Tag Archives: California wine

60 Second Wine Review — Two Vintners Zinfandel

A few quick thoughts on the 2014 Two Vintners Zinfandel from the StoneTree Vineyard in the Wahluke Slope.

The Geekery

Two Vintners was founded in 2007 by Morgan Lee as a sister label of Covington Cellars, where Lee also serves as winemaker.

The 2014 Zinfandel is from StoneTree Vineyard on the Wahluke Slope. First planted in 2000 by Tedd Wildman, it is one of the few vineyards in Washington with Zinfandel planted.

Paul Gregutt notes in Washington Wines that for many years Washington wineries touted Lemberger as “Washington’s Zinfandel” with the first Columbia Valley Zinfandel to gain attention being Sineann’s example from The Pines vineyard located on the Oregon side of the AVA. In the last 25 years, the state has gone from negligible plantings of Zin to around 65 acres in the ground by 2017.

First released by Two Vintners in 2008, around 530 cases of Zinfandel are produced each year.

The Wine

Photo by Fir0002/Flagstaffotos. Uploaded to Wikimedia Commons under CC-BY-NC-3.0

This Zin is loaded with rich dark fruits like boysenberries but, unfortunately, doesn’t offer much else.

Medium-intensity nose. Jammy dark fruit for sure–blackberry, boysenberry. But not much else.

On the palate, the full body fruit and high alcohol is apparent.  However, the wine is well balanced with enough medium-plus acidity to keep it fresh. But despite all that huge fruit, the flavor itself is rather thin and fades quickly.

The Verdict

Full disclosure, I have a mad vino-crush on Morgan Lee. I think his Syrahs are some of the best in Washington and thoroughly agree with Seattle Magazine that he is a Winemaker to Watch in the state. But this Zin just doesn’t do it for me.

Yes, Zin and I have a complicated history but a recent trip to Sonoma help re-invigorate my enthusiasm for the grape. My gut tells me that the vines in Washington are just too young to make truly interesting Zins, even with exceptional vineyard terroir and winemaking.

It’s worth keeping an eye on but at $25-30, there are far more interesting California Zins or, for that matter, Washington Syrahs and red blends to drink.

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Wine Geek Notes 2/28/18 — Interesting Tweets & Burg Vintages

Photo by William Lawrence. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

Here’s what I’ve been reading today in the world of wine.

Odds & Ends from Twitter

Some interesting weblinks from Twitter that are worth the read.

Smelling Terroir: A New Study Suggests People Can Smell the Difference Between Wines Solely Based on Terroir (but can we, really?) from the Academic Wino (@TheAcademicWino)
Very cool read about a 2016 study that showed that both experts and non-experts were able to smell the difference between wines grown in two different terroirs. Becca looks a little more in-depth at the study to question if it’s really the terroir differences they are smelling or something else.

new maps & saturday afternoon in the meursault sunshine from Bill Nanson (@billnanson) at the Burgundy Report with the tweet coming across my dash via @RealWineGuru
I’m a bit of a map geek (as evidence by my geek out over this Clos Vougeout map) so I absolutely squealed at the discovery of these incredibly detailed Beaujolais cru maps. Also some lovely pictures of Meursault that had me daydreaming about sipping on a Les Charmes.

So you want to be a wine judge by Master of Wine Sarah Jane Evans (@SJEvansMW) courtesy of @WSETglobal
As noted in yesterday’s Wine Geek Notes, I’ve been doing a lot of research on Wine Competitions and this article from Sarah Jane Evans added another perspective. One of the questions that I’ve been debating in my head is “Who benefits from Wine Competitions–the winery or the consumer?” which Evans answers rather bluntly “Remember that ultimately you are doing the judging for the winemaker and brandowner.”

Photo by Marianne Casamance. Released on Wikimedia Commons under  CC-BY-SA-4.0

Plant more Chenin!!!! The author screams into the void.


Wine of the Week: Lang & Reed, 2016 Napa Valley Chenin Blanc from Peg Melnik (@pegmelnik) at The Press Democrat with the tweet coming across my dash via @jncorcoran1
The subheader is what hooked me: “What happened to chenin blanc in California?” I have a soft spot for Chenin and have bemoaned the lack of interest of it in Washington State so I was similarly disheartened to read the staggering stat of how 3000 acres of Chenin blanc in Napa in 1980 has shrank down to just 14 acres today.

Burg’in Around

For my 60 Second Review of the 2013 Domaine Coquard Loison Fleurot Chambolle-Musigny I did some background research on the estate and 2013 vintage that had me stumbling across a few nifty links.

Pearl of Burgundy YouTube Channel
Features well produced short 2-4 minute videos from several Burgundian producers. While the Domaine Coquard Loison Fleurot vid is what initially caught me, I also enjoyed the videos from Domaine Henri Gouges, Domaine Lamarche and Domaine Grivot. By this point I was hitting the subscribe button for the channel.

2013 burgundy – the fairy-tale vintage? from Master of Wine Jancis Robinson (@JancisRobinson)
Always some of my favorite vintage write-ups. Great summary at the bottom of the article about the big issues facing 2013 but I also like how she explores the potential similarities (and differences) between 2013 and 1996 that also segue into comparing 2012 to 1998/1988.

The 2013 Red Burgundies: Fascinating and Challenging (Paywall) by Stephen Tanzer (@StephenTanzer1) on Vinous.
Tanzer takes a slightly more pessimistic outlook on 2013 and goes into more details about the challenges that the Côte de Beaune, in particular, had.

A Vintage Viewpoint…(2013, 2012, 2011…) from Bill Nanson at the Burgundy Report.
A nice little one page summary of the 2013 vintage in comparison to the 2012 and 2011 vintages.

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60 Second Wine Review — Tagaris Pinot noir

A few quick thoughts on the 2015 Tagaris Pinot noir from the Areté Vineyard.

