Tag Archives: Wine Grapes

Getting Geeky with Otis Kenyon Roussanne

Going to need more than 60 Seconds to geek out about the 2013 Otis Kenyon Roussanne from Lawrence Vineyards in the Columbia Valley AVA.

The Background

Otis Kenyon was founded in 2004 by Steve Kenyon who still runs the winery today with his daughter, Muriel.

The winery’s name comes four generations of Otis Kenyons with the original John Otis Kenyon, a dentist by training, being a notorious figure in Walla Walla for burning down a competitor’s office when the later starting stealing half of Kenyon’s clients.

The labels of Otis Kenyon wines pay tribute to this family history in a playful manner with a silhouette of the original Otis Kenyon with singed edges as well as a red wine blend, Matchless, featuring an open matchbook on the label. The winery’s “business cards” are also matchbooks filled with actual matches.

Along with sourcing fruit from throughout the Columbia Valley, Otis Kenyon has an estate vineyard, Stellar Vineyard, located in the Rocks District of Milton-Freewater on the Oregon side of Walla Walla.

The wines are made by Dave Stephenson, who founded his eponymous Stephenson Cellars in 2001. Prior to working at Otis Kenyon, Stephenson started his career at Waterbrook and today consults for several boutique wineries.

Around 247 cases of the 2013 Otis Kenyon Roussanne were made.

The Vineyard

Sourced page https://docs.wixstatic.com/ugd/babe8d_812edf6fe37b403ebaa7687e2760dd66.pdf

Map showing the proposed Royal Slope AVA (in yellow) where Lawrence Vineyards are located. Prepared by Richard Rupp of Palouse Geospatial.

The Lawrence Vineyards are located on the Frenchman Hills of the Royal Slope of the Columbia Valley basin and includes six named sites–Corfu Crossing (first planted in 2003), Scarline (2003), La Reyna Blanca (2010), Laura Lee (2008), Solaksen (2013) and Thunderstone (2015). The Lawrence family also manages the nearby Boneyard Vineyard that includes five acres of Syrah. All the Lawrence Vineyards are sustainably farmed.

While managing 330+ acres of plantings the Lawrence family also own Gård Vintners which produces around 6000 cases a year sourced from their estate grown fruit and made by Aryn Morell. Together with Morell they also produce Morell-Lawrence Wines (M & L).

The Roussanne used by Otis Kenyon cames from 2007 plantings of the Tablas Creek clone in Corfu Crossing which sits on a south facing slope at an elevation that ranges from 1,365-1,675 ft. The soils here are a mixture of silt and sandy loam on a bedrock of fractured basalt.

Photo by  Peter Ellis. Uploaded to Wikimedia Commons under CC-BY-SA-2.5

Riesling sourced from Lawrence Vineyards has been used in some of the state’s most highly acclaimed Riesling wines.

In addition to Otis Kenyon, M & L and Gård, other wineries that source fruit from Lawrence includes Latta Wines, Southard Winery, Cairdeas, Armstrong Family, Matthews Winery, Pend d’Oreille as well as Chateau Ste. Michelle for their top-end Riesling Eroica.

Other varieties that the Lawrence Vineyards farm include Cabernet Franc, Cabernet Sauvignon, Grenache, Malbec, Merlot, Mouvedre, Pinot noir, Chardonnay, Pinot gris, Sauvignon blanc and Viognier.

The (future) AVA of the Royal Slope

The proposed Royal Slope AVA was formerly delineated and submitted for AVA approval in early 2017. It includes the south facing slopes around Royal City located between the established AVAS of the Ancient Lakes and Wahluke Slope. Within the AVA is a sub-region of the Frenchmen Hills. The lead petitioner for the AVA was geologist Alan Busacca, former professor at Washington State University and Walla Walla Community College who also wrote the successful petitions for the Wahluke Slope, Lake Chelan and Lewis-Clark Valley AVAs.

The topography can range from relatively gentle to fairly steeper slopes of up to 22 degrees in the Frenchmen Hills region. The soils are fairly uniformed in their mixture of sandy and silty loam river deposits covering layers of fractured basalt left over from a period of intense volcanic activity during the Miocene Epoch. These soils are very high in calcium carbonate which may contribute to the strong minerality that wines from the Royal Slope tend to exhibit.

Throughout the growing season the region sees heat units (growing degree days or GDD) ranging from 2700 GDD to over 3000 GDD making it one of the warmest wine regions in the state. However the areas bordering the Ancient Lakes AVA to the northeast can be considerably cooler.

Charles Smith’s highly acclaimed K Vintners Royal City Syrah is sourced from the Stoneridge Vineyard in the proposed Royal Slope AVA.

Elevations range from 900 feet to upwards of 1700 feet with the higher elevation sites seeing much more diurnal temperature variation from the daytime highs to very cool temperatures at night which maintains acidity and keeps the vine from shutting down due to heat stress.

The proposed AVA contains 156,389 acres of which around 1400 have already been planted. Other notable vineyards in this proposed AVA includes Novelty Hill Winery’s estate vineyard Stillwater Creek, Frenchmen Hills Vineyard and Stoneridge

The Grape

Jancis Robinson, Julia Harding and José Vouillamoz note in Wine Grapes that the first recorded documentation of Roussanne occurred in 1781 describing its use in the white wines of Hermitage. The name Roussanne is believed to be derived from the French term roux and could refer to the russet golden-red color of the grapes’ skins after veraison.

DNA analysis shows that there is a likely parent-offspring relationship with Marsanne but it is not yet known which variety is the parent and which is the offspring.

Photo by קרלוס הגדול. Uploaded to Wikimedia Commons under CC-BY-SA-4.0

The reddish bronze hue that Roussanne grapes get after veraison likely contributes to the grape’s name.


In the northern Rhône regions of St. Joseph, Hermitage and Crozes-Hermitage, Roussanne adds acidity, richness and minerality when paired with Marsanne. It can also be used in the sparkling Northern Rhone wines of St. Peray. As a varietal it can have a characteristic floral and herbal verbena tea note.

Unlike Marsanne and Viognier, Roussanne is a permitted white grape variety in the red and white wines of Châteauneuf-du-Pape where today it makes up around 6% of the commune’s plantings as the third most popular white grape behind Grenache blanc and Clairette.

From a low point of 54 ha (133 acres) in 1968 plantings of Roussanne steadily grew throughout the late 20th century to 1074 ha (2654 acres) by 2006. Outside of the Rhone, the grape can be found in the Savoie region where it is known as Bergeron and is the sole variety in the wines of Chignin-Bergeron. In the Languedoc-Roussillon it is often blended with Chardonnay, Bourboulenc and Vermentino as well as Grenache blanc and Marsanne.

Roussanne is a late-ripening variety that is very prone to powdery mildew, botrytis and shutting down from excessive heat stress towards the end of the growing season.

Even in ideal conditions, Roussanne can be a troublesome producer in the vineyard with uneven yields often caused by coulure (also known as “shattering”) when the embryonic grape clusters don’t properly pollinate during fruit set after flowering. A significant cause of this is poor management by the vine of its carbohydrate reserves which the vine begins storing for the next year after the harvest of the previous vintage. Other factors at play can include nutrient deficiencies in the soil–particularly of boron and zinc with the later often being exacerbated in high pH soils.

Photo by Mark Smith of  Stefano Lubiana Wines Granton Vineyard Tasmania. Uploaded to Wikimedia Commons under CC-BY-2.0

During fruit set (shown here with Merlot), flowers that weren’t pollinated will “shatter” and not develop into full berries. This creates uneven yields with clusters having a mix of fully formed and “shot” berries. Roussanne is particularly susceptible to this condition.

Other varieties that are similarly susceptible to coulure include Grenache, Malbec, Merlot, Muscat Ottonel and Gewürztraminer.

A Case of Mistaken Identity

Prior to phylloxera, Roussanne was relatively well-established in California in the 19th century with plantings in Napa, Sonoma and Santa Clara where it was often blended with Petite Sirah. However, following phylloxera and Prohibition in the 20th century, most all Roussanne vineyards were uprooted.

In the 1980s and early 1990s, producers in California began experimenting again with the variety. In 1994, Chuck Wagner of Caymus Vineyards in Napa purchased 6400 Roussanne vines for his Mer Soleil project. The vines he purchased came from Sonoma Grapevines owned by the Kunde family who originally sourced their cuttings from a vineyard owned by Randall Grahm of Bonny Doon (who did not know that Kunde was going to commercially propagate them). The Bonny Doon cuttings came from a visiting Châteauneuf-du-Pape winemaker.

Photo taken by self and uploaded to Wikimedia commons as user:Agne27 under  CC-BY-SA-3.0

Many plantings of Roussanne in California in the 1980s and 1990s turned out to be Viognier (pictured).

Four years later a visiting viticulturalist identified the plantings in the Mer Soleil vineyard not as Roussanne but rather as Viognier–an identification that was later confirmed by DNA testing at UC-Davis. The discovery unleashed a cascading effect of lawsuits and countersuits from various parties involved as well as a hunt for true Roussanne plantings in California.

