Tag Archives: Jancis Robinson

Playing the Cellar Lottery — When Should You Open Up That Bottle?

Someone in South Carolina last month won $1.537 billion playing the Mega Millions lottery.

Photo by Lieutenant Ramathorn. Uploaded to Wikimedia Commons under CC-Zero

At the peak of the frenzy, retailers were selling 12,700 tickets a minute. It reached a point where so many people were playing, that experts estimated that all possible 302,575,350 combinations of numbers were likely claimed before the jackpot was finally won.

I didn’t get a ticket. Though I used to be quite a gambler in my younger days, now my risky activities involve more playing the Somm Game in Vegas and maybe putting a few dollars down on my St. Louis Cardinals, Blues and Mizzou Tigers.

Besides, I’m playing the lottery virtually every time I pull a bottle out from my cellar.

Sometimes I hit the jackpot and open up a wine at a point when it perfectly fits my palate. Other times it may be too young and “Meh-y”. Worst of all is when it is far past its peak time for giving me pleasure.

It’s always a gamble but, like a good gambler, I try to hedge my bets. With a little knowledge, you can too.

Hitting a Moving Target

The first thing we need to do is understand what is happening to a wine as it ages. While it looks simple on the surface, a bottle of wine is a living chemistry lab with an endless progression of reactions taking place between acids, phenols, flavor precursors, alcohol compounds and the like. It is estimated that there is anywhere from 800 to over a 1000 different chemical compounds in a typical bottle of wine.

All of these compounds will react differently to the unique environment of wine that is majority water (which we remember from high school chemistry is “the universal solvent”) as well as alcohol–which is also a pretty darn good solvent itself. Then you add in the potential reductive reactions (especially with screw caps) and slight oxidative reactions (especially with cork) and you have a whole cooking pot of change that is constantly happening to that bottle of wine sitting in your cellar.

Photo by tympsy. Released on Wikimedia Commons under CC-BY-SA-2.0

Or a video game with that damn mocking dog

In many ways, it’s like a story that is constantly having a new chapter being written. That can be exciting as with each page you turn–each month or year you wait–you never quite know what’s going to happen next.

In other ways, it’s like a carnival game with the moving duck targets that you’re trying to hit to win a prize. Those can be fun or immensely frustrating.

Resources for more geeking

I don’t want to bog you down too much with the geeky science at this point. However, for those who do want to understand more about the chemical compounds in wine and how they change over time here are my three favorite wine science books on the topic.

Starting with the least technical (and easiest to read) to the uber-hardcore tome of wine science geekdom:

The Art and Science of Wine by James Halliday and Hugh Johnson. A tad outdated (2007) but this text covers the basics really well. The last section “In the Bottle” deals with the components of wine with a chapter specifically dedicated to what happens as a wine ages (“The Changes of Age”).

The Science of Wine: From Vine to Glass by Jamie Goode. There is a reason why Jamie is one of my favorite tools. He’s a brilliant writer who can distill complex science into more digestible nuggets for those of us who do not have a PhD. Like with Halliday and Johnson’s book, this will also spend a significant amount of time talking about the science behind viticulture and winemaking but in section 3, “Our Interaction With Wine”, he gets into how the changes happening to wine (as well as the environment of tasting) impact our perception of a wine’s components. This is very important because so much of knowing when to open a bottle of wine will depend on knowing when’s it good for you–something I’ll discuss more about below.

Wine Science: Principles and Applications by Ronald S. Jackson. This was one of my textbooks when I went to winemaking school so I won’t sugar coat how technical and dense it is. This is definitely not something you can read from cover to cover like with the first two books above. But if you really want to dive deep into the chemistry, there is no better resource out there. If you come from a non-scientific background, I do also recommend picking up some of the “For Dummies” refresher books like Chemistry Essentials and Organic Chemistry. Silly titles aside, those books certainly helped this Liberal Arts major understand and appreciate Jackson’s insights a whole lot more.

That said, I’m going to condense here some of what I’ve learned from those books above as well as my own experiences (and mistakes) in figuring out when to open a bottle.

What’s Happening to the Fruit?

When most people think of wine, they think of fruit. Therefore, it’s vitally important to understand what is happening to the fruit as a wine ages.

A good way to start is to think about cherries and the different flavors of its various forms.

Collage of photos from Wikimedia Commons from (L to R) George Chernilevsky released under PD-self; rebecca small released under CC-BY-2.0; Geoff released under CC-BY-SA-3.0

A young wine can taste like freshly picked cherries.
With some age, the cherries flavors get richer and more integrated with the secondary notes of wine.
Gradually the fruit will fade till you’re left with the dried remnants.

Young wines (like say an Oregon Pinot noir) will have the vibrant taste of its primary fruit flavors–such a cherries picked right from the tree. Combined with the wine’s acidity, these cherry flavors with taste fresh and even juicy. But they can also be quite simple because the freshness of the fruit dominants. Think about eating ripe cherries. While delicious, there isn’t much else going on.

With a little age (like 5 to 10 years for that Oregon Pinot noir), the fruit gets deeper and richer in flavor. Think of more canned cherries that you would use to make a cherry pie. The wine will also have time to integrate more with the secondary flavors of the wine that originated during the fermentation and maturation. This often includes oak flavors like the “baking spices” that French oak impart–cinnamon, allspice, nutmeg, etc. These additional flavors add more layers of complexity. The fruit is still present. It’s just not as fresh and vibrant tasting as it once was.

Older wines with more age will see the fruit progressively fading. The flavors will start tasting like dried cherries as earthy and more savory tertiary flavors emerge. In the case of our Oregon Pinot, this could be forest floor, mushroom or even dried flowers and herbal notes. Eventually these tertiary flavors will completely overwhelm the faint remnants of dried cherries notes. When that happens will depend on the producer’s style, terroir and vintage characteristics. For me, I tend to notice the Oregon Pinots in my cellar go completely tertiary after 15 or so years.

Now…is that a good thing or a bad thing?

It depends. On you.

When Is Your Peak Drinking Window?

While nearly ever critic in the world will toss out “peak drinking windows” with their scores, that info is utterly useless if you’re not sure what you like.

Some people like lots of earthy, savory tertiary notes. That’s perfect and often the tail end of these critic’s windows will take those folks right through that sweet spot.

Other people might want more fruit and find those very aged wines to be disappointing. That’s also perfect because they may want to start opening up their bottles at the beginning of those windows or even a little before.

For me, I tend to like my wines just on the wane of the “pie filling fruit” stage when some of the tertiary notes are emerging but the wine still has a solid core of fruit. Going back to Oregon Pinots, I often find that between 7 to 12 years is my perfect window. However, in warm vintages, like 2009 and 2012, I’ve noticed an accelerated curve with many wines hitting my sweet spot starting at 5 years of age from vintage.

And sometimes it might not ever live up to James Suckling’s 96 point scores.

BTW, while we’re talking about critics. Keep in mind that when many professional critics give their scores out for wine, they are rating the wine based on how they think a wine is going to taste at its peak (i.e. during that window)–not necessarily how the wine is tasting right now. That’s the critic’s cover if that 96 point wine you’re buying based on the high score doesn’t live up to the hype. But even then, a critic’s “peak window” still might not match yours.

What’s Happening to the Structure?

Now fruit is just one component of the wine that’s impacted by aging. Often with bigger reds like Bordeaux varieties, a primary motivation for cellaring is to give the wine time to allow the structure of tannins and acid to soften.

A good way to picture this is to think of the “bite” of firm tannins and acid as like a triangle with sharp edges. Below is a diagram that I recently used for a class I taught on Bordeaux wines based on my experiences of cellaring and drinking Bordeaux.

As the wine ages, some of the structure will soften but it won’t completely go away.
Also, as we discussed above, the core of fruit will still progressively fade.

The “softening” comes from the polymerization of the tannins as they link up with each to get bigger. These larger molecules tend to feel less aggressive on the palate. Think of it like adding tennis balls to round out the sharp edges of the corners of our triangle. The tannins are still there (as is the acid) but you feel their affects differently.

Eventually the wine will reach a point where it can’t get any softer. The triangle will never completely become a circle. That last bastion of a wine’s structure will not only be defended by the remaining soldiers of tannins but also by its acidity–which never goes away. While richer and deep fruit flavors (as well as complimentary flavors from esters) can help mask acidity during a wine’s prime, an aged wine will eventually start to taste more acidic and tart as that fruit fades.

However, that acidity will amplify the savoriness of tertiary flavors so, again, this all comes back to knowing what style of wine gives you the most pleasure. More fruity? More savory? Somewhere in the middle?

Learn From Other People’s Sacrifices

While critic’s drinking windows have some value, the very best resource on deciding when to open a wine are sites like Cellar Tracker.

Here you can track the progression of a wine through the impressions of other people who are sacrificing their bottles to Bacchus. Pay attention to the notes. Are they still talking about lots of fruit character? Big tannins? Or are the notes littered more with savory tertiary descriptors?

Now, yes, these folks will likely have different palates than you which is going to color their impressions. How they describe a wine yesterday might not be the same as how you would describe it today. But it is another data point that you can use to determine if it’s worth pulling the cork.

Lessons from Jancis Robinson

I have evolved my own theory that overall, vastly more wine is drunk too old than too young. — Jancis Robinson, November 26th, 2004

Jancis’ advice is even more valuable now than it was 14 years ago. In that time, we’ve seen quite a bit of change in the wine industry–including our ideas about cellar-ability. Part of it is the culture of impatience and desire for immediate gratification. Wineries know that they often don’t get a second chance at a first impression so a lot of effort takes place in the vineyard and the winery towards producing wines that are enjoyable soon after release.

We’re not even talking about whites and roses either.


Those efforts sometimes do involve a trade-off with a wine’s potential to age. The simple truth is, not many are being made to age anymore. In fact, some estimate that as much as 98% of the wine made today should be consumed within 3 to 5 years of the vintage date.

Now keep in mind, the vast majority of the world’s wines are made to be daily drinkers under $20 so that 3 to 5 year estimate is not that drastic. But even for more expensive bottles that you may be saving for a special occasion, I would encourage you to think about opening it up sooner rather than later.

For me, the math is simple.

If you open up a bottle too soon, there is still the potential that you could find another bottle to open later. Yes, you may have to do some hunting and pay a little bit of a premium but that potential still exist. Plus, you are still likely to get some pleasure from that bottle even if it wasn’t “quite ready”.

But….