The Geekery

Founded in 1987 by Michael Taggares, the Tagaris winery honors the original Greek spelling of the family’s surname that was changed when Taggares’ grandfather, Pete, immigrated to the United States through Ellis Island.

According to Paul Gregutt in Washington Wines, Tagaris became a “winery to watch” in Washington when Frank Roth joined the estate as winemaker in 2006. A former cellarmaster at Barnard Griffin, Roth also spent time in Canada working at Hawthorne Mountain and Sumac Ridge before returning to Washington.

Over the years Tagaris has earned a reputation for focusing on small lots from unusual grape varieties in Washington like Tempranillo, Counoise, Mourvedre, Carmenere, Cinsault and Pinot noir from their three estate vineyards.

The 200 acre Areté Vineyard was first planted in 1983 and is certified organic. Located at an elevation of 1300 feet on Radar Hill near Othello, the vineyard is a source of organically grown fruit for Power’s Badger Mountain and Chateau Ste. Michelle’s Snoqualmie Naked wines. The vineyard include 2.27 acres of Pinot noir planted on sandy loam.

Frank Roth’s winemaking style is noted for his restrained use of oak, preferring to use neutral oak barrels that are at least six years of age.

The Wine

Medium intensity nose. Some red cherry notes with a little herbal tomato leaf. With some air a bit of fresh cranberry comes out as well.

Photo by Anna Anichkova. Released on Wikimedia Commons under CC-BY-SA-3.0

This Pinot has fresh cranberry notes.


On the palate those red fruits come through with the herbal notes more muted. There is also a spice element on the palate that is not very defined. Medium-plus acidity with medium tannins and a very light body that makes the fruit taste a bit thin. Perhaps this could have used a little new oak to balance?

The Verdict

At around $30-35, you are paying for the novelty and uniqueness of a Washington Pinot noir.

Admittedly, if you compare this to the quality level you can get from an equivalent priced Oregon or California Pinot, it doesn’t hold well.

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Whiskey and Wine Revisited

In 2016, I dipped my toes into exploring the strange trend of wine aged in whiskey barrels with my original Whiskey and Wine post.

In that post, I did a blind tasting featuring 3 barrel aged wines and one regular red wine ringer thrown in. While I thought this fad would quickly fade, it looks like it has only picked up steam with new entries on the market.

I decided to investigate a little more with another blind tasting of as many different barrel aged wines that I could find. (Results below)

I got bottles of the Apothic Inferno, Robert Mondavi Cabernet Sauvignon and Barrelhouse Red featured in the last blind tasting as well as new bottlings from Mondavi of a bourbon barrel aged Chardonnay (I’m not kidding) and a Cabernet Sauvignon from Barrelhouse. I found further examples from Cooper & Thief, 1000 Stories, Big Six Wines, Stave & Steel and Paso Ranches. For a twist, I also added the 19 Crimes The Uprising that was aged in rum barrels.

I tried to find bottles of The Federalist’s Bourbon barrel aged Zinfandel, Jacob’s Creek Double Barrel Cabernet Sauvignon and Shiraz and 1000 Stories “half batch” Petite Sirah but to no avail.

So What’s The Deal?

Why are so many producers jumping on this bandwagon?

On Twitter, wine and lifestyle blogger Duane Pemberton (@Winefoot) had an interesting take.

A similar sentiment was shared on Facebook from one of my winemaking friends, Alan, who noted that the charcoal from the heavy toast of the bourbon barrels could function as a fining agent for wines with quality issues like bad odors.

Now considering that many of the mega-corporations behind these wines like Gallo (Apothic), Constellation Brands (Mondavi & Cooper & Thief), The Wine Group (Stave & Steel) and Concha y Toro/Fetzer (1000 Stories) process millions of tons of grapes for huge portfolios of brands, this actually makes brilliant business sense.

Even in the very best of vintages, you are always going to have some fruit that is less than stellar–often from massively over-cropped vineyards that aren’t planted in ideal terroir. Rather than funnel that fruit to some of your discount brands like Gallo’s Barefoot, Constellation’s Vendange and The Wine Group’s Almaden, you can put these wines in a whiskey barrel for a couple of months and charge a $5-10 premium–or in the case of Cooper & Thief, $30 a bottle!

Trying to Keep An Open Mind

Bourbon Standards

In this tasting, I wanted to explore how much of the whiskey barrel influence is noticeable in the wine. In the last blind tasting, one of the things that jumped out for me is that the Mondavi Cab and Barrelhouse red didn’t come across as “Whiskey-like” and were drinkable just fine as bold red wines. Meanwhile, the Apothic Inferno did scream WHISKEY but it came across more like a painful screech.

To facilitate that exploration, I poured some examples of “Bourbon Standards” that the tasting panel could smell for reference (and drink after the tasting if needed!). My Bourbon Standards were:

Larceny — From Heaven Hill Distillery. A “fruity sweet” Bourbon with noticeable oak spice.

Jim Beam — Old standard from Beam-Suntory. A light Bourbon with floral and spice notes.

Two Stars — A wheated Bourbon from Sazerac. It’s kind of like if Buffalo Trace and Maker’s Mark had a baby, this would be it. Caramel and spice with honey and fruit.

Bulleit — Made now at Four Roses Distillery. Sweet vanilla and citrus.

The Wines

Apothic Inferno & Cooper & Thief

Apothic Inferno  ($13)

Made by Gallo. Unknown red blend. This wine is unique in that it only spent 60 days in whiskey barrels (as opposed to bourbon barrels) while most of the other reds spent 90 days. 15.9% ABV

Cooper & Thief ($30)

Made by Constellation under the helm of Jeff Kasavan, the former director of winemaking for Vendange. I did appreciate that this was the only red blend that gave its blend composition with 38% Merlot, 37% Syrah, 11% Zinfandel, 7% Petite Sirah, 4% Cabernet Sauvignon and 3% “other red grapes.” The wine was aged for 90 days and had the highest ABV of all the wines tasted with 17%. This wine was also unique in that it was from the 2014 vintage while all the other reds (except for the 19 Crimes) were from the 2015 vintage.

