Tag Archives: Sustainable Viticulture

60 Second Wine Review — El Puntido Rioja

Published on November 8, 2018

In honor of International Tempranillo Day, here are a few quick thoughts on the 2012 El Puntido Rioja.

The Geekery

El Puntido Tempranillo from Rioja

The Eguren family created El Puntido in 2001 as a single-vineyard designate of their Viñedos de Páganos project. Already notable for their Rioja estates of Sierra Cantabria and San Vicente, they also founded the Spanish cult label Numanthia in 1998 before selling it to Louis Vuitton Moët Hennessy (LVMH) in 2008.

The Eguren wines are part of the portfolio of Spanish importer Jorge Ordóñez. Over the years, Ordóñez has helped popularize in the US the wines of Bodegas Alvear, Breca (makers of Garnacha de Fuego), La Caña (first to introduce Albarino to the US in 1991) and Bodegas Muga. He’s also been involved in the labels of Bodegas Borsao, Juan Gil, Tarima Hill and Volver.

Located in hills between the villages of Páganos and Laguardia of La Rioja, the El Puntido vineyard was first planted in 1975 to 100% Tempranillo. The Egurens farm this, like most their other vineyards, sustainably.

The 2012 Puntido was aged in 100% new French oak barrels for 16 months with the first 6 months aged sur lie. The winery only produced 250 cases of this wine.

The Wine

The very Napa Cab-like fruit and body of this Rioja would be right at home paired with a juicy steak.

Medium-plus intensity. Big black fruits–blackberries and plums. The nose has some spice around the edges. But the big fruit obscures and dominants.

On the palate, those dark fruits carry through but the spice becomes more pronounced as star anise and cinnamon. More noticeable oak on the palate than the nose. A creamy vanilla mouthfeel rounds out the medium-plus tannins. Medium acidity offers some balance but not enough to keep the full-bodied fruit from going jammy. Long finish lingers on the dark fruit and vanilla.

The Verdict

At $60-65, this is certainly a very “Napa-like” Tempranillo that would probably fool a lot of people into thinking it’s a Cab. Like a big, full-bodied Cab this Rioja would be right at home with a juicy steak.

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60 Second Wine Review — Joseph Phelps Quarter Moon Pinot noir

Amber LeBeau in 60 Second Reviews

Published on November 2, 2018

A few quick thoughts on the 2012 Joseph Phelps Pinot noir from the Quarter Moon Vineyard in the Sonoma Coast AVA.

The Geekery

Joseph Phelps Pinot noir wine

Joseph Phelps founded his namesake winery in 1973 in the Napa Valley. While most noted for their flagship Bordeaux-style blend, Insignia, a Pinot noir sourced from the Carneros region of Napa was also part of that inaugural vintage.

The winery would continue to produce a Napa Pinot until 1983. In the mid-1990s Joe Phelps became intrigued at the potential to make Burgundian-style Pinot noir and Chardonnay in the cool, ocean-influenced Sonoma Coast. After spending many years searching for vineyard sites, in 1999 the winery purchased land that would become their Freestone Estate.

Since 2009, Joseph Phelps has been producing 100% estate grown wines from their 490 acres of sustainably grown vines in Napa and Sonoma.

While Ashley Hepworth produces the Napa Valley wines, Justin Ennis oversees the Sonoma Freestone production.

Around 2080 cases of the 2012 Quarter Moon was produced.

The Wine

Really dig the savory black tea notes in this Pinot.

Medium-plus intensity nose. A mix of red fruits–cherries and raspberries–with an earthy black tea element. With air, some baking spices like clove and allspice come out.

On the palate, those red fruits carry through and are very juicy with medium-plus acidity. The acidity also amplifies those savory black tea and spice components. Ripe medium tannins hold up the medium-bodied fruit well. The moderate oak becomes more noticeable with a creamy vanilla mouthfeel. The long finish ends on the salivating acidity and spice notes.

The Verdict

Compared to the very ripe and luscious California Pinots that you usually see in the $70-75 price range, this Joseph Phelps Quarter Moon certainly delivers a lot of Burgundian complexity.

For the equivalent price in Burgundy, you’re looking at well-regarded village-level wines like a Grivot Vosne-Romanee or Hubert Lignier Morey-Saint-Denis as peers. While you can get a little bit better value in Oregon at the $45-60 mark, this is still a very well made wine.

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Bordeaux Futures 2017 — Gruaud-Larose, Lagrange, Ducru-Beaucaillou, La Croix Ducru-Beaucaillou

Amber LeBeau in Bordeaux, Shopping for Wine

Published on October 29, 2018

It’s been a few months since we’ve visited the 2017 Bordeaux futures campaign. Travel played a big role in that gap but my wallet also needed a bit of a break as well. But we’re going to return now and head to St. Julien to look at the offers for the 2nd Growths Gruaud Larose and Ducru-Beaucaillou, the third growth Chateau Lagrange and the second wine of Ducru-Beaucaillou.

If you want to catch up, a good place to start is with our first Bordeaux Futures 2017 post covering the offers of Palmer, Valandraud, Fombrauge and Haut-Batailley. There I also lay out my general outlook and philosophy on buying futures for this vintage.

You can also check out the links at the bottom to see what other offers have been previously reviewed in this series.

Ch. Gruaud-Larose (St. Julien)

Some Geekery:

Bottles of Chateau Gruaud Larose in Bordeaux

Bottles of 1815 Ch. Gruaud Larose resting in the cellars of the St. Julien estate

The reputation of Gruard-Larose dates back to the early 18th century when it was owned by a French knight, Joseph Stanislas Gruaud. In the 1750s, two of his descendants, a priest and a magistrate took control. The brothers purchased adjoining parcels, enlarging the estate to 116 ha (287 acres), and established a reputation for high quality.

Clive Coates notes in his work Grand Vins, that during this time the wines of Fond Bedeau (as it was known then) fetched some of the highest prices in St. Julien and was only behind the four First Growths in reputation.

Coates also notes the eccentricity of the magistrate Gruaud who eventually assumed control of the estate. He constructed a large tower, a replica of which is still in use today, in the vineyard so he could keep eye on his workers.

At the end of each harvest, he would also raise a flag up on the tower indicating the nationality of buyers who he thought would most appreciate the style of the vintage. If the wines were full-bodied and firm in structure, he would raise a British flag. For vintages that were more soft and easy drinking, he would raise a German flag. If the style of the year fell somewhere in the middle, then the magistrate would raise a Dutch flag.

The Establishment and Break Up of Gruaud-Larose

When the magistrate passed in 1778, the property was inherited by his daughter and son-in-law, Joseph Sebastian de La Rose. The new estate was christened Ch. Gruaud-Larose. As Lieutenant-Governor of the Province of Guyenne, M. Larose was able to get his wines served at numerous public events held by the nobility prior to the outbreak of the French Revolution. These events featured not only Gruaud-Larose but also those of his Haut-Medoc estate Ch. Larose-Trintaudon located outside the borders of Pauillac and Saint Laurent. Several cases of Gruaud-Larose also made their way to the nascent United States.

Following the outbreak of the French Revolution and the financial difficulties of the Napoleonic era, the descendants of Larose had to put the estate up for auction in 1812. It was purchased by a consortium of individuals who included the Baron Jean Auguste Sarget. Eventually disagreements with Baron Sarget and the heirs of the other owners led to a splitting of the estate in 1867. From then until 1935 when the Cordier family reunited the property, there were two Gruaud-Larose wines–Ch. Gruaud-Larose-Sarget and Ch. Gruaud Larose-Bethmann (later Ch. Gruaud Larose Faure).

The Cordier family maintained ownership of the property, along with the 4th Growth Ch. Talbot, the 5th Growth Ch. Cantemerle, Ch. Meyney in St. Estephe, Clos des Jacobins in Saint Emilion and Ch. Lafaurie-Peyraguey, for several decades until selling it to the Suez Banking Group in 1985. Gruaud-Larose went through a succession of owners until 1997 when it was purchased by the Merlaut family of the Taillan Group.