Tablas Creek Winery in Paso Robles began importing their Roussanne cuttings directly from their sister-property, Château de Beaucastel, in Châteauneuf-du-Pape in 1989. Additionally, John Alban began sourcing authentic Roussanne cuttings in 1991 with nearly all of the 323 acres of Roussanne vines in California (as of 2017) now being descendant from the Tablas and Alban vines.

Roussanne in Washington

Paul Gregutt notes in Washington Wines and Wineries that Roussanne in Washington “… can taste like a real fruit salad mix, everything from apples, citrus and lime to peaches, honey and cream.”

The grape was pioneered in Washington by Doug McCrea, the state’s original Rhone Ranger, of McCrea Cellars and Cameron Fries of White Heron Cellars in the 1990s. While varietal examples can be found, the grape is mostly used as a blending component in Rhone-style blends with Grenache blanc, Viognier and Marsanne.

Along with Doug McCrea of McCrea Cellars, Cameron Fries of White Heron Cellars (pictured) helped pioneer Roussanne in Washington State.


By 2017, there were 71 acres of Roussanne planted in Washington.

In addition to the plantings of Lawrence Vineyard, there are notable acreages of Roussanne on Red Mountain at Ciel du Cheval Vineyard, Stillwater Creek, Boushey Vineyard in the Yakima Valley and at Alder Ridge, Destiny Ridge and Wallula Vineyard in the Horse Heaven Hills.

The Wine

Medium intensity nose–tree fruits like spiced pear and apricot with a citrus grassy component that could be verbena.

On the palate the wine is very full-bodied and weighty with almost an oily texture. The spiced pear notes definitely come through with that herbal citrus tinge. Medium-plus acidity is still giving the wine freshness and balancing the weight. The moderate length finish ends on the pear and herbal notes.

The Verdict

I’m usually skeptical about how well many domestic white wines age but this 2013 Otis Kenyon Roussanne is holding on quite well for a 4+ year old white. The acidity seems to be the key and is a helpful balance to the full-bodied fruit.

The big weight and texture of this wine is reminiscent of a lightly oak Chardonnay with no malolactic and would serve as a good change of a pace for not only a Chardonnay drinker but also a red wine fan who is craving something very food friendly to go with heavier cream sauces, pork and poultry dishes.

At $25-30, this wine offers a fair amount of complexity and is definitely worth trying.

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Getting Geeky with Robert Ramsay Mourvèdre

We’re back after a vacation to take the nieces and nephew to the happiest place on Earth. Unfortunately, we didn’t get a chance to play the Somm Game in between rounds of chocolate milk, lemonade and Sprit soda. Though absence does make the heart grow founder. And boy, am I ready to get back into the world of grown-up beverages!

So let’s continue our celebration of Washington Wine Month by taking more than 60 Seconds to geek out about the 2010 Robert Ramsay Mourvèdre from McKinley Springs Vineyard in the Horse Heaven Hills.

Full disclosure: During the 2012 vintage, when this 2010 Mourvèdre was just released, I did an internship at Robert Ramsay Cellars. Here I worked under the mentorship of Kristin Scheelar who was head winemaker at the time.

The Background

Robert Ramsay Cellars was founded in 2005 as a specialist in Rhone-style wines by winemaker Bob Harris. The winery’s name is a combination of Harris’ full name “Robert” with the last name of his great-uncle Mason Ramsay who helped raised Harris’ father when his grandfather was working overseas.

Before starting his winery, Harris served as winemaker for Coeur d’Alene Cellars and was mentored by Kristina Mielke-van Löben Sels of Arbor Crest, Nicolas Quille of Pacific Rim, Chuck Reininger of Reininger Winery and Ron Coleman of Tamarack Cellars.

Inspired by the great wines of Côte Rôtie, Harris’ first vintage was 125 cases of Syrah. A tasting room in Woodinville was opened in 2009. By 2014 the winery was making over 3000 cases. Among the notable vineyards that the winery was sourcing from include Red Heaven on Red Mountain, Phinny Hill and Mckinley Springs in Horse Heaven Hills, Dineen Vineyard in Yakima Valley and Upland Vineyard on Snipes Mountain.

Kristin Scheelar

In 2010, Harris hired Kristin Scheelar, a 2009 graduate of the Wine Production program of the Northwest Wine Academy (NWA) at South Seattle College. Prior to joining Robert Ramsay, Scheelar served as a harvest intern for Patterson Cellars under the tutelage of John Patterson.

My wife Beth also did an internship working with Kristin at Robert Ramsay. Here she is doing punch downs during the 2012 harvest on some Dineen Syrah.

Scheelar would stay at Robert Ramsay for four years, leaving just before the 2014 harvest to join Goose Ridge winery as an assistant winemaker. During her time at Robert Ramsay, she was an influential mentor to many female winemakers in the Woodinville wine scene including Lisa Packer of Warr-King Wines and her successor at Robert Ramsay, Casey Cobble–another NWA graduate.

Along with Packer, Cobble and Hillary Sjolund of Sonoris Cellars, Scheelar is a founding member of the Sisters of the Vinifera Revolution which aims to promote women in the wine industry. Through the years the organization has grown to include several wineries owned and headed by women winemakers including Lisa Swei of Three of Cups Winery, Pam Adkins of Adrice Wines, Lisa Callan of Callan Cellars, Mari Womack of Damsel Cellars, Toby Turlay of Ducleaux Cellars, Jody Elsom of Elsom Cellars and Kasia Kim of Kasia Winery.

Winemaking is messy work. This is me after working the sorting table near the destemmer at Robert Ramsay.

Today Kristin Scheelar is currently an assistant winemaker with Gallo at Columbia Winery.

The Vineyard

McKinley Springs Vineyard was first planted in 1980 by Robert Andrews in the Horse Heaven Hills AVA. Located at an elevation of around 1000 feet, the sandy loam soils over broken basalt of the vineyard are noted for producing early ripening fruit that create well-structured wines with intense aromatics.

Today the vineyard covers more than 2800 acres with over 20 different varieties of grapes planted including Cabernet Sauvignon, Merlot, Cabernet Franc, Chenin blanc, Viognier, Malbec, Syrah, Petit Verdot, Cinsault, Roussanne, Counoise and Mourvèdre. Along with their Mourvèdre bottling, Robert Ramsay produces a varietal Cinsault and Syrah from McKinley Springs and uses some of the vineyard’s fruit for their Châteauneuf-du-Pape style blend Le Mien and Bandol-style Par La Mer wine.

In addition to Robert Ramsay, several wineries source fruit from McKinley Springs including Thurston Wolfe, Domaine Pouillon, Forsyth Brio, Maryhill Winery, Cor Cellars, Coeur d’Alene Cellars, Mercer Estates, Hestia, Robert Karl, Bunnell Family Cellars and Syncline.

In 2002, the Andrews and Roswell families of McKinley Springs established a winery that focuses on their estate fruit.

The Grape

In their book Wine Grapes, Jancis Robinson, Julia Harding and José Vouillamoz note that Mourvèdre origins are likely Spanish with the first written account of the grape variety being under the synonym Monastrell in a 14th century document by Catalan writer Francesc Eiximenis.

The name Monastrell is derived from the Latin monasteriellu, meaning monastery. It is likely that the grape was first propagated by the Church.

Photo taken by self and uploaded to wikimedia commons as user:Agne27 under CC-BY-SA-3.0

Mourvèdre grapes from the Columbia Valley of Washington

By 1460, the Valèncian doctor Jaume Roig noted that Monastrell was the most widely planted grape in València–particularly in the region of Camp de Morvedre where the synonym Mourvèdre emerged from. Another common synonym, Mataro, likely comes from town of Mataró in the province of Barcelona. Located north of València, it would have been along the grape’s likely route out of Spain into Southern France.

Today, Mourvèdre/Monastrell is the 5th most widely planted grape in Spain with over 150,000 acres. It’s only behind Airén, Tempranillo, Bobal and Garnacha in acreage. Most of these plantings can be found in the València, Murcia and Castilla-La Mancha regions. It is the primary red wine grape in the DOs of Jumilla, Alicante, Almansa, Valencia and Yecla.

In France, plantings of Mourvèdre rose sharply in the late 20th century. It went from around 517 ha (1,278 acres) in the 1950s to 9,363 ha (23,136 acres) by 2009. It is most commonly found in the Languedoc-Roussillon, Provence and Southern Rhone regions. In Provence, it is the primary grape of Bandol. Here it must make up 50-95% of the blend along with Grenache, Carignan, Cinsault and Syrah.

Mourvèdre in Châteauneuf-du-Pape

Harry Karis notes in The Châteauneuf-du-Pape Wine Book that today Mourvèdre accounts for around 6.6% of all grape plantings in Châteauneuf-du-Pape. Historically, the grape was known as Estrangle-Chien (“dog strangler”) due to its harsh tannins and high acidity. This thick-skinned grape thrives on warm, south-facing slopes that receive plenty of heat. This allows the vine to fully ripen the tannins and metabolize some of the hard malic acid.

photo taken by self and uploaded to wikimedia commons as user:agne27 under CC-BY-SA-3.0

Mourvèdre sample and a saignee rosé sample taken after 24 hours of skin contact. The thick skins of Mourvèdre contain lots of anthocyanins that contribute deep color to blends.