Barrelhouse  ($13-14)

Made by Bruce and Kim Cunningham of AW Direct. A Cabernet Sauvignon and unknown Red Blend aged 90 days in bourbon barrels. Both of these wines were unique in that they had the lowest alcohol levels in the tasting with only 13.2% while most of the other wines were over 15%.

Big Six  ($15 each)

Made by god knows who. The back label says it is from King City, California which means that it could be a Constellation brand or it could be made at a custom crush facility like The Monterey Wine Company. They offer a Cabernet Sauvignon, unknown Red Blend and Zinfandel aged 90 days in bourbon barrels with ABVs ranging from 15.1% (Red blend) to 15.5% (Zinfandel).

Paso Ranches Zinfandel  ($20)

Made by Ginnie Lambrix at Truett Hurst. While most wines were labeled as multi-regional “California,” this wine is sourced from the more limited Paso Robles AVA. Aged 90 days with a 16.8% ABV.

Robert Mondavi ($12 each)

Made by Constellation Brands. A Cabernet Sauvignon aged 90 days and a Chardonnay aged for 60 days with both wines having an ABV of 14.5%. Like the Paso Ranches, these wines were sourced from the more limited Monterrey County region.

Stave & Steel Cabernet Sauvignon  ($17)

Made by The Wine Group. This wine was unique in that it was aged the longest of all the wines with four months. Like the Barrelhouse, this wine had more moderate alcohol of 13.5%

Got only crickets from them on Twitter as well.

1000 Stories Zinfandel  ($17)

Made by Fetzer which is owned by Concha y Toro. This was one of the first wineries in the US to release a bourbon barrel aged wine back in 2014 with winemaker Bob Blue claiming that he’s been aging wine in old whiskey barrels since the 1980s. This was the only wine that I could not figure out how long it was aged with the bottle or website giving no indication. The ABV was 15.6%

19 Crimes  ($8)

Made by Treasury Estates with wine sourced from SE Australia. Unknown red blend that was aged 30 days in rum barrels with 15% ABV. This was the youngest wine featured in the tasting coming from the 2016 vintage.

The Blind Tasting

To be as objective as possible, especially with some of the wines like the Cooper & Thief having very distinctive bottles, I brown bagged the wines and had my wife pour the wines in another room. We also “splash decanted” all the wines (except for the Chardonnay) to clear off any reductive notes.

After trying the Chardonnay non-blind, my wife would randomly select an unmarked bag, label it A through L and poured the wines in 6 flights of 2 wines each. We then evaluated the wines and gave each a score on a scale of 1-10. Below is a summary of some of our notes, scores and rankings with the reveal to follow. My friend Pete contributed the colorful “personification” of the wines in his tasting notes. The wine price ranges are from my notes.

To keep our palates as fresh as possible we had plenty of water and crackers throughout the tasting. And boy did our poor little spit bucket get a workout, needing to be emptied after every other flight. But even with spitting, it was clear that we were absorbing some of the high alcohol levels. After six reds, we also paused for a break to refresh our palates with some sparkling wine.

 

Mondavi Chardonnay (Scores 4, 7, 6, 5.5, 4 = 26.5 for 7th place)

Vanilla, butterscotch, canned cream corn & tropical fruit like warm pineapple. More rum barrel influence than bourbon. Drinks like something in the $7-8 range

Wine A (Scores 6, 7.5, 6, 7, 6 = 32.5 for 3rd place)

Baby powder and baking spice. Noticeable Mega-Purple influence. Maybe a Zin or Petite Sirah. Minimal oak influence. Some burnt char. Kind of like the girl you met at the carnival, take for a ride but don’t buy her cotton candy. Drinks like something in the $10-12 range.

Many wines were very dark and opaque.

Wine B (Scores 2, 3, 4, 2, 2 = 13 for 11th place)

Very sweet. Lots of vanilla. Noticeable oak spice and barrel influence. Little rubber. More rye whiskey than bourbon. Taste like oxidize plum wine. Very bitter and diesel fuelish. Reminds me of a Neil Diamond groupie. Drinks like something in the $7-8 range.

Wine C (Scores 7, 7, 7, 7, 3 = 31 for 5th place)

Smells like a ruby port or Valpolicella ripasso. Some wintergreen mint and spice. Cherry and toasted marshmallow. Noticeable barrel influence. Reminds me of Karen from Mean Girls. Drinks like something in the $10-12 range.

Wine D (Scores 3, 4.5, 5, 2, 2 = 16.5 for 10th place)

Very sweet, almost syrupy. Burnt creme brulee. Burnt rubber. Toasted coconut. Rum soaked cherries. The color is like Hot Topic purple hair dye. Super short finish which is a godsend. If this wine was a person, her name would be Chauncey. Drinks like something in the $5-6 range.

Wine E (Scores 6, 7, 6, 8, 7 = 34 for 2nd place)

Raspberry and vanilla. Graham cracker crust. Not as sweet as others. Very potpourri and floral. Really nice nose! Smells like the Jim Beam. Little Shetland pony earthiness. High heat and noticeable alcohol. Reminds me of the guy who is really ugly but you like him anyways. Drinks like something in the $14-16 range.

Wine F (Scores 3.5, 5.5, 4, 5, 5 = 22 for 8th place)

Toasted marshmallows. Noticeably tannic like a Cab. Raspberry and black currants. Not much barrel influence. This wine seems very robotic. Drinks like something in the $12-14 range.

That spit bucket rarely left my side during this tasting.

