All posts by Amber LeBeau

Bordeaux Futures 2017 — Pape Clément, Ormes de Pez, Marquis d’Alesme, Malartic-Lagraviere

Photo by Kassander der Minoer. Uploaded to Wikimedia Commons under CC-BY-SA-3.0-migrated

Continuing our series on the 2017 Bordeaux Futures campaign, I’m taking a look at offers featuring the Pessac-Léognan estates of Ch. Pape Clément and Malartic-Lagraviere, the St. Estephe Cru Bourgeois Ormes de Pez and the 3rd Growth Margaux estate Marquis d’Alesme.

For my general approach to buying futures for the 2017 vintage and my thoughts on earlier offers, check out my post Bordeaux Futures 2017 — Palmer, Valandraud, Fombrauge, Haut-Batailley.

Pape Clément (Pessac-Léognan)

Brief winery geekery:

One of the oldest estates in Bordeaux with a history dating back to the 13th century. In 1305, the Archbishop of Bordeaux, Bertrand de Goth was elected pope (taking the name Clement V) and was gifted the property in Pessac-Léognan. The property remained in the hands of the Archbishops of Bordeaux until the end of the 18th century when many ecclesiastical properties were confiscated by the French government.

In 1980 Bernard Magrez, an entrepreneur who worked as a negociant for the Cordier group, acquired sole control of the estate from the two families who shared ownership (which included his wife). In 1993, he brought in Michel Rolland as a consultant. The style of Pape Clément during this period has been distinguished by its use of 100% new French oak.

The estate is located very close to the city of Bordeaux with the First Growth estate Ch. Haut-Brion being the closest vineyard neighbor. Both red and white grapes are planted with the vineyard spread of red varieties being 60% Cabernet Sauvignon and 40% Merlot. Around 7,500 cases a year of the red Grand Vin are produced.

Photo by Kassander der Minoer. Uploaded to Wikimedia Commons under  CC-BY-SA-3.0-migrated

Ch. Pape-Clement


The 2017 vintage is a blend of 55% Cabernet Sauvignon and 45% Merlot.

Critic scores:

94-97 Antonio Galloni (AG), 95-96 James Suckling (JS), 92-94 Wine Advocate (WA), 91-94 Wine Spectator (WS), 90-92 Wine Enthusiast (WE), 94-96 Jeb Dunnuck (JD), 95-97 Jeff Leve (JL)

Sample review:

The 2017 Pape Clément is fabulous. One of the rare 2017s with a real sense of structure, Pape Clément possesses dazzling intensity from start to finish. A rush of dark cherry, plum, chocolate and grilled herb notes hits the palate as this majestic, towering wine shows off its personality. Time in the glass brings out a brighter and more floral set of flavors. The 2017 is the first vintage made with a portion of whole clusters, an inspiration Bernard Magrez takes from Châteauneuf-du-Pape, where he recently bought a small property. Quite simply, the 2017 Pape Clément is a magnificent wine by any measure. Don’t miss it. The only problem with the 2017 is that yields are down 40% because of frost. — Antonio Galloni, Vinous

2017 Wine Searcher Average Price: $88
JJ Buckley: $89.94 + shipping (no shipping if picked up at Oakland, CA location)
Vinfolio: $95 + shipping
Spectrum Wine Auctions: $87.99 + shipping (no shipping if picked up at Tustin, CA location)
Total Wine: $89.97 (no shipping/sent to local store)
K&L: $94.99 + shipping (no shipping if picked up at K & L locations in California)

Previous Vintages:

2016 — Wine Searcher Average $ 99 Average Critic Score: 92 pts
2015 — Wine Searcher Average $ 116 Average Critic Score: 94 pts
2014 — Wine Searcher Average $ 96 Average Critic Score: 93 pts
2013 — Wine Searcher Average $ 89 Average Critic Score: 91 pts

Buy or Pass?

To my taste, the style of Pape Clément is very New World-ish which has me comparing its value more to high-end Napa Valley than necessarily to its Bordelais peers. That said, I usually find the wine delivering ample hedonistic pleasure that I would put on par with Napa wines in the $150+ range. This is never a wine that I buy more than a couple bottles of as I’m skeptical about the long term aging potential with this lush, velvety style.

Still, I’m impressed that the average futures price is more inline with the sub-par 2013 vintage–even with the drastically reduced case production. As I noted in my last 2017 Bordeaux Futures post, my objective this campaign is to look for value and “cellar defenders”. To that extent the Pape Clément is compelling enough to be a Buy for me.

Ormes de Pez (St. Estephe)

Brief winery geekery:

The author and her wife with Jean-Michel Cazes.

Cru Bourgeois estate founded in the 16th century in the northwestern part of St. Estephe near Ch. de Pez and Ch. Château Beau-Site Haut-Vignoble. Since 1940, the estate has been owned by the Cazes family who also own the 5th Growth Pauillac estate Ch. Lynch-Bages with the same viticulture and winemaking teams used at both estates.

The vineyard soils are a mix of gravel with high percentages of clay and sand. To optimize the terroir, the Cazes family has been steadily increasing the amount of Merlot planted on the clay dominant parcels with the estate being planted to around 50% Cabernet Sauvignon, 33% Merlot, 10% Cabernet Franc and 2% Petit Verdot. Around 18,000 cases a year are produced.

The 2017 vintage is 51% Merlot dominant, 42% Cabernet Sauvignon, 6% Cabernet Franc and 1% Petit Verdot.

Critic scores:

92-93 JS, 91-93 AG, 88-91 WS, 91 -93 WE, 89-91 JD, 88-90 JL

Sample review:

Ormes has managed another good vintage after a run of them. This is a lovely wine and a buy for me. Succulent, bristling and charming, it has juicy brambled fruit extraction and tension. It doesn’t take itself too seriously, just asking to be loved. The fruit spectrum is rich with blueberries and damsons, with integrity and a swirl of vanilla bean oak. Includes 6% Cabernet Franc in the blend. No need to wait too long for this. 45% new oak. (92 pts) — Jane Anson, Decanter

2017 Wine Searcher Average Price: $28
JJ Buckley: No offers yet
Vinfolio: No offers yet
Spectrum Wine Auctions: $179.94 minimum 6 bottle purchase + shipping.
Total Wine: $29.97
K&L: $29.99 + shipping

Previous Vintages:

2016 — Wine Searcher Average $ 34 Average Critic Score: 91 pts
2015 — Wine Searcher Average $ 35 Average Critic Score: 90 pts
2014 — Wine Searcher Average $ 34 Average Critic Score: 90 pts
2013 — Wine Searcher Average $ 27 Average Critic Score: 88 pts

Buy or Pass?

I was impressed with how well the 2011 Ormes de Pez was showing despite that vintage being much more promblematic than 2017. That gives me a lot of optimism about the quality level that the Cazes family will deliver.

At around $30 a bottle, this looks like the quintessential “Cellar Defender” that will offer short term pleasure and guilt-free enjoyment which will help me keep my paws off of my 2015/16 Bordeaux. This is a good Buy for me, even with a 6 bottle minimum purchase.

Photo from unknown author's private postcard collection. Uploaded to Wikimedia Commons under  CC-PD-Mark

Old postcard featuring the exterior of Ch. Marquis d’Alesme circa 1900-1920.

Marquis d’Alesme (Margaux)

Brief winery geekery:

Third Growth Margaux estates founded in 1585 in the northern part of the commune near Ch. Margaux, Ch. Malescot St. Exupéry and Ch. Ferrière.

In 2006, the property was sold by the Zuger family (who own Malescot St. Exupery) to Hubert Perrodo who also owned the Cru Bourgeois Margaux estate Ch. Labegorce. Following Hubert’s death after a skiing accident, both estates have been ran by his daughter Nathalie Perrodo.

The estate owns three parcels of vineyards, including a significant section close to the D2 road on silica and gravel soils. In recent years, plantings of Cabernet Sauvignon and Cabernet Franc have been increased with the current vineyard mix being around 63% Cabernet Sauvignon, 30% Merlot, 5% Petit Verdot and 2% Cabernet Franc. About 7000 cases a year are produced.

The 2017 vintage of Marquis d’Alesme is a blend of 61% Cabernet Sauvignon, 33% Merlot and 6% Petit Verdot.

Critic scores:

92-94 WA, 92-94 AG, 90-93 WS, 91-92 JS, 91-93 JL

Sample review:

The wine quickly shows off its floral essence with black cherry and spice box notes. Sweet and fresh, the wine is full bodied, soft, refined and displays its freshness and ripe cherries with a bit of cocoa just as you approach the endnote. The wine reached 13.5% alcohol. — Jeff Leve, The Wine Cellar Insider

2017 Wine Searcher Average Price: $39
JJ Buckley: No offers yet.
Vinfolio: No offers yet
Spectrum Wine Auctions: No offers yet
Total Wine: $41.97
K&L: $40.99 + shipping

Previous Vintages:

2016 — Wine Searcher Average $ 42 Average Critic Score: 91 pts
2015 — Wine Searcher Average $ 49 Average Critic Score: 92 pts
2014 — Wine Searcher Average $ 43 Average Critic Score: 91 pts
2013 — Wine Searcher Average $ 36 Average Critic Score: 89 pts

Buy or Pass?

Compared to the 2014 (and even 2016) vintage, this does look like a decent value. But I must confess that I’ve never been terribly wowed by Marquis d’Alesme in the past. While in vintages like 2015/16, I’d be more willing to give an estate a flyer or another look, for 2017 I’m leaning more towards estates that I have a track record of enjoying.

