Category Archives: Wine Knowledge

Geek Notes 7/30/18 — New Wine Books to Geek Out With in August

Photo is from DEM of the New Zealand from GLOBE (topography) and ETOPO2 (bathymetry) datasets, precessed with Arcgis9.1 by jide. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Elevations of New Zealand

A look at some of the some of new releases in the world of wine books.

The Wines of New Zealand by Master of Wine Rebecca Gibb (released July 30th, 2018)

While there has been a few other books written to cover the wines of New Zealand such as Michael Cooper and John McDermott’s Wine Atlas of New Zealand (2002) and Warren Moran’s New Zealand Wine: The Land, The Vines, The People (2017), as far as I can tell this 356 page book is the first in-depth and exclusive look into the wines of New Zealand that has been written by a Master of Wine.

While previous books were written by New Zealand insiders, I’m intrigued at the perspective that UK-based Gibb may add to the story–especially in light of the global worldview of wine that is required to attain MW certification.

This intrigues me because it seems like in many ways that the NZ wine industry has been suffocating under the weight of success for their Sauvignon blancs with the grape still representing a staggering 72% of New Zealand wine production (2016).

Now with producers in other regions of the world breaking down the science of thiols and their precursors as well as the role of methoxypyrazines to tweak their own approach to Sauvignon blanc, wine shelves are awashed in pink grapefruit and gooseberries.

Suddenly New Zealand’s “distinctive style” doesn’t seem so distinctive anymore.

Photo by B.muirhead. Uploaded to Wikimedia Commons under CC-BY-3.0

View towards the Southern Alps but it honestly wouldn’t be out of place in the Malbec country of Mendoza, Argentina.

Yet for a country that spans over 10 degrees of latitude from the Northland region of the North Island down to Dunedin south of the Central Otago district on the South Island (more than the latitude difference between Champagne, France and Naples, Italy), it feels like there has to be more to the New Zealand wine story that just their ubiquitous Sauvignon blanc.

I mean, come on, this is a land that was able to bring to life on screen the diverse terrains Tolkien’s imagination in the Lord of the Rings series. Certainly there has to be a treasure trove of unique terroir that can be married to different varieties in magical ways.

As a wine geek and consumer, I would love to learn more about some of the 50+ other grape varieties grown in New Zealand.

What about Albariño in Gisborne? Syrah from Hawke’s Bay? Pinot blanc from Central Otago? Petit Verdot from Waiheke Island?

I know those varieties probably won’t excite the patio pounders and cafe sippers who guzzle down Kim Crawford, Oyster Bay and Nobilo by the caseful but it is certainly an answer for the legions of drinkers who’ve grown fatigued of Sauvignon blanc as is the inevitable fate for every fashionable variety.

Perhaps Gibb’s book would not only answer that fatigue but maybe also give a reason to give New Zealand’s old standby of Sauvignon blanc a fresh look with new eyes?

How to Import Wine: An Insider’s Guide (2nd Edition) by Deborah M. Gray. (To be released August 13th, 2018)

Gray’s first edition of How to Import Wine from 2011 was an extremely valuable resource for me in studying for the business unit of the WSET diploma.

It laid out clearly a lot of the complexities behind finding clients, building brands as well as the licensing, regulations and expenses that go into importing wine and finding distribution for those wines. It’s a far less romantic reality than you would imagine after reading Kermit Lynch’s Adventures on the Wine Route.

And then there is the reality of a rapidly changing market–driven particularly by Millennials and our wanderlust tastes. The second edition of Gray’s book looks to tackle some of those changes along with new laws and regulation that have emerged since the previous edition.

In Vino Duplicitas: The Rise and Fall of a Wine Forger Extraordinaire (paperback) by Peter Hellman. (To be released August 21st, 2018)

Seems like folks love reading (and writing) about rich folks getting snookered on wine.

