window. However, in warm vintages, like 2009 and 2012, I’ve noticed an accelerated curve with many wines hitting my sweet spot starting at 5 years of age from vintage.

And sometimes it might not ever live up to James Suckling’s 96 point scores.

BTW, while we’re talking about critics. Keep in mind that when many professional critics give their scores out for wine, they are rating the wine based on how they think a wine is going to taste at its peak (i.e. during that window)–not necessarily how the wine is tasting right now. That’s the critic’s cover if that 96 point wine you’re buying based on the high score doesn’t live up to the hype. But even then, a critic’s “peak window” still might not match yours.

What’s Happening to the Structure?

Now fruit is just one component of the wine that’s impacted by aging. Often with bigger reds like Bordeaux varieties, a primary motivation for cellaring is to give the wine time to allow the structure of tannins and acid to soften.

A good way to picture this is to think of the “bite” of firm tannins and acid as like a triangle with sharp edges. Below is a diagram that I recently used for a class I taught on Bordeaux wines based on my experiences of cellaring and drinking Bordeaux.

As the wine ages, some of the structure will soften but it won’t completely go away.
Also, as we discussed above, the core of fruit will still progressively fade.

The “softening” comes from the polymerization of the tannins as they link up with each to get bigger. These larger molecules tend to feel less aggressive on the palate. Think of it like adding tennis balls to round out the sharp edges of the corners of our triangle. The tannins are still there (as is the acid) but you feel their affects differently.

Eventually the wine will reach a point where it can’t get any softer. The triangle will never completely become a circle. That last bastion of a wine’s structure will not only be defended by the remaining soldiers of tannins but also by its acidity–which never goes away. While richer and deep fruit flavors (as well as complimentary flavors from esters) can help mask acidity during a wine’s prime, an aged wine will eventually start to taste more acidic and tart as that fruit fades.

However, that acidity will amplify the savoriness of tertiary flavors so, again, this all comes back to knowing what style of wine gives you the most pleasure. More fruity? More savory? Somewhere in the middle?

Learn From Other People’s Sacrifices

While critic’s drinking windows have some value, the very best resource on deciding when to open a wine are sites like Cellar Tracker.

Here you can track the progression of a wine through the impressions of other people who are sacrificing their bottles to Bacchus. Pay attention to the notes. Are they still talking about lots of fruit character? Big tannins? Or are the notes littered more with savory tertiary descriptors?

Now, yes, these folks will likely have different palates than you which is going to color their impressions. How they describe a wine yesterday might not be the same as how you would describe it today. But it is another data point that you can use to determine if it’s worth pulling the cork.

Lessons from Jancis Robinson

I have evolved my own theory that overall, vastly more wine is drunk too old than too young. — Jancis Robinson, November 26th, 2004

Jancis’ advice is even more valuable now than it was 14 years ago. In that time, we’ve seen quite a bit of change in the wine industry–including our ideas about cellar-ability. Part of it is the culture of impatience and desire for immediate gratification. Wineries know that they often don’t get a second chance at a first impression so a lot of effort takes place in the vineyard and the winery towards producing wines that are enjoyable soon after release.

We’re not even talking about whites and roses either.


Those efforts sometimes do involve a trade-off with a wine’s potential to age. The simple truth is, not many are being made to age anymore. In fact, some estimate that as much as 98% of the wine made today should be consumed within 3 to 5 years of the vintage date.

Now keep in mind, the vast majority of the world’s wines are made to be daily drinkers under $20 so that 3 to 5 year estimate is not that drastic. But even for more expensive bottles that you may be saving for a special occasion, I would encourage you to think about opening it up sooner rather than later.

For me, the math is simple.

If you open up a bottle too soon, there is still the potential that you could find another bottle to open later. Yes, you may have to do some hunting and pay a little bit of a premium but that potential still exist. Plus, you are still likely to get some pleasure from that bottle even if it wasn’t “quite ready”.

But….

If you open up a bottle too late, when the wine is far past the point of giving you pleasure, you’re screwed. All that time and all that investment went for nil.

There’s always a gamble when aging wine but, ultimately, it’s best to cash out when you’re ahead.

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60 Second Wine Review — Joseph Phelps Quarter Moon Pinot noir

A few quick thoughts on the 2012 Joseph Phelps Pinot noir from the Quarter Moon Vineyard in the Sonoma Coast AVA.

The Geekery

Joseph Phelps Pinot noir wine

Joseph Phelps founded his namesake winery in 1973 in the Napa Valley. While most noted for their flagship Bordeaux-style blend, Insignia, a Pinot noir sourced from the Carneros region of Napa was also part of that inaugural vintage.

The winery would continue to produce a Napa Pinot until 1983. In the mid-1990s Joe Phelps became intrigued at the potential to make Burgundian-style Pinot noir and Chardonnay in the cool, ocean-influenced Sonoma Coast. After spending many years searching for vineyard sites, in 1999 the winery purchased land that would become their Freestone Estate.

Since 2009, Joseph Phelps has been producing 100% estate grown wines from their 490 acres of sustainably grown vines in Napa and Sonoma.