Ch. Gruaud-Larose Today

Outside the chateau of Gruaud-Larose

Today it is part of a portfolio that includes the 3rd Growth Margaux estate of Ch. Ferriere, the 5th Growth Ch. Haut-Bages-Liberal in Pauillac, Ch. Chasse-Spleen, Ch. Citran and Ch. La Gurgue. It is unique among the 1855 classified estate in that the vineyards are relatively the same as they were when the estate was first classified.

Most of the estate is one large block of vines between Branaire-Ducru and Ch. Lagrange with another segment separated from the commune of Cussac and the Haut-Medoc estate of Ch. Lanessan by a stream. Compared to other estates in the Medoc, Gruaud-Larose tends to have a significant amount of clay in the soil (particularly in the parcels close to Lanessan). However, plantings in recent years has focused on increasing the amount of Cabernet Sauvignon and pulling up parcels of Merlot and Cabernet Franc.

The vineyards are farmed organically with several of the parcels farmed biodynamically. Around 18,000 cases a year are produced with some fruit being declassified to the estate’s second wine Sarget Larose.

The 2017 vintage is a blend of 67% Cabernet Sauvignon, 31.5% Merlot and 1.5% Cabernet Franc.

Critic Scores:

92-94 Wine Enthusiast (WE), 91-94 Wine Spectator (WS), 92-93 James Suckling (JS), 90-92 Vinous Media (VM), 90-92 Jeb Dunnick (JD)

Sample Review:

The 2017 Gruaud Larose is pliant, deep and quite expressive, while staying light on its feet. In 2017, Gruaud is a wine of precision and nuance rather than volume. There is lovely persistence and nuance in the glass. Even so, I can’t help thinking there is quite a bit of unrealized potential here. All of the wine was fermented in oak vats, with slightly higher than normal temperatures for the Cabernets. — Antonio Galloni, Vinous Media

Offers:

Wine Searcher 2017 Average: $73
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $74.97 (no shipping with wines sent to local Total Wine store for pick up)
K&L: $69.99 + shipping (no shipping if picked up at 1 of 3 K & L locations in California)

Previous Vintages:

2016 Wine Searcher Ave: $85 Average Critic Score: 92 points
2015 Wine Searcher Ave: $83 Average Critic Score: 93 points
2014 Wine Searcher Ave: $71 Average Critic Score: 92 points
2013 Wine Searcher Ave: $68 Average Critic Score: 89 points

Buy or Pass?

A lot of wine experts feel that Gruaud-Larose turned a corner after the 2009 vintages. While notoriously inconsistent and noted for wines that were often quite awkward and austere in their youth, the thinking was that this new era of Gruaud-Larose would bring the estate back to the some of the glory that originally earned it a 2nd Growth classification.

After visiting the estate in 2016 and tasting several of its recent releases at Union des Grands Crus de Bordeaux tastings, I do think the estate has got the consistent quality part down pat. But I’m skeptical that the “awkwardness” and austerity of youth is gone. These wines are still remarkably tannic and well-structured. They are certainly built for the long haul which makes them a good investment for cellar-worthy vintages.

But for vintages like 2017 where I have an eye for more early-drinking styles, this is not an estate I have on my radar. Pass.

Ch. Lagrange (St. Julien)

Some Geekery:

The cuvier of Ch. Lagrange

The estate that is now known as Ch. Lagrange dates back to the Middle Ages when it was known as Maison Noble de Lagrange Monteil. Wine production has taken place since at least the 1630s when it was owned by Jean de Cours, the Sire de Paulliac, who acquired the estate by marrying Marguerite de Vivien.

In the 18th century, it came under the ownership of the Baron de Brane who also owned Brane Cantenac and Mouton Brane (later Mouton-Rothschild). At this time the wines were sold as Baron St. Julien.

During the French Revolution and into the Napoleonic era, the estate was owned by Jean-Valère Cabarrus who eventually became Napoleon’s Finance Minister to Spain. Cabarrus daughter, Thérèse, was notable for saving many nobles from facing the guillotine during the Revolution and being the lover of Jules Ouvard who owned both Clos Vougeot and Domaine de la Romanee-Conti.

The next couple centuries saw a succession of ownership changes including a time in the care of John Lewis Brown who owned Ch. Cantenac Brown in Margaux and Ch. Brown in Pessac-Leognan. For most of the 20th century, Lagrange was owned by the Cendoya family from the Basque region of Spain. Financial difficulties during that period caused the Cendoyas to have sell off parcels of vineyards including several hectares used by Henri Martin to found Chateau Gloria. In 1970, the Borie family of Ch. Ducru-Beaucaillou purchased 32 ha (79 acres) with a good chunk of that eventually becoming the estate Ch. Lalande-Borie.

Stephen Brook notes in The Complete Bordeaux that by the time the Japanese whiskey firm Suntory purchased the estate in 1983, it had shrunk from 120 ha (297 acres) to just 57 ha (141 acres) with under half the vines being Merlot.

Ch. Lagrange Today

Visiting Ch. Lagrange in St. Julien.

Upon their acquisition of Lagrange, Suntory began investing millions into renovations in the vineyard and winery. Marcel Ducasse was brought on to manage the estate with Emile Peynaud and Michel Delon consulting.

Suntory and Ducasse initiated what Clive Coates called “a Renaissance” at Lagrange and noted that Suntory was uniquely qualified to help the 3rd Growth estate reclaim its standings. In addition to the vast capital from their whiskey empire (which now includes Jim Beam), Suntory is the largest importer and distributor of French wine in Japan. They also have owned a vineyard at the base of Mt. Fuji for many decades, the Yamanashi Vineyard, producing wine under the label of Ch. Lion. Suntory’s head enologist, Kenji Suzuta, spent time at Lagrange assisting Ducasse.

Ducasse introduced sustainable viticulture to Lagrange with many parcels farmed organically. He also began an extremely selective sorting regiment in the vineyard and the winery which necessitated the creation of a second wine, Les Fief de Lagrange, in 1985.

Stephen Brook notes that the strict selection process continued even after Ducasse successfully rehabbed Lagrange’s image and through his retirement in 2007. Today, under the direction of Bruno Eynard, many top quality parcels of Lagrange are still declassified down to the second wine, making Les Fief de Lagrange a top value in Bordeaux.

Today Lagrange produces around 60,000 cases of the Grand Vin each year.

The 2017 vintage is a blend of 78% Cabernet Sauvignon, 18% Merlot and 4% Petit Verdot.

Critic Scores:

92-93 JS, 89-92 WS, 89-92 VM, 89-91 Wine Advocate (WA), 91-93 JD

Sample Review:

The 2017 Château Lagrange is certainly a success in the vintage. Possessing a great nose of crème de cassis, violets, and spicy oak, it hits the palate with medium to full-bodied richness, a terrific mid-palate, present tannin, but a sexy, forward, charming style that’s already hard to resist. It should keep for two decades or more. — Jeb Dunnuck, JebDunnuck.com

Offers:

Wine Searcher 2017 Average: $46
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $44.97
K&L: No offers yet.

Previous Vintages:

2016 Wine Searcher Ave: $55 Average Critic Score: 92 points
2015 Wine Searcher Ave: $51 Average Critic Score: 91
2014 Wine Searcher Ave: $48 Average Critic Score: 91 points
2013 Wine Searcher Ave: $43 Average Critic Score: 89 points

Buy or Pass?

This 2009 Les Fiefs de Lagrange was outrageously delicious. I would put it on par with many 3rd Growths by itself in the $50-60 range.

This was another estate that I had the opportunity to visit in 2016. While I was a little underwhelmed with the 2012 Lagrange they poured, I was blown away by how scrumptiously delicious the 2009 Les Fief de Lagrange (Wine Searcher Ave $45) was. However, I don’t want to judge the Grand Vin too harshly on a youthful showing from an average vintage (especially compared to the more superior 2009 vintage).

