Tag Archives: Petrus

The Folly of Price-Blind Scoring

Amber LeBeau in Millennials, Wine critics, Wine marketing

Published on May 2, 2019

Walk into a grocery store or wine shop and take a look around. You’re going to see tags–lots of tags–with wine scores. Usually, they’re at least 90 points because, these days, getting 90 points is akin to spelling your name right on the exam. Good job, Johnny. Gold star for you.

Now I’m not going to dive into another drivel about the scourge of score inflation or the silliness of points.

Instead, let’s talk about the Apples to Apples trap.

I’ve been banging the drum about the need to highlight value–especially for wineries wanting to capture the emerging Millennial market. These consumers are always looking for the best bang for the buck, so it’s vital to look at what kind of message we are sending them.

Is a 90 point $10 wine a better value than a 90 point $40 wine? Or what about an $8 wine with 4.2 stars on an app? Is that a better value than an $80 wine with 4.0 stars?

Apples to apples, right?

Both of these fruits have been rated “Outstanding” with superior character and style.

But we know that’s not right. We also know that the typical consumer is not going to look at the details or differences such as one score coming from Joe Schmoe while the other from a respected publication. Nor are they going to bother to learn that one wine is a 100,000+ case bulk wine from a mega-corp while another is a small lot production from a family winery’s estate vineyard.

So what happens when our value-minded Millennial consumer grabs that 90 point $10 Cab and are just “ho-hummed” by the experience? What messaging will ever make that other $40 wine worth trying? Certainly not that the message that it got 90 points!

On the flipside, what if they absolutely loved the $10 wine but thought the $40 wine was crap. Then we get back to the lovely “No wine is worth spending more than XX because of blah” circle of Dante’s Inferno.

Sure, education is always the easy answer but, as an industry, we have to accept that education is not the elixir that we so desperately wish it was. Lots of consumers, if not most, are not interested in education. They want short-cuts and the security blanket of stars and numbers.

They want an apple to be an apple–not an orange, not a coconut.

So what do we do?

Get rid of “price-blind” scoring

Go ahead, keep your scores, stars and numbers. But put some teeth and reality behind them. Let an apple still be an apple but point out when it is a Braeburn (your daily value drinker) versus a Pink Lady (something more of a treat). And don’t be afraid to compare them to other apples. Yeah, this Pink Lady is not worth the money compared to the Honeycrisp or Fiji.

Of course, you can’t do this blind (in any fashion) but maybe that’s not such a bad thing?

I expressed this sentiment about judging wines based on value in a recent Twitter thread where wine writer Robert Joseph countered with a very astute point.

I used to see it your way, Amber. Indeed we included price in the IWC for a while.
The problem was that tasters used the information differently

So Taster A took your view, judging pricy wines more strictly, while B thought a high price automatically suggested a possible gold

— wine thinker (@robertjoseph) May 1, 2019

He’s right. Just as some tasters would judge expensive wines more harshly, there are others who would be more inclined to give them an easy pass. However, the fact that two types of biases exist doesn’t mean that both are equally valid. If one benefits the consumer (judging on value) while the other doesn’t (judging on faux merit), then the answer is to root out the afflicting bias.

The critic who automatically thinks that a high price=great score is wrong and should be called out on that. While they aren’t likely to admit that bias (and it may be self-conscious), patterns always emerge. Instead of accepting this, we should be challenging these judges to actively and consciously rethink their biases.

Being “price-blind” doesn’t work in the real world.

Sometimes you don’t need an “Outstanding” apple. Sometimes you just want to get an apple that you can use to both bake a pie and have as a snack. Or a wine that you can cook and serve with dinner.

A consumer standing in front of a wall of wine is not “price-blind.” They have a budget and an expectation for what they can get within the limits of their wallet and credit card. We have to recognize and respond to this.

However, one of the biggest hindrances is that most professional writers receive the wines they review as free samples. I understand why it benefits wineries to put their bottles in front of people who will write about them. And I definitely appreciate the benefits to writers who often can’t afford to buy all the wines they review.

But samples still remove the writer from having to deal with the realities of the consumer–how they actually think and shop–when they write their reviews. That’s an obstacle that we have to work to understand and overcome.

There are reasons why a consumer may want to buy a Braeburn and reasons why they may want to buy a Pink Lady. Likewise, there are different reasons and expectations for buying a $10 wine for pizza and a $40 wine to take to dinner with the in-laws.

Even if a critic is receiving their wines as free samples, they need to at least acknowledge that “objectively” judging the pizza and nice dinner wine on same scale is foolish.

So let’s stop being foolish.

While I don’t regret spending $2600 on this bottle of Petrus, I would much rather buy multiple bottles of Ch. Angelus than buy another.
Beyond a one-time “Super Bowl” experience, it’s simply not worth it. I feel like it would be hard to be that honest if I had this wine as a free sample.

Let’s stop pretending that price doesn’t matter and that we can objectively review a wine based solely on the merits of what’s in the glass. For god sakes, how many decades have we spent playing this charade?

Yes, there are going to be bias but let’s tackle those biases head-on and put them in their place.

The onus of every critic and wine writer should be to first acknowledge their own biases with price. They need to step back and think of how often their eyes automatically go “oooooh” at the sight of an expensive bottle and wonder “why?” that is so. Conversely, if the thought of tasting a “value wine” makes us recoil, we need to own up to that too.

The second onus we have is to put ourselves into the consumer’s shoes as much as we can. And the best way to do that is to start comparing apples to apples.

So you’ve received a $50 bottle of wine as a sample. Great.

Now how does that wine compared to the other $50 bottles of wines that you may have purchased yourself at some point? Or the $30 bottles, $20 bottles, $200 bottles whatever.

The number one question that every critic should ask themselves when reviewing a wine is–how would I feel buying this with my own money? Would I feel like I got a good bang for my buck? Or would I feel like I’d rather had spent the money on something else?

Now, wait, how does this solve our “Apples to Apples” trap from above?

Come on Amber! If we’re grading on the curve of value then doesn’t that mean we’re still going to have those $10 wines that someone thinks is drinking pretty good for a $10 wine and those $40 wines that someone else thinks is drinking pretty good for a $40 both get 90 points?

Yes, and that’s precisely the point.

Instead of painting critic scores as an “objective” assessment of intrinsic quality, we’re letting it be a subjective assessment of value. A $10 wine that drinks pretty good compared to other $10 wines should be highlighted as worthwhile just as a $40 wine should be assessed among its peers.

Instead of being a trap, we turn our bounty of 90 point wines into bushels–each with their own kinds of apples. That’s certainly preferable to the wine industry’s current gig of tossing all these apples into a tub filled with water and wishing the consumer “Good Luck!”

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2018 SpitBucket Year in Review

Amber LeBeau in General, Millennials

Published on January 12, 2019

I just returned from vacation and am working on my blogging calendar for 2019. As I plan my content goals for the year, I decided to take a look back at what I did in 2018.

Winemaker dinner with Chris Loeliger of TruthTeller Winery and the Wine Fool at the 2018 Wine Bloggers Conference.
Going through my Google Photos, this one jumped out to me as an apt summary of 2018.

While I technically started this blog back in 2016, I didn’t dedicate myself to full-time writing until last year. I spent a good chunk of 2018 feeling my way through and figuring out what I enjoyed writing about–as well as what resonated with readers. I’m a bit shocked at how much my traffic and subscription rate has jumped over these past 12 months and am very humbled by the support.

So as I look back on 2018, I’m also going to share a few of my thoughts on what content I’ll be producing going forward. The primary purpose of this blog will always be to serve as a study tool as I work on my WSET Diploma. But I am an inquisitive geek and a slutty boozer so it’s hard not to write about other alcohols that catch my attention. They also seem to grab the attention of readers (and search engines) as my top posts by traffic reveal.

The 8 Most Read Posts on SpitBucket for 2018

1) Apothic Brew Wine Review — Published on April 8, 2018
2) What We Know So Far About the Master Sommelier Cheating Scandal — Published on October 14, 2018
3) Johnnie Walker “White Walker” Limited Edition Scotch Review — Published on October 15, 2018
4) 60 Second Whiskey Review — Tullamore DEW Caribbean Rum Cask Finish — Published on March 9, 2018
5) Wine Clubs Done Right — Published on January 14, 2018
6) 60 Second Whiskey Review – Alexander Murray — Published on November 28, 2017
7) 60 Second Whiskey Reviews — Jameson Caskmates IPA edition — Published on January 20, 2018
8) Why I Buy Bordeaux Futures — Published on July 11, 2018

Some Thoughts

For several weeks after the MS scandal hits, folks were searching for details about Reggie Narito, the somm at the heart of the scandal
Screenshot from Narito’s public blog.
https://rnarito.wordpress.com/

I’m quite surprised by how much traffic I still get on the Alexander Murray whiskey review. I wrote that piece back in 2017 and get weekly, if not daily, hits on it. While I’m not very familiar with search engine optimization (and only recently learned about how readability plays into SEO rankings), it’s clear that a lot of people are searching for info on this relatively obscure independent bottler.

Likewise, the eruption of the Master Sommelier scandal drew big interest from search engines. I also benefited from having my article picked up by various news aggregators like Wine Industry Insight and Flipboard. Admittedly, Flipboard is a platform (like Pinterest) that I still haven’t figured out. I plan on spending some time this year learning more about them.

My early January post about deciding to join the Tablas Creek wine club took off when Jason Haas wrote about it on the Tablas Creek Vineyard Blog. I was very shocked and honored that Haas would even read, much less seriously consider, the viewpoints of a random blogger. But as I learned in my continuing journey as a wine club member, this is just par for the course with the Tablas Creek team’s outstanding engagement of their customers.

It’s clear that they are continually striving to improve and actively want to hear from consumers. They’re not hiding out in some ivory tower or behind a moat-like tasting bar. The folks at Tablas Creek make wine because they enjoy it and want to share that joy with others. This is a big reason why they, along with Rabbit Ridge, are one of the few wineries on Twitter that are worth following.

It’s not all Champagne and Bordeaux

Working at grocery stores and wine shops, you learn quickly that the vast majority of wine drinkers don’t necessarily drink the same things you enjoy. You can respond to that in two ways–get stuck up and snobbish about it or try to understand what makes wines like Apothic Brew or its whiskey barrel aged brethren appealing.

The fluorescent glow of Mamamango in the glass was a bit weird.

I prefer to take the latter approach which is why you’ll find me researching the backstory of wines like Apothic Brew, Capriccio Bubbly Sangria, Mamamango, Blanc de Bleu and non-alcoholic wines with just as much attention as I do for my reviews of Petrus, Lynch-Bages, Giscours, Krug Clos du Mesnil, Perrier-Jouët Belle Epoque or Louis XV Rose.

Going forward, I will continue my exploration of new wine trends that emerge. While I am sincerely dreading the advent of cannabis wine, I will nonetheless try it–for science.

A Few of My Favorite Posts from 2018

These articles might not have gotten the search engine traffic that my whiskey and other wine posts did, but they were ones that I had fun writing. They’re also the posts that I think most convey who I am as a wine writer and my general approach to wine.

January

Snooty or Flute-y? — Published on January 13, 2018
Champagne Masters and their Bull Shit — Published on January 22, 2018
Don’t Be a Jackass and Blindly Listen to Bloggers — Published on January 25, 2018
Thought Bubbles – How to Geek Out About Champagne — Published on January 29, 2018
Cab is King but for how long? — Published on January 31, 2018

So apparently I was a bit feisty back in January (and drinking a lot of Champagne). While I’ve always had little tolerance for know-it-alls or folks who dish out bad advice–my language is usually not that stark.

Still, I stand by those words I wrote back then regarding the ridiculous assertations of so-called “wine prophets” and bloggers who aim to stir anxiety and doubt in newbie wine drinkers. These folks don’t do anything to improve the dialogue around wine or promote exploration. They deserve to be taken down a peg or two. And I sincerely hope that if I ever stray that far that someone will come along and knock me down as well.

February-March

Under the (Social Media) Influence — Published on February 13, 2018
What’s fine (and not so fine) about Vegan Wines — Published on February 25, 2018
Wine Competitions — Should Wine Drinkers Care? — Published on February 28, 2018
The Mastery of Bob Betz — Published on March 5, 2018
Jancis Robinson — The Beyoncé of Wine — Published on March 8, 2018
The Legend of W.B. Bridgman — Published on March 31, 2018

As I mentioned in my note about the Apothic Brew review, being in the trenches in retail gives you a lot of insight that you don’t glean from wine books or blogs. The typical wine consumer thinks about wine in a completely different way than most wine writers. That experience fuels my skepticism about the true reach and influence of “influencers”.

I noted in a later post in November, What’s The Point In Writing Wine Reviews?, that I never once had a customer come up to me on the floor with blog review or seeking a wine that they said they saw on Instagram and Twitter. Never. In contrast, nearly every day I had customers looking for a wine they had at a restaurant. When major newspapers or magazines came out with their yearly “Best of…” lists, they were also far more likely to bring people in than a blog or social media posting.

In October, I may have annoyed my fellow bloggers at the Wine Blogger Conference when I told a few winemakers that if I were running a winery, I would focus more on the influencers at national and regional publications as well as getting my wine on by-the-glass programs at restaurants. I would also enter every wine competition I could find because, even though these competitions really shouldn’t have the influence that they do, consumers respond to seeing shiny medals on bottles.

Putting the Pieces Together

A highlight of my year was being invited to Betz Winery where I got a personal lesson on Washington State terroir by Bob Betz and head winemaker Louis Skinner.

Though the posts in March are genuinely some of my favorites. I love getting knee deep into the history of influential figures in wine. Wine lovers across the globe should know about people like Bob Betz, W.B. Bridgman and (in later articles) Martin Ray and Nathan Fay. The world of wine is a quilt with many people contributing to the stitches that keep it together. It’s easy to focus on the patches, but to understand the quiltwork, you have to look at the stitching.

My piece on Jancis Robinson, though, has a bit of a personal bent that goes beyond an academic profile. This one I keep prominently featured in my Author Bio because anyone wishing to understand who I am as a wine writer is well served by understanding the immeasurable influence that Jancis Robinson has had on my career.

April-June

Why I Don’t Use Scores — Published on April 4, 2018
Playing the Somm Game in Vegas — Published on May 7, 2018
Naked and Foolish — Published on May 21, 2018
Pink Washing in the Booze Industry for Pride Month — Published on June 24, 2018

Still can’t get over the jackpot I scored playing the Somm Game when I was in Las Vegas this past May.
It pretty much made up for the disappointment of the 2018 Wine Spectator Grand Tour.

I also keep a link to Why I Don’t Use Scores in my bio as it is an indelible part of my approach to reviewing wine. I know I’m sacrificing traffic and backlinks by not providing magical numbers that wineries can tweet about or feature on their sites. Likewise, I’m sure many PR firms scan over postings like this that convey my love/hate relationship with reviews only to close their browser tab quickly. Frankly, I could care less.

Perhaps it’s privilege in that, with my wife’s career, I don’t need to make an income from writing. I don’t need to count on a steady stream of free wine samples for topics to write about. Truthfully, I prefer paying for the wine that I review or the events I attend because I feel that it gives me a better grounding in measuring their value.