While Ashley Hepworth produces the Napa Valley wines, Justin Ennis oversees the Sonoma Freestone production.

Around 2080 cases of the 2012 Quarter Moon was produced.

The Wine

Photo by Veganlover1993. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Really dig the savory black tea notes in this Pinot.

Medium-plus intensity nose. A mix of red fruits–cherries and raspberries–with an earthy black tea element. With air, some baking spices like clove and allspice come out.

On the palate, those red fruits carry through and are very juicy with medium-plus acidity. The acidity also amplifies those savory black tea and spice components. Ripe medium tannins hold up the medium-bodied fruit well. The moderate oak becomes more noticeable with a creamy vanilla mouthfeel. The long finish ends on the salivating acidity and spice notes.

The Verdict

Compared to the very ripe and luscious California Pinots that you usually see in the $70-75 price range, this Joseph Phelps Quarter Moon certainly delivers a lot of Burgundian complexity.

For the equivalent price in Burgundy, you’re looking at well-regarded village-level wines like a Grivot Vosne-Romanee or Hubert Lignier Morey-Saint-Denis as peers. While you can  get a little bit better value in Oregon at the $45-60 mark, this is still a very well made wine.

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Prosecco Ponderings — Paying More For Less

Earlier this week, Wine Enthusiast announced that Constellation Brands was expanding production of Ruffino Prosecco with the purchase of 311 acres (126 hectares) of added vineyards in the Veneto & Treviso areas. Additionally, they acquired a second wine production facility with the capacity to crank out 9.2 million gallons (35,000 hectoliters) of Prosecco.

Photo by John W. Schulze from Tejas. Uploaded to Wikimedia Commons under CC-BY-2.0

Prosecco vineyards in Guia in the Veneto

9.2 million gallons.

If they max out production that would be over 45.6 million additional bottles of Prosecco from Ruffino. Now granted, that is almost a drop in the bucket for a region that produced 475 million bottles in 2016.

But even beyond Ruffino, the Prosecco DOC zone is growing with the Consorzio di Tutela Prosecco DOC authorizing the additional planting of 3000 more hectares (7,413 acres) of vines in 2016. This coming only 7 years after the DOC region was established in 2009 with 20,250 ha (50,039 acres). This was essentially an expansion upon the original 7,191 ha (17,769 acre) Prosecco zone that is now DOCG Prosecco from Conegliano and Valdobbiadene.

That’s a lot of bubbles.

Now wait…wasn’t there a Prosecco shortage?

It certainly seemed that way earlier this spring with breathless headlines encouraging people to “Stock Up Now!” and blaming the shortage on poor yields from the 2017 vintage.

Never mind that we heard this song before back in 2015, 2016 and 2017.

However, with each threat of shortage also came increasing pressure to raise prices with Nielsen data reporting in 2018 that the $13+ category of Prosecco saw the largest growth. Never mind that many of these $13+ Proseccos used to be closer to the $10 mark only a few years ago.

So even when the new Prosecco vineyards are fully on line, we’re likely still going to be paying more.

And for what?

Expansion vs Quality

Good quality vineyard land is a finite resource. While our knowledge and application of modern viticulture and winemaking techniques can help us maximize the potential of a parcel, there will always be a point where expansion means expanding to areas that aren’t going to produce great wine.

In 2016, more than 5.3 million cases of Prosecco were imported to the US with Shaken News Daily reporting the biggest volume coming from LaMarca and Mionetto.

This is a cycle we’ve seen repeatedly throughout history with expansion leading to eventual gluts and wine lakes. In the early 20th century, the European Union was spending around 1.3 billion euros ($1.75 billion USD) a year to encourage the uprooting of poor vineyard sites and “crisis distillation” of excess wine.

Now I’m not saying that these new Prosecco vineyards are going to need be distilled into brandy anytime soon, but I am highly skeptical that we’ll see an increase in quality to go with increase production. I can’t think of a single instance where substantial expansion of an already established wine region has resulted in an uptick of quality.

If anything, expanded production only highlights the value in protecting the original “classico” region that built a wine’s reputation in the first place–a lessons the producers of Soave, for example, took decades to figure out.

The trade off in expanded production zones is supposed to be lower prices following increased supplies on the market. You know, law of supply & demand stuff? But it never seems to work quite that neatly in the wine industry.

Lessons of Champagne

It wasn’t that long ago that the Champagne wine region was riding high and needing to expand their production zone to meet demand. In 2008, the INAO expanded the boundary to include 40 more villages and an additional 33,500 ha (82,780 acres) of vines.

Then the global recession came and the very next year we were talking about a Champagne glut even though the supply from the INAO’s expansion weren’t going to hit the market till at least 2020.

Oh but don’t worry, we’re back to threats of a Champagne shortage again. Even though the recent 2018 vintage was one of the largest on record, that also didn’t stop expectations of prices increases as well.

Gravity Doesn’t Apply To Wine Prices

Photo by Mruzzene. Uploaded to Wikimedia Commons under PD-user

Hillside vineyard in the DOCG Prosecco production zone of Valdobbiadene.