But with that track record, I am going to be cautious. There is definitely value in the 2017 offering being priced less than the 2014-2016 vintages so I can’t blame anyone for pulling the trigger. I’m still going to take a “wait and see” approach. It’s unlikely that the price will jump dramatically so I’m okay with give it a Pass for now.

Ch. Ducru-Beaucaillou (St. Julien)

Some Geekery:

Clive Coates notes that Ducru-Beaucaillou was originally known as Maucaillou (bad stones) because of how difficult the stoney soil was to work with. Once the quality of the wine from the vineyard began garnering attention in the 1700s, the name gradually changed to Beaucaillou (beautiful stones).

The “Ducru” part of the name came in 1795 when Bertrand Ducru purchased the estate and commissioned the famous Parisian architect, Paul Abadie, to design the chateau. His descendants would later sell Ducru-Beaucaillou in 1866 to Lucie Caroline Dassier, wife of the notable Bordeaux merchant Nathaniel Johnston. Johnston unsuccessfully tried to change the name to just Beaucaillou but by this point the name, and its 2nd Growth classification, had solidified itself in the market.

It was during this time at Ducru-Beaucaillou when vineyard manager Ernest David accidentally stumbled upon the recipe for the famous “Bordeaux mixture“. According to Coates, David was looking to thwart thieves who were snatching grapes from the vineyard by painting the vines closest to the road with an organic blue-green mixture of copper sulfate and lime.

Neighboring growers and professors from the University of Bordeaux noticed that these treated vines did not get infected by powdery or downey mildew and convinced David to conduct more trials. Cautious about adverse effects on the Ducru vines, the trials that eventually confirmed the efficacy of the Bordeaux Mixture were conducted at another property of the Johnston family–the 5th Growth Ch. Dauzac in Margaux.

Ducru-Beaucaillou Today

Bruno Borie of Ducru-Beaucaillou

In 1941, the estate was purchased by the Borie family who still own the property today. In addition to Ducru, the family owns the 5th Growth Pauillac estates of Grand Puy Lacoste and Haut Batailley. These estates are managed by Francois Xavier Borie with his brother, Bruno, managing Ducru-Beaucaillou.

From 1986 to 1995, the estate was plagued with systematic cork taint issues that required significant investment to eradicate. Many of the bottles from this period had to be recorked with those demonostrating noticeable TCA destroyed.

Beginning in the late 20th century, production of the Grand Vin at Ducru started decreasing from a high point of 20,000 to 25,000 cases in the early 1980s to around 9,000 to 11,000 cases today.

Since 2010, Virginie Sallette has been the technical director working with long time cellar master René Lusseau.

The 2017 vintage is a blend of 90% Cabernet Sauvignon and 10% Merlot. Due to more severe selection in this vintage, there is estimated to only be around 7500 cases produced for 2017.

Critic Scores:

97-98 JS, 95-97 WA, 94-96 WE, 93-96 WS, 93-96 VM, 96-98 Jeff Leve (JL), 94-96 JD

Sample Review:

There was no frost at Ducru-Beaucaillou in 2017 due to its proximity to the estuary. This barrel sample comes from the final blend, which was made in early 2018. Composed of 90% Cabernet Sauvignon and 10% Merlot and sporting a deep garnet-purple color, the 2017 Ducru-Beaucaillou is intensely scented of blackcurrant cordial, blackberries and lavender with hints of crushed rocks, iron ore, rose hips and Provence herbs plus touches of wood smoke and sandalwood. Medium-bodied, very firm and grainy in the mouth, it possesses lovely freshness, lifting the intense flavors, finishing long and minerally. Sporting an incredible core of muscular mid-palate fruit, this wine should age incredibly. — Lisa Perrotti-Brown, Robert Parker’s Wine Advocate

Offers:

Wine Searcher 2017 Average: $169
JJ Buckley: $167.94 + shipping (no shipping if picked up at Oakland location)
Vinfolio: $175 + shipping
Spectrum Wine Auctions: No offers yet.
Total Wine: $169.97
K&L: $169.99 + shipping

Previous Vintages:

2016 Wine Searcher Ave: $206 Average Critic Score: 95 points
2015 Wine Searcher Ave: $199 Average Critic Score: 95 points
2014 Wine Searcher Ave: $151 Average Critic Score: 95 points
2013 Wine Searcher Ave: $126 Average Critic Score: 92 points

Buy or Pass?

While Ducru is a wine that I never want to open up too young, it’s virtually an automatic buy for me every year. Just stellar stuff that’s usually worth bending my financial discipline a bit for. While the 2017 is priced a little above the 2014, the reduced yields and supply likely played a significant role.

It’s still well below 2015 & 2016 levels and is a wine that I can see jumping $20-25 higher when it hits the market. That makes its a justifiable Buy for at least a bottle or two.

La Croix Ducru-Beaucaillou (St. Julien)

Some Geekery:

La Croix is the second wine of Ducru-Beaucaillou that was first introduced in 1995. Since 2005, the wine has been produced from dedicated plots located near Ch. Talbot instead of just declassified fruit from the Grand Vin.

Starting with a limited release in 2009 and with all bottlings since 2010, the labels have been designed by Jade Jagger, daughter of rock star Mick Jagger.

The 2017 vintage is a blend of 58% Merlot, 39% Cabernet Sauvignon and 3% Petit Verdot.

Critic Scores:

92-94 WE, 92-93 JS, 90-93 VM, 89-92 WS, 89-91 WA, 90-92 JD

Sample Review:

The Merlot here is grown on sandy-gravel soils and brings both freshness and structure. There’s good balance, plush autumnal berry fruits and lovely spice, supported by well placed, delicate tannins. It’s a clear Médoc twist on the varietal, even though this is a little lusher and more approachable than in recent years where Cabernet Sauvignon has been higher in the blend – last year it was at 66%, but vintage conditions in 2017 affected some of the crop. It’s a little different in expression from 2016, but is an extremely high quality, great drinking wine. (91 points) — Jane Anson, Decanter

Offers:

Wine Searcher 2017 Average: $45
JJ Buckley: No offers yet
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $44.97
K&L: No offers yet.

Previous Vintages:

2016 Wine Searcher Ave: $56 Average Critic Score: 92 points
2015 Wine Searcher Ave: $58 Average Critic Score: 92 points
2014 Wine Searcher Ave: $50 Average Critic Score: 91 points
2013 Wine Searcher Ave: $35 Average Critic Score: 90 points

Buy or Pass?

My affinity for Ducru certainly extends to its second wine which I often buy. A bit unusual in being a Merlot-dominant Medoc in this vintage, I find that these Merlot heavy blends usually fall picture perfect into the role of “Cellar Defender” that I’m seeking in years like 2017.

The pedigree, coupled with solid pricing under 2013-2016 vintages makes this a good Buy for me.

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Getting Geeky with Rabbit Ridge Petit Verdot

Amber LeBeau in Wine grapes, Wine reviews

Published on October 13, 2018

Going to need more than 60 Seconds to geek out about this 2011 Rabbit Ridge Petit Verdot from Paso Robles.

The Background

Rabbit Ridge Petit Verdot

Erich Russell founded Rabbit Ridge winery in 1981 in Healdsburg, Sonoma. Originally a home winemaker in San Diego, Russell’s wines caught the attention of the winemaking team at Chateau St. Jean who offered him a position. From there he spent time at Simi and Belvedere Winery before starting out on his own.

Over the years, Rabbit Ridge has earned numerous accolades and acclaim. They’ve had 3 wines featured on Wine Spectator’s Top 100 list. Connoisseur’s Guide named Russell it’s “Winemaker of the Year” in 1998. Wine writer Jay McInerney noted in his 2002 work Bacchus and Me: Adventures in the Wine Cellar that if you wanted to guarantee yourself a good bottle of Zinfandel, seek out the “R wineries” of Rafanelli, Ravenswood, Ridge, Rosenbloom, Renwood and Rabbit Ridge.