If you open up a bottle too late, when the wine is far past the point of giving you pleasure, you’re screwed. All that time and all that investment went for nil.

There’s always a gamble when aging wine but, ultimately, it’s best to cash out when you’re ahead.

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Geek Notes 10/28/2018 — New Wine Books for November

Let’s take a look at some new wine books coming out next month that are worth geeking out over.

Feel free to also take a gander at the titles profiled in previous months’ Geek Notes for October, September and August. With the holidays approaching, it’s never too early get ideas for great gifts.

Age Gets Better with Wine Third Edition by Richard Baxter. (Hardcover release November 1st, 2018)

Richard Baxter is a plastic surgeon who wrote his first edition of Age Gets Better with Wine back in, honestly, I don’t know.

The oldest date for the 1st edition I could find was in 2007 yet somehow the 2nd edition came out in 2002. My best guess is that the two years were probably switched by Amazon. However, the Google eBooks copy of the 2nd edition dates to 2009. So who knows?

Regardless, quite a bit has changed in our scientific understanding of wine so this 2018 revision will likely have a lot of new material.

This books intrigues me because of the objective approach it appears to take on the many conflicting studies about the role of wine and health. I’ve not had a chance to read either of the two previous editions but I think I’m going to pull the trigger on this one. Blogger Joey Casco of TheWineStalker.net had a great review of the second edition. Describing it as “a wine-science-history geek’s wet dream”, he posted a 2 minute review of the 2nd edition back in 2016.

What Makes a Wine Worth Drinking: In Praise of the Sublime by Terry Theise. (Hardcover release November 6th, 2018)

Terry Theise is a phenomenal importer who has played a huge role in introducing Americans to the exciting world of Grower Champagne. Additionally, he’s done much to bring attention to the high quality production of small family estates in Germany and Austria.

If you want to learn more about his story, Levi Dalton of I’ll Drink To That! podcast had a fantastic interview with Theise back in 2015 (1:50:22 length).

Pierre Gerbais, a fantastic grower Champagne from the Côte des Bar. The fact that we can find a lot of these gems more easily in the US is because of the efforts of Terry Theise.

Theise’s previous work, Reading between the Wines, was a mix of manifesto and anthology taken from his years of writings for his import catalogs. Now part of the Skurnik portfolio, Theise still regularly writes about vintage years, producer profiles and numerous (often humorous) rants about the world of wine.

Frequently in his writings, Theise expounds on the question that is the title of his current release What Makes a Wine Worth Drinking? What makes a bottle of wine worth the money to procure and the time spent cellaring and savoring? What makes anything worth putting into your body or sharing as part of a moment with loved ones?

Rarely do wine drinkers really stop to think about the answers to those questions. I suspect that Theise’s book will give a lot of food for thought and be a great read.

Good, Better, Best Wines, 2nd Edition: A No-nonsense Guide to Popular Wines by Carolyn Evans Hammond. (Paperback release November 13th, 2018)

This is the updated edition to Hammond’s 2010 release that dived into the world of mass-produced bulk brands and supermarket wines. With the link to the first edition, you can “look inside” and get an idea about her approach and the type of wines being reviewed.

In many ways, I applaud her snob-free approach but I do wonder what audience she is aiming for? Many of the folks who buy the Lindeman’s, Kendall Jackson, Fetzer and Sutter Home wines she reviews aren’t necessarily the folks who purchase wine guides.

While Constellation Brands’ famous Project Genome study of wine buyers found that nearly 1/5th of wine consumers felt “overwhelmed”, these folks were far more likely to seek info on the spot at a retail store versus searching the internet or seeking out a published wine guide.

Likewise, the near third of consumers who fall into the combined categories of “Traditionalists” and “Satisfied Sippers” are already buying their favorite mass produced wines being profiled here. It doesn’t seem likely that one writer’s opinion that Bulk Brand X is slightly better than Bulk Brand Y will sway many people.

Perhaps the 20% of Image Seekers and 12% of Enthusiasts who are more inclined to look at wine guides will be tempted but often these segments of consumers either eventually settle into “Traditionalists” and “Satisfied Sippers” or move beyond the $15 & under category this book focuses on.

Good, Better and Less Snobby
Photo by Robbie Belmonte. Uploaded to Wikimedia Commons under CC-BY-2.0

You may not like them or drink them but there is no denying that Gallo has done a masterful job of marketing and selling Barefoot Wines.

However, I do see this book being a huge benefit to students pursuing certifications such as the WSET Diploma level which focuses on the business of wine in Unit 1. Often these students need a bit of an “anti-snobbery” jolt to realize that the vast majority of wine drinkers don’t drink the same kind of wines we do.

In our rush to dismiss these wines, we often forget that there are reasons why things like Barefoot, Franzia and Apothic are top selling brands in the US.

I get it. They’re not my cup of tea either and I don’t vaguely hide my personal sentiments about them much on this blog.

But I do seek to understand them. This is why I give wines like Mamamanago, Apothic Brew, Capriccio and the like, just as much research and effort to figure them out as I do for Petrus and Cristal.

I see value in reading Carolyn Evans Hammond’s Good, Better, Best Wines as a window into the world of the “Traditionalists” and “Satisfied Sippers” and what they are drinking. While I don’t think anyone will ever quite cracked the code of how to convince these drinkers to “trade out”, much less “trade up”, we’ll never come close if we don’t first understand where they’re starting from.

Wine Reads: A Literary Anthology of Wine Writing edited by Jay McInerney. (Hardcover release November 13th, 2018)

I started geeking out over this book back in August when I was profiling Amira K. Makansi’s Literary Libations: What to Drink with What You Read.

Though he is the editor for this anthology, Jay McInerney has written several thoroughly entertaining wine books like Bacchus and Me: Adventures in the Wine Cellar, A Hedonist in the Cellar: Adventures in Wine and The Juice: Vinous Veritas–not to mention several other highly acclaimed works outside of wine.

He does contribute a chapter to Wine Reads which includes over 20 pieces of fiction and non-fiction writings about wine. Other writers in the work includes Rex Pickett (of Sideways fame), A. J. Liebling of The New Yorker, an excerpt from Kermit Lynch’s Adventures on the Wine Route, Jancis Robinson and more.

Just like with Makansi’s book, I can see this being the perfect companion for long flights or train rides.

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Getting Geeky with Welsh Family Wines Blaufränkisch

Going to need more than 60 Seconds to geek out about this 2016 Welsh Family Wines Blaufränkisch from Dauenhauer Farms in the Willamette Valley.

Full Disclosure: This wine was received as a sample. I also went to winemaking school with Dan Welsh of Welsh Family Wines at the Northwest Wine Academy.

The Background

Welsh Family Blaufränkisch wine

Dan Welsh and his wife, Wendy Davis, started Welsh Family Wines in 2014. A protege of Peter Bos from the Northwest Wine Academy, Welsh utilizes native yeast fermentation and minimalist winemaking to produce food-friendly wines.

Sourcing fruit from dry-farmed vineyards throughout the Willamette Valley, Welsh makes single vineyard designate wines from Armstrong Vineyard in the Ribbon Ridge AVA, Bjornson Vineyard and Eola Springs Vineyard in the Eola-Amity Hills, Dell’Uccello Vineyard near Eugene as well as Dauenhauer Farms in Yamhill County.

The wines are made at the SE Wine Collective in Portland. Here Welsh Family Wines shares space and a tasting room with several other urban wineries such as Esper Cellars, Laelaps Wines, Stedt Winegrowers and Statera Cellars. Alumni wineries like Fullerton Wines, Vincent Wine Company and Bow & Arrow started out as part of the SE Wine Collective before moving on to their own facilities.

The 2016 vintage was the first release of Welsh’s Blaufränkisch from 30+ year old vines planted at Dauenhauer Farms. Multi-generation farmers, the Dauenhauers also produce a Lemberger/Blaufränkisch under their Hauer of the Dauen (Hour of the Dawn) label.

The Grape

Jancis Robinson, Julia Harding and José Vouillamoz note in Wine Grapes that several grape varieties have been known as “Fränkisch” since the Middle Ages. Distinct from Heunisch grapes believed to have originated from Hungary, these Fränkisch varieties were thought to be more noble grapes associated with wines of the Franconia region.

Photo by Ulrich Prokop. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Blaufränkisch grapes growing in Germany.

The first written record of the name Blaufränkisch dates back to 1862 when the grape was presented at a exposition in Vienna. Later that century, the grape appeared in Germany under the synonyms Lemberger and Limberger. Both names seem to have Austrian origins and may indicate the villages where the grape was commonly associated with–Sankt Magdalena am Lemberg in Styria and Limburg (now part of Maissau) in Lower Austria.

DNA evidence has shown that Blaufränkisch has a parent-offspring relationship with the Heunisch grape Gouais blanc. It also crossed with Gouais blanc to produce Gamay noir. This suggests that the grape may have originated somewhere between Austria and Hungary though Dalmatia (in modern-day Croatia) is also a possibility. Here the grape is known as Borgonja (meaning Bourgogne) and Frankovka. However, the identification of these Croatian plantings with Blaufränkisch was only recently discovered so the grape’s history in this region is not fully known.

Beyond Gamay noir, Blaufränkisch has also sired several other varieties such as Zweigelt (with St. Laurent), Blauburger and Heroldrebe (with Blauer Portugieser), Cabernet Cubin and Cabernet Mitos (with Cabernet Sauvignon) and Acolon (with Dornfelder).

Blaufränkisch in Europe.
Photo by qwesy qwesy. Uploaded to Wikimedia Commons under CC-BY-3.0

Lemberger vines growing in Württemberg, Germany.

In Austria, Blaufränkisch is the second most widely planted red grape variety after its offspring Zweigelt with 3,340 ha (8,250 acres) as of 2008. Covering 6% of Austria’s vineyards, most of these plantings are found in the Burgenland region.

Most German examples of Lemberger/Limberger are found in Württemberg (part of the historic Franconia region). There were 1,729 ha (4,272 acres) of the grape planted in Germany as of 2009.

The 8000 ha (19,770 acres) of Hungarian Kékfrankos, the local translation of “Blue Frank”, are scattered throughout the country. Sopron, bordering Austria, is particularly well known for the grape as well as Kunság. In Eger, Kékfrankos is a primary grape in the region’s famous “Bull’s Blood” wine of Egri Bikavér.

Prior to the discovery of Borgonja as Blaufränkisch, Croatian plantings of Frankovka accounted for 2.7% of the country’s vineyard.

Blaufränkisch in the US.

