Tag Archives: Cabernet Sauvignon

The Mastery of Bob Betz

Washington State is ridiculously spoiled with talented winemakers.

Alex Golitzin of Quilceda Creek

Christophe Baron of Cayuse

Chris Figgins of Leonetti

Rick Small of Woodward Canyon

Scott Greer of Sheridan

Anna Shafer of àMaurice

Greg Harrington of Gramercy

Kay Simon of Chinook

Charlie Hoppes of Fidelitas

Chris Upchurch of DeLille/Upchurch Vineyard

Ben Smith of Cadence

Chris Camarda of Andrew Will

Rob Newsom of Boudreaux

Kerry Shiels of Côte Bonneville

Chris Peterson of Avennia/Passing Time, etc.

And that is only a small sliver of the immense talent in this state.

But if you asked me to give you just one expression of winemaking talent that exhibits the best of Washington, I would answer without any hesitation that it is Bob Betz.

From Chicago to the Chateau

A Chicago native, Bob Betz moved to the Pacific Northwest in 1954. He attended the University of Washington with the goal of entering med school but, when those plans didn’t work out, he spent a year in Europe with his wife, Cathy, where he discovered a passion for wine.

Photo taken by self. Uploaded to Wikimedia Commons as User:Agne27 under CC-BY-SA-3.0

Bob Betz (in grey sweatshirt) talking with guests at a release party at Betz Family Winery

After working at a wine shop for a year, he was hired by Charles Finkel (now of Pike Brewing Company) to work at Chateau Ste. Michelle back when the Washington powerhouse was a small winery operating on East Marginal Way in Seattle. There he was mentored by the famed consultant André Tchelistcheff of Beaulieu Vineyard fame.

He started in communications with the estate. As Chateau Ste. Michelle moved to Woodinville and grew into Washington’s largest winery, Betz worked his way up to Vice President of Winemaking Research. Here worked closely with an All-Star roster of winemaking talent such Mike Januik (Novelty Hill/Januik Winery), Cheryl Barber-Jones (Sozo Friends), Kay Simon (Chinook Wines), Joy Anderson (Snoqualmie Vineyards), Erik Olsen (Clos du Bois/Constellation Brands) and Charlie Hoppes (Fidelitas). During this time, his passion for winemaking and starting his own label developed.

In the mid-1990s, he embarked on completing the Wine & Spirit Education Trust (WSET) program, earning his Master of Wine (MW) in 1998. To this day, he is one of the few MWs who are practicing winemakers (Billo Naravane at Rasa/Sinclair Estate is another). The vast majority of individuals who hold that title are often writers, educators, wholesalers and retailers.

In earning his MW, Betz won the Villa Maria Award for the highest scores on the viticultural exam as well as the Robert Mondavi Award for the highest overall scores in all theory exams.

Betz Family Winery

In 1997, Greg Lill of DeLille Cellars offered space in his winery for Betz to make six barrels of his first vintage. Sourcing fruit from Klipsun vineyard on Red Mountain, Harrison Hill on Snipes Mountain and Portteus vineyard in the Rattlesnake Hills AVA, it wasn’t long before the accolades came in with Betz having numerous wines featured on Best of Washington lists by the Seattle Times and Seattle Met as well as earning Winemaker of the Year from Sunset Magazine in 2007. Moving from DeLille, he was one of the first wineries in the now-famous “Warehouse District” of Woodinville before building his own winery.

Just as he was mentored by Tchelistcheff and others, Betz has mentored other budding talents such as Kathryn House (House of Wine), Tyson Schiffner (brewmaster at Sumerian Brewing), Ross Mickel (Ross Andrews), Chris Dickson (Twill Cellars), Casey Cobble (Robert Ramsay) and his eventual successor as head winemaker at Betz, Louis Skinner.

La Côte Rousse, a “New World style” Syrah from Red Mountain

In 2011, with Bob & Cathy Betz’s daughters expressing no interest in taking over the winery, Betz worked out an agreement to sell the winery to South African entrepreneurs Steve and Bridgit Griessel.  Following the sale, Betz agreed to stay on with the winery for five more years. A succession plan was worked out with Louis Skinner, a South Seattle Northwest Wine Academy alum and former assistant at DeLille Cellars, taking over the winemaking duties at Betz Family Winery in 2016. Even after the transition, Betz still is involved as a consultant.

In 2017, Bob Betz returned to Chateau Ste. Michelle as a consultant for Col Solare, a joint project with the Antinori family located on Red Mountain. Here Betz will be working with Darel Allwine and Antinori’s head enologist Renzo Cotarella.

Tasting the Best of Washington

While the future of Betz Family Winery looks strong with the Griessels and Louis Skinner, there is something magical about “Bob’s vintages” of Betz that are worth savoring. Paul Gregutt, in Washington Wines, describes Betz Family Winery as one of the “Five Star Wineries” in Washington and ascribes their success to Betz’s “painstaking planning and attention to detail”, noting that if even a single barrel of wine didn’t meet his standards then it would be sold off rather than used in the wines.

The list of vineyards that Bob Betz has worked with includes some of the “Grand Crus” of Washington like Boushey Vineyard and Red Willow in Yakima; Ciel du Cheval, Kiona and Klipsun on Red Mountain; Harrison Hill and Upland Vineyard on Snipes Mountain.

2010 La Serenne Syrah

La Serenne, a “Northern Rhone-style” Syrah from Boushey Vineyard.

100% Syrah sourced from Boushey Vineyard. This cool-climate site north of Grandview, Washington is often harvested more than a month after the Syrahs that go into La Côte Rousse from Red Mountain are picked. Around 535 cases were made.

High-intensity nose with a mixture of dark fruit–black plums and blackberries–smoke and spice.

On the palate, those dark fruits come through. But it is the savory, smokey, meatiness that is the star of the show. Medium-plus acidity keeps it fresh and juicy while the medium-plus tannins have a velvety feel at this point. The long savory finish on this wine would make any Côte-Rôtie lover weak in the knees. Stunningly beautiful and well worth the $70-75.