In 2001, the winery moved to the central coast of California. Here, the Russell family planted 200 acres on the west side of Paso Robles. Today the winery produces around 10,000 cases from their sustainably farmed fruit.

Rabbit Ridge is a family operation from top to bottom with Erich and Joanne Russell running the estate with their daughter, Sarah Fleming Garrett, and her husband Brice. In addition to working at Rabbit Ridge, the Garretts also have their own label, Serrano Wine, that was launched in 2018 in the Willow Creek District of Paso Robles. According to Barnivore, all the Rabbit Ridge wines are “vegan friendly” with only bentonite and yeast fining used.

The 2011 Petit Verdot is sourced from estate fruit with a little bit of Cabernet Sauvignon blended in.

The Grape

Jancis Robinson, Julia Harding and José Vouillamoz note in Wine Grapes that the first mention of Petit Verdot was in Bordeaux in 1736. However, the grape may not have originated there. Ampelograhical evidence of similar varieties suggest that Petit Verdot may have been a domesticated wild vine that originated somewhere in the Pyrénées-Atlantiques department south of Bordeaux on the border with Spain.

Petit Verdot grapes growing in Portugal.

The name Petit Verdot references the small berries with thick skins that produce green (French vert) and acidic flavors if the grape doesn’t ripen fully. A very late-ripening variety, Petit Verdot is often harvested several days or even a couple weeks after Cabernet Sauvignon.

Despite contributing deep color and spiciness to blends, the risk of not fully ripening caused Petit Verdot’s plantings in Bordeaux to sharply decline in the 20th century to around 338 ha (835 acres) in 1988. However, global warming has sparked renewed interest with a jump to 526 ha (1300 acres) by 2009. Mostly grown on the Left Bank, classified estates that have notable plantings of Petit Verdot include Ch. Margaux and Palmer in Margaux, Pichon Lalande in Pauillac, Léoville Poyferré in St. Julien and La Lagune in the Haut-Medoc.

Petit Verdot in the US

Varietal versions of Petit Verdot have always commanded a premium in the United States. The reason has been because of limited supply and planting compared to other varieties. Matt Kramer notes in his 2004 book New California Wine that while a ton of Napa Cabernet Sauvignon would average around $3,921 and Pinot noir $2,191, Petit Verdot usually cost around $4,915 a ton to harvest.

Today, there are 2,897 acres of Petit Verdot planted throughout California with Napa, Sonoma and Paso Robles being the home for a majority of those plantings.

Outside of California, the grape can be found in Virginia, Arizona, Colorado, Idaho, Maryland, New York, North Carolina, Texas, Pennsylvania and Washington State. In Canada, it is also grown in the Okanagan Valley of British Columbia and the Niagara Peninsula of Ontario.

Petit Verdot leaf growing at the Hedges Vineyard on Red Mountain.

Red Willow Vineyard pioneered Petit Verdot in Washington State in the mid-1980s. Here Master of Wine David Lake encouraged Mike Sauer to plant UCD clone-1 Petit Verdot in his Yakima Valley vineyard. However, as Paul Gregutt notes in Washington Wines, those early plantings failed and the blocks had to replanted with new clones in 1991.

In Walla Walla, the Figgins family of Leonetti planted Petit Verdot at the Spring Valley Vineyard. Today Petit Verdot is still a significant component of their Reserve Cabernet Sauvignon. Other early plantings of Petit Verdot in the 1990s took place at the Mill Creek Upland vineyard in Walla Walla, Destiny Ridge in Horse Heaven Hills and Ciel du Cheval on Red Mountain. As of 2017, there were 254 acres of Petit Verdot in Washington State.

The Wine

Medium-plus intensity nose. Brambly fruit like elderberry and boysenberry with some blue floral notes and forest floor earthiness. With a little air some tobacco spice and a distinct streak of graphite pencil lead emerges. The nose reminds me a bit of Cabernet Franc.

On the palate those dark brambly fruits carry through. The wine has full-bodied weight but I wouldn’t have guessed a 14.8% alcohol. There is no back-end heat or jammy fruit. Moderate oak contributes some baking spice but doesn’t play much of a role. Medium-plus acidity gives the fruit freshness and balances well with the ripe, high tannins. This wine is mouth-filling and mouthwatering. Moderate length finish brings back the spice and minerally graphite notes.

Some Personal Thoughts

I have to confess a bias of sorts. Stories like that of the Russells and Rabbit Ridge fuel and sustain my love for the world of wine. It’s so easy to get lost in the doldrums of supermarket shelves dominated by portfolio of brands owned by a handful of mega-corps that you lose sight of what wine is really supposed to be about. Wines like this remind me of why I geek out about wine.

The 2014 Rabbit Ridge sparkling Pinot noir Brut was also really tasty as well. Look for a 60 Second Review of this wine in December.

I’ve been following Rabbit Ridge Winery on Twitter and highlighted them in my article The Winery Twitter Dance as one the best winery Twitter account worth following. While I don’t know the Russells personally, it’s hard not to feel like I do because of all the great behind the scene tidbits that they share about the hard work and joys that comes with managing a small family winery. Likewise with the Serrano Wine Twitter, you feel like you are with the Garretts on their journey in launching a new winery from the ground up.

For folks like the Russells, the wine that you open up to share on your table with family and friends isn’t just a brand. It’s their life work and the result of hours upon hours of toil, and gallons upon gallons of sweat, spent over every step of the process. From first putting the vines into the ground to finally the cork in the bottle, they’re putting a part of themselves into each wine.

When you share their wines, you’re not sharing something thought up during a marketing department’s brainstorming session and tested on focus groups. Instead, you’re sharing something that was dreamed up by person who looked out at a vineyard or into a great glass of wine and thought “I could do this. I should do this.” and tested that dream over and over again on their own table–with their own family and friends.

The Verdict

I opened this bottle of 2011 Rabbit Ridge Petit Verdot with higher expectations than I do for a commodity brand. And I certainly savored that it lived up to those expectations. At $20 (yes, $20 for a varietal Petit Verdot!), this wine has character and complexity that opens up even more in a decanter over the course of dinner.

No, it’s not a jammy, hedonistic red like many Paso wines can be. Its best role is definitely on the table where its acidity and structure can shine with food. But it is a bottle way over delivers for the price and worth trying.

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60 Second Wine Review — Santa Julia Torrontes (Tasted Blind)

Amber LeBeau in 60 Second Reviews, Blind Tasting

Published on October 11, 2018

A few quick thoughts on the 2017 Santa Julia Torrontes from Mendoza, Argentina.

The Geekery

Santa Julia is made by the Zuccardi family who founded their winery in the Maipú region of Mendoza in 1963. Julia, the wine’s namesake, is the granddaughter of founder Alberto Zuccardi.

The family originally sold wine in bulk to larger producers until a financial crisis in the 1980s saw many of those bottlers go out of business. At this point, the Zuccardis moved towards bottling their own production.

Today the Zuccardis produce 2.2 million cases of wine from 1001 ha (2474 acres). The family’s vineyards are primarily in the Santa Rosa and Uco Valley sub-regions of Mendoza with 180 ha (445 acres) still in Maipú.

The Santa Julia line was created in the 1990s to highlight the diversity of Argentine wine. While there is a Malbec made, the brand features Viognier, Pinot grigio, Tempranillo, Chardonnay, Cabernet Sauvignon as well as Torrontes.

While the Zuccardis’ main Torrontes comes from the Salta region, the Santa Julia comes from the warmer Mendoza area. All the fruit for Santa Julia is sustainably farmed with several of the vineyards certified organic.

In addition to the Santa Julia and main Zuccardi brand, the family also produces wine under their Fusión label.