Paul Gregutt notes in Washington Wines and Wineries that Dr. Walter Clore pioneered planting of Lemberger in Washington State in the 1960s and 1970s. Sourced from cuttings in British Columbia, Clore thought the grape had the potential to be Washington’s answer to California Zinfandel.

Photo source https://cahnrs.wsu.edu/blog/2007/04/a-brief-history-of-washington-wine-walter-clore-washington-wine-history-part-1/

Dr. Walter Clore, the “Father of Washington Wine” and pioneer of Lemberger in the state. Photo courtesy of WSU’s A Brief History of Washington Wine.

In those early years, the grape was mostly used in blends and port-style wines. Kiona Vineyards released the first commercial example of Lemberger in the United States in 1980. Under Clore’s influence, Thomas Pinney notes in “A History of Wine in America, Volume 2”, the grape became something of a “Washington specialty”.

While consulting for Ste. Michelle Wine Estates’ Columbia Crest winery, California winemaker Jed Steele discovered Washington Lemberger. He eventually partnered with the winery to make his Shooting Star Blue Franc.

Lemberger hit a high point of popularity with 230 acres in 2002. But in recent years the variety has seen a steep decline with only 54 acres in production as of 2017. Today, some of the oldest plantings are found on Red Mountain at Kiona and Ciel du Cheval.

In Oregon, there is not enough plantings of Lemberger/Blaufränkisch to merit inclusion on the state’s acreage report. Outside of the Pacific Northwest there are some plantings in Lodi, New Mexico, New York, Michigan and Ohio.

The Wine

Medium intensity nose. A mix of red fruits–cherries and raspberry–with floral notes like carnations. With air some forest floor earthiness comes out. Little to no oak influence except for maybe some slight allspice baking notes.

On the palate, those red fruits carry through and are amplified with high acidity. Very mouthwatering. The acidity also brings out black pepper spice and makes the forest floor earthiness seem more fresh. Soft medium tannins balance the medium-minus body weight of the wine very well. The moderate finish lingers on the red fruit.

The Verdict

Photo by Jeremy Keith from Brighton & Hove, United Kingdom. Uploaded to Wikimedia Commons under CC-BY-2.0

Lots of juicy red cherry notes in this wine.

This is a very Pinot noir-like Blaufränkisch that is very different from the Washington Lembergers I’m familiar with from Kiona and Alexandria Nicole. Those wines tend to have a much bigger body with dark blackberry fruit and more noticeable oak influences.

The lightness of the body, ample acidity and spice notes are certainly closer to Austrian examples of the grape. Though the fruit in Austrian Blaufränkisch tends to be more on the black fruit side of the spectrum than this very red-fruited Oregon wine.

As this was my very first Oregon Blaufränkisch, I can’t say if this is typical of how the grape responds to Oregon terroir. My gut is that it is because the Pinot comparisons are inescapable.

The best way to describe this wine would be if an “old school” Oregon Pinot noir (like Rollin Soles’ ROCO) and a Cru Beaujolais (like a Côte de Brouilly) had a baby.

While it is enjoyable on its own (especially if served slightly chilled on a warm day), the best place for this wine is on the table with food. Here its mouthwatering acidity and interplay of fruit & spice can shine with a wide assortment of dishes. At $20, this would be a terrific bottle to think about for Thanksgiving.

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What We Know So Far About the Master Sommelier Cheating Scandal

The wine world was rocked when the Court of Master Sommeliers announced this week that they were invalidating the results from the tasting portion of this year’s MS Exam. The Court found evidence that details about the blind tasting wines were divulged by a proctoring Master Sommelier. The fallout meant that 23 of the 24 new Master Sommeliers would have to retake the tasting portion. Only one new Master Sommelier, Morgan Harris who passed tasting the year before and just needed to pass service, kept his pin.

By Source (WP:NFCC#4), Fair use, https://en.wikipedia.org/w/index.php?curid=48704137

When I wrote my post It’s Raining Masters about the shock over the huge number of new Master Sommeliers, I never expected this.

My first thought was that maybe the was getting “relatively” easier. At least, compared to the “wine savvy” of today’s somms and consumers . I say “relatively” easier because I sure and the heck couldn’t pass it. But it made sense that more people were taking and passing the exam because we are in a sort of “golden age” of wine knowledge right now. Just compare what the average wine enthusiast, much less the average sommelier, knows about wine today to what they did 30 or even 50 years ago.

But for the Master Somm exam, cheating never once crossed my mind. That may have been naive. This is likely not the first time it has happened. Anything worth attaining will be worth, in someone’s mind, risking it all to get.

Even if the collateral damage is devastating.

Updates

Update: WineSearcher.com posted a letter from the partner of one of the MS candidates impacted by the scandal. This letter includes another detail about how exactly the cheating may have occurred. I’ve added this new detail underneath the How Did the Court Find Out? section.

Update Part II:  WineSearcher.com  posted another great scoop October 24th about the fallout after the Court first announced the scandal. I’ve included a link and more details underneath the Who Did It? section.

Update Part III: On December 5th, the first of the 3 potential make up exams for the blind tasting portion was held in St. Louis. The results were released the next day and 6 of the 23 impacted candidates got their Master Sommelier certifications back. Their names are posted in the What’s Next? section.

Update Part IV: As we’re nearing the 1 year anniversary of the scandal, Newsy’s Uncorked did an investigation into the fall-out of the Court’s decision which includes exclusive interviews from two of the impacted candidates. The video is posted in a new Aftermath section down below. 

Why Is This A Big Deal?

Until this year, only 274 people were Master Sommeliers. Popularized by the movie Somm, the amount of time, work and dedication required to take and pass the exam earned a mythos around the title.

Along with the Master of Wine exam, this is the pinnacle of the wine world. If you wanted to challenge yourself–if you wanted to be the best of the best–this was your goal.

But I think the most newsworthy part of this story is not the cheating (which, again, would be naive to assume doesn’t happen) but rather the dramatic move by the Court to invalidate the results and upend the lives of 23 people. Despite having evidence of which Master Sommelier led the cheating, they apparently don’t know who benefited from it.  Undoubtedly, the collateral damage includes innocent people.

Reading their stories is heartbreaking.

Several of the impacted candidates have shared their personal pain in private discussion groups like the GuildSomm discussion board (open to members only). Wine Spectator highlights one of those stories in an October 10th article.

“As a member of the first class in the Court’s illustrious history to be named, and subsequently, have an asterisk drawn next to the title we sacrificed so much to obtain, I offer a very earnest and valid question: What now? … What do I say to my employer who extended new benefits and responsibilities?” wrote Christopher Ramelb, one of the candidates and an employee of Southern Glazer’s Wine & Spirits, on the online message board for wine-education organization GuildSomm. “I feel so stupid and lost, as if the years of preparation and discipline, the stress of performing, and the jubilation of finally doing so, have been for nothing.” Wine Spectator, October 10th, 2018

In interviews given to the media, several candidates talked about the personal and financial toil (including tens of thousands of dollars) that studying for the exam has.

Now they have to do it all over again.

How Did the Court Find Out?

Frances Dinkelspiel of the Daily Beast reported that a lawyer contacted the Court of Master Sommeliers about impropriety that occurred during the last testing session. Neither the article nor the Court have divulged who the lawyer represented.

In the same Daily Beast article, Morgan Harris speculated that “Whoever was cheating must have confessed,”. If this was the case, then why are the other 22 (?) or so still under scrutiny?

Update

In his October 19th article “Somm Scandal: A Question of Integrity”, Don Kavanagh of WineSearcher.com posted a letter by Cameron Pilkey whose partner (Dan Pilkey?) was one of the 23 MS candidates impacted.

The letter included a very interesting detail about how the cheating may have occurred.

A member of the Board, the very same governing body that has made this decision, sent an email to a few select candidates the morning of the tasting portion of the exam with the subject line “heads up”, releasing the initials of two varietals in the flight. — Cameron Pilkey via WineSearcher.com

This letter seems to confirm the rumors that an email from the offending Master Sommelier was the avenue of the cheating. But it still hasn’t been released who or how many candidates received the email–though the plural indicates likely more than one recipient.

The detail of initials is also interesting to ponder. While the testable wines for the Master Sommelier exam is not public, Guild Somm has published a list of Probable Red and White wines for the Advance Sommelier exam. While not definitive, these lists are good starting points.

So what could the “helpful” initials have been?

CS, CF, PN?

CB, GV, PG, SB?

Speaking for myself, I often get in trouble with Cabernet Franc, Chenin blanc and Pinot gris with blind tasting. Knowing if any of those varieties were in the flight would have been of immense help.

Who Did It?

https://rnarito.wordpress.com/

Screen shot from Reggie Narito’s public blog.
https://rnarito.wordpress.com/

The Court has not named the offending Master Sommelier–likely for legal reasons. Don Kavanagh and Robert Myers of WineSearcher.com believed they’ve uncovered it by comparing lists of current Master Sommeliers and noting that one sommelier–Regino “Reggie” Narito Jr.–has been removed from the Court’s membership roles.

It would be unfair to speculate beyond what has been publicly posted but reading Narito’s last blog entry from September 26th, 2018 only highlights the collateral damage of this scandal. Here he speaks of the journey, hardships and many failed attempts of 3 of the successful candidates who had their titles now stripped from them.

The story of Christopher Ramelb (previously quoted by Wine Spectator above) in particular really got me.

A soft spoken and deferential personality, he shuns the spotlight preferring to sit contently in the background while others bask in the spotlight. As his proctor for both the theory and tasting portions of his exam, his skill and professionalism really stood out for me and I was proud to be the one to present the good news of his passing. Upon hearing the news, it was not surprising to see him get very emotional, but it was for a different reason-he revealed to me that he lost his father on Christmas Eve last year and for over 9 months, he bottled up his emotions so he could give this exam a serious go. With the revelation that the test was now behind him, he began to cry uncontrollably, crumpling to his knees and sobbing, “I miss my dad so much”. — Reggie Narito, 9/26/2018

Update

Liza B. Zimmerman of WineSearcher.com interviewed a Master Sommelier about the scandal off the record but was able to publish some interesting details about what happened after the Court of Master Sommeliers announced the scandal on October 9th.

On October 10th, one of the impacted MS candidates, Justin Timset, sent a later to the Court. In it he names Reggie Narito as the MS who “broke the Court’s code of ethics”.  This was a day before WineSearcher.com released their article speculating that Narito was the disgraced MS.

