All posts by Amber LeBeau

60 Second Wine Review — Lanzavecchia Essentia

Amber LeBeau in 60 Second Reviews, Wine reviews

Published on April 7, 2018

A few quick thoughts on the 2010 Paola Lanzavecchia Essentia blend from Alba.

The Geekery

Paola is a third generation winemaker in the Serralunga d’Alba region of Piedmont, following in the footsteps of her father, Daniele, and grandfather, Pietro Lanzavecchia, who founded the family estate in 1959.

A graduate of enology and agriculture from the University of Turin, Paola Lanzavecchia assists her father with the family’s Villadoria wines while also making wines under her own label.

Kerin O’Keefe notes in Barolo and Barbaresco: The King and Queen of Italian Wine, that while Lanzavecchia is on a “perennial quest to raise the bar on quality” she still sticks to mostly traditional winemaking methods.

The 2010 Essentia is a blend of 80% Nebbiolo, 15% Barbera and 5% Merlot. While the Nebbiolo is harvested normally, the Barbera and Merlot are allowed to partially desiccate on the vine prior to harvest. It’s a treatment kind of between a super ripe late harvest Napa and letting the grape fully dry out like Amarone.

The wine is aged for 9 months in 2nd and 3rd year French oak barrels.

The Wine

This wine has juicy Rainier cherries with spicy, floral notes.

High intensity bouquet. Pop and pour there is a gorgeous mix of flowers (both fresh and dried rose petals) with tobacco spice. With some air the red cherry and plum notes come out.

On the palate those cherry notes become more pronounced and are noticeably juicy with the medium-plus acidity–like fresh Rainier cherries. Medium-plus tannins have a soft edge to them but amply hold up the full-bodied weight of the fruit. A little star anise spice joins the tobacco spice, adding more layers. The long mouthwatering finish brings back the rose petals.

The Verdict

Beautiful wine that more than merits its $27-33 price tag. It has a lot of character and elegance of a beautiful Barolo but the “super-ripe” Barbera and Merlot add fruity softness to balance Nebbiolo’s notoriously high tannins and acidity.

It’s drinking exceptionally well now but I can see this continuing to deliver pleasure for another 3-5 years.

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Getting Geeky with Henri Gouges La Perrière White Pinot

Amber LeBeau in Burgundy, Wine grapes, Wine Knowledge, Wine reviews

Published on April 6, 2018

Going to need more than 60 Seconds to geek out about the 2014 Domaine Henri Gouges Nuits-St.-Georges 1er Cru La Perrière–a white wine made from a unique mutation of Pinot noir.

The Background

Remington Norman and Charles Taylor notes in The Great Domaines of Burgundy that Henri Gouges started his domain in the early 1920s with the purchase of around 22 acres in Nuits-St.-Georges. During the economic slump of the 1920s and 1930s, Gouges continued to take advantage of depressed vineyard prices. He was able to greatly expand the domaine choice parcels from several esteemed premier crus.

In the early 1930s, when concerns about rampant fraud and mislabeling was taking a toll on Burgundy prices, Gouges joined the Marquis d’Angerville and Armand Rousseau to rebel against the négociant houses by estate bottling all his domain wines.

Clive Coates described Henri Gouges, in The Wines of Burgundy, as the “Doyen of Nuits-St.-Georges” whose lasting influence in the commune has been far reaching. He was elected mayor several times. In the 1930s when the Institut National d’Appellation d’Origine (INAO) was establishing the classification of Burgundy’s vineyard, Gouges represented the interests of Nuits-St.-Georges on the regulatory committee.

It is believed that because Gouges was a major owner of the famed Les St-Georges vineyard, and would have benefited greatly if that vineyard was classified as a Grand Cru, he wanted to avoid any potential conflicts of interest by advocating against any Nuits-St.-Georges vineyard being singled out as a Grand Cru. Instead, the committee awarded the commune 41 premier crus. After Beaune’s 42 premier crus, this was the highest concentration of premier crus in the Côte d’Or .

Domaine Style

The village of Nuits-Saint-Georges in winter.

The domaine has long been a proponent of “traditional” and “natural viticulture” techniques–eschewing the use of chemicals when possible. In the vineyard, they prefer massale selection of vine cuttings instead of clonal propagation. Gouges’ grandson, Pierre, pioneered the use of ryegrass cover crop in the commune to curb erosion and encourage competition for the vine roots to find resources. Since 2008, all the domain’s vineyards have been farmed organically.