Truthfully, I’ve founded the Perrodo’s Cru Bourgeois estate Ch. Labegorce to be a much better value in the $29-33 range. I’m more incline to investigate JJ Buckley, Spectrum, Total Wine and K & L’s offers on that wine and Pass on the Marquis d’Alesme.

The calm before the storm at the UGC tasting for the 2014 vintage in Miami, FL.

Malartic-Lagraviere (Pessac-Léognan)

Brief winery geekery:

This Graves estate was originally known as Domaine de Lagraviere until the Malartic family changed the name in 1850 to honor Comte Anne-Joseph-Hippolyte Maures de Malartic who was a notable Admiral in the French Navy. The boat featured on the wine label also pays tribute to this heritage. In 1990, the estate was purchased by the Champagne house Laurent-Perrier who later sold it to the Bonnie family in 1997.

The Bonnies have modernize the facilitaties and introduced sustainable farming to the vineyards. The terroir of their 53 hectares (located near Domaine de Chevalier and Ch. de Fieuzel) includes deep gravelly soils that can be as deep as 8 meters in the parcels near the Chateau. The vineyards are planted to 45% Merlot, 45% Cabernet Sauvignon, 8% Cabernet Franc and 2% Petit Verdot.

The 2017 vintage is a blend of 65% Cabernet Sauvignon, 30% Merlot, 3% Petit Verdot and 2% Cabernet Franc

Critic scores:

94-96 WE, 92-93 JS, 90-93 WS, 90-93 AG, 89-91 WA, 92-94 JL, 89-91 JD

Sample review:

Deep crimson. Dark, nicely dusty cassis. Dark chocolate and graphite finesse. Dry, fine tannins with the graphite freshness marked on the finish. Elegant, if not charming at the moment. Attractive restraint. (16.5 out of 20)– Julia Harding, Jancis Robinson’s Purple Pages

2017 Wine Searcher Average Price: $47
JJ Buckley: $49.94 + shipping
Vinfolio: No offers yet
Spectrum Wine Auctions: No offers yet
Total Wine: $49.97
K&L: $49.99 + shipping

Previous Vintages:

2016 — Wine Searcher Average $ 59 Average Critic Score: 91 pts
2015 — Wine Searcher Average $ 61 Average Critic Score: 94 pts
2014 — Wine Searcher Average $ 51 Average Critic Score: 92 pts
2013 — Wine Searcher Average $ 41 Average Critic Score: 90 pts

Overall I was fairly impressed with the 2013 and 2014 from Pessac-Leognan at the UGC tastings but for 2017 I’m more incline to buy in for estates like Domaine de Chevalier (pictured) .


Buy or Pass?

This is another estate that looks to be offering decent value but is one that I just don’t have a strong personal track record with. My most recent tastings of Malartic-Lagraviere were at Union des Grands Crus de Bordeaux events for the 2014 and 2013 vintages and while I found the wines well-made, there was nothing spectacular about them either. My notes for the 2014, in particular, highlighted how tight the 2014 was and that it would need far more time than what I typically anticipate for a “Cellar Defender”.

As a futures offering, I’m going to Pass on the Malartic-Lagraviere but would certainly be open to tasting it in the bottle at a future UGC tasting and perhaps buying in then if the prices still remain compelling as a good value.

More Posts About the 2017 Bordeaux Futures Campaign

Why I Buy Bordeaux Futures

*Bordeaux Futures 2017 — Langoa Barton, La Lagune, Barde-Haut, Branaire-Ducru

*Bordeaux Futures 2017 — Lynch-Bages, d’Armailhac, Clerc-Milon and Duhart-Milon

*Bordeaux Futures 2017 — Clos de l’Oratoire, Monbousquet, Quinault l’Enclos, Fonplegade

*Bordeaux Futures 2017 — Cos d’Estournel, Les Pagodes des Cos, Phélan Ségur, Calon-Segur

*Bordeaux Futures 2017 — Clinet, Clos L’Eglise, L’Evangile, Nenin

Bordeaux Futures 2017 — Malescot-St.-Exupéry, Prieuré-Lichine, Lascombes, Cantenac-Brown

*Bordeaux Futures 2017 — Domaine de Chevalier, Larrivet Haut-Brion, Les Carmes Haut-Brion, Smith Haut Lafitte

*Bordeaux Futures 2017 — Beychevelle, Talbot, Clos du Marquis, Gloria

*Bordeaux Futures 2017 — Beau-Séjour Bécot, Canon-la-Gaffelière, Canon, La Dominique

*Bordeaux Futures 2017 — Carruades de Lafite, Pedesclaux, Pichon Lalande, Reserve de la Comtesse de Lalande

*Bordeaux Futures 2017 — Vieux Chateau Certan, La Conseillante, La Violette, L’Eglise Clinet

*Bordeaux Futures 2017 — Montrose, La Dame de Montrose, Cantemerle, d’Aiguilhe

*Bordeaux Futures 2017 — Clos Fourtet, Larcis Ducasse, Pavie Macquin, Beauséjour Duffau-Lagarrosse

*Bordeaux Futures 2017 — Kirwan, d’Issan, Brane-Cantenac, Giscours

Subscribe to Spitbucket

New posts sent to your email!

60 Second Wine Review — Ayoub Blanc de Noir

A few quick thoughts on the 2014 Ayoub Blanc de Noir Pinot noir from the Dundee Hills.

The Geekery

Ayoub Wines was founded in 2001 when Mo Ayoub planted 4 acres of vines in the Dundee Hills. The first few vintages of Ayoub were made by Josh Bergström at the Bergström Winery until space was finished at Ayoub’s home to accommodate production.

Winemaking was turned over to former Stags’ Leap Winery winemaker Robert Brittan (who also makes the wines for Winderlea) and eventually production was expanded from 400 cases a year to around 2000 cases.

The estate vineyard is planted to 5 clones of Pinot noir–667, 777,114, 115, 04. The Blanc de Noir (white Pinot noir) is made by harvesting the red Pinot noir grapes and quickly pressing them to avoid skin contact and color maceration. This style is becoming more common in Oregon with several producers experimenting with different methods (such as harvesting and pressing like Champagne grapes to vin gris production).

The Wine

Medium-plus intensity nose with an intriguing mix of ripe white peach and red plum notes. Very rich and fleshy aromatics with some subtle oak baking spices in the background.

On the palate those rich fruit flavors carry through with very full-bodied weight. However, the ample medium-plus acidity gives its exceptional balance that keeps the palate from being weighed down. The oak notes on the nose become more faint and give way to exotic Asian spices like tumeric, star anise and, particularly, ginger. The long finish lingers on those spices and the red plum notes.

Photo by Evan-Amos. Released on Wikimedia Commons under CC-Zero

Very rich and fleshy red plum notes characterize this white Pinot noir.

The Verdict

There were a lot of similarities with this Ayoub wine and the Henri Gouges La Perrière White Pinot from Nuits-St-Georges (especially with the exotic spices) and I enjoyed geeking out over both wines.

I won’t deny that at $45-55, this is a premium for an Oregon white wine but it’s undoubtedly a very character-driven and interesting wine that I would put on par with some of the state’s great red Pinots in the same price range.

Subscribe to Spitbucket

New posts sent to your email!

Wine Geek Notes 5/9/18 — New Wine Books to Geek Out Over

Photo by Varaine. Released on Wikimedia Commons under CC-BY-SA-4.0Summer’s coming which for me brings visions of lounging in the sun with a nice glass of rosé and something geeky to read.

As I get my summer reading list in order, here are a few new wine books that are being released in May and June.

Rosé Cocktails: 40 deliciously different pink-wine based drinks by Julia Charles. Released May 8th.

Speaking of rosé, I must admit that I shudder at thought of “frosé” with its syrupy sweet slushie take on the Provençal classic. Soda-pop wine cocktails have never been my thing. But my curiosity is piqued at what talented bartenders can do crafting serious wine-based cocktail recipes. The popularity of Sherry cocktails has helped sparked new life and interest in the phenomenal wines of Jerez–taking Sherries out of your grandmother’s decanter and turning them into Adonis.

I fret that with the flood of really crappy rosés on the market, we may need to hit rock-bottom first with our brosé, frosé, 40 oz bottles and gummy bears before we’ll get a “renaissance” of taking rosé seriously again. Judging from the book’s description, Rosé Cocktails may not be a rudder steering us towards that seriousness (compared to say Jennifer Simonetti-Bryan’s Rosé Wine and Elizabeth Gabay’s Rosé: Understanding the pink wine revolution which have thankfully less liberal mentionings of “frosé”) but I’m hopeful that Charles’ book will at least offer the bros 39 other options apart from turning their rosés into wannabe frozen margaritas.

A Short History of Drunkenness: How, Why, Where, and When Humankind Has Gotten Merry from the Stone Age to the Present by Mark Forsyth. Released May 8th.

Considering this is written by the same guy (The Inky Fool) who wrote the uber-geeky The Etymologicon: A Circular Stroll Through the Hidden Connections of the English Language, I have a feeling that there will be a lot of fun word play and nerdy trivia in this 286 page “short history”.

Photo by self. Uploaded to Wikimedia Commons as User:Agne27 under CC-BY-SA-3.0

Frankly a couple glasses of Madiera puts me in the mood more to cuddle with dogs than anything else.