However, Mourvèdre is also very susceptible to drought conditions.  Karis notes that water-retaining clay soils and drought-resistance rootstock like 41B and 110R are ideal for the variety.

In the traditional Châteauneuf-du-Pape blend, Mourvèdre contributes structure via its high acid and tannins. It also provides ample alcohol and color. In the winery, winemakers have to balance the reductive nature of Mourvèdre with the very oxidation-prone Grenache.  To do this you need to ensure that Mourvèdre has plenty of oxygen during fermentation and élevage. Meanwhille, Grenache needs to be kept more anaerobically protected.

Varietal Mourvèdre wines are known for having meaty and spicy (particularly tobacco spice and clove) characters. They often have ample dark fruit flavors that can age into tertiary aromas of game and leather.

Mourvèdre in Washington State

photo taken by self and uploaded to wikimedia commons as user:agne27 under CC-BY-SA-3.0

The original block of Mourvèdre/Mataro planted in 1993 in Red Willow Vineyard in the Yakima Valley of Washington.

In Washington Wines and Wineries: The Essential Guide, Paul Gregutt notes that the first plantings of Mourvèdre in Washington was by Mike Sauer in 1993 at Red Willow Vineyard in the Yakima Valley.

By 2017 there were 126 acres of the grape planted in the state where it is used as a component in both Rhone-style blends and as a varietal wine.

Vineyards with notable plantings of Mourvèdre beyond McKinley Springs and Red Willow include Ciel du Cheval on Red Mountain, Alder Ridge, Coyote Canyon and Destiny Ridge in the Horse Heaven Hills, Elephant Mountain in the Yakima Valley and Northridge Vineyard in the Wahluke Slope.

Gregutt describes the style of Washington Mourvèdre as “…medium-bodied, lightly spicy with pretty cherry-flavored fruit and occasionally a distinctive, gravelly minerality.”

The Wine

The 2010 Robert Ramsay Mourvèdre from McKinley Springs has medium-plus intensity aromatics. Very much in the spicy and earthy category. There are some slight red fruit notes in the red currant and raspberry range. But they are very much overshadowed by the black pepper spice and forest-floor earthiness.

On the palate, the pepper spice is still the dominant note. The medium-plus acidity gives juiciness to the red fruit flavors and keeps them hanging around. The medium-plus tannins are very present. However, they have a soft, velvety-ness to them now that holds up the full-bodied weight of the wine. The finish unfortunately fades fairly quickly. It does bring back, albeit for a short moment, some of those savory earthy notes from the nose.

The Verdict

At nearly 8 years of age, this 2010 Mourvèdre is still delivering ample pleasure in the $30-35 range. But I suspect its peak may have been 2 to 3 years earlier.

There is definitely a good amount of complexity and balance. However, there is also the sense that the wine is on the wane with the short finish and fading flavors. Still this wine is in a good spot for those who crave more savory and tertiary-driven flavors in their wines. The wine will shine with a food pairings that compliments its spicy and earthy notes.  I can see it going particularly well with roasted lamb or a savory mushroom dish.

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Getting Geeky with Rubus Barossa Shiraz

Going to need more than 60 Seconds to geek out about the 2014 Rubus Shiraz from the Barossa.

The Background

Rubus is a negociant label of the importing firm Kysela Pere et Fils that was founded by Master Sommelier Fran Kysela.

Prior to earning his MS in 1989 and starting his firm in 1994, Kysela previously worked for California wineries Fetzer and Gallo as well as importers Kermit Lynch and Weygandt-Metzler. In his more than 40 years in the wine business, Fran Kysela has earned numerous awards including 2013 Importer of the Year from Wine Enthusiast magazine.

His wine import portfolio represents over 200 producers, including notable wineries such as Abeja, Accordini Igino, Alain Jaume, Avennia, Bressia, Bonny Doon, Buty, Betz, Chakana, Cholila Ranch, Clos de Sixte, Domaine Mordoree, Finca Sobreno, Gravas, Hahn, Jip Jip Rocks, La Petite Frog, Levendi, Long Shadows, Loring, Maipe, Marcassin, Mas Sinen, Maysara, Milton Park, Montebuena, Mt. Monster, Pago de Carraovejas, Palacio de Bornos, Paradigm, Patton Valley, Poggio Nardone, Quilceda Creek, Rebuli, Reverdy, Rinaldi, Segries, St. James Winery, Tamarack, Thorn Clarke, Tiza, Tres Ojos, Valminor and Vinsacro among many others.

The first wine released under the Rubus label was in 1997 with 1200 cases of an Amador County Zinfandel. Since then the brand has expanded to include Cabernet Sauvignon from Napa Valley, Chardonnay from Colchagua Valley in Chile, Pinot noir from the Waipara Valley in New Zealand, Prieto Picudo from Tierra de León in Spain, a Grenache-based Vin Gris from Corbières in the Languedoc-Roussillon region of France as well as a Shiraz from the Barossa of South Australia.

All the wines bottled under the Rubus label are personally selected by Fran Kysela.

Photo by davitydave. Uploaded to Wikimedia Commons under CC-BY-2.0

While the oak used for the Rubus Shiraz was entirely American, for half the barrels the staves were sent to France to be seasoned (air dried) and coopered in the French style.

The 2014 Rubus Shiraz was only the third release of a Shiraz from Kysela. A co-ferment of 98% Shiraz with 2% Viognier, the wine was aged 12 months in 100% American oak with half the barrels being seasoned and coopered in France. Around 2,000 cases were produced.

Instead of being labeled as the Geographical Indication (GI) of Barossa Valley, the 2014 Rubus is labeled as being from simply “Barossa” which Mike Desimone and Jeff Jenssen note in Wines of the Southern Hemisphere: The Complete Guide means that fruit from neighboring Eden Valley could have been blended in. Conversely, if a wine is labeled as being from the “Barossa Valley” then only 100% Barossa Valley fruit could be used.

The Origins of Syrah

In Jancis Robinson’s Wine Grapes, co-authored by Julia Harding and José Vouillamoz, it is noted that the origins of Syrah have been proven to be distinctly French despite myths attributing its origins to the Persian city of Shiraz in modern-day Iran.

Map from Rhône-Alpes map.png on Wikimedia Commons created by Utilisateur:Rinaldum. Derivations done by self and uploaded to Wikimedia Commons under CC-BY-SA-3.0

With Mondeuse Blanche native to the Savoie region (#4) and Dureza originating from the Ardèche (#1), it is likely that the cross-pollination that created Syrah happened somewhere in the Isère (#3) where Dureza is known to have reached.
The Drôme department (#2) includes the Northern Rhone wine region of Hermitage where there are written accounts of Syrah being grown here by at least the 1780s.

DNA analysis conducted in 1998 by Dr. Carole Meredith and others at UC-Davis have shown the parents of Syrah to be the Savoie wine grape Mondeuse blanche and the Ardèche variety Dureza. Both grapes were at one time cultivated in the department of Isère, southeast of Lyon, in the Auvergne-Rhône-Alpes region with ampelographers speculating that this was the likely area that Syrah originated in.

Further research by José Vouillamoz has shown a potential parent-offspring relationship between Syrah’s parent Dureza and the Pinot grape meaning that potentially Pinot noir could be a grandparent variety to Syrah.

Additional research into the origins of Viognier has shown a parent-offspring relationship with Syrah’s other parent, Mondeuse blanche, and Viognier though it is not yet clear which variety is the parent and which is the offspring–partly because the other potential parent of Viognier hasn’t been identified yet. This means that Viognier could be either a half-sibling or a grandparent to Syrah.

Aussie Shiraz vs French Syrah

Syrah was first brought to Australia in 1832 by viticulturalist and “father of Australian wine” James Busby as part of a collection of 75 different grapevine varieties from Europe. Known initially as Hermitage and then Scyras it was first planted in New South Wales before spreading westward.

Today it is the most widely planted variety in Australia, accounting for around 45% of the yearly harvest. It is planted across the country with the Barossa Valley known for having some of the oldest vineyards of Shiraz in the world–including many pre-phylloxera plantings on their own rootstock.

Photo by Louis Roving. Uploaded to Wikimedia Commons under CC-BY-2.0

The Barossa Valley

Among these old vine Shiraz plantings include Langmeil’s 1843 vineyard in Tanunda and Turkey Flat’s 1847 parcel planted by Johann August Frederick Fiedler. In neighboring Eden Valley, Henschke’s Hill of Grace has Shiraz plantings dating back to the 1860s.

Pioneered by German Lutheran settlers from Prussia and Silesia (in modern-day Poland), the Barossa Valley is home to numerous 6th generation family wine growers. Often traditionally aged in American oak, the style of Shiraz here is characterized by James Halliday in his Wine Atlas of Australia as “…lush, velvety and mouthfilling with flavors in the black cherry to blackberry spectrum, the tannins ripe and soft.”