Zimmerman’s article also notes that Narito’s then-employer, the distributor Young’s Market Company, only public comment on the scandal is to note that Narito’s Linkedin profile no longer list Young’s his place of employment. However, that maybe a duplicate or fake profile since another LinkedIn profile featuring the same picture that Narito uses on his blog still list VP of Fine Wine at Youngs Market Company as present employment.

Distributors’ Involvement?

The latest WineSearcher.com articles goes into the complex and murky influences that distributors may have on the MS exam.  Zimmerman quotes her inside source claiming that “The court has been infiltrated by distributors’ interest”.

He added that through the long process of mentoring a handful of students, wholesalers are also likely to do more than just taste with their hand-picked protégées. The relationship is likely to also have included expensive meals and other treats which can be put on the wholesalers’ expense accounts to curry favor with promising sommeliers who are also their customers.

Seeing your favorite handful of wine buyers through the difficult process of studying for the exam, and then having them successfully pass, makes these wholesalers look like superstars in the eyes of their employers. — Liza B. Zimmerman, WineSearcher.com 10/24/2018

What’s Next?

A few days ago, the Court of Master Sommeliers released their plans for retesting those impacted by the scandal.  First, the candidates who both passed and failed the tasting exam will have their exam fee refunded. Additionally, they will see their resitting fees waived as well. The Court will offer 3 opportunities over the course of the next year to retake the exam. Some candidates will receive travel assistance as well.

Many of the 23 people who passed tasting this year are not going to pass again–even if they deserve to. Spago Sommelier Cristie Norman gives a great analogy that sums up almost what a crapshoot blind tasting really is. So much of blind tasting is mental. These candidates are going to have an even bigger burden on their shoulders than they did at the first exam.

Approaching the blind tasting portion of the exam is like training for the Olympics: You have to be in shape. There are plenty of people who have passed tasting once and not been able to again. It depends on the time of day, your hormones, the humidity, even the altitude. When the exam was held in Aspen one year, multiple candidates complained that the change in elevation was affecting the way they tasted. Being asked to retest with your masters reputation on the line in conjunction with the sheer difficulty of the exam sounds like any wine professional’s nightmare. — Cristie Norman, Eater Magazine October 12th, 2018

Failing the retake will unfairly associate the candidates even more with the scandal. This is why it’s important to release the names of the cheaters.

Update

The first of the 3 make up exams has happened. All together 30 of the 54 individuals who took the tainted September exams resat for this round. While I haven’t be able to find out exactly how many of the 23 impacted candidates were part of this exam, it was announced on December 6 that six candidates passed.

Dana Gaiser of Lauber Imports in New York City, NY

Andrey Ivanov of Bliss Wine Imports in San Francisco, CA

Maximilian Kast of Broadbent Selections in Chapel Hill, NC

Douglas Kim of Picasso Las Vegas, NV

Steven McDonald of Pappas Brothers Steakhouse in Houston, TX

Mia Van de Water of Eleven Madison Park in New York City, NY

All six newly minted Master Sommeliers were among the 23 candidates impacted by this recent scandal.

Another Option?

It’s not surprising that most of the candidates are balking at the Court’s offer and “fighting back” in a letter shared with the Chicago Tribune.

Signed by 19 of the 23 impacted candidates, the letter calls for a full investigation into the individuals responsible.  Instead of making everyone retake the exam, the Court should seek exoneration of the innocent candidates. The Court’s actions “…effectively exonerates the guilty parties, and at the very least rewards their lack of moral courage.”

The Chicago Tribune doesn’t note who signed the letter–outside of naming Chicago-area candidates Jill Zimorski and Dan Pilkey. Nor does the Tribune divulged the 4 candidates whose names were absent.

Aftermath

Almost a year later, there are still lots of unanswered questions about the scandal. More of the impacted candidates have begun to speak out including Australian sommelier Jane Lopes who wrote a deeply personal op-ed about the toll that the scandal took on her and why she decided not to resit.

Jill Zimorski and Dan Pilkey also sat down for exclusive interviews with Newsy’s Uncorked to share their side of the story as well as the shocking lack of follow up by the Court of Master Sommeliers.

Threads to Follow

Even though media outlets have been quoting comments from impacted candidates shared on the GuildSomm discussion boards, I would encourage interested readers to consider joining GuildSomm as a member to access the forums legitimately. Far beyond this scandal, GuildSomm membership offers numerous other benefits. From classes to articles, maps, tasting kit discounts and more–it’s worth wine geeks looking into.

This was a great article by Elaine Chukan Brown and I really liked Jancis Robinson’s explanation on how the Master of Wine Exam is different than the Master Sommelier exam.

Many members of the wine industry frequent the Wine Beserkers forum. While you should always be cautious about what is posted online, their discussion thread on the topic does at least provide another perspective.

Reddit’s r/Wine community also has had several threads on the scandal. However, given the more anonymous nature of Reddit, I would urge more caution in taking what you’ve read at facevalue.

SpitBucket’s Facebook page. Apart from the blog, I use SpitBucket’s Facebook page as a curated news feed. Here I post articles and blogs that I’m reading. I’ve been posting a lot of articles about this scandal and will post more as new details emerge.

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Getting Geeky with Rabbit Ridge Petit Verdot

Going to need more than 60 Seconds to geek out about this 2011 Rabbit Ridge Petit Verdot from Paso Robles.

The Background

Rabbit Ridge Petit Verdot

Erich Russell founded Rabbit Ridge winery in 1981 in Healdsburg, Sonoma. Originally a home winemaker in San Diego, Russell’s wines caught the attention of the winemaking team at Chateau St. Jean who offered him a position. From there he spent time at Simi and Belvedere Winery before starting out on his own.

Over the years, Rabbit Ridge has earned numerous accolades and acclaim. They’ve had 3 wines featured on Wine Spectator’s Top 100 list. Connoisseur’s Guide named Russell it’s “Winemaker of the Year” in 1998. Wine writer Jay McInerney noted in his 2002 work Bacchus and Me: Adventures in the Wine Cellar that if you wanted to guarantee yourself a good bottle of Zinfandel, seek out the “R wineries” of Rafanelli, Ravenswood, Ridge, Rosenbloom, Renwood and Rabbit Ridge.

In 2001, the winery moved to the central coast of California. Here, the Russell family planted 200 acres on the west side of Paso Robles. Today the winery produces around 10,000 cases from their sustainably farmed fruit.

Rabbit Ridge is a family operation from top to bottom with Erich and Joanne Russell running the estate with their daughter, Sarah Fleming Garrett, and her husband Brice. In addition to working at Rabbit Ridge, the Garretts also have their own label, Serrano Wine, that was launched in 2018 in the Willow Creek District of Paso Robles. According to Barnivore, all the Rabbit Ridge wines are “vegan friendly” with only bentonite and yeast fining used.

The 2011 Petit Verdot is sourced from estate fruit with a little bit of Cabernet Sauvignon blended in.

The Grape

Jancis Robinson, Julia Harding and José Vouillamoz note in Wine Grapes that the first mention of Petit Verdot was in Bordeaux in 1736. However, the grape may not have originated there. Ampelograhical evidence of similar varieties suggest that Petit Verdot may have been a domesticated wild vine that originated somewhere in the Pyrénées-Atlantiques department south of Bordeaux on the border with Spain.

Photo by Eric 先魁 Hwang. Uploaded to Wikimedia Commons under CC-BY-2.0

Petit Verdot grapes growing in Portugal.

The name Petit Verdot references the small berries with thick skins that produce green (French vert) and acidic flavors if the grape doesn’t ripen fully. A very late-ripening variety, Petit Verdot is often harvested several days or even a couple weeks after Cabernet Sauvignon.

Despite contributing deep color and spiciness to blends, the risk of not fully ripening caused Petit Verdot’s plantings in Bordeaux to sharply decline in the 20th century to around 338 ha (835 acres) in 1988. However, global warming has sparked renewed interest with a jump to 526 ha (1300 acres) by 2009. Mostly grown on the Left Bank, classified estates that have notable plantings of Petit Verdot include Ch. Margaux and Palmer in Margaux, Pichon Lalande in Pauillac, Léoville Poyferré in St. Julien and La Lagune in the Haut-Medoc.

Petit Verdot in the US

Varietal versions of Petit Verdot have always commanded a premium in the United States. The reason has been because of limited supply and planting compared to other varieties. Matt Kramer notes in his 2004 book New California Wine that while a ton of Napa Cabernet Sauvignon would average around $3,921 and Pinot noir $2,191, Petit Verdot usually cost around $4,915 a ton to harvest.

Today, there are 2,897 acres of Petit Verdot planted throughout California with Napa, Sonoma and Paso Robles being the home for a majority of those plantings.

Outside of California, the grape can be found in Virginia, Arizona, Colorado, Idaho, Maryland, New York, North Carolina, Texas, Pennsylvania and Washington State. In Canada, it is also grown in the Okanagan Valley of British Columbia and the Niagara Peninsula of Ontario.

Photo taken by self and uploaded to Wikimedia Commons under PD-user

Petit Verdot leaf growing at the Hedges Vineyard on Red Mountain.

Red Willow Vineyard pioneered Petit Verdot in Washington State in the mid-1980s. Here Master of Wine David Lake encouraged Mike Sauer to plant UCD clone-1 Petit Verdot in his Yakima Valley vineyard. However, as Paul Gregutt notes in Washington Wines, those early plantings failed and the blocks had to replanted with new clones in 1991.

In Walla Walla, the Figgins family of Leonetti planted Petit Verdot at the Spring Valley Vineyard.  Today Petit Verdot is still a significant component of their Reserve Cabernet Sauvignon. Other early plantings of Petit Verdot in the 1990s took place at the Mill Creek Upland vineyard in Walla Walla, Destiny Ridge in Horse Heaven Hills and Ciel du Cheval on Red Mountain. As of 2017, there were 254 acres of Petit Verdot in Washington State.

The Wine

Medium-plus intensity nose. Brambly fruit like elderberry and boysenberry with some blue floral notes and forest floor earthiness. With a little air some tobacco spice and a distinct streak of graphite pencil lead emerges. The nose reminds me a bit of Cabernet Franc.

On the palate those dark brambly fruits carry through. The wine has full-bodied weight but I wouldn’t have guessed a 14.8% alcohol. There is no back-end heat or jammy fruit. Moderate oak contributes some baking spice but doesn’t play much of a role. Medium-plus acidity gives the fruit freshness and balances well with the ripe, high tannins. This wine is mouth-filling and mouthwatering. Moderate length finish brings back the spice and minerally graphite notes.