In fact, I would LOVE to see a book focusing on the etymology of grape names and wine words. You can find bits and pieces of things in various books (like Jancis Robinson’s Wine Grapes) but even that doesn’t go quite into detail about things like how did the Esgana Cão (Sercial) grape of Madeira and Bucelas DOC get the name “dog strangler”?

Wine Grapes suggests that it was because of the grape’s “fiery acidity” but that makes more sense as an explanation for the Friuli red grape Tazzelenghe (tongue cutter) than it does for “dog strangling”. Then you have Mourvedre which has a similar synonym “Estrangle Chien” that is instead attributed to the grape’s high tannins and tough skins.

I’m not expecting A Short History of Drunkenness to clear any of that up but mostly I’m just excited by Forsyth’s foray into the world of wine and hopeful that he’ll keep applying his sharp wit and geeky gifts to more vinous volumes.

Tasting the Past: The Science of Flavor and the Search for the Origins of Wine by Kevin Begos. Release date June 12th.

Wine wasn’t necessarily “invented” but its ancient origins and how civilizations accidentally discovered it, time and time again, is a fascinating topic. Two must-reads for those wanting to geek out about wine’s origins are Patrick McGovern’s Ancient Wine: The Search for the Origins of Viniculture and Hugh Johnson’s Vintage: The Story of Wine.

From the book’s description, it looks like Tasting the Past is going to focus on Begos’ personal journey through the modern remnants of ancient wine cultures in the Mediterranean, Middle East, Caucasus and the Americas–probably intermingling with historical details of wine origins in those places. That is an interesting approach that will be different from McGovern and Johnson’s work or even Paul Lukacs’ 2007 book Inventing Wine: A New History of One of the World’s Most Ancient Pleasures.

I’m particularly intrigued by Tasting the Past’s promise to explore “distinctive wines from a new generation of local grapes” which suggests plenty of geeky fodder involving unique grape varieties and characterful wines that depart from the “same ole, same ole”.

Subscribe to Spitbucket

New posts sent to your email!

60 Second Wine Review–WillaKenzie Pinot blanc

Continuing our Oregon Wine Month celebration, here are a few quick thoughts about the 2013 WillaKenzie Pinot blanc from the Yamhill-Carlton District.

The Geekery

WillaKenzie was founded in 1991 by Bernard and Ronni Lacroute with the winery named after the mustard color series of sedimentary soils prominent in the Yamhill-Carlton District, McMinville and Ribbon Ridge AVAs.

With a slogan “Dirt Matters”, author Kenneth Friedenreich notes in Oregon Wine Stories that along with the Campbells of Elk Cove, Kramer Vineyards and the Bergs of Roots Wine Co., WillaKenzie helped raised the profile of the Yamhill-Carlton District as a destination in Oregon wine country.

In 2016, the Lacroutes sold the winery to Jackson Family Estates where it joined a portfolio of brands that now includes Copain, Carmel Road, Cardinale, Freemark Abbey, La Jota, Brewer-Clifton, Byron, Cambria, Kendall-Jackson, La Crema, Matanzas Creek, Gran Moraine, Zena Crown, Penner-Ash among many others.

With the changing ownership came a change in winemakers with Erik Kramer (previously of Domaine Serene) taking over from Thibaud Mandet who was mentored by WillaKenzie’s longtime winemaker Laurent Montalieu before he left the winery in 2003 to focus on his Solena, Domaine Loubejac and Kudos labels.

The 2013 Pinot blanc is sourced from the winery’s estate vines that were planted in 1992-93 and are sustainably farmed.

The Wine

Medium-minus intensity nose with green apples and faint Meyer lemons.

Photo by  Genet. Released on Wikimedia Commons under CC-BY-SA-3.0

Rich citrus notes like Meyer lemons characterize this wine.


On the palate the lemon notes become more pronounce and have a slight custardy texture with the medium-plus body weight. Medium acidity gives some balance but could probably use more. There are no overt vanilla oak notes but some subtle baking spice (clove, allspice) notes appear on the moderate finish that suggest maybe a touch was involved.

The Verdict

At around $23-28, this is not a great value but it is a decent white wine for fans who crave something with body but different than a Chardonnay.

At 4+ years of age, it is holding up fairly well but is clearly on its last legs so I would recommend drinking it soon.

Subscribe to Spitbucket

New posts sent to your email!

Playing the Somm Game in Vegas

“Unicorns aren’t real, but the house advantage is.”

I just got back from a weekend in Las Vegas where I lost far more than I care to admit at the casinos.

Growing up in St. Louis with church bingo and riverboat casinos, I will always have soft-spot for the gambler’s heart.

But man does it suck losing.

However, as I’ve gotten older I’ve found one game that I love playing in Vegas where I’m a sure bet to come out a big winner–the Somm Game.

How to Play

It’s a simple game. You go to a nice restaurant with a thick, Bible-size wine list.

Give the sommelier your budget, what food you are ordering, let them know you are open to anything and then let them take it from there.

That’s it. That’s the game and the payoff is almost always better than anything you’ll find at the tables or slots.

Why the Somm Game works

First off, your objective is to have a great dining experience. You know who else shares that same objective? The sommelier. Their entire job is to give you a memorable experience so the house odds are already in your favor.

Just like I’m sure you perform best at your job when your clients let you do your thing, so too do sommeliers really get a chance to shine when you simply trust them to do what they are trained to do—which is far more than only opening bottles and pouring them into decanters.

And *spoiler alert* sometimes they have bottles like this just “lying around”.

Sommeliers are professionals and many have spent years honing their craft, studying, tasting and traveling the world of wine. With certification programs from the Court of Master Sommeliers, Wine & Spirits Education Trust, International Sommelier Guild and the like, the quality of wine education in the industry has never been higher. Why let that advantage go to waste?

And it is an advantage–one that even the most savvy and experienced wine drinkers don’t readily have.

Look I know my fair share about wine. I can open up a wine list and recognize most every name and region on it. I can hold my own rattling off producers, soil types, grapes varieties and facts. But I’ll tell you what I don’t necessarily know—how everything on the list is drinking now and what exactly will pair best with the particular flavors of the chef’s cuisine.

No matter how much a person knows about wine, the odds are that the sommelier team knows their own list and their own food at least a little bit better than you do. Especially at a restaurant with a good wine program that involves frequent tastings and pairing exercises, they’re going to have a leg up on you with what is drinking great right now and is pairing well.

“But Amber, I don’t want to get ripped off by restaurant mark ups!”

Okay, I know restaurant mark ups can be painful to swallow. Believe me, it’s even tougher when you’ve been in the business and know intimately what the typical wholesale and retail prices are of the wines you frequently see on wine lists.

But here’s the beauty of playing the Somm Game and trusting the sommelier to make the wine picks—most likely you’re going to avoid getting the crazy mark up wines and instead get the gems that the sommeliers themselves would pick for their own dinners.

By trusting the sommeliers you are far less likely to get “ripped off” by markups than you would be ordering on your own. They don’t need to sell you the crazy high mark up wines because your fellow diners are already buying those wines and paying the “Ego Tax” on them.

The “Ego Tax”

General rule of thumb–if an average wine drinker would recognize the name on a wine list then you are probably going to pay an “ego tax” ordering it.

Restaurants are businesses and all businesses aim to make a profit. With margins on food being so tight, it naturally falls on the beverage side of the business to earn healthy returns.

In the wine industry, there are certain well known brands that restaurants know will sell off their wine list without any effort. These are your Jordan, Caymus, Rombauer, Veuve Clicquot, Dom Perignon, Opus One and Silver Oak type wines of the world.

There is no need for effort because wine consumers will order these wines on their own as frequently these are the only names on the list they recognize. Often their ego (either hubris or an irrational fear of looking helpless) keeps them from seeking the sommelier’s assistance so they retreat to the comfort of a known quantity.

But these “known quantities” are often the highest marked up wines on the entire list!

That hesitance to relinquish control and trust the sommelier to guide you out of the realm of the “the same ole, same ole” is not limited to just “regular wine drinkers”. It hits folks who “know wine” and have been around the industry. I mean come on! We don’t need help. We know how to order wine and what’s good!

And that is why restaurants make bank off of the “Ego Tax”.

Which is fine, I suppose, if you are living off an expense account and paying with someone else’s dime. But most of us in the real world aren’t expense account dandies so it’s pointless to be paying the “Ego Tax” when all we’ve got to do is trust the somm and have some fun.

The Somm Game in Action

When I play the Somm Game, I start by introducing myself as a wine geek and telling the sommelier that all I want to do this evening is “geek out” a bit. Sometimes in the conversation that follows I will mention my wine industry background but that is rarely brought up. My approach is to present myself as just a geek that trusts and respects the sommelier’s judgement and expertise.

I give them a budget and tell them that I’m open to anything–glass pours, half-bottles, full-bottles. I recommend going a little higher in your budget than you would usually give yourself for ordering a single bottle because the more flexibility you give the somms, the more fun you can have. Trust me, it will pay off dividends.

I share with them what food I’m ordering–again emphasizing my openness in going with whatever the sommelier thinks will work best whether it be glass pours for each course or half/full-bottles, etc.

Then I sit back and have fun.

This weekend I had the opportunity to play the Somm Game at two restaurants–Lago by Julian Serrano at the Bellagio and at Aureole by Charlie Palmer at Mandalay Bay. Both restaurants have tremendous wine programs overseen by Master Sommelier Jason L. Smith, Executive Director of Wine for MGM Resorts International, and Mandalay Bay Director of Wine Harley Carbery.