I rate with my wallet instead of with scores because that is how most regular wine consumers judge wine. Did the bottle give you enough pleasure to merit its cost? Great, that’s was a good bottle for you. It doesn’t matter what points it got from a critic. Nor how many stars it had on an easily gameable rating system (Naked and Foolish).

While as a blogger this view is thoroughly self-defeating, I can’t ever see myself straying from the mantra of “Ignore the noise (i.e. bloggers like me) and trust your palate”. I’m not here to tell you what you should buy or how you should drink. I’m just geeking out over whatever is tickling my fancy at one particular moment in time.

September-October

Birth Year Wine Myopics — Published on September 6, 2018
Zinfandel — The “Craft Beer” of American Wine — Published on September 11, 2018
The Fanatical But Forgotten Legacy of Martin Ray — Published on September 29, 2018
The Wine Industry’s Reckoning With Millennials — Published on October 8, 2018
Race From The Bottom — How Should Wine Regions Break Into New Markets? — Published on October 25, 2018

A drum that I will continue to beat loudly in my writings is that the biggest threat to the wine industry over the next several years will be the “Boredom Factor” of the next generation. In 2019, Millennials will outnumber Baby Boomers as the largest demographic in the US. As I touched on back in my January post Cab is King but for how long? and in The Wine Industry’s Reckoning With Millennials, wineries are foolish to rest their laurels on the old-standbys of Cabernet Sauvignon and Chardonnay.

Millennials crave new experiences and are notorious for getting bored quickly. We crave uniqueness and distinction. As the influence of Baby Boomers and Gen Xers fade from dominance, wineries are going to have to figure out how to stand out from the pack of “same ole, same ole.” The wineries and wine regions that aren’t planning for this (or, worse, doubling down on the old guard) are going to struggle mightily.

November

Pitting these Joe Wagner wines against various Oregon Pinot noirs in a blind tasting yielded some surprising results.

Wine Media Musings — Published on November 9, 2018
Viva La Vida New Zealand — The Coldplay of the wine world? — Published on November 13, 2018
What’s The Point In Writing Wine Reviews? — Published on November 15, 2018
Joe Wagner vs the Oregon Volcano — Published on November 30, 2018

While I’m coming around to the Wine Bloggers Conference’s name change to Wine Media Conference, I still hold a lot of the same sentiments I expressed in Wine Media Musings. The mantra Show, Don’t Tell is another one that I’m not likely to abandon. I see little need to puff up my credentials or try to claim a title of “Wine Media” for myself. I’m a writer. I’m a communicator. But ultimately it will be readers like you who decide what is Wine Media and what is just noise. My job is merely to put my head down, do my due diligence and work, and create content that will hopefully show that it’s credible and original.

December

The Hits, Misses and Mehs of Wine Reviews — Published on December 10, 2018
Stop Scaring the Newbies — A Look at the Wine Hierarchy of Needs — Published on December 16, 2018
Winery Tasting Notes Done Right — Published on December 17, 2018
Nathan Fay’s Leap of Faith — Published on December 31, 2018

Image source https://medium.com/@crypto_maven/bitcoin-maslows-hierarchy-of-needs-7bf1be0a366c

The Wine Hierarchy of Needs.
Original image from Bitcoin & Maslow’s Hierarchy of Needs. Drawing by Kenneth buddha Jeans with text added.

I’ll try to make a New Year’s resolution to stop writing about wine reviews for 2019. But I will say that posts like The Hits, Misses and Mehs of Wine Reviews have done a lot to solidify in my mind just what the hell I’m doing here. Even though I often draw on my experiences working retail, at restaurants and wineries for posts, at my core, I’m just a regular wine consumer like most of you. It’ll always be hard to separate from that mindset when I deal with wine reviews as well as winery tasting notes.

While there are aspects of those things that are undoubtedly helpful for consumers making buying decisions–a lot of it is also a heap of bullshit. (Sorry, must be a January-thing)

Finally, two of these year-end posts–the Wine Hierarchy of Needs and my piece on Nathan Fay–were my absolute favorites posts that I’ve written on this blog to date. It felt good to end the year on a high note.

My Favorite 60 Second Reviews of 2018

I went back and forth about whether or not I wanted to do a Top Wines of the Year post. Ultimately I decided against it for a few reasons. For one, I haven’t yet published my reviews on all the great wines I had last year–especially from the past three months. While I have my tasting notes written down, the Geekery sections take longer to do because I’m a stickler for research and fact-checking. I want to find multiple sources beyond just a winery’s website for details I publish. This means that many of the wines I review are ones that I might have had several days or weeks prior. (I do consider that when I make verdict calls relating to a wine’s aging potential or pratfalls.)

The second reason is that I don’t want this blog to be all about reviews. In general, I try to post reviews only around 2 to 3 times a week with the bulk of my articles being on other wine topics. For me, it will always be about the Geekery section. So while I will likely do 60 Second reviews in 2019 with the same frequency as last year, I may turn more of them into Getting Geeky with… posts.

With that said, this list below is not necessarily my favorite wines of the year (though many of them were excellent) but of the posts that I had the most fun researching for the Geekery section.

I learned a lot about Beaucastel’s approach to blending while researching this post.

Winderlea Shea Pinot noir — Published on January 29, 2018
Pierre Gerbais L’Originale — Published on January 31, 2018
Domaine Coquard Loison Fleurot Chambolle-Musigny — Published on February 28, 2018
Guardian Newsprint Cabernet Sauvignon — Published on March 14, 2018
Gorman Evil Twin — Published on March 15, 2018
2000 Beaucastel Châteauneuf-du-Pape — Published on April 9, 2018
2004 Nicolas Joly Coulée de Serrant — Published on April 21, 2018
Domaine des Pins St. Amour Les Pierres — Published on April 23, 2018
WillaKenzie Pinot blanc — Published on May 8, 2018
2007 Efeste Final-Final — Published on August 22, 2018
Adobe Road Bavarian Lion Cabernet Sauvignon — Published on September 28, 2018
Ch. de la Perriere Brouilly — Published on October 9, 2018
DeLille 2015 Rose (Can Rosés Age?) — Published on October 17, 2018
La Rioja Alta Gran Reserva 904 — Published on November 17, 2018
Accordini Ripasso — Published on November 19, 2018

Speaking of Getting Geeky

Few posts convey the spirit and focus of SpitBucket more than my Getting Geeky and Geek Notes features. Here is where I get down and dirty with the type of material that wine students pursuing higher levels of wine certification should aim to master. They make up a good chunk of the 350+ posts that I’ve written so far so I will narrow this down to just my ten favorites of each from this past year.

Geek Notes

This section changed focus in the latter half of the year. Previously, I used Geek Notes as a curated news feed featuring interesting weblinks with added commentary. After attending the Wine Bloggers/Media Conference in October, I realized that I needed to come up with a game plan for my social media channels. I moved the curated new feed over to the SpitBucket Facebook page and refocused Geek Notes to highlight useful study aides like podcasts, maps, videos and books for wine students.

Out of all the features that I do on the blog, this is the area that I will be increasing the frequency of my postings the most for 2019.

A section of the Grand Crus of Barolo map with the full version at http://www.jdemeven.cz/wine/Barolo_map.pdf

Killer Clos Vougeot Map — Published on January 9, 2018
I’ll Drink To That! Episode 331 Featuring Greg Harrington — Published on August 23, 2018
UK Wine Show Episode 111 with Ian D’Agata — Published on September 23, 2018
Super Cool Map of Barolo Crus — Published on September 30, 2018
Grape Radio Episode 391 Interview with Hubert de Boüard of Ch. Angélus — Published on October 10, 2018
Insider’s Peek Into Champagne — Published on November 7, 2018
Top Audiobooks on California Wine History — Published on November 11, 2018
Five Essential Books On Champagne — Published on December 5, 2018
The Process of Champagne GuildSomm Podcast — Published on December 8, 2018
More Champagne with GuildSomm Podcast — Published on December 22, 2018

Additionally, in 2018 I launched my Keeping up with the Joneses in Burgundy series which dives into the family lineage and connection of Burgundy estates. I started with the Boillot family and have completed cheat sheets on the Morey, Gros, Coche and Leflaive families as well. I will definitely continue producing more of these posts over the next several months.

Wine Events of 2018 and Some Personal News

Last year I had the opportunity to attend many fun wine events. Some were great (like the Wine Bloggers/Media Conference and Hospice du Rhone) while others (like the most recent Wine Spectator Grand Tour and Taste Washington’s New Vintage) were a bit of a dud.

Meeting Master of Wine Morgan Twain-Peterson of Bedrock at the Hospice du Rhone was another highlight of the year for me.

Walla Walla Musings — Published on February 15, 2018
Quilceda Creek Release Party — Published on March 18, 2018
Event Review — The New Vintage at Taste Washington — Published on March 27, 2018
Event Review — Washington vs The World Seminar — Published on March 29, 2018
Event Review — Stags’ Leap Winery Dinner — Published on April 22, 2018
Hospice du Rhône Weekend 2018 — Published on April 30, 2018
Déjà Vu at the Wine Spectator Grand Tour — Published on June 2, 2018
Getting Ready (and a bit nervous) For WBC18! — Published on October 3, 2018

My schedule of events for 2019 will be quite a bit different from last year. My wife and I are moving to Paris sometime in March as she takes on a new job opportunity in France. I will be making frequent trips back to the US to see family and work on a research project about the Stags Leap District AVA. But I’m not sure which events I’ll be able to attend–at least in the United States.

I do have my tickets already booked for the 2019 Wine Media Conference in the Hunter Valley this October, so that is a definite. I will also be transferring my WSET Diploma course work to London for an online/intensive classroom block schedule. This will give me a chance to explore some of the various wine events going on that side of the pond. Stay tuned!

Bordeaux Futures Posts

While I’ll likely never score as great of a deal as I did for the 2015 Ch. Margaux, I’ll still be a regular buyer of Bordeaux futures.

I started my coverage of the 2017 Bordeaux Futures campaign on May 1st of last year with an examination of the offers on Ch. Palmer, Valandraud, Fombrauge and Haut-Batailley. I completed 15 more posts, covering the offers of 64 chateaux, before it got too late into the year for futures offers to be relevant.

While my post Why I Buy Bordeaux Futures was one of my most popular of the year, admittedly I’m not certain if I want to continue this series with coverage on the 2018 campaign. These posts take a considerable amount of time to research and write and, overall, they don’t seem to get much readership.

But I will still be buying futures and doing this research on my own. I’ll likely do a modified version of the series in more of a summary format of the offers. I don’t need to necessarily repeat the geekery sections for each estate. I can shift that focus to individual Getting Geeky with... posts as I did for the 2007 Léoville Poyferré and 2008 Sarget de Gruaud-Larose.

However, if you were a fan of my coverage on the 2017 Bordeaux Futures campaign, I would love to get some feedback in the comments below.

Book Reviews

One area that I want to make a commitment to work on is posting more book reviews of useful wine books. Last year I only completed four.

Bursting Bubbles: A Secret History of Champagne and the Rise of the Great Growers by Robert Walters — Published on January 16, 2018
Rosé Wine: The Guide to Drinking Pink by Jennifer Simonetti-Bryan — Published on January 27, 2018
Washington Wines and Wineries: The Essential Guide by Paul Gregutt — Published on March 15, 2018
Oregon Wine Country Stories: Decoding the Grape by Kenneth Friedenreich — Published on August 20, 2018

While these are a bit of work, they are a lot of fun to write. I’m such a bibliophile that few things give me more joy than a highlighter and a good wine book. Writing these reviews is a way for me to relieve the delight of discovery I had when I first read them. They’re also terrific learning tools as I inevitably pick up something new (as I did with Oregon Wine Country Stories) when I go back to the text to write a review.

I’m going to set a goal of posting at least one book review a month for 2019. Some of these may be new books but most will probably be old favorites that I feel are particularly of benefit for wine students. I also enjoy putting together the Geek Notes for the Five Essential Books On Champagne and will continue that this year with listings of essential books on Bordeaux, Burgundy, Italian Wine, Winemaking and more.

Onto 2019!

So that is my look back at 2018 and thoughts for this year. Thank you to everyone who has subscribed as well as follow me on Twitter, Facebook and Instagram. I had a lot of fun last year and look forward to more geeking in 2019!

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Geek Notes 10/28/2018 — New Wine Books for November

Amber LeBeau in Geek Notes, Wine Knowledge, Wine marketing

Published on October 28, 2018

Let’s take a look at some new wine books coming out next month that are worth geeking out over.

Feel free to also take a gander at the titles profiled in previous months’ Geek Notes for October, September and August. With the holidays approaching, it’s never too early get ideas for great gifts.

Age Gets Better with Wine Third Edition by Richard Baxter. (Hardcover release November 1st, 2018)

Richard Baxter is a plastic surgeon who wrote his first edition of Age Gets Better with Wine back in, honestly, I don’t know.

The oldest date for the 1st edition I could find was in 2007 yet somehow the 2nd edition came out in 2002. My best guess is that the two years were probably switched by Amazon. However, the Google eBooks copy of the 2nd edition dates to 2009. So who knows?

Regardless, quite a bit has changed in our scientific understanding of wine so this 2018 revision will likely have a lot of new material.

This books intrigues me because of the objective approach it appears to take on the many conflicting studies about the role of wine and health. I’ve not had a chance to read either of the two previous editions but I think I’m going to pull the trigger on this one. Blogger Joey Casco of TheWineStalker.net had a great review of the second edition. Describing it as “a wine-science-history geek’s wet dream”, he posted a 2 minute review of the 2nd edition back in 2016.

What Makes a Wine Worth Drinking: In Praise of the Sublime by Terry Theise. (Hardcover release November 6th, 2018)

Terry Theise is a phenomenal importer who has played a huge role in introducing Americans to the exciting world of Grower Champagne. Additionally, he’s done much to bring attention to the high quality production of small family estates in Germany and Austria.

If you want to learn more about his story, Levi Dalton of I’ll Drink To That! podcast had a fantastic interview with Theise back in 2015 (1:50:22 length).

Pierre Gerbais, a fantastic grower Champagne from the Côte des Bar. The fact that we can find a lot of these gems more easily in the US is because of the efforts of Terry Theise.

Theise’s previous work, Reading between the Wines, was a mix of manifesto and anthology taken from his years of writings for his import catalogs. Now part of the Skurnik portfolio, Theise still regularly writes about vintage years, producer profiles and numerous (often humorous) rants about the world of wine.

Frequently in his writings, Theise expounds on the question that is the title of his current release What Makes a Wine Worth Drinking? What makes a bottle of wine worth the money to procure and the time spent cellaring and savoring? What makes anything worth putting into your body or sharing as part of a moment with loved ones?

Rarely do wine drinkers really stop to think about the answers to those questions. I suspect that Theise’s book will give a lot of food for thought and be a great read.

Good, Better, Best Wines, 2nd Edition: A No-nonsense Guide to Popular Wines by Carolyn Evans Hammond. (Paperback release November 13th, 2018)

This is the updated edition to Hammond’s 2010 release that dived into the world of mass-produced bulk brands and supermarket wines. With the link to the first edition, you can “look inside” and get an idea about her approach and the type of wines being reviewed.