Similar to how Benjamin Wallace’s The Billionaire’s Vinegar chronicled Hardy Rodenstock’s forgeries and scandals, Hellman takes a look at the build up and fall out of Rudy Kurniawan’s nearly 10 year con of infiltrating the big spenders clubs of the wine world and then blending his own fake bottles of legendary wines to sell to his buddies.

Hellman’s book was originally released in hardcover and audio book back in July 2017 and is a great read for folks who like historical non-fiction along with a peak into the gaudy wine drinking lifestyles of people who pop Petrus and DRC like a Sunday brunch wine.

Photo by Camw. Uploaded to Wikimedia Commons under CC-BY-SA-3.0

Why have mimosas when you can have La Tache? Assuming it’s real of course.

I also recommend checking out the 2016 documentary Sour Grapes which covers the Rudy Kurniawan from the perspective of those who knew Rudy as well as his victims and the people who brought him down.

That film also introduced me to the awesome work of Maureen Downey (aka ‘The Sherlock Holmes of Wine’) who was at the forefront in exposing Kurniawan. The day she releases a book on wine forgery, you better believe I will be snapping that sucker up on preorder.

The Wines of Eastern Europe by John Hudelson PhD. (To be released August 1st, 2018)

Photo by David Boyle. Uploaded to Wikimedia Commons under CC-BY-2.0

Seriously, Pošip is a fantastic white wine! Kind of like a less green and pungent New Zealand Sauvignon blanc.

Admittedly the wines of Bulgaria, Slovenia, Hungary, Romania, Georgia, Croatia and the like are a bit of a blind spot for me. Sure I’ve had Tokaji before (including a huge jackpot score with The Somm Game on my last trip to Vegas) and my mind was blown away on my trip to Croatia with how incredibly delicious their whites made from Pošip, Grk and Maraština were.

I’ve also had an oddball Bulgarian, Georgian and Romanian wine but outside of flashcard WSET knowledge about Bull’s Blood, Fetească Regală, Saperavi and the like I don’t really have much in-depth knowledge about the wines and culture of this part of the world. And I doubt that I’m alone in sharing this blind spot.

But exciting things are happening in the wine industries of Central and Eastern Europe with new winemakers taking fresh approaches to their bevy of unique indigenous varieties–to say nothing of the Natural Wine Movement that seems to have its spiritual home here.

With 386 pages written by John Hudelson, the author of Wine Faults: Causes, Effects, Cures (which was super valuable to me during my winemaking studies), I can see The Wines of Eastern Europe going a long way towards filling in that gaping blind spot.

Though giving Hudelson’s previous work on wine faults, I’ll be really curious to see how he approaches the topic of sulfite use and natural wines.

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Geeking Out About Grape Variety Clones

As part of the Wine Production Program at South Seattle College our instructor, Peter Bos, arranged for a private tour of the famed Red Willow Vineyard in the Yakima Valley with Mike and Jonathan Sauer back in 2012.

Photo taken by self and uploaded to Wikimedia Commons under CC-BY-SA-3.0

Mike and Jonathan Sauer of Red Willow Vineyard

In Washington State, few vineyards are as legendary and influential as Red Willow. Working with both Dr. Walter Clore and Master of Wine David Lake at Columbia Winery, the Sauers and Red Willow helped pioneer the commercial plantings of numerous grape varieties in the state. This include Viognier, Malbec, Mourvedre, Nebbiolo, Sangiovese, Tempranillo and Syrah among others.

On the trip, a question was posed to Mike Sauer about what the future focus should be for the wine industry–not just in Washington, but globally.

Without missing a beat he replied with one word–Clones.

What The Heck Are Clones?

Essentially clones are examples of grape varieties with a slight genetic mutation. These mutation could allow the vine to ripen a tad earlier, bloom a bit later, have tinier berries or thicker skin, absorb nutrients better, etc.

To best understand this, let’s take a step back to look at how grapevines are propagated in the nursery and vineyard.