The Grape

The story goes that Henri Gouges was inspecting his Pinot noir vines in Nuits-St.-Georges 1er Cru La Perrière in late summer in the 1940s when he came across a vine that had all white clusters post-veraison. Intrigued, he cut off a branch of the vine and propagated to see if the new “Pinot noir” vine would also produce white clusters. It did so Gouges and his descendants continued to propagate the variety now known as “Pinot Gouges” in not only La Perrière but also in the premier cru vineyard (and Gouges monopole) of Clos de Porrets-Saint-Georges.

Is it a “White” Pinot noir or Pinot blanc?

Pinot noir, Pinot gris and Pinot blanc are genetically the same grape.

An interesting question and one that I couldn’t find a definitive answer for.

Throughout history, Pinot vines have been observed having clusters with different colored berries on them. Sometimes even different colors on the same berry!

The Pinot grape is notorious for its genetic instability with Jancis Robinson’s Wine Grapes noting that there are more than a 1000 registered clones. That’s just the number of clones we know of. However, ampelographers believe that the mutation rate for Pinot is actually on par with other varieties and instead attribute the vast number of known mutations and genetic variations to the grape’s longevity and 2000+ year history.

Even with the many mutations, genetically all the various Pinot varieties (noir, blanc, gris, Meunier, Teinturier, etc) are the same–which to some degree makes the argument of what “Pinot Gouges” is moot.

But the concept of “White Pinot noir” does exist with producers pressing the red Pinot noir grapes quickly to produce a white wine. Used in Champagne for centuries, this method is a popular way to make white sparkling wines from red Pinot noir and Pinot Meunier grapes. When made as still wine, these White Pinot noirs often have a fuller-bodied, weighty fruit with just a tinge of color—traits that bore out in my tasting of the Gouges La Perrière.

Pinot blanc wines tend to be more moderate weight with medium to medium-minus acidity with brilliant clarity and no color–especially when young. While it can often be confused for Chardonnay (like the Gouges wine in my notes below), my experiences with true varietal Pinot blanc vines are just too different from tasting this Pinot Gouges which leads me to considering this a “White Pinot”.

The Vineyard

Photo derived from map provided for public use by Bourgone Wines.org

The Les Perrières vineyard located south of the village of Nuits-Saint-Georges.

La Perrière is a climat within the Premier Cru vineyard of Les Perrières located south of the village of Nuits-St.-Georges on the slope above the 1er Cru of Les Poirets (Les Porrets). The vineyard used to be a quarry with the name “Perrière” referencing the French term for quarry-workers. The soil is accordingly stony and pebbly.

Several producers have bottlings from this vineyard (all of them red) including Meo-Camuzet (Wine Searcher Ave $148), Louis Jadot (Wine Searcher Ave $134) and Domaine Robert Chevillon (Wine Searcher Ave $95)

The Wine

Medium-plus intensity nose. In a blind tasting, I would be thinking Chardonnay with the tree fruits of apples and pears but there is a lot of spice here–not oak spice but rather exotic spices. I can’t quite pinpoint them but it smells like you walked into an Indian restaurant. There is also a white floral element that has me thinking of apple blossoms.

Lots of exotic spices and layers in this White Burgundy.

On the palate, there is a lot of weight and texture–things that would indicate new oak except for the complete absence of oak flavors. I also get some roasted hazelnuts which would make me think of an older Burg (like a 5 to 7 year old Meursault) rather than something that is only a little over 3 years old. Medium-plus acidity balances the weight of the fruit well but could be a tad higher. Moderate length finishes ends on the pear and spice notes.

The Verdict

Priced in line with upper-tier Premier Cru white Burgundies, the wine holds it own at the $90-110 range. It’s hard not to compare it to a well-made Meursault Premier Cru like Les Charmes and Les Perrières though I think what ultimately separates this Nuits-St.-Georges White Pinot from those crème de la crème Chardonnays is precision and longevity.

While there are lots of layers in this wine, they don’t have the crystal clarity and precision of flavors that truly highlight great white Burgs. You could say that develops with bottle age but this relatively young wine already tastes far older than what you would expect with its age. While it is giving considerable pleasure now, I can’t see it getting anywhere near the levels of a great Meursault wine from the same vintage 3 years down the road, much less 5 or 15.

Still, this is fascinating and exceedingly character driven wine that is worth seeking out just to experience. From a commune that is 97% red wine (with the entire Côte de Nuits being 95% red), it is truly a unicorn with only around 2000-2500 bottles produced each year.

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60 Second Wine Reviews — Ruinart Brut

Amber LeBeau in 60 Second Reviews, Champagne, Wine reviews

Published on April 5, 2018

A few quick thoughts on the NV Ruinart Brut Champagne.

The Geekery

While I love geeking out over grower Champagnes, I must confess to having a soft spot for Ruinart. While frequently lost in the LVMH (Louis Vuitton Moët Hennessy) portfolio of mega-brands like Moët & Chandon, Veuve Clicquot and Dom Perignon, the quality of this house has always been top-notch.