In many ways, I applaud her snob-free approach but I do wonder what audience she is aiming for? Many of the folks who buy the Lindeman’s, Kendall Jackson, Fetzer and Sutter Home wines she reviews aren’t necessarily the folks who purchase wine guides.

While Constellation Brands’ famous Project Genome study of wine buyers found that nearly 1/5th of wine consumers felt “overwhelmed”, these folks were far more likely to seek info on the spot at a retail store versus searching the internet or seeking out a published wine guide.

Likewise, the near third of consumers who fall into the combined categories of “Traditionalists” and “Satisfied Sippers” are already buying their favorite mass produced wines being profiled here. It doesn’t seem likely that one writer’s opinion that Bulk Brand X is slightly better than Bulk Brand Y will sway many people.

Perhaps the 20% of Image Seekers and 12% of Enthusiasts who are more inclined to look at wine guides will be tempted but often these segments of consumers either eventually settle into “Traditionalists” and “Satisfied Sippers” or move beyond the $15 & under category this book focuses on.

Good, Better and Less Snobby

Photo by Robbie Belmonte. Uploaded to Wikimedia Commons under CC-BY-2.0

You may not like them or drink them but there is no denying that Gallo has done a masterful job of marketing and selling Barefoot Wines.

However, I do see this book being a huge benefit to students pursuing certifications such as the WSET Diploma level which focuses on the business of wine in Unit 1. Often these students need a bit of an “anti-snobbery” jolt to realize that the vast majority of wine drinkers don’t drink the same kind of wines we do.

In our rush to dismiss these wines, we often forget that there are reasons why things like Barefoot, Franzia and Apothic are top selling brands in the US.

I get it. They’re not my cup of tea either and I don’t vaguely hide my personal sentiments about them much on this blog.

But I do seek to understand them. This is why I give wines like Mamamanago, Apothic Brew, Capriccio and the like, just as much research and effort to figure them out as I do for Petrus and Cristal.

I see value in reading Carolyn Evans Hammond’s Good, Better, Best Wines as a window into the world of the “Traditionalists” and “Satisfied Sippers” and what they are drinking. While I don’t think anyone will ever quite cracked the code of how to convince these drinkers to “trade out”, much less “trade up”, we’ll never come close if we don’t first understand where they’re starting from.

Wine Reads: A Literary Anthology of Wine Writing edited by Jay McInerney. (Hardcover release November 13th, 2018)

I started geeking out over this book back in August when I was profiling Amira K. Makansi’s Literary Libations: What to Drink with What You Read.

Though he is the editor for this anthology, Jay McInerney has written several thoroughly entertaining wine books like Bacchus and Me: Adventures in the Wine Cellar, A Hedonist in the Cellar: Adventures in Wine and The Juice: Vinous Veritas–not to mention several other highly acclaimed works outside of wine.

He does contribute a chapter to Wine Reads which includes over 20 pieces of fiction and non-fiction writings about wine. Other writers in the work includes Rex Pickett (of Sideways fame), A. J. Liebling of The New Yorker, an excerpt from Kermit Lynch’s Adventures on the Wine Route, Jancis Robinson and more.

Just like with Makansi’s book, I can see this being the perfect companion for long flights or train rides.

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Geek Notes — Grape Radio Episode 391 Interview with Hubert de Boüard of Ch. Angélus

Amber LeBeau in Bordeaux, Geek Notes

Published on October 10, 2018

I’m getting ready to teach a class on Bordeaux so I’ve been getting my geek on with Bordeaux-themed podcasts. I found lots of great material from this 2015 episode of Grape Radio (44:43) featuring interviews with Hubert de Boüard of Château Angélus in Saint-Emilion and Angus Smith, Grand Maitre of the US chapter of the Commanderie de Bordeaux.

I don’t know when I’ll get a chance to do Geek Notes write up on them but Levi Dalton’s I’ll Drink To That! had two more great Bordeaux episodes that I really enjoyed. Check them out!

Episode 388 with Decanter’s Jane Anson. REALLY good stuff that’s worth listening to two or three times because of all the great info. Anson is one of my favorite wine writers and her writings are worth the subscription to Decanter’s premium content alone.

Episode 350 with Alexandre Thienpont of Vieux Château Certan and François Thienpont of Le Pin in Pomerol. The difference in their approach is fascinating. Also Erin Scala gives a great overview of the lasting impact of the 1956 frost in St. Emilion.

Some Background

Angélus is my absolute favorite Bordeaux estate. While I obviously can’t afford to drink it everyday, I do make sure that I nab at least one bottle as a future each year to enjoy at a special dinner down the road. Even though vintages average around $300-400, I actually think Angélus is relatively undervalued compared to other top growths in Bordeaux like the First Growths of the Medoc, Cheval Blanc and Petrus.

While I enjoyed my evening with Petrus, I would take 6 to 7 bottles of Angélus over a second bottle in a heart beat.

I haven’t done a full geek-out post on Angélus yet (oh but its coming) so I will direct folks to Jeff Leve’s awesome write up of the property on his The Wine Cellar Insider site as well as this geeky little blurb from the Grape Radio episode page:

The estate has been owned by the Boüard de Laforest family since the Domaine de Mazaret was bequeathed to Comte Maurice de Boüard de Laforest in 1909, and expanded by the acquisition of Clos de L’Angélus in 1926 and a plot from Château Beau-Séjour Bécot in 1969. The name refers to the three Angelus bells audible from the vineyards. — Grape Radio, June 9th 2015

While the terroir is top notch, I do think a lot of Angélus success is because of Hubert de Boüard’s viticulture and winemaking style. Which means if you are looking for better price points, some of his other properties like Château La Fleur de Boüard in Lalande de Pomerol (Ave $35), Chateau Bellevue in Saint Emilion (Ave $56), Chateau de Francs in Cotes de Bordeaux (Ave $14) and consulting clients are good places to look.

Among his consulting clients, a few of my favorites are:

I would put the quality of Ch. Lanessan on par with many 4th and 5th growths.

Ch. Grand Corbin in St. Emilion (Ave $33)
Ch. de Ferrand in St. Emilion (Ave $45)
Ch. Vieux Château Palon in Montagne-Saint-Emilion (Ave $30)
Ch. La Pointe in Pomerol (Ave $47)
Ch. de Chantegrive in Graves (Ave $28)
Ch. Fieuzal in Pessac-Léognan (Ave $48)
Ch. Grand Puy Ducasse in Pauillac (Ave $51)
Ch. Lanessan in Haut-Medoc (Ave $24)

The 2015 vintages for several of these (the Vieux Château Palon, Chategrive and Lanessan in particular) are exceptional values for the money and well worth stocking up on.

There is also a second and third wine for Angélus, Le Carillon de l’Angelus (Ave $103) and Number 3 d’Angelus (Ave $52), but I haven’t had an opportunity to try either.

Some Fun Things I Learned From This Podcast

(2:11) Hubert de Boüard talks the signature role that Cabernet Franc plays in the wines of Angélus. While the estate has less Cab Franc than Cheval Blanc, it still accounts for 47% of plantings. In most years the grape makes up around 40-50% of the blend. Side note: Really interesting to compare de Boüard’s view of Cab Franc to the Thienponts who don’t seem as enthralled with the variety.

(2:55) He goes further into how this high proportion of Cab Franc differentiates Angélus from other Merlot-dominant St. Emilion wines. While it also plays a prominent role in Cheval Blanc, the sandy gravel soils of that property give it a different personality than the clay-limestone soils of Angélus.

(6:00) The second wine, Le Carillon, is made from both dedicated blocks and declassified Angélus fruit.

(7:26) Brian Clark asks how the style of Angélus has evolved over the years. Hubert de Boüard talks about the influence of his university studies and Émile Peynaud on adding a more scientific approach to winemaking.

It often seems like Cabernet Franc is the forgotten “third wheel” of the Bordeaux blend behind Cabernet Sauvignon and Merlot. Even Petit Verdot is starting to get more attention.

(9:20) Jay Selman brings the topic back to Cabernet Franc and notes how some people love the variety and some hate it. (Put me on the love side) Hubert de Boüard highlights the importance of ripeness and good soil which allows the grape to show its spicy and velvet side.

(10:27) Cab Franc is not favored on the Left Bank because it tends to be more green when grown in their gravelly soils. It often ends up in the second labels of Medoc and Grave producers.

(10:54) Really fascinating description of the “crescent” (or croissant?) of ideal soils for Cabernet Franc that begin with Ch. Lafleur next to Petrus in Pomerol then Certan (Vieux Château Certan? Certan de May? Certan Giraud?) into St. Emilion with Cheval Blanc, Angélus and Ausone. The key is clay but too much is too much because the soils will be too cold. The clay needs to be balanced with a warmer top soil of limestone, gravel or sand. To de Boüard, Cabernet Franc is very Pinot noir-like in needing the right balance of conditions to shine.

(12:18) Cab Franc vines need at least 20 years of age and low crop yield to perform best.

(13:20) At Angélus around 17% of the Cabernet Franc vines are at least 70 years of age.

(14:30) Hubert de Boüard talks about the classification of St. Emilion which is VERY interesting to listen to in light of recent news. One interesting note he does make is the importance of evaluating the land in St. Emilion’s classification versus just the winery’s brand with the 1855 classification.

(18:50) Eric Anderson asks about what would happen if a winery gets demoted in the St. Emilion classification. Surprisingly, instead of answering “hire lawyers” de Boüard gives the example of Beau Séjour Bécot and how the Becot family responded to their 1986 demotion.

I know de Boüard thinks the 2001 is better but man was this 2000 Angélus a sexy, sexy wine.

(19:50) Brian Clark asks about top vintages in Bordeaux. I got a chuckle out of Hubert de Boüard’s response “The best one is the one we didn’t sell.” Wondering if he’s thinking about the Woeful ‘7s’? More seriously, de Boüard notes how the reputation of a vintage on the Left Bank sometimes overshadows how the year was on the Right Bank. He gives the example of the 2000 vintage which was great on the Left Bank but overshadows the more superior Right Bank vintage of 2001.

(21:30) It’s unfortunate that consumers get obsessed with the “expensive vintages” de Boüard says. He highlights years like 2001 and 2006 as years that consumers can get great value. With this interview taking place in mid-2015, I wonder if de Boüard would include years like 2012 & 2014 in those “great buy” vintages once they reach the age of 2001/2006.

Interview with Angus Smith of Commanderie de Bordeaux

(27:29) Here the interview switches to a description of the dinners of the Commanderie de Bordeaux and details about the organization. Essentially this is a not-so-secret society of wine lovers dedicated to advocating Bordeaux wines across the globe.

Historically, the Commanderie had been open to just men and their spouses. Thankfully, that looks to be changing with some chapters, like the Chicago chapter, opening up their membership to women. The DC chapter even had a women hold the title of chapter head, or Madame Le Maitre, with Bette A. Alberts.

When this episode first aired in 2015, I emailed the head of the Seattle chapter and got no response. So I don’t know if women are allowed in this chapter. Frankly, I think it is ridiculous to even let this be a chapter by chapter decision. I understand the nature of private clubs and the privilege they have in deciding their membership. But its 2018 and having gender-based restrictions on wine clubs is beyond silly.

(36:56) Jay Selman asks about decanting with a good discussion that follows. Smith and de Boüard seem to be fans of a few hours and double decanting. At Brian Clark’s chapter of the Commanderie they tend to do a blanket 3 hour decant on all wines–outside of very old vintages.

(39:43) Smith and de Boüard argue against putting the cork back into the bottle after double decanting. With this the cork is often put in upside down with the wine stained side facing out. This means that the side that was exposed to dirt and dust is now inside the bottle and potentially contaminating the wine. But beyond that, de Boüard sees little need to recork the wine at all after decanting.

(40:31) A shout-out to decanting white wines. This is something that I don’t do myself but I can see the benefit–especially with whites seals with screw-caps which can be very reductive on opening.

(40:56) A discussion about what is it about older wines that are appealing to wine drinkers. One good point I like from this discussion is how people’s definition of “older wines” varies from person to person.

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WBC18 Day 2 Quick Impressions

Amber LeBeau in Blind Tasting, Event reviews, General, Wine reviews

Published on October 6, 2018

Tom Wark (right speaking) of Fermentation Wine Blog and James Forsyth of Vinous/Delectable

Update: Check out my post Exploring the Cascade Valley at WBC18 about the wines featured at the lunch this day as well as my Day 3 overview for more details about the conference.

I’m darting away from the 2018 Wine Bloggers Conference activities to jot down a few quick thoughts from yesterday’s events. To see my thoughts from Day 1 check out my post here as well as my pre-conference worryfest here.

While a lot of those fears ended up unfounded, Day 2 introduced quite a few meaty questions for me to gnaw on.

It seems like an unofficial theme for Day 2 was “Why Are You Blogging?” with the morning panel and keynote speaker prompting a lot of inward reflection. I will admit that this is a question that has been wrangling around my head for a while now and will probably be the source of much rumination on the long drive home tomorrow.

Wine Bloggers vs Wine Influencers (vs The World)

This panel, moderated by Thaddeus Buggs of The Minority Wine Report, featured James Forsyth of Vinous/Delectable, Michael Wangbickler of Balzac Communications and Tom Wark of the Fermentation Wine Blog.

The aim of the panel was to distinguish what may separate a blogger from an influencer as well as how the future of social media and niche apps like Delectable could impact both.

I may write up a fuller review of this panel but there were three big takeaways that I got that really caught my attention.

1.) From Michael Wangbickler

Social media isn’t an alternative to blogging but it is another channel. While its ideal to utilize multiple channels, some are more tailored to certain audiences than others. For instance, Instagram seems to appeal more to image driven and younger generations while Facebook tends to cater to more lifestyle driven and older audiences. Twitter appeals to a diverse demographic that prefers one on one interactions.

Thaddeus Buggs (far left) of the Minority Wine Report and Michael Wangbickler of Balzac Communication (left seated).

Questions for me to explore:

Who is my audience? This is something I will definitely be pondering more. I think I can eliminate the image driven side. I personally don’t view wine as an “image accessory” nor do I write like it is. To me, wine is about enjoyment rather than enhancing status or image.

I feel like my style caters more towards the wine student and general enthusiasts but who knows? Maybe you guys can help me with some thoughts in the comments.

2.) From Tom Wark

If you are going to blog then you should focus on something that you can be the champion of and commit to posting at least once a week, if not more. Don’t be a generalist. Be the go-to person for something.

Questions for me to explore:

What do I want to champion? Or maybe to put it another way, what drives my passion that can fuel a commitment to write steadily about a topic? This is a dozy for me to chomp on because I can’t really say that I have had a focus with this blog at all. I’ve definitely followed more the generalist approach, writing about whatever has tickled my fancy at a particular moment–even dipping my toes into the world of spirits and beer occasionally.

Do I need to hunker down and focus on something? What can I possible be the “go-to person” for? My initial instinct is to focus more on the wine student aspect and write about the info that I have been seeking out for my studies. In some ways that has always been an impetus for me in writing. Wine info is scattered across the internet and books and I initially started writing wine articles for Wikipedia as a way to consolidate and digest that info into one source.

