All posts by Amber LeBeau

60 Second Wine Review — Sheridan Napa Valley Cabernet Sauvignon

A few quick thoughts on the 2013 Sheridan Napa Valley Cabernet Sauvignon.

The Geekery

Scott and Karen Greer founded Sheridan Vineyards in 1996 in the Yakima Valley of Washington State. From the first vintage release in 2000, Sheridan has received much critical acclaim–being described as one of the rising stars in Washington.

In 2012, the Greers ventured into Napa Valley to produce a Cabernet Sauvignon sourced from the Wilsey Vineyard in Rutherford.

Located in the northwest quadrant of the appellation next to the Beckstoeffer-Melrose vineyard and near Emmolo’s Home Ranch and Whitehall Lane’s Bommarito vineyards, the Wilsey Vineyard was purchased in 1974 by the late Gary Wilsey.

According to Richard Mendelson in his book Appellation Napa Valley, Wilsey and his wife Lanetta, along with Agustin Huneeus of Franciscan Estate, Steve Girard of Girard Winery, Dennis Groth of Groth Vineyards, Jean Phillips of Screaming Eagle and the Duncan family of Silver Oak were part of the “Anti-Benchers” faction that opposed the delineation (and even existence) of a “Rutherford Bench”.

The Wine

Photo by ANAND HULUGAPPA. Uploaded to Wikimedia commons under CC-BY-SA-4.0

Right now the rich dark fruits and secondary oak dominates but this wine is not far from developing even more interesting tertiary flavors.

Medium-plus intensity nose–ripe dark fruit flavors of black plums and blackberry. Noticeable oak baking spices of clove and nutmeg as well.

On the palate those rich dark fruit flavors carry through contributing to the full-bodied weight of the wine.  The mouthwatering medium-plus acidity balances the fruit well. The high tannins are very present but very ripe and smoothed by the vanilla from the oak. The long finish is still fruit-forward but starts to linger with spice and just a hint of smokey tobacco.

The Verdict

It feels like this Napa Cab is certainly on the cusp of hitting its prime. It just needs the baby fat of ripe fruit and oak to give way to more complex notes.

This wine is drinking well within its $100-130 Napa peers. However, its structure and acidity has the potential to deliver much more.

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It’s Raining Masters

UPDATE: Apparently there was evidence of cheating during the tasting portion and the results of that segment of this year’s Master Sommelier examination has been invalidated. All Masters who passes this year’s test will have to resit this exam.

Photo by Eduardo Pavon. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

Hallelujah?

Earlier this week the Court of Master Sommeliers announced an astonishing 24 new Master Sommeliers.

All together 56 individuals sat for the exams which is taken in three parts. This first is a theory examination that covers the wines and wine regions of the world. Candidates need to know wine laws and production methods as well as details about cigars, spirits and liqueurs. This is followed by Practical examination which includes demonstrating proper table service. Then finally a blind tasting of 6 wines in 25 minutes using the famous Grid Method of Deduction.

To pass, candidates must receive a score of at least 75% in all three parts. With this year’s bumper crop, we saw an incredible 42.8% pass rate.

That’s not bad for something that has been described as the World’s Toughest Test.

A Perfect Storm for a Windfall?

Last year the court announced 8 new Masters out of 58 candidates for a 13.7% pass rate.

In 2016, there was a minuscule 4.7% pass rate as 3 out of 63 candidates successfully completed all 3 exams. The year prior, in 2015, 7 out of 63 passed for a 11% rate.

Now what those numbers don’t tell is how many individuals passed 1 or even 2 of the three exam components. These scores can be carried over to the next examination. Let’s say we have a candidate who passed the Theory examination in 2015 but failed Practical and Tasting. This candidate could then spend the next three consecutive years attempting to pass the remaining two.  After that, though, unsuccessful candidates will need to retake the whole exam.

It’s very likely that 2018 wasn’t the first rodeo for several of the 24 new Master Sommeliers. This could help explain why this year saw so many successful candidates.

The SOMM Effect?

The film also popularize the idea of blind tasting beyond just professionals.

One theory on the large class was that it was because more people were taking the exams. Credit is given  to the 2013 documentary film SOMM  for sparking interest in the field. This film followed the path of Ian Cauble, Dustin Wilson, DLynn Proctor and Brian McClintic as they took their examinations.

Wilson and McClintic would go on to pass all the Master Sommelier exams in February 2011, being 2 of 6 who passed out of 30 (20% pass rate). The following year, Cauble would earn his MS as part of a group of 7 out of 62 candidates taking the exam (11.2%).

In July 2013, only a few week after the film was released June 21st, 70 candidates sat for the MS exam with only one single person, Nick Hetzel from Sage at Aria Resort and Casino in Las Vegas, passing (1.4%).

To even get an invite to take the Master Sommelier examination, candidates must first pass the Advanced Sommelier exam.  According to the Court of Master Sommeliers, this exam usually has a 25-30% pass rate. Before taking that exam, candidates need to have previously passed the Certified Sommelier exam. Additionally, the Court recommends at least 5 years practical experience as a sommelier in the service industry.

If there is a “SOMM bump”, it seems likely that 2018 is just the beginning of the swell.

Are we just getting “Wine Smarter”?

It’s possible that the “World’s Toughest Test” may not be as tough any more for a growing wine savvy community that is being spearheaded by wanderlust Millennials who aren’t afraid to branch out into the obscure, geeky and unknown.

This ain’t your daddy’s Duboeuf.

While previous generations of drinkers may not have strayed very far from the zones of Chianti and safety of Sangiovese, we now have regular wine drinkers (not just trained and studious sommeliers) waxing poetically about the difference between Nerello Mascalese grown on the volcanic soils of Mt. Etna and IGT Nero d’Avola.

Now a days if you are talking Beaujolais, you are far more likely to be talking about the crus than you are of Nouveau.