The Wine

Very fragrant orange blossom in this wine.

(Tasted blind as part of a Somm Select flight)

High intensity nose. Lots of orange blossoms and white peach notes. A little lychee and rose petal has me thinking Gewurztraminer.

On the palate, the wine is still fruit forward. No signs of minerality. Medium acidity and medium body. Slight oiliness on the mouthfeel. Maybe Albarino? Seems more New World. Short finish.

The Verdict

I ultimately went with an Oregon Gewurztraminer and was, of course, wrong. While the lychee and rose petal was on the nose, it didn’t carry through to the palate. Nor did it have the “spice” note that hints at Gertie.

At $10-14, the Santa Julia Torrontes won’t wow you with complexity but it is a tasty and refreshing drinker.

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60 Second Wine Review — Saxum Broken Stones

Amber LeBeau in 60 Second Reviews

Published on September 30, 2018

A few quick thoughts on the 2015 Saxum Broken Stones from the Willow Creek District of Paso Robles.

The Geekery

Saxum Vineyards was founded in 2001 by Justin Smith and has quickly ascended to cult-status for their Rhone blends–earning numerous 100 point scores and critical acclaim. In 2010, the James Berry Vineyard Red Blend was named the #1 Wine of the Year by Wine Spectator magazine.

While most of Saxum’s wines are single vineyard cuvees such as the James Berry Vineyard and Terry Hoage Vineyard, Broken Stones is a blend of multiple vineyards that are all farmed sustainably.

The 2015 Broken Stones is a blend of 48% Syrah, 21% Mourvedre, 20% Grenache, 10% Petite Sirah and 1% Roussanne. The wine was aged 18-20 months in 75% new French oak barrels before being bottled unfined and unfiltered. Around 1100 cases were produced.

The Wine

Medium intensity nose. Rich dark fruit of blackberries, blueberries and black currants. Very sweet smelling with a little blue floral notes and baking spice like cinnamon.

The bouquet of this wine reminds me of cinnamon french toast with lots of jammy fruit.

On the palate those dark fruits come through and are quite jammy. However, the wine doesn’t taste sweet at all. Medium-plus acidity helps balance the very full-bodied fruit but it’s not quite as mouthwatering or juicy as I would hope. The medium-plus tannins are present but are very silky. That texture and mouthfeel are probably the best part. Moderate finish sticks with the big fruit and lingers with noticeable back-end heat of alcohol (15.6%).

The Verdict

This is a big, big wine that is a bit too big and jammy for my personal tastes. With the healthy dose of Syrah and Mourvedre, I was hoping for more savoriness and spice but the rich dark fruit runs the show.

At $130-150, there is certainly a premium for this mailing-list only cult producer but it is a distinctive style that will be worth it to some people–such as fans of Mollydooker’s Velvet Glove (ave $170) who would find this right in their wheelhouse.

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60 Second Wine Review — Adobe Road Bavarian Lion Cabernet Sauvignon

Amber LeBeau in 60 Second Reviews

Published on September 28, 2018

A few quick thoughts on the 2013 Adobe Road Cabernet Sauvignon from the Bavarian Lion Vineyard in the Knights Valley of Sonoma.

The Geekery

Adobe Road Winery was founded in 2002 by race car driver Kevin Buckler and his wife Debra.

One of the early winemakers was Franc Dusak who worked on the 2004 to 2008 vintages. He was eventually succeeded by Michael Scorsone who was winemaker at Adobe Road for seven years with Palmer Emmitt assisting him until the two left to start their joint project Emmitt-Scorsone Wines.

Prior to taking over the head winemaking duties at Adobe Road, Scorsone previously worked with Ehren Jordan at Failla and with Thomas Rivers Brown and Fred Schrader at Boars’ View.

In 2015, Garrett Martin joined Adobe Road as winemaker after stints at Joel Gott and working with Massimo and Mario Monticelli at their consulting firm.

The Bavarian Lion Vineyard in the Knights Valley is located in the shadow of Mt. Saint Helena and is owned by Pierre Ehret. The vineyard is sustainably farmed.

Among the other wineries who source fruit from Bavarian Lion is Rodney Strong Vineyards who produced a great 2 minute video that shows the vineyard and explains some of the uniqueness of the Knights Valley.

The 2013 Adobe Road Bavarian Lion Cabernet Sauvignon is 100% varietal that spent 28 months aging in French oak (90% new). Around 350 cases were made.

The Wine

Medium intensity nose. Mix of red and dark fruits–plums and cherries–with some tobacco spice.

On the palate more red fruits carry through that are amplified by the high acidity. Medium-plus tannins hold up the medium-plus body of the fruit but overall the wine feels a bit hollow. Moderate length finish brings back the tobacco spice.

The Verdict

While I loved the 2013 Beckstoffer Vineyard Georges III that I had at the 2017 Wine Spectator Grand Tour, the Bavarian Lion didn’t wow me–especially for its $80-100 price point.

It reminds me of the Silver Oak Alexander Valley with both wines needing to be priced a lot lower.

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Tracking the Tastemakers

Amber LeBeau in General, Wine marketing

Published on August 30, 2018

Photo by Petrovsky. Uploaded to Wikimedia Commons under CC-BY-3.0

I’m reminded of Austrian puppeteer Karin Schäfer often when I walk into a supermarket’s wine department.

Recently Wine Enthusiast released their Top 40 Under 40 Tastemakers for 2018–a list highlighting the folks who are “… doing their part to lead the conversation and leave a lasting influence on the world of food and drink for generations to come.”

Admittedly lists like this usually illicit an eye roll response from me because of the feel of puffery that abounds in them. Often when I look more critically at these kinds of list, such as Social Vignerons’ 2018 Top 40+ Wine Influencers which I reviewed in my post Under the (Social Media) Influence, I find an absence of voices and views that actually do influence me to check out a new wine, winemaker or region.

Then there is the cynical part of me who looks at the world of wine through the jaded sunglasses of supermarket shelves dominated by mega-corporations and massive consolidation among distributors which leaves me feeling that the real “tastemakers” in the US sits on the boards of E&J Gallo, Constellation Brands, Diageo, Brown-Foreman, Beam Suntory, Treasury Wine Estates, AB InBev, Costco, Young’s Market Company, Republic National Distributing and Southern Glazer’s Wine & Spirits.

But that wouldn’t make a very exciting list now would it? Plus, I’m sure the puppeteers that are heading the decision-making at these companies would prefer to keep their strings hidden.

A Taste of Vox Populi

While the geek in me would love to see more people get excited about Pét-Nat sparklers and wines made from unique grape varieties like Trousseau, Fiano, Touriga Nacional, Pošip, Xinomavro and others, I know I’m in the minority.

So I sit by and shake my head as people go nuts over wines aged in bourbon barrels, mixed with cold brew coffee, Frosé cocktails, blue wine or silly packaging with “living labels”–the quality of the contents inside the bottle be damned.

Can’t argue with success even if it is not your cup of tea.

Even trends that start out on a craft level soon get co-opt and commercialized like how making cider from red-fleshed heritage apples became the latest rosé trend. The rye whiskey heritage that pre-dates the Revolution is now “marketable” with the big boys like Jack Daniels, Woodford Reserve, Wild Turkey and Jim Beam hopping on the rye wagon and expanding their portfolios. Patron and Jose Cuervo have their eyes set on the Mezcal market.

And let’s not even get started with what’s become of the sour beer and hazy IPA segments.

But c’est la vie.

If there is a dollar to be made in the beverage industry, somebody will be there to make it.

In vino veritas

Like wine, there is truth in innovation and if history has taught us anything over the course the 10,000+ years that humans have been consuming alcohol it is that we do like a little variety in our tipple–even if that variety is pumpkin spiced flavored.

Y’all know its only a matter of time till Apothic PSL comes out, right?