Do I continue that path with things like my Keeping Up With The Joneses of Burgundy series, Bordeaux Futures and expanded research articles on figures like Martin Ray, Bob Betz, W.B. Bridgman, etc?

3.) From James Forysth

Niche apps like Delectable are ways that writers can build credibility and authority with publishing their reviews as well as get useful backlinks.

Questions for me to explore:

Eh? Reviews are something that will probably always have me conflicted. To be 100% brutally honest, I really don’t think anyone should give a flying flip about what I think about a wine. This is also why the idea of being “an influencer” never appealed to me. If you read my review and go out and buy a bottle of wine, you are spending your money and you will be the one drinking the bottle–so really only your opinion should matter.

This is why I very deliberately organize my reviews to have my opinion shoved down to the bottom. For me, the story of the wine and whatever cool or unique details I discover are far more important.

I will share my opinion on the relative value of the wine versus its cost only because I’ve spent probably way too much money on wine and have learned a few lessons the hard way. I say “relative value” because ultimately we each have to decide on our own if a wine is worth paying what the asking price is–like $2600+ for a bottle of Petrus. That’s a decision that I can never make for you–nor should you ever want me to.

The Wines of Rías Baixas

Master Sommelier Chris Tanghe

I was looking forward to this event moderated by Master Sommelier Chris Tanghe. Since I’ve joined the Somm Select Blind 6 subscription, Albarino has been a royal pain in the rear for me to pick out blind. I confuse it so often with several different wines–Oregon Pinot gris, California Viognier, Argentine Torrontes–that I haven’t honed in yet on what’s my blind spot with this variety.

My Albarino issue is probably fodder for a future post but, after trying 8 vastly different examples of the variety from the Spanish wine region of Rías Baixas, I now have at least one razor sharp tell-tale of the variety to look for.

Salinity.

Every single one has this very precise and vivid streak of salinity–even the examples that had a lot of oak influence. While the highly floral and perfume examples will still probably steer me towards Torrontes while the weightier examples will trip up me thinking about Pinot gris or Viognier depending on the fruit profiles, it may ultimately be the salt that leads me home.

Keynote Speaker — Lewis Perdue

Lewis Perdue has a long history in journalism and the wine industry–working for the Washington Post and founding Wine Business Monthly. He currently manages the website Wine Industry Insights which is most prominently known for its daily email News Fetch that is curated by Perdue and Becca Yeamans-Irwin (The Academic Wino).

The bulk of Perdue’s very excellent keynote was about the importance of bloggers building and maintaining trust with their audience. He made the very salient point that admist all the noise of traditional and digital media, ultimately the readers are buying into you and you have to demonstrate that you are worth their time and attention. A big part of that worth is your credibility.

From here Perdue highlighted several pratfalls that befall bloggers who seek out paid promotion opportunities from wineries (are they being upfront with their readers and the Federal Trade Commission?) and noted that the more “the sell” increases in your writings, the less credible you are.

Ultimately each blogger has to answer the question “Why are you blogging?” Are you trying to make money? Trying to inform? Trying to build a reputation?

So….why am I blogging?

I know I’ve very fortunate in that I don’t have to try and scrape together a living from blogging. My wife is a manager in the tech field which safely covers all our bills (especially the wine bills). Listening to Perdue’s keynote as well as comments from the panel earlier and the seminars I took on Day 3 of the Wine Bloggers Conference has only solidified in my mind that I really don’t want to bother at all with influencing/paid promotion junk.

Which probably takes my blog off of a lot of PR and wineries’ radars but oh well. If your winery is really interesting and doing cool stuff like Tablas Creek or Domaine Henri Gouges, I’ll probably find you eventually and be glad to spend my own money on your product.

I know that if it lives up to the hype, I’m going to have a heck of a lot more fun writing about it and telling others than if a winery came knocking on my digital door wanting me to tout some mass-produced Cabernet and Chardonnay.

Frankly if you ever see me writing multiple posts about some bulk brand, dear readers, don’t go and buy the wine. That’s my distress signal. I’ve been kidnap. Send help.

But back to Perdue’s question.

Why am I blogging? I suppose it is to build a reputation and establish credibility. I’ve always been a big believer in the mantra “Show, don’t tell.”

Yes, I’m working on my various certifications and I would like to someday be a Master of Wine but I really don’t want my credibility to rest on some initials. I’d rather get out there into the world and prove my mettle by letting my work speak for itself.

Credibility is extremely important to me which is why I’m an obsessive fact checker and like to litter my posts with frequent links and attributions to other worthwhile sources (something that gets Perdue’s seal of approval). I want to get it right and if I have it wrong, I want to learn where I erred so I can be better the next time.

Live Red Wine Blogging

This was crazy chaotic and I need to hurry up and wrap up this post so I can get to the next round for Whites & Rosé. While I tweeted and Instagram about a few things, the wines that are really worth a more in-depth review I will seek out bottles to purchase for a later post.

Out of the 10 wines I tried, the ones that I will definitely be seeking out are:

In fact, I already bought a bottle! Kind of made it easy with the Mansion Creek tasting room in the Marcus Whitman hotel.

Mansion Creek Cellars 2015 Red Dog — 70% Tinta Cão (hence the name), 28% Cabernet Sauvignon and 2% Grenache-Syrah. Super cool blend and great back story with the Iberian grape varieties.

Stone Hill 2015 Chambourcin — This wine made this Missouri girl super nostalgic but also super impressed. It was fairly early in the tasting event and I was spitting so I can’t blame palate fatigue but I don’t remember Missouri Chambourcin being this tasty.

Tertulia Cellars 2014 The Great Schism — This winery thoroughly impressed me at this past February’s tasting of the Walla Walla Valley Wine Alliance in Seattle. They poured the 2013 release of the Great Schism which ended up being my wine of the event and this 2014 was just as good. If you are a fan of savory and complex Rhones then this winery needs to be on your radar.

Mystery Wine Country Excursion — L’Ecole 41 and Woodward Canyon

Rick Small (left) of Woodward Canyon and Marty Chubb (right) of L’Ecole

I pulled the red ticket and boy did I score with my mystery location being jointly hosted by the crème de la crème of Washington wine. I can’t do the evening justice in a short blurb so I will save my thoughts for a future post.

But I will say that this event was the perfect fulfillment of my original expectation from my pre-conference post of wanting to hear other opinions from non-Washington bloggers about our local wines.

I really enjoyed listening to the perspectives of Las Vegas-based blogger Louisa from The Grape Geeks and Dallas-based Diane and Nathan Roberts of Positive Vines as they enjoyed these benchmark Washington wines.

I eagerly look forward to reading their write-up of the event (as well as Earle Dutton of Equality 365 who was my dining companion) and comparing notes.

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Getting Geeky with Tablas Creek Vermentino

Amber LeBeau in Wine grapes, Wine Knowledge, Wine reviews

Published on September 13, 2018

Back in January, I wrote a post called Wine Clubs Done Right that detailed my discovery of Tablas Creek’s Wine Club program. Which I promptly joined. As I noted in that post, I don’t join many wineries’ wine clubs. They rarely offer compelling value. Plus, I don’t like being committed to buying quantities of wine that may eventually shift in style due to changing winemakers/ownership, etc.

However, while exploring the Tablas Creek story and all they had to offer I found many compelling reasons to pull the trigger and join. Much to my surprise, the folks at Tablas Creek were actually interested in my tale and offered on their blog some cool behind the scene insights into their thought processes in how they set up their wine club programs.

You usually don’t see that kind of receptivity and transparency with many wineries but, as I’ve found out in the nearly eight months since I’ve been a member of Tablas Creek’s wine club, that is just par for the course with them. It’s not marketing or show. These folks are really just wine geeks through and through. They love what they are doing and sharing that passion with others.

If you are wine geek yourself, I honestly can’t recommend a more exciting winery to discover.

Beyond their hugely informative blog with harvest and business details, the Tablas Creek website also offers a trunkload of goodies. This includes a fantastic vintage chart of their wines that gets updated regularly. You’ll also find a comprehensive listing of grape varieties they farm.

Jancis Robinson’s Wine Grapes is still my holy writ (and I like Harry Karis’ The Chateauneuf-du-Pape Wine Book chapter on grapes). But when I’m away from my books and want to check up on a Rhone variety, there is no better online source than the Tablas Creek site. Plus, the particular winemaking details they cover in the entries is often stuff that you won’t find in many wine books because it comes from their decades of hands-on experience working with these grapes between themselves and the Perrins’ Ch. Beaucastel estate.

But enough with the effusive gushing and let’s get down to some hardcore geeking over the 2017 Tablas Creek Vermentino from the Adelaida District of Paso Robles.

The Background

Counoise vine outside the tasting room at Tablas Creek.

Tablas Creek Vineyards was founded in 1989 as a partnership between the Perrin family of Château de Beaucastel and Robert Haas of Vineyard Brands. As I noted in my 60 Second Review of the 2000 Beaucastel Châteauneuf-du-Pape, the Perrins have been in charge of the legendary Rhone property since 1909.

Robert Haas established Vineyard Brands in 1973 as part of a long wine importing career. He began in the 1950s working for his father’s Manhattan retail shop M. Lehmann (which was eventually bought by Sherry Wine and Spirits Co. to become Sherry-Lehmann). After World War II, he was the first American importer to bring Chateau Petrus to the United States. Haas also helped popularize the idea of selling Bordeaux futures to American consumers.

In addition to Beaucastel, Haas represented the importing interests of several notable Burgundian estates. These include Domaine Ponsot, Henri Gouges, Thibault Liger-Belair, Jean-Marc Boillot, Etienne Sauzet, Mongeard-Mugneret, Domaine de Courcel, Thomas Morey, Vincent & Sophie Morey, Vincent Girardin and Vincent Dauvissat. He also represented the Champagne houses Salon and Delamotte. Haas would go on to sell Vineyard Brands to the firm’s employees in 1997. His son, Daniel, manages the company today.

Aaron Romano of Wine Spectator noted that Haas also helped launch Sonoma-Cutrer and promoted on a national stage the prestigious California wines of Chappellet, Joseph Phelps, Hanzell, Kistler and Freemark Abbey. In 1980, he co-founded the distribution firm Winebow Group.

Planting Tablas Creek

The vineyards of Tablas Creek with some of the rocky limestone soil visible.

Haas and the Perrins saw the similarity in maritime climate and limestone soils of the Adelaida District and Rhone. They purchased 120 acres west of the city of Paso Robles and established Tablas Creek. Planting of their estate vineyard began in 1994. Today the winery has 115 acres of biodynamically farmed vines–producing around 30,000 cases a year.

Utilizing its close connection to the Chateauneuf estate, Tablas Creek would go on to become an influential figure in the Rhone Ranger movement in the United States. They did the heavy lifting of getting cuttings from Beaucastel through quarantine and TTB label approval. Over the years, Tablas Creek would help pioneer numerous varieties like Counoise, Terret noir, Grenache blanc and Picpoul in the US. Additionally, the high quality “Tablas Creek clones” of Syrah, Grenache and Mourvedre have populated the vineyards of highly acclaimed producers across California, Oregon and Washington.

In the mid-2000s, Robert’s son Jason joined the winery and is now the general manager. He’s also the main contributor to Tablas Creek’s award-winning blog.

In March 2018, Robert Haas passed away at the age of 90, leaving a lasting legacy on the world of wine.

The Grape

Vermentino from Giorgio Gallesio’s ampelography catalog published between 1817 and 1839.

Wine writers and producers hotly debate the origins and synonyms of Vermentino. Some ampelographers claim that the grape came from Spain via Corsica and Sardinia sometime between the 14th and 17th centuries. However, DNA evidence point to potentially the mainland of Italy as the birthplace. Here they suggest that the Vermentino of Tuscany, Corsica and Sardinia are the same grape as the Ligurian Pigato and the Piemontese Favorita.

But, Ian D’Agata, in his Native Wine Grapes of Italy, notes that these conclusions are vigorously disputed by Italian growers, particularly in Liguria, who point out that Pigato produces different wine compared to other Vermentino. D’Agata finds Pigato to create “bigger, fatter wines” with a creamier texture than most Vermentino. The name “Pigato” may have derived from the word pigau in the Ligurian dialect, meaning spotted. It could be a reference to the freckled spots that appear on the berries after veraison.

It is possible that the grape is a relatively recent arrival to Sardina. The absence of Vermentino in the 1877 Bollettino Ampelografico listing of Sardinian varieties suggests this. However, the 1887 edition later included it. Today the grape plays a prominent roll in Sardinia’s only DOCG wine–Vermentino di Gallura.

The connection to Favorita seems to be less disputed, though.

Vermentino vineyards in Sardinia.

Robinson, Julia Harding and José Vouillamoz note in Wine Grapes that historically the grape was believed to have been brought to Piedmont originally as a gift from Ligurian oil merchants. The first documentation of the vine was in the Roero region in 1676, where it was a “favorite” table grape.

Almost two decades earlier, in the Piemontese province of Alessandria, a grape named “Fermentino” was described. Growing in vineyards along with Cortese and Nebbiolo, this may be the earliest mention of Vermentino.

Historically, as Favorita, the grape has a long history of being blended with Nebbiolo. It was a softening agent, used to smooth out the later grape’s harsh tannins and acid. This is very similar to how producers once blended white grapes like Trebbiano and Malvasia with Sangiovese in Chianti.

While once the primary grape of Roero, in recent decades, Favorita has fallen out of favor. In its place, Arneis and Chardonnay have gained in popularity.

Beyond Italy

Rolle/Vermentino grapes growing in southern France.

Outside of Italy and Corsica, Vermentino also grows in the Languedoc-Roussillon. Here the grape is known as Rolle. Beyond Europe, Lebanese producers are growing in the Bekaa Valley. It has become one of the fastest-growing “alternative grape varieties” in Australia. As of 2016, there are nearly 300 acres across Victoria, the Hunter Valley, King Valley, the Barossa and Murray Darling.

While Tablas Creek mostly focuses on Châteauneuf-du-Pape grapes, they were one of the first US producers of Vermentino. They planted the vine in 1993 based upon the recommendation of the Perrin family’s nurseryman. He thought that Vermentino would do well in the soils and climate of the Adelaida District. While initially used as a blending component, the winery has been making a varietal Vermentino since the 2002 vintage.

Growing in popularity

In 2008, there were around 20 acres of the Vermentino planted in California when there was some speculation that the grape could have appeal to Sauvignon blanc drinkers. By 2017 that number had jump to 91 acres as producers like Tablas Creek, Seghesio in the Russian River Valley, Mahoney Vineyards, Fleur Las Brisas and Saddleback in Carneros, Unti Vineyards in the Dry Creek Valley, Gros Ventre Cellars in El Dorado, Brick Barn in Santa Ynez, Twisted Oak in the Sierra Foothills and others began receiving acclaim for their bottlings.

Outside of California, notable plantings of Vermentino are in the Applegate Valley of Oregon (Troon Vineyard and Minimus Wines). You can also find it in the Texas High Plains (Duchman Family Winery) and Monticello AVA of Virginia (Barboursville Vineyards).