Blessed with a plethora of wine resources courtesy of the internet (like GuildSomm’s own fantastic website), it’s easier than ever for the curious wine lover to quench their thirst for some vino-knowledge.  Are we seeing a “trickle up” effect from this groundswell of knowledge?

As I mentioned in my post Playing the Somm Game in Vegas, the level of knowledge in the field has never been higher. As consumers get more savvy and adventurous, the sommeliers are upping their game.

Perhaps the windfall of new Master Sommeliers (249 and counting since 1969) and Masters of Wine (380 since 1953) means that we are collectively on a crescent of wine expertise that we haven’t observed before.

Or maybe the World’s Toughest Test needs to get tougher?

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60 Second Wine Review — Ridge Lytton Springs

A few quick thoughts on the 2013 Ridge Lytton Springs from Sonoma County.

The Geekery

The modern history of Ridge began in the 1960s when several Stanford engineers–Dave Bennion, Hew Crane, Charlie Rosen and Howard Ziedler–started making wine from the legendary Monte Bello vineyard. In 1969, Paul Draper joined the winery where he stayed as head winemaker and CEO until his retirement in 2016.

The Lytton Springs Vineyard in the Dry Creek Valley was first planted in the 1900s. While it has been an estate vineyard of Ridge since 1991, the winery has been working with Lytton fruit since 1972.

The vineyard is field-planted but is divided into 30 parcels that are harvested and fermented separately. This allows the winemaking team to make individual decisions on each parcel such as fermenting the Petite Sirah as whole berries instead of crushing.

The 2013 Lytton Springs is a blend of 74% Zinfandel, 16% Petite Sirah, 8% Carignane and 2% Mataró/Mourvèdre. The wine is aged in 100% American oak (20% new) for 14 months. Around 12,400 cases were made.

The Wine

Photo by nsaum75 ¡שיחת!, Uploaded to Wikimedia commons under CC-BY-SA-3.0

The rich American oak and smokey spiciness of this wine adds an intriguing Mexican chocolate element.

Medium-plus intensity nose. A mix of dark, ripe fruit–blackberry and currants–with anise and black pepper spice. With some air a smokey element from the barrels come out.

On the palate those dark fruits carry through and taste riper, almost like pie filling. However, the medium-plus acidity more than balances the full-bodied weight of the fruit. Medium-plus tannins are ripe with the vanilla from the oak rounding them out. The oak also adds intriguing chocolate notes which, coupled with the spices from the nose, is reminiscent of dark Mexican chocolate. Long finish lingers on the chocolaty spice.

The Verdict

Tasting wines like the Ridge Lytton Springs is a great reminder of how complex old vine Zinfandel and field blends can be.

As much as I adore Bordeaux blends and varieties, it’s not always the easiest task to find something this delicious in the equivalent $35-40 prince range from those grapes.

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Birth Year Wine Myopics

Wine Enthusiast recently published a great article highlighting what wines from the recent 2015, 2016 and 2017 vintages are worth laying down in the cellar for 20+ years. They titled this article “A Guide to Finding Age-worthy Birth Year Wines.”

But for the moms and dads, grandparents, aunts and uncles who want to set aside a thoughtful birth year bottle to share with someone on their 21st birthday, you’re better off ignoring 97% of the advice Roger Morris gives you in this Wine Enthusiast article.

A well structured Bordeaux from Pauillac or Margaux?

A nutty, toasty vintage Champagne?

A savory, spicy Hermitage or Côtes-Rotie?

A big, robust Napa Cabernet Sauvignon?

A brooding and mouthwatering Barolo?

A complex and nuanced Burgundy?

Those are all great wines, no doubt, and examples from the 2015 & 2016 vintages, in particular, will be giving wine lovers pleasure for the next two plus decades. But before you plunk down some serious cash and invest in the proper storage conditions to take care of these wines, ask yourself one crucial question.

Do you think the person that you are saving this wine for is going to appreciate and enjoy this wine when they turn 21?

Let me re-phrase that question for you from another perspective.

What were you drinking when you turned 21?

Unless your last name is Moueix, Bezos or Gates, I’d probably call BS on you sipping Petrus at 21.

Petrus?
Giscours?
Opus One?
Silver Oak?
Jordan?
Quilceda Creek?
Beaucastel?
Domaine du Pégau?
Cristal?
Romanée-Saint-Vivant Grand Cru?
Joly Coulée de Serrant?

If you were then my hat’s off to you but I’ll be honest and admit that 21 years old me was drinking Boone’s Farm, Arbor Mist Blackberry Merlot and St. James Winery’s Velvet Red and Pink Catawba. And that was after 16 to 20 year old me had graduated from drinking Bud Light and whatever alcohol made its way to the various jello shots at the parties I attended as a kid. Oh, and I guess growing up in the church I had my fair share of Mogen David and Manischewitz Concord wine as well.

Being a gambling woman (only somewhat reformed), I would wager that the vast majority of you had similar early drinking experiences and palates that I did.

What reason is there for us to think that the next generation of 21-year-olds is going to be any different?

Is it Better for the Giver or the Receiver?

Even when I turned 30, I don’t know if I had the palate to fully appreciated this birth year wine.

The problem with articles like the Wine Enthusiast guide is that they are almost entirely driven by the perspective and palate of the person giving the wine. Yeah, folks like us are going to adore what a 2016 Lynch Bages, Gaja Sperss, Guigal La Mouline or Chappellet Pritchard Hill Cabernet Sauvignon will taste like in 2037. At that point, these wines are going to have evocative bouquets of savory tobacco spice, dried herbs and other tertiary flavors with long, lingering and mouthwatering finishes.

But you know who is probably not going to like those wines at all?

My niece Elise.

At best, she would smile politely and acknowledge the gift. I’m sure at dinner she would take a sip or two, trying not to gag at the bitterness and acidity. I could see her swirling the wine a little in the glass, trying to imitate what the other adults at the table are doing, hoping that maybe somehow the air would magically transform the wine into a strawberry margarita.