I reviewed the Ruinart Blanc de Blancs and Rosé over a year ago in my post A Toast to Joy and Pain where I give some background about the house and also note the apt description by the LVMH Brand Ambassador that Ruinart is the “best prestige house that most people haven’t heard of.”

Tom Stevenson and Essi Avellan note in Christie’s World Encyclopedia of Champagne & Sparkling Wine that Nicolas Ruinart, who founded the estate in 1729, was the nephew of Dom Thierry Ruinart who was a close friend of Dom Perignon.

The Ruinart Brut (also known as ‘R’ de Ruinart) is a blend of 49% Pinot noir, 40% Chardonnay and 11% Pinot Meunier. The wine usually includes 20-25% reserve wines from older vintages. It is aged for around 36 months before being bottled with a dosage of 9 g/l.

The Wine

Medium-plus intensity nose. Noticeable toasty bread dough with baked pears and almond shavings. This wine smells like you are in a French bakery.

This Champagne smells like you are walking into a French bakery.

On the palate those pear and doughy notes come through but also bring a spice element of cinnamon and allspice. Very weighty and mouth-filling with a silky mousse. This Champagne feels like a meal in itself. Well balanced with the dosage though I wished it was tad drier. An intriguing white floral element emerges on the long finish to go with the lingering toastiness.

The Verdict

While not quite to the level of Ruinart’s Blanc de Blancs and Rosé, this is still a phenomenally well made Champagne.

At around $55-65, it is a bit of a bump from your basic Champagnes like Veuve and Moët but the quality jump is significant.

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Why I Don’t Use Scores

Amber LeBeau in Wine critics, Wine reviews

Published on April 4, 2018

My 60 Second Wine Reviews are a regular feature that gives me a chance to geek out about various wines. But while I deliver a “Verdict” at the end of each review, I also leave a glaring omission.

I don’t give a numerical score.

It’s not that I’m morally opposed to using the 100 point scale popularized by Robert Parker and Wine Spectator or the 20 point scale favored by Jancis Robinson and UC-Davis. I regularly look at scores by those publications and use them as tools in researching wines.

But I think they’re useless for me to give out.

A 7 Point Scale

When I first started using CellarTracker, I got into the habit of rating wines numerically but soon discovered a disturbing trend. While in theory, I had 100 points to divvy out, in truth, I was really only working on a scale of 87-94.

If the wine was well made but not my style, 90-91 points. If it had some issues then 87-89. For wines I liked it was 92-93. If it blew me away then a 94.

For some reason, I just couldn’t rate anything above 94. I always felt like there was the potential for something else to come along to raise the bar—even though I’ve enjoyed some fantastic wines over the years.

Trust me, I’m a professional drinker.

The 1996 Chateau Margaux? 94 points.
The 2010 Angelus? 94 points.
The 2005 Quilceda Creek? 94 points.
The 2012 Chappellet Pritchard Hill? 94 points.
The 1970 Taylor Vintage Port? 94 points.
The 1996 Champagne Salon? 94 points.

This is not a slight on any of those wines. They all deserved the much higher scores that they got from professional critics. But for me, even though I richly enjoyed them and felt that I got more than my money’s worth with each, there was still that mental and emotional barrier that didn’t want to go higher than 94 points.

It’s silly but isn’t trying to quantify all the nuances of wine a fool’s errand anyway?

And truthfully when it comes playing the fool (and doing it well), we can’t all be a Falstaff, Stanczyk, Claus Narr or James Suckling.

I Rate With My Wallet

And I believe that most wine drinkers do the same.

While we might sometimes indulge our inner Robert Parkers with scoring, I would wager that most of the time when we evaluate a wine, we judge it on if we got enough pleasure to merit the cost of what we paid. It’s human nature to expect more from a $100 bottle of wine than a $10 bottle and that is the approach I take with each wine I taste.

I view the cost of each bottle as a potential investment in pleasure and I seek a solid return on my investment.

94 points but well worth splurging on to try at least once in your life.

And it is my investment as my wife and I personally buy more than 90% of the wines (and whiskeys) that I review on this blog whether it be the 2006 Petrus, 20 year Pappy Van Winkle, Taittinger Champagne Comtes de Champagne Rosé or the Groth, Pegau CdP, etc. A few times even at restaurant markups!

Now some wines like the 2007 Poisot Romanée-Saint-Vivant and the wines featured in my Walla Walla Musings post, I do get to taste at tastings open to industry/media. I often get my tasting fees waived at wineries for being in the industry. But with each wine, I always default back to the question of “Would I pay $$ to purchase this wine?”