When playing the Somm Game, it helps to increase your odds by playing with a stack deck.

Lago

At Lago, we were served by head sommelier Jeffrey Bencus, an Advance Sommelier who is on the cusp of achieving his MS. Talking with him, we found out that he has separately passed his theory and tasting exams for the Master Sommelier certification–just not within the same testing cycle.

On my own, when out for a nice dinner I usually aim for a bottle in the $250-300 range so I gave Jeffrey a budget of $350 and laid out the perimeters above. I told him we were geeks and opened to pretty much anything.

The style of cuisine at Lago is small plates so we started off with short rib cannelloni and red wine risotto.

These were red wine heavy dishes but we were delighted when he brought out a half bottle of 2015 Jean-Philippe Fichet Meursault.

Granted, coming from the tremendous 2015 vintage this wine was already playing with a full house.

With plots in the enviable “second crus” of Les Chaumes de Narvaux (upslope from the Premier cru vineyards of Les Bouchères and Les Gouttes d’Or) and Le Limozin (flanked by 1er crus Les Genevrières and Les Charmes) as well as 65 to 75+ year old vine plantings in Les Clous and Les Criots, this village-level Meursault was delivering premier cru quality pleasure.

Textbook Meursault with subtle butteriness, hazelnuts and that liquid-rocks minerality that makes this place so special for Chardonnay. I don’t remember what the restaurant price was, but the Wine Searcher Average for the 2015 was $65. Well worth finding.

The following course was Italian sausage skewers with red pepper sauce and a filet with a Gorgonzola demi-glaze. Originally Jeffrey was thinking a classic 2012 Brunnello di Montalcino but decided to geek it up more for us with a 2012 Mastroberardino Radici Taurasi from the legendary Campanian producer. I was quite familiar with Mastroberardino and their flagship Taurasi but my initial instinct was that a 2012 would be far too young.

But, again, here is where a somm’s expertise and experience with their own wine list pays off.

With nothing more than a splash decant the Radici was absolutely singing with the savory floral and spicy undertones of Aglianico complimenting not only my steak but also my wife’s Italian sausage with its sweet roasted red bell pepper sauce.

Black olives and black fruit with a long savory finish. A masterful wine from Mastroberardino that was drinking surprisingly well for a young Taurasi.

The Wine Searcher Average for this wine is listed at $47 but that is skewed a little by some discount Hong Kong retailers. In the US, it is far more common to find it retailing for $55-60.

For dessert we had a creme brulee and citrus cannoli and boy did we hit the jackpot with the Somm Game!

My wife and I were flabbergasted when Jeffrey brought out a tiny 187ml split of 1993 Château Pajzos Tokaji Esszencia.

I don’t think this wine was even on the wine list!

While I’ve had Tokaji several times, this was my first experience trying an Esszencia because of how rare (and expensive) it is. Made from the free-run juice of dried botrytized grapes, residual sugars can go as high as 85% and take over 6 years to ferment because of how sweet and concentrated it is. Tokaji Esszencia is truly one of the wonders of the wine world.

This wine was the #3 ranked wine on Wine Spectator’s Top 100 list in 1998 and was described as “a perfect wine” with 100 pts from Robert Parker.

And it was just….wow!

I think I finally found a wine that broke my mental 94 point barrier. It’s been over four days since I had this wine and I can still taste the amazing concentration of liquid figs, honey, cognac and lingering spice.

Folks….this is a WHITE wine!

Incredibly difficult to find retail due to its limited supply (only 165 cases made), the Wine Searcher Average for a 500ml of the 1993 Pajzos Esszencia is $698.

A stunning treat and life-long memory.

All together, the three wines were well around our $350 budget. As we were finishing up dinner while savoring that amazing Esszencia, I noticed the table next to us had ordered a bottle of 2006 Opus One which was $995 on the Lago’s restaurant list.

While I’m sure they enjoyed that bottle of Opus fine enough, I can’t help but think that we came out WAY ahead in our wine and food pairing experience by paying around a third of what they did.

Heck, all three of the wines we had which included one 375ml half bottle, one 750ml bottle and one 187ml split was less at restaurant mark-up than what one single bottle of 2006 Opus One averages at retail price.

That folks….is winning big with the Somm Game.

Aureole

The next night we visited Aureole at Mandalay Bay where we rolled the dice for the Somm Game with Kyran O’Dwyer, an Advance Sommelier since 2006.

While Kyran didn’t have an extra 187ml bottle of an uber-rare wine lying around, he had his own ace up his sleeve and delivered a remarkable and personalized experience that far exceeded our expectations.

We didn’t finish this bottle till just before dessert and it paired exquisitely with every dish we had.

Giving him the same $350 budget, the first roll came up sevens when he brought out a perfectly geeky Champagne–the Drappier Quattuor Blanc de Blancs featuring some of the rarest grapes in Champagne.

A blend of 25% Arbane, 25% Petit Meslier, 25% Blanc Vrai (Pinot blanc) and 25% Chardonnay to round it out, the wine was aged 3 years on the lees before being bottled with a dosage of 4 g/l. The Wine Searcher Average for it is $61 but most retailers in the US have it closer to the $120 release price noted by Wine Spectator. However it is incredibly difficult to find with most retailers (like K & L) getting less than a couple cases.

But oh is it worth the hunt!

This is a “unicorn Champagne” like the ones I’ve been on the prowl for since I finished reading Robert Walters’ Bursting Bubbles. High intensity aromatics that continually evolved in the glass with a mix of citrus lemon custard and orange blossoms with some creamy creme brulee action. Exceptionally well balanced between the creamy mousse, racy citrus notes and dry dosage, the long finish brought out intriguing salty mineral notes that lasted for several minutes after you swallowed.

For appetizers my wife got a black garlic Cesar salad while I had the foie gras du jour–which was seared foie gras with a balsamic berry reduction paired with a French toast concoction that had the chef’s homemade nutella filling. While we enjoyed the Champagne, he gave us each an additional 2-3 oz “taster pour” of the 2014 Braida Brachetto d’Acqui to go with the foie gras.

The wine was lively and fresh with ample acidity to balance the sweetness.

A seriously good sweet wine worth geeking out over.

The wine tasted like you were eating ripe strawberries picked straight from the bush. In a market flooded with Moscatos, Roscatos and Stella Rosa, sweet wines often get a bad rap as overly simple but tasting a wine like the Giacomo Bologna Braida Brachetto d’Acqui is a great reminder about how joyful and delicious “simple sweet wines” can be. At a retail average of $18 a bottle, it is also a great deal for folks wanting to trade out of the same ole, same ole for something new to try.

For dinner I had braised short rib ravioli with a smoked tomato cream sauce while my wife had one of the most delicious vegetarian lasagnas that we had ever tried. It must have had at least 20 layers of fresh pasta, butternut squash, sage, spinach and mascarpone. My ravioli was great but her lasagna was outstanding.

Of course, these dishes were quite different and not necessarily the easiest to pair with the same wine. Truthfully, on my own, I probably would have “wimped out” and took the easy route of ordering a village-level Burgundy with the thinking of acidity for my tomato cream sauce while some earthiness could play well with the lasagna without being too big or tannic. Not a perfect pairing but a serviceable one.

But Advance Sommeliers do not settle for serviceable.

One of the tell-tale signs of a good restaurant wine program is when the wine list has gems like this Portuguese Douro on it. Few people are savvy enough to recognize or order them but the sommeliers know what’s up.

Instead, Kyran surprised me with a 2012 Prats & Symington Post Scriptum de Chryseia from the Douro. I was already very familiar with the Symington family’s stable of Port houses like Cockburn, Dow, Graham, Warre and Quinta do Vesúvio but wasn’t aware of this particular Douro red wine label.

A blend of 53% Touriga Franca, 45% Touriga Nacional and 2% other Portuguese varieties, the wine was remarkably “St. Emilion-like” with a beautiful mix of blue flowers, dark fruit and savory baking spice notes on the nose. Far from being “too big” or “too tannic” for the vegetable lasagna, the wine was beautifully balance with juicy medium-plus acidity and velvety medium-plus tannins.

If this was a blind tasting and I pegged it as a St. Emilion, I would have been expecting it to be in the $45-55 range retail for a bottle. But here is where the savvy of a good sommelier comes into play because this absolute gem of a wine from a very underappreciated region is a total steal at around $26 a bottle retail.

The wine list price for this bottle was $67 which, compared to the usual 3x retail mark up common in the industry, was a great deal in its own right. Frankly, you would be hard-pressed to find a better bottle than this on most restaurant’s wine lists for less than $80.

We would have been more than happy with only this bottle for both our main courses.

But, again, Kyran when above and beyond as he brought my wife out a glass pour of the 2015 Domaine Laroche Vielle Voye Chablis to compliment her vegetarian lasagna. Sourced from 70+ year old vines, this village-level Chablis way over delivered and is another great value at $36 a bottle (and probably a $20-25 glass pour, at least).

The wine….they just kept coming!

Then for dessert my wife went with a blood orange creamsicle parfait while I ordered a maple brown butter creme brulee (my favorite dessert if you haven’t guess yet). Once again Kyran decided to individualize the pairing for us with my wife getting a glass of the 2008 Jackson Triggs Vidal Ice Wine from Niagara that was chock-full of orange blossoms and apricot notes while I got a 2011 Kracher Beerenauslese from Burgenland that had amazing lightness in the mouthfeel despite its rich concentration.