In 2017, Tablas Creek produced 1430 cases of Vermentino. While some producers age their Vermentino in neutral oak, Tablas Creek fermented and ages theirs in stainless steel tanks.

The Wine

The mix of citrus and yellow peach notes is very intriguing with this wine.

High-intensity nose. Very citrus-driven with kefir lime, pink grapefruit and pummelo–both the zest and the fruit. There is also a tree fruit element that seems a bit peachy. But I would put it more in the less sweet yellow peach category than white peach.

On the palate, those citrus notes carry through and have an almost pithy element to them. Not bitter at all. But it adds weight and texture to the medium body of the wine. The medium-plus acid is mouthwatering and lively but well balanced with the acid highlighting the yellow peach note. The palate also introduces some racy minerality with a very distinctive streak of salinity that lingers long throughout the finish.

The Verdict

The best way I can describe this 2017 Tablas Creek Vermentino is if a New Zealand Sauvignon blanc, a sur lie Muscadet from the Loire and an Italian Pinot grigio had a threesome. This would be their baby.

Such a fascinatingly unique and character-driven wine. It combines multiple layers of tropical and tree fruit with acidity, minerality, weight and texture. Well worth its $27 price.

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Geek Notes 7/30/18 — New Wine Books to Geek Out With in August

Amber LeBeau in Geek Notes, Wine grapes, Wine Knowledge

Published on July 30, 2018

Elevations of New Zealand

A look at some of the some of new releases in the world of wine books.

The Wines of New Zealand by Master of Wine Rebecca Gibb (released July 30th, 2018)

While there has been a few other books written to cover the wines of New Zealand such as Michael Cooper and John McDermott’s Wine Atlas of New Zealand (2002) and Warren Moran’s New Zealand Wine: The Land, The Vines, The People (2017), as far as I can tell this 356 page book is the first in-depth and exclusive look into the wines of New Zealand that has been written by a Master of Wine.

While previous books were written by New Zealand insiders, I’m intrigued at the perspective that UK-based Gibb may add to the story–especially in light of the global worldview of wine that is required to attain MW certification.

This intrigues me because it seems like in many ways that the NZ wine industry has been suffocating under the weight of success for their Sauvignon blancs with the grape still representing a staggering 72% of New Zealand wine production (2016).

Now with producers in other regions of the world breaking down the science of thiols and their precursors as well as the role of methoxypyrazines to tweak their own approach to Sauvignon blanc, wine shelves are awashed in pink grapefruit and gooseberries.

Suddenly New Zealand’s “distinctive style” doesn’t seem so distinctive anymore.

View towards the Southern Alps but it honestly wouldn’t be out of place in the Malbec country of Mendoza, Argentina.

Yet for a country that spans over 10 degrees of latitude from the Northland region of the North Island down to Dunedin south of the Central Otago district on the South Island (more than the latitude difference between Champagne, France and Naples, Italy), it feels like there has to be more to the New Zealand wine story that just their ubiquitous Sauvignon blanc.

I mean, come on, this is a land that was able to bring to life on screen the diverse terrains Tolkien’s imagination in the Lord of the Rings series. Certainly there has to be a treasure trove of unique terroir that can be married to different varieties in magical ways.

As a wine geek and consumer, I would love to learn more about some of the 50+ other grape varieties grown in New Zealand.

What about Albariño in Gisborne? Syrah from Hawke’s Bay? Pinot blanc from Central Otago? Petit Verdot from Waiheke Island?

I know those varieties probably won’t excite the patio pounders and cafe sippers who guzzle down Kim Crawford, Oyster Bay and Nobilo by the caseful but it is certainly an answer for the legions of drinkers who’ve grown fatigued of Sauvignon blanc as is the inevitable fate for every fashionable variety.

Perhaps Gibb’s book would not only answer that fatigue but maybe also give a reason to give New Zealand’s old standby of Sauvignon blanc a fresh look with new eyes?

How to Import Wine: An Insider’s Guide (2nd Edition) by Deborah M. Gray. (To be released August 13th, 2018)

Gray’s first edition of How to Import Wine from 2011 was an extremely valuable resource for me in studying for the business unit of the WSET diploma.

It laid out clearly a lot of the complexities behind finding clients, building brands as well as the licensing, regulations and expenses that go into importing wine and finding distribution for those wines. It’s a far less romantic reality than you would imagine after reading Kermit Lynch’s Adventures on the Wine Route.

And then there is the reality of a rapidly changing market–driven particularly by Millennials and our wanderlust tastes. The second edition of Gray’s book looks to tackle some of those changes along with new laws and regulation that have emerged since the previous edition.

In Vino Duplicitas: The Rise and Fall of a Wine Forger Extraordinaire (paperback) by Peter Hellman. (To be released August 21st, 2018)

Seems like folks love reading (and writing) about rich folks getting snookered on wine.

Similar to how Benjamin Wallace’s The Billionaire’s Vinegar chronicled Hardy Rodenstock’s forgeries and scandals, Hellman takes a look at the build up and fall out of Rudy Kurniawan’s nearly 10 year con of infiltrating the big spenders clubs of the wine world and then blending his own fake bottles of legendary wines to sell to his buddies.

Hellman’s book was originally released in hardcover and audio book back in July 2017 and is a great read for folks who like historical non-fiction along with a peak into the gaudy wine drinking lifestyles of people who pop Petrus and DRC like a Sunday brunch wine.

Photo by Camw. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Why have mimosas when you can have La Tache? Assuming it’s real of course.

I also recommend checking out the 2016 documentary Sour Grapes which covers the Rudy Kurniawan from the perspective of those who knew Rudy as well as his victims and the people who brought him down.

That film also introduced me to the awesome work of Maureen Downey (aka ‘The Sherlock Holmes of Wine’) who was at the forefront in exposing Kurniawan. The day she releases a book on wine forgery, you better believe I will be snapping that sucker up on preorder.

The Wines of Eastern Europe by John Hudelson PhD. (To be released August 1st, 2018)

Seriously, Pošip is a fantastic white wine! Kind of like a less green and pungent New Zealand Sauvignon blanc.

Admittedly the wines of Bulgaria, Slovenia, Hungary, Romania, Georgia, Croatia and the like are a bit of a blind spot for me. Sure I’ve had Tokaji before (including a huge jackpot score with The Somm Game on my last trip to Vegas) and my mind was blown away on my trip to Croatia with how incredibly delicious their whites made from Pošip, Grk and Maraština were.

I’ve also had an oddball Bulgarian, Georgian and Romanian wine but outside of flashcard WSET knowledge about Bull’s Blood, Fetească Regală, Saperavi and the like I don’t really have much in-depth knowledge about the wines and culture of this part of the world. And I doubt that I’m alone in sharing this blind spot.

But exciting things are happening in the wine industries of Central and Eastern Europe with new winemakers taking fresh approaches to their bevy of unique indigenous varieties–to say nothing of the Natural Wine Movement that seems to have its spiritual home here.

With 386 pages written by John Hudelson, the author of Wine Faults: Causes, Effects, Cures (which was super valuable to me during my winemaking studies), I can see The Wines of Eastern Europe going a long way towards filling in that gaping blind spot.

Though giving Hudelson’s previous work on wine faults, I’ll be really curious to see how he approaches the topic of sulfite use and natural wines.

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Bordeaux Futures 2017 — Vieux Chateau Certan, La Conseillante, La Violette, L’Eglise Clinet

Amber LeBeau in Bordeaux, Shopping for Wine

Published on July 12, 2018

Vineyards of Ch. Gazin in Pomerol.

After striking out completely on our last visit to Pomerol where we explored the 2017 Bordeaux Futures offers for Ch. Clinet, Clos L’Eglise, L’Evangile and Ch. Nenin, we head back there to see if maybe, possibly, somehow there will be anything resembling a decent value in the offers from Vieux Chateau Certan, La Conseillante, La Violette and L’Eglise Clinet.

Or maybe I will just end up buying more 2014s? Though that vintage has been more hit or miss for me in Pomerol than it has been in St. Emilion and on the Left Bank.

While I did pick up some Pomerols during the 2015/2016 campaigns, rising prices and difficulties in finding good, consistent values has lead to this appellation taking up an ever shrinking amount of space in my cellars.

But, hey, it never hurts to keep exploring. So let’s see what we’ve got here.

First time visitors are encouraged to check out the first Bordeaux Futures 2017 post in the now 13 article series that covered the offers of Palmer, Valandraud, Fombrauge and Haut-Batailley and laid out the groundwork for our approach with buying 2017 Bordeaux Futures.

So far we’ve reviewed the 2017 offers of more than 50 Bordeaux estates and compared them to the current retail pricing over previous vintages. You can check these out and more via the links at the bottom of the page.

Now onto the offers.

Vieux Chateau Certan (Pomerol)
Some Geekery:

Clive Coates notes in Grand Vins that the name “Certan” was originally spelled Sertan and likely derived from an old Portuguese word for “desert”. It was reported that when Portuguese settlers were traveling through the area in the 12th century that they found the soils to be so poor and arid that they thought little could grow successfully there.

Vines were planted by at least the 18th century when the property came under the ownership of the De May family who were merchants of Scottish origins. The De Mays also owned neighboring Ch. Nenin until 1782 when it was sold so that the family could focus all its attention on Vieux Chateau Certan.

After the French Revolution, the property was split among the heirs with one part becoming what is now Ch. Certan de May. The other part that remained Vieux Chateau Certan would stay in the De May family until 1858 when it sold to a Parisian businessman, Charles de Bousquet. Unfortunately soon after the acquisition, the ravages of phylloxera hit and the estate entered a period of several decades of financial hardships.

The tower of Troplong-Mondot in St. Emilion which Georges Thienpont sold to focus on Vieux Chateau Certan.

The modern history of Vieux Chateau Certan began when it was sold to a Belgian wine merchant, Georges Thienpont, who also owned the St. Emilion estate Troplong Mondot. It was Thienpoint who had the idea of using bright pink capsules so that he could easily spot bottles of Vieux Chateau Certan in his clients’ cellars.

While financial difficulties in the 1930s would cause the Thienponts to sell Troplong Mondot, the family still retains ownership of Vieux Chateau Certan today with Georges’ grandson, Alexandre, managing the estate.

In 1978, when the Loubie family was selling Ch. Le Pin, Alexandre’s father Léon was looking to buy the property and absorb its 2 hectares of vines into those of Vieux Chateau Certan. But when the pricing couldn’t be worked out, Thienpont convinced his nephew, Jacques, to purchase the estate that has now go on to achieve cult status in Bordeaux.

The 14 ha (35 acres) of vines at Vieux Chateau Certan covers 3 distinct soil types with different grape varieties planted on each type. The parcels located next to Ch. Petrus and sharing some of its famous blue clay are planted to Merlot. Here there are some plots that have been planted in 1932 and 1948, making them some of the oldest vines in Pomerol.

On the soils that are a mixture of clay and gravel, Cabernet Franc is planted and accounts for around 30% of all Vieux Chateau Certan vines. In the winery, Thienpont treats the Cabernet Franc differently than other producers by fermenting the wine at high temperatures (30C/86F) and having malolactic fermentation take place in stainless steel tanks instead of in the barrel. The amount of Cabernet Franc used in the final blend varies depending on vintage with some years like 2003 being 80% Cabernet Franc.

The parcels on red gravel are planted to Cabernet Sauvignon which account for around 5% of all the vines. All the vineyards are farmed sustainably.

The 2017 vintage is a blend of 81% Merlot, 14% Cabernet Franc and 5% Cabernet Sauvignon. Around 4000 to 5000 cases a year are produced.

Critic Scores:

97-98 James Suckling (JS), 96-98 Wine Advocate (WA), 95-97 Wine Enthusiast (WE), 94-96 Vinous Media (VM), 96-98 Jeff Leve (JL),

Sample Review:

The 2017 Vieux Château Certan is a rapturously beautiful wine. Dark, sumptuous and seamless in the glass, the 2017 is going to tempt readers early. This is the first vintage that includes a bit of young vine Cabernet Sauvignon planted in 2012 to complement the old-vine Merlot and Franc that are the core of Vieux Certan. A wine of exceptional balance and purity, the 2017 dazzles from start to finish. There is an element of tension in the 2017 that is incredibly appealing. “We are back to Bordeaux,” adds Alexandre Thienpont in reference to the personality of the year as compared to both 2016 and 2015. — Antonio Galloni, Vinous

Offers:
Wine Searcher 2017 Average: $231
JJ Buckley: $239.94 + shipping (no shipping if picked up at Oakland location)
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $239.97 (no shipping with wines sent to local Total Wine store for pick up)
K&L: $239.99 + shipping (no shipping if picked up at 1 of 3 K & L locations in California)

Previous Vintages:
2016 Wine Searcher Ave: $281 Average Critic Score: 95 points
2015 Wine Searcher Ave: $330 Average Critic Score: 96
2014 Wine Searcher Ave: $190 Average Critic Score: 95
2013 Wine Searcher Ave: $156 Average Critic Score: 91

Buy or Pass?

The 2009 Vieux Château Certan rocked my world and my mouth drools at the thought of how delicious the 2003 Cabernet Franc-dominated VCC must be tasting today. But, alas, the trend of 2017 pricing that we saw in our last foray into Pomerol is still holding true here with an average price well above the comparable 2014 vintage that is still on the market.

While I have no doubt that this will probably be a tasty wine, there just isn’t the compelling value to make this a worthwhile futures purchase. Pass.

Ch. La Conseillante (Pomerol)

Some Geekery:

A bottle of 1940 La Conseillante with the distinctive purple capsule still visible.

La Conseillante is one of the oldest estates in Pomerol being founded in the 1730s by Catherine Conseillan, a Libournais businesswoman who was known as a dame de fer for her work in the metal industry where she sold ploughshares and wires for vine training.

For the first couple decades the vineyards were managed via a métayage system of sharecropping until 1756 when Madame Conseillan took full control of the property and built a chateau. She managed the estate until her death in 1777 when the property passed to her niece and then a succession of owners until it was purchased by the Nicolas family in 1871.

A well connected negociant family who owned Nicolas Freres, it was the Nicolas family who began using the distinctive purple capsules on the bottle. When they purchased the estate the vineyards of La Conseillante was planted to around a third Malbec, a third Merlot and a third of Cabernet vines split between Sauvignon and Franc.

The property is still owned by the Nicolas Family today. In the early 2000s, Jean-Michel Laporte was brought on as winemaker with Gilles Pauquet as a consultant. By 2013, Michel Rolland replaced Pauquet as consultant and, in 2015, Laporte left La Conseillante and was succeeded by Marielle Cazaux who used to direct the winemaking at Ch. Petit Village.

The 12 ha (30 acres) of vines are now planted to 80% Merlot and 20% Cabernet Franc with plans to increase the percentage of Cabernet Franc up to 30%. Nearly two-thirds of the vines are close to Vieux Chateau Certan and Petrus. Other parcels are close to Ch. Beauregard, L’Evangile, Petit Village and the St. Emilion border with Cheval Blanc. Many of the parcels are farmed organically.