What goes up, often stays up.

Even with “gluttonous” over supply and waning demand, the best hope is usually just a mere slowing of how fast prices hike up. Each time a new bar is set with pricing, that becomes the new normal–regardless of quality.

A consumer’s best resource against these market dynamics is simply to increase their own vigilance and awareness of what they’re drinking. This means paying more attention to where your wine is coming from and how much you are being asked to pay for it.

There is already a big different in quality of wines labeled as DOC Prosecco versus those from the much more limited and restricted DOCG production zones. It’s worth looking at the bottle to see what kind of Prosecco it is.

Yes, you will likely have to pay a little bit more for a DOCG Prosecco over a DOC one but you’re already paying more for those DOC Proseccos anyways. Now you have to ask yourself if the quality level is what you’re expecting–or if its what you’ve been used to getting.

This truth goes beyond Prosecco to really every wine.

That bottle of your favorite old standby that was once such a great deal, might not be quite as good the next time because now there’s 5x more of it on the market and the winery has had to get different fruit sources to meet that number. It might not be bad. But it won’t be what it once was even though you might be paying the same amount (or more).

As consumers, we will always have choices. Sometimes it’s worth paying a little bit more for something better. Other times there will be different producers or different regions offering options that deliver just as much (or even more) pleasure for the same amount of money that you were used to spending for your old favorites.

You don’t have to settle for paying more for less quality. Though if you aren’t paying attention, that’s exactly what will happen.

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60 Second Wine Review — La Vostra Prosecco

A few quick thoughts on the La Vostra Prosecco from the Friuli-Venezia Giulia.

The Geekery

La Vostra Prosecco

La Vostra is made by Cantina Vini La Delizia, a co-operative of growers based in the Friuli region of northeast Italy.

Founded in 1931, the co-operative began with 70 growers but has grown over the years to include 500 growers farming 2000 ha (4942 acres) of vines mostly in the Friuli Grave and Prosecco DOCs. Wine is produced under both the La Delizia name and other associated labels like Naonis, Sass Ter, Vigneti and La Vostra.

The co-op has been producing sparkling wine since 1981. More than 65% of the winery’s production is exported with the United States, Western Europe, Canada, Russia, China and the Baltic region being the largest markets.

Technical details about the La Vostra Prosecco are scarce. Much of the Friuli-Venezia Giulia falls within the large Prosecco DOC. Like DOCG Prosecco from Conegliano and Valdobbiadene, this wine must be at least 85% Glera with up to 15% of other grapes such as Pinot grigio, Pinot bianco, Bianchetta, Perera, Verdiso and Chardonnay permitted.

Considering that La Delizia makes several bottlings of Pinot grigio and Chardonnay (including a frizzante Chardonnay), it is possible that some of these other grapes are utilized.

The Wine

Photo by Axel Kristinsson from Reykjavík, Iceland. Uploaded to Wikimedia Commons under CC-BY-2.0

The apple blossom notes on this wine jump out.

Medium-plus intensity nose. Very floral and citrus driven with also a little bit of apple blossoms.

On the palate, more apple than citrus notes carry through. There is a tad of sweetness so this is probably an extra-dry style like LaMarca and Ruffino. Well balanced by the smooth bubbles which don’t stray into the coarse, aggressive frothiness that can plague many Proseccos. Lively medium-plus acidity also helps with the balance and contributes to a feather light body. Moderate length finish brings back the floral notes.

The Verdict

At $7-10, this is a pretty solid, easy drinking Prosecco. It certainly won’t wow you with complexity. However, it will do the trick for a simple sipper or something to mix with cocktails and mimosas.

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Bordeaux Futures 2017 — Gruaud-Larose, Lagrange, Ducru-Beaucaillou, La Croix Ducru-Beaucaillou

It’s been a few months since we’ve visited the 2017 Bordeaux futures campaign. Travel played a big role in that gap but my wallet also needed a bit of a break as well. But we’re going to return now and head to St. Julien to look at the offers for the 2nd Growths Gruaud Larose and Ducru-Beaucaillou, the third growth Chateau Lagrange and the second wine of Ducru-Beaucaillou.

If you want to catch up, a good place to start is with our first Bordeaux Futures 2017 post covering the offers of Palmer, Valandraud, Fombrauge and Haut-Batailley. There I also lay out my general outlook and philosophy on buying futures for this vintage.

You can also check out the links at the bottom to see what other offers have been previously reviewed in this series.

Ch. Gruaud-Larose (St. Julien)

Some Geekery:
Bottles of Chateau Gruaud Larose in Bordeaux

Bottles of 1815 Ch. Gruaud Larose resting in the cellars of the St. Julien estate

The reputation of Gruard-Larose dates back to the early 18th century when it was owned by a French knight, Joseph Stanislas Gruaud. In the 1750s, two of his descendants, a priest and a magistrate took control. The brothers purchased adjoining parcels, enlarging the estate to 116 ha (287 acres), and established a reputation for high quality.

Clive Coates notes in his work Grand Vins, that during this time the wines of Fond Bedeau (as it was known then) fetched some of the highest prices in St. Julien and was only behind the four First Growths in reputation.