Wine G (Scores 6.5, 7, 3, 6.5, 6 = 27 for 6th place)

Tons of baking spice. Very noticeable oak. Reminds me of a Paso Zin. Lots of black pepper–makes my nose itch. Slightly sweet vanilla. Most complex nose so far. Would be a delicious wine if it wasn’t so sweet. Reminds me of a Great Depression-era dad. Drinks like a $14-16 wine.

Wine H (Scores 2, 3, 3, 1, 2 = 11 for 13th last place)

Burnt rubber tires. Smells very boozy. Fuel. Taste like really bad Seagram’s 7. Cheap plastic and char like someone set knockoff Crocs shoes on fire. Reminds me of Peter Griffin. Drinks like something in the $7-8 range.

Wine I (Scores 7.5, 6.5, 7, 8, 7 = 36 for 1st place)

Dark fruit and pepper spice. Turkish fig. Juicy acidity. Not as sweet. Round mouthfeel and very smooth. Creamy like butterscotch. Not much barrel influence. Reminds me of a sociopath that you don’t know if they want to cuddle with you or cut your throat. Drinks like something in the $14-16 range.

Wine J (Scores 4, 4, 3, 4, 3 = 19 for 9th place)

Marshmallow fluff. Caramel. Very sweet. Smells like a crappy Manhattan with a cherry. Seems like a boozy Zin. Not horrible but still bad. Not much barrel influence at all. Reminds me of children. Drinks like a $10-12 wine.

Wine K (Scores 7, 6.5, 8, 4, 6 = 31.5 for 4th place)

Big & rich. Juicy cherries. Sweet but not overly so. Little pepper spice. Very easy drinking. Something I would actually drink. Not much barrel influence. Makes me think of the “I’ve got a Moon Ma” guy. (author’s note: I have no idea what Pete is referring to here. This is my best guess.) Drinks like a $10-12 wine.

Wine L (Scores 1, 4, 2, 4, 1 = 12 for 12th place)

Stewed plums and burnt rubber. Lots of tannins and acid. The worst thing I’ve had in my mouth all week. Pretty horrible. Long, unpleasant finish. Reminds me of Sloth from The Goonies. Drinks like a $10-12 wine.

The Reveal

After tallying up the scores, we revealed the wines. In order from best to worst tasting of the barrel aged wines:

The closeness in style and rankings of the 3 Big Six wines were surprising.

1st Place: Barrelhouse Red (Bag I)
2nd Place: Stave & Steel Cabernet Sauvignon (Bag E)
3rd Place: Mondavi Cabernet Sauvignon (Bag A)
4th Place: Big Six Zinfandel (Bag K)
Big Six Cabernet Sauvignon (Bag C)
Big Six Red Blend (Bag G)
Mondavi Chardonnay (non-blind)
Barrelhouse Cabernet Sauvignon (Bag F)
19 Crimes The Uprising (Bag J)
Cooper & Thief (Bag D)
Paso Ranches Zinfandel (Bag B)
1000 Stories Zinfandel (Bag L)
Last Place: Apothic Inferno (Bag H)

Final Thoughts

One clear trend that jumped out was that the top three wines had moderate alcohol (13.2% with the Barrelhouse to 14.5% with the Mondavi). Overall these wines tasted better balance and had the least amount of the off-putting burnt rubber and diesel fuel note which tended to come out in the worst performing wines like the Apothic Inferno (15.9%), Cooper & Thief (17%), 1000 Stories Zin (15.6%) and Paso Ranches Zin (16.8%).

Another trend that emerged that was similar to the previous tasting (which had the Barrelhouse Red and Mondavi Cab also doing very well) is that the most enjoyable wines were the ones with the least obvious whiskey barrel influence. This was true even with the 2nd place finish of the Stave & Steel that was the wine that spent the most time in the barrel at four months. That is a testament to the skill of the winemaker where the whiskey barrel is used as a supporting character to add some nuance of spice and vanilla instead of taking over the show.

Comparing the four months aged Stave & Steel to the two months aged Apothic Inferno is rather startling because even with a shorter amount of barrel time the Apothic seemed to absorb the worst characteristics from the whiskey barrel with the burnt rubber and plastic. The 19 Crimes that only spent 30 days in rum barrels didn’t show much barrel influence at all.

It also appears that, in general, Cabernet Sauvignon takes better to the barrel aging compared to Zinfandel. However, the Big Six Zinfandel did reasonably well to earn a 4th place finish. The most challenging task for winemakers is to try and reign in the sweetness. Several of these wines had notes like Wine G (the Big Six red blend that is probably Zin dominant) that they would be decent wines if they were just a bit less sweet.

One last take away (which is true of most wines) is that price is not an indicator of quality.

Three of the worst performing wines were among the four most expensive with the $17 1000 Stories Zin, $20 Paso Ranches Zin and the $30 Cooper & Thief. The Cooper & Thief tasted so cheap that I pegged it as a $5-6 wine. It is apparent that you are paying for the unique bottle and fancy website with this wine.

Only the $17 Stave & Steel that came in 2nd held its own in the tasting to merit its price. However, the Barrelhouse Red at $13 and Mondavi Cab at $12 offer better value.

It’s clear that this trend is not going away anytime soon. If you’re curious, these wines are worth exploring but beware that they vary considerably in style, alcohol and sweetness. Grab a few bottles and form your own opinion.

But take my advice and have some good ole fashion real whiskey on standby. Those “bourbon standards” certainly came in handy after the tasting.

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Cab is King but for how long?

Photo from Wikimedia Commons from George Cattermole and the Gallery of Shakespeare illustrations, from celebrated works of art (1909).At a 2018 Unified Wine & Grape Symposium panel on Cabernet Sauvignon, one of the directors of winemaking for E. & J. Gallo Winery, Chris Munsell, shared a bit of advice that he learned from a marketing executive.