And coming…..
Like a hot slot machine.

With Wine Searcher averages of $93 and $61 respectively, my wife and I rarely buy full bottles of dessert wines because we never finish them. For us, it’s worth paying a little bit of a premium to enjoy them by the glass pour at a restaurant with a nice dessert. Yet, I rarely ever feel like I am paying a premium compared to the amount of pleasure I’m getting with the pairing.

With an end total of 2 bottles, 3 glasses and two taster pours over the course of a fabulous dinner with a personalize touch made this another jackpot win for the Somm Game. There is truly no way that I could have spent my money better that evening than just letting Kyran run the table with his fantastic pairings.

That is the beauty of the Somm Game.

Yes, it’s still gambling

And the house is going to get its share.

Of course, I could have likely bought (assuming I could even find them) bottles of the wines I had at each dinner for less than $350 on the retail market but that’s the same truth when comparing the cost of the food ingredients if you cooked the meal at home versus what you paid at a restaurant for a dish.

No one should approach the Somm Game or buying wine at restaurants with the perspective of beating retail prices. It’s never going to happen. These restaurants are businesses with overhead and staff that deserve to be paid living wages and benefits.

I’m not advocating the Somm Game as a way of “beating the house” though I do wholeheartedly endorse it as a way of getting the most out your money and having a kick-ass experience.

There is really not a dollar amount that you can put on your own personal pleasure or the joy of trying something new.

You “come out ahead” when you end up getting more than you expected with a tremendous evening of great wine, great food and great memories that happened just because you let the professionals do the very thing that they are really good at doing.

No, there is not guaranteed 100% success each time you play. Sometimes you may be at a restaurant that doesn’t have a serious wine program with trained sommeliers. Sure you can still roll the dice but, as with all forms of gambling, there is always a chance you will crap out.

I recommend checking out the wine list and asking questions of the staff to get a feel if this is the type of place that is worth playing the Somm Game at.

But in Las Vegas, with its high density of outstanding restaurants and sommeliers, I’ve found no surer bet.

Subscribe to Spitbucket

New posts sent to your email!

60 Second Wine Review — Toil Pinot noir

Let’s continue our celebration of Oregon Wine Month with a few quick thoughts about the 2014 Toil Pinot noir from the Willamette Valley.

The Geekery

Toil is the Oregon wine project of Chris and Gary Figgins (of Leonetti fame). After years of running their successful Walla Walla winery, the Figgins were inspired by Oregon producers such as Domaine Serene and King Estate buying fruit from their Seven Hills Vineyard and decided to “return the favor” by exploring Pinot noir in the Willamette Valley.

2012 was the inaugural vintage of Toil with 235 cases produced from fruit sourced from the Schindler Vineyard in the Eola-Amity Hills and the Ridgecrest Vineyard in the Ribbon Ridge sub-AVA of the Chehalem Mountains. The success of that vintage encouraged the Figgins to purchase 42 acres in the Chehalem Mountains.

The following year Toil didn’t release any wines due to the difficulties of the 2013 vintage in Oregon.

The 2014 vintage of Toil was sourced from vineyards in Ribbon Ridge. The wine spent 11 months aging in French oak barrels (30% new) with 316 cases made.

The Wine

Photo By Tahir mq - Own work, CC BY-SA 3.0,

The rich black plum notes of this wine reminded me more of a Merlot than a Pinot at first.

Medium-plus intensity nose. Big dark fruits, black cherries and black plums with even some dark chocolate notes. At first, the wine smells remarkably like a California Merlot until a little bit of air brought out the cola and spice notes I associate more with Oregon Pinot.

Those dark fruits carry through to the palate with medium-plus bodied weight and ripe medium-plus tannins contributing to a very filling mouthfeel. The medium-plus acid gives enough freshness to balance. Moderate finish brings back a little of those spice notes.

The Verdict

This is a big Pinot that is tailor-made for fans of big, bold reds like Cab, Merlot and Syrah. For the Pinot purist, though, it may not be their cup of tea.

At $55-65, it is one of the more affordable wines in the Leonetti stable. But compared to its Oregon peers you will still be paying a bit of a premium.

Subscribe to Spitbucket

New posts sent to your email!

Cinsault — The Black Prince of South Africa

As promised in my summary post about the 2018 Hospice du Rhône Weekend, I’ll tackle some of my favorite moments from the event beginning with the first seminar on Friday — South Africa’s Cinsault Renaissance.

I’m hard-pressed to narrow down which of the four seminars were my absolute favorite. However, this seminar was, by far, my most eye-opening.

In my Quick Take on Day 1, I commented on how neither Cinsault nor South Africa tends to be on the radar of most U.S. consumers. The trade organization WOSA (Wines of South Africa) reported in 2016 that the U.S. receives only 3% of the wine exported from South Africa. In 2014, when U.S. sales of wine (both domestic and exported) were around 370 million cases, wines from South Africa accounted for less than 0.33% of those sales.

But after attending this seminar moderated by Lauren Buzzeo of Wine Enthusiast and reading about my friend Adrienne’s adventures drinking South African wines in Nambia, it’s clear that South Africa is worth paying attention to. One thing that is not to be missed is the country’s treasure trove of old vine Cinsault.

This Hospice du Rhône seminar featured 9 Cinsault and Cinsault-dominant blends from 7 producers with winemakers Tremayne Smith (The Blacksmith Wines), Andrea Mullineux (Mullineux & Leeu Family Wines), Danie Steytler (Kaapzicht Wine Estate) and Ryan Mostert (Silwervis) on the panel.

I will get into my tasting notes on the individual wines in a moment but first some geeking about Cinsault.

Cinsault: The Mediterranean “Pinot noir”?

Jancis Robinson notes in Wine Grapes that the earliest recorded mention of Cinsault was under the synonym ‘Marroquin’ in 1600 by the French writer Olivier de Serres. The modern spelling ‘Cinsault’ emerged in the 1880s. It was likely a derivative of ‘Sinsâou’ which was used in the Mediterranean Hérault department as early as 1829.

The seminar’s Badenhorst Ramnasgras Cinsault from Swartland was fantastic.

DNA analysis suggests this area is the probable birthplace of Cinsault due to its close genetic relationship to the Piquepoul varieties and the potential parent-offspring relationship with Rivairenc (Aspiran), the ancient Languedoc grape.

Today some of the oldest vines of Cinsault in the Languedoc date back to 1900. Cinsault suffered the same post-WW II image problem here it did in South Africa. However, it’s now benefiting from renewed interest with even acclaimed Burgundian producers like Anne Gros (of the notable Vosne-Romanée family) and her husband Jean-Paul Tollot tending to 50+-year-old vines in Minervois.

Outside of France, the grape is grown in the Puglia region of Italy. Here it is known as Ottavianello and must make up a minimum of 85% of the red blends in the Ostuni DOC. In Morocco, it is the most widely planted grape variety. But this is mainly because Cinsault is also a popular table grape.

Chateau Musar has long championed the grape variety in Lebanon, frequently blending it with Cabernet Sauvignon and Syrah.

In Washington State, Paul Gregutt describes wines made from Cinsault as like a “good Beaujolais”. He notes in Washington Wines that vineyards in Walla Walla, such as Morrison Lane and Minnick Vineyards, are growing the variety as well as in the Horse Heaven Hills at Alder Ridge.

Cinsault in South Africa

Tim James in Wines of the New South Africa, notes that Cinsault was introduced to South Africa in the 1880s and quickly became a widespread planting. By 1909, it was the most widely planted red grape variety and third most popular grape after Greengrape (Semillon) and Muscat.

Formerly known as “Hermitage” until the mid-1930s, Cinsault would eventually account for as much as a third of all vineyard plantings in South Africa.  It was used to make everything from dry reds, sweet fortified wines and even brandy. The rise in popularity of Chenin blanc and Cabernet Sauvignon after World War II would eventually signal the grape’s decline. However, even as its popularity wane Cinsault was still frequently used as a blending grape to add perfume and acidity to some of the country’s top Cabernet Sauvignon.

By 2008, Cinsault accounted for around a tenth of all vineyards in South Africa with notable plantings in Paarl, Breedekloof and the ward of Malmesbury in Swartland.

Roughly translated to “The Black Land,” referring to the renosterbos (“rhino bush”) shrubs that dot the landscape, it is somewhat poetic that old vine vineyards of the Black Prince in Swartland would be the source of some of the most delicious Cinsault at the seminar.

Seminar Wines

Most of these wines are limited releases and hard to find in the United States. But they are well worth the hunt if you can get them.

Color of The Blacksmith Barebones. Note how you can read through the core to see the text underneath.

2017 The Blacksmith Barebones, W.O. Paarl (Wine Searcher Average $24)

Medium intensity nose with black cherry and fresh uncured tobacco.

On the palate, those black cherry notes come through and are quite juicy with medium-plus acidity. Medium tannins and medium body contribute to the “Beaujolais” quality. Very pleasant and enjoyable with a moderate finish.

2017 The Blacksmith Prince of Bones, W.O. Swartland (No W.S. listing. At the seminar, Lauren Buzzeo priced it at $45)

Medium-plus intensity nose with lots of blue floral notes to go with the black cherry and tobacco notes exhibited by the Barebones.