Rather than plant seeds (which will produce a completely different grape variety), new vines of particular grape varieties like Chardonnay, Cabernet Sauvignon, etc are most often propagated via cuttings from an original mother vine. Here a branch with fruiting buds is removed from an active vine and then either planted to develop its own roots or, more commonly, grafted onto phylloxera resistant rootstock and planted. In theory, this new cutting is genetically identical to its mother vine.

But sometimes growers observe differences in the vineyard or the nursery among these seemingly identical vines. The clonal mutations with the most beneficial traits are selected for future propagation and eventual commercial use.

What Does This Mean For Winemakers?

Photo by scrumpyboy (Mark Shirley). Uploaded to Wikimedia Commons under CC-BY-2.0

Grapevine cuttings

Clones add another shade of color to the winemaker’s palette. Instead of just having one shade of blue (Syrah), you can plant multiple clones of Syrahs in similar terroir and end up with a multitude of shades. With these colors (Cerulean, Azure, Cobalt, etc), you can paint a deeper picture and potentially make a more complex wine.

They also allow viticulturists and winemakers to narrow in on exactly which clones perform best on different kinds of terrior, essentially following the path of the natural self-selection that we’ve seen in varieties like Sangiovese. Over centuries of time, this grape has adapted and developed its own unique clones. In the galestro clay soils of the Chianti Classico region, we have Sangioveto.  In the more limestone and schist based soils mixed with galestro in Brunello di Montalcino  produced Sangiovese Grosso. Meanwhile, the Pliocene-era sand and clay based soils of Vino Nobile di Montepulciano brought about Prugnolo Gentile.

Take one of these unique clones, plant them in different soils, and you will end up with different wines. Such is the magic and possibilities of clones.

A Few of My Favorite Resources On Clones

*Pl@ntGrape Project (yes, it is spelled with that silly ‘@’) — a joint project between several French agencies to catalog all the different grape varieties and their clones in France. When you search for a particular grape variety, at the bottom of the page is a listing of popular clones. The site also notes where they originated and their characteristics.

For example, Syrah has over 600 clones studied with 12 approved for commercial propagation. These include clones 100, 174, 300, 470, 471, 524, 525, 747, 877, 1140, 1141 and 1188

Photo by Stephan Ridgway. Uploaded to Wikimedia Commons under CC-BY-2.0

Syrah grapes growing in the Hunter Valley of Australia.

Chenin blanc has over 200 clones studied with 8 approved for commercial propagation. These include clones 220, 278, 416, 417, 624, 880, 982 and 1018.

Riesling has nearly 190 clones that have been studied with 8 approved for commercial propagation. These include clones 49, 1089, 1090, 1091, 1092, 1094, 1096 and 1097.

Malbec (Cot) has around 220 clones that have been studied with 16 approved for commercial propagation. These include clones 42, 46, 180, 279, 353, 419, 592, 593, 594, 595, 596, 597, 598, 1061, 1127 and 1128.

*UC Davis Foundation Plant Services page on Pinot noir probably has the most extensive listing (in English) and description of Pinot noir clones I’ve found. This is pretty impressive since Pinot noir is known to have over a 1000 different clones.

*The Science of Grapevines: Anatomy and Physiology by Markus Keller. There is some hardcore geeking here with this viticulture textbook. It not only covers clones but also the science behind how the mutations happened. It also goes into the broad spectrum of grapevine anatomy and physiology. These factors, like disease resistance, nutrient utilization, etc. plays into the decisions of how different clones are selected.

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Hey Mama, Hey Mama, Hey Mamamango

While the history of the Muscat family of grapes dates back thousands of years, wine drinkers can be forgiven for thinking of “Moscato” as a relatively new wine.

With over 200 members, Jancis Robinson and her co-authors note in Wine Grapes that the Persians and ancient Egyptians may have been cultivating some Muscat varieties as early as 3000 BC.