2011 La Côte Rousse

100% Syrah sourced from Ciel du Cheval and The Ranch At The End of The Road Vineyard in Red Mountain. The parcels from Ciel du Cheval include some of the oldest plantings of Syrah on Red Mountain. The wine was aged in 45% new oak barrels. Around 559 cases were made.

Medium-intensity nose. A bit more oak driven with the baking spice. Underneath there is a core of dark fruit, but it is not as defined.

On the palate, the fruit is still struggling to be defined. It seems to be a mix of black cherries with a little red pomegranate. Medium acidity and soft medium tannins add lushness to the mouthfeel. The oak is still reasonably noticeable with a sweet vanilla edge and creamy dark chocolate note that lingers through to the moderate finish. A more “New World” style that reminds me of a less sweet Mollydooker. Not my style but at $70-75, it is well in line with Mollydooker’s Carnival of Love and Enchanted Path for those who enjoy those bold, lush wines.

2011 Bésoleil

A blend of 54% Grenache, 15% Cinsault, 12% Counoise, 12% Mourvedre and 7% Syrah. Sourced from vineyards in Yakima, Red Mountain and Snipes Mountains, this was the first vintage to include Counoise. Around 662 cases were made.

Medium-plus intensity nose. A very evocative mix of blue flowers–violets and irises–with spicy black pepper, anise and Asian spices. This wine smells like you walked into a fantastic Indian restaurant.

On the palate, a mix of dark and red fruits come out. But the spices get even more mouthwatering with the medium-plus acidity. The medium tannins are very silky at this point, helping the fruit to wrap around your tongue and linger for a long finish. Still fairly New World in style but at $50-55, this is distinctively charming and complex enough to entice a Châteauneuf-du-Pape fan.

2011 Clos de Betz

A blend of 67% Merlot, 28% Cabernet Sauvignon and 5% Petit Verdot. Often features fruit from Ciel du Cheval and Kiona on Red Mountain, Red Willow and Dubrul in the Yakima Valley and Alder Ridge in the Horse Heaven Hills. The wine was aged in 45% new oak. Around 1186 cases were made.

Clos de Betz, a Right Bank Bordeaux style blend.

Medium intensity nose–a mix of red and black currants with a floral element that is not very defined. With some air, tertiary notes of tobacco spice emerge as well as an intriguing graphite pencil lead that would have me thinking Cabernet Franc is in this blend even though it’s not.

On the palate, the tide tilts more towards the red fruits dominating with the medium-plus acidity adding a sense of freshness to the wine. The graphite pencil notes disappear, being replaced with an espresso chocolately note that plays off the tobacco spice that carried through. Medium tannins are well integrated and velvet–showing that this wine is probably at its peak drinking window now. Moderate length finish brings back the floral notes though I still can’t quite pinpoint them.

At $65-70, you won’t confuse this for a St. Emilion or Pomerol. But this wine amply demonstrates how wonderful Bordeaux varieties–particularly Merlot–do in Washington State.

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Wine Geek Notes 3/4/18 — Organic Viticulture and Aglianico

Image from L'Ampélographie (Viala et Vermorel), reproduced in
Here is what I’ve been reading in the world of wine today.

Interesting Tweets and Weblinks

Organic Vineyard Share of National Vineyard Area in Selected Countries in 2016 from the American Association of Wine Economists (@wineecon) brought to my dash via Craig Camp (@CraigCamp)

It’s really interesting how much Europe (excluding Greece & Portugal) is taking the lead with organic viticulture. I wonder how much of it is in response to their soils being exhausted after centuries of agriculture or if there are other cultural dynamics at play here. I’m also curious why the US is lagging so much behind, only slightly better than China, Chile & Portugal.

Aglianico Connections in the Napa Valley by Jill Barth (@jillbarth) of L’Occasion brought to my dash via Jane Niemeyer (@always_ravenous).

Also have to give a hat tip to @always_ravenous for leading me to Savor the Harvest’s (@savortheharvest) Aglianico post Aglianico: A Southern Italian Gem #ItalianFWT.

I ADORE Aglianico and featured it in my post In a rut? Try these new grapes! as a great grape for Cabernet Sauvignon and Syrah drinkers to explore. I had a lot of fun geeking out to Barth’s post exploring a very unique Aglianico from Napa while Savor The Harvest’s description of a classic old school Aglianico del Vulture from Tenuta del Portale paired with Daube French Beef Stew over egg noodles had my mouth watering.

I wasn’t familiar with the Italian Food, Wine, Travel Group (#ItalianFWT) but this seems to be a monthly series that generates a lot of great posts and wine discussion. For wine geeks and foodies, this is definitely a group worth keeping an eye on. Next month’s topic is La Primavera e Verdicchio hosted by Culinary Cam (@Culinary_Cam).

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Wine Geek Notes 3/3/18 — Rose Cider, Parker Points and Washington Wine History.

Photo by THOR. Uploaded to Wikimedia Commons under CC-BY-2.0
This is what I’ve been reading today in the world of wine and beverages.

Interesting Tweets and Weblinks

The Year of Rosé Cider Is Upon Us by Mike Pomranz (@pomranz) for Food & Wine magazine (@foodandwine). This made its way to my dash via #WiningHourChat (@WiningHourChat).

Good to see a legit article from Food & Wine after the BS they published from their “Champagne Master/Wine Prophet”. The picture of the red fleshed Amour Rouge species of apple is gorgeous and makes my mouth water. But where the article really shines is in shedding light on all the many different ways that cider producers can add color to their ciders–hibiscus and rose petals, maceration with red wine grape skins, etc. Very interesting and worth a read to stay a step ahead of what will undoubtedly be one of the top beverage trends of the summer.

Do Parker points matter any more? from @jamiegoode

The blog post (from one of my favorite wine writers/tool) is worth a read but so are the comments in reply to Jamie’s tweet which includes insight from The Wine Cellar Insider (@JeffLeve), Master of Wine Elizabeth Gabay (@LizGabayMW) and several others.