I’m not going to put her through that dog and pony show. But I’m still squirreling away special wines to share with her and my other nieces and nephews when they turn 21.

However, it’s not Barolos, Napa Cabs or other age-worthy red wines.

No, I’m squirreling away Sauternes, Tokaji, German Rieslings, Vouvray Demi-Secs, vintage Ports and Madeira.

 

The Overlooked Majesty of Age-worthy Sweet Wines

To Roger Morris and Wine Enthusiast‘s credit, they do name drop a couple of these Birth Year worthy sweet wines in the article noting the quality of the 2016 vintage for German Rieslings and quoting Joe Campanale, owner/beverage director at Fausto in New York City on the potential of 2017 for vintage Port and Madeira. But the fact that these great wines got lip service at best (with others like Sauternes not even mentioned) is sadly reflective of the “Rodney Dangerfield-status” of sweet wines in general.

It’s a shame that cheap mass-market Moscato gives the category such a bad rap because well made Moscato d’Asti from high-quality producers like Mauro Sebaste are delicious wines.

In an age of Moscato Mania, Stella Rosa’s rapid ascent and the Capriccio Craze, the idea of enjoying sweet wines often gets a negative reaction from “wine people.”

This snobbish aversion to anything sweet persists even with many of the best selling “dry” red wines laden with residual sugar via the additions of Mega Purple or, in the case of wines like Meiomi Pinot noir, sneaking in sweet white grapes like Riesling and Gewürztraminer.

Yet there is a reason why some of the most legendary wines throughout history have been sweet dessert wines.

They’re freaking delicious!

Plus, the presence of all that sugar coupled with acidity (Rieslings and Vouvray), fortification (Ports and Madeira) and Noble Rot (Sauternes, Tokaji and some German & Alsatian wines) gives these wines fantastic aging potential. The evolution of Sauternes, in particular, is a remarkable journey to follow as the fresh, youthful exuberance of tropical fruit give way to richer notes of honey, spice, caramel and crème brûlée.

The Beauty Of It All

When you look at the pros and cons of saving sweet dessert wines for future 21-year-olds versus the typical roll call of great red wines and dry Champagnes, there is no contest.

These dessert wines are wines that in 20 + years will not only have the complexity and nuance to appeal to seasoned wine drinkers. But for newly christened 21-year-olds these wines will be sweet and approachable with identifiable flavors of fruit, candy and honey.

I have one nephew and one niece born in 2008. However, I bought a couple of extra bottles of this Rieussec so I could crack into it a bit earlier. Purely for educational and research purposes, of course.

Sure, they may not “get” all the concepts of terroir, Botrytis, aging and vintage variation behind these wines. For them, each sip will probably taste the same while you’re likely going to see each sip unfurling another layer of flavor that has spent decades developing.

But you’re both going to still really enjoy those sips and are far more likely to share a celebratory moment that’s worth treasuring for many years to come.

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60 Second Wine Review — Silver Oak Alexander Valley

A few quick thoughts on the 2012 Silver Oak Alexander Valley Cabernet Sauvignon.

The Geekery

Silver Oak was founded in 1972 by Justin Meyer and Raymond Duncan with Meyer serving as winemaker till 1994 when he was succeeded by Daniel Baron.

Baron would stay for more than 20 years before handing off the reigns in 2016 to Nate Weis. Prior to joining Silver Oak, Weis worked at Etude, Patz & Hall and at the Antinori family’s Atlas Peak property, Antica Napa Valley.

In addition to Silver Oak, the Duncan family also produces Twomey Cellars. In 2017, they acquired the Pritchard Hill estate Ovid. Later that year, they expanded into Oregon with the purchase of the Prince Hill Vineyard in the Dundee Hills from Dick Erath.

The fruit for the Alexander Valley Cabernet Sauvignon is sourced from a combination of contract and estate fruit with the 2012 vintage being a blend of 98% Cabernet Sauvignon and 2% Merlot. Around 75,000 cases a year are produced.

The Wine

Photo by Rameshng. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Sweet vanilla oak, dark fruit and leafy greenness earmark this Cab.

Medium intensity nose–dark fruit of black cherries and black plum. There is certainly the noticeable vanilla of American oak as well some of coconut tan oil as well. But there is also, paradoxically, a lot of greenness like tomato leaf. This is surprising given how ripe the fruit is. Giving the wine air only makes the green note more evident.

On the palate, those dark fruits carry through with medium-plus weight that is just barely balanced by medium acidity. The medium-plus tannins have a firmness to them that is soften by the vanilla oak. The moderate length finish brings back the greenness from the nose which, again, is surprising given the vintage quality of 2012.

The Verdict

Silver Oak is a legendary name. I’m sure the Justin Meyer years went far in creating the brand’s esteemed reputation.

But at around $70-80 for the 2012 Alexander Valley, you’re certainly paying a premium for that name and past reputation.

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Keeping Up With The Joneses of Burgundy — Leflaive Edition

Egg monument in Bâtard-Montrachet erected by Anne-Claude Leflaive of Domaine Leflaive.

After examining the family tree and connections of the Coche, Boillot, Gros and Morey families, we now turn our attention to the Leflaives of Puligny-Montrachet.

Tradition and the remnants of Napoleonic inheritance laws often mean that many estates in Burgundy share similar names. This can add to the confusion and complexity of studying the region so for this series we try our best to untangle a bit of that web–one family tree at a time.