…for any wine to be successful, it need[s] to be of good quality, known by consumers and profitable for everyone involved. — Wines & Vines, Jan 29th, 2018.

Following that line of thought, it’s easy to see how Cabernet Sauvignon ticks off each box.

Cab’s ability to make high quality and age-worthy wines is legendary. It is relatively easy to grow in the vineyard and is very adaptable to a wide range of winemaking techniques. This adaptability increases the profitability of the grape. Winemakers can make virtually any style of Cab to fit consumers’ tastes at prices that still meet desired profit margins.

At the Unified panel mentioned above, Evan Schiff, the winemaker for Francis Ford Coppola Presents’ Diamond line, describes how Coppola can make consistent under $13 Cabernet Sauvignon sourced from vineyards throughout California. They achieve this with enzymes that facilitate quick fermentation, oak barrel alternatives like chips and staves (as opposed to $400-1000 new barrels) and micro-oxygenation.

Meanwhile, in Napa County where a ton of Cabernet Sauvignon grapes can cost anywhere from $6,829 to $59,375, producers seemingly have no problem selling high-end Napa Valley Cabernets for several hundreds of dollars.

The reason why Cabernet Sauvignon is a relatively easy sell is because of the second point in Munsell’s advice. For consumers, it is a known quantity.
Photo by self, uploaded to Wikimedia Commons as Agne27

One of the oldest plantings of Cabernet Sauvignon in Washington State at Red Willow Vineyard in the Yakima Valley.

In 2017, while off-premise sales of wine only grew by 3%, Cabernet Sauvignon out-paced that trend with 5% growth. This growth was across a variety of price points ranging from a 21% increase in sales of $4.50 (per 750ml) boxed wine to a 15% increase in sales of Cabernet Sauvignon over $25.

Cab is clearly King, but even the reigns of Sobhuza II and Louis XIV eventually came to an end. Looking to the horizon, it is not hard to find trends that, like Macbeth’s witches, whisper of toil and trouble in store for the monarch.

Fair is Foul and Foul is Fair: Who seeks something unique and rare?

If you want to bet on the dethronement of Cab, you only need to look towards the first, second and third murderers of all things–Millennials. With over 75 million members (surpassing now the Baby Boomers), industries ignore this influential demographic at their peril.

While it’s a mistake to overly generalize with such a large cohort, one consistent theme that has emerged is that Millennials tend to value experiences over material goods. In the wine industry, we see this play out in Millennial wine drinkers’ “curiosity” about unique grape varieties and unheralded regions. Instead of seeking out the high scoring Cult Cabs and status symbols that beckoned previous generations, Millennials often thirst for something different, something exciting.

A report by Master of Wine Matt Deller notes that 65% of Millennial drinkers in his Wine Access study actively sought out “unusual wines and vintages.” And while the buying power for Millennials currently lags behind Generation X and Baby Boomers, Millennials have a desire to spend more.

With this context in mind, some interesting trends stand out when you look at the acreage reports of vineyard plantings in California.

Of course, Cabernet Sauvignon still commands a significant chunk of acreage with 90,782 acres of vines in 2016. That is around a 26% increase from 2008 and is a testament to the healthy market that exists for Cabernet. But looking a little deeper we see savvy vineyard owners and wineries anticipating the adventurous appetites of Millennial drinkers.

How does Teroldego pair with newt eyes and frog toes?
From the California Department of Food and Agriculture and USDA 2016 acreage report

During that same 2008-2016 period, there is impressive growth in Italian grape varieties in California like Aglianico (≈ 63% growth), Montepulciano (≈ 77%) and Primitivo (≈ 233%). Even the obscure northeastern Italian grape of Teroldego from Trentino-Alto Adige/Südtirol is getting in on the action with an astounding growth of nearly 731%.

The vast majority of these new Teroldego plantings occurred in 2014 & 2016 with huge producers like Bogle Vineyards, Constellation Brands, E & J Gallo Winery and Trinchero Family Estates behind most of the plantings in the Central Valley of California. It looks like the grape is being groomed to be the “new Petite Sirah”. It likely will be a key component in mass-produced red blends or a Pinot noir-enhancer. However, varietal examples from producers in Clarksburg, Lodi, San Luis Obispo and Santa Barbara could offer consumers attractive and characterful wines.

Beyond the second wave of Cal-Ital varieties, Cabernet is seeing growing competition from its Bordeaux stable-mates.  We see increase plantings in Malbec (≈ 130% growth) and Petit Verdot (≈ 62%) as well as the Uruguayan favorite Tannat (≈ 132%).

 

Among white wines, we see a similar pattern.

Though Chardonnay still accounts for over 94,000 acres in California–an increase of around 13% from 2008.

If she was around today, it’s likely that Lady Macbeth would be drinking Moscato… or Rombauer Chard
From the California Department of Food and Agriculture and USDA 2016 acreage report

Chardonnay still rules by Cabernet Sauvignon’s side. However, we have upstarts like the Spanish variety Albariño (≈ 107% growth) and Portuguese grape Verdelho (≈ 75%) seeing a significant increase in plantings.

As with the reds, the interest in Italian white varieties is growing.  Vermentino is seeing around a 287% growth in plantings. Plus, the combined stable of Muscat grapes (led by Moscato bianco) more than doubled their acreage in 8 years.

There is no question that Cabernet Sauvignon bears a charmed life. It makes delicious wines that delight both wine drinkers’ palates and wineries’ bottom lines. But the fickle and ever-changing tastes of the wine world means that even the greatest of kings have reigns that are just brief candles.

While Cab’s light is not likely to go out anytime soon, perhaps the king should watch out for his shadows.

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In a rut? Try these new grapes!