The 2017 vintage is a blend of 85% Merlot and 15% Cabernet Franc. Around 4,500 cases a year are produced though with the frost damage of 2017, production will be lower for this year.

Critic Scores:

95-97 WA, 95-97 WE, 94-95 JS, 93-95 VM, 95-97 JL, 94-96 Jeb Dunnuck (JD)

Sample Review:

With 15% lost to frost (just 1.5ha entirely lost), the final yield was 34hl/ha, with no second generation fruit in the wine. It’s an excellent take on the vintage, the austerity coming through on the attack before it opens to a wonderfully smoky mid-palate with loganberry and blackberry fruit, showing real fullness and volume. This has texture, structure and good aromatics, with a great sense of energy and persistency. The plot affected by the frost was a Duo parcel, so they will make a small amount of second wine but not as much as usual, and the overall production will be 85% grand vin. In organic conversion. 70% new oak. (94 points) — Jane Anson, Decanter

Offers:
Wine Searcher 2017 Average: $165
JJ Buckley: $169.94 + shipping
Vinfolio: No offers yet.
Spectrum Wine Auctions: $1,019.94 for minimum 6 bottles + shipping (no shipping if picked up at Tustin, CA location)
Total Wine: $169.97
K&L: $169.99 + shipping

Previous Vintages:
2016 Wine Searcher Ave: $213 Average Critic Score: 95 points
2015 Wine Searcher Ave: $192 Average Critic Score: 94
2014 Wine Searcher Ave: $106 Average Critic Score: 93
2013 Wine Searcher Ave: $93 Average Critic Score: 91

Buy or Pass?

My only experience with La Conseillante has been with their very delicious 2014 release. While I would certainly like to explore more of their bottlings, at the prices being asked for their 2017 futures I’m going going to Pass and look into stocking up on more of the 2014.

Ch. La Violette (Pomerol)

Some Geekery:

Ch. La Violette is a relatively young estate that was founded in the late 1800s by a cooper, Ulysse Belivier. Despite a very enviable location on the plateau of Pomerol flanking Ch. Trotanoy and what is now Le Pin, the wines of La Violette were marred in obscurity until 2006 when it was purchased by Catherine Péré Vergé.

Péré Vergé, who also owned Chateau Le Gay and Chateau Montviel in Pomerol, Ch. La Graviere in Lalande-de-Pomerol and Bodega Monteviejo in Argentina, brought in her longtime consultant Michel Rolland. Over the next several vintages, the winery was renovated and all Cabernet Franc vines uprooted and replaced with Merlot.

Very labor-intensive viticulture practices were put in place with each individual vine in the tiny 1.68 ha (4 acres) estate being “manicured” by hand throughout the growing season with individual green and unripe berries removed during several passes in the vineyard after veraison. After harvest, instead of using a machine, the grapes are destemmed by hand with a very selective triage and sorting. Coupled with severe pruning in the winter months, this produces incredibly low yields that can be as low as 18 to 20 hl/ha (a little over 1 ton/acre).

Catherine Péré Vergé passed away in 2013 and today the estate is managed by her son, Henri Parent, who has also added the Pomerol estates of Ch. Tristan and Feytit-Lagrave to the family’s holdings. Michel Rolland still consults with Marcelo Pelleriti managing the winemaking.

The 2017 vintage is 100% Merlot. Only around 250 cases a year a produced.

Critic Scores:

94-96 WA, 94-95 JS, 92-94 VM, 91-94 WS, 93-95 JL, 93-96 JD

Sample Review:

The 2017 La Violette is another silky, elegant effort that has a Burgundian flare. Black cherries, blueberries, violets, white flowers, and spice characteristics all emerge from this seamless 2017 that is as classy, silky and pure as they come. Total class and up with the crème de la crème of the vintage. — Jeb Dunnuck, JebDunnuck.com

Offers:
Wine Searcher 2017 Average: $249
JJ Buckley: No offers yet
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $254.97
K&L: No offers yet.

Previous Vintages:
2016 Wine Searcher Ave: $263 Average Critic Score: 93 points
2015 Wine Searcher Ave: $336 Average Critic Score: 94
2014 Wine Searcher Ave: $273 Average Critic Score: 92
2013 Wine Searcher Ave: $205 Average Critic Score: 91

Buy or Pass?

Throughout the 2017 Bordeaux Futures campaign, I’ve been pretty disciplined in only going with wines from estates that I have a track record of previously tasting and enjoying. In more stellar vintages like 2015/2016, I’m far more adventurous and open to trying new estates but in more average years like 2017 I prefer to be conservative.

I’ve bent that rule already for the 2017 Carruades de Lafite and I think I’m going to have bend this one again for the La Violette. For one, the price is compelling being under both the 2016 and 2014 vintage. But, truthfully, my prime motivator is how much of a unicorn La Violette is and this maybe one of the few opportunities I will ever get a chance to try this wine.

Beyond just how scarcely limited it is, the only time that I’ve ever seen La Violette has been on restaurant wine lists topping over $800 a bottle. That is far more riskier of a venture for me to try a new estate versus buying a bottle as a future.

More ideally, I would want to spend the $9-14 extra to get the better 2016 vintage but I didn’t see any future offers for this last year so I would have to do some investigating to see how many of the offers for the 2016 on Wine Searcher are legit. But right now I’m inclined to go with the sure thing and Buy the 2017 just so I can bag this unicorn.

Photo by cassandros@cityweb.de. Released on Wikimedia Commons under CC-BY-SA-3.0-migrated

A bottle of 1961 L’Eglise Clinet made by Pierre Lasserre of Clos Rene.

Ch. L’Eglise Clinet (Pomerol)

Some Geekery:

The origins of L’Eglise Clinet date back to 1803 when Jean Rouchut first purchased some lands near the church (église) and cemetery for a vineyard. 1882, his descendants purchased vineyards belonging to the Constant family of Ch. Clinet and entered into a joint venture that would be known as L’Eglise Clinet.

In the early 20th century, the owners took a very hands off approach to winemaking–first by entering a leasing agreement in 1914 with a negociant firm to make the wine and then formulating a sharecropping arrangement with Pierre Lasserre of Clos Rene in 1942 that would last for more than 40 years.

In 1983, Denis Durantou took over his family’s estate and today still manages L’Eglise Clinet along with Saintayme in St. Emilion, Ch. Montlandrie in Cotes de Castillon and Ch. Cruzelles and Ch. Chenade in Lalande-de-Pomerol.

Much of L’Eglise Clinet’s 4.4 ha (11 acres) of vines escaped the devastating 1956 frost which means that L’Eglise has some of the oldest vines in Pomerol with more than a quarter being over 75 years of age. Two parcels of old vine Cabernet Franc located near the cemetery were planted in the early 1930s.

The current ratio of planting is 85% Merlot, 14% Cabernet Franc and 1% Malbec, however, all of the Malbec is actually part of a field blend interspersed with the old vines and is gradually being replaced by massale selection of Cabernet Franc. Many of the parcels are farmed organically.

The 2017 vintage is a blend of 90% Merlot and 10% Cabernet Franc. Around 1000 to 1500 cases a year are produced.

Critic Scores:

97-98 JS, 96-98 WA, 95-97 VM, 92-95 WS, 94-96 JL, 92-94 JD

Sample Review:

Black core with purple crimson rim. A hint of oak char on the nose but underneath that is pure black fruit and a creamy character. Smooth and rounded on the palate, the fruit and the oak already well melded. The finish is darker and more savoury, the oak char closing the circle. But the harmony is very good. Not as charming as La Petite Église but longer-term in potential. (17 out of 20) — Julia Harding, JancisRobinson.com

Offers:
Wine Searcher 2017 Average: $231
JJ Buckley: $239.94 + shipping
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $239.97
K&L: $249.99 + shipping

Previous Vintages:
2016 Wine Searcher Ave: $313 Average Critic Score: 93 points
2015 Wine Searcher Ave: $290 Average Critic Score: 95
2014 Wine Searcher Ave: $211 Average Critic Score: 94
2013 Wine Searcher Ave: $177 Average Critic Score: 92

Buy or Pass?

L’Eglise Clinet is another Pomerol estate that I have no previous track record with so that is one strike against this offer for me. But, unlike La Violette, the pricing for the 2017 compared to other vintages is not compelling enough to come close to enticing me to bite here. Pass.

More Posts About the 2017 Bordeaux Futures Campaign

Why I Buy Bordeaux Futures

*Bordeaux Futures 2017 — Langoa Barton, La Lagune, Barde-Haut, Branaire-Ducru

*Bordeaux Futures 2017 — Pape Clément, Ormes de Pez, Marquis d’Alesme, Malartic-Lagraviere

*Bordeaux Futures 2017 — Lynch-Bages, d’Armailhac, Clerc-Milon and Duhart-Milon

*Bordeaux Futures 2017 — Clos de l’Oratoire, Monbousquet, Quinault l’Enclos, Fonplegade

*Bordeaux Futures 2017 — Cos d’Estournel, Les Pagodes des Cos, Phélan Ségur, Calon-Segur

*Bordeaux Futures 2017 — Clinet, Clos L’Eglise, L’Evangile, Nenin

*Bordeaux Futures 2017 — Malescot-St.-Exupéry, Prieuré-Lichine, Lascombes, Cantenac-Brown

*Bordeaux Futures 2017 — Domaine de Chevalier, Larrivet Haut-Brion, Les Carmes Haut-Brion, Smith Haut Lafitte

*Bordeaux Futures 2017 — Beychevelle, Talbot, Clos du Marquis, Gloria

*Bordeaux Futures 2017 — Beau-Séjour Bécot, Canon-la-Gaffelière, Canon, La Dominique

*Bordeaux Futures 2017 — Carruades de Lafite, Pedesclaux, Pichon Lalande, Reserve de la Comtesse de Lalande

*Bordeaux Futures 2017 — Montrose, La Dame de Montrose, Cantemerle, d’Aiguilhe

*Bordeaux Futures 2017 — Clos Fourtet, Larcis Ducasse, Pavie Macquin, Beauséjour Duffau-Lagarrosse

*Bordeaux Futures 2017 — Kirwan, d’Issan, Brane-Cantenac, Giscours

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Bordeaux Futures 2017 — Beau-Séjour Bécot, Canon-la-Gaffelière, Canon, La Dominique

Amber LeBeau in Bordeaux, Shopping for Wine

Published on July 1, 2018

After covering the 2017 Bordeaux futures offers of Clos de l’Oratoire, Ch. Monbousquet, Ch. Quinault l’Enclos and Ch. Fonplegade in our first visit to St. Emilion, we return now to look at the offers for the Premier Grand Cru Classé ‘B’ estates of Ch. Beau-Séjour Bécot, Ch. Canon-la-Gaffelière and Ch. Canon as well as the Grand Cru Classé estate of Ch. La Dominique.

While we are 10 entries deep into this series, first time visitors are always well-advised to check out the the first Bordeaux Futures 2017 post covering the offers of Palmer, Valandraud, Fombrauge and Haut-Batailley that gives an overview of what we are looking for here at SpitBucket in deciding on whether to Buy or Pass on these 2017 offers.

You can also check out the links at the bottom to see other offers that we have reviewed in this series.

Now onto the offers.

Ch. Beau-Séjour Bécot (St. Emilion)

Some Geekery:

The Ancient Romans were one of the first to cultivate vines in what is now Beau-Séjour Bécot more than 2000 years ago. During the Middle Ages the property came under the stewardship of the monks of Saint-Martin de Mazerat who also managed what is now Ch. Canon.

The exterior of Beau-Séjour Bécot.

Stephen Brook notes in The Complete Bordeaux that eventually the property came under the ownership of the Lord of Camarsacs. In 1722 when the daughter of one of the lords married into the Carles de Figeac family, the estate was given to the new couple as dowry.

One of their descendants, General Jacques de Carles renamed the property Beauséjour (meaning “good stay”) in 1787. By the early 1800s, Clive Coates describes in Grand Vins that the large estate was ranked highly in prestige in St. Emilion just behind Ch. Belair, Troplong-Mondot, Ch. Canon and Ausone.

In 1869, the estate was split between the heirs of Pierre-Paulin Ducarpe with his son getting the half that is today Beau-Séjour Bécot and his daughter, who married into the Duffau-Lagarosse family, inheriting the part that is now Ch. Beauséjour Duffau-Lagarrosse. In 1955 both estates were classified as Premier Grand Cru Classé ‘B’.

The Bécot family, who already owned Ch. La Carte, purchased Beau-Séjour in 1969–affixing their name and later expanding it with their holdings at La Carte and acquiring the nearby Trois Moulins vineyard. However, the use of these other vineyard plots in the Grand Vin of Beau-Séjour Bécot was not previously approved by the governing authority of the St. Emilion classification so in 1986 the estate was demoted to Grand Cru Classé.

With the aid of consultant Michel Rolland, the Bécots worked 10 years to improve the vineyard quality of the new parcels and agreed not to use any parcels deemed inferior by the authorities for the Grand Vin. When the 1996 classification was released, Ch. Beau-Séjour Bécot was restored to its Premier Grand Cru Classé ‘B’ ranking.

The author touring the estate with Caroline Bécot.

Today the property is still in the hands of the Bécot family with Juliette Bécot managing the estate alongside Julien Barthe. In 2018, Michel Rolland left as consultant and was replaced by Thomas Duclos.

The 2017 vintage is a blend of 80% Merlot, 15% Cabernet Franc and 5% Cabernet Sauvignon. Around 6000 cases are produced each year.

Critic Scores:

93-96 Wine Spectator (WS), 93-95 Wine Enthusiast (WE), 93-94 James Suckling (JS), 92-94 Wine Advocate (WA), 91-93 Vinous Media (VM), 93-95 Jeff Leve (JL), 91-94 Jeb Dunnuck (JD)

Sample Review:

Coming from an incredible terroir located on the limestone plateau just outside the village, the 2017 Château Beau-Séjour Bécot is a medium-bodied, refined, incredibly elegant 2017 that offers awesome notes of crème de cassis, crushed violets, earth, and a saline-like minerality. Winemaker Thomas Duclos compares the 2017 to 2012, saying the wines will put on weight in barrel as well in bottle. Their 2017 is a fresh, vibrant wine and has tons of potential. The blend is 80% Merlot, 15% Cabernet Franc and the rest Cabernet Sauvignon, with the Merlot brought in from the 14th to the 22nd of September, and the Cabernets on October 28 and 29. The wine will spend 16 months in 65% new French oak, with the balance in stainless steel, amphora, and larger oak. — Jeb Dunnuck, JebDunnuck.com

Offers:
Wine Searcher 2017 Average: $58
JJ Buckley: $59.94 + shipping (no shipping if picked up at Oakland location)
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $59.97 (no shipping with wines sent to local Total Wine store for pick up)
K&L: $59.99 + shipping (no shipping if picked up at 1 of 3 K & L locations in California)

Previous Vintages:
2016 Wine Searcher Ave: $74 Average Critic Score: 93 points
2015 Wine Searcher Ave: $77 Average Critic Score: 93
2014 Wine Searcher Ave: $59 Average Critic Score: 91
2013 Wine Searcher Ave: $57 Average Critic Score: 90

Buy or Pass?