I think my view is summed up well in the reply made by MW student and Waitrose category manager Anne Jones (@AnneEJones). Points matter to the wine drinkers who want them to matter while other drinkers could care less. Different strokes for different folks.

March is Taste Washington Wine Month

All this month I will be focusing on Washington wines with my 60 Second Reviews. While researching for my reviews of the 2014 Scarborough Stand Alone Cabernet Sauvignon and 2015 Browne Family Vineyards Site Series Cabernet Sauvignon, I came across two links that caught my eye.

Associated Vintners — Washington’s Academic Winemakers (April 2016) by Peter Blecha for the Seattle Office of Arts & Culture.

Photo taken by self. Uploaded to Wikimedia Commons as User:Agne27 under CC-BY-SA-3.0

Red Willow Vineyard where David Lake and his team at Columbia helped Mike Sauer and his crew at Red Willow plant the Syrah that would become one of the first commercial bottlings of the variety in Washington.

Tremendous essay on the history of Associated Vintners (AV). So much history was made by this winery (now known as Columbia Winery) including having the first vintage dated varietal wines, first Pinot gris, first commercial Syrah with Red Willow and first Washington Master of Wine with David Lake. I learned several things from this article including the interesting connection between William B. Bridgman (of Harrison Hill fame) and AV.

Regular readers may remember from my Wine Clubs Done Right post that Columbia Winery holds a special place in my heart as one of the first Washington wines to make me go “WOW!” and the first wine club I ever joined. It was also were my mentor, Peter Bos, served as cellarmaster to David Lake and much of what I learned about winemaking was about how things were done “back in the day” at Columbia. Seeing the changes in style of Columbia was one of my first big disappointments in the wine industry. Still, this engaging and well written piece about such an important part of Washington wine history was a joy to read.

Another Seattle winery served legal papers over naming issue (May 2015) by Lindsey Cohen of KOMO News.

This is not as much about the joy of the Washington wine industry as a “WTF are you serious?” piece about the realities of the wine world. I came across this while researching the Scarborough article where I learned that Travis Scarborough got hit with a cease and desist letter from former 49ers exec Carmen Policy’s Casa Piena vineyards because the name of one of his wine club tiers (Full House) was similar to the English translation of Casa Piena.

As if that wasn’t outrageous enough, Cohen interviews another small local Washington producer, Bartholomew Winery, that had similar issues because a wine named after one of the owner’s sons, Jaxon, was apparently too close to Jackson Family Estates (of Kendall-Jackson fame). Good grief! The sad truth of the matter is aptly summed up by Scarborough in the article–“They’ve already won…because when they send that out they know I can’t fight back.”

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60 Second Wine Review — Browne Site Series Cabernet Sauvignon

A few quick thoughts on the 2015 Browne Site Series Cabernet Sauvignon from the Horse Heaven Hills.

The Geekery

Browne Family Vineyards was founded in 2005 by Andrew Browne of Precept Brands–whose background in the wine industry includes stints with Southern Wine & Spirits, Constellation Brands, Corus Brands, Chateau St. Jean and Associated Vintners (now Gallo’s Columbia Winery).

Precept is the largest privately owned wine company in the Northwest and includes an extensive portfolio of brands like Apex, Canoe Ridge, W.B. Bridgman, B. Lovely, Gruet, House Wine, Jacqueline Leone, Pendulum, Radius, Primarius, Red Theory, Sagelands, Paradise Peak, Ste. Chapelle, Summit Estates, Skyfall, Wild Haven and Waterbrook.

With Paul Gregutt, Peter Dow and Ross Mickel, respectively, they manage Waitsburg Cellars, Cavatappi and Ross Andrews. They also have a partnership with the Davey family in Australia to bring their Shingleback, Aficionado and Red Knot brands to the US.

John Freeman is the winemaker for Browne, joining Precept after previously working for the Napa Valley wineries Franciscan and Miner.

For the Site Series, they source from several of their contract vineyards in the Horse Heaven Hills AVA which includes Alder Ridge, Canoe Ridge and The Benches.

The Wine

Photo by Subhashish Panigrahi. Released on Wikimedia Commons under CC-BY-SA-4.0

Noticeable oak influence in this wine.

Medium-plus intensity nose. Lots of noticeable oak but it’s more spice than vanilla. Dark fruits like black currants and cherries.

On the palate, those dark fruits and oak spice carry through with juicy medium-plus acidity. Hefty medium-plus tannins adds to the full-bodied weight of the wine but the vanilla of the oak comes out to round them for a smooth mouthfeel. The finish is a bit short and hints at the youth of the wine.

The Verdict

For around $30-35, the Browne Site Series is a very solid Cabernet Sauvignon from the Horse Heaven Hills. That region doesn’t get anywhere near the attention of the “sexier” AVAs of Red Mountain and Walla Walla but is consistently the source of outstanding Washington wines.

The 2015 is young and could benefit from another year aging (or decanting) but it has lots of potential.

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60 Second Wine Review — Scarborough Stand Alone Cabernet Sauvignon

A few quick thoughts on the 2014 Scarborough Stand Alone Cabernet Sauvignon.

The Geekery

The winery was founded in 2004 by Napa Valley winemaker Travis Scarborough. A native of St. Helena, after graduating from Sonoma State and studying at UC-Davis, Scarborough worked at Viader before moving to Seattle in 2002.

The 2014 Stand Alone is 100% Cabernet Sauvignon sourced from Inland Desert located on the Roza Slope of the Rattlesnake Hills AVA and Wallula Vineyard (now known as The Benches) overlooking the Wallula Gap in the Horse Heavens Hills AVA. Both vineyards are sustainably farmed.

The “Stand Alone” series is produced only in what Scarborough deems as the “best years” in Washington. Andy Perdue of The Seattle Times described 2014 in Washington as “record-setting — warm, early and abundant.”

The Cabernet Sauvignon was aged for 26 months, including 6 months in 100% new oak barrels. Only 47 cases were made.

The Wine

Medium-minus intensity. Some red fruit and a little spice that is undefined. Also getting some tomato leaf.