The soils in the Barossa are mostly sandy and clay loam which will have varying water-retaining abilities in the hot Australian sun depending on the percentage and type of clay. This tends to produce concentrated wines with lower acidity and higher pH that contributes to the powerful and lush dark fruit typical of Aussie Shiraz.

In contrast, the mainly granite and schist-based soils of the Northern Rhone (particularly in Côte-Rôtie) produces wines that John Livingstone-Learmonth notes in The Wines of the Northern Rhône tend to be “… less intensely coloured–red rather than black–and much more sinewed. Their fruit is more stone and pebbly in texture, their tannins more upright and raw at the outset. Pepper tones are drier and more evident…”

The Wine

Medium-plus intensity. Noticeable oak with coconut and cinnamon. Certainly dark fruit like black cherries but there also seems to be some faint red fruit like red plums on the edges. Red flowers like dahlias add some intrigue.

Photo by Dinkum. Uploaded to Wikimedia Commons under CC-Zero

While the oak and dark fruits certainly play a prominent role in this wine, I was very intrigued by some of the layers of potential complexity suggested by the red floral notes like dahlias on the nose.

On the palate the oak is still quite pronounced with creamy vanilla mouthfeel and dark chocolate joining the party. However, medium-plus acidity does add enough freshness and a mouthwatering component to keep this from being jammy. The ripe medium-plus tannins are soft but well structured holding up the full-bodied fruit. On the moderate-length finish there is a subtle herbal note (maybe eucalyptus) that isn’t quite defined but does add some complexity.

The Verdict

Overall, I wouldn’t describe this as a stereotypical “Big, bombastic Aussie Shiraz” that seems to dominant the shelves of the American market. No one would ever confuse this for something from Mollydooker or Glaetzer.

While definitely oaky and fruit-forward, this is a little more in the Penfolds style with an element of elegance and additional layers that I suspect could become even more complex with a few more years of bottle age. With its juicy acidity and structured tannins, I can easily see this going another 3 to 4 years in delivering ample pleasure.

At $20-25, this is a well-made Shiraz that would certainly appeal to many New World drinkers who like their wines fruity and ripe but not sweet or jammy.

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Hey Mama, Hey Mama, Hey Mamamango

While the history of the Muscat family of grapes dates back thousands of years, wine drinkers can be forgiven for thinking of “Moscato” as a relatively new wine.

With over 200 members, Jancis Robinson and her co-authors note in Wine Grapes that the Persians and ancient Egyptians may have been cultivating some Muscat varieties as early as 3000 BC.

Ancient Moscato

Greek and Roman writers like Pliny the Elder and Columella described vines (Anathelicon Moschaton and Apianae) that could’ve been Muscat. The authors noted that the grapes would attract bees (apis) to the vineyard. According to legend, Cleopatra’s favorite wine was the Muscat of Alexandria grape variety from Greece.

Muscat Blanc à Petits Grains is likely the oldest variety of Muscat. Over the course of the Middle Ages it spread from the Greek islands throughout Europe. Here it picked up numerous synonyms such as Muscatel (Spain), Muscateller (Germany), Sárga Muskotály (Hungary) and Moscato Bianco (Italy). In the New World, Muscat was responsible for the legendary 18th and 19th century dessert wines of Constantia in South Africa. Italian immigrants brought Muscat Canelli from Piedmont to the United States sometime in the 19th century.

Yet despite this long history, not many people outside of the cafes of Europe paid much attention to the variety until the early 21st century when rappers and hip-hop artists embraced the sweet, easy drinking style of low alcohol Moscato. By 2017, more than 27 million bottles of Moscato were being cranked out of Italy with 80% of it sent to the United States to be consumed by mostly millennial wine drinkers.

In the US, growers rushed to increase their own plantings of Muscat Canelli/Moscato to compete with the Italian wave as new brands constantly hit the market.

What’s old was new again.

Oh but could Cleopatra have ever imagined anything like Mamamango?

The Geekery

Photo by Megan Mallen. Uploaded to Wikimedia Commons under CC-BY-2.0

Mamamango is made up of 95% Moscato Bianco grapes.

Made by Arione Vini, Mamamango is a non-vintage blend of 95% Moscato Bianco grapes sourced from the communes of Castiglione Tinella in the province of Cuneo and Canelli in the province of Asti in the Piedmont region of northwest Italy. However, the wine does not qualify for any DOC or DOCG designation like other Moscato wines because of the addition of 5% mango puree of unknown origin.

For fruit-based wines like Sangria from Spain and Portugal, European laws mandate that both the wine and fruit additives must be from the same country of origin. However, the laws are not clear if other “aromatized wine-based drinks” like Mamamango need to follow the same guidelines. Mangoes do grow in Sicily and southern Italy, but most European mangoes are sourced from Spain. Unfortunately the Mamamango website is very vague on details–in contrast to Canella which makes a Bellini sparkling cocktail from peach juice that they note is source from the Veneto and Romagna.

At around 65 grams of sugar per bottle, it certainly has a fair amount of sweetness and calories though it is only 6% alcohol. However, from the mango puree, one 5oz serving will give you nearly a third of your daily vitamin C requirements.

A little fizzy but not vegan-friendly

According to the website Barnivore, Mamamango uses animal based gelatins in the winemaking as a filtering agent to make the wine stable so Mamamango is not “vegan-friendly”.

Instead of a cork with a cage used in high pressure spumante-style sparkling wines like Cava, Prosecco and Champagne, the frizzante-style Mamamango is sealed with twist off closure.

Like many Moscatos, the wine is lightly sparkling in a frizzante-style and while, again, Arione is vague on details it is likely the wine is produced via tank fermentation with the natural carbon dioxide produced during the wine’s brief fermentation being trapped and bottled with the wine.

More fully sparkling spumante-style wines like Prosecco will have over 3 atmospheres of pressure. This a little more than a typical car tire. In Champagne, the wines can get up to 5-6 atmospheres. But frizzante wines like Mamamango will have only slight effervesce and pressure in the 1 to 2 atmosphere range.

The Wine

Mid-intensity nose. It really does smell like mangoes but you’ll hard pressed to pick up anything else. Maybe a smidgen of pineapple around the edges.

The strong mango notes carry through to the palate. The mouthfeel is smooth and creamy and surprisingly well-balanced. With more sugar than doux Champagne (and far less bubbles and carbonic acid to balance), I was expecting this to be more noticeably sweeter. Tasting the wine brings a tangy tickle on the tip of the tongue that suggest acidification. The winemaker probably needed to use a fair amount of tartaric acid to offset all that sugar.

The short finish ends on the mango fruitiness.

The Verdict

Photo by Midori. Released on Wikimedia Commons under CC-BY-SA-3.0-migrated.

You could probably make at least 6 bottles worth of Mamamango with this cup of mango juice.

I try my best to approach new wine trends (like aging wine in whiskey barrels or blending with cold brew coffee) with an open mind but I must confess that I was expecting Mamamango to be sickly sweet.

But it honestly wasn’t that bad. While it’s not something that I would drink at home, I could enjoy a glass at a restaurant for brunch. It struck me essentially as a hipster’s mimosa–or at least the ready made “Hamburger Helper” version of one. It obviously needed a fair amount of manipulation and tweaking in the winery to get the recipe right. No one should buy this wine expecting a natural product.

Though tasting this wine made me wonder—why not make your own Mamamango?  All you would need is fresh mangoes or even mango puree that you can get from the store.

Compared to a bottle of Mamamango costing around $12-14, you can could buy a 15 oz bottle of Naked Juice Mighty Mango for around $3 and have enough mango goodness to make 12 bottles worth of Mamamango.

Put a quarter oz splash of the mango juice in the bottom of your glass. Then pour your favorite sparkler–Moscato, Prosecco, Cava–over it and boom! Homemade Mamamango that is fresher, cheaper, better tasting and with a heck of a lot less sugar and additives.

Now that is something that Cleopatra would’ve Instagram’d.

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Wine Geek Notes 5/9/18 — New Wine Books to Geek Out Over

Photo by Varaine. Released on Wikimedia Commons under CC-BY-SA-4.0Summer’s coming which for me brings visions of lounging in the sun with a nice glass of rosé and something geeky to read.

As I get my summer reading list in order, here are a few new wine books that are being released in May and June.

Rosé Cocktails: 40 deliciously different pink-wine based drinks by Julia Charles. Released May 8th.

Speaking of rosé, I must admit that I shudder at thought of “frosé” with its syrupy sweet slushie take on the Provençal classic. Soda-pop wine cocktails have never been my thing. But my curiosity is piqued at what talented bartenders can do crafting serious wine-based cocktail recipes. The popularity of Sherry cocktails has helped sparked new life and interest in the phenomenal wines of Jerez–taking Sherries out of your grandmother’s decanter and turning them into Adonis.