Coates also notes the eccentricity of the magistrate Gruaud who eventually assumed control of the estate. He constructed a large tower, a replica of which is still in use today, in the vineyard so he could keep eye on his workers.

At the end of each harvest, he would also raise a flag up on the tower indicating the nationality of buyers who he thought would most appreciate the style of the vintage. If the wines were full-bodied and firm in structure, he would raise a British flag. For vintages that were more soft and easy drinking, he would raise a German flag. If the style of the year fell somewhere in the middle, then the magistrate would raise a Dutch flag.

The Establishment and Break Up of Gruaud-Larose

When the magistrate passed in 1778, the property was inherited by his daughter and son-in-law, Joseph Sebastian de La Rose. The new estate was christened Ch. Gruaud-Larose. As Lieutenant-Governor of the Province of Guyenne, M. Larose was able to get his wines served at numerous public events held by the nobility prior to the outbreak of the French Revolution. These events featured not only Gruaud-Larose but also those of his Haut-Medoc estate Ch. Larose-Trintaudon located outside the borders of Pauillac and Saint Laurent. Several cases of Gruaud-Larose also made their way to the nascent United States.

Following the outbreak of the French Revolution and the financial difficulties of the Napoleonic era, the descendants of Larose had to put the estate up for auction in 1812. It was purchased by a consortium of individuals who included the Baron Jean Auguste Sarget. Eventually disagreements with Baron Sarget and the heirs of the other owners led to a splitting of the estate in 1867. From then until 1935 when the Cordier family reunited the property, there were two Gruaud-Larose wines–Ch. Gruaud-Larose-Sarget and Ch. Gruaud Larose-Bethmann (later Ch. Gruaud Larose Faure).

The Cordier family maintained ownership of the property, along with the 4th Growth Ch. Talbot, the 5th Growth Ch. Cantemerle, Ch. Meyney in St. Estephe, Clos des Jacobins in Saint Emilion and Ch. Lafaurie-Peyraguey, for several decades until selling it to the Suez Banking Group in 1985. Gruaud-Larose went through a succession of owners until 1997 when it was purchased by the Merlaut family of the Taillan Group.

Ch. Gruaud-Larose Today
Chateau Gruaud Larose

Outside the chateau of Gruaud-Larose

Today it is part of a portfolio that includes the 3rd Growth Margaux estate of Ch. Ferriere, the 5th Growth Ch. Haut-Bages-Liberal in Pauillac, Ch. Chasse-Spleen, Ch. Citran and Ch. La Gurgue. It is unique among the 1855 classified estate in that the vineyards are relatively the same as they were when the estate was first classified.

Most of the estate is one large block of vines between Branaire-Ducru and Ch. Lagrange with another segment separated from the commune of Cussac and the Haut-Medoc estate of Ch. Lanessan by a stream. Compared to other estates in the Medoc, Gruaud-Larose tends to have a significant amount of clay in the soil (particularly in the parcels close to Lanessan). However, plantings in recent years has focused on increasing the amount of Cabernet Sauvignon and pulling up parcels of Merlot and Cabernet Franc.

The vineyards are farmed organically with several of the parcels farmed biodynamically. Around 18,000 cases a year are produced with some fruit being declassified to the estate’s second wine Sarget Larose.

The 2017 vintage is a blend of 67% Cabernet Sauvignon, 31.5% Merlot and 1.5% Cabernet Franc.

Critic Scores:

92-94 Wine Enthusiast (WE), 91-94 Wine Spectator (WS), 92-93 James Suckling (JS), 90-92 Vinous Media (VM), 90-92 Jeb Dunnick (JD)

Sample Review:

The 2017 Gruaud Larose is pliant, deep and quite expressive, while staying light on its feet. In 2017, Gruaud is a wine of precision and nuance rather than volume. There is lovely persistence and nuance in the glass. Even so, I can’t help thinking there is quite a bit of unrealized potential here. All of the wine was fermented in oak vats, with slightly higher than normal temperatures for the Cabernets. — Antonio Galloni, Vinous Media

Offers:

Wine Searcher 2017 Average: $73
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $74.97 (no shipping with wines sent to local Total Wine store for pick up)
K&L: $69.99 + shipping (no shipping if picked up at 1 of 3 K & L locations in California)

Previous Vintages:

2016 Wine Searcher Ave: $85 Average Critic Score: 92 points
2015 Wine Searcher Ave: $83 Average Critic Score: 93 points
2014 Wine Searcher Ave: $71 Average Critic Score: 92 points
2013 Wine Searcher Ave: $68 Average Critic Score: 89 points

Buy or Pass?

A lot of wine experts feel that Gruaud-Larose turned a corner after the 2009 vintages. While notoriously inconsistent and noted for wines that were often quite awkward and austere in their youth, the thinking was that this new era of Gruaud-Larose would bring the estate back to the some of the glory that originally earned it a 2nd Growth classification.