Some Personal Thoughts

I have to confess a bias of sorts. Stories like that of the Russells and Rabbit Ridge fuel and sustain my love for the world of wine. It’s so easy to get lost in the doldrums of supermarket shelves dominated by portfolio of brands owned by a handful of mega-corps that you lose sight of what wine is really supposed to be about. Wines like this remind me of why I geek out about wine.

The 2014 Rabbit Ridge sparkling Pinot noir Brut was also really tasty as well. Look for a 60 Second Review of this wine in December.

I’ve been following Rabbit Ridge Winery on Twitter and highlighted them in my article The Winery Twitter Dance as one the best winery Twitter account worth following. While I don’t know the Russells personally, it’s hard not to feel like I do because of all the great behind the scene tidbits that they share about the hard work and joys that comes with managing a small family winery. Likewise with the Serrano Wine Twitter, you feel like you are with the Garretts on their journey in launching a new winery from the ground up.

For folks like the Russells, the wine that you open up to share on your table with family and friends isn’t just a brand. It’s their life work and the result of hours upon hours of toil, and gallons upon gallons of sweat, spent over every step of the process. From first putting the vines into the ground to finally the cork in the bottle, they’re putting a part of themselves into each wine.

When you share their wines, you’re not sharing something thought up during a marketing department’s brainstorming session and tested on focus groups. Instead, you’re sharing something that was dreamed up by person who looked out at a vineyard or into a great glass of wine and thought “I could do this. I should do this.” and tested that dream over and over again on their own table–with their own family and friends.

The Verdict

I opened this bottle of 2011 Rabbit Ridge Petit Verdot with higher expectations than I do for a commodity brand.  And I certainly savored that it lived up to those expectations. At $20 (yes, $20 for a varietal Petit Verdot!), this wine has character and complexity that opens up even more in a decanter over the course of dinner.

No, it’s not a jammy, hedonistic red like many Paso wines can be. Its best role is definitely on the table where its acidity and structure can shine with food. But it is a bottle way over delivers for the price and worth trying.

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Getting Geeky with Lang & Reed Chenin blanc

This post was inspired by Outwines’ Noelle Harman’s great post on the Loire and South African Chenins made by the husband-wife team of Vincent & Tania Carême. That post and her reviews are well worth a look along with her super geeky and super useful study outline on the Chenin blanc grape (part of a continuing series she does).

With this still being California Wine Month, I’m going to add my advocacy for the overlooked and underappreciated Chenin by highlighting Lang & Reed’s 2015 example from Napa Valley.

The Background

Lang & Reed was founded in 1995 by Tracey & John Skupny. After previous stints at Caymus, Clos Du Val and Niebaum-Coppola, John and his wife Tracey (previously of Spottswoode) wanted to work with their favorite grape varieties from the Loire Valley–Cabernet Franc and Chenin blanc.

Named after their children, Reed & Jerzy Lang, Lang & Reed Wine Company work with fruit primarily from the Anderson Valley of Mendocino and Napa Valley.

The 2015 Chenin blanc is sourced 100% from the cooler Oak Knoll District of the Napa Valley from a vineyard near the Napa River. The grapes were whole cluster pressed with the wine fermented in a combination of stainless steel tanks and French oak barrels. The Chenin was then transferred completely to barrel where it was aged 4 months with weekly batonnage stirring of the lees. Around 185 cases were produced.

The Grape

Jancis Robinson, Julia Harding and José Vouillamoz note in Wine Grapes that the first mention of Chenin blanc, under the synonym Plant d’Anjou, dates back to 1496 in the Loire Valley. Here the wine was grown at Chateau Chenonceau owned by Thomas Bohier. It is believed that Bohier then propogated the variety which eventually took on the name Chenin from Chenonceau.

Photo by Simon Bonaventure. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

Chenin blanc grapes with botrytis growing in Saint Cyr en Bourg in the Anjou-Saumur region of the Loire Valley.

The name “Chenin” itself first appears in François Rabelais’ 1534 work Gargantua. A native of Touraine, Rabelais describes both a Chenin wine and a Vin Pineau with Gros Pineau being a common synonym of Chenin blanc in Touraine for many centuries.

It is possible that the name Chenin came from the monastery of Montchenin in Touraine. Another theory is that the name is derived from the French word chien, meaning dog, and could refer to the affinity of dogs to eat the the grapes off the vine.

Recent DNA analysis has shown a parent-offspring relationship between Savagnin and Chenin blanc with Savagnin being the likely parent. This would make Chenin blanc a half or full sibling of Sauvignon blanc, Petit Manseng, Gros Manseng, Grüner Veltliner, Verdelho, Siegerrebe and the Trousseau varieties.

Through its relationship with Sauvignon blanc, Chenin is then an aunt/uncle of Cabernet Sauvignon.

At some point, Chenin blanc naturally crossed with Gouais blanc (mother vine of Chardonnay) to produce several varieties like Colombard, Meslier-Saint-François and Balzac.

In South Africa, the grape was crossed with Trebbiano Toscano/Ugni blanc to produce Chenel.

Chenin Blanc Today

Photo by 	JPS68. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

Chenin blanc is also grown in the French colony of Réunion off the coast of Madagascar in the Indian Ocean. Here is a harvest of Chenin blanc grapes in the town of Cilaos.

From a high point of 16,594 ha (41,005 acres) of vines in 1958, plantings of Chenin blanc in France have sharply declined over the years to just 9,828 ha (24,286 acres) in 2008–representing around 1.2% of France’s vineyards.

It is mostly found in the Anjou-Touraine region of the Loire Valley where it is used in the sparkling wines of Cremant de Loire and Vouvray. Also in Vouvray it can be used to produce dry to demi-sec still wines while in the AOC of Bonnezeaux, Montlouis and Quarts de Chaume it is used exclusively for late harvest sweet examples that may have some botrytis influence. In Savennières it is used exclusively for minerally dry wines with notable ageability.

Outside of the Loire it can also be found in the Languedoc where it can make up to 40% of the blend for Cremant de Limoux with Mauzac blanc, Chardonnay and Pinot noir.

Chenin blanc has been historically known as “Steen” in South Africa where it has accounted for as much as a third of all white wine produced in the country. By 2008 there were 18,852 ha (46,584 acres) of the vine representing 18.6% of all South African plantings. It is grown throughout South Africa but is more widely found in Paarl, Malmesbury and Olifants River. In recent years the variety has seen a renaissance of high quality production by producers in the Swartland and Stellenbosch.

From an area so blessed to produce Cabernet Sauvignon, the Chappellet Molly’s Cuvee Chenin blanc from Pritchard Hill is jaw-droppingly good.


In California there is 4,790 acres of Chenin blanc planted throughout the state as of 2017–nearly 2/3 of the acreage that was in production in 2010 (7,223 acres). Notable plantings can be found in the Clarksburg AVA in Sacramento, Solano and Yolo counties, Chappellet Vineyard on Pritchard Hill in Napa, Santa Maria Valley, Lodi, Paso Robles, Alexander Valley and Mendocino County.

Like California, Washington State has also seen a notable drop in plantings of Chenin blanc in recent years going from 600 acres in 1993 to just 67 acres by 2017.

The Wine

High intensity nose–yellow peach and white flowers. There is also some honeycomb and fresh straw notes that come out more as the wine warms in the glass.

On the palate the peach notes come through and adds a spiced pear element. There is noticeable texture and weight on the mouthfeel but I would still place the body as just medium. Medium-plus acidity adds a mouthwatering element and a little saline minerality as well. Long finish still carries the fruit but brings back some of the straw notes from the nose.

The Verdict

The 2015 Lang & Reed Chenin blanc from Napa Valley is, hands down, one of the most delicious domestic Chenin blancs that I’ve had the opportunity to try–second only to Chappellet’s example. While not quite Savennières level, at $25-30 it still delivers plenty of complexity that outshines many California Chardonnays and other white wines in that price range.

At nearly 3 years, it is still quite youthful and I can see this wine continuing to give pleasure for at least another 3-4 years.

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Geek Notes — UK Wine Show Episode 111 with Ian D’Agata

I have a new vino crush and man have I been crushing hard.

How can you not to get all tingly and giddy over sweet talk about biotypes, Pigato vs Vermentino, Cerasuolo di Vittoria and the battle for the soul of Pecorino?

Well at least it is hard for me not to get tingly, especially when that sweet talk is coming from a wine writer with over 25 years of experience living and breathing the wines of Italy. Thankfully for us, and my geeky fan-girling heart, Ian D’Agata has drilled down all of those years of walking the vineyards and tasting wines with producers into the magnum opus of Italian wine grapes with his 640 page tome–Native Wine Grapes of Italy.

Frequent readers know that one of my favorite resources is Jancis Robinson’s Wine Grapes written with Julia Harding and José Vouillamoz. That gorgeous hunk of geekdom devoted 1280 pages to covering 1,368 grape varieties grown across the globe.

But with an estimated 2500 different varieties (many of which likely biotypes/clones of other grapes) growing in Italy alone, you need a dedicated source to help untangle the messy weave of regionalization, synonyms and just downright weirdness that can be found with Italian grapes.

D’Agata’s book is like a scalpel to that tangled mess. While he is upfront about not having all the answers–especially with conflicting DNA analysis and contrary first person observations–it is impossible to pick up Native Wine Grapes of Italy and not come away learning mountains of new information about Italian grapes.

Photo by Megan Mallen. Uploaded to Wikimedia Commons under CC-BY-2.0

Did you know that the Moscato bianco grape of Piedmont was once one of the most widely planted wine grapes in the Tuscan village of Montalcino? In fact, it is still grown there today and used to make the DOC wine Moscadello di Montalcino.
Those are just a few of the hundreds of fun tidbits I learned from D’Agata’s Native Wine Grapes of Italy.

The work is exceptionally well organized (mostly alphabetical though several varieties which belong to groups or families of grapes like the many Greco, Trebbiano and Malvasia grapes get their own chapter) making it a fantastic and easy to use reference anytime you want to dive deeper.

I seriously can’t recommend Native Wine Grapes of Italy enough for wine geeks and students. A definite must have that is less than a third of the price of Wine Grapes and can often be found used for around $25.

But you don’t need to take my word on it. As I’ve discovered while prepping for my upcoming class on Italian wine, Ian D’Agata has been a frequent guest on several of my favorite podcasts discussing Italian grapes and wine regions. These podcasts, plus his writings on Vinous, give you a great sneak peak into the content of Native Grapes as well as an upcoming book he’s working on about the crus of Barolo and Barbaresco.