I fret that with the flood of really crappy rosés on the market, we may need to hit rock-bottom first with our brosé, frosé, 40 oz bottles and gummy bears before we’ll get a “renaissance” of taking rosé seriously again. Judging from the book’s description, Rosé Cocktails may not be a rudder steering us towards that seriousness (compared to say Jennifer Simonetti-Bryan’s Rosé Wine and Elizabeth Gabay’s Rosé: Understanding the pink wine revolution which have thankfully less liberal mentionings of “frosé”) but I’m hopeful that Charles’ book will at least offer the bros 39 other options apart from turning their rosés into wannabe frozen margaritas.

A Short History of Drunkenness: How, Why, Where, and When Humankind Has Gotten Merry from the Stone Age to the Present by Mark Forsyth. Released May 8th.

Considering this is written by the same guy (The Inky Fool) who wrote the uber-geeky The Etymologicon: A Circular Stroll Through the Hidden Connections of the English Language, I have a feeling that there will be a lot of fun word play and nerdy trivia in this 286 page “short history”.

Photo by self. Uploaded to Wikimedia Commons as User:Agne27 under CC-BY-SA-3.0

Frankly a couple glasses of Madiera puts me in the mood more to cuddle with dogs than anything else.


In fact, I would LOVE to see a book focusing on the etymology of grape names and wine words. You can find bits and pieces of things in various books (like Jancis Robinson’s Wine Grapes) but even that doesn’t go quite into detail about things like how did the Esgana Cão (Sercial) grape of Madeira and Bucelas DOC get the name “dog strangler”?

Wine Grapes suggests that it was because of the grape’s “fiery acidity” but that makes more sense as an explanation for the Friuli red grape Tazzelenghe (tongue cutter) than it does for “dog strangling”. Then you have Mourvedre which has a similar synonym “Estrangle Chien” that is instead attributed to the grape’s high tannins and tough skins.

I’m not expecting A Short History of Drunkenness to clear any of that up but mostly I’m just excited by Forsyth’s foray into the world of wine and hopeful that he’ll keep applying his sharp wit and geeky gifts to more vinous volumes.

Tasting the Past: The Science of Flavor and the Search for the Origins of Wine by Kevin Begos. Release date June 12th.

Wine wasn’t necessarily “invented” but its ancient origins and how civilizations accidentally discovered it, time and time again, is a fascinating topic. Two must-reads for those wanting to geek out about wine’s origins are Patrick McGovern’s Ancient Wine: The Search for the Origins of Viniculture and Hugh Johnson’s Vintage: The Story of Wine.

From the book’s description, it looks like Tasting the Past is going to focus on Begos’ personal journey through the modern remnants of ancient wine cultures in the Mediterranean, Middle East, Caucasus and the Americas–probably intermingling with historical details of wine origins in those places. That is an interesting approach that will be different from McGovern and Johnson’s work or even Paul Lukacs’ 2007 book Inventing Wine: A New History of One of the World’s Most Ancient Pleasures.

I’m particularly intrigued by Tasting the Past’s promise to explore “distinctive wines from a new generation of local grapes” which suggests plenty of geeky fodder involving unique grape varieties and characterful wines that depart from the “same ole, same ole”.

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Cinsault — The Black Prince of South Africa

As promised in my summary post about the 2018 Hospice du Rhône Weekend, I’ll tackle some of my favorite moments from the event beginning with the first seminar on Friday — South Africa’s Cinsault Renaissance.

I’m hard-pressed to narrow down which of the four seminars were my absolute favorite. However, this seminar was, by far, my most eye-opening.

In my Quick Take on Day 1, I commented on how neither Cinsault nor South Africa tends to be on the radar of most U.S. consumers. The trade organization WOSA (Wines of South Africa) reported in 2016 that the U.S. receives only 3% of the wine exported from South Africa. In 2014, when U.S. sales of wine (both domestic and exported) were around 370 million cases, wines from South Africa accounted for less than 0.33% of those sales.

But after attending this seminar moderated by Lauren Buzzeo of Wine Enthusiast and reading about my friend Adrienne’s adventures drinking South African wines in Nambia, it’s clear that South Africa is worth paying attention to. One thing that is not to be missed is the country’s treasure trove of old vine Cinsault.

This Hospice du Rhône seminar featured 9 Cinsault and Cinsault-dominant blends from 7 producers with winemakers Tremayne Smith (The Blacksmith Wines), Andrea Mullineux (Mullineux & Leeu Family Wines), Danie Steytler (Kaapzicht Wine Estate) and Ryan Mostert (Silwervis) on the panel.

I will get into my tasting notes on the individual wines in a moment but first some geeking about Cinsault.

Cinsault: The Mediterranean “Pinot noir”?

Jancis Robinson notes in Wine Grapes that the earliest recorded mention of Cinsault was under the synonym ‘Marroquin’ in 1600 by the French writer Olivier de Serres. The modern spelling ‘Cinsault’ emerged in the 1880s. It was likely a derivative of ‘Sinsâou’ which was used in the Mediterranean Hérault department as early as 1829.

The seminar’s Badenhorst Ramnasgras Cinsault from Swartland was fantastic.

DNA analysis suggests this area is the probable birthplace of Cinsault due to its close genetic relationship to the Piquepoul varieties and the potential parent-offspring relationship with Rivairenc (Aspiran), the ancient Languedoc grape.

Today some of the oldest vines of Cinsault in the Languedoc date back to 1900. Cinsault suffered the same post-WW II image problem here it did in South Africa. However, it’s now benefiting from renewed interest with even acclaimed Burgundian producers like Anne Gros (of the notable Vosne-Romanée family) and her husband Jean-Paul Tollot tending to 50+-year-old vines in Minervois.

Outside of France, the grape is grown in the Puglia region of Italy. Here it is known as Ottavianello and must make up a minimum of 85% of the red blends in the Ostuni DOC. In Morocco, it is the most widely planted grape variety. But this is mainly because Cinsault is also a popular table grape.

Chateau Musar has long championed the grape variety in Lebanon, frequently blending it with Cabernet Sauvignon and Syrah.

In Washington State, Paul Gregutt describes wines made from Cinsault as like a “good Beaujolais”. He notes in Washington Wines that vineyards in Walla Walla, such as Morrison Lane and Minnick Vineyards, are growing the variety as well as in the Horse Heaven Hills at Alder Ridge.

Cinsault in South Africa

Tim James in Wines of the New South Africa, notes that Cinsault was introduced to South Africa in the 1880s and quickly became a widespread planting. By 1909, it was the most widely planted red grape variety and third most popular grape after Greengrape (Semillon) and Muscat.

Formerly known as “Hermitage” until the mid-1930s, Cinsault would eventually account for as much as a third of all vineyard plantings in South Africa.  It was used to make everything from dry reds, sweet fortified wines and even brandy. The rise in popularity of Chenin blanc and Cabernet Sauvignon after World War II would eventually signal the grape’s decline. However, even as its popularity wane Cinsault was still frequently used as a blending grape to add perfume and acidity to some of the country’s top Cabernet Sauvignon.

By 2008, Cinsault accounted for around a tenth of all vineyards in South Africa with notable plantings in Paarl, Breedekloof and the ward of Malmesbury in Swartland.

Roughly translated to “The Black Land,” referring to the renosterbos (“rhino bush”) shrubs that dot the landscape, it is somewhat poetic that old vine vineyards of the Black Prince in Swartland would be the source of some of the most delicious Cinsault at the seminar.

Seminar Wines

Most of these wines are limited releases and hard to find in the United States. But they are well worth the hunt if you can get them.

Color of The Blacksmith Barebones. Note how you can read through the core to see the text underneath.

2017 The Blacksmith Barebones, W.O. Paarl (Wine Searcher Average $24)

Medium intensity nose with black cherry and fresh uncured tobacco.

On the palate, those black cherry notes come through and are quite juicy with medium-plus acidity. Medium tannins and medium body contribute to the “Beaujolais” quality. Very pleasant and enjoyable with a moderate finish.

2017 The Blacksmith Prince of Bones, W.O. Swartland (No W.S. listing. At the seminar, Lauren Buzzeo priced it at $45)

Medium-plus intensity nose with lots of blue floral notes to go with the black cherry and tobacco notes exhibited by the Barebones.

On the palate, those fresh uncured tobacco notes from the nose change to more cured tobacco spice–not that dissimilar from Bordeaux wines. Medium-plus acidity maintains the juiciness of the cherry fruit with medium-plus tannins contributing to the medium-plus body of the wine. Long finish ends on the spicy note and mouthwatering fruit. Outstanding wine and probably my favorite of the tasting.

2017 Sadie Family Pofadder, W.O. Swartland (W.S. Average for 2016 vintage $42)

Medium-minus intensity nose. Light raspberry and some herbal notes. With some air, a slight watermelon note (both flesh and rind) comes out, which is intriguing.

On the palate, the fruit flavors are similarly light. High acidity and chalky medium-plus tannins contribute to a thin and skeletal feel of the wine. The very short finish brings an earthy element that is hard to make out.

2017 Craven Wines Cinsault, W.O. Stellenbosch (W.S. Average $14 but I’m skeptical as Buzzeo listed the price at $55)

Medium intensity nose with red cherry, rose petals and fresh forest earthiness.