After visiting the estate in 2016 and tasting several of its recent releases at Union des Grands Crus de Bordeaux tastings, I do think the estate has got the consistent quality part down pat. But I’m skeptical that the “awkwardness” and austerity of youth is gone. These wines are still remarkably tannic and well-structured. They are certainly built for the long haul which makes them a good investment for cellar-worthy vintages.

But for vintages like 2017 where I have an eye for more early-drinking styles, this is not an estate I have on my radar. Pass.

Ch. Lagrange (St. Julien)

Some Geekery:
Winery of Ch. Lagrange

The cuvier of Ch. Lagrange

The estate that is now known as Ch. Lagrange dates back to the Middle Ages when it was known as Maison Noble de Lagrange Monteil. Wine production has taken place since at least the 1630s when it was owned by Jean de Cours, the Sire de Paulliac, who acquired the estate by marrying Marguerite de Vivien.

In the 18th century, it came under the ownership of the Baron de Brane who also owned Brane Cantenac and Mouton Brane (later Mouton-Rothschild). At this time the wines were sold as Baron St. Julien.

During the French Revolution and into the Napoleonic era, the estate was owned by Jean-Valère Cabarrus who eventually became Napoleon’s Finance Minister to Spain. Cabarrus daughter, Thérèse, was notable for saving many nobles from facing the guillotine during the Revolution and being the lover of Jules Ouvard who owned both Clos Vougeot and Domaine de la Romanee-Conti.

The next couple centuries saw a succession of ownership changes including a time in the care of John Lewis Brown who owned Ch. Cantenac Brown in Margaux and Ch. Brown in Pessac-Leognan. For most of the 20th century, Lagrange was owned by the Cendoya family from the Basque region of Spain. Financial difficulties during that period caused the Cendoyas to have sell off parcels of vineyards including several hectares used by Henri Martin to found Chateau Gloria. In 1970, the Borie family of Ch. Ducru-Beaucaillou purchased 32 ha (79 acres) with a good chunk of that eventually becoming the estate Ch. Lalande-Borie.

Stephen Brook notes in The Complete Bordeaux that by the time the Japanese whiskey firm Suntory purchased the estate in 1983, it had shrunk from 120 ha (297 acres) to just 57 ha (141 acres) with under half the vines being Merlot.

Ch. Lagrange Today
Chateau Lagrange in Bordeaux

Visiting Ch. Lagrange in St. Julien.

Upon their acquisition of Lagrange, Suntory began investing millions into renovations in the vineyard and winery. Marcel Ducasse was brought on to manage the estate with Emile Peynaud and Michel Delon consulting.

Suntory and Ducasse initiated what Clive Coates called “a Renaissance” at Lagrange and noted that Suntory was uniquely qualified to help the 3rd Growth estate reclaim its standings. In addition to the vast capital from their whiskey empire (which now includes Jim Beam), Suntory is the largest importer and distributor of French wine in Japan. They also have owned a vineyard at the base of Mt. Fuji for many decades, the Yamanashi Vineyard, producing wine under the label of Ch. Lion. Suntory’s head enologist, Kenji Suzuta, spent time at Lagrange assisting Ducasse.

Ducasse introduced sustainable viticulture to Lagrange with many parcels farmed organically. He also began an extremely selective sorting regiment in the vineyard and the winery which necessitated the creation of a second wine, Les Fief de Lagrange, in 1985.

Stephen Brook notes that the strict selection process continued even after Ducasse successfully rehabbed Lagrange’s image and through his retirement in 2007. Today, under the direction of Bruno Eynard, many top quality parcels of Lagrange are still declassified down to the second wine, making Les Fief de Lagrange a top value in Bordeaux.

Today Lagrange produces around 60,000 cases of the Grand Vin each year.

The 2017 vintage is a blend of 78% Cabernet Sauvignon, 18% Merlot and 4% Petit Verdot.

Critic Scores:

92-93 JS, 89-92 WS, 89-92 VM, 89-91 Wine Advocate (WA), 91-93 JD

Sample Review:

The 2017 Château Lagrange is certainly a success in the vintage. Possessing a great nose of crème de cassis, violets, and spicy oak, it hits the palate with medium to full-bodied richness, a terrific mid-palate, present tannin, but a sexy, forward, charming style that’s already hard to resist. It should keep for two decades or more. — Jeb Dunnuck, JebDunnuck.com

Offers:

Wine Searcher 2017 Average: $46
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $44.97
K&L: No offers yet.

Previous Vintages:

2016 Wine Searcher Ave: $55 Average Critic Score: 92 points
2015 Wine Searcher Ave: $51 Average Critic Score: 91
2014 Wine Searcher Ave: $48 Average Critic Score: 91 points
2013 Wine Searcher Ave: $43 Average Critic Score: 89 points

Buy or Pass?

This 2009 Les Fiefs de Lagrange was outrageously delicious. I would put it on par with many 3rd Growths by itself in the $50-60 range.

This was another estate that I had the opportunity to visit in 2016. While I was a little underwhelmed with the 2012 Lagrange they poured, I was blown away by how scrumptiously delicious the 2009 Les Fief de Lagrange (Wine Searcher Ave $45) was. However, I don’t want to judge the Grand Vin too harshly on a youthful showing from an average vintage (especially compared to the more superior 2009 vintage).