On the palate, those fresh uncured tobacco notes from the nose change to more cured tobacco spice–not that dissimilar from Bordeaux wines. Medium-plus acidity maintains the juiciness of the cherry fruit with medium-plus tannins contributing to the medium-plus body of the wine. Long finish ends on the spicy note and mouthwatering fruit. Outstanding wine and probably my favorite of the tasting.

2017 Sadie Family Pofadder, W.O. Swartland (W.S. Average for 2016 vintage $42)

Medium-minus intensity nose. Light raspberry and some herbal notes. With some air, a slight watermelon note (both flesh and rind) comes out, which is intriguing.

On the palate, the fruit flavors are similarly light. High acidity and chalky medium-plus tannins contribute to a thin and skeletal feel of the wine. The very short finish brings an earthy element that is hard to make out.

2017 Craven Wines Cinsault, W.O. Stellenbosch (W.S. Average $14 but I’m skeptical as Buzzeo listed the price at $55)

Medium intensity nose with red cherry, rose petals and fresh forest earthiness.

On the palate, the earthy element becomes a little more herbal but also brings a savory black pepper spice note. High acidity and medium-plus tannins are balanced a bit better with the fruit than the Sadie Pofadder, so the wine feels more firm and structured rather than thin and skeletal. It seems young but promising.

2016 A.A. Badenhorst Cinsault Ramnasgras, W.O. Swartland (W.S. Average $38)

Medium-plus intensity with black cherry notes and lots of spice and meatiness. A mix of Burgundian and Rhone notes on the nose that had my mouth watering before even taking a sip.

On the palate, the cherry and spice carry through as the mouthwatering continued with medium-plus acidity. High tannins hold up the full-bodied fruit of the wine well and contribute to this wine feeling like a meal in itself. Another favorite.

2016 Kaapzicht Cinsault 1952, W.O. Stellenbosch (NO WS listing though one merchant offering it for $31)

Medium intensity nose with an intriguing mix of cherry pie spices and leather.

The Kaapzicht 1952. Note how much darker this wine is in the core.

On the palate, those cherry pie notes come through with a toasty graham cracker crust character as well. Juicy medium-plus and ripe medium-plus tannins give the wine great structure and mouthfeel. The long finish keeps with the cherry pie note as some cured tobacco spices joined the party. Very delicious.

2015 Kaapzicht Cinsault Skuinberg, W.O. Stellenbosch (NO WS listing though one merchant offering it for $79)

Medium-minus intensity nose. A mix of minty menthol and coffee espresso with some undefined red fruits.

On the palate, the red fruits become more defined as cherry and raspberry, but the menthol and espresso dominant. Like the 1952, the medium-plus acidity and tannins give the wine exceptional balance and structure. I just don’t know if I’m a fan of this flavor profile as much.

2015 Leeu Passant Old Vine Cinsault, W.O. Franschhoek (NO WS listing though one merchant offering it for $103)

Medium-plus intensity nose with black raspberry and blackberry notes. There is also a minty element here, but it smells more like fresh mint leaves rather than menthol.

The black fruits carry through on the palate with the minty notes being more subdued. In their place, some of that Bordeaux-style tobacco spice emerges, which gives the wine a savory element with the medium-plus acidity. Medium-plus tannins balance out the full-bodied weight of the fruit. Long finish lingers on the spice. Really well-made wine.

2015 Silwervis Cinsault, W.O. Swartland (W.S. Average $26 but I’m skeptical as Buzzeo listed the price at $50)

Medium intensity nose with coffee and cherry notes. With some air, a little floral mint and fresh tobacco leaf come out.

On the palate, the coffee notes dominant with fruit present but struggling to emerge. Medium acidity and medium-plus tannins have firm edges to them. Even though this one of the oldest wines at the tastings, it felt really young. Intriguing though.

Takeaways

Cinsault’s diversity is a joy for food pairing but a nightmare for blind tasting.

As I reviewed my notes, I saw some patterns emerging with cherry and tobacco being consistent. But many of those notes overlap with styles familiar to Burgundy, Beaujolais and lighter Bordeaux. A few examples even hit some of those savory, meaty notes of a Rhone. Still, this diversity is exciting because here we have a wine that can be anything from a great picnic & BBQ sipper to something savory and complex that can hold up to robust dishes.

While two of my favorites (The Blacksmith’s Prince of Bones and A.A. Badenhorst’s Ramnagras) were from the Swartland–along with the intriguing but young tasting Silwervis–it was hard to pinpoint terroir characteristics. Considering how much I’ve liked other wines from these producers, it could be more producer style verses region.

But a big takeaway, and one that the moderator and panelists frequently referred to, was the importance of old vines with Cinsault. The grape lends itself easily to overproduction and, with its thin skins, can be prone to producing lean flavors. While that may work for bulk rosé, it’s not ideal for making character-driven wines.

With over 1600 acres of Cinsault vines over 20 years old (and many of the wines featured in this tasting coming from 40+-year-old vineyards), South Africa does have a good bounty of older vines to work with. The really lovely Leeu Passant Old Vine Cinsault from Franschhoek was sourced from South Africa’s 2nd oldest red wine vineyard with vines that are 91+ years old. You can taste the added complexity and concentration from these older vines.

Remarkable stuff that is, again, well worth the hunt to find.

Subscribe to Spitbucket

New posts sent to your email!

60 Second Wine Review — ROCO Pinot noir

May is Oregon Wine Month so I’m going to kick off the festivities with a few quick thoughts about the 2012 ROCO Pinot noir from the Willamette Valley.

The Geekery

ROCO was founded in 2001 by Rollin Soles and his wife Corby Stonebraker-Soles. In 1987, Soles founded the sparkling wine producer Argyle in the Dundee Hills with Australian winemaker Brian Croser. Argyle expanded to still wine production in 1992 with Soles at the helm till 2013 when he stepped down as winemaker to focus on ROCO. He is also the consulting winemaker for Domaine Drouhin’s Roserock project in the Eola-Amity Hills.

During his time at Argyle, Soles wines were featured on Wine Spectator’s Top 100 list more than any other Oregon winemaker with his Extended Triage Brut being the top scoring American sparkling wine for six straight years.

Prior to his time at Argyle, Soles worked at Wente Brothers and Chateau Montelena in California and at Petaluma Vineyards where he met Brian Croser.

In 2016, Soles released his first post-Argyle sparkling wine, RMS.

The 2012 Willamette Valley Pinot is sourced from vineyards in the Chehalem Mountains, Yamhill-Carlton District and Dundee Hills AVA. Around 2500 cases were made.

The Wine

Medium intensity nose. Fresh red cherries with a mix of red and blue floral notes.

Photo by CorinthiaBTSm. Released on Wikimedia Commons under CC-BY-SA-4.0

Juicy red cherry notes are abundant in this ROCO Pinot noir.

On the palate, the cherries come through and bring raspberry notes with medium body weight. High acidity is ample but doesn’t veer into tartness. Medium tannins have noticeable grip but are soft. Moderate finish introduces a cherry cola note that adds some intrigue.

The Verdict

I was a bit surprised at how elegant and light this Pinot was for the very “California-like” 2012 vintage that saw drought conditions which concentrated flavors. Usually from this vintage, I expect to find more full-bodied and fruit forward Pinots.

Instead, this wine came across as more of a “classic Oregon” Pinot with restrained, but present, fruit and ample acidity that shines on the table. At $27-30, it is a solid bottle for fans of that old-school, classic style.

Subscribe to Spitbucket

New posts sent to your email!

Bordeaux Futures 2017 — Palmer, Valandraud, Fombrauge, Haut-Batailley

Photo by Berndt Fernow. Released on Wikimedia Commons under GNU-FDL

Email offers for the 2017 Bordeaux Futures are starting to flood my inbox so we are going to begin a series examine many of these offers. I’ll start by looking at four offers and sharing my thought process on whether I’m going to buy in on these wines or pass.

But first, let me explain my general approach to the 2017 vintage.

Value & Cellar Defenders

Personally, I don’t approach buying Bordeaux futures as a financial investment where I hopefully “buy low and sell high”. I’m not trying to make money off of these deals. While I may do some wine locker trading with friends down the road, in general, I approach these campaigns with the mindset of buying wines that I expect to drink myself.

Despite the positive spin that merchants and the Bordelais themselves are trying cast on 2017, I’m not convinced that it’s a great year. I think it is certainly better than 2011 and 2013 but this is not a vintage that I’m going to invest heavily in or pay a premium for. Instead, I’m going to be looking for value with prices less than 2016/2015 and more in the range of the 2014 vintage which I feel is the most apt comparison to 2017.

I bought fairly heavily in Bordeaux during the 2015 and 2016 campaigns so I will have a decent amount of great Bordeaux in my cellar that I won’t want to touch for another 10-15 years. As I learned the hard way with many of my 2009/2010 (and even 2005s), the temptation to open these bottles can be very seductive only to have my momentary pleasure give way to pangs of guilt as the wines reveal only a shadow of how good they could have been if only I had given them more time.

Therefore I place value in making sure I have wines that I call “Cellar Defenders”. These are wines from less highly acclaimed vintages that generally reach their peak drinking window earlier than wines from outstanding vintages. Plus with these wines usually having better price points, I can open up these “sacrificial lambs” with far less guilt even if they aren’t quite at their peak.

Photo by Raphael Reynier of Onewineproduction. Released on Wikimedia Commons under CC-BY-SA-4.0

Wine critics tasting at one of the 2017 en primeur events in Bordeaux.