CC BY-SA 3.0, on Wikimedia Commons

We all get into ruts sometimes, especially during the heart of the January-February “Winter Blues” season. But ruts can be the perfect time to shake things up!

So how about trading out and swapping some of your same ole, same ole for something new? Here are five recommendations of geeky new grape varieties that are worth trying.

Do you like Sauvignon blanc and unoaked Chardonnay?

Try Pecorino!

According to Ian d’Agata’s Native Wine Grapes of Italy, Pecorino likely originated in the Marche region of eastern Italy where it is the dominant white grape of the Offida DOCG. The name comes from the Italian pecora for ‘sheep.’ Anecdotal stories of sheepherders snacking on grapes as they tended to their flocks are supposedly behind the name. Other stores involve the sheep, themselves, breaking into vineyards to snack on the ripe grapes near harvest time.

Pecorino produces aromatic wines with citrus, apple and mineral notes that go fantastic with seafood (much like Sauvignon blanc and unoaked Chardonnay!). The wines are often light to medium body and can sometimes have delicate herbal notes (like the grassiness in a New Zealand Sauvignon blanc). Usually produced in stainless steel, some examples can see brief time in neutral oak that will add a little weight to the wine (like many Sauvignon blanc-based white Bordeaux).

Do you like Pinot gris and dry Gewürztraminers?

Try Grüner Veltliner!

Photo taken by self as Agne27, on Wikimedia Commons

An Oregon Gruner Veltliner from the Willamette Valley.

We can also add fans of aged white Burgundies to the list too.

According to the Oxford Companion to Wine, Grüner Veltliner is the most widely planted grape variety in Austria, representing more than a third of all vineyard plantings. Here is used to produce everything from light cafe wine, to weighty age-worthy whites to sparkling Sekt.

Grüner Veltliner produces wines that have a mix of citrus and tree fruit notes (like Pinot gris). But what sets it apart is a characteristic spicy note of white pepper (like Gewurz but a different spice). With age, these wines take on a remarkable transformation with more weight and texture that is not that dissimilar to great white Burgundies.

Outside of it Austrian homeland, American wine lovers can find domestic examples from the Willamette Valley of Oregon, Virginia and Maryland.

Do you like Merlot and Grenache?

Try Mencía!

You can also tally this one down if you are a fan of Pinot noir and Cabernet Franc or even Gamay. Mencía is a very versatile grape that produces different styles based on winemaking choices and where it is grown.

By SanchoPanzaXXI - Own work, CC BY-SA 3.0, on Wikimedia Commons

Mencía grapes growing in the Ribeira Sacra DO of Spain

According to Jancis Robinson’s Wine Grapes, this intensely aromatic and fruit-forward grape was once thought to be related to Grenache, Graciano and Cabernet Franc. However, DNA analysis has shown that there isn’t any relation.

But the similarities can be seen in Mencía wines that are fresh with ripe tannins and juicy fruit. Often, they carry a tinge of herbal notes (a la Cabernet Franc). Like Gamay, carbonic maceration is used to produce some of these fruity wines. However, when yields are kept low–and Mencía sees some time in oak–it can create dense, concentrated examples. The ripe dark fruit and chocolate notes hit many of the same chords as Merlot.

Admittedly it is hard to know what style of Mencía you are getting with a particular bottle. But the immense potential of deliciousness makes it worth exploring the whole spectrum!

Do you like Cabernet Sauvignon and spicy Zinfandels?

Try Touriga Nacional!

According to Karen MacNeil’s Wine Bible, while Touriga Nacional is most known for being the backbone of Portugal’s famous fortified Port wines, it also produces some of its best table wines that demonstrate great balance and aging ability.

As a dry red varietal Touriga Nacional crafts big full bodied tannic reds with intense color. Like Cabernet Sauvignon, it can mouth-filling and juicy dark fruits. Its high aromatics can also bring a variety of spice notes that carry through to the palate. Like spicy Zins, these flavors linger towards a long finish.

Uploaded to Wikimedia Commons by Bauer Karl under CC-BY-3.0

Touriga Nacional from Wines of Portugal, i. V. Marie-Luise Bächle

Outside of Portugal, you can find domestic examples of Touriga Nacional from the Zinfandel hotbeds of Lodi, Amador County and the Sierra Foothills as well as in Napa Valley, Georgia and Virginia.

Do you like Cabernet Sauvignon and Syrah?

Try Aglianico!

In their book, Vino Italiano, Joseph Bastianich and David Lynch describe young Aglianico wines as “… dark and feral, like the wolves that still roam the hills [in Basilicata].”

By Alexis Kreyder - L'Ampélographie (Viala et Vermorel), reproduced in

Aglianico from L’Ampélographie Viali i Vermorela

This grape produces big tannic wines with savory meatiness that can remind you of aged Cabernets and Rhone-style Syrahs. While it can develop even more layers of complexity with age, in its youth it still has charm. It is worth seeking out by any big red wine fan.

Outside of Italy, there are domestic examples of Aglianco being produced in Paso Robles, Napa Valley, the Sierra Foothills and Amador County as well as in Texas and Virginia.

So seek out some of these obscure varieties and try something new! Life is too short to be in a rut of drinking just the same ole, same ole.

Cheers!

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Getting Geeky with Cave de Genouilly Aligote

Going to need more than 60 seconds to geek out about the 2015 Cave de Genouilly Bourgogne Aligoté.

The Background

Cave de Genouilly was founded in 1932 as a co-operative of family growers in the Côte Chalonnaise region of southern Burgundy. Today, the co-op includes 90 growers with 180 acres based around the communes of Genouilly, Fley, Bissy-sur-Fley, Saint-Martin-du-Tartre and Saint-Clément-sur-Guye. Many of the growers are second and third generation members of the co-op.

In addition to Bourgogne Aligoté, the co-op also produces Crémant de Bourgogne as well as still wines from the AOCs of Rully, Givry and Montagny–including some premier cru.