But with that track record, I am going to be cautious. There is definitely value in the 2017 offering being priced less than the 2014-2016 vintages so I can’t blame anyone for pulling the trigger. I’m still going to take a “wait and see” approach. It’s unlikely that the price will jump dramatically so I’m okay with give it a Pass for now.

Ch. Ducru-Beaucaillou (St. Julien)

Some Geekery:

Clive Coates notes that Ducru-Beaucaillou was originally known as Maucaillou (bad stones) because of how difficult the stoney soil was to work with. Once the quality of the wine from the vineyard began garnering attention in the 1700s, the name gradually changed to Beaucaillou (beautiful stones).

The “Ducru” part of the name came in 1795 when Bertrand Ducru purchased the estate and commissioned the famous Parisian architect, Paul Abadie, to design the chateau. His descendants would later sell Ducru-Beaucaillou in 1866 to Lucie Caroline Dassier, wife of the notable Bordeaux merchant Nathaniel Johnston. Johnston unsuccessfully tried to change the name to just Beaucaillou but by this point the name, and its 2nd Growth classification, had solidified itself in the market.

It was during this time at Ducru-Beaucaillou when vineyard manager Ernest David accidentally stumbled upon the recipe for the famous “Bordeaux mixture“. According to Coates, David was looking to thwart thieves who were snatching grapes from the vineyard by painting the vines closest to the road with an organic blue-green mixture of copper sulfate and lime.

Neighboring growers and professors from the University of Bordeaux noticed that these treated vines did not get infected by powdery or downey mildew and convinced David to conduct more trials. Cautious about adverse effects on the Ducru vines, the trials that eventually confirmed the efficacy of the Bordeaux Mixture were conducted at another property of the Johnston family–the 5th Growth Ch. Dauzac in Margaux.

Ducru-Beaucaillou Today
Photo by Megan Mallen. Uploaded to Wikimedia commons under CC-BY-2.0

Bruno Borie of Ducru-Beaucaillou

In 1941, the estate was purchased by the Borie family who still own the property today. In addition to Ducru, the family owns the 5th Growth Pauillac estates of Grand Puy Lacoste and Haut Batailley. These estates are managed by Francois Xavier Borie with his brother, Bruno, managing Ducru-Beaucaillou.

From 1986 to 1995, the estate was plagued with systematic cork taint issues that required significant investment to eradicate. Many of the bottles from this period had to be recorked with those demonostrating noticeable TCA destroyed.

Beginning in the late 20th century, production of the Grand Vin at Ducru started decreasing from a high point of 20,000 to 25,000 cases in the early 1980s to around 9,000 to 11,000 cases today.

Since 2010, Virginie Sallette has been the technical director working with long time cellar master René Lusseau.

The 2017 vintage is a blend of 90% Cabernet Sauvignon and 10% Merlot. Due to more severe selection in this vintage, there is estimated to only be around 7500 cases produced for 2017.

Critic Scores:

97-98 JS, 95-97 WA, 94-96 WE, 93-96 WS, 93-96 VM, 96-98 Jeff Leve (JL), 94-96 JD

Sample Review:

There was no frost at Ducru-Beaucaillou in 2017 due to its proximity to the estuary. This barrel sample comes from the final blend, which was made in early 2018. Composed of 90% Cabernet Sauvignon and 10% Merlot and sporting a deep garnet-purple color, the 2017 Ducru-Beaucaillou is intensely scented of blackcurrant cordial, blackberries and lavender with hints of crushed rocks, iron ore, rose hips and Provence herbs plus touches of wood smoke and sandalwood. Medium-bodied, very firm and grainy in the mouth, it possesses lovely freshness, lifting the intense flavors, finishing long and minerally. Sporting an incredible core of muscular mid-palate fruit, this wine should age incredibly. — Lisa Perrotti-Brown, Robert Parker’s Wine Advocate

Offers:

Wine Searcher 2017 Average: $169
JJ Buckley: $167.94 + shipping (no shipping if picked up at Oakland location)
Vinfolio: $175 + shipping
Spectrum Wine Auctions: No offers yet.
Total Wine: $169.97
K&L: $169.99 + shipping

Previous Vintages:

2016 Wine Searcher Ave: $206 Average Critic Score: 95 points
2015 Wine Searcher Ave: $199 Average Critic Score: 95 points
2014 Wine Searcher Ave: $151 Average Critic Score: 95 points
2013 Wine Searcher Ave: $126 Average Critic Score: 92 points

Buy or Pass?

While Ducru is a wine that I never want to open up too young, it’s virtually an automatic buy for me every year. Just stellar stuff that’s usually worth bending my financial discipline a bit for. While the 2017 is priced a little above the 2014, the reduced yields and supply likely played a significant role.

It’s still well below 2015 & 2016 levels and is a wine that I can see jumping $20-25 higher when it hits the market. That makes its a justifiable Buy for at least a bottle or two.