Aiding our endeavor will be my trusty hoard of Burgundy wine books including:

Remington Norman and Charles Taylor’s The Great Domaines of Burgundy
Clive Coates’ The Wines of Burgundy
Matt Kramer’s Making Sense of Burgundy
Bill Nanson’s The Finest Wines of Burgundy
Benjamin Lewin’s Burgundy (Guides to Wines and Top Vineyards)

A new addition to that list which has been used heavily for this post is Clive Coates’ work Côte D’Or: A Celebration of the Great Wines of Burgundy. While older than Coates’ Wines of Burgundy (1997 vs 2008) I’ve found that the two books compliment each other really well with Côte D’Or offering more historical details and family connections while Wines of Burgundy fills in the gap for newer estates.

If you know of any other great resources on Burgundy wine and the various connections between estates, leave a note in the comments!

Now let’s take a look at the Leflaives.

The Leflaive Family

The Leflaive family’s history in the Côte de Beaune region dates back to at least 1580 when a Marc Le Flayve lived in the hamlet of Cissey between Beaune and Puligny-Montrachet. Following the marriage of Le Flayve’s great-great-great grandson, Claude Leflaive, to Nicole Vallée in 1717 the Leflaive family moved to Puligny-Montrachet.

Photo by 	Tomas er. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

The Grand Cru vineyard of Bâtard-Montrachet has always been at the heart of the Leflaive family’s holdings.


It was the son of this Leflaive, also named Claude, who acquired a choice 5 ha (12.4 acres) plot of Bâtard-Montrachet that was divided among his five children on his death in 1835. Seventy years later, his great-grandson Joseph Leflaive founded what is now known as Domaine Leflaive in 1905.

A marine engineer by training, prior to devoting himself full-time to winemaking, Leflaive helped construct the first French-made submarine.

Starting with just 2 ha (5 acres) of vines, Joseph Leflaive greatly expanded the domaine over the next couple decades–often buying up vineyards that hadn’t recovered financially from the dual troubles of oidium and phylloxera from the last century. In the 1930s, the domaine was one of the first to regularly export their own bottlings to the United States. Following Joseph’s death in 1953, his children (Joseph Régis, Jeanne, Anne and Vincent) decided to keep their shares of the domaine together.

Joseph and Vincent were the first to actively manage the estate. They were soon joined by winemaker Jean Virot who worked at the domaine until his retirement in 1989. When Joseph passed in 1982, his son Olivier took his place managing the family’s domaine. When Vincent retired in 1990, his daughter Anne-Claude joined Olivier at the domaine.

Following Virot’s retirement, Pierre Morey (of Morey family fame) became régisseur, or winemaking director, a position he would hold until his own retirement in 2008. He was succeeded at Domaine Leflaive by Eric Rémy.

Disagreements between Olivier and Anne-Claude Leflaive eventually led to a separation in 1994 with Anne-Claude maintaining sole management of Domaine Leflaive and Olivier leaving to focus on his own Maison Olivier Leflaive. Following Anne-Claude’s death in 2015, Brice de La Morandiere (son of Joseph Régis’ daughter Marilys) assumed management of the family’s domaine.

Current Leflaive Estates

Domaine Leflaive (Puligny-Montrachet) founded in 1905 by Joseph Leflaive and today ran by his great-grandson Brice de La Morandiere. With around 25 ha (61.8 acres), Domaine Leflaive is the single largest producer of Grand and Premier cru quality wines in Puligny-Montrachet. In the 1990s, with the aide of consultants François Brochet and Claude Bourguignon, Anne-Claude Leflaive led the estate to a complete conversion to biodynamic viticulture.

The Grand Cru vineyard of Chevalier Montrachet. In many years Domaine Leflaive’s example from this vineyard will rival the Le Montrachet wines from other producers.


Prime holdings: Bâtard-Montrachet Grand Cru (1.91 ha), Bienvenues-Bâtard-Montrachet Grand Cru (1.15 ha), Chevalier-Montrachet Grand Cru (1.99 ha) and Le Clavoillon Premier Cru (4.79 ha–around 80% of the 1er cru)

Maison Olivier Leflaive (Puligny-Montrachet) founded in 1984 by Olivier Leflaive with his brother, Patrick Leflaive, as a negociant firm that now controls 17 ha (42 acres) of vineyards. In addition to their own vineyards, the Maison also has contracts with growers tending to more than 100 additional hectares in Chablis, Côte de Beaune and Côte Chalonnaise. Jean-Marc Boillot (of Boillot family fame) was the estate’s first winemaker but since 1988 those duties have been carried out by Franck Grux. In 2015, the Maison’s interest extended to Champagne with a partnership with Erick de Sousa to make Champagne Valentin Leflaive.

Prime holdings: Bâtard-Montrachet Grand Cru, Bienvenues-Bâtard-Montrachet Grand Cru, Meursault Premier Cru Les Poruzots, Chassagne-Montrachet Premier Cru Les Chaumées

Additional Keeping up with the Joneses in Burgundy

The Boillot Familly
The Morey Family
The Gros Family
The Coche Family

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60 Second Wine Review — Tuli Pinot noir

Update: The 2016 version of this wine was included in my blind tasting of Joe Wagner vs Oregon Pinot noirs. The Tuli was picked by the majority of tasters as a clear Wagner wine.

A few quick thoughts on the 2013 Tuli Pinot noir from Sonoma County.

The Geekery

Tuli is made by Joe Wagner, son of Chuck Wagner (of Caymus fame), and is part of a portfolio of wines that he produces for his Copper Cane Wines & Provisions company.

Along with Tuli, Copper Cane also makes Belle Glos, Elouan, The Willametter, BÖEN, Torial, Quilt, Beran, Carne Humana and the sparkling wine Steorra. Many of these new brands were developed by Wagner after he sold his Meiomi label to Constellation Brands in 2015 for $315 million dollars.

The name Tuli comes from the language of the native Wappo tribe that originally inhabited Sonoma County and means “sharing”. The fruit is sourced from throughout the county, including the Russian River Valley, with a primary focus on the cooler coastal regions of the Sonoma Coast, Fort-Ross Seaview and parts of the new Petaluma Gap AVA.