On the palate, the earthy element becomes a little more herbal but also brings a savory black pepper spice note. High acidity and medium-plus tannins are balanced a bit better with the fruit than the Sadie Pofadder, so the wine feels more firm and structured rather than thin and skeletal. It seems young but promising.

2016 A.A. Badenhorst Cinsault Ramnasgras, W.O. Swartland (W.S. Average $38)

Medium-plus intensity with black cherry notes and lots of spice and meatiness. A mix of Burgundian and Rhone notes on the nose that had my mouth watering before even taking a sip.

On the palate, the cherry and spice carry through as the mouthwatering continued with medium-plus acidity. High tannins hold up the full-bodied fruit of the wine well and contribute to this wine feeling like a meal in itself. Another favorite.

2016 Kaapzicht Cinsault 1952, W.O. Stellenbosch (NO WS listing though one merchant offering it for $31)

Medium intensity nose with an intriguing mix of cherry pie spices and leather.

The Kaapzicht 1952. Note how much darker this wine is in the core.

On the palate, those cherry pie notes come through with a toasty graham cracker crust character as well. Juicy medium-plus and ripe medium-plus tannins give the wine great structure and mouthfeel. The long finish keeps with the cherry pie note as some cured tobacco spices joined the party. Very delicious.

2015 Kaapzicht Cinsault Skuinberg, W.O. Stellenbosch (NO WS listing though one merchant offering it for $79)

Medium-minus intensity nose. A mix of minty menthol and coffee espresso with some undefined red fruits.

On the palate, the red fruits become more defined as cherry and raspberry, but the menthol and espresso dominant. Like the 1952, the medium-plus acidity and tannins give the wine exceptional balance and structure. I just don’t know if I’m a fan of this flavor profile as much.

2015 Leeu Passant Old Vine Cinsault, W.O. Franschhoek (NO WS listing though one merchant offering it for $103)

Medium-plus intensity nose with black raspberry and blackberry notes. There is also a minty element here, but it smells more like fresh mint leaves rather than menthol.

The black fruits carry through on the palate with the minty notes being more subdued. In their place, some of that Bordeaux-style tobacco spice emerges, which gives the wine a savory element with the medium-plus acidity. Medium-plus tannins balance out the full-bodied weight of the fruit. Long finish lingers on the spice. Really well-made wine.

2015 Silwervis Cinsault, W.O. Swartland (W.S. Average $26 but I’m skeptical as Buzzeo listed the price at $50)

Medium intensity nose with coffee and cherry notes. With some air, a little floral mint and fresh tobacco leaf come out.

On the palate, the coffee notes dominant with fruit present but struggling to emerge. Medium acidity and medium-plus tannins have firm edges to them. Even though this one of the oldest wines at the tastings, it felt really young. Intriguing though.

Takeaways

Cinsault’s diversity is a joy for food pairing but a nightmare for blind tasting.

As I reviewed my notes, I saw some patterns emerging with cherry and tobacco being consistent. But many of those notes overlap with styles familiar to Burgundy, Beaujolais and lighter Bordeaux. A few examples even hit some of those savory, meaty notes of a Rhone. Still, this diversity is exciting because here we have a wine that can be anything from a great picnic & BBQ sipper to something savory and complex that can hold up to robust dishes.

While two of my favorites (The Blacksmith’s Prince of Bones and A.A. Badenhorst’s Ramnagras) were from the Swartland–along with the intriguing but young tasting Silwervis–it was hard to pinpoint terroir characteristics. Considering how much I’ve liked other wines from these producers, it could be more producer style verses region.

But a big takeaway, and one that the moderator and panelists frequently referred to, was the importance of old vines with Cinsault. The grape lends itself easily to overproduction and, with its thin skins, can be prone to producing lean flavors. While that may work for bulk rosé, it’s not ideal for making character-driven wines.

With over 1600 acres of Cinsault vines over 20 years old (and many of the wines featured in this tasting coming from 40+-year-old vineyards), South Africa does have a good bounty of older vines to work with. The really lovely Leeu Passant Old Vine Cinsault from Franschhoek was sourced from South Africa’s 2nd oldest red wine vineyard with vines that are 91+ years old. You can taste the added complexity and concentration from these older vines.

Remarkable stuff that is, again, well worth the hunt to find.

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Getting Geeky about Malbec

Photo by Marianne Casamance. Released on Wikimedia Commons under CC-BY-SA-4.0Continuing our celebration of the oddly named Malbec World Day we’re going to get geeky here at Spitbucket about the Malbec grape.

What’s In a Name?

In Jancis Robinson’s Wine Grapes, the entry for Malbec is under Cot (or Côt) because of the association with grape’s likely birthplace in the region of Cahors in the historical province of Quercy in southwest France. Ampelographers note that like Côt many of the other early names for the grape such as Cos, Cau, Cor and Cors all seem to be contractions of Cahors.

However, the first written account of Malbec was in Pomerol in 1761 as Noir de Pressac (black of Pressac). The name likely referred to the individual who first cultivated the vine. From Pomerol, the grape made its way to the Left Bank region of the Medoc. Here it took on the new name of Èstranger (stranger) or Estrangey.

The name Malbec came from a grower named Malbeck who propagated the grape in what is now known as Sainte-Eulalie in the Premières Côtes de Bordeaux AOC of the Entre-Deux-Mers region.

When a Mommy Grape and a Daddy Grape Cross-Pollinate…

In 2009, DNA analysis discovered that Magdeleine Noire des Charentes–the mother grape of Merlot (Check out the Academic Wino’s Who’s Your Daddy? series on Merlot)– and an obscure grape from the Tarn department called Prunelard were the parent varieties of Malbec.

In addition to being a half-sibling of Merlot, Malbec has done a bit of its own “cross-pollinating” being a parent grape to Jurançon noir (with Folle blanche) and Caladoc (with Grenache).

Malbec in Bordeaux

Photo by Ian L. Uploaded to Wikimedia Commons under CC-BY-2.0

Malbec used to be far more prevalent in the Bordeaux region. In fact, Stephen Brook noted in The Complete Bordeaux that it was the most widely planted grape in the vineyards of Lafite in the 18th century. Many estates classified in 1855 had Malbec account for as much as 50% of their blends in the early 19th century.

However, the latter half of the 19th century would usher in the decline of the variety due to its sensitivity to coulure and mildew. Following the devastation of phylloxera, many growers who did replant chose to replace Malbec. The easier to grow Cabernet Sauvignon and Merlot were favored choices. Into the 20th century, Malbec was still present, particularly in the Right Bank. However, the devastating frost of 1956 killed off a significant number of plantings. This practically signaled the death knell for the grape in Bordeaux.

There are still some small plantings in Bordeaux. The most significant strongholds are the Côtes de Bourg and Côtes de Blaye. In St. Emilion, Cheval Blanc and Jean Faure are two notable estates with some plantings of Malbec. In Pomerol, Chateau L’Enclos (owned by the Adams family who also owns Chateau Fonplegade in St. Emilion) also maintain some Malbec.

On the Left Bank, a 1 ha block of old-vine Malbec is still producing for Ch. Gruaud Larose in St. Julien. Fellow 2nd Growth, Ch. Brane Cantenac in Margaux grows a few parcels of Malbec (as well as Carmenère). In the Graves region of Pessac-Leognan, Ch. Haut Bailly owns a 4 ha block of 100+-year-old vines that includes a field blend of all six Bordeaux varieties–including Malbec and Carmenère.

Malbec in Argentina

Photo by PABLO GONZALEZ. Uploaded to Wikimedia Commons under CC-BY-SA-2.0

Malbec vines growing in Argentina.

Michel Pouget introduced Malbec to Argentina, bringing pre-phylloxera cuttings of the grape from Bordeaux to the country in the 1850s.

Compared to their French counterparts, clusters of Malbec in Argentina are smaller with tighter berries. These smaller grape berries have a skin-to-juice ratio that produces deeply colored wines with intense black fruit.

The Bordeaux influence in Argentina is still felt today with producers like like Léoville Poyferré (Cuvelier de Los Andes), Michel Rolland (Clos de los Siete), Cheval Blanc (Cheval des Andes), Hélène Garcin-Lévêque (Poesia) and Lafite-Rothschild (CARO) having projects in Argentina making both varietal Malbec and using it in Bordeaux style blends.

Malbec in the United States

The grape is widely planted throughout the US including in states like Missouri, Idaho, Georgia, Arizona, Virginia, North Carolina, New York, Maryland, Texas and Michigan. Here it is made as both as a varietal wine and as a blending component.

In Napa Valley, despite being a regular feature of popular blends like Opus One and Joseph Phelps Insignia, Malbec is sometimes considered the “Gummo Marx” of the Bordeaux varieties. Part of the grape’s low standing in the region was historically due to poor clonal selection. However, as better clones from Cahors and Argentina become available, growers in Mt. Veeder, Coombsville and Atlas Peak are increasing plantings.