If I taste it blind and don’t know the cost, I ascribe a price point that I feel would be a good value if I was buying the wine.

But unlike Robert Parker, Jancis Robinson, James Suckling and the like, I’m not trying to be a professional wine critic or consumer advocate. I’m just a geek who likes to drink.

I rate wines on my personal scale of if I think they’re worth spending money on. I do that ultimately because that’s what I’m interested in. Do I want to buy this wine (again)? Just as other folks have their own tastes, people also have their own scale of value.

That’s perfectly fine and, frankly, is the reason why I put the “Verdict” section at the very bottom of each review. My opinion is just my opinion and, besides, it’s really the “Geekery” section where you’ll find the good stuff anyways.

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60 Second Wine Review — Insito Extra Brut Cava

Amber LeBeau in 60 Second Reviews, Wine reviews

Published on April 4, 2018

A few quick thoughts on the Insito Extra Brut Cava made by Bodegues Sumarroca.

The Geekery

The Sumarroca family originally hailed from Llimiana, in Pallars Jussà in Catalonia, but moved to the Penedès region in the 1980s when they purchased the Molí Coloma estate in Subirats.

By 1983, Bodegues Sumarroca was producing sparkling Cava. The family’s holdings expanded greatly in 1999 when they bought the Cava house of Marquis of Monistrol–gaining nearly a 1000 acres of vineyards in the prime sparkling wine terroir around the village of Sant Sadurni d’Anoia.

The Insito Cava is sometimes sold as “In Situ” in other markets (from the Latin phrase meaning “on site”) and refers to the Sumarroca’s family philosophy of only using estate grown fruit instead of supplementing with purchased fruit like many of the larger Cava houses.

Made in an Extra Brut style with less than 3 g/l sugar dosage, the wine is a blend of nearly equal amounts of Macabeu, Xarel·lo and Parellada that was aged 16 months prior to disgorging.

The winery is ISO 9001:2008 certified and practices sustainable viticulture.

The Wine

High intensity nose. A mix of citrus fruit and some pastry dough toastiness. There is also a white floral element.

The combination of zesty lemon, toasty pastry dough and weighty mousse reminds me of a danish pastry.

On the palate this sparkler has a very lively mouthfeel with the zesty citrus notes becoming more defined as lemon. With the toastiness carrying through and the heavy weight of the mousse this Cava has me thinking of lemon cream cheese danishes. Impeccably well balanced for an Extra Brut, the wine is dry and citrus without being tart. The white floral notes come back for the moderate length finish but still aren’t very defined.

The Verdict

At around $15-18 this is an outstanding sparkling wine for folks who are craving something drier than Prosecco (and many American sparklers) but more complex than your typical Cava.

I wouldn’t use this as a “mixer bubbles”. It’s certainly worth savoring with dinner and on its own.

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Keeping up with the Joneses in Burgundy — Gros Edition

Amber LeBeau in Burgundy, Wine Knowledge

Published on April 3, 2018

Welcome to the third installment of my Keeping up with the Joneses in Burgundy series. Here we try to untangle the relationships between the many different Burgundy estates that share the same surname.

Photo by Jebulon. Released on Wikimedia Commons under CC-BY-SA-3.0

Clos Vougeot. The Gros family first acquired parcels in this Grand Cru in 1920.

Click here for previous editions about the Boillot and Morey families.

My tools for this journey will include internet sleuthing as well as:

Remington Norman and Charles Taylor’s The Great Domaines of Burgundy
Clive Coates’ The Wines of Burgundy
Matt Kramer’s Making Sense of Burgundy
Bill Nanson’s The Finest Wines of Burgundy
Benjamin Lewin’s Burgundy (Guides to Wines and Top Vineyards) (new book)

The Gros Family

Alphonse Gros, the patriarch of the Gros winemaking family, was born in 1804 in the village of Chaux located just north of Nuits-Saint-George. In 1830, he married Julie Latour of the notable Latour family and settled in the village of Vosne-Romanée. In 1860, Alphonse purchased what would become Clos des Réas. Today, this is a highly acclaimed premier cru vineyard that is a monopole of Alphonse’s descendant Michel Gros.

Alphonse and Julie had two children with their son, Louis Gustave, taking over the family’s estate. He changed the name to Domaine Gros-Guenaud to include his wife’s holdings. In 1882, he added 2 hectares (5 acres) of the Grand Cru Richebourg. During his time, Louis Gustave was an early adopter of domaine bottling for at least a portion of his production.

Expansion and Growth

The Richebourg Grand Cru of which several members of the Gros family still own parcels.