They are all well worth a listen–after which I’m sure you’ll be vino-crushing on Ian too.

Podcast Interviews with Ian D’Agata

In The Drink Episode 206 w/ Ian D’Agata (43:57)

Monty Waldin’s Italian Wine Podcast Episodes 20 through 22 on the Aglianico, Glera and Sangiovese grapes respectively. (About 10 to 15 minutes each)

Really wished I had listened to the IDTT episode with D’Agata before I visited Piedmont last June. I probably would have appreciated even more how cool this map and viewpoint from La Morra was.

I’ll Drink to That! Episode 354 w/ Ian D’Agata (1:37:49) — In this podcast, Levi Dalton and D’Agata spend a lot of time talking about Barolo, Barbaresco and his upcoming book on those regions. Really fascinating stuff.

My only slight negative with D’Agata’s interviews is that he does speak very quickly. While his enunciation and articulation–especially of Italian names and words–is great I do find myself having to slow down the podcast or go back sometimes to re-listen to things that D’Agata breezes through.

For this edition of Geek Notes, I’m going to go back to a June 2008 interview that Ian D’Agata did with Chris Scott of the UK Wine Show (37:28).

Some Fun Things I Learned/Enjoyed From This Podcast

The format of the UK Wine Show starts with Chris and his wife Jane going over recent wine and beverage industry news. Even with older podcasts, I always find this segment very interesting as a “window in time” look at what was big and newsworthy in the world of wine at the time. I also often end up learning something as well.

Photo taken by self and uploaded to Wikimedia Commons as User:Agne27 under  CC-BY-SA-3.0

I know now if I pick up a strong oaky flavor in a DOC wine under $10-15 that perhaps I should be suspicious.


For instance, the first news story in this 2008 podcast (1:07) was on a controversy in the Tuscan wine region of San Gimignano where 4000 bottles of red wine were confiscated because of the use of oak chips in production of the DOC wine. I honestly didn’t know that San Gimignano produced red wine (much less a DOC wine) because I was only familiar with the white Vernaccia di San Gimignano.

While it makes sense that oak chips wouldn’t be acceptable in DOC/G wine, I didn’t realize how strictly regulated that was in Italy or that oak chips were permitted for IGT wines.

It was also fun listening to early thoughts on the 2007 Bordeaux vintage with Chris and Jane (5:36) especially considering the woeful reputation that vintage has now (though, in hindsight, good cellar defenders can still be found from 2007).

The interview with Ian D’Agata begins at the 10:35 mark.

(11:47) Of the 2500+ grape varieties grown in Italy, only around 1000 of them have been genetically identified. Of that 1000, around 600 are used for wine production.

(13:55) Chris asks if the Sangiovese of Brunello di Montalcino is a specific clone. Ian D’Agata debunks quite a bit of common misconceptions about Sangiovese and clones that is incredibly eye opening (and also well worth reading about in his book). Simply put, a lot of the stuff that we’ve learned in wine books of the past have been very incomplete and imprecise.

(18:45) D’Agata describes the Umbrian variety Sagrantino which I haven’t had the privilege of tasting yet but am very intrigued by.

(19:20) A prediction that Aglianico is the next big thing from Italy. This has definitely held true with even producers in the US like Leonetti releasing an Aglianico. I know at my local wine shops I’ve seen the selection of Italian Aglianico in the last 5 years go from maybe one bottle of Taurasi ($50+) to now featuring more than a half dozen options from Basilicata, Marche and Campania. As many of these can be found in the $13-25 range, there is some awesome value here that is well worth exploring. In my January 2018 post In a rut? Try these new grapes!, I describe Aglianico as a fantastic wine for Cabernet Sauvignon and Syrah drinkers to branch out with.

Fun fact: When you Google pics of Nero d’Avola, one of the results is a picture of the Muscat of Norway grape instead. I know this because that is my hand in the pic holding a cluster of Muscat of Norway I harvested from Cloud Mountain Vineyard in the Puget Sound AVA.


(20:40) Chris notes that he always found Nero d’Avola to be very Merlot-like. D’Agata highlights the similarities (and that Merlot is apparently often blended with Nero d’Avola) but also the relationship with Syrah and Teroldego and what good Nero d’Avola should taste like.

(21:40) A great discussion about the unheralded gems of Southern Italian whites like Mt. Etna’s Carricante (a distant relative of Riesling), Grillo, Inzolia, Vermentino and Grechetto. However, D’Agata notes that the Grechetto used in Orvieto is not always the best Grechetto.

(24:52) Apparently Italy makes really good dry Kerner, Silvaner and Gewurztraminer on par with Alsace up in the Alto Adige region.

Photo by Puntin1969. Uploaded to Wikimedia Commons under CC-BY-2.0

The Valadige (pictured), Alto Adige and Friuli regions can be more labor intensive than the Veneto or some parts of New Zealand which can make producing value priced Sauvignon blanc a bit difficult.


(26:16) While Italy doesn’t do well with Chardonnay (over-oaked), D’Agata feels that they excel with Sauvignon blanc with a style between Sancerre and Marlborough. This definitely caught the attention of New Zealand native Chris Scott. Considering how hot Sauvignon blanc has been in the UK market, I’m kind of surprised that we don’t hear more about Italian Sauvignon blanc. The higher cost of bottles from Italy compared to bulk NZ Sauvignon blanc probably is a significant reason.

(29:06) A lot of Pinot grigio that is/was imported to the United States might not actually be Pinot grigio with D’Agata noting that a fair amount of Trebbiano is likely used.

Photo by Giovanni. Uploaded to Wikimedia Commons under CC-BY-2.0

D’Agata does notes that just because there might be Syrah, Merlot or Cabernet Sauvignon growing in a vineyard of Montalcino that doesn’t mean it is being used in a producer’s Brunello di Montalcino. However, the color of the wine could be a tip off.


(30:26) Very interesting discussion about the Brunellopoli scandal that was just starting to hit the news at the time of the interview. D’Agata notes that the dark purple/black color of Brunello di Montalcino is often a clue that something might be up with a wine that is supposed to be 100% of the moderately pigmented Sangiovese. The new clones of Sangiovese that produce darker colors can only give you a deeper ruby, not black color.

(34:23) Even though Italians invented screw caps, apparently they can only be used for IGT wines and not DOC/G? (At least back in 2008) D’Agata pointed out that it is more expensive to bottle wines with screw caps as opposed to corks which can be a financial burden for small producers.

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Celebrating International Grenache Day With The Grenachista

Today is International Grenache Day–according to someone.

I honestly have no idea who comes up with these things. Googling around, it looks Grenache Day hops all over the calendar a bit like Thanksgiving and Easter.

Which is kind of fitting since Grenache goes so well with turkey and rabbit. (Sorry kids)

But hey, I don’t need much of an excuse to geek out about something. Plus, it’s an excellent time for a flashback to this spring’s Hospice du Rhône event to revisit the impressive wines of CR Graybehl, aka The Grenachista.

The Background

CR Graybehl was founded in 2013 and is named after founder and winemaker Casey Graybehl’s grandfather, Cliff R. Graybehl, who inspired Casey to get into winemaking. The small operation is essentially a two-person show with just Graybehl and his wife.

Graybehl studied Fruit Sciences at California Polytechnic State University in San Luis Obispo when the school hadn’t yet developed a viticulture program. He spent time working at wineries in the Central Coast and Bay Area before starting his winery in Sonoma.

In addition to his own wine project, Graybehl is a production manager for Obsidian Wine Co.–a custom crush facility and makers of Obsidian Ridge and Poseidon Vineyard.

The Grape – A Little Geeky History

While it is generally agreed that Grenache is an ancient grape variety, Jancis Robinson, Julia Harding and José Vouillamoz note in Wine Grapes that ampelographers debate the origins of the grape.

Photo by Fabio bartolomei. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

Old vine Garnacha growing near the Sierra de Gredos mountain range in Central Spain.

The stronger argument favors a Spanish origin where it believed that the grape was grown in Madrid under the synonym Aragones in 1513 by Gabriel Alonso de Herrea in his work, Argicultura general. The name Garnacha seems to have been established by the late 1600s when Estevan de Corbera describes the grape growing in Tarragona in his 1678 work, Cataluña illustrada.

A competing theory argues that the grape is a native of Sardinia, where it is known as Cannonau. Here the first mentioned appears in Caligari in 1549. The name Garnacha also shows up in Miguel de Cervantes’ 1613 work El licenciado vidriera referencing an Italian white wine served in Genoa. The theory of a Sardinian orgin involves assuming that the Aragones grape of Madrid was not actually Grenache and that the grape was brought to Spain sometime after 1479 when Sardinia became part of the Spanish empire.

While Aragones is still a synonym used today for Garnacha it has also been used as a synonym for other grape varieties like Tempranillo.

Italian ampelographer Gianni Lovicu also argues that the Spanish name Garnacha is closely related to the Italian name Vernaccia derived from the Latin vernaculum meaning local. Documents in Catalunya dating back to 1348 describe a Vernaça grape that appears to have been introduced to the area from somewhere else. This would predate Sardinia’s Spanish colonization and suggest perhaps a different Italian region as the grape’s origins.

Photo by www.zoqy.net. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

Grenache blanc vines growing in the Rivesaltes AOC of the Roussillon region that borders Spain. Here the grape is used to produce the sweet Vin Doux Naturel dessert wines.

However, even today, Spain remains the loci of the most considerable mutation and clonal diversity of Grenache–strongly suggesting a far longer presence in the area than anywhere else. While Sardinia and the Colli Berici DOC of the Veneto have significant plantings of the dark skin Grenache noir, only Spain and southern France have a notable presence of the other color mutations (white and gris) as well as the downy leaved Garnacha Peluda.

Grenache in Modern Times

Today Grenache is the second most widely planted grape in France, after Merlot, with 94,240 ha (232,872 acres) planted as of 2009. The grape forms the backbone of many Southern Rhone blends such as Châteauneuf-du-Pape (around 70% of plantings), Gigondas and Vacqueryas as well as the rosé wines of Tavel and Lirac.

In Italy, it is the most widely planted grape on Sardinia–accounting for around 20% of the island’s wine production–with 6288 ha (15,538 acres) planted by 2000.