The Wine

Medium intensity nose. Very ripe black cherry with noticeable vanilla oak and baking spice–particularly clove and nutmeg. Around the edges some cola spice comes out with air.

Photo by Benny Mazur. Uploaded to Wikimedia commons under CC-BY-2.0

With the very ripe cherry fruit, vanilla and baking spice, this Tuli Pinot has a lot of cherry pie notes.

On the palate those very ripe cherry notes come through and, coupled with the vanilla richness, gives this wine a lot of weight. Medium acidity helps balance the medium-plus tannins and body but could probably be a tad higher. The spices still make their presence known as they extend through the moderate-length finish.

The Verdict

The Tuli is a “Joe Wagner Wine” through and through with its big body and soft, plush fruit. It’s not as sweet tasting as Meiomi was (probably because it doesn’t have Riesling and Gewürztraminer blended in) nor is it quite as full-bodied and oaky as the Belle Glos Pinots are–though there is definitely oak and weight in the Tuli.

At around $25-30, it hits a “Goldilocks niche” between the two styles. Above all, this is a Wagner wine with the family pedigree very evident.

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Getting Geeky with Stony Hill Chardonnay

The First of September kicks off California Wine Month and while I won’t steer this blog as much towards a California-centric bent as I did with Washington Wine Month (hometown bias, y’all), I will be highlighting California wines throughout the month in various posts and my 60 Second Wine Reviews.

However, I also have posts in the pipeline that you can expect to see soon for a new edition of Keeping up with the Joneses in Burgundy as well as a wrap up of my ongoing series on the 2017 Bordeaux Futures campaign (had to give my wallet a bit of a break). Later this month I’m teaching a class on Italian wine so you can be sure to expect a sprinkling of Mambo Italiano here and there.

Subscribers can stay on top of the geekery with new posts emailed right to their inbox.

But let’s turn the focus back to California beginning with the most memorable California wine that I’ve had in the past year–the 2008 Stony Hill Chardonnay.

I had the privilege of trying this 2008 Stony Hill Chardonnay courtesy of a dear friend who brought this wine over for dinner this past Thanksgiving. That night featured a lot of heavy hitters including a 2004 Nicolas Joly Coulée de Serrant, a 2006 Philipponnat Grand Blanc Brut, a 2006 Hospice de Beaune Volnay Premier Cru Cuvée Blondeau, 2012 Domaine de la Vougeraie Vougeot 1er Cru “Le Clos Blanc de Vougeot” Monopole, 2007 Copain Gary’s Syrah from the Santa Lucia Highlands and a 2010 Sichel Sauternes but this Napa Chardonnay was my run-away wine of the night.

The Background

Stony Hill Vineyard was founded in 1948 when Fred and Eleanor McCrea, inspired by their love for white Burgundy, planted their first 6 acres of Chardonnay along with some Riesling and Pinot blanc on the old Timothy Feeley homestead located on Spring Mountain. Charles Sullivan notes in Napa Wine: A History from Mission Days to Present that the McCreas sourced the budwood for their Chardonnay from the Wente family in the Livermore Valley.

Photo by 	StonyHill at en.wikipedia. Uploaded to Wikimedia commons under CC-BY-3.0

The winery doors to Stony Hill Vineyard.


The first vintage followed in 1952 and, by 1954, Stony Hill’s small production was being completely allocated through mailing list. According to Thomas Pinney, in his A History of Wine in America, by 1990 someone wishing to get their hands on Stony Hill wine had to wait at least 4 years on a waiting list for the privilege.

In 1972, Mike Chelini joined Fred McCrea as winemaker, assuming the job full-time on Fred’s passing in 1977. By 2011, Chelini, along with Bill Sorenson of Burgess, was one of the longest tenured winemakers in Napa Valley with the upcoming 2018 vintage being Chelini’s 45th harvest.

During this period Stony Hill developed a reputation for producing some of Napa’s most ageworthy Chardonnays with a lean, acid driven style that bucked the trend of buttery, malo-laden Chardonnays that were adorned in lavish new oak.

In his New California Wine, Matt Kramer describes Stony Hill Chardonnay as “… the essence of what California Chardonnay can be: pure, free of oakiness, filled with savor, and yet somehow unpretentious. It is rewarding, even exciting drinking–if you can find it.”

The task of finding Stony Hill has always been tough with the winery’s tiny 5000 case production but also because of the economics and realities of the wine business in the 21st century. Even when Stony Hill’s mailing list shrank, allowing more wine to be available on the retail market, the McCreas found that many large distributors which control the three-tier system didn’t care to pay attention to a small family winery–even one with such a stout pedigree.

Photo by StonyHill. Uploaded to Wikimedia commons under CC-BY-3.0

Stony Hill Vineyards on Spring Mountain


Plus the counter fashion style of Stony Hill’s wines, which often requires patience and cellaring, as well as the “too cheap for Napa” pricing put the McCrea family in a position where they were looking to sell and in late August 2018 it was announced that Stony Hill Vineyard was being sold to the Hall Family of neighboring Long Meadow Ranch.

Long Meadow Ranch

In my recent post Tracking the Tastemakers which examined Wine Enthusiast’s “Top 40 Under 40 Tastemakers for 2018” I expressed my admiration for the wines of Long Meadow Ranch that are now headed by COO Chris Hall.

Long Meadow Ranch has been one of my favorite Napa estates for a while. Such an under the radar gem with a great winemaking pedigree that began with the legendary Cathy Corison and now features Ashley Heisey (previously of Far Niente and Opus One), Stéphane Vivier (previously of Domaine de la Romanee-Conti’s owners’ California project–Hyde de Villaine) and Justin Carr (previously of Cakebread, Rudd and Hourglass). — Tracking the Tastemakers (August 30th, 2018)

The view from Long Meadow Ranch’s Mayacamas Estate overlooking Rutherford.