On his death, the estate passed to his son, Jules Gros, who married Jeanne Renaudot. He soon changed the name of the family domaine to Gros-Renaudot. In 1920, when the estate of Léonce Bocquet was available for sale, Domaine Gros-Renaudot purchased two parcels of Clos Vougeot in the desirable “Cuvée du Pape” section of the vast Grand Cru. A few years later the estate was able to acquire parts of the Grand Cru Échézeaux, including the highly regarded Les Grands Échézeaux.

When Jules and Jeanne’s son Louis inherited the estate in 1930, he changed the name to Domaine Louis Gros. He continued to add to the family’s holdings when neighboring parcels went up for sale.

Following the death of Louis Gros in 1951, his four children (François, Jean, Gustave and Colette) jointly ran the domaine until 1963 when the holdings were split up. François and Jean started their eponymous domaines while Gustave and Colette combined their inheritance to start Domaine Gros Frère et Soeur.

Today the many Gros estates are ran by the sixth generation of Gros–Anne (François’ daughter), Michel (Jean’s son), Anne-Françoise (Jean’s daughter) and Bernard (Jean’s son). At estates like Domaine Gros Frère et Soeur and Domaine Anne-Françoise Gros, the seventh generation of the Gros family are taking on prominent roles in the family business.

Gros Family Tree

Current Gros Estates

Domaine Anne Gros (Vosne-Romanée)

By 1978, nearly all François Gros’ production was being sold to negociants as health problems had caused François to cut back. In 1988, Anne joined her father and renamed the estate Domaine Anne & François Gros with the focus returning to estate bottling. In 1995, the Domaine Anne & François Gros produced its last vintage. Anne assumed complete control of the estate, changing the name to its current incarnation. She is married to Jean-Paul Tollot, son of Jack Tollot of Domaine Tollot-Beaut in Chorey-Lès-Beaune.

Prime holdings: Clos Vougeot Grand Cru (0.93 ha), Échézeaux Grand Cru (0.76 ha) and Richebourg Grand Cru (0.60 ha).

Domaine Gros Frère et Soeur (Vosne-Romanée)

Founded in 1963 by brother and sister Gustave and Colette Gros. In 1980 they were joined by their nephew Bernard (son of Jean Gros and brother to Michel and Anne-Françoise) who took over the estate entirely in 1984 when Gustave died. Bernard and his son Vincent currently run the estate.
Prime holdings: Clos Vougeot Grand Cru (1.56 ha) of the Clos Vougeot-Musigni climat at the top of the vineyard–just beneath the Musigny slope, Les Grands Échézeaux Grand Cru (0.37 ha) and Richebourg Grand Cru (0.69 ha).

Photo by Olivier Vanpé. Released on Wikimedia Commons under CC-BY-SA-2.5

The village of Vosne-Romanée which is at the heart of the Gros family’s holdings.

Domaine Michel Gros (Vosne-Romanée)

Even after starting his estate in 1979, Michel worked closely with his father to run Domaine Jean Gros until Jean’s retirement in 1995. Today, Michel is the only member of the current generation of the family not to own a piece of Richebourg. Instead, he inherited the entire monopole of the Vosne-Romanée 1er Cru Clos des Réas.
Prime holdings: Clos Vougeot Grand Cru (0.20 ha), Vosne-Romanée 1er Cru Aux Brulées (0.63 ha) and the monopole Vosne-Romanée 1er Cru Clos des Réas (2.12 ha).

Domaine Anne-Françoise Gros (Pommard)

Anne-Françoise merged several of her holdings in 1988 with those of her husband, François Parent–brother of the owners of his family’s estate Domaine Parent. However, she bottles her parcel of Richebourg under her name as A-F Gros. Today the estate is run by their children, Caroline and Mathias.
Prime holdings: Échézeaux Grand Cru (0.28 ha), Richebourg Grand Cru (0.60 ha) and from the Parent holdings–Pommard 1er Cru Les Arvelets (0.31 ha)

Additional Keeping up with the Joneses in Burgundy

The Boillot Familly
The Morey Family
The Coche Family
The Leflaive Family

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60 Second Wine Review — CADE Howell Mountain Cabernet Sauvignon

Amber LeBeau in 60 Second Reviews, Napa Valley, Wine reviews

Published on April 3, 2018

A few quick thoughts on the 2012 CADE Estate Cabernet Sauvignon from Howell Mountain.

The Geekery

CADE Estate was founded in 2005 on Howell Mountain by the managing partners of the PlumpJack Group–John Conover, Gordon Getty and Gavin Newsom–where it is part of a portfolio that includes PlumpJack Winery in Oakville and Odette Winery in the Stags Leap District as well as restaurants, hotels, wine shops and event spaces. The name CADE is a play on the Shakespearen term “cades” for wine barrels shipped from Bordeaux to England.