A Note About Scores

In my breakdown of the wines below I will include the barrel scores from several notable critics as well the Wine Searcher Average of critic scores for previous vintages. As I describe in my post on my own personal approach to scoring, I prefer to rate wines with my wallet and whether or not I think they deliver enough pleasure to merit the cost.

But I’m not going to get a chance to taste these wines anytime soon so I still see some value in using the opinions of professional critics as tools in my decision making on whether I want to invest in buying these wines. I don’t take any one critic’s opinion as gospel truth but rather look for a pattern to see where their opinions tend to overlap.

Now let’s look at some offers.

Ch. Palmer (Margaux)
Brief winery geekery: Third Growth estate owned by 22 shareholders, including the owners of the negociant firms BorieManoux and Sichel. Since 2004, Thomas Duroux has been the winemaker. Their second wine, Alter Ego de Palmer has been produced since 1998 with some critics (like The Wine Cellar Insider’s Jeff Leve) feeling the wine performs at the level of a 4th Growth. In 2017, the vineyards of Palmer were certified 100% Biodynamic. The 2017 is a blend of 54% Merlot, 42% Cabernet Sauvignon and 4% Petit Verdot making it a Merlot dominant Left Bank wine. Between 8,000 to 10,000 cases are produced each vintage.

Critic scores: 97-98 JS (James Suckling), 96-98 WA (Wine Advocate), 94-96 WE (Wine Enthusiast), 92-95 WS (Wine Spectator), 92-95 JD (Jeb Dunnuck), 96 JL (Jeff Leve)

Sample review:

… very deep purple-black in color and leaps from the glass with freshly macerated blue and black fruits: wild blueberries, blackberries and black cherries plus hints of licorice, rose hips, tilled soil and oolong tea with a waft of truffles. Medium-bodied, very finely crafted with exquisitely ripe and smooth yet firm tannins and sporting great mid-palate intensity and wonderful freshness, it finishes long and minerally. — Lisa Perrotti-Brown, Wine Advocate

2017 Wine Searcher Average $273
JJ Buckley $284.95 + shipping (no shipping if picked up at Oakland location)
Vinfolio $279 + shipping
Spectrum Wine Auctions $274.99 + shipping (no shipping if picked up in Tustin, CA)
Total Wine $284.99 (no shipping with all wines sent to a local store and only 50% down upfront)
K & L $279.99 + shipping (no shipping if picked up at K & L locations in California)

Previous vintages:
2016 — Wine Searcher Average $339 Average Critic Score: 94 pts
2015 — Wine Searcher Average $359 Average Critic Score: 96 pts
2014 — Wine Searcher Average $253 Average Critic Score: 94 pts
2013 — Wine Searcher Average $257 Average Critic Score: 92 pts

Buy or Pass?

This one is tempting but ultimately it will be a pass for me. I actually find myself more interested in finding bottles of the 2014 Palmer as I see that vintage performing a similar “cellar defender” role at a little better price point.

This 2011 Valandraud I tasted when I visited the estate back in 2016 was drinking fantastic for something from such an underwhelming vintage like 2011.
This give me optimism that in a much better vintage like 2017 that Valandraud will produce a winner.

Ch. Valandraud (St. Emilion)

Brief winery geekery: Premier Grand Cru Classe founded in 1989 by Jean-Luc Thunevin as one of the first “garage wines”. Vineyards planted to 70 % Merlot, 20% Cabernet Franc, 5% Cabernet Sauvignon with the remaining 5% split between Malbec and Carmenere–making Valandraud one of the few St. Emilion estates to use 5 red Bordeaux grape varieties. Around 3,400 cases produced each vintage.

Critic scores: 95-97 WE, 94-97 JD, 93-96 WS, 94-95 JS, 93-95 WA, 94 JL

Sample review:

Lots of beautiful blueberry and blackberry fruits here. Medium to full body, round and very polished tannins and a flavorful finish. Wet-earth undertones. Velvety mouthfeel at the end. — James Suckling

Wine Searcher Average $141
JJ Buckley $159.94 + shipping
Vinfolio — No offer yet
Spectrum Wine Auctions $144.99 + shipping
Total Wine $149.97
K & L $149.99 + shipping

Previous vintages:
2016 — Wine Searcher Average $179 Average Critic Score: 93 pts
2015 — Wine Searcher Average $167 Average Critic Score: 94 pts
2014 — Wine Searcher Average $141 Average Critic Score: 93 pts
2013 — Wine Searcher Average $141 Average Critic Score: 92 pts

Buy or Pass?

While I’m not going to go crazy, this is a buy for me. Valandraud is one of my favorite Bordeaux estates, regularly producing wines that I would put on par with $200+ Napa Valley wines. It’s worth having a couple bottles in the cellar when I’m craving something bold and luscious but with enough complexity to still remind me it is a Bordeaux.

Ch. Fombrauge (St. Emilion)

Brief winery geekery: Grand Cru Classe that is one of the largest and oldest vineyards in St. Emilion with parcels neighboring Ch. Pavie. Since 1999, has been owned by Bernard Magrez who also owns Ch. Pape-Clement with Michel Rolland as a consultant. 2017 vintage is a blend of 93% Merlot and 7% Cabernet Franc. Around 14,000 cases produced each vintage.

Critic scores: 93-95 WE, 92-94 WA, 90-93 WS, 91-92 JS, 90 JL

Sample review:

Offers nice flesh, with a mix of black currant and plum fruit inlaid with subtle black tea, graphite and anise notes. Reveals a tobacco edge on the finish. Well done. — James Molesworth, Wine Spectator

Wine Searcher Average $25
JJ Buckley — No offer yet
Vinfolio — No offer yet
Spectrum Wine Auctions — 6 bottle minimum $149.94 + shipping
Total Wine $28.97
K & L — No offer yet

Previous vintages:
2016 — Wine Searcher Average $28 Average Critic Score: 89 points
2015 — Wine Searcher Average $33 Average Critic Score: 90 points
2014 — Wine Searcher Average $35 Average Critic Score: 90 points
2013 — Wine Searcher Average $29 Average Critic Score: 88 points

Buy or Pass?

This is a definite buy for me and pretty much exemplifies the value that I’m looking for in 2017. The Magrez/Rolland style tends to favor early drinkability with “New World-ish” fleshy fruit. These are wines that I expect to be drinking fine 5-10 years from vintage date, making them perfect cellar defenders to help protect my 2015/2016 from being opened too soon.

Photo by Christian Haase. Released on Wikimedia Commons under  CC-BY-SA-3.0

Ch. Haut-Batailley (Pauillac)

Brief winery geekery: 5th growth estate that was previously owned by the Borie family of Ducru Beaucaillou fame and managed by Francois Xavier Borie (who also owns Grand Puy Lacoste). In 2017, the estate was sold to the Cazes family (of Lynch-Bages fame). The vineyard is currently planted to 61% Cabernet Sauvignon, 36% Merlot and 3% Cabernet Franc with the Cazes family planning on decreasing the amount of Cabernet planted and increasing the amount of Merlot. Vineyards divided among two parcels with one neighboring Ch. Latour and the other Lynch-Bages. Around 9000 cases a year produced.

Critic scores: 94-95 JS, 89-92 WS, 94 JL

Sample review:

With a good depth of color, the wine shows a nice purity of juicy cassis while a leafy olive and pepper component keeps you interested throughout this full bodied, crunchy and classic experience. The tannins are a bit uncompromising right now but give the wine time, and it will prove to be worth the wait. This is the debut vintage from the new owners, the Cazes family. — Jeff Leve The Wine Cellar Insider

Wine Searcher Average $61
JJ Buckley — No offer yet
Vinfolio — No offer yet
Spectrum Wine Auctions $64.99 + shipping
Total Wine $64.97
K & L — No offer yet

Previous vintages:
2016 — Wine Searcher Average $57 Average Critic Score: NA
2015 — Wine Searcher Average $51 Average Critic Score: 92 points
2014 — Wine Searcher Average $44 Average Critic Score: 91 points
2013 — Wine Searcher Average $41 Average Critic Score: 89 points

Buy or Pass?

This is going to be a pass for me. Definitely not a compelling value compared to previous vintages. While I’m a huge fan of the Cazes family and can anticipate exciting things in the future for Haut-Batailley, I think it will be a few years before we really see their influence in the wine. I don’t see a reason to pay a premium over the $51 average that the 2015 vintage has just on the potential of the Cazes family’s involvement.

More Posts About the 2017 Bordeaux Futures Campaign

Why I Buy Bordeaux Futures

*Bordeaux Futures 2017 — Langoa Barton, La Lagune, Barde-Haut, Branaire-Ducru

*Bordeaux Futures 2017 — Pape Clément, Ormes de Pez, Marquis d’Alesme, Malartic-Lagraviere

*Bordeaux Futures 2017 — Lynch-Bages, d’Armailhac, Clerc-Milon and Duhart-Milon

*Bordeaux Futures 2017 — Clos de l’Oratoire, Monbousquet, Quinault l’Enclos, Fonplegade

*Bordeaux Futures 2017 — Cos d’Estournel, Les Pagodes des Cos, Phélan Ségur, Calon-Segur

*Bordeaux Futures 2017 — Clinet, Clos L’Eglise, L’Evangile, Nenin

*Bordeaux Futures 2017 — Malescot-St.-Exupéry, Prieuré-Lichine, Lascombes, Cantenac-Brown

*Bordeaux Futures 2017 — Domaine de Chevalier, Larrivet Haut-Brion, Les Carmes Haut-Brion, Smith Haut Lafitte

*Bordeaux Futures 2017 — Beychevelle, Talbot, Clos du Marquis, Gloria

*Bordeaux Futures 2017 — Beau-Séjour Bécot, Canon-la-Gaffelière, Canon, La Dominique

*Bordeaux Futures 2017 — Carruades de Lafite, Pedesclaux, Pichon Lalande, Reserve de la Comtesse de Lalande

*Bordeaux Futures 2017 — Vieux Chateau Certan, La Conseillante, La Violette, L’Eglise Clinet

*Bordeaux Futures 2017 — Montrose, La Dame de Montrose, Cantemerle, d’Aiguilhe

*Bordeaux Futures 2017 — Clos Fourtet, Larcis Ducasse, Pavie Macquin, Beauséjour Duffau-Lagarrosse

*Bordeaux Futures 2017 — Kirwan, d’Issan, Brane-Cantenac, Giscours

Subscribe to Spitbucket

New posts sent to your email!