To that extent, I’ll set aside my cynicism to look at Wine Enthusiast’s list and highlight for you some of the folks whose stories I’ve found spark just a bit of hope in my world weary heart.

Maggie Campbell – President/Head Distiller, Privateer Rum; Board of Directors Vice President, American Craft Spirits Association

A female head distiller who has a WSET diploma and is pursuing a Master of Wine certification? Badass! My wife is from the Peabody/Salem, Massachusetts area which is a short drive from Privateer Rum in Ipswich so the next time we’re visiting family back east, I’m definitely putting this distillery on my “Must Visit” list.

Paul Elliot — Founder, Loft & Bear

In all honesty, the vodka industry has been something of a joke the last couple decades with flavors and marketing holding more sway than quality and craftsmanship. I have to tip my hat to the small craft distilleries who try their best to forge a living in this category. While the whiskey, gin, rum and tequila categories have their Goliaths, those mediums at least give the Davids a few rocks of opporunities to differentiate themselves with their ingredients and aging. That’s a tougher task in the craft vodka segment.

Kudos to Elliot and Loft & Bear which not only wants to stand out from the pack but also wants to give back through their charity commitments.

Jim Fischer and Jenny Mosbacher — Co-winemakers, Fossil & Fawn

Photo by Cornischong . Uploaded to Wikimedia Commons under PD-self

Admit it. You can see Treasury Wine Estates coming out with a “Living Amphora” series of Natural Wines at some point.

While I haven’t always been enthralled with the quality of natural wines, I do respect the commitment and passion behind the people who make them. I haven’t had a chance to try Fossil & Fawn yet but, being Pacific Northwest neighbors, I’ll certainly make an effort to seek them out when I’m in the Portland area.

But, and I’m going to let my cynicism slip in here, I do think that the moment when the Natural Wine Movement has made it will be when wineries like Fossil & Fawn start getting gobbled up by mega-corps like Constellation Brands (a la AB InBev’s mad buying spree of craft brewers).

It will be both a sad and triumphant time for the Natural Wine Movement but I’ll raise a glass and hope that folks like Fischer & Mosbacher still stay part of La Résistance and can make a healthy living doing so.

Maya Dalla Valle – Director, Dalla Valle Vineyards

Dalle Valle has been one of the few Napa “cult wines” that I’ve believed have been worth the hype. It is heartening to see the vineyards still stay in the family and that rather than resting on her name, Maya has gone out into the world to gain real experience at wineries across the globe.

Jésus Guillén — Owner/Winemaker, Guillén Family Wines; Winemaker, White Rose Estate

The last few times I’ve had White Rose wines from the Dundee Hills, I’ve been impressed. Learning about Guillén’s story gives me reason to explore these wines more as well as his own family estate wines.

The windmill that is featured on many of the Long Meadow Ranch wines is still holding the fort on their Mayacamas property overlooking Rutherford.

Chris Hall — Proprietor/Chief Operating Officer, Long Meadow Ranch

Long Meadow Ranch has been one of my favorite Napa estates for a while. Such an under the radar gem with a great winemaking pedigree that began with the legendary Cathy Corison and now features Ashley Heisey (previously of Far Niente and Opus One), Stéphane Vivier (previously of Domaine de la Romanee-Conti’s owners’ California project–Hyde de Villaine) and Justin Carr (previously of Cakebread, Rudd and Hourglass).

But visiting the estate a couple years ago as well as their delicious farm-to-table restaurant really hit home for me the Hall family’s commitment to sustainability and the environment.

Jonathan Hajdu — Winemaker, Covenant Wines

I’m not Jewish but I’ve listened to many Jewish friends over the years lament about the poor selection and quality level of many kosher wines–especially those that are mevushal which are flash pasteurized so they can be handled by non-Jews.

While I know that there are quality minded producers in Israel and abroad making kosher wines, their small productions and the hurdles of importation limits their access to US consumers. Being based in Napa and Sonoma, Covenant Wines does have the potential to fill in a sorely needed niche. It never hurts when you have fruit sources like Rudd’s Oakville Estate and Mt. Veeder vineyards!

Their limited production will make them hard to find outside the Pacific Northwest but if you get an opportunity to try Trout’s VITAL wines, take it.

Ashley Trout — Owner/Winemaker, Brook & Bull Cellars; Head Winemaker, Vital Wines

I’ve been a fan of Ashley Trout since her first project, Flying Trout Wines which is now owned by TERO estates. Recently I was really impressed with her VITAL rosé at the Walla Walla Valley Wine Alliance tasting earlier this year which I documented in my Walla Walla Musings post.

The entire VITAL project is super cool and worth supporting with all the profits from the wine label going to the SOS Clinic of Walla Walla that provides healthcare for under-served members of the community–including many vineyard workers and their families.

I was wondering why Ashley Trout was pictured in her Wine Enthusiast photo op drinking Duckhorn wine until I read that she is married to Brian Rudin the winemaker of Duckhorn’s Red Mountain project, Canvasback. They have two kids who have likely inherited some really good winemaking genes.

Katarina Martinez — Owner/Head Brewer, Lineup Brewing

While no industry is immune, the beer industry has had a lot of light shined recently on the rampant sexism that women working in the industry face. There is even a website called Beer & Sexism which documents stories of women brewers and employees with experiences that range from mild (but thoroughly annoying) mansplaining to severe sexual harassment.

There is no universal blessing bestowed on women that means they’re going to make better beer but with women brewers representing only around 10% of the industry, its worth going out your way to support the underdog.

While it will probably be tough to find the New York-based Lineup Brewing on the West Coast, I’ll keep an eye out for Martinez’s brews.

Krista Scruggs — Vigneronne, Zafa Wines

This entry had me raising an eye brow and going “Whoa!”. Scruggs with her Vermont-based Zafa Wines is experimenting with co-fermenting wine grapes with farmed and forage apples as a sort of a wine-cider hybrid project that sounds crazy cool.

I have no idea how easy her stuff is to find but its worth the search to find what Scruggs describes on her website as “JUST FUCKING FERMENTED JUICE FROM RESPONSIBLY FARMED LIVING FRUIT.”

Jeff Lindsay-Thorsen — Winemaker/Co-owner, W.T. Vintners/Raconteur Wine Company; Wine Director, RN74

I don’t hide my affections for W.T. Vintners’s wines like their delicious rosé and very Old Worldish 2015 Boushey Vineyard Rhone blend that beat out (for me) the 2014 Sadie Family Columella (which was nearly 3x the price) at this year’s Washington vs World Blind Tasting Event. Plus, the food and wine experience at RN 74 in Seattle is second to none.

This Madeira flight at RN74 featuring (left to right) a 1988 Malmsey, 1976 Terrantez and a 1948 Bual (!!!) is among my Top 10 lifetime wine moments for sure.

That said, I’m still a bit skeptical at how much influence winemakers and sommeliers have in the bigger scheme of the industry. Yeah, they can make great wine and put together a great list but for the majority of wine drinkers who are picking up a bottle of wine at the grocery store or Costco to take home for dinner, they’re more apt to be swayed by fancy packaging than by “terroir-driven, single-vineyard wines.”

Sorry, my cynicism is leaking out again.

Kelli White — Senior Staff Writer, GuildSomm

For me, personally, I will have to say that Kelli White has been the one figure on this list who has actually influenced my tastes and approach to wine. Over the last year since I’ve discovered her work on GuildSomm, she has become one of my favorite wine writers.

I’ve learned so much from her with this just being a small sampling of some of her outstanding work.

The Devastator: Phylloxera Vastatrix & The Remaking of the World of Wine

The Evolution of American Oak

Photo by εγώ. Uploaded to Wikimedia commons under free licenses.

The root of my Xinomavro obsession of late.

Gods & Heroes: Xinomavro in Northern Greece

Brettanomyces: Science & Context

Major Maladies of the Vine

The GuildSomm website is worth bookmarking just for her articles alone.