Photo by Muffet. Uploaded to Wikimedia Commons under CC-BY-2.0

Just a little too much leafy greenness for my taste.

On the palate, that tomato leaf greenness carries through as does the red fruit which becomes more defined as raspberry, currants and cherries. The spice is still present but still undefined. Medium-plus acidity and high tannins give a lot of structure to this wine but, with the greenness, contributes to it feeling a little edgy.

The Verdict

This wine unfortunately is adding to the mystery of the 2014 vintage that I encountered at the Walla Walla tasting last month–even though this wine wasn’t sourced at all from a Walla Walla vineyard. I’ve had numerous 2014s that I’ve liked but the odd occasional occurrences of green notes in what was otherwise a spectacular vintage is still baffling.

At $50-55, this is a big, structured Cab that is a bit Old World in style. While the structure and tightness will mellow as it develops, those green notes will not leave. If you’re not as sensitive as I am to these notes, you can find some charm in this wine after a few years of mellowing.

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Getting Geeky with 2007 Léoville Poyferré

Going to need more than 60 Seconds to geek out about the 2007 Ch. Léoville Poyferré from St. Julien.

The Geekery

The history of Léoville Poyferré is intimately connected to its fellow 2nd growths, Léoville Las Cases and Léoville Barton, dating back to the 1638 vineyard founded by Jean de Moytie. Along with Ch. La Tour de Saint-Lambert (now Ch. Latour) and Ch. Margaux, this estate–known then as Mont-Moytie–was one of the first estates to produce wine in the Medoc.

Over the next couple centuries, the estate was the source of much innovation in Bordeaux, identifying some of the current Bordeaux varieties for their smaller berries and higher quality wine as well as utilizing the use of oak barrels and sanitizing them with sulfur.

In 1740, Clive Coates notes in Grand Vins the estate was acquired by Alexandre de Gascq, the Seigneur of Léoville. Under his stewardship, the estate grew to almost 500 acres.

During the French Revolution, a quarter of the estate was sold off and eventually became Léoville Barton. In 1840, the estate was divided again when Pierre Jean de Las Cases inherited 2/3 of the estate with his sister, Jeanne, passing her share to her daughter, the wife of Baron Jean-Marie Poyferré de Ceres.

In the 1920s, Léoville Poyferré came under the ownership of the Cuvelier family where it joined the family’s holdings of Ch. Le Crock in St. Estephe, Ch. Moulin Riche in St. Julien and Ch. Carmensac in the Haut-Medoc (which was later sold in 1965 to the Forner family of Marques de Caceres fame in Rioja).

At first, the Cuveliers delegated management of the estate to the Delon family from Léoville Las Cases as the two properties were interconnected with adjoining chais. In 1979, Didier Cuvelier took over management and began overseeing not only massive vineyard replanting but also renovations in the cellars. He brought in first Emile Peynaud and then, in 1994, Michel Rolland to assist in consulting.

2006 vintages of Léoville Barton and Léoville Poyferré on sale at a wine shop.


Coates quotes the famous Bordeaux wine merchant Nathaniel Johnston as describing Léoville Poyferré as having the best terroir of the 3 Léoville estates with their vineyards being second only to the First Growths in potential. Most of the vineyards are located on gravelly soils on the west side of the famous D2 road across from Las Cases that is on the river side.

Further inland near the Pauillac border with Ch. Batailley is the almost 50 acres of Ch. Moulin Riche. Declared a Cru Bourgeois Exceptionnel in 1932, Stephen Brook notes in The Complete Bordeaux that until 2009 it was treated as a second wine of Léoville Poyferré. Since 2009, Pavillon de Poyferré has been the estate’s second wine.

Brook describes the style of Léoville Poyferré as the most opulent and hedonistic of the 3 Léoville estates with Léoville Barton being more classic and structured while Léoville Las Cases is more concentrated. Coates compares Poyferré to being the Mouton-Rothschild to Las Cases’ Latour.

The 2007 vintage is a blend of 65% Cabernet Sauvignon, 24% Merlot, 7% Petit Verdot and 4% Cabernet Franc. The wine spent 18 to 20 months aging in 75% new oak with around 20,000 cases made.

The Wine

Medium-plus intensity nose. While there is still some dark fruits like cassis and blackberry, the nose is dominated by savory notes of cedar cigar box, earthy forest and smokey spice. Very evocative and mouth watering bouquet.

Photo by AlejandroLinaresGarcia. Uploaded to Wikimedia Commons under  CC-BY-SA-3.0.

While the seductive and silky mouthfeel hints at being a St. Emilion, the tobacco spice and cedar cigar box notes gives the 2007 Léoville Poyferré away as a St. Julien Cab dominant blend.


On the palate, the smokey notes become more leathery and meaty while the dark fruits from the nose become more muted. Medium-plus acidity adds to the mouthwatering while the medium tannins have a silky, velvety curve to them. If it wasn’t for the tobacco spice and cedar cigar box, I can see myself being fooled into thinking this was a Merlot-dominant St. Emilion with the velvety mouthfeel. The finish is regretfully short for how savory and delicious the palate is.

The Verdict

As I noted in my review of the 2011 Ormes de Pez, you can’t overlook the issues of problematic vintages like 2007. A wet, mildew ravaged late spring was followed by an unusually cool and rainy summer. By the time more ideal weather came in September, the acidity of many wines were dropping faster than the flavors were ripening. This produced wines that Jancis Robinson noted are often “… characterised by what they lack: alcohol, acid, ripe tannins, flavour.”

But the truism that good wine can still be made in rough vintages is still apt and this 2007 Léoville Poyferré is a perfect example. Many estates responded to the troubles of 2007 by being more selective in the vineyard and winery and making less (but hopefully better) wine. While Léoville Poyferré usually makes around 31,000 cases a year, in 2007 they made around 20,000.

Photo by self. Uploaded to Wikimedia Commons as User: Agne27 and released under CC-BY-SA-3.0

Really poor lighting but the 2006 Léoville Poyferré I had back in 2013 was outstanding too. You almost can’t go wrong with this estate.