Above and beyond Long Meadow Ranch’s fantastic wines and winemaking pedigree is the Hall family’s deep seated commitment to the environment and sustainability. Pam Strayer of Organic Wines Uncorked has a terrific write up on how Long Meadow Ranch is showing how a winery in Napa can thrive with an organic business model.

Founded in 1989 with their Mayacamas Estate, the Halls now tend to over 2000 acres of vineyards and agriculture lands that includes olive trees, fruit orchards, vegetable gardens and even cattle that supplies ingredients for their farm-to-table restaurant, Farmstead.

The Wine

High intensity nose–an intoxicating mix of grilled pears and peaches with a little bit of white pepper spice. A very savory nose.

Photo by Jerry012320. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

On the palate, the white pepper spice from the nose seems to morph into a stony minerality like river stones.


On the palate those grilled fruits come through. Even though they are couched with some subtle smokiness, the fact that the fruit is still present and distinctive is impressive for an 8 yr+ domestic Chardonnay. That is surely helped by the medium-plus acidity which holds up the medium weight of the fruit and keeps the mouth watering. Instead of white pepper, the wine takes on a more minerally river stone note that lingers through the long finish.

The Verdict

Just superb. Reviewing my notes after enjoying this wine during Thanksgiving, I was marveling at how youthful and fresh this wine was tasting. If you are lucky enough to have a bottle, you can probably still savor it easily for another 3 to 5 years–and I may be too conservative in that estimate.

While I’m not immune to the occasional indulgence and siren song of a butter-bomb like Rombaurer or Robert Lloyd’s sinfully delicious Carneros Chardonnay, neither of those wines could ever come close to the layers of elegance and complexity that this 2008 Stony Hill Chardonnay exhibits. This wine is truly on another level when it comes to domestic Chardonnays with its peers being found more in Burgundy than in Napa Valley.

This is a wine that combines the savoriness of a well aged Meursault with some of the mouthwatering acidity of a Chablis. At around $50 according to Wine Searcher, this wine is a screaming value compared to aged Burgundies of equivalent quality.

Ultimately, I have to fully echo Matt Kramer’s endorsement that tasting an aged Stony Hill Chardonnay “… is rewarding, even exciting drinking–if you can find it.”

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60 Second Wine Review — Finn Hill Rosé of Pinot gris

A few quick thoughts on the 2017 Finn Hill “Le Fantôme” Rosé of Pinot gris from the Sugarloaf Vineyard in the Rattlesnake Hills AVA of the Yakima Valley.

The Geekery

Finn Hill winery was founded in 2008 by Rob Entrekin in his garage in the Finn Hill neighborhood of Kirkland, Washington–an area first settled by Finnish families.

In 2016, Finn Hill was named by Wine Press Northwest magazine as a “Washington Winery to Watch”.

The Sugarloaf Vineyard was first planted in 2005 by Joe Hattrup (who also owns Elephant Mountain Vineyard) on the southwestern slopes of the Rattlesnake Hills. Today the vineyard covers 37 acres on shallow, gravely soils of silt loam with some clay. In addition to Pinot gris, Sugarloaf also grows Grenache, Tempranillo, Mourvedre, Syrah, Viognier and Riesling.

Along with Finn Hill, other notable wineries that have sourced fruit from Sugarloaf includes Cor Cellars, Eleven Winery, Maryhill, Stottle Winery and TruthTeller Winery.

The Wine

Photo by Janine from Mililani, Hawaii, United States. Uploaded to Wikimedia commons under CC-BY-2.0

Rose petals certainly play a big role in the flavors of this wine.

Medium-plus intensity nose. A very intriguing mix of white peach, strawberries and rose petals.

On the palate, the white peach, strawberry and rose notes all carry through. However, the floral flavors definitely dominate. In many ways this rosé taste like you have a bunch of rose petals in your mouth with the sense of texture partnering with its light-bodied weight. Medium acidity could use just a tad more lift to bring out the freshness of the fruit but offers enough balance to keep the wine enjoyable. Moderate length finish brings back the white peach and strawberry though the floral notes aren’t far behind.

The Verdict

Probably the most famous rosé of Pinot gris in Washington is Long Shadow’s Julia’s Dazzle and for around that same $18 price point, this Finn Hill rosé is pretty on par in quality.

Overall the Finn Hill is a tad drier while the Julia’s Dazzle has more acidity but both offer plenty of pleasure while sipping on the patio.

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Tracking the Tastemakers

Photo by Petrovsky. Uploaded to Wikimedia Commons under CC-BY-3.0

I’m reminded of Austrian puppeteer Karin Schäfer often when I walk into a supermarket’s wine department.

Recently Wine Enthusiast released their Top 40 Under 40 Tastemakers for 2018–a list highlighting the folks who are “… doing their part to lead the conversation and leave a lasting influence on the world of food and drink for generations to come.”

Admittedly lists like this usually illicit an eye roll response from me because of the feel of puffery that abounds in them. Often when I look more critically at these kinds of list, such as Social Vignerons’ 2018 Top 40+ Wine Influencers which I reviewed in my post Under the (Social Media) Influence, I find an absence of voices and views that actually do influence me to check out a new wine, winemaker or region.

Then there is the cynical part of me who looks at the world of wine through the jaded sunglasses of supermarket shelves dominated by mega-corporations and massive consolidation among distributors which leaves me feeling that the real “tastemakers” in the US sits on the boards of E&J Gallo, Constellation Brands, Diageo, Brown-Foreman, Beam Suntory, Treasury Wine Estates, AB InBev, Costco, Young’s Market Company, Republic National Distributing and Southern Glazer’s Wine & Spirits.

But that wouldn’t make a very exciting list now would it? Plus, I’m sure the puppeteers that are heading the decision-making at these companies would prefer to keep their strings hidden.