Hannibal ad portas

These next listings are probably the most realistic inclusions on Wine Enthusiast’s list because these folks actually have the position and power to influence the market in substantial ways.

Neil Bernardi – Vice President of Winemaking, Duckhorn Wine Company; General Manager, Kosta Browne

Duckhorn has grown immensely from it founding as a small Napa winery by Dan and Margaret Duckhorn in 1976. It’s becoming a large mega-corp in its own right with a portfolio of brands that includes Paraduxx, Goldeneye, Migration, Decoy, Canvasback, Calera and Kosta Browne. This is a story not that far off from that of Ste. Michelle Wine Estates which started as a small Washington winery and now has a portfolio that includes more than 26 brands like 14 Hands, Columbia Crest, Erath, Borne of Fire, Northstar, Spring Valley Vineyards, Conn Creek, Patz & Hall and Stag’s Leap Wine Cellars.

Duckhorn’s growth is on a steep trajectory and I don’t see their strings of acquisitions slowing down. A big question, especially as they acquire more vineyards and contracts, is whether they will continue to keep their brand holdings in the upper premium range or expand more of their value offerings like Decoy.

Katie Jackson — Vice President of Sustainability and External Affairs, Jackson Family Wines

Vineyards outside Kendall-Jackson’s Wine Center in Santa Rosa.

Yeah, Jackson Family Wines is huge with over 30 brands in California (including La Crema, Siduri, Brewer-Clifton, Byron, Cambria, Freemark Abbey, Cardinale and Copain), a growing presence in Oregon (buying Penner-Ash and Willakenzie among others) as well as wineries across the globe. They make (and have no problem selling) more than 3 million cases a year of their Vintner Reserve Chardonnay.

That translates to a lot of influence and sway in the industry so it is heartening to read about Katie Jackson’s effort to promote sustainability across her family’s empire including the public release of sustainability reports. Just a few days ago it was announced that more than three-quarters of the company’s vineyards (which includes 12,000 acres under the Kendall-Jackson label alone) are certified sustainable.

That’s a significant needle mover that will certainly have a long term impact on not only the wine industry but on the health of the environment as a whole. While I can often be dour on large wine companies, I have to sincerely applaud Katie Jackson and the Jackson family for these efforts.

Maybe there is hope for my cynical heart yet.

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60 Second Wine Review — Ambassador Rosé

Amber LeBeau in 60 Second Reviews, Washington wine

Published on August 27, 2018

A few quick thoughts on the 2017 Ambassador Rosé from Red Mountain.

The Geekery

The owners of Ambassador Winery started their project in 2004 with the goal of using the estate-grown fruit from their 22 acre Ambassador Vineyard on Red Mountain. In addition to the original vineyard, the estate has grown to include two sister vineyards–Sunset and Annex Vineyards.

The vineyards are managed by legendary grower Dick Boushey and are farmed sustainably. In addition to running his own Boushey Vineyards in the Yakima Valley that supplies fruit to many of the state’s top producers such as àMaurice, Avennia, Betz Family Winery, Bunnell Family Cellar, Chinook Wines, DeLille, Fidelitas, Gorman, Two Vintners, Long Shadows (Sequel and Saggi) and W.T. Vintners, Boushey also manages several estates on Red Mountain including Col Solare, Upchurch and Duckhorn’s Canvasback.

In 2002, Boushey was named by the Washington State Wine Commission as “Grower of The Year” and, in 2007, he was recognized internationally as “Grower of the Year” by Wine & Spirits magazine.

The wines of Ambassador are produced by Sarah Hedges Goedhart (of Hedges Family fame) with longtime Napa Valley winemaker Tom Rinaldi (of Provenance, Hewitt, Freemark Abbey and Duckhorn fame) consulting.

The 2017 rosé is a blend of Syrah and Grenache.

The Wine

This rosé has a very lovely floral hibiscus note on the nose.

Medium-plus intensity nose. Very floral with hibiscus and tropical fruit notes such as passion fruit and mangosteen orange peel.

On the palate the wine is dry but the tropical fruits dominant with a pithy texture. With the fair amount of weight and tannins this rosé has I suspect it maybe a saignée. The medium-plus acidity balances the weight well and keeps the rosé tasting crisp and refreshing.

The Verdict

The weight and texture of this rosé definitely lends itself towards more robust food pairings like the kind that Jennifer Simonetti-Bryan describes in her book Rosé Wine.

At $20-25, this 2017 Ambassador rosé offers enough complexity and versatility with food pairings to merit the price. A nice summertime sipper.

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Getting Geeky with Otis Kenyon Roussanne

Amber LeBeau in Washington wine, Wine grapes, Wine Knowledge, Wine reviews

Published on August 25, 2018

Going to need more than 60 Seconds to geek out about the 2013 Otis Kenyon Roussanne from Lawrence Vineyards in the Columbia Valley AVA.

The Background

Otis Kenyon was founded in 2004 by Steve Kenyon who still runs the winery today with his daughter, Muriel.

The winery’s name comes four generations of Otis Kenyons with the original John Otis Kenyon, a dentist by training, being a notorious figure in Walla Walla for burning down a competitor’s office when the later starting stealing half of Kenyon’s clients.

The labels of Otis Kenyon wines pay tribute to this family history in a playful manner with a silhouette of the original Otis Kenyon with singed edges as well as a red wine blend, Matchless, featuring an open matchbook on the label. The winery’s “business cards” are also matchbooks filled with actual matches.

Along with sourcing fruit from throughout the Columbia Valley, Otis Kenyon has an estate vineyard, Stellar Vineyard, located in the Rocks District of Milton-Freewater on the Oregon side of Walla Walla.

The wines are made by Dave Stephenson, who founded his eponymous Stephenson Cellars in 2001. Prior to working at Otis Kenyon, Stephenson started his career at Waterbrook and today consults for several boutique wineries.

Around 247 cases of the 2013 Otis Kenyon Roussanne were made.

The Vineyard

Sourced page https://docs.wixstatic.com/ugd/babe8d_812edf6fe37b403ebaa7687e2760dd66.pdf

Map showing the proposed Royal Slope AVA (in yellow) where Lawrence Vineyards are located. Prepared by Richard Rupp of Palouse Geospatial.

The Lawrence Vineyards are located on the Frenchman Hills of the Royal Slope of the Columbia Valley basin and includes six named sites–Corfu Crossing (first planted in 2003), Scarline (2003), La Reyna Blanca (2010), Laura Lee (2008), Solaksen (2013) and Thunderstone (2015). The Lawrence family also manages the nearby Boneyard Vineyard that includes five acres of Syrah. All the Lawrence Vineyards are sustainably farmed.

While managing 330+ acres of plantings the Lawrence family also own Gård Vintners which produces around 6000 cases a year sourced from their estate grown fruit and made by Aryn Morell. Together with Morell they also produce Morell-Lawrence Wines (M & L).

The Roussanne used by Otis Kenyon cames from 2007 plantings of the Tablas Creek clone in Corfu Crossing which sits on a south facing slope at an elevation that ranges from 1,365-1,675 ft. The soils here are a mixture of silt and sandy loam on a bedrock of fractured basalt.

Riesling sourced from Lawrence Vineyards has been used in some of the state’s most highly acclaimed Riesling wines.

In addition to Otis Kenyon, M & L and Gård, other wineries that source fruit from Lawrence includes Latta Wines, Southard Winery, Cairdeas, Armstrong Family, Matthews Winery, Pend d’Oreille as well as Chateau Ste. Michelle for their top-end Riesling Eroica.

Other varieties that the Lawrence Vineyards farm include Cabernet Franc, Cabernet Sauvignon, Grenache, Malbec, Merlot, Mouvedre, Pinot noir, Chardonnay, Pinot gris, Sauvignon blanc and Viognier.