Outside of Napa, Malbec is widely planted in the San Joaquin Valley where it is used for mass-produced bulk blends. However, there are quality minded producers making varietal Malbec wines throughout the state. Key areas include Paso Robles, Dry Creek Valley, Santa Ynez, Lodi and the Sierra Foothills.

Photo taken by self. Uploaded to Wikimedia Commons as User:Agne27 and released under CC-BY-SA-3.0

Red Willow Vineyard in Washington State.

In Washington State, Malbec has the distinction of being the most expensive grape per ton. The average price for a ton of Malbec in 2016 was $1,587. In contrast, Cabernet Sauvignon was $1,442/ton, Merlot $1,174/ton, Chardonnay $940/ton and Semilion (the most expensive white grape) at $1,054 ton.

While Red Willow Vineyard in the Yakima Valley helped pioneer the grape in Washington State, Paul Gregutt in Washington Wines and Wineries: The Essential Guide notes that Casey McClellan of Seven Hills Winery was the first to plant the grape in Walla Walla in the early 1990s.

Want More Malbec?

Check out the hashtags #MalbecWorldDay and #WorldMalbecDay on Twitter and the Malbec tag on Instagram for more fun.

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Getting Geeky with Henri Gouges La Perrière White Pinot

Going to need more than 60 Seconds to geek out about the 2014 Domaine Henri Gouges Nuits-St.-Georges 1er Cru La Perrière–a white wine made from a unique mutation of Pinot noir.

The Background

Remington Norman and Charles Taylor notes in The Great Domaines of Burgundy that Henri Gouges started his domain in the early 1920s with the purchase of around 22 acres in Nuits-St.-Georges. During the economic slump of the 1920s and 1930s, Gouges continued to take advantage of depressed vineyard prices. He was able to greatly expand the domaine choice parcels from several esteemed premier crus.

In the early 1930s, when concerns about rampant fraud and mislabeling was taking a toll on Burgundy prices, Gouges joined the Marquis d’Angerville and Armand Rousseau to rebel against the négociant houses by estate bottling all his domain wines.

Clive Coates described Henri Gouges, in The Wines of Burgundy, as the “Doyen of Nuits-St.-Georges” whose lasting influence in the commune has been far reaching. He was elected mayor several times.  In the 1930s when the Institut National d’Appellation d’Origine (INAO) was establishing the classification of Burgundy’s vineyard, Gouges represented the interests of Nuits-St.-Georges on the regulatory committee.

It is believed that because Gouges was a major owner of the famed Les St-Georges vineyard, and would have benefited greatly if that vineyard was classified as a Grand Cru, he wanted to avoid any potential conflicts of interest by advocating against any Nuits-St.-Georges vineyard being singled out as a Grand Cru. Instead, the committee awarded the commune 41 premier crus.  After Beaune’s 42 premier crus, this was the highest concentration of premier crus in the Côte d’Or .

Domaine Style
Photo by Leroy remy. Released on Wikimedia Commons under CC-BY-SA-3.0

The village of Nuits-Saint-Georges in winter.

The domaine has long been a proponent of “traditional” and “natural viticulture” techniques–eschewing the use of chemicals when possible. In the vineyard, they prefer massale selection of vine cuttings instead of clonal propagation. Gouges’ grandson, Pierre, pioneered the use of ryegrass cover crop in the commune to curb erosion and encourage competition for the vine roots to find resources. Since 2008, all the domain’s vineyards have been farmed organically.

The Grape

The story goes that Henri Gouges was inspecting his Pinot noir vines in Nuits-St.-Georges 1er Cru La Perrière in late summer in the 1940s when he came across a vine that had all white clusters post-veraison. Intrigued, he cut off a branch of the vine and propagated to see if the new “Pinot noir” vine would also produce white clusters. It did so Gouges and his descendants continued to propagate the variety now known as “Pinot Gouges” in not only La Perrière but also in the premier cru vineyard (and Gouges monopole) of Clos de Porrets-Saint-Georges.

Is it a “White” Pinot noir or Pinot blanc?
Photo collage created by self as User:agne27 from photos released under creative commons licenses. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Pinot noir, Pinot gris and Pinot blanc are genetically the same grape.

An interesting question and one that I couldn’t find a definitive answer for.

Throughout history, Pinot vines have been observed having clusters with different colored berries on them. Sometimes even different colors on the same berry!

The Pinot grape is notorious for its genetic instability with Jancis Robinson’s Wine Grapes noting that there are more than a 1000 registered clones. That’s just the number of clones we know of. However, ampelographers believe that the mutation rate for Pinot is actually on par with other varieties and instead attribute the vast number of known mutations and genetic variations to the grape’s longevity and 2000+ year history.

Even with the many mutations, genetically all the various Pinot varieties (noir, blanc, gris, Meunier, Teinturier, etc) are the same–which to some degree makes the argument of what “Pinot Gouges” is moot.

But the concept of “White Pinot noir” does exist with producers pressing the red Pinot noir grapes quickly to produce a white wine. Used in Champagne for centuries, this method is a popular way to make white sparkling wines from red Pinot noir and Pinot Meunier grapes. When made as still wine, these White Pinot noirs often have a fuller-bodied, weighty fruit with just a tinge of color—traits that bore out in my tasting of the Gouges La Perrière.

Pinot blanc wines tend to be more moderate weight with medium to medium-minus acidity with brilliant clarity and no color–especially when young. While it can often be confused for Chardonnay (like the Gouges wine in my notes below), my experiences with true varietal Pinot blanc vines are just too different from tasting this Pinot Gouges which leads me to considering this a “White Pinot”.

The Vineyard

Photo derived from map provided for public use by Bourgone Wines.org

The Les Perrières vineyard located south of the village of Nuits-Saint-Georges.

La Perrière is a climat within the Premier Cru vineyard of Les Perrières located south of the village of Nuits-St.-Georges on the slope above the 1er Cru of Les Poirets (Les Porrets). The vineyard used to be a quarry with the name “Perrière” referencing the French term for quarry-workers. The soil is accordingly stony and pebbly.

Several producers have bottlings from this vineyard (all of them red) including Meo-Camuzet (Wine Searcher Ave $148), Louis Jadot (Wine Searcher Ave $134) and Domaine Robert Chevillon (Wine Searcher Ave $95)

The Wine

Medium-plus intensity nose. In a blind tasting, I would be thinking Chardonnay with the tree fruits of apples and pears but there is a lot of spice here–not oak spice but rather exotic spices. I can’t quite pinpoint them but it smells like you walked into an Indian restaurant. There is also a white floral element that has me thinking of apple blossoms.

Photo by Joe mon bkk. Released on Wikimedia Commons under CC-BY-SA-4.0

Lots of exotic spices and layers in this White Burgundy.

On the palate, there is a lot of weight and texture–things that would indicate new oak except for the complete absence of oak flavors. I also get some roasted hazelnuts which would make me think of an older Burg (like a 5 to 7 year old Meursault) rather than something that is only a little over 3 years old. Medium-plus acidity balances the weight of the fruit well but could be a tad higher. Moderate length finishes ends on the pear and spice notes.

The Verdict

Priced in line with upper-tier Premier Cru white Burgundies, the wine holds it own at the $90-110 range. It’s hard not to compare it to a well-made Meursault Premier Cru like Les Charmes and Les Perrières though I think what ultimately separates this Nuits-St.-Georges White Pinot from those crème de la crème Chardonnays is precision and longevity.

While there are lots of layers in this wine, they don’t have the crystal clarity and precision of flavors that truly highlight great white Burgs. You could say that develops with bottle age but this relatively young wine already tastes far older than what you would expect with its age. While it is giving considerable pleasure now, I can’t see it getting anywhere near the levels of a great Meursault wine from the same vintage 3 years down the road, much less 5 or 15.

Still, this is fascinating and exceedingly character driven wine that is worth seeking out just to experience. From a commune that is 97% red wine (with the entire Côte de Nuits being 95% red), it is truly a unicorn with only around 2000-2500 bottles produced each year.

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Getting Geeky with Whidbey Island Siegerrebe

Going to need more than 60 Seconds to geek out about the 2015 Whidbey Island Winery Siegerrebe from the Puget Sound AVA.

Full Disclosure: This wine was received as a sample.

The Background


I gave some of the backstory of Whidbey Island Winery in my 60 Second Review of their Pinot noir from Cultus Bay Vineyard. A pioneer on the Puget Sound island, today Whidbey Island Winery is known as the “grande dame” of Whidbey Island vineyards.

In addition to sourcing fruit from Whidbey Island, the winery also works with several vineyards in Eastern Washington including Crawford Vineyards in the Yakima Valley, Upland Vineyard on Snipes Mountain, Coyote Canyon Vineyard in the Horse Heaven Hills and Elephant Mountain Vineyard in the Rattlesnake Hills AVA.

The Whidbey Island Siegerrebe comes from the Osenbach’s estate vineyard. First planted in 1986, the Osenbachs experimented with the grape along with Madeleine Angevine and Madeleine Sylvaner. The first vintage release of Siegerrebe was in 1991.