A Taste of Vox Populi

While the geek in me would love to see more people get excited about Pét-Nat sparklers and wines made from unique grape varieties like Trousseau, Fiano, Touriga Nacional, Pošip, Xinomavro and others, I know I’m in the minority.

So I sit by and shake my head as people go nuts over wines aged in bourbon barrels, mixed with cold brew coffee, Frosé cocktails, blue wine or silly packaging with “living labels”–the quality of the contents inside the bottle be damned.

Can’t argue with success even if it is not your cup of tea.


Even trends that start out on a craft level soon get co-opt and commercialized like how making cider from red-fleshed heritage apples became the latest rosé trend. The rye whiskey heritage that pre-dates the Revolution is now “marketable” with the big boys like Jack Daniels, Woodford Reserve, Wild Turkey and Jim Beam hopping on the rye wagon and expanding their portfolios. Patron and Jose Cuervo have their eyes set on the Mezcal market.

And let’s not even get started with what’s become of the sour beer and hazy IPA segments.

But c’est la vie.

If there is a dollar to be made in the beverage industry, somebody will be there to make it.

In vino veritas

Like wine, there is truth in innovation and if history has taught us anything over the course the 10,000+ years that humans have been consuming alcohol it is that we do like a little variety in our tipple–even if that variety is pumpkin spiced flavored.

Photo by Stephen Witherden. Uploaded to Wikimedia Commons under CC-BY-2.0

Y’all know its only a matter of time till Apothic PSL comes out, right?


To that extent, I’ll set aside my cynicism to look at Wine Enthusiast’s list and highlight for you some of the folks whose stories I’ve found spark just a bit of hope in my world weary heart.

Maggie Campbell – President/Head Distiller, Privateer Rum; Board of Directors Vice President, American Craft Spirits Association

A female head distiller who has a WSET diploma and is pursuing a Master of Wine certification? Badass! My wife is from the Peabody/Salem, Massachusetts area which is a short drive from Privateer Rum in Ipswich so the next time we’re visiting family back east, I’m definitely putting this distillery on my “Must Visit” list.

Paul Elliot — Founder, Loft & Bear

In all honesty, the vodka industry has been something of a joke the last couple decades with flavors and marketing holding more sway than quality and craftsmanship. I have to tip my hat to the small craft distilleries who try their best to forge a living in this category. While the whiskey, gin, rum and tequila categories have their Goliaths, those mediums at least give the Davids a few rocks of opporunities to differentiate themselves with their ingredients and aging. That’s a tougher task in the craft vodka segment.

Kudos to Elliot and Loft & Bear which not only wants to stand out from the pack but also wants to give back through their charity commitments.

Jim Fischer and Jenny Mosbacher — Co-winemakers, Fossil & Fawn

Photo by  Cornischong . Uploaded to Wikimedia Commons under PD-self

Admit it. You can see Treasury Wine Estates coming out with a “Living Amphora” series of Natural Wines at some point.

While I haven’t always been enthralled with the quality of natural wines, I do respect the commitment and passion behind the people who make them. I haven’t had a chance to try Fossil & Fawn yet but, being Pacific Northwest neighbors, I’ll certainly make an effort to seek them out when I’m in the Portland area.

But, and I’m going to let my cynicism slip in here, I do think that the moment when the Natural Wine Movement has made it will be when wineries like Fossil & Fawn start getting gobbled up by mega-corps like Constellation Brands (a la AB InBev’s mad buying spree of craft brewers).

It will be both a sad and triumphant time for the Natural Wine Movement but I’ll raise a glass and hope that folks like Fischer & Mosbacher still stay part of La Résistance and can make a healthy living doing so.

Maya Dalla Valle – Director, Dalla Valle Vineyards

Dalle Valle has been one of the few Napa “cult wines” that I’ve believed have been worth the hype. It is heartening to see the vineyards still stay in the family and that rather than resting on her name, Maya has gone out into the world to gain real experience at wineries across the globe.

Jésus Guillén — Owner/Winemaker, Guillén Family Wines; Winemaker, White Rose Estate

The last few times I’ve had White Rose wines from the Dundee Hills, I’ve been impressed. Learning about Guillén’s story gives me reason to explore these wines more as well as his own family estate wines.

The windmill that is featured on many of the Long Meadow Ranch wines is still holding the fort on their Mayacamas property overlooking Rutherford.


Chris Hall — Proprietor/Chief Operating Officer, Long Meadow Ranch

Long Meadow Ranch has been one of my favorite Napa estates for a while. Such an under the radar gem with a great winemaking pedigree that began with the legendary Cathy Corison and now features Ashley Heisey (previously of Far Niente and Opus One), Stéphane Vivier (previously of Domaine de la Romanee-Conti’s owners’ California project–Hyde de Villaine) and Justin Carr (previously of Cakebread, Rudd and Hourglass).

But visiting the estate a couple years ago as well as their delicious farm-to-table restaurant really hit home for me the Hall family’s commitment to sustainability and the environment.

Jonathan Hajdu — Winemaker, Covenant Wines

I’m not Jewish but I’ve listened to many Jewish friends over the years lament about the poor selection and quality level of many kosher wines–especially those that are mevushal which are flash pasteurized so they can be handled by non-Jews.

While I know that there are quality minded producers in Israel and abroad making kosher wines, their small productions and the hurdles of importation limits their access to US consumers. Being based in Napa and Sonoma, Covenant Wines does have the potential to fill in a sorely needed niche. It never hurts when you have fruit sources like Rudd’s Oakville Estate and Mt. Veeder vineyards!

Their limited production will make them hard to find outside the Pacific Northwest but if you get an opportunity to try Trout’s VITAL wines, take it.

Ashley Trout — Owner/Winemaker, Brook & Bull Cellars; Head Winemaker, Vital Wines

I’ve been a fan of Ashley Trout since her first project, Flying Trout Wines which is now owned by TERO estates. Recently I was really impressed with her VITAL rosé at the Walla Walla Valley Wine Alliance tasting earlier this year which I documented in my Walla Walla Musings post.