The Grape

According to Jancis Robinson’s Wine Grapes, Aligoté is an offspring of Pinot and Gouais blanc, making it a full sibling of Chardonnay, Melon de Bourgogne, Gamay and Auxerrois.

Robinson speculates that the name Aligoté is derived from the old synonym for Gouais blanc, Gôt. The grape first appeared in written records in 1780 under the synonym ‘Plant de Trois’ which refers to the tendency of Aligoté to produce three clusters per branch. The name Aligoté, itself, appears in the Côte d’Or for the first time in 1807.

The grape earned some notoriety after World War II when the mayor of Dijon, Félix Kir, created a cocktail that blended Aligoté with Crème de Cassis. Today that cocktail is known as the Kir and, while it has many derivatives, the classic incarnation still features Aligoté.

Photo by Arnaud 25. Released on Wikimedia Commons under  CC-BY-SA-3.0

The classic Kir cocktail of Aligoté with Crème de Cassis paired with gougères, a savory puff pastry made with cheese.


Today there is around 4800 acres of the variety planted in France–virtually all in Burgundy. Producers tend to plant Aligoté either at the very bottom or very top of the slope, leaving the prime mid-slope section for the more profitable Chardonnay and Pinot noir.

While most plantings are found in the Côte Chalonnaise, particularly in the Bouzeron AOC, the grape was permitted in Meursault throughout the 19th century and is technically still authorized for use in the Grand Cru of Corton-Charlemagne thanks to a 1930s legal judgement. Bonneau du Matray maintained 1 ha of Aligoté in the Grand Cru until the mid-1970s.

In my post Brave New Burgs, I noted that the list of Burgundian producers who seem to have a soft spot for this obscure variety is impressive. Aubert de Villaine (of Domaine de la Romanée-Conti fame), Lalou Bize-Leroy, Marquis d’Angerville and Michel Lafarge, to name a few. Aligoté is even planted in the prime real estate of the Morey-St-Denis Premier Cru Clos des Monts Luisants owned by Domaine Ponsot.

Outside of France, Aligoté can be found in Switzerland (≈ 50 acres) and several eastern European countries such as Bulgaria (≈ 2700 acres), Moldova (≈ 39,000 acres), Romania (≈ 18,000 acres), Russia (≈ 1,000 acres) and Ukarine where the grape accounts for 11% of total vineyard area with ≈ 24,000 acres.

By Ensenator - Own work, CC BY-SA 3.0, released on Wikimedia commons

Aligoté grapes growing in Romania.


In the US, California winemaker Jed Steele makes an example in Washington State called Shooting Star sourced from 2 acres of Aligoté planted in the Yakima Valley by the Newhouse family in the 1970s. Josh Jensen of Calera has also experimented with the variety in the high-altitude Mt. Harlan AVA in the Gabilan Mountains of San Benito County, California.

The Wine

Medium plus intensity nose with citrus and fresh cut white flowers. A little grassy. Makes me think of a Sauvignon blanc.

The mouthfeel has surprising weight with a medium plus body that helps balance the medium plus acidity. It rounds it out and keeps the wine mouthwatering rather than bitey. Apple flavors appear alongside the citrus (lemon) and fresh floral notes carrying through from the bouquet. The grassiness doesn’t, though, which has my thoughts shifting from comparing it to a Sauvignon blanc to something closer to an unoaked Chardonnay from the Macon-Village.

The Verdict

In Brave New Burgs, I summed up my tasting note on the 2015 Cave de Genouilly Bourgogne Aligoté “As if a Sauvignon blanc and an unoaked Chardonnay had a baby. Great mouthfeel with weight. Smooth but fresh.”

The wine has a lot of character that makes it enjoyable on its own but with its mouthwatering acidity, I thinks it place to shine is with food. At around $15-18, its combination of fruit, acidity and structure gives great flexibility on the table letting it pair with anything from white and shellfish to fatty tuna and salmon as well as vegetarian fare, poultry and pork.

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Beaver State Bubbly

I’m a bit of a bubble fiend. I love drinking sparkling wine. I love talking about it.

Easily at least half of the wine reviews I post here are about bubbles and when I get new sparkling related wine books like Bursting Bubbles, I eagerly devour them.

Living in the Pacific Northwest, I’ve watched with excitement the growth of the Oregon sparkling wine industry that Forbes.com contributor Joseph V. Micallef highlighted in a recent post.

The founding father of Oregon Bubbles is Rollin Soles who started Argyle Winery in Dundee in 1987. His venture had a lot of all-star firepower backing it with Australian winemaking legend Brian Croser (the 2004 Decanter Man of the Year) and Christian Bizot, then owner of the Champagne House Bollinger.

In 2001, Argyle became part of Lion Nathan corporation with their US branch spinning off in 2012 to become Distinguished Vineyards. Now Argyle is part of a portfolio of brands that includes MacRostie, Wither Hills and The Counselor. In 2013, Soles stepped away from the winery to focus on his brand ROCO that he founded with his wife, Corby Stonebraker-Soles.

While I’ve enjoyed Argyle since Soles left, I must confess that I haven’t been as wowed by the winery’s offerings in recent years. Part of it could be the increase in competition as wine shops have been bringing in more sub $25 Crémants from Alsace, Burgundy and the Loire that way over deliver on value. While years ago, Argyle’s basic brut at $20 stood out from the pack, now it is just middle of the road with even sparkling wines from New Mexico like Gruet and Jacqueline Leonne delivering delicious value in the under $15 category. Still, the 1998 Argyle Extended Triage remains one of my all time favorite wines.

But times change and winemakers move on, which is why I was very excited to try Soles’ new ‘RMS’ sparkling wine project at The Herbfarm’s holiday dinner series “The Holly & The Ivy”. While it didn’t reach the level of that 98 Extended Triage, the 2014 RMS Brut did remind me of all the things I missed about Argyle.