Compared to its peers in the Premier Grand Cru Classé tier, the wines of Beau-Séjour Bécot have always struck me as solid (if not slightly underrated) values.

The 2011 was very tight in 2016 and is still slowly starting to come out of its shell.
This makes me think that the 2017 is a wine that will probably need a good 10+ years itself.

My esteem for the estate rose even more during my 2016 visit to the region where I was also introduced to Juliette Bécot’s very delicious Joanin Bécot label from her Cotes de Castillon estate. Both the 2012 and 2015 of that label have been screaming good values under $30 that I eagerly seek out at retail stores and on restaurant wine lists.

While the 2017 will be a compelling buy for many Bordeaux fans, my only hitch is that my past experiences with the wines of Beau-Séjour Bécot have taught me that these wines need time in the cellar and rarely deliver much pleasure early in their life. While that is great for “cellar investment” years like 2015/2016, that is not my objective for futures buying with the 2017s.

So I will Pass on this offer even though it is a solid buy. However, I will certainly be buying some of the 2017 Joanin Bécot when it hits retail stores in 2019/2020.

Ch. Canon-la-Gaffelière (St. Emilion)

Some Geekery:

Canon-la-Gaffelière is a relatively young estate that was previously known as Canon Boitard (after an early 19th century owner) and La Gaffelière-Boitard with La Gaffelière coming from the medieval term for “lepers” and denoting the area’s previous history as part of manor grounds for a hospital that treated leprosy. Eventually the two names were combined in the 19th century to its current incarnation of Ch. Canon-la-Gaffelière.

The modern history of the estate began in 1971 when Count Joseph Hubert von Neipperg purchased the property from Pierre Meyrat, a former mayor of St. Emilion. In 2012, the estate was promoted to Premier Grand Cru Classé ‘B’.

Stéphane Derenoncourt, the consultant behind the von Neipperg wines, has a very distinctive style.

Today von Neipperg’s son, Stephan, manages the estate along with fellow Premier Grand Cru Classé ‘B’ La Mondotte as well as Clos de l’Oratoire, Ch. Peyreau, Ch. d’Aiguilhe in Cotes de Castillon, Clos Marsalette in Pessac-Léognan, the Sauternes Premier Cru Ch. Guiraud, Capaia in South Africa and Bessa Valley in Bulgaria.

Stéphane Derenoncourt is the longtime consultant who early on began Canon-la-Gaffelière’s conversion to organic viticulture with the estate being 100% certified organic in 2014.

The 2017 vintage is a blend of 60% Merlot, 30% Cabernet Franc and 10% Cabernet Sauvignon. Around 5000 cases a year are produced.

Critic Scores:

94-95 JS, 91-93 WA, 90-93 WS, 92-95 VM, 93-95 JL, 92-94 JD

Sample Review:

The 2017 Canon La Gaffelière is superb. Compelling in its aromatics and overall balance, the 2017 has so much to offer. All the elements simply fall into place. As is the case with all of Stephan von Neipperg’s wines, the 2017 is wonderfully fresh and nuanced, with less muscle than in the past and noticeably more finesse. Bright floral and mocha notes add lift to the dark red stone fruits. What a gorgeous wine this is. Tasted two times. — Antonio Galloni, Vinous

Offers:
Wine Searcher 2017 Average: $75
JJ Buckley: $79.94 + shipping
Vinfolio: No offers yet.
Spectrum Wine Auctions: $467.94 for minimum 6 bottles + shipping (no shipping if picked up at Tustin, CA location)
Total Wine: $78.97
K&L: $79.99 + shipping

Previous Vintages:
2016 Wine Searcher Ave: $92 Average Critic Score: 93 points
2015 Wine Searcher Ave: $99 Average Critic Score: 94
2014 Wine Searcher Ave: $83 Average Critic Score: 92
2013 Wine Searcher Ave: $73 Average Critic Score: 91

Buy or Pass?

If you pay attention to Wine Spectator’s yearly Top 100 list, few names appear more frequently than Canon-la-Gaffelière which has been ranked #7 (2014 vintage, 2017 list), #2 (2010 vintage, 2013 list), #23 (2009 vintage, 2012 list) and #95 (2008 vintage, 2011 list) in the last 7 years. To say that Canon-la-Gaffelière has been on a roll lately is an understatement.

When you can buy 3 bottles of Canon-la-Gaffelière for the price of 1 bottle of Opus One and get something of very similar style and quality (if not better), it’s a no-brainer for me.

As I noted in my review of Clos de l’Oratoire’s 2017 futures offer, I find the style of Derenoncourt and von Neipperg to be very “New World-ish” so I always evaluate the pricing of their wines on the scale of equivalent priced Napa wines more so than other Bordeaux.

Compared to wines like Opus One, Stag’s Leap Wine Cellars, Silver Oak, Duckhorn and Caymus, I find that there is virtually no contest in the value that Derenoncourt and von Neipperg’s Bordeaux wines provide in delivering lush, hedonistic power for much more compelling prices.

And the wines always seem to be reliably approachable for early consumption. While, on the flip side, I tend to avoid buying Canon-la-Gaffelière and Clos de l’Oratoire in stellar vintages where I’m looking for more classic and age-worthy Bordeaux, these wines fit the bill perfectly for the “cellar defender” role I’m seeking out of vintages like 2017. That makes them an easy Buy, especially when the prices are right.

Ch. Canon (St. Emilion)

Some Geekery:

This photo was taken in the limestone caves of Beau-Séjour Bécot but through here you can access the caves of Ch. Canon which is only separated by a gated door.

Like neighboring Beau-Séjour Bécot, Ch. Canon was once an ecclesiastical vineyard ran by the monks of Clos St. Martin in the 1700s. It was during this period that much of the extensive limestone caves that still connect Beau-Séjour Bécot, Ch. Canon and Clos Fourtet were quarried out with the limestone used to build many chateaux in the Libournais.

The estate was known as Domaine de Saint-Martin in 1760 when it was purchased by Jacques Kanon, a privateer from Dunkirk who served as a lieutenant in the Royal Marines during the Seven Years’ War and earned his fortune from looting and piracy. However, the name of the domaine did not change to Ch. Canon until 1853 when it was owned by the descendants of Raymond Fontemoing who purchased Domaine de Saint-Martin from Kanon in 1770.

The Fontemoing family already owned the famous Chateau Canon in the Canon-Fronsac area which Clive Coates notes in Grand Vins was fetching the highest wine of any Libournais wine in the late 18th century.

The Fontemoings wanted to avoid confusion between their two properties and kept them separate until the wines of St. Emilion began earning more prominence on the market. By the mid 1850s, the newly rechristened Ch. Canon was ranked among the top 4 estates of St. Emilion alongside Ausone, Belair and Magdelaine.

The modern history of Ch. Canon was kick started in 1996 when the estate was sold by the Fournier family to the Wertheimer brothers, Alan and Gerard, who owned the luxury brand Chanel. Today it is part of a portfolio that includes the Margaux 2nd Growth Rauzan-Ségla, Ch. Berliquet in St. Emilion and St. Supéry in Napa Valley as well as the negociant firm Ulysse Cazabonne.

Under the Chanel Group’s ownership, significant capital was invested into replanting the vineyards and renovating the cellars. John Kolasa was brought on to manage Ch. Canon (as well as the other Bordeaux estates) where he stayed till 2015 when he was succeeded by Nicolas Audebert who formerly managed the LVMH Argentine project of Cheval des Andes. Thomas Duclos was also brought on that year as a consultant.

The vineyards of Ch. Canon.

The vineyards of Ch. Canon are smack dab in the heart of St. Emilion’s famous limestone plateau with additional parcels on the slopes neighboring Angelus and Ch. Quintus. In recent years, the owners have acquired Chateau Matras and Chateau Cure Bon with the INAO permitting some of the hectares from Cure Bon to be used in the Grand Vin.

The 2017 vintage is a blend of 73% Merlot and 18% Cabernet Franc. Around 6,000 cases a year are produced.

Critic Scores:

94-96 WA, 93-96 WS, 94-95 JS, 93-95 WE, 92-94 VM, 94-97 JD, 94-96 JL

Sample Review:

Another successful year for Canon; not as voluptuous as in 2016 or 2015, but it has a wonderful salinity and a crisp, fresh curl to the fruit. They aim for crystalline flavours, vibrant fruit and a sense of forward motion, and for me it has that again this year. The flavours of blueberries, blackberries and soft, smoky almonds are drawn out through the palate, and by the time it has finished you are ready to go again. It has an austerity that is overridden by the juice, not quite overriding the vintage, but it’s a delicious wine that again showcases the beauty of limestone. 50% new oak. Thomas Duclos is consultant here, and it really is a great year for the estates that he works with. (94 points) — Jane Anson, Decanter

Offers:
Wine Searcher 2017 Average: $94
JJ Buckley: $95.94 + shipping
Vinfolio: $96.00 + shipping
Spectrum Wine Auctions: $581.94 for minimum 6 bottles + shipping
Total Wine: $94.97
K&L: $94.99 + shipping

Previous Vintages:
2016 Wine Searcher Ave: $153 Average Critic Score: 95 points
2015 Wine Searcher Ave: $271 Average Critic Score: 96
2014 Wine Searcher Ave: $91 Average Critic Score: 92
2013 Wine Searcher Ave: $66 Average Critic Score: 91

Buy or Pass?

I’ve never been very impressed with John Kolsa’s style at Ch. Canon (or Rauzan-Ségla for that matter) so this is an estate that is usually not on my radar. I will say that the 2014 Canon was intriguing at the 2017 UGC Bordeaux tasting though. Given that that year’s wine was finished and bottled by Audebert and Duclos, I may have reason to give Canon another look.

But 2017 is not a vintage I’m using for revisiting or taking flyers on new estates and winemaking teams. Looking at the price history of the last 4 vintages of Canon, I won’t deny that there is clearly value here in the 2017 pricing and I can see this being a very compelling offer for other Bordeaux fans. I’m just more incline to be cautious which is leading me to Pass on buying this as a future.

Ch. La Dominique (St. Emilion)

Some Geekery:

Ch. La Dominique

Ch. La Dominique is named after the Caribbean island of Dominica where the estate’s 18th century owners also had property.

The modern history of the estate began in 1933 when it was purchased by the de Bailliencourt family who own Ch. Gazin in Pomerol. The de Bailliencourts sold La Dominique in 1969 to billionaire Clément Fayat who made his fortune in the construction industry. Today it is part of a portfolio that includes Ch. Clément-Pichon in Haut-Médoc and Ch. Fayat in Pomerol.

In 2007, Fayat brought in Jean-Luc Thunevin (of Château Valandraud fame) to consult. He also purchased nearby Ch. Vieux Fortin, merging their 5 hectares of vines into La Dominique’s holding. The estate is experimenting with biodynamic viticulture.

Located in the western end of St. Emilion on the border with Pomerol, La Dominique has exceptional terroir neighboring Cheval Blanc and Ch. Figeac in St. Emilion as well as La Conseillante and L’Evangile across the way into Pomerol. From the rooftop of their restaurant, La Terrasse Rouge located among their vineyards, you can see the vineyards of Ch. Petrus as well.

The 2017 vintage is a blend of 70% Merlot, 20% Cabernet Franc and 10% Cabernet Sauvignon. Around 7000 cases a year are produced but with significant frost damage experienced in 2017, production this year is likely closer to 3500 cases.

Critic Scores:

92-94 WE, 92-93 JS, 90-93 WS, 89-91 VM, 91-93 JL

Sample Review:

70% frosted so they had more Cabernet Sauvignon (10%) and Cabernet Franc (20%) in 2017. This is 50% of production. Inky dark with purple rim. Dark, rocky/mineral fragrance. Juicy and scented on the palate, with some red as well as black fruit. Super-polished tannins that are a fine framework for the fruit. Refined, not over-oaked. Long. (17/20 points) — Julia Harding, JancisRobinson.com

Offers:
Wine Searcher 2017 Average: $57
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $59.97
K&L: No offers yet.

Previous Vintages:
2016 Wine Searcher Ave: $62 Average Critic Score: 92 points
2015 Wine Searcher Ave: $58 Average Critic Score: 92
2014 Wine Searcher Ave: $51 Average Critic Score: 91
2013 Wine Searcher Ave: $41 Average Critic Score: 89

Buy or Pass?

The restaurant also had a killer collection of vintage Armagnacs.

Visiting the vineyards of La Dominique and their La Terrasse Rouge restaurant was one of the highlights of my 2016 Bordeaux trip. This site truly has remarkable potential but not a single one of their wines really left any kind of impression.

While I adore Thunevin’s work at his own personal estate of Valandraud and his consulting work at Fleur Cardinale, I have a hankering suspicion that the business goals of La Dominique are more geared towards tourism than necessarily raising the quality of their wines above other Grand Cru Classé. And with pricing closer to 2015/2016 levels than 2014 this is an easy Pass for me.

More Posts About the 2017 Bordeaux Futures Campaign

Why I Buy Bordeaux Futures

*Bordeaux Futures 2017 — Langoa Barton, La Lagune, Barde-Haut, Branaire-Ducru

*Bordeaux Futures 2017 — Pape Clément, Ormes de Pez, Marquis d’Alesme, Malartic-Lagraviere

*Bordeaux Futures 2017 — Lynch-Bages, d’Armailhac, Clerc-Milon and Duhart-Milon

*Bordeaux Futures 2017 — Clos de l’Oratoire, Monbousquet, Quinault l’Enclos, Fonplegade

*Bordeaux Futures 2017 — Cos d’Estournel, Les Pagodes des Cos, Phélan Ségur, Calon-Segur

*Bordeaux Futures 2017 — Clinet, Clos L’Eglise, L’Evangile, Nenin

*Bordeaux Futures 2017 — Malescot-St.-Exupéry, Prieuré-Lichine, Lascombes, Cantenac-Brown

*Bordeaux Futures 2017 — Domaine de Chevalier, Larrivet Haut-Brion, Les Carmes Haut-Brion, Smith Haut Lafitte

*Bordeaux Futures 2017 — Beychevelle, Talbot, Clos du Marquis, Gloria

*Bordeaux Futures 2017 — Carruades de Lafite, Pedesclaux, Pichon Lalande, Reserve de la Comtesse de Lalande

*Bordeaux Futures 2017 — Vieux Chateau Certan, La Conseillante, La Violette, L’Eglise Clinet

*Bordeaux Futures 2017 — Montrose, La Dame de Montrose, Cantemerle, d’Aiguilhe

*Bordeaux Futures 2017 — Clos Fourtet, Larcis Ducasse, Pavie Macquin, Beauséjour Duffau-Lagarrosse

*Bordeaux Futures 2017 — Kirwan, d’Issan, Brane-Cantenac, Giscours

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Bordeaux Futures 2017 — Clinet, Clos L’Eglise, L’Evangile, Nenin

Amber LeBeau in Bordeaux, Shopping for Wine

Published on June 21, 2018

As we continue our research on the 2017 Bordeaux Futures campaign, we head to Pomerol to look at the offers for Ch. Clinet, Clos L’Eglise, L’Evangile and Ch. Nenin.

To learn more about our general philosophy and buying approach to Bordeaux futures, check out previous posts in our series.