After Tempranillo and Bobal, Garnacha is the third most widely planted red grape in Spain with 75,399 ha (186,315 acres) of vines covering 7% of the country’s vineyards. The grape is widely planted in the Aragon region of northeastern Spain, where it accounts for 45% of production. It is also a popular planting in Castilla-La Mancha, Castilla y León, Catalunya, Priorat and the Rioja Baja region. In Navarra, it is an essential component in the region’s rosé.

A Santa Clara wine grower, Charles Lefranc, likely introduced Grenache noir to California in the 1850s.

CR Graybehl’s Grenache from the Mounts Family Vineyard in the Dry Creek Valley of Sonoma.

The grape became a significant planting in the Central Valley after Prohibition where it was used to make dessert wines and lightly sweetly rosés. Today, along with Grenache blanc, it is used to make dry varietal wines and Rhone-style blends.

In 2017, there were 306 acres of Grenache blanc and 4,287 acres of Grenache noir growing throughout the state from the Sierra Foothills and Sonoma down to Paso Robles and Santa Barbara.

Paul Gregutt notes in Washington Wines that Grenache was the first vinifera wine to earn critical acclaim in Washington when wine writer Leon Adams praised a dry Grenache rosé made by a home winemaker in the Yakima Valley in his 1966 book Wines of America.

As Gramercy Cellars’ winemaker Greg Harrington noted in his interview on Levi Dalton’s I’ll Drink to That! podcast, severe freezes in Washington in the late 20th century nearly killed off all Grenache in the state.

However, the grape has seen a renaissance of interest in recent years thanks in part to winemakers like Master of Wine Bob Betz and the Rhone Rangers movement pioneered in Washington by Doug McCrea. As of 2017, there were 212 acres of Grenache noir in Washington.

Over the years, growers have used Grenache to breed several new grape varieties such as Caladoc (with Malbec), Carnelian (with F2-7, a Carignan/Cabernet Sauvignon crossing), Emerald Riesling (Grenache blanc with Muscadelle) and Marselan (with Cabernet Sauvignon).

The Wines


Below are my notes on the CR Graybehl’s Grenache wines I tasted during the April Hospice du Rhône event updated with some production and winemaking details.

2017 Grenache Rosé Sonoma Valley ($24-25)

Sourced from Mathis Vineyard. Around 190 cases made. Medium intensity nose. Bright red fruits of cherry and strawberry mixed with some blood orange. Medium-minus body weight and juicy medium-plus acidity. Good patio sipper but not a great value compared to Grenache-based Rhone and Spanish Navarra rosés in the $10-15 range.

2016 Grenache blanc Dry Creek Valley ($19-24)

From the Mounts Family Vineyard. Around 245 cases made. Medium intensity nose. Tree fruits–pear and apples with noticeable baking spices of clove and nutmeg. Subtle herbalness. Medium body weight and medium acidity. Long finish ends on the tree fruits. Reminds me of a more refreshing Chardonnay.

2016 The Grenachista Alder Springs Mendocino County ($34)

High intensity nose. Dark fruits with wild berries like huckleberry, blackberry and boysenberry. Lots of blue floral notes and herbs de Provence giving this wine a lovely bouquet. Very full bodied but very ripe medium-plus tannins that are balanced by medium-plus acidity which highlights a peppery spice. Long finish.

The very full-bodied and fruit forward Mathis Vineyard Grenache from Sonoma Valley would go toe to toe with much more expensive old vine Grenache from Australia.

2015 Grenache Mathis Vineyard Sonoma Valley ($34)

Around 273 cases made. Medium-plus intensity nose. Lots of dark fruit–blackberries and black cherries. By far the most fruit forward nose of the bunch. Some spices come out on the palate with medium-plus acidity giving the fruit a lip-smacking juiciness. Ripe medium-plus tannins and full body bodied fruit. Kind of feels like an old vine Aussie Grenache.

2015 Grenache Mounts Family Vineyard Dry Creek ($34)

Made from clones 362 and 513 sourced from the Southern Rhone and Languedoc. Wild fermented with 100% whole cluster. Around 273 cases made. High intensity with a lot of savory black pepper spice that has a smoked BBQ element. Mix of red and dark fruit flavors on the palate. Medium-plus body and medium-plus acidity with ripe medium tannins. Long mouthwatering finish ends on the savory notes.

The Verdict

Across the board I was enjoyed all of CR Graybehl’s wines though I definitely think the best values lie with their reds. These wines shinned at a tasting that featured many more expensive bottlings. The whites are certainly well made and tasty but you are paying a little bit of a premium for their small production.

The vineyard designated Grenache noirs, however, could be priced closer to $45 and would still offer very compelling value. Each one has their own distinctive personality and character that more than merit exploring further.

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Getting Geeky with Conundrum Rose

Going to need more than 60 Seconds to geek out about the 2016 Conundrum Rosé.

The Background

Conundrum is made by the Wagner family who founded Caymus Vineyards in Napa Valley in 1971.

Along with Caymus and Conundrum, the Wagners have developed a portfolio of wine brands made by Chuck Wagner and his kids, Charlie and Jenny, including Mer Soleil, Old Cannery Row, Red Schooner, 1858 Wines and Emmolo.

Chuck’s other son, Joe Wagner, also makes several wines with Copper Cane Wine & Provisions including Belle Glos, Elouan, Tuli, Beran, Torial, Carne Humana, The Willametter, Napa Quilt and BÖEN.

With the Caymus Special Selection, the Wagners hold the distinction of being the only winery to produce a wine that has twice been named the number one wine on Wine Spectator’s yearly Top 100 list for the 1984 and 1990 vintages.

The Conundrum series of wines were introduced in 1989. That first wine was a white blend of Chardonnay, Sauvignon blanc, Sémillon, Viognier and Muscat Canelli/Moscato. Over the years the brand has expanded to include a red blend (primarily Zinfandel, Petite Sirah and Cabernet Sauvignon), a sparkling wine (Pinot gris, Viognier, Muscat Canelli and Chenin blanc) and, since 2016, a rosé.

Vineyards and Production

The fruit for Conundrum are sourced throughout California. Vineyard sources over the years have included the North Coast wine regions of Napa and Solano County, the central coast areas of Monterey, San Benito and Santa Barbara County as well as the inland vineyards of Tulare County south of Fresno.

My Conundrum hat autographed by Chuck Wagner.

The wines are made in Monterey County by Chuck’s son Charlie with Jon Bolta assisting and overseeing the white wine production.

The 2016 Conundrum rosé is made from the Valdiguié grape sourced from Paso Robles.

It is not widely published how many cases of the rosé are produced but previous vintages of the Conundrum Red have topped 120,000 cases and nearly 90,000 cases for the white.

The Grape

The Valdiguié grape originated in Southwest France, likely in either the Tarn-et-Garonne or Lot-et-Garonne departments. Jancis Robinson, Julia Harding and José Vouillamoz note in Wine Grapes that the first documented mention of the grape, under the name of Valdiguier, appeared only in 1884 which leads to a few theories about Valdiguié’s origins.

One theory involves a landowner from the late 18th century in the village of Puylaroque in the Tarn-et-Garonne named Valdéguier who propagated different grape varieties in his courtyard garden. Another theory centers around a grower named Jean-Baptiste Valdiguié. In 1845, he had a vineyard in the hamlet of Tressens near Puylaroque where he may have propagated the grape.

Around this same time, in the neighboring department of Lot-et-Garonne, there was a vineyard worker named Guillaume Valdiguier who may have propagated Valdiguié from an abandon vineyard once owned by the Templiers monastery in Aujols.

Map created by קרלוס הגדול . Uploaded to Wikimedia Commons under CC-BY-SA-4.0

The Garonne river (highlighted in box) flows through Southwest France and eventually meets up with the Gironde estuary in Bordeaux. It is likely that the Valdiguié grape originated somewhere in this area.

A parent-offspring relationship between Valdiguié and the nearly extinct Fronton grape Mérille of the Lot-et-Garonne has been suggested by ampelographers but so far has not been confirmed by DNA analysis. Prevalent in Southwest France in the 19th century until phylloxera, Mérille was once one of the minor blending grapes of Bordeaux.

In the early 20th century, Valdiguié’s tolerance to powdery mildew and reliable yields saw its plantings greatly expand. It reached a peak of 4,908 ha (12,128 acres) in 1958. But the grape eventually lost ground to other more popular plantings. By 2008, there were only 145 ha (358 acres) planted in Southwest France, Provence and the Languedoc.

Valdiguié in California

In California, growers misidentified Valdiguié as the Gamay grape of Beaujolais (Gamay noir). It’s productivity help the grape became a popular planting in the decades following Prohibition. Over 6000 acres of “Napa Gamay”  was planted by 1977. The grape was often fermented using the carbonic maceration method commonly used for Beaujolais Nouveau to produce fruity, easy drinking wines with moderate alcohol.

Photo taken by self and uploaded to Wikimedia Commons as User:Agne27 under CC-BY-SA-3.0

While Valdiguié is grown in several places in California, the fruit for the 2016 vintage of the Conundrum rosé was sourced from Paso Robles. Pictured is a Cabernet Sauvignon vineyard from the region.

In 1980, the French ampelographer Pierre Galet noted that Napa Gamay was actually Valdiguié.  Napa Gamay is still officially recognized as a synonym for the variety. However, most producers today label their wines as Valdiguié.

As in France, acreage of Valdiguié began steadily dropping as other varieties earned greater focus and market share. As of 2017 there was 251 acres of the grape. Significant plantings can be found in Napa Valley, Suisan Valley, Solano County, Lodi, Redwood Valley, Paso Robles, Mendocino County, Monterey and the Madera AVA.

In the Calistoga AVA of Napa, the Frediani vineyard has old vine Valdiguié that were planted as early as 1935.

Beyond Conundrum, other notable producers of Valdiguié include Forlorn Hope and Driscoll Wine Co.’s vineyard designated wines from Frediani Vineyard, J. Lohr and the pétillant naturel (Pet-Nat) Valdiguié made by Cruse Wine Co. and Broc Cellars.

The Wine

Medium-plus intensity nose. A mix of cantaloupe fruit and subtle rind-like earthiness. There is also red fruit that isn’t as defined or dominant as that melon and rind note.

On the palate, the cantaloupe comes through with medium-plus acidity adding freshness. It is actually quite vibrant for a 2 year old rosé. The rind notes also carry through with a pithy, phenolic texture. Those phenols adds medium-minus bodied weight to this dry rosé but doesn’t stray to bitterness. The red fruit becomes a little more pronounced as strawberries but fades quickly with the finish.