Danielle Cyrot, a UC-Davis grad, is the head winemaker. After working harvest internships at Artesa and Schramsberg, Cyrot spent sometime in Australia and Alsace before coming back to Napa Valley where she worked for six years under Robert Brittan at Stags’ Leap Winery. Following her time at Stags’ Leap, Cyrot was the head winemaker at St. Clement before joining CADE at the beginning of the 2012 harvest.

The 2012 Howell Mountain Estate Cabernet Sauvignon is 93% Cabernet Sauvignon and 7% Merlot with 5790 cases made.

The Wine

Rich blackberry notes characterize this full-bodied wine.

Medium-plus intensity nose. A mix of dark fruits–blackberries and black currants–and some tarry tobacco smoke. Around the edges there is also a dark chocolate note that hints at the oak to come.

On the palate those dark fruits come through and are very rich and weighty. You can tell the high 15.2% alcohol of this Cab. Medium-plus acidity give much needed balance but could probably use a tad more. The high tannins are present but have a sweet velvet edge to them from the oak. The tarry tobacco notes from the nose is more muted on the palate but the smokiness returns for a moderate length finish.

The Verdict

This is a big, big wine that is holding up well at over 5 years of age. At $110-120, it is priced in line with its high-end Napa peers.

While the CADE paired fine with my steak, it’s full-bodied and highly extracted nature would make it difficult to pair with much anything else.

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60 Second Wine Review — Caroline Morey Chassagne-Montrachet Le Chêne

Amber LeBeau in 60 Second Reviews, Burgundy, Wine reviews

Published on April 2, 2018

A few quick thoughts on the 2015 Caroline Morey Chassagne-Montrachet from the Le Chêne vineyard.

The Geekery

In the Morey Edition of my Keeping up with the Joneses in Burgundy series, I gave some background on Domaine Caroline Morey which was founded in 2014 by Caroline and her husband, Pierre-Yves Colin.

Caroline inherited most of her 17 acres (≈ 7 ha) from her father, Jean-Marc Morey–including choice parcels in Chassagne-Montrachet. Le Chêne (or Les Chênes “the oaks”) is a village-level cru located just below the Premier Cru vineyards of La Maltroie and Ez Crets (which is usually labelled as neighboring La Maltroie).

Les Chênes is planted to both Chardonnay and Pinot noir like several crus (Les Chaumees, Morgeot, Champs Jendreau, Clos Saint-Jean, En Remilly, etc) in Chassagne-Montrachet. Among the other notable producers making wine from this cru include Philippe Colin (rouge and blanc, Wine Searcher Ave $32 for rouge and $49 for blanc), Domaine Alain Chavy (blanc, Wine Searcher Ave $53) and Domaine Roux Pere et Fils (rouge, Wine Searcher Ave $45)

The Wine

Medium-plus intensity nose. Lots of tree fruits–ripe apples and a little spiced pear. It has an intriguing but not quite defined slight citrus note around the edges.

On the palate, the mouthfeel has a lot of weight and concentration. It won’t fool anyone for a California Chardonnay (no diacetyl butter) but there is noticeable creaminess in the mouthfeel. The apples and spiced pear carry through. Medium-plus acidity highlights the citrus streak and provides much needed balance for the richness and medium-plus weight of the fruit. Moderate finish.

Modified from map provided by https://www.bourgogne-wines.com for public use.

Location of Les Chênes within Chassagne-Montrachet.

The Verdict

At around $60-65, Caroline Morey’s example from Le Chêne definitely eclipses its peers in price. The wine is certainly superior to most village-level Chassagne I’ve had. Impressive weight.

I don’t know if I’m keen to buy at this price point though. It’s missing some of the minerality and long finish I crave. However, that could be its youth at play.

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The Legend of W.B. Bridgman

Amber LeBeau in Washington wine, Wine Knowledge

Published on March 31, 2018

With more than 900 wineries producing over 17.5 million cases, the future of the Washington wine industry looks bright.

But as we wrap up Taste Washington Wine Month, it would be remiss not to take a look at a pivotal figure of the past who put Washington on the path to such a future–A Canadian ex-pat from Sunnyside, Washington named William B. (W.B.) Bridgman.

Early History and Irrigation Laws

Born in 1877, W.B. Bridgman grew up on the Niagara Peninsula in Ontario where his family grew Concord grapes. Ronald Irvine notes in The Wine Project that it was at Hamline University in St. Paul, Minnesota where Bridgman met Walter Hill, son of railroad tycoon James J. Hill. To help pay his way through law school, Bridgman became a tutor for the younger Hill. This arrangement led Bridgman to accompany Walter on a rail journey to the Pacific Northwest in 1899.