Hospice du Rhône Weekend 2018

The BBQ prep for the closing dinner.

I just got back home from a wonderful weekend down in Paso Robles attending the 2018 Hospice du Rhône. This was my first time attending the event and I can tell you that my wife and I are already making plans to attend the 2020 event April 23rd-25th.

Heck, we are even thinking about attending the 2019 event in the Rhône Valley.

We purchased two weekend passes at $995 each which got us:

Four seminars featuring 9 to 11 wines–including many limited releases and small-lot productions.

Two lunches (a Rosé lunch on Day 1 and Live Auction lunch on Day 2)

Opening and Closing Grand Tastings featuring hundreds of wines with each day having a different theme (older vintages for Day 1 and newer vintages for Day 2).

Farewell dinner and BBQ

As you can probably garner from the first paragraph, my wife and I left the event feeling that the cost of the weekend pass was more than worth it for the experience we got. So I’ll share some of my favorite geeky moments, top wines and the two slight negatives that put a damper on an otherwise stellar event.

I’ll save my thoughts on the four seminars (South Africa’s Cinsault Renaissance, A 6th Generation Crusade in the Barossa Valley, Lost and Found: Old Vine Rhônes Across California, The Majesty of Guigal) for future posts because there was a lot of great stuff from each to unpack.

Top 3 Geek Moments

Meeting two Masters of Wine in Billo Naravane of Rasa Vineyards and Morgan Twain-Peterson of Bedrock Wine Co. I got a chance to talk to Billo about the possibilities of Walla Walla hosting a future Hospice du Rhone (would be incredibly exciting!). With Morgan, it was hard not to be charmed with his unabashed geekiness for old vine vineyards in California.

John Alban, Morgan Twain-Peterson and Tegan Passalacqua at the old vine seminar.

Which along those lines…

Having the light bulb flick on about the treasure of old vine field blends. Some of the most exciting wines at the event were old vine field blends featuring a hodgepodge of grapes like Mataro (Mourvedre), Syrah, Peloursin, Zinfandel, Petite Sirah, Trousseau noir, Grenache, Mondeuse, Alicante Bouchet and the like inter-planted and fermented together. In an industry dominated by monoculture and mono-varietal wines, the character of these field blends like Carlisle’s Two Acres and Bedrock’s Gibson Ranch are off the charts.

And no one is intentionally planting field blends right now.

This truly is a treasure of the past when farmers, rather than viticulturists, just kind of did their thing and let what would grow, grow. That kind of proposition is way too risky today. But that only heightens the importance of saving these old vineyards and supporting the wineries who source fruit from them.

As a Millennial, the character and stories behind field blend plantings are the perfect antidote to the mind-numbing boredom of the “same old, same old”. Millennials are changing the wine industry with their craving for new experiences and new things as well as authenticity–which an old vine field blend delivers in spades. It’s why I’m skeptical that Cabernet Sauvignon will continue its dominance and why I don’t think Merlot’s downturn is just because of a movie.

Potek Winery’s Mormann Vineyard Syrah from the Santa Rita Hills.
Great wine, but Potek’s labels are WAAAAAAY too busy. Admittedly, I wouldn’t even give them a second look in a wine shop because they’re so hard to read.

Though speaking of that movie…

Screw Pinot. Let’s start drinking Santa Barbara County Rhônes.

I mentioned this in my quick take on Day 1 and day 2 only reaffirmed how special these cool climate Rhônes are. I’ll also add the Russian River Valley of Sonoma to the list of “Must Seek Out” Syrah. Not only will you find Carlisle’s Two Acre gem here, but I was also thoroughly impressed with the RRV wines from MacLaren.

Top 10 (non-seminar) Wines of the Event

When you have wines like a 2005 Guigal La Turque poured at the seminars, it would be easy to fill up this list with nothing but seminar wines. But there were a lot of fantastic wines poured at the Opening and Closing tastings that are worth calling out.

So here are 10 of my favorites in no particular order.

2016 Jada Hell’s Kitchen Paso Robles — It was hard to narrow down just one of the Jada wines to put on this list because every single one of them was stellar. This one was very full-bodied and hedonistic with rich dark fruit, velvety smooth mouthfeel. A long finish with dark chocolate notes.

2016 Louis Cheze Condrieu Pagus Luminis — Crisp but mouthfilling. Lots of fresh tree fruit notes–apricots and peaches–with some stony minerality.

2016 CR Graybehl The Grenachista Alder Springs Grenache Mendocino County — I guess I could add this to my cool-climate Rhône discoveries. Like Jada, this was a hard one to narrow down because I loved everything from this producer. The Alder Springs had a particular vivacious mouthfeel of juicy blackberries with some spice and floral notes.
Note: I loved this wine so much that it was one of my top picks for International Grenache Day

2012 Turtle Rock Willow’s Cuvee Paso Robles

Made by the assistant winemaker of Saxum. Truthfully, I liked these better than the Saxum wines I tried. Very floral with a mix of red and dark fruit. One of the best noses of the night.

While I enjoyed the opportunity to try Saxum, I’m far more excited about the wines made by their assistant, Don Burns, with his wife Claudia at their Turtle Rock Winery.

2012 Dos Cabezas Wineworks El Campo Sonoita Arizona — One of the surprises of the event. A Tempranillo-Mourvedre blend from Arizona that tasted like a spicy Ribera del Duero and juicy Jumilla had a baby. Very impressive.

2008 Kunin Alisos Vineyard Syrah Santa Barbara County — Winners across the board from Kunin. A great mix of dark fruit and earthy forest floor. Very long finish. These were wines I wished I had more time to savor.

2012 Le Vieux Donjon Châteauneuf-du-Pape — This hit my perfect catnip style of savory, meaty undertones wrapped around a core of juicy, mouthwatering fruit. Such a treat to have. I suspect that 2015 will be even better with a few more years.

2007 Carlisle James Berry Syrah Paso Robles — All in all, Carlisle probably made my favorite wines of the entire event. I can still taste the 2016 Two Acres from the old vine seminar, but this James Berry was a close second. Still very lively with dark fruit, mouthwatering medium-plus acid. The finish brings some spicy minerality as well.

A 100% Cinsault pet-nat was not only geeky good but also a palate savior.
Would really love to see more sparkling wines like this at future Hospice du Rhone events.

2017 The Blacksmith The Bloodline Cinsault Pet-Nat Darling W.O. South Africa

This was much-needed salvation for the palate (see below), but it would have been a treat to try under any circumstance. Super geeky Cinsault pet-nat, this wine had a huge nose of orange blossoms and cherries that jumped out of the glass.

2005 Jean-Louis Chave Hermitage — This wine wasn’t part of any featured tasting and was certainly an unexpected treat that someone brought to the Live Auction lunch on Day 2. This was my first Chave and my lord! Still quite young and powerful for its age with layers of red fruit, savory Asian spices and a long finish of smokey BBQ notes.

Palate Fatigue and a little clicky culture

While overall, the event was fantastic, two things stuck out as minor negatives. One was the absence of sparkling wines, which are the guardian angels of the palate at tastings like these. As readers of my flashback review of the 2017 Taste Washington know, periodically taking a break from big, heavy reds with some palate-cleansing bubbles is a must if you’re going to maximize your tasting experience.

A few producers were pouring roses and crisp white wines, which helped. But it was disappointing not to see more sparkling examples. I know that the Rhône is not particularly well known for bubbles. However, there still notable regions like Clairette de Die and Saint-Péray AOCs producing sparkling wine. Australia also has a good tradition of making sparkling Shiraz. I’m sure there are examples, as well, from New World producers experimenting with sparkling Viognier and other varieties. It would’ve been great to give these wines more visibility.

The second negative was how “clique-y” the culture among the attendees was–especially at the lunches.

While some of the “clique-iness” at lunch was disheartening, the gracious couple who shared this wine from their table gave me an incredible thrill.

It’s wonderful that the Hospice du Rhône is in its 22nd year with many people attending this event regularly. But for a “newbie”, it felt hard at times to break into the crowd.

Again, this was most felt at the lunches.  Several times seats and entire tables were reserved–not by official organizers–but, rather, other attendees who didn’t seem to have any interest in interacting with people that weren’t part of their local scene.

But there were undoubtedly more than enough gracious attendees who were welcoming and approachable. This includes the organizers themselves like John and Lorraine Alban, Vicki Carroll and Faith Wells. Along with the fabulous wines and seminars, this makes Hospice du Rhône well worth attending again.

Subscribe to Spitbucket

New posts sent to your email!