The Verdict

At $18-22, you are paying a tad bit of a premium for the geeky variety. But it is not that out of line for the uniqueness and quality of the wine. I was expecting this wine to follow suit with the Conundrum White and Red and have noticeable residual sugar. Instead this rosé was distinctly dry and well made.

While many mass-produced rosés decline in quality after a year in bottle, the Conundrum rosé still has freshness and vibrancy. However, the short finish and nondescript red fruit does give away its age. If you have a bottle, I would recommend drinking it soon or look for a newer vintage.

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Getting Geeky with Tablas Creek Vermentino

Back in January, I wrote a post called Wine Clubs Done Right that detailed my discovery of Tablas Creek’s Wine Club program. Which I promptly joined. As I noted in that post, I don’t join many wineries’ wine clubs. They rarely offer compelling value. Plus, I don’t like being committed to buying quantities of wine that may eventually shift in style due to changing winemakers/ownership, etc.

However, while exploring the Tablas Creek story and all they had to offer I found many compelling reasons to pull the trigger and join. Much to my surprise, the folks at Tablas Creek were actually interested in my tale and offered on their blog some cool behind the scene insights into their thought processes in how they set up their wine club programs.

You usually don’t see that kind of receptivity and transparency with many wineries but, as I’ve found out in the nearly eight months since I’ve been a member of Tablas Creek’s wine club, that is just par for the course with them. It’s not marketing or show. These folks are really just wine geeks through and through. They love what they are doing and sharing that passion with others.

If you are wine geek yourself, I honestly can’t recommend a more exciting winery to discover.

Beyond their hugely informative blog with harvest and business details, the Tablas Creek website also offers a trunkload of goodies. This includes a fantastic vintage chart of their wines that gets updated regularly. You’ll also find a comprehensive listing of grape varieties they farm.

Jancis Robinson’s Wine Grapes is still my holy writ (and I like Harry Karis’ The Chateauneuf-du-Pape Wine Book chapter on grapes). But when I’m away from my books and want to check up on a Rhone variety, there is no better online source than the Tablas Creek site. Plus, the particular winemaking details they cover in the entries is often stuff that you won’t find in many wine books because it comes from their decades of hands-on experience working with these grapes between themselves and the Perrins’ Ch. Beaucastel estate.

But enough with the effusive gushing and let’s get down to some hardcore geeking over the 2017 Tablas Creek Vermentino from the Adelaida District of Paso Robles.

The Background

Photo taken by self and uploaded to Wikimedia Commons under CC-BY-SA-3.0

Counoise vine outside the tasting room at Tablas Creek.

Tablas Creek Vineyards was founded in 1989 as a partnership between the Perrin family of Château de Beaucastel and Robert Haas of Vineyard Brands. As I noted in my 60 Second Review of the 2000 Beaucastel Châteauneuf-du-Pape, the Perrins have been in charge of the legendary Rhone property since 1909.

Robert Haas established Vineyard Brands in 1973 as part of a long wine importing career.  He began in the 1950s working for his father’s Manhattan retail shop M. Lehmann (which was eventually bought by Sherry Wine and Spirits Co. to become Sherry-Lehmann). After World War II, he was the first American importer to bring Chateau Petrus to the United States. Haas also helped popularize the idea of selling Bordeaux futures to American consumers.

In addition to Beaucastel, Haas represented the importing interests of several notable Burgundian estates. These include Domaine Ponsot, Henri Gouges, Thibault Liger-Belair, Jean-Marc Boillot, Etienne Sauzet, Mongeard-Mugneret, Domaine de Courcel, Thomas Morey, Vincent & Sophie Morey, Vincent Girardin and Vincent Dauvissat. He also represented the Champagne houses Salon and Delamotte. Haas would go on to sell Vineyard Brands to the firm’s employees in 1997. His son, Daniel, manages the company today.

Aaron Romano of Wine Spectator noted that Haas also helped launch Sonoma-Cutrer and promoted on a national stage the prestigious California wines of Chappellet, Joseph Phelps, Hanzell, Kistler and Freemark Abbey. In 1980, he co-founded the distribution firm Winebow Group.

Planting Tablas Creek

Photo by Deb Harkness, Uploaded to Wikimedia commons under CC-BY-2.0

The vineyards of Tablas Creek with some of the rocky limestone soil visible.

Haas and the Perrins saw the similarity in maritime climate and limestone soils of the Adelaida District and Rhone.  They purchased 120 acres west of the city of Paso Robles and established Tablas Creek. Planting of their estate vineyard began in 1994. Today the winery has 115 acres of biodynamically farmed vines–producing around 30,000 cases a year.

Utilizing its close connection to the Chateauneuf estate, Tablas Creek would go on to become an influential figure in the Rhone Ranger movement in the United States. They did the heavy lifting of getting cuttings from Beaucastel through quarantine and TTB label approval. Over the years,  Tablas Creek would help pioneer numerous varieties like Counoise, Terret noir, Grenache blanc and Picpoul in the US. Additionally, the high quality “Tablas Creek clones” of Syrah, Grenache and Mourvedre have populated the vineyards of highly acclaimed producers across California, Oregon and Washington.

In the mid-2000s, Robert’s son Jason joined the winery and is now the general manager. He’s also the main contributor to Tablas Creek’s award-winning blog.

In March 2018, Robert Haas passed away at the age of 90, leaving a lasting legacy on the world of wine.

The Grape

Photo provided by NYPL Digital Gallery. Uploaded to Wikimedia Commons under CC-PD-Mark with an author that died more than 100 years ago.

Vermentino from Giorgio Gallesio’s ampelography catalog published between 1817 and 1839.

Wine writers and producers hotly debate the origins and synonyms of Vermentino. Some ampelographers claim that the grape came from Spain via Corsica and Sardinia sometime between the 14th and 17th centuries. However, DNA evidence point to potentially the mainland of Italy as the birthplace. Here they suggest that the Vermentino of Tuscany, Corsica and Sardinia are the same grape as the Ligurian Pigato and the Piemontese Favorita.

But, Ian D’Agata, in his Native Wine Grapes of Italy, notes that these conclusions are vigorously disputed by Italian growers, particularly in Liguria, who point out that Pigato produces different wine compared to other Vermentino. D’Agata finds Pigato to create “bigger, fatter wines” with a creamier texture than most Vermentino. The name “Pigato” may have derived from the word pigau in the Ligurian dialect, meaning spotted. It could be a reference to the freckled spots that appear on the berries after veraison.

It is possible that the grape is a relatively recent arrival to Sardina. The absence of Vermentino in the 1877 Bollettino Ampelografico listing of Sardinian varieties suggests this. However, the 1887 edition later included it. Today the grape plays a prominent roll in Sardinia’s only DOCG wine–Vermentino di Gallura.

The connection to Favorita seems to be less disputed, though.
Photo by trolvag. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Vermentino vineyards in Sardinia.

Robinson, Julia Harding and José Vouillamoz note in Wine Grapes that historically the grape was believed to have been brought to Piedmont originally as a gift from Ligurian oil merchants. The first documentation of the vine was in the Roero region in 1676, where it was a “favorite” table grape.

Almost two decades earlier, in the Piemontese province of Alessandria, a grape named “Fermentino” was described.  Growing in vineyards along with Cortese and Nebbiolo,  this may be the earliest mention of Vermentino.

Historically, as Favorita, the grape has a long history of being blended with Nebbiolo. It was a softening agent, used to smooth out the later grape’s harsh tannins and acid. This is very similar to how producers once blended white grapes like Trebbiano and Malvasia with Sangiovese in Chianti.

While once the primary grape of Roero, in recent decades, Favorita has fallen out of favor. In its place,  Arneis and Chardonnay have gained in popularity.

Beyond Italy

Photo by Magnetto. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Rolle/Vermentino grapes growing in southern France.

Outside of Italy and Corsica, Vermentino also grows in the Languedoc-Roussillon. Here the grape is known as Rolle. Beyond Europe, Lebanese producers are growing in the Bekaa Valley. It has become one of the fastest-growing “alternative grape varieties” in Australia. As of 2016, there are nearly 300 acres across Victoria, the Hunter Valley, King Valley, the Barossa and Murray Darling.

While Tablas Creek mostly focuses on Châteauneuf-du-Pape grapes, they were one of the first US producers of Vermentino. They planted the vine in 1993 based upon the recommendation of the Perrin family’s nurseryman. He thought that Vermentino would do well in the soils and climate of the Adelaida District. While initially used as a blending component, the winery has been making a varietal Vermentino since the 2002 vintage.

Growing in popularity

In 2008, there were around 20 acres of the Vermentino planted in California when there was some speculation that the grape could have appeal to Sauvignon blanc drinkers. By 2017 that number had jump to 91 acres as producers like Tablas Creek, Seghesio in the Russian River Valley, Mahoney Vineyards, Fleur Las Brisas and Saddleback in Carneros, Unti Vineyards in the Dry Creek Valley, Gros Ventre Cellars in El Dorado, Brick Barn in Santa Ynez, Twisted Oak in the Sierra Foothills and others began receiving acclaim for their bottlings.

Outside of California, notable plantings of Vermentino are in the Applegate Valley of Oregon (Troon Vineyard and Minimus Wines). You can also find it in the Texas High Plains (Duchman Family Winery) and Monticello AVA of Virginia (Barboursville Vineyards).

In 2017, Tablas Creek produced 1430 cases of Vermentino. While some producers age their Vermentino in neutral oak, Tablas Creek fermented and ages theirs in stainless steel tanks.

The Wine

Photo by David Adam Kess. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

The mix of citrus and yellow peach notes is very intriguing with this wine.

High-intensity nose. Very citrus-driven with kefir lime, pink grapefruit and pummelo–both the zest and the fruit. There is also a tree fruit element that seems a bit peachy. But I would put it more in the less sweet yellow peach category than white peach.

On the palate, those citrus notes carry through and have an almost pithy element to them. Not bitter at all. But it adds weight and texture to the medium body of the wine. The medium-plus acid is mouthwatering and lively but well balanced with the acid highlighting the yellow peach note. The palate also introduces some racy minerality with a very distinctive streak of salinity that lingers long throughout the finish.

The Verdict

The best way I can describe this 2017 Tablas Creek Vermentino is if a New Zealand Sauvignon blanc, a sur lie Muscadet from the Loire and an Italian Pinot grigio had a threesome. This would be their baby.

Such a fascinatingly unique and character-driven wine. It combines multiple layers of tropical and tree fruit with acidity, minerality, weight and texture. Well worth its $27 price.

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