It is not a great wine by any means, the short finish gives it away as well as the fact that there is so much tertiary aging notes emerging in a relatively young 10+ year old Bordeaux. This is not a wine that you want cases of in your cellar.

But it is still an absolutely scrumptious wine that is drinking very well now and will probably continue to give pleasure for another 3-5 years. With a Wine Searcher average price of around $83 for the 2007 vintage it certainly offers good value compared to the 2008 ($94 ave) and 2006 vintages ($97 ave) that people are cracking into now.

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What’s fine (and not so fine) about Vegan Wines

Photo by www.Pixel.la Free Stock Photos. Uploaded to Wikimedia Commons under CC-Zero

Veganism is described as one of the fastest growing lifestyle movements in the world. Some estimates claim that in the United states alone, there was a 500% increase between 2014 and 2017 in the number of Americans (around 19 million) identifying as vegan.

For the wine industry, that is a sizable demographic that retailers and wineries have value in marketing to.

So what makes a wine “vegan-friendly”?

For the most part, veganism is a code of conduct that avoids using any animal products or by products as well as anything that has been tested on animals. There are various reasons why people adopt veganism but often ethical concerns about the treatment of animals and impact on the environment are cited.

While wine is often assumed to be vegan, the use of animal-based fining agents such as casein (milk protein), albumin (egg whites), isinglass (fish bladders) and gelatin (animal collagen) in winemaking is problematic for many vegans.

Let’s Talk About Fining Agents

As Alison Crowe notes in The Wine Maker’s Answer Book, fining agents are used to help clarify and stabilize wine by binding to molecules such as proteins and excess tannins. These are items that can cause unsightly haze in the bottle, aggressive bitterness on the palate, off odors and flavors. The agent binds to the target molecule to form larger structures that eventually precipitates and settles to the bottom of tank or barrel as sediment.

Bruce W. Zoecklein et. al in Wine Analysis and Production classified the various fining agents into 8 categories based on their nature.

Photo by self. Uploaded as User:Agne27 to Wikimedia Commons under CC-BY-SA-3.0

Isinglass and bentonite fining trials.

1.) Earths like bentonite and kaolin
2.) Proteins like the animal based ones above
3.) Polysaccharides like gum arabic and Sparkolloid
4.) Carbons like activated carbon
5.) Synthetic polymers like polyvinylpolypyrrolidone (or PVPP)
6.) Silica gels like silicon dioxide or Kieselsol
7.) Tannins often derived from insect galls on oak leaves though oak chip fining can also fall into this category.
8.) Others which includes both enzymatic fining (more fining aids rather than fining agents) and chelators that assist in the removal of metals such as “blue fining” with potassium ferrocyanide (illegal to use in the United States).

The different fining agents work on principles of electrical charge (like positively charged gelatin reacting with negatively charged tannins), bond formation (like the carbonyl group of PVPP bonding with the hydroxyl group of tannins) and by absorption/adsorption (like activated carbon absorbing off odors or bentonite adsorbing proteins).

There are positive and negative attributes to each fining agent with no one fining agent being perfect for every situation.

Animal-based Fining Agents

Egg whites (Albumin)

Used primarily to remove excess tannins. Works by forming hydrogen bonds with the hydroxyl groups of tannins. Compared to other fining agents like gelatin, albumin tends to remove less positive flavor and aroma traits. Egg whites have a long history of use in winemaking in places like Bordeaux and Burgundy. The usual addition is 1 to 3 egg whites per 225L (59 gallon) barrel.

Casein (Milk protein)

Used primarily to remove browning or pink color in white wine. Can also be used to remove some off odors. Works by adsorption and attracting negatively charged particles. Like with egg whites, it has a long history of use in wine production, particularly with the great white wines of Burgundy. It also has the benefit of reducing the concentration of iron and copper in wine. In red wines, it can negatively impact the wine by removing the polyphenol resveratrol that has been associated with various health benefits.

Gelatin (derived from the boiling of animal tissues like bones and tendons)

Used primarily to remove excess tannins. It has a positive charge that reacts to the negative charge of harsh tannins. It can be prone to over-fining that can strip a wine of positive flavors and aromas.

A heat stability trial for rose wines that have been fined with isinglass.

Isinglass (derived from the air bladder of fish like sturgeons)

Used primarily to help clarifying wines, remove excess tannins and to “unmask” or bring out varietal character.

Chitosan (derived from chitin in the exoskeleton of crustaceans)

Used primarily to remove haze causing proteins from white wines. A positively charged agent, it often needs to be paired with a negatively charged fining agent like Kieselsol to be most effective.

Blood Albumen (derived from the blood of ox and cattle)

Historically used but illegal in the United states, France and several other countries.

Vegan-friendly Alternatives

The website Barnivore is a database of wines and other liquors that have been vetted by users to be either “vegan-friendly” or not. In answering queries about their use of animal based fining agents, many wineries share their alternative methods.

Photo by self. Uploaded as User:Agne27 to Wikimedia Commons under CC-BY-SA-3.0

Letting the wine settle and clarify on its own before racking into another container is one method to avoid using fining agents.

One common method is the use of time and gravity to let the wine settle and clear out on its own. This is the technique used by Baldacci in the Stags Leap District and many other wineries. Depending on several factors like the health of the grapes, method of pressing, pH and temperature, this method could take several months and even then the wine might not be completely stable. Some wineries facilitate this method with the use of mechanical centrifuges and ultra-filtration but these carry the risk of being overly aggressive and potentially stripping the wine of positive flavor and aroma attributes.

Along those lines, many wineries adopt a hands-off method of not fining or filtering their wines at all. This is the method used by many high-end wine producers like Black Cordon and Kapcsandy in Napa Valley. This does carry the risk of haze and sediment developing in the bottle. However, the risk is often presented to consumers as a trade-off for having potentially more complex and flavorful wines.

Bentonite and Yeast Fining
Photo by self. Uploaded as User:Agne27 to Wikimedia Commons under CC-BY-SA-3.0

The lees sediment and volume loss from bentonite can be significant (between 5-10%). Using counter-fining agents like isinglass can help with lees compaction but would obviously make the wine not vegan-friendly.