The Grape

Heinz Scheu, son of the famous German grape breeder Georg Scheu, claimed that his father discovered Siegerrebe in 1929 from a spontaneous self-pollination of Madeleine Angevine. However, Jancis Robinson notes in Wine Grapes that DNA analysis has definitively shown that the grape is a crossing of Madeleine Angevine and Savagnin rose.

Siegerrebe (whose name roughly translates to “champion vine”) is one of several new grape varieties–along with with Scheurebe, Huxelrebe and Chancellor–that Scheu bred in his nearly 40 year career at the State Institute of Vine Breeding in Alzey, Rheinhessen.

Photo by self. Uploaded to Wikimedia Commons as User:Agne27 and released under CC-BY-SA-3.0

Siegerrebe grapes.

In 1948, German breeder Hans Breider used Siegerrebe to cross with Müller-Thurgau to create Ortega–named after the Spanish philosopher José Ortega y Gasset. Another German breeder, Johannes Zimmermann, crossed Siegerrebe with Villard blanc to create the table grape Rosetta in 1960.

Today there is only around 255 acres of Siegerrebe in its homeland of Germany–mostly in the Rheinhessen and Palatinate (Pfalz). Other countries with Siegerrebe include Denmark, Switzerland and in the Gloucestershire region of England.

Siegrrebe in the US

Siegerrebe was brought to the US in the 1980s when Gerard Bentryn of Bainbridge Island Winery became the first American winegrower to plant the variety. It was from these Bainbridge Island cuttings that the Osenbachs of Whidbey Island Winery planted their estate Siegerrebe.

Another Whidbey winery, Comforts of Whidbey, also produce Siegerrebe from cuttings they procured from Whidbey Island Winery. Other islands in the Puget Sound AVA are home to Siegerrebe plantings–most notably Lopez Island Vineyards and San Juan Vineyards.

The Wine

Medium-plus intensity nose. A mix of orange blossoms and pear drop candy.

Photo by Kate Hopkins. Uploaded to Wikimedia Commons under CC-BY-2.0

Just a little too much pear drop candy note in this wine for my taste.

On the palate that pear drop candy note comes through and brings noticeable sweetness. The orange blossoms also carry over but, surprisingly, the flavors get even more floral in the mouth with rose petals and undefined white flowers joining in. This wine feels like you are drinking a glassful of petals.

Medium acidity gives some lift but I find myself wishing that it had just a bit more to help balance the sweetness. Moderate length finish ends with the pear candied note.

The Verdict

While I absolutely adored Whidbey Island’s Pinot noir, this Siegerrebe is a bit too sweet for my personal style. However, it is very character-driven with lovely floral elements that I can see fans of Moscato enjoying as an opportunity to trade out some of their same ole, same ole.

But at around $17-20, I do think wine drinkers are paying a little bit for the novelty of the grape. There are certainly more compelling values for off-dry whites such as Riesling and Gewürztraminer.

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Getting Geeky with Gramercy Picpoul

Going to need more than 60 Seconds to geek out about the 2015 Gramercy Picpoul from Walla Walla.

The Background

Gramercy Cellars was founded in 2005 by Master Sommelier Greg Harrington and his wife, Pam. Prior to starting a winery, Harrington managed wine programs for restaurants owned by Joyce Goldstein (Square One in San Francisco), Emeril Lagasse, Stephen Hanson and Wolfgang Puck (Spago). At the time that Harrington passed his MS exam in 1996, he was 26 and the youngest person to have achieved that honor.

According to Paul Gregutt, in Washington Wines, while sommelier-turned-winemaker is somewhat common in California and other parts of the world, Harrington was the first to traverse that path in Washington State.

In 2006, Gramercy started a partnership with Jamie Brown of Waters Winery that eventually led to the development of Wines of Substance (later sold to Charles Smith) and 21 Grams (now owned by Doug Roskelley and Mike Tembreull, owners of TERO Estates and Flying Trout Wines).

In 2008, Harrington was named by Seattle Magazine as “Best New Winemaker in Washington” and followed that up in 2014 as the magazine’s “Winemaker of the Year“.

Along with Harrington, the wines of Gramercy Cellars are made by Brandon Moss who joined the winery in 2009 after stints at King Estate in Oregon, Indevin in New Zealand and Waters in Walla Walla.

Drawing from Ampélographie Viala et Vermorel. Uploaded by JPS68 via photoshop to Wikimedia Commons under PD Old

Picpoul blanc grapes by Viala et Vermorel


Gramercy started making Picpoul in 2013 because the variety was a favorite of Pam Harrington. That first vintage came from Olsen Vineyards in the Yakima Valley from a block that was scheduled to be uprooted and planted over to Grenache. The cuttings were sourced from Tablas Creek Vineyards in Paso Robles from original vines at Château Beaucastel in Châteauneuf-du-Pape.

Subsequent vintages of Gramercy Picpoul have been sourced from Los Oídos Vineyards located in the Blue Mountains of Walla Walla which are managed by Ken Hart and sustainably farmed. In addition to managing Los Oídos, Hart was also involved in the planting of Ash Hollow, Nicholas Cole, Pepper Bridge and Seven Hills East vineyards and today helps manage the vineyards of Abeja, àMaurice, Dunham and Walla Walla Vintners.

The Grape

According to Jancis Robinson’s Wine Grapes, the first mention of Picpoul (or Piquepoul) was of the black skin variant in 1384 near Toulouse in the Occitanie region that borders Spain. The name is believed to have been derived from the Oc dialect words picapol or picpol which loosely translates to a “place with a peak” and may refer to the cliff-side vineyards where the grape was planted.

The first account that explicitly described the white skin mutation of Picpoul was in 1667. There is also a pink-skin Picpoul gris that is nearly extinct. All three color variants are part of the 22 grapes that are authorized to be grown in Châteauneuf-du-Pape.

A Picpoul de Pinet from the Languedoc.


In 2009, there was over 3500 acres of Picpoul blanc planted in France–mostly in the Languedoc area where it is the notable variety of Picpoul de Pinet–the largest white wine producing AOC in the Languedoc. The grape is valued in the white wines of the Languedoc and Provence for its high acidity and lemon, floral aromatics.

In the United States, Tablas Creek was the first to plant Picpoul blanc in 2000. In California, Tablas Creek has noted that the variety is early budding but late ripening and tends to produce rich tropical fruits along with its trademark “lip stinging” acidity. Several producers in Paso Robles will occasional produce bottlings of Picpoul blanc including–Adelaida Cellars, Denner Winery, Derby Wine Estates, Halter Ranch, Lone Madrone, Bending Branch Winery and Broc Cellars.

Outside of Paso Robles, the grape can also be found in Calaveras County where Twisted Oak Winery and Forlorn Hope make varietal examples as well as in the Arroyo Seco AVA of Monterrey County which supplies Picpoul for Bonny Doon. In Arizona, Cimarron Vineyard in Cochise County is growing Picpoul blanc for Sand-Reckoner Winery and in the McLaren Vale of Australia, Picpoul blanc has been produced by Coriole Vineyards since 2015.

In Washington, outside of the Los Oídos Vineyards supplying Gramercy, the grape is being grown at Boushey Vineyards, Corliss Estate’s Blue Mountain Vineyard in Walla Walla and at Tanjuli Winery’s estate vineyard in the Rattlesnake Hills AVA.

The Wine

Photo by Vegan Feast Catering. Uploaded to Wikimedia Commons under CC-BY-2.0

The lemon custard aromatics and creaminess of this 2015 Gramercy Picpoul is just one of the many complex layers to this wine.

High intensity nose. There is a lot going on here. Initially it starts out very floral and lemony with subtle pastry crust like a lemon custard tart. Underneath the lemon zest is some dusty gravel mineral notes. In a blind tasting, this would have my brain start thinking white Bordeaux. There is also a white floral note in the background that is not very defined.

But on the palate the wine switches gears and starts getting more tree fruit oriented with spicy d’Anjou pears and the floral notes morphing more into lemon verbena. The custard note from the nose carries through adding a richness to the mouthfeel–creamy but not buttery like a California Chardonnay. Even with this weighty creaminess the high acidity is quite present, offering exquisite balance and freshness. The gravel mineral notes come through and have a “crushed rock” element that is almost electric. The long finish brings a subtle hint of hazelnut that would have me wondering in a blind tasting if this was a village level Meursault.

The Verdict

Incredibly complex wine that jumps out of the glass and leaves a lasting impression on the palate. At around $20 bucks this is an absolute steal for all that this wine delivers.

But even if you can’t find a bottle of Gramercy’s Picpoul, do yourself a favor and find any bottle of Picpoul to try. If you are looking to trade out from your same ole, same ole Sauvignon blanc and Pinot gris, this grape is perfect.

Picpoul has the freshness and zip of a great Sauvignon blanc but with some of the spice of Gruner Veltliner and depth of a well made Chardonnay. Examples from Picpoul de Pinet can be had for $10-13 and are often far superior to what you usually find among Sauvignon blanc, Pinot gris/grigio and Chardonnay in the under $15 category.

This is definitely a grape that should be high on any wine geek’s list to try.

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