Intrigued at the opportunities in this new frontier, Bridgman found work at a local irrigation company. He settled permanently in the Yakima Valley in the town of Sunnyside–about 175 miles southeast of Seattle. An expert in irrigation laws, Bridgman wrote many of the early statutes that outlined access and development of irrigation usage for agriculture in Eastern Washington. Several of his laws are still on the books today.

Due to the rain shadow effect of the Cascade Mountains, a significant portion of the central basin of Eastern Washington averages only around 8 inches of rain a year–most of it in winter months. To grow grapevines that often need 3 to 6 gallons of water a week during the heat of summer to avoid heat stress, the development and use of irrigation proved vital to the growth of viticulture in Washington.

Planting of Harrison Hill and Snipes Mountain

Settling into Sunnyside, Bridgman was elected mayor twice. Then, in 1914, he purchased land on two uplifts that are today separated by Interstate 82. Among the first vines he planted on Harrison Hill were Black Prince (Cinsault), Flame Tokay and Ribier. In 1917, he planted Muscat of Alexandria and Thompson Seedless on Snipes Mountain.

Map a derivative from Washington State AVA map provided by the Washington State Wine Commission for public use.

The Snipes Mountain AVA with a rough approximation of the location of Harrison Hill and present-day Upland Vineyard bisected by Highway 82.

Eventually, Bridgman expanded to plant Zinfandel, Alicante Bouschet, Carignan, Mataro (Mourvedre), Pinot noir, Semillon, Sauvignon blanc, Black Malvoisie and many other varieties.

In the early years, Bridgman mostly sold grapes to Italian and Croatian immigrants in Cle Elum and Roslyn. But when Prohibition was enacted in 1919, Bridgman saw demand skyrocket. A “loophole” in the legislation permitted up to 200 gallons a year of self-made wine. This essentially produced overnight what Ronald Irvine describes as “a nation of home-winemakers.”

Upland Winery

Thomas Pinney notes in A History of Wine in America, Volume 2 that by the end of Prohibition, Bridgman had over 165 acres of vinifera planted. He decided to open a winery in 1934, hiring German winemaker Erich Steenborg. A graduate of the famous Geisenheim Institute, Steenborg had worked for several wineries in the Mosel.

Soil sample from Upland Vineyard on Snipes Mountain.

At Steenborg’s urging and with his connections, Bridgman brought in around a half million cuttings of Riesling, Sylvaner, Gutedel (Chasselas), Blauer Portugieser and Müller-Thurgau vines. (Incidentally, Irvine notes that most of the Riesling cuttings that Upland brought in turned out to be Scheurebe.)

Named Upland Winery, Bridgman and Steenborg desired to make dry European-style table wines from vinifera grapes. However, post-Prohibition wine drinkers favored sweet dessert and fortified wines made from a mix of vinifera, hybrid and labrusca grape varieties. To pay the bills, Upland produced “ports” and “sherries” to meet market demand.

When Steenborg left in 1951, Bridgman hired Marie Christensen, the winery’s lab assistant, to take over winemaking. Her promotion made her the first woman in the state to head winemaking at a major winery.

Changing Markets and Challenges

Dealing with market forces that favored sweet and boozy wines eventually proved too much for Bridgman. He sold the winery in 1960 to George Thomas. Thomas changed the name to Santa Rosa Winery. The winery continued to operate it in some degree until shuttering in 1972.

Today, the Newhouse family own the old buildings of Upland Winery and vineyards, having purchased the property in 1968. Several of Bridgman’s original 1917 Muscat of Alexandria vines are still producing grapes. Paul Gregutt speculates in Washington Wine that these may be the oldest Vitis vinifera vines in the state.

In addition to selling grapes from Upland Vineyard to over 20 different wineries like Betz, DeLille, Pomum, K Vintners and Kerloo–the Newhouses produce wine under Todd Newhouse’s Upland Estate and Steve Newhouse’s Newhouse Family Vineyards made in partnership with Ron Bunnell.

Influence on the Washington Wine Industry

Grenache made by Kerloo Cellars from Upland Vineyard.

If Dr. Walter Clore is the “Father of Washington Wine,” W. B. Bridgman can rightfully be called “the Grandfather.”

After Prohibition, Bridgman and his Upland Winery were charter members of the Washington Wine Producers Association. Founded in 1935, Bridgman was the only charter member from the east side of the mountains as most of the winemaking during that period was done on the west side of the state by fellow charter members St. Charles Winery and Davis Winery on Stretch Island, Wright Winery in Everett, Werberger Winery on Harstine Island and Pommerelle Winery in Seattle.