The most used “vegan-friendly” fining agent is bentonite. This is a type of clay that can dramatically swell in size to adsorb protein molecules. This is the method used by wineries like Chinook in Washington State, Ideology in Napa Valley, Spier in South Africa and many others. One big drawback is that it causes significant loss of wine volume due to the heavy sediment it creates. As much as 5-10% of volume could be lost. Roger B. Boulton et al notes in Principles and Practices of Winemaking that these voluminous bentonite lees also create a large amount of solid waste that can have an environmental impact (such as sealing percolation ponds) if not properly disposed. In red wine, there is also a risk of color loss.

Some wineries like Amici use the technique of “yeast fining” for wines like their 2013 Russian River Pinot noir. This involves adding fresh yeast to a wine.  The cell walls of the yeast contain about 30% positively charged proteins. These can then adsorb many polyphenols and compounds which cause off odors. It brings the risk of the yeast breaking down as lees, releasing sulfur compounds and enhancing reductive notes. Also, if not removed by filtration, the yeast in the bottle can start re-fermenting any residual sugars. This would cause spritziness in what is, otherwise, supposed to be a non-sparkling wine.

PVPP and Other Methods

PVPP is a synthetic polymer that can remove bitter tannins and brown discoloration from white wines. Like casein, it can remove the polyphenol resveratrol from red wines. There is also a risk of overfining. This is because the PVPP also binds to desirable tannins and anthocyanins needed for structure and color.

Sparkalloid is a blend of polysaccharides and diatomaceous earth (fossilized algae) that can be used to clarify white wines. It does take significant time to eventually settle. This also creates a fair amount of waste with the DE that requires proper disposal.

Activated Carbon can be used to remove off-odors such as mercaptans (rotten eggs, burnt match). It does have the risk of overly oxidizing wine as well as stripping color and resveratrol from red wines.

New Developments on the Horizon

Ronald S. Jackson notes in Wine Science that fears about the prions potentially in gelatin and “Mad Cow” disease, encouraged studies into the use of plant proteins like wheat gluten as a substitute for gelatin. (Note: most gelatin used in US winemaking is derived from pigs rather than cows) Likewise, a New Jersey company has been experimenting with using pea proteins in conjunction with bentonite and silica as an alternative to gelatin.

Interest in food allergies have also spurned innovations with Scott Labs developing a technique to isolated chitosan from the fungus Aspergillus niger (instead of shellfish and crustaceans) that can be used as a fining agent.

The California based ATP Group has developed a way to extract tannin powder for fining from white wine grapes instead of insect galls to help soften tannins.

In 2016, a Swiss company announced that they were experimenting with the use of UV light to soften tannins in lieu of using animal-based protein fining agents.

The Biodynamic Quandary

Are wines produced from fruit sourced from biodynamic vineyards truly “vegan-friendly”? Several of the “preparations” used in biodynamic viticulture require the use of animal products such as cow horns (BD 500 and 501), stomachs, intestines and bladders.

In an anecdotal account of a visit with the vineyard manager of the biodynamic Pinot noir producer Sea Smoke, Kirsten Georgi (The Armchair Sommelier), describes how the “Biodynamic approach” to removing gophers without the use of poisons or chemicals involves trapping several gophers, killing them, burning their ashes and spreading those ashes over the vineyard during winter solstice as a means to “scare off” the rest of the gophers. This method of “peppering” vineyards with the ashes of pests is not unique to Sea Smoke with recipes on biodynamic websites recommending its use for everything from weeds, snails and insects to mice, rats, rabbits and opossum.

PETA Approved?
Photo by Mark Smith. Uploaded to Wikimedia Commons under CC-BY-2.0

Manure composting at a biodynamic vineyard in Tasmania.

Despite these practices, organizations like PETA recommend biodynamic wineries as “vegan friendly”. The UK website Vegan Wines Online notes that while “…natural animal products can however be used in the growing process all the biodynamic wines they sell are somehow suitable for vegans.

Even organic viticulture could be problematic with the use of animal-derived bone and blood meal being used in lieu of chemical fertilizers. There is even debate if manure, as an animal by-product, is acceptable. Like honey and milk, manure doesn’t require killing the animal but still often requires farming to acquire.

What about the presence of insects in healthy and vibrant organic vineyards? Does that makes a wine less “Vegan-friendly”? Eschewing the use of chemicals often means more insects as MOG (material other than grapes). Absent expensive sorting these bugs can get caught up in the harvest. On the Barnivore website, Calcareous Vineyard in Paso Robles expressed this reservation though their wines were still classified as “vegan friendly”.

More Manipulated=More Vegan-friendly?

Are the most “vegan-friendly” vineyards the ones being farmed with heavy saturation of pesticides and chemical fertilizers? It seems like it when you compare it to organic and biodynamic vineyards with high insect MOG and animal-derived fertilizers.

Mass produced wines like the PETA recommended Sutter Home and Moët & Chandon often employ these conventional, chemical dependent styles of viticulture.

While avoiding using animal-based fining agents to remove excess tannins and haze forming proteins, big mega-corps can use other tricks to manipulate the wine with things like lab designed enzymes, oak adjuncts and Mega Purple which will “smooth out” bitter tannins and cover up off-flavors.

Just a single drop of Mega Purple had this white Riesling looking and smelling like a Grenache rose. Crazy stuff.

Sure, Charles Shaw reds (Two Buck Chuck), Sutter Home Cabernet Sauvignon, Meiomi Pinot noir and Yellow Tail reds are made without animal fining agents but should vegans (and really all wine drinkers) be concerned with what other products are being used to make these wines?

And while it can be exciting to see advances in the use of pea proteins and fining agents derived from fungi like Aspergillus niger, its worth asking if these are only adding to the laundry list of the 60+ (and counting) additives that can be used in winemaking–taking it even further away from being just “fermented grapes”?

Now What?

While I’m not vegan myself, I wholeheartedly support anyone that chooses to live their life by convictions. I respect their ethical concerns for the treatment of animals.  I also share their concerns about the environment animal products have. It’s not my wish to stress-out vegans who just want to relax and enjoy a nice bottle of wine.