*Bordeaux Futures 2017 — Cos d’Estournel, Les Pagodes des Cos, Phélan Ségur, Calon-Segur

*Bordeaux Futures 2017 — Palmer, Valandraud, Fombrauge, Haut-Batailley

Also be sure to subscribe to SpitBucket to get the latest updates.

Now onto the offers.

Ch. Clinet (Pomerol)

Some Geekery:

With vines planted since at least 1785, Ch. Clinet has a long history that includes being owned by the Arnaud family of Petrus fame. Clive Coates notes in Grands Vins: The Finest Châteaux of Bordeaux and Their Wines that in the early to mid 19th century, the wines of Clinet were among the top wines of Pomerol selling for the same price as Petrus.

Eventually the property came into the hands of the Audy family which Jean Michel Arcaute married into in the 1970s. Coming from his family estate of Château Jonqueyres in the Entre-Deux-Mers, Arcaute took over management of Clinet in the 1980s and brought in Michel Rolland as a consultant. Until his death in 2001 from a boating accident, Arcaute instituted many changes in the estate that rapidly improved the quality of Clinet including green harvesting, declassifying more of the crop to the second wine and decreasing the plantings of the Cabernet Sauvignon in the vineyard.

At the 2017 UGC tasting the 2014 wines of Pomerol, including those of Ch. Clinet, were drinking remarkably well.

In 1998, Clinet was purchased by Jean-Louis Laborde whose son, Ronan, took over managing the property in 2004. Laborde continued many of Arcaute’s practices including further replacing under-performing Cabernet Sauvignon vines. He also reduced the amount of new oak used from 100% to around 60% and developed a value brand for declassified fruit known as Ronan by Clinet.

The vineyards of Clinet are situated high on the plateau of Pomerol neighboring many of the top estates of the commune including Petrus, Lafleur, l’Eglise-Clinet, Clos l’Eglise, Feytit-Clinet and Trotanoy. A parcel of old vine Merlot, known as La Grand Vigne, dating back to 1934 is located on deep clay and gravel next to Pomerol’s church and usually represents around 20% of the final blend of the Grand Vin. In addition to the Ronan by Clinet bottling, the estate also produces a second wine, Fleur de Clinet.

The 2017 vintage is a blend of 92% Merlot and 8% Cabernet Sauvignon with around 3,200 cases produced.

Critic Scores:
92-95 Wine Spectator (WS), 92-94 Wine Advocate (WA), 92-94 Vinous Media (VM), 92-93 James Suckling (JS), 94-96 Jeff Leve (JL), 93-95 Jeb Dunnuck (JD)

Sample Review:

Reminding me of the 2014, the 2017 Château Clinet is a beautiful, dense, concentrated wine that has terrific notes of blueberries, spring flowers, and chocolaty oak. It’s very much in the style of the vintage with its cool, perfumed aromatics and sensational purity of fruit, yet it also has richness and weight. It’s a brilliant Pomerol. — Jeb Dunnuck, JebDunnuck.com

Offers:
Wine Searcher 2017 Average: $83
JJ Buckley: $82.94 + shipping (no shipping if picked up at Oakland location)
Vinfolio: No offers yet
Spectrum Wine Auctions: $473.94 minimum 6 pack + shipping (no shipping if picked up at Tustin, CA location)
Total Wine: $84.97 (no shipping with wines sent to local Total Wine store for pick up)
K & L: $79.99 + shipping (no shipping if picked up at 1 of 3 K & L locations in California)

Previous Vintages:
2016 Wine Searcher Ave: $106 Average Critic Score: 93 points
2015 Wine Searcher Ave: $131 Average Critic Score: 94
2014 Wine Searcher Ave: $70 Average Critic Score: 91
2013 Wine Searcher Ave: $81 Average Critic Score: 90

Buy or Pass?

As I was following the progress of the 2017 vintage and the aftermath of the devastating April frosts, Pomerol was one of the regions I was most concerned about. While it looks like top estates on the plateau benefited from their slightly higher elevation and financial resources to take action, no one should approach the 2017 Bordeaux Futures campaign expecting to find values coming out of Pomerol.

While I am glad that Clinet didn’t try to price their 2017 north of $100 like the 2015/2016, paying $83+ isn’t very compelling to me personally. This is especially true with the very delicious 2014 Clinet hovering around $70 a bottle. That was one of the standout wines for me during the 2017 Union des Grands Crus de Bordeaux tasting and I’m quite pleased that I bought several bottles. Also if I’m looking for a stellar value (or a very reliable restaurant pour), the 2014 and 2015 Ronan by Clinet are still out on the market in the $15 range.

This all adds up to the 2017 Clinet being a Pass for me.

Clos l’Eglise (Pomerol)

Vineyards at neighboring L’Evangile.

Some Geekery:

Once part of the large Chateau Gombaude Guillot estate, Clos l’Eglise (along with what would eventually become Clos l’Eglise-Clinet) were cleaved off in the 1880s.

The 17th edition of Cocks & Féret’s Bordeaux and its Wines notes that in 1925 when Savien Giraud, president of of the Winemaking and Agricultural Union of Pomerol, submitted a classification of Pomerol’s top estate to the Bordeaux Chamber of Commerce that Clos l’Eglise was listed among the “First Growths” of Pomerol along with L’Evangile, La Conseillante and Vieux Château Certan.

In the 1970s, the property was under the ownership of the Moreau family who modernized the facilities and began a replanting regime in the vineyard to uproot the nearly 20% of vines dedicated to Cabernet Sauvignon in favor of Merlot. These efforts continued when Clos l’Eglise was purchased by Sylviane Garcin Cathiard, sister of the owner of the Pessac-Leognan estate Smith Haut Lafitte.

Today the estate is managed by Sylviane’s daughter, Hélène Garcin, who also manages Chateau Barde-Haut and Chateau Poesia in St. Emilion as well as Poesia winery in the Lujan de Cujo district of Mendoza, Argentina. With her husband, Patrice Lévêque, she owns Château d’Arce in Côtes de Castillon–an estate that lost 100% of its crop to frost in 2017. Sylviane’s son, Paul, manages the family’s properties of Haut Bergey and Ch. Banon in Pessac-Leognan. Originally the Garcins had Michel Rolland consulting but he was soon replaced by Alain Raynaud and, since 2015, Thomas Duclos.

Located on the plateau, Clos l’Eglise is bordered by Chateau Clinet, Chateau L’Eglise Clinet and Chateau Trotanoy with many parcels of old vines. One of the oldest is a block of Cabernet Franc vines that were planted in 1940s. Unique to the winemaking at the estate is the use of 300 liter barrels, a size more typical in Cognac compared to the standard 225 liter Bordelais barriques or 500 liter puncheon.

The 2017 vintage is a blend of 80% Merlot and 20% Cabernet Franc. Around 2,400 cases are produced in most years but, with Clos l’Eglise experiencing some frost damage on around 15% of its vines, it’s likely that fewer cases were made this year.

Critic Scores:

92-93 JS, 91-93 VM, 90-92 WA, 88-91 WS, 90-92 Wine Enthusiast (WE), 92-94 JD

Sample Review:

The 2017 Clos l’Eglise was picked from 6 September to 2 October, the harvest was spread out for almost one month. It is matured in 90% new oak for 18 months. It has a well-defined, very pure bouquet with cranberry, dark cherries, bay leaf and crushed stone. It needs a little time to open in the glass and is not as immediate as the 2016 last year. The palate is medium-bodied with supple tannin, very smooth in texture with a slightly lactic note towards the finish. There is a touch of dark chocolate that infuses the red berry fruit with a subtle liquorice tincture that lingers on the aftertaste. This is a fine Clos l’Eglise although I do feel this year that its stablemate in Saint-Èmilion, Barde-Haut, takes the top honor. — Neal Martin, Vinous Media

Offers:
Wine Searcher 2017 Average: $83
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: $485.94 minimum 6 pk + shipping
Total Wine: $84.97
K & L: $79.99 + shipping

Previous Vintages:
2016 Wine Searcher Ave: $102 Average Critic Score: NA
2015 Wine Searcher Ave: $100 Average Critic Score: 92 points
2014 Wine Searcher Ave: $70 Average Critic Score: 91
2013 Wine Searcher Ave: $71 Average Critic Score: 89

Buy or Pass?

My sentiments on this offer are very similar to those of Clinet above. Yeah this vintage isn’t being priced like a 2015/2016 but there is really no reason why I should give this wine a second thought when the comparable 2014 vintage is readily available at a more compelling price.

Plus, the 2017 Ch. Barde-Haut from St. Emilion, which Martin mentions was out-performing the Clos l’Eglise, is being offered for around $38. That makes this a pretty easy Pass for me.

Ch. L’Evangile (Pomerol)

Some Geekery:

With a history dating back to 1741, L’Evangile was originally known as Domaine de Fazilleau. In 1862 it was purchased by Jean Paul Chaperon who was related to the Ducasse family of Ch. Larcis-Ducasse in St. Emilion. Chaperon did much to raise the prestige and quality of the estate and by the time he passed away in 1903, L’Evangile was rated as one of the top estates in Pomerol.

Throughout the 20th century, his descendants and eventually the Ducasse family managed the property until 1990 when a majority of L’Evangile was purchased by the owners of the First Growth Ch. Lafite-Rothschild. The Lafite team incorporated many changes to the viticultural and winemaking practices such converting the estate to organic viticulture, instituting gravity flow design and using new oak barrels. In 2012, the owners purchased 6 hectares from neighboring La Croix de Gay, marking the first substantial change to the vineyards of the estate in over 200 years.

Ch. L’Evangile

Located in the southeast corner of Pomerol on the edge of the commune, L’Evangile is bordered by both Cheval Blanc across a dirt path in St. Emilion and by La Conseillante and Petrus in Pomerol. The soils of the estate reflect the high quality terroir of its neighbors with parcels planted in the famous blue clay shared with Petrus as well as vines planted in the gravel and sandy soils shared with Cheval Blanc.

With frost damaging the estate’s Cabernet Franc vines, the 2017 L’Evangile is 100% Merlot this year. Around 2000-3000 cases a year are produced.

Critic Scores:
94-95 JS, 93-95 WA, 90-92 VM, 93-95 WE, 92-94 JL

Sample Review:

This has a lovely silkiness to it, one of the real successes in the appellation in terms of the texture and the quality of the tannins. It’s a fairly powerful 100% Merlot with 100% new oak – an unusual combination because the old vine Cabernet Franc was lost to frost in 2017. This is one of the few wines that gets close to the quality of 2016, even if it’s not quite there in terms of its completeness. 30 days maceration at reasonable temperatures has brought out the heart of plump blackberry fruit, while delivering subtle tobacco and slate elegance. I like this a lot. 100% organic in the vineyard (2016 was 95% organic) but not certified. 60% grand vin this year, from 40hl/ha. (95 points) Jane Anson, Decanter

Offers:
Wine Searcher 2017 Average: $259
JJ Buckley: No offers yet.
Vinfolio: $255 + shipping
Spectrum Wine Auctions: No offers yet.
Total Wine: $254.97
K & L: $249.99 + shipping

Previous Vintages:
2016 Wine Searcher Ave: $247 Average Critic Score: 93 points
2015 Wine Searcher Ave: $240 Average Critic Score: 95
2014 Wine Searcher Ave: $140 Average Critic Score: 93
2013 Wine Searcher Ave: $165 Average Critic Score: 92

Buy or Pass?

L’Evangile is an estate that I have zero personal history in tasting so the cards were already stacked against this being a futures offer that I was going to be tempted by. In outstanding vintages like 2015 and 2016, I’m far more adventurous with my wallet and willing to gamble on new estates that I haven’t tried yet–especially estates with outstanding terroir and pedigree. But 2017 isn’t a vintage for gambling.

Then you add in some crazy pricing that averages $10-20 higher than 2015/2016 and more than $100 over 2014 and I’ve got one of the easiest Pass decisions that I’m probably going to make this campaign.

Ch. Nenin (Pomerol)

Some Geekery:

At Nenin and many other properties in Pomerol, the amount of Cabernet Sauvignon planted in the vineyards and used in the final blend has decreased dramatically over the last 30 years.

Nenin is one of the few major properties in Bordeaux that been owned by only two families throughout its history–the Despujol family from its founding in 1840 and the Delon family (of Leoville-Las-Cases fame) since 1997. Considering that the Delon are related to the Despujol by marriage, you could argue that it is still a single family affair at Nenin.

Among the changes under the Delons’ ownership was a complete renovation of the cellars in 2004 and an acquisition of vineyard parcels in 1999 from neighboring Chateau Certan Giraud. While Ch. Nenin took over 4 hectares, Christian Moueix of Établissements Jean-Pierre Moueix purchased the remaining hectares for what was to become Chateau Hosanna and Chateau Certan Marzelle.

In the vineyard, many parcels of Cabernet Sauvignon were uprooted in favor of Merlot and Cabernet Franc as the percentage of Cabernet Sauvignon at Nenin dropped from around 20% to now only 1% of plantings. In most years these scant plantings are not used in the final blend but may go into the second wine, Fugue de Nénin.

The 2017 vintage is a blend of 58% Merlot and 42% Cabernet Franc.

Critic Scores:

93-94 JS, 91-93 WE, 90-93 WS, 89-91 VM

Sample Review:

10% lost to the frost (while Fugue de Nénin was 70% frosted so the volumes are too small for it to be sold en primeur in this vintage). A little more Cabernet Franc than usual because the lower parts of Nénin were frosted. 35% new oak. Very dark with purple crimson. Lifted, lightly floral aroma and a charming dusty overlay. Quite dark on the palate, savoury and dark-fruited but also scented on the mid palate. Oak is well integrated. Creamy texture, elegant and beautifully balanced. Juicy finish and good freshness and length. (17/20) — Julia Harding, JancisRobinson.com

Offers:

Wine Searcher 2017 Average: $73
JJ Buckley: No offers yet.
Vinfolio: No offers yet.
Spectrum Wine Auctions: No offers yet.
Total Wine: $69.97
K & L: No offers yet.

Previous Vintages:
2016 Wine Searcher Ave: $70 Average Critic Score: 92 points
2015 Wine Searcher Ave: $82 Average Critic Score: 93
2014 Wine Searcher Ave: $50 Average Critic Score: 91
2013 Wine Searcher Ave: $45 Average Critic Score: 89

Buy or Pass?

While I’ve read numerous reports about merchants being disheartened by the prices of the 2017 Bordeaux releases, as a regular consumer I’ve found them to be, for the most part, fairly reasonable and in-line with the 2014 vintage.

That was until I started looking at the offers from Pomerol. Sheesh.

Perhaps these wines will turn into magnificent swans in the bottle that will far exceed expectations 10-15 years down the road. But there are far too many solid wines from 2014-2015 still out on the market (as well as much more reasonable 2017 offers) to make considering the 2017 Nenin or many other 2017 Pomerols futures offers worth it. Pass.

More Posts About the 2017 Bordeaux Futures Campaign

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*Bordeaux Futures 2017 — Domaine de Chevalier, Larrivet Haut-Brion, Les Carmes Haut-Brion, Smith Haut Lafitte

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