La Croix Ducru-Beaucaillou (St. Julien)

Some Geekery:

La Croix is the second wine of Ducru-Beaucaillou that was first introduced in 1995. Since 2005, the wine has been produced from dedicated plots located near Ch. Talbot instead of just declassified fruit from the Grand Vin.

Starting with a limited release in 2009 and with all bottlings since 2010, the labels have been designed by Jade Jagger, daughter of rock star Mick Jagger.

The 2017 vintage is a blend of 58% Merlot, 39% Cabernet Sauvignon and 3% Petit Verdot.

Critic Scores:

92-94 WE, 92-93 JS, 90-93 VM, 89-92 WS, 89-91 WA, 90-92 JD

Sample Review:

The Merlot here is grown on sandy-gravel soils and brings both freshness and structure. There’s good balance, plush autumnal berry fruits and lovely spice, supported by well placed, delicate tannins. It’s a clear Médoc twist on the varietal, even though this is a little lusher and more approachable than in recent years where Cabernet Sauvignon has been higher in the blend – last year it was at 66%, but vintage conditions in 2017 affected some of the crop. It’s a little different in expression from 2016, but is an extremely high quality, great drinking wine. (91 points) — Jane Anson, Decanter

Offers:

Wine Searcher 2017 Average: $45
JJ Buckley: No offers yet
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $44.97
K&L: No offers yet.

Previous Vintages:

2016 Wine Searcher Ave: $56 Average Critic Score: 92 points
2015 Wine Searcher Ave: $58 Average Critic Score: 92 points
2014 Wine Searcher Ave: $50 Average Critic Score: 91 points
2013 Wine Searcher Ave: $35 Average Critic Score: 90 points

Buy or Pass?

My affinity for Ducru certainly extends to its second wine which I often buy. A bit unusual in being a Merlot-dominant Medoc in this vintage, I find that these Merlot heavy blends usually fall picture perfect into the role of “Cellar Defender” that I’m seeking in years like 2017.

The pedigree, coupled with solid pricing under 2013-2016 vintages makes this a good Buy for me.

More Posts About the 2017 Bordeaux Futures Campaign

Why I Buy Bordeaux Futures

*Bordeaux Futures 2017 — Langoa Barton, La Lagune, Barde-Haut, Branaire-Ducru

*Bordeaux Futures 2017 — Pape Clément, Ormes de Pez, Marquis d’Alesme, Malartic-Lagraviere

*Bordeaux Futures 2017 — Lynch-Bages, d’Armailhac, Clerc-Milon and Duhart-Milon

*Bordeaux Futures 2017 — Clos de l’Oratoire, Monbousquet, Quinault l’Enclos, Fonplegade

*Bordeaux Futures 2017 — Cos d’Estournel, Les Pagodes des Cos, Phélan Ségur, Calon-Segur

*Bordeaux Futures 2017 — Clinet, Clos L’Eglise, L’Evangile, Nenin

*Bordeaux Futures 2017 — Malescot-St.-Exupéry, Prieuré-Lichine, Lascombes, Cantenac-Brown

*Bordeaux Futures 2017 — Domaine de Chevalier, Larrivet Haut-Brion, Les Carmes Haut-Brion, Smith Haut Lafitte

*Bordeaux Futures 2017 — Beychevelle, Talbot, Clos du Marquis, Gloria

*Bordeaux Futures 2017 — Beau-Séjour Bécot, Canon-la-Gaffelière, Canon, La Dominique

*Bordeaux Futures 2017 — Carruades de Lafite, Pedesclaux, Pichon Lalande, Reserve de la Comtesse de Lalande

*Bordeaux Futures 2017 — Vieux Chateau Certan, La Conseillante, La Violette, L’Eglise Clinet

*Bordeaux Futures 2017 — Montrose, La Dame de Montrose, Cantemerle, d’Aiguilhe

*Bordeaux Futures 2017 — Clos Fourtet, Larcis Ducasse, Pavie Macquin, Beauséjour Duffau-Lagarrosse

*Bordeaux Futures 2017 — Kirwan, d’Issan, Brane-Cantenac, Giscours

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Geek Notes 10/28/2018 — New Wine Books for November

Let’s take a look at some new wine books coming out next month that are worth geeking out over.

Feel free to also take a gander at the titles profiled in previous months’ Geek Notes for October, September and August. With the holidays approaching, it’s never too early get ideas for great gifts.

Age Gets Better with Wine Third Edition by Richard Baxter. (Hardcover release November 1st, 2018)

Richard Baxter is a plastic surgeon who wrote his first edition of Age Gets Better with Wine back in, honestly, I don’t know.

The oldest date for the 1st edition I could find was in 2007 yet somehow the 2nd edition came out in 2002. My best guess is that the two years were probably switched by Amazon. However, the Google eBooks copy of the 2nd edition dates to 2009. So who knows?

Regardless, quite a bit has changed in our scientific understanding of wine so this 2018 revision will likely have a lot of new material.