In Goldendale, Bridgman advised Samuel Hill (who married Walter Hill’s sister, Mary) to plant a mix of vinifera and American hybrids developed by Thomas Volney Munson in what is now Maryhill in the Columbia Gorge AVA.

Dr. Walter Clore

Pinot gris from Upland Vineyard on Snipes Mountain.

In 1940, Bridgman encouraged a young horticulturalist from Washington State University named Walter Clore to plant wine grape varieties at the Irrigation Experiment Station in Prosser. With Bridgman supplying many of the initial vine cuttings, this experimental vineyard would eventually become known as “The Wine Project” and include over 250 different varieties of vinifera, hybrid and American wine grape varieties.

Observing the success of several varieties in the vineyard, Clore authored academic papers extolling the viability of a wine industry in Washington State. Spurred on by the results of Dr. Clore’s work, the Washington wine industry today is responsible for more than 27,000 jobs. Overall, the industry has an economic impact of nearly 15 billion dollars for the state.

Associated Vintners

In 1954, W.B. Bridgman sold grapes to a group of University of Washington professors making wine under the name of Associated Vintners. Impressed by the wines produced by Lloyd Woodburne, Bridgman gave the young academics advice and encouragement in their endeavors. In 1960, Bridgman met with the AV group in Seattle to discuss the future of the Washington wine industry.

That meeting would lead to a long term contract for grapes. This eventually turned into Associated Vintners purchasing the 5.5 acres Harrison Hill Vineyard in 1962 from Bridgman. Uprooting most of the older plantings, AV replanted with Cabernet Sauvignon and other red grape varieties. While Associated Vintners is now known as Columbia Winery and owned by Gallo, those Cab plantings at Harrison Hill Vineyard (managed by the Newhouse family) are today some of the oldest and most prized plantings in the state.

Legacy Today

A Columbia Valley Syrah made under the W.B. Bridgman label by Precept Brands.

William B. Bridgman died in 1968 at the age of 90, leaving a last imprint on the Washington wine industry even as his name has faded into obscurity.

Beyond the irrigation laws he authored that allowed viticulture to prosper, the roots of Upland Vineyard and Harrison Hill Vineyard continue to produce world-class wine grapes. The first Chardonnay in the state was planted here. Mike Sauer used cuttings from AV’s replanting of Harrison Hill to plant Red Willow Vineyard in the 1970s.

To help keep the name of Bridgman alive, Washington Hills Winery (co-founded by Brian Carter) created a select line of wines in 1993 to honor the pioneer. When Precept Brands acquired Washington Hills in 2003, they kept the Bridgman Cellars label and today still produce wines that bare the name and legacy of W.B. Bridgman.

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60 Second Wine Review — Kerloo Grenache

Amber LeBeau in 60 Second Reviews, Washington wine, Wine reviews

Published on March 30, 2018

A few quick thoughts on the 2014 Kerloo Cellars Grenache from Upland Vineyard on Snipes Mountain.

The Geekery

Kerloo Cellars was founded in 2007 by Ryan Crane, a protege of Forgeron Cellars’ Marie-Eve Gilla and Justin Wylie of Va Piano. The winery’s name is a play on “Curlew”–a genus of long, slender birds with down-curved bills that are distantly related to cranes.

Located on Snipes Mountain, Upland Vineyard is owned by the Newhouse family who have been farming wine grapes since 1968. The vineyard includes blocks that were originally planted by W.B. Bridgman in 1917 with Paul Gregutt speculating, in Washington Wine, that the 1917 Muscat of Alexandria at Upland may be the oldest vinifera vines in Washington.

Kerloo is one of over 20 wineries that sources fruit from Upland–joining a list that includes Betz, DeLille, Pomum and K Vintners.

The 2014 vintage was Kerloo’s 4th release of Grenache from Upland Vineyard. 100% varietal, the wine was aged in neutral French oak barrels for around 9 months before being bottled unfined and unfiltered. Around 240 cases were produced.

The Wine

Medium-plus intensity nose–an interesting mix of black fruit and toasty cinnamon spice. This wine smells like Cinnamon Toast Crunch cereal.

This wine smells and tastes like a less sweeten bowl of Cinnamon Toast Crunch cereal.

On the palate, the black fruits carry through and become more defined as blackberries and black cherries. Medium acidity gives the wine some lift and freshness but not quite enough to be mouthwatering. The Cinnamon Toast Crunch cereal action also carries through but it adds character rather than sweetness. Medium tannins are very silky and balances well the medium-plus body of the fruit. Moderate length finish brings some pepper spice to the party.

The Verdict

At around $40, this is a well made and pleasurable wine. But you are certainly paying a bit of a premium for it being a single vineyard wine and a relatively unique varietal.

It’s a good change of pace but would be a far more exciting wine in the $25-30 price range.