The (future) AVA of the Royal Slope

The proposed Royal Slope AVA was formerly delineated and submitted for AVA approval in early 2017. It includes the south facing slopes around Royal City located between the established AVAS of the Ancient Lakes and Wahluke Slope. Within the AVA is a sub-region of the Frenchmen Hills. The lead petitioner for the AVA was geologist Alan Busacca, former professor at Washington State University and Walla Walla Community College who also wrote the successful petitions for the Wahluke Slope, Lake Chelan and Lewis-Clark Valley AVAs.

The topography can range from relatively gentle to fairly steeper slopes of up to 22 degrees in the Frenchmen Hills region. The soils are fairly uniformed in their mixture of sandy and silty loam river deposits covering layers of fractured basalt left over from a period of intense volcanic activity during the Miocene Epoch. These soils are very high in calcium carbonate which may contribute to the strong minerality that wines from the Royal Slope tend to exhibit.

Throughout the growing season the region sees heat units (growing degree days or GDD) ranging from 2700 GDD to over 3000 GDD making it one of the warmest wine regions in the state. However the areas bordering the Ancient Lakes AVA to the northeast can be considerably cooler.

Charles Smith’s highly acclaimed K Vintners Royal City Syrah is sourced from the Stoneridge Vineyard in the proposed Royal Slope AVA.

Elevations range from 900 feet to upwards of 1700 feet with the higher elevation sites seeing much more diurnal temperature variation from the daytime highs to very cool temperatures at night which maintains acidity and keeps the vine from shutting down due to heat stress.

The proposed AVA contains 156,389 acres of which around 1400 have already been planted. Other notable vineyards in this proposed AVA includes Novelty Hill Winery’s estate vineyard Stillwater Creek, Frenchmen Hills Vineyard and Stoneridge

The Grape

Jancis Robinson, Julia Harding and José Vouillamoz note in Wine Grapes that the first recorded documentation of Roussanne occurred in 1781 describing its use in the white wines of Hermitage. The name Roussanne is believed to be derived from the French term roux and could refer to the russet golden-red color of the grapes’ skins after veraison.

DNA analysis shows that there is a likely parent-offspring relationship with Marsanne but it is not yet known which variety is the parent and which is the offspring.

The reddish bronze hue that Roussanne grapes get after veraison likely contributes to the grape’s name.

In the northern Rhône regions of St. Joseph, Hermitage and Crozes-Hermitage, Roussanne adds acidity, richness and minerality when paired with Marsanne. It can also be used in the sparkling Northern Rhone wines of St. Peray. As a varietal it can have a characteristic floral and herbal verbena tea note.

Unlike Marsanne and Viognier, Roussanne is a permitted white grape variety in the red and white wines of Châteauneuf-du-Pape where today it makes up around 6% of the commune’s plantings as the third most popular white grape behind Grenache blanc and Clairette.

From a low point of 54 ha (133 acres) in 1968 plantings of Roussanne steadily grew throughout the late 20th century to 1074 ha (2654 acres) by 2006. Outside of the Rhone, the grape can be found in the Savoie region where it is known as Bergeron and is the sole variety in the wines of Chignin-Bergeron. In the Languedoc-Roussillon it is often blended with Chardonnay, Bourboulenc and Vermentino as well as Grenache blanc and Marsanne.

Roussanne is a late-ripening variety that is very prone to powdery mildew, botrytis and shutting down from excessive heat stress towards the end of the growing season.

Even in ideal conditions, Roussanne can be a troublesome producer in the vineyard with uneven yields often caused by coulure (also known as “shattering”) when the embryonic grape clusters don’t properly pollinate during fruit set after flowering. A significant cause of this is poor management by the vine of its carbohydrate reserves which the vine begins storing for the next year after the harvest of the previous vintage. Other factors at play can include nutrient deficiencies in the soil–particularly of boron and zinc with the later often being exacerbated in high pH soils.

During fruit set (shown here with Merlot), flowers that weren’t pollinated will “shatter” and not develop into full berries. This creates uneven yields with clusters having a mix of fully formed and “shot” berries. Roussanne is particularly susceptible to this condition.

Other varieties that are similarly susceptible to coulure include Grenache, Malbec, Merlot, Muscat Ottonel and Gewürztraminer.

A Case of Mistaken Identity

Prior to phylloxera, Roussanne was relatively well-established in California in the 19th century with plantings in Napa, Sonoma and Santa Clara where it was often blended with Petite Sirah. However, following phylloxera and Prohibition in the 20th century, most all Roussanne vineyards were uprooted.

In the 1980s and early 1990s, producers in California began experimenting again with the variety. In 1994, Chuck Wagner of Caymus Vineyards in Napa purchased 6400 Roussanne vines for his Mer Soleil project. The vines he purchased came from Sonoma Grapevines owned by the Kunde family who originally sourced their cuttings from a vineyard owned by Randall Grahm of Bonny Doon (who did not know that Kunde was going to commercially propagate them). The Bonny Doon cuttings came from a visiting Châteauneuf-du-Pape winemaker.

Many plantings of Roussanne in California in the 1980s and 1990s turned out to be Viognier (pictured).

Four years later a visiting viticulturalist identified the plantings in the Mer Soleil vineyard not as Roussanne but rather as Viognier–an identification that was later confirmed by DNA testing at UC-Davis. The discovery unleashed a cascading effect of lawsuits and countersuits from various parties involved as well as a hunt for true Roussanne plantings in California.

Tablas Creek Winery in Paso Robles began importing their Roussanne cuttings directly from their sister-property, Château de Beaucastel, in Châteauneuf-du-Pape in 1989. Additionally, John Alban began sourcing authentic Roussanne cuttings in 1991 with nearly all of the 323 acres of Roussanne vines in California (as of 2017) now being descendant from the Tablas and Alban vines.

Roussanne in Washington

Paul Gregutt notes in Washington Wines and Wineries that Roussanne in Washington “… can taste like a real fruit salad mix, everything from apples, citrus and lime to peaches, honey and cream.”

The grape was pioneered in Washington by Doug McCrea, the state’s original Rhone Ranger, of McCrea Cellars and Cameron Fries of White Heron Cellars in the 1990s. While varietal examples can be found, the grape is mostly used as a blending component in Rhone-style blends with Grenache blanc, Viognier and Marsanne.

Along with Doug McCrea of McCrea Cellars, Cameron Fries of White Heron Cellars (pictured) helped pioneer Roussanne in Washington State.

By 2017, there were 71 acres of Roussanne planted in Washington.

In addition to the plantings of Lawrence Vineyard, there are notable acreages of Roussanne on Red Mountain at Ciel du Cheval Vineyard, Stillwater Creek, Boushey Vineyard in the Yakima Valley and at Alder Ridge, Destiny Ridge and Wallula Vineyard in the Horse Heaven Hills.

The Wine

Medium intensity nose–tree fruits like spiced pear and apricot with a citrus grassy component that could be verbena.

On the palate the wine is very full-bodied and weighty with almost an oily texture. The spiced pear notes definitely come through with that herbal citrus tinge. Medium-plus acidity is still giving the wine freshness and balancing the weight. The moderate length finish ends on the pear and herbal notes.

The Verdict

I’m usually skeptical about how well many domestic white wines age but this 2013 Otis Kenyon Roussanne is holding on quite well for a 4+ year old white. The acidity seems to be the key and is a helpful balance to the full-bodied fruit.

The big weight and texture of this wine is reminiscent of a lightly oak Chardonnay with no malolactic and would serve as a good change of a pace for not only a Chardonnay drinker but also a red wine fan who is craving something very food friendly to go with heavier cream sauces, pork and poultry dishes.

At $25-30, this wine offers a fair amount of complexity and is definitely worth trying.

The Geekery

The Wine

The Verdict

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Ducru-Beaucaillou Today

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More Posts About the 2017 Bordeaux Futures Campaign

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The Background

The Grape

Petit Verdot in the US

The Wine

Some Personal Thoughts

The Verdict

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The Wine

The Verdict

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The Verdict

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