Not a bad way to start off a 9 course meal.


Around 66% Pinot noir with the remainder Chardonnay, the wine had high intensity aromatics of spiced pear wrapped in a toasty pastry crust. Those notes carried through to a creamy but powerful mouthfeel not that dissimilar to Charles Heidsieck. It also reminded me of Pol Roger where the weighty flavors are balanced by fresh citrus notes and racy minerality that give lift to the wine. An incredibly well-made sparkler that would probably continue to age even in the bottle under cork. It is certainly well worth the $65 winery price.

What Makes Oregon Bubbles Special?

In his Forbes post, Micallef quotes Tony Soter on how the “sweet spot” of Oregon’s cool-but-not-too-cool climate gives its an advantage over both warmer California and cooler Champagne.

“[In Oregon you have] … a generosity of fruit that is expressive of the grape varieties (Pinot Noir and Chardonnay) reaching a high level of maturity while still maintaining an admirable level of acidity, finesse and elegance critical to sparkling wine. [While] … in California, the weather is too warm, forcing a premature picking to minimize excessive alcohol at the expense of the nuance and delicacy of fully developed grapes.” — Tony Soter, as quoted on Forbes.com January 19th, 2018

Far from being an “Oregon-homer”, Soter’s opinion on the differences between Oregon and California’s terroir is backed by his 30 plus years of experience working at some of the best names in California wine like Chappellet, Araujo, Shafer, Spottswoode and Dalle Valle.

The stats on Oregon’s favorable “goldilocks position” also bares out according to Hugh Johnson and Jancis Robinson’s Wine Atlas. While Champagne sits along the 49th parallel and averages a daily growing season temperature of 58.4°F, Napa Valley (home of Schramsberg, Domaine Chandon, Mumm Napa, etc) sits on the 38th parallel averaging growing season temperatures of 66.8°F. The Willamette Valley is nestled right in the middle of that on the 45th parallel with average growing season temps of 60.6°F.

Photo by Hahn Family Wines. Released on Wikimedia Commons via Flickr under CC BY 2.0

In addition to losing acidity, if you wait too long to harvest your grapes in warm climates you risk “baking out” the more delicate and complex flavors. This produces over ripe and dried fruit notes that the French call ‘sur maturité’. For many California sparkling wine producers, its a Catch-22.

Harvests in California for sparkling wine regularly taking place in early August while in Oregon it doesn’t start till September. In Champagne, which wine authors like Robert Walters in Bursting Bubbles claim often harvest too early and too unripe, harvest typically begins late August and early September. Many high quality grower producers in Champagne harvest later into September.

The timing of harvest is key because you want ample acidity for sparkling wine production which you can risk losing if the grapes hang too long on the vine. But at the same time unripe grapes can give bland and uninteresting flavors. Tom Stevenson and Essi Avellan note in their Christie’s World Encyclopedia of Champagne & Sparkling Wine that having ripe grapes is absolutely essential for high quality sparkling wine.

Photo by Gary Halvorson, Oregon State Archives. Released on Wikimedia Commons under Oregon Historical County Records Guide public use

In the Willamette Valley, daytime highs in July in the low 80s (°F) can drop to the low 50s (°F) at night.

Like Washington State, Oregon also benefits from having drastic diurnal temperature variations during the growing season where temperatures can drop at night 30-40 degrees from day time highs, letting the vine literally “chill out” and retain fresh acidity.

This extends the growing season, allowing the grapes to hang longer on the vine, developing riper flavors while still maintaining that vital acidity.

Oregon Sparkling Wine Producers to Seek Out

Micallef notes that there is around 40 producers making sparkling wine in Oregon. While most of the production is small and limited to sales at the winery’s tasting room or wine club, there are some producers with ambitious aims.

One that is mentioned in the Forbes article is Radiant Sparkling Wine Company that was founded in McMinnville by Andrew Davis, a protege of Rollin Soles. After 8 years at Argyle, Davis founded his company to serve essentially as a mobile méthode champenoise facility, traveling to wineries with his sparkling wine equipment and technical know-how to help winemakers turn their base wines into bubbles.

Among the wineries that Davis has worked with includes Adelsheim, Anne Amie, Brooks, Ponzi, Raptor Ridge, Sokol Blosser, Stoller, Trisaetum and Willamette Valley Vineyards. In 2017, Davis helped create over 20,000 cases of Oregon sparkling wine to add to the 25,000 cases that Argyle produces yearly.

The Stoller rose sparkler more than held its own in a line-up of impressive bubbles.

One of these wines that I’ve recently had the opportunity to try was the Stoller 2014 Legacy LaRue’s Brut Rosé. The 25% Chardonnay and 75% Pinot noir base saw 10 months aging in neutral French oak before bottling and secondary fermentation. The wine spent 2 years on the lees prior to disgorgement with around 275 cases produced.

The LaRue rosé had a beautiful medium plus intensity nose of fresh cherry and strawberries. But what most intrigued me was the tinge of citrus blood orange that framed the red fruit notes. On the palate, the wine added another depth of flavor with some spicy and mineral notes.

I had this wine only about a couple weeks after I had the Louis Roederer 2011 Brut Rosé that I described in my post Cristal Clarity. We had another bottle of the Roederer rose opened with the Stoller and it was quite impressive how the Stoller showed in comparison. While it was more on the delicate and minerally side versus the fruitier Roederer, the Stoller clearly won out with much more vivid aromatics and longer finish that didn’t fade as fast as the Roederer. Considering that the Stoller LaRue is $65 while the Roederer is around $70 and you have some substantial value.

For a relatively young sparkling wine industry that just reached 30 years, the future looks exciting for wine geeks wanting to explore Oregon bubbles.

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