I do believe it is fair to think about the big picture involved in many seemingly “vegan-friendly” wineries.  Often the viticulture and winemaking practices they use may not align with the ideals of many vegans.

However, it is clear from sites like Barnivore that there are tons of environmentally conscious wineries (many of which are even owned by vegans) that are producing vegan-friendly wines. They may not be the easiest to find at grocery stores or restaurant wine lists that can be dominated by the portfolios of the large mega-corps but these often small family-owned wineries are well worth seeking out and supporting.

And that’s something that I think both vegans and non-vegans can drink to.

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60 Second Wine Review — 2012 Mark Herold Brown Label

A few quick thoughts on the 2012 Mark Herold Brown Label Napa Valley Cabernet Sauvignon.

The Geekery

Mark Herold got his start in the wine industry as a research enologist for Joseph Phelps before founding Merus in 1998 in his garage with his then wife, Erika Gottl. Jim Gordon notes in Opus Vino, that over the next 10 years Herold turned his small 1500 case production of Merus into one of the most acclaimed wines in Napa. In 2007, Merus was sold to Foley Wine Group with Herold leaving the following year as Camille Benitah and Paul Hobbs took over winemaking.

After leaving Merus, Herold continued consulting at estates like Buccella, Celani Family, Kamen, Kobalt, Harris, Hestan and Maze. As part of a divorce settlement and non-compete, he agreed not to make any Cabernet Sauvignon under his own label until 2010.

According to Barnivore, Mark Herold Wines are vegan-friendly. The 2012 Brown Label is 100% Cabernet Sauvignon with around 575 cases made.

The Wine

Medium-plus intensity nose. Lots of sweet oak spices and vanilla. Rich dark fruit–currants, blackberries. There is also a smokey, roasted coffee element to the nose as well.

On the palate, the wine is very big and full-bodied with medium-plus acidity and medium-plus tannins. The dark fruits carry through but the oak still dominants with the vanilla adding a lushness that rounds out the tannic edge. I wished the coffee note carried through with the smokey element instead being more toasted wood on the palate instead of roasted coffee. Moderate length finished.

Photo by Paolo Neo. Released on Wikimedia Commons under Public Domain

Rich dark fruits like black currant and oak are abundant in this Cab.

The Verdict

The 2012 Mark Herold Brown Label falls in line with your classic big, bold Napa Cabs that have noticeable oak. Though while it does have rich dark fruit and vanilla lusciousness, it is a bit better balanced than most of its peers with the tannins keeping it from being sweet and the acidity bringing freshness.

At around $95-110, it is very much in line with wines from estates like Cakebread, Silver Oak, Frank Family and Stag’s Leap Wine Cellars.

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Getting Geeky with 2008 Sarget de Gruaud-Larose

Going to need more than 60 Seconds to geek out about the 2008 Sarget de Gruaud-Larose from St. Julien.

The Backstory

Clive Coates notes in Grand Vins that the 2nd Growth estate Ch. Gruaud-Larose was formed in 1757 when two brothers, one a priest and the other a judge, pooled together their inheritance and purchased adjoining vineyards to create the 116 hectare (≈ 287 acres) property. Wine that was in high regard and commanded prices almost on par with estates like Ch. Latour and Margaux had been produced on the property for sometime prior to the brothers’ involvement.

The Gruaud brothers were known for their eccentricities, particularly the judge, who would hoist different flags on the property after harvest to signal what nationality he felt that year’s wines would most appeal to. A British flag would be raised if the wines were going to be full-bodied and firm, a German flag if they were going to be soft and supple and a Dutch flag for a style that was a mix of the two.

The magistrate also garnered a reputation for alienating the merchants and négociants with his business practices. Each year when the previous vintage was ready to be sold, he would go to the market center and set his price for the vintage. If his price wasn’t met, he would leave only to come a few months later with an even higher asking price for his unsold wine. In what seems like a foreshadowing of the future tranche release and en primeur systems, M. Gruaud would keep raising his price until eventually the merchants capitulated else wise the price would be higher the next time he returned.

In 1778, the property passed to the magistrate’s daughter and son-in-law, Joseph-Sébastian de La Rose, who affixed the name Larose to the estate. Larose would also go on to establish the large Haut-Medoc estate of Ch. Larose-Trintaudon located on the border of Saint-Laurent and Pauillac.

The author at Gruaud-Larose.


The estate would change hands multiple times and in 1867 the two families who jointly owned the property split it up into two estates–Ch. Gruaud Larose Sarget and Ch. Gruaud Larose Faure (sometimes labelled as Ch. Gruaud Larose-Bethmann). The two estates co-existed until the early 20th century when the Bordeaux négociant family of Cordier bought first the Sarget portion in 1917 and then the Faure portion in 1935 to reunite the two properties.

Founded in 1877, the Cordier négociant house became a significant player during World War I when they landed the exclusive contract to supply the daily wine rations for the entire French Army. Flushed with income, they were able to acquire numerous estates over the next several decades beyond Gruaud-Larose, including the St. Emilion estate Clos des Jacobins, the Premier Grand Cru Classé Sauternes estate Ch. Laufarie-Peyraguey, Ch. Meyney in St. Estèphe, the 5th Growth Haut-Medoc estate of Ch. Cantemerle and the 4th Growth St. Julien estate of Ch. Talbot.

Today, Gruaud-Larose is owned by the Merlaut family under their Taillan Group which also includes the 5th Growth Pauillac estate of Haut-Bages Libéral, the 3rd Growth Margaux estate of Ch. Ferrière, Ch. Chasse-Spleen, Ch. Citran and several others in Bordeaux, the Loire and the Rhone.

The Estate

Bottles from the 1815 vintage of Gruaud-Larose in the estate’s cellar.

While still a large estate by Bordeaux standards with over 200 acres planted to vines, Ch. Gruaud-Larose has seen it size reduced somewhat since the 18th century. However, it is still one of the few estates whose vineyards have remained relatively the same since the property was classified in 1855.