This books intrigues me because of the objective approach it appears to take on the many conflicting studies about the role of wine and health. I’ve not had a chance to read either of the two previous editions but I think I’m going to pull the trigger on this one. Blogger Joey Casco of TheWineStalker.net had a great review of the second edition. Describing it as “a wine-science-history geek’s wet dream”, he posted a 2 minute review of the 2nd edition back in 2016.

What Makes a Wine Worth Drinking: In Praise of the Sublime by Terry Theise. (Hardcover release November 6th, 2018)

Terry Theise is a phenomenal importer who has played a huge role in introducing Americans to the exciting world of Grower Champagne. Additionally, he’s done much to bring attention to the high quality production of small family estates in Germany and Austria.

If you want to learn more about his story, Levi Dalton of I’ll Drink To That! podcast had a fantastic interview with Theise back in 2015 (1:50:22 length).

Pierre Gerbais, a fantastic grower Champagne from the Côte des Bar. The fact that we can find a lot of these gems more easily in the US is because of the efforts of Terry Theise.

Theise’s previous work, Reading between the Wines, was a mix of manifesto and anthology taken from his years of writings for his import catalogs. Now part of the Skurnik portfolio, Theise still regularly writes about vintage years, producer profiles and numerous (often humorous) rants about the world of wine.

Frequently in his writings, Theise expounds on the question that is the title of his current release What Makes a Wine Worth Drinking? What makes a bottle of wine worth the money to procure and the time spent cellaring and savoring? What makes anything worth putting into your body or sharing as part of a moment with loved ones?

Rarely do wine drinkers really stop to think about the answers to those questions. I suspect that Theise’s book will give a lot of food for thought and be a great read.

Good, Better, Best Wines, 2nd Edition: A No-nonsense Guide to Popular Wines by Carolyn Evans Hammond. (Paperback release November 13th, 2018)

This is the updated edition to Hammond’s 2010 release that dived into the world of mass-produced bulk brands and supermarket wines. With the link to the first edition, you can “look inside” and get an idea about her approach and the type of wines being reviewed.

In many ways, I applaud her snob-free approach but I do wonder what audience she is aiming for? Many of the folks who buy the Lindeman’s, Kendall Jackson, Fetzer and Sutter Home wines she reviews aren’t necessarily the folks who purchase wine guides.

While Constellation Brands’ famous Project Genome study of wine buyers found that nearly 1/5th of wine consumers felt “overwhelmed”, these folks were far more likely to seek info on the spot at a retail store versus searching the internet or seeking out a published wine guide.

Likewise, the near third of consumers who fall into the combined categories of “Traditionalists” and “Satisfied Sippers” are already buying their favorite mass produced wines being profiled here. It doesn’t seem likely that one writer’s opinion that Bulk Brand X is slightly better than Bulk Brand Y will sway many people.

Perhaps the 20% of Image Seekers and 12% of Enthusiasts who are more inclined to look at wine guides will be tempted but often these segments of consumers either eventually settle into “Traditionalists” and “Satisfied Sippers” or move beyond the $15 & under category this book focuses on.

Good, Better and Less Snobby
Photo by Robbie Belmonte. Uploaded to Wikimedia Commons under CC-BY-2.0

You may not like them or drink them but there is no denying that Gallo has done a masterful job of marketing and selling Barefoot Wines.

However, I do see this book being a huge benefit to students pursuing certifications such as the WSET Diploma level which focuses on the business of wine in Unit 1. Often these students need a bit of an “anti-snobbery” jolt to realize that the vast majority of wine drinkers don’t drink the same kind of wines we do.

In our rush to dismiss these wines, we often forget that there are reasons why things like Barefoot, Franzia and Apothic are top selling brands in the US.

I get it. They’re not my cup of tea either and I don’t vaguely hide my personal sentiments about them much on this blog.

But I do seek to understand them. This is why I give wines like Mamamanago, Apothic Brew, Capriccio and the like, just as much research and effort to figure them out as I do for Petrus and Cristal.

I see value in reading Carolyn Evans Hammond’s Good, Better, Best Wines as a window into the world of the “Traditionalists” and “Satisfied Sippers” and what they are drinking. While I don’t think anyone will ever quite cracked the code of how to convince these drinkers to “trade out”, much less “trade up”, we’ll never come close if we don’t first understand where they’re starting from.

Wine Reads: A Literary Anthology of Wine Writing edited by Jay McInerney. (Hardcover release November 13th, 2018)

I started geeking out over this book back in August when I was profiling Amira K. Makansi’s Literary Libations: What to Drink with What You Read.

Though he is the editor for this anthology, Jay McInerney has written several thoroughly entertaining wine books like Bacchus and Me: Adventures in the Wine Cellar, A Hedonist in the Cellar: Adventures in Wine and The Juice: Vinous Veritas–not to mention several other highly acclaimed works outside of wine.

He does contribute a chapter to Wine Reads which includes over 20 pieces of fiction and non-fiction writings about wine. Other writers in the work includes Rex Pickett (of Sideways fame), A. J. Liebling of The New Yorker, an excerpt from Kermit Lynch’s Adventures on the Wine Route, Jancis Robinson and more.

Just like with Makansi’s book, I can see this being the perfect companion for long flights or train rides.

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