The entire VITAL project is super cool and worth supporting with all the profits from the wine label going to the SOS Clinic of Walla Walla that provides healthcare for under-served members of the community–including many vineyard workers and their families.

I was wondering why Ashley Trout was pictured in her Wine Enthusiast photo op drinking Duckhorn wine until I read that she is married to Brian Rudin the winemaker of Duckhorn’s Red Mountain project, Canvasback. They have two kids who have likely inherited some really good winemaking genes.

Katarina Martinez — Owner/Head Brewer, Lineup Brewing

While no industry is immune, the beer industry has had a lot of light shined recently on the rampant sexism that women working in the industry face. There is even a website called Beer & Sexism which documents stories of women brewers and employees with experiences that range from mild (but thoroughly annoying) mansplaining to severe sexual harassment.

There is no universal blessing bestowed on women that means they’re going to make better beer but with women brewers representing only around 10% of the industry, its worth going out your way to support the underdog.

While it will probably be tough to find the New York-based Lineup Brewing on the West Coast, I’ll keep an eye out for Martinez’s brews.

Krista Scruggs — Vigneronne, Zafa Wines

This entry had me raising an eye brow and going “Whoa!”. Scruggs with her Vermont-based Zafa Wines is experimenting with co-fermenting wine grapes with farmed and forage apples as a sort of a wine-cider hybrid project that sounds crazy cool.

I have no idea how easy her stuff is to find but its worth the search to find what Scruggs describes on her website as “JUST FUCKING FERMENTED JUICE FROM RESPONSIBLY FARMED LIVING FRUIT.

Jeff Lindsay-Thorsen — Winemaker/Co-owner, W.T. Vintners/Raconteur Wine Company; Wine Director, RN74

I don’t hide my affections for W.T. Vintners’s wines like their delicious rosé and very Old Worldish 2015 Boushey Vineyard Rhone blend that beat out (for me) the 2014 Sadie Family Columella (which was nearly 3x the price) at this year’s Washington vs World Blind Tasting Event. Plus, the food and wine experience at RN 74 in Seattle is second to none.

This Madeira flight at RN74 featuring (left to right) a 1988 Malmsey, 1976 Terrantez and a 1948 Bual (!!!) is among my Top 10 lifetime wine moments for sure.


That said, I’m still a bit skeptical at how much influence winemakers and sommeliers have in the bigger scheme of the industry. Yeah, they can make great wine and put together a great list but for the majority of wine drinkers who are picking up a bottle of wine at the grocery store or Costco to take home for dinner, they’re more apt to be swayed by fancy packaging than by “terroir-driven, single-vineyard wines.”

Sorry, my cynicism is leaking out again.

Kelli White — Senior Staff Writer, GuildSomm

For me, personally, I will have to say that Kelli White has been the one figure on this list who has actually influenced my tastes and approach to wine. Over the last year since I’ve discovered her work on GuildSomm, she has become one of my favorite wine writers.

I’ve learned so much from her with this just being a small sampling of some of her outstanding work.

The Devastator: Phylloxera Vastatrix & The Remaking of the World of Wine

The Evolution of American Oak

Photo by εγώ. Uploaded to Wikimedia commons under free licenses.

The root of my Xinomavro obsession of late.

Gods & Heroes: Xinomavro in Northern Greece

Brettanomyces: Science & Context

Major Maladies of the Vine

The GuildSomm website is worth bookmarking just for her articles alone.

Hannibal ad portas

These next listings are probably the most realistic inclusions on Wine Enthusiast’s list because these folks actually have the position and power to influence the market in substantial ways.

Neil Bernardi – Vice President of Winemaking, Duckhorn Wine Company; General Manager, Kosta Browne

Duckhorn has grown immensely from it founding as a small Napa winery by Dan and Margaret Duckhorn in 1976. It’s becoming a large mega-corp in its own right with a portfolio of brands that includes Paraduxx, Goldeneye, Migration, Decoy, Canvasback, Calera and Kosta Browne. This is a story not that far off from that of Ste. Michelle Wine Estates which started as a small Washington winery and now has a portfolio that includes more than 26 brands like 14 Hands, Columbia Crest, Erath, Borne of Fire, Northstar, Spring Valley Vineyards, Conn Creek, Patz & Hall and Stag’s Leap Wine Cellars.

Duckhorn’s growth is on a steep trajectory and I don’t see their strings of acquisitions slowing down. A big question, especially as they acquire more vineyards and contracts, is whether they will continue to keep their brand holdings in the upper premium range or expand more of their value offerings like Decoy.

Katie Jackson — Vice President of Sustainability and External Affairs, Jackson Family Wines

Photo by 	Jim G. uploaded to Wikimedia Commons under CC-BY-2.0

Vineyards outside Kendall-Jackson’s Wine Center in Santa Rosa.

Yeah, Jackson Family Wines is huge with over 30 brands in California (including La Crema, Siduri, Brewer-Clifton, Byron, Cambria, Freemark Abbey, Cardinale and Copain), a growing presence in Oregon (buying Penner-Ash and Willakenzie among others) as well as wineries across the globe. They make (and have no problem selling) more than 3 million cases a year of their Vintner Reserve Chardonnay.

That translates to a lot of influence and sway in the industry so it is heartening to read about Katie Jackson’s effort to promote sustainability across her family’s empire including the public release of sustainability reports. Just a few days ago it was announced that more than three-quarters of the company’s vineyards (which includes 12,000 acres under the Kendall-Jackson label alone) are certified sustainable.

That’s a significant needle mover that will certainly have a long term impact on not only the wine industry but on the health of the environment as a whole. While I can often be dour on large wine companies, I have to sincerely applaud Katie Jackson and the Jackson family for these efforts.

Maybe there is hope for my cynical heart yet.

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