The majority of the vineyards are on the southern side of St. Julien between Ch. Lagrange and Ch. Brainaire-Ducru. There is a parcel further west next to Ch. Talbot and another plot of vines located on the boundary of St. Julien and the commune of Cussac, across the road from the Haut-Medoc estate of Ch. Lanessan. While the average age of the vines are 40 years old, the estate owns several plots that are more than 100 years of age. All the vineyards are sustainably and organically farmed with around 100 acres farmed biodynamically.

Jeff Leve of The Wine Cellar Insider notes that Gruaud-Larose is unique in St. Julien for not only having the most clay soils in the commune but also for being located at the highest elevation on the St. Julien plateau.

After the retirement of winemaker Georges Pauli, Eric Boissenot has served as consultant for the estate.

Wine Stats

Ch. Gruaud-Larose produces around 540,000 bottles a year with about 45% of the yearly production being declassified to the second wine of Sarget de Gruaud-Larose. Named after the mid-19th century owner, Baron Jean Auguste Sarget, the wine spent 18 months aging in 30% new oak.

In 2008, the blend was 57% Cabernet Sauvignon, 30% Merlot, 8% Cabernet Franc, 3% Petit Verdot and 2% Malbec with around 15,100 cases made.

The Wine

Photo by © Superbass. Released on Wikimedia Commons under CC-by-SA-4.0

A lot of cedar cigar box notes in this wine.

Medium-plus intensity nose. Very cigar box with tobacco spice and cedar. Underneath there is some red fruits like currant and plum.

On the palate, those cigar notes carry through and bring an even more savory, meaty element. Medium-plus acidity maintains freshness and adds a little juicy element to the red fruits. Medium tannins still have some grip but are rather mellow at this point. Moderate length finish ends with the same cigar box notes that have dominated this wine from the beginning.

The Verdict

With the 2008 edition of the Grand Vin of Gruard-Larose going for around $90, the 2008 Sarget de Gruaud-Larose is a very solid second wine at around $35-40.

It is a classic St. Julien that would certainly appeal to folks who like old school, savory Bordeaux. While the tannins are softening, the wine has enough acidity and structure to still be drinking well for at least another 3 years.

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Getting Geeky with Domaine du Grangeon Chatus

Going to need more than 60 Seconds to geek out about this bottle of 2012 Domaine du Grangeon Chatus from the Ardèche.

The Grape

Jancis Robinson notes in Wine Grapes that Chatus is a very old variety that was first mentioned by Olivier de Serres in 1600 as being one of the best wine grapes in the Ardèche. For the next couple centuries, the grape enjoyed widespread planting from the Massif Central to the Drôme, Isère and Savoie. It even found its way across the Alps to the foothills of Piedmont before phylloxera dramatically reduced its numbers.

Even after the threat of phylloxera passed with rootstock grafting allowing Vitis vinifera varieties to be reintroduced, Chatus struggled to gain much traction even inside its home territory of the southern Ardèche. By 1958 there were around 371 acres in all of France. However, that number would drop to only 141 acres by 2006. Here is often blended with Syrah.

DNA analysis has shown that Chatus likely originated in the Ardèche region where one of its parent grapes may have been the near extinct variety Pougnet. It crossed at some point with Gouais blanc (parent of Aligoté, Chardonnay, Gamay, Melon de Bourgogne and many more varieties) to produce Sérénèze de Voreppe.

Outside of France, Chatus is still grown in Piedmont in regions like Pinerolo, Saluzzo and Maira Valley. Here it is often blended with Avanà, Barbera, Neretta Cuneese, Persan and Plasa.

Confusion With Nebbiolo
Photo taken by self and uploaded to Wikimedia Commons under CC-BY-SA-3.0

Chatus is often confused with Nebbiolo (pictured)

DNA profiling showed that the Neiret and Nebbiolo di Dronero growing in the alpine foothills of Piedmont were actually Chatus. In the 1930s, the grape breeder Giovanni Dalmasso at the Istituto Sperimentale per la Viticoltura in Conegliano used what he thought was Nebbiolo as a parent variety in the development of several new grapes.

However, the cuttings he used turned out to be Chatus.  This makes the grape a parent to several varieties such as Albarossa, Cornarea, Nebbiera, San Michelle and Soprega (with Barbera) as well as Passau, San Martino and Valentino nero (with Dolcetto).

Chatus’ confusion with Nebbiolo can also be seen in the type of wines that the small-berried variety produces. Often Chatus wines show ample acidity, high tannins and an affinity for absorbing the flavors of oak. One significant difference between the two varieties is that Chatus tends to produce more deeply colored wines than typical of Nebbiolo.

 

The Winery

After serving as cellar master for the notable Condrieu producer Georges Verney, Christophe Reynouard returned home in 1998 to take over his family’s estate in the village of Rosières in southern Ardèche.

In addition to the very rare Chatus, Domaine du Grangeon also grows Syrah, Cabernet Sauvignon, Merlot, Gamay, Viognier and Chardonnay on their 42 acres of vineyards. The winery farms sustainably with no chemicals used in the vineyard.

The grapes for the 2012 Chatus came from the family’s vineyard in Balbiac. After fermentation and malolatic fermentation, the wine spent 24 months in new French oak. Only around 4500 bottles were produced.

The Wine

Medium intensity nose. Spice, lots of spice. The nose has a bit of Syrah-like black pepper spice. Earthy tobacco spice reminiscent of Nebbiolo soon follows. With air, baking oak spice comes out as well. Underneath the spice is a mix of dark berry fruit with some slight floral element.

On the palate, the oak takes center stage with round vanilla notes tempering the medium-plus acidity and medium-plus tannins. The dark fruits still carry through but are even harder to pick out on the palate under the oak. The spice notes from the nose also get a bit muted but seem to reemerge for the moderate length finish.

The Verdict

At around $25-30, you are certainly paying a premium for the uniqueness of this grape variety and its scarcity. The wine certainly has some character. It would be intriguing to try an example that didn’t have as much overt oak.

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