Ancient Moscato

Greek and Roman writers like Pliny the Elder and Columella described vines (Anathelicon Moschaton and Apianae) that could’ve been Muscat. The authors noted that the grapes would attract bees (apis) to the vineyard. According to legend, Cleopatra’s favorite wine was the Muscat of Alexandria grape variety from Greece.

Muscat Blanc à Petits Grains is likely the oldest variety of Muscat. Over the course of the Middle Ages it spread from the Greek islands throughout Europe. Here it picked up numerous synonyms such as Muscatel (Spain), Muscateller (Germany), Sárga Muskotály (Hungary) and Moscato Bianco (Italy). In the New World, Muscat was responsible for the legendary 18th and 19th century dessert wines of Constantia in South Africa. Italian immigrants brought Muscat Canelli from Piedmont to the United States sometime in the 19th century.

Yet despite this long history, not many people outside of the cafes of Europe paid much attention to the variety until the early 21st century when rappers and hip-hop artists embraced the sweet, easy drinking style of low alcohol Moscato. By 2017, more than 27 million bottles of Moscato were being cranked out of Italy with 80% of it sent to the United States to be consumed by mostly millennial wine drinkers.

In the US, growers rushed to increase their own plantings of Muscat Canelli/Moscato to compete with the Italian wave as new brands constantly hit the market.

What’s old was new again.

Oh but could Cleopatra have ever imagined anything like Mamamango?

The Geekery

Photo by Megan Mallen. Uploaded to Wikimedia Commons under CC-BY-2.0

Mamamango is made up of 95% Moscato Bianco grapes.

Made by Arione Vini, Mamamango is a non-vintage blend of 95% Moscato Bianco grapes sourced from the communes of Castiglione Tinella in the province of Cuneo and Canelli in the province of Asti in the Piedmont region of northwest Italy. However, the wine does not qualify for any DOC or DOCG designation like other Moscato wines because of the addition of 5% mango puree of unknown origin.

For fruit-based wines like Sangria from Spain and Portugal, European laws mandate that both the wine and fruit additives must be from the same country of origin. However, the laws are not clear if other “aromatized wine-based drinks” like Mamamango need to follow the same guidelines. Mangoes do grow in Sicily and southern Italy, but most European mangoes are sourced from Spain. Unfortunately the Mamamango website is very vague on details–in contrast to Canella which makes a Bellini sparkling cocktail from peach juice that they note is source from the Veneto and Romagna.

At around 65 grams of sugar per bottle, it certainly has a fair amount of sweetness and calories though it is only 6% alcohol. However, from the mango puree, one 5oz serving will give you nearly a third of your daily vitamin C requirements.

A little fizzy but not vegan-friendly

According to the website Barnivore, Mamamango uses animal based gelatins in the winemaking as a filtering agent to make the wine stable so Mamamango is not “vegan-friendly”.

Instead of a cork with a cage used in high pressure spumante-style sparkling wines like Cava, Prosecco and Champagne, the frizzante-style Mamamango is sealed with twist off closure.

Like many Moscatos, the wine is lightly sparkling in a frizzante-style and while, again, Arione is vague on details it is likely the wine is produced via tank fermentation with the natural carbon dioxide produced during the wine’s brief fermentation being trapped and bottled with the wine.

More fully sparkling spumante-style wines like Prosecco will have over 3 atmospheres of pressure. This a little more than a typical car tire. In Champagne, the wines can get up to 5-6 atmospheres. But frizzante wines like Mamamango will have only slight effervesce and pressure in the 1 to 2 atmosphere range.

The Wine

Mid-intensity nose. It really does smell like mangoes but you’ll hard pressed to pick up anything else. Maybe a smidgen of pineapple around the edges.

The strong mango notes carry through to the palate. The mouthfeel is smooth and creamy and surprisingly well-balanced. With more sugar than doux Champagne (and far less bubbles and carbonic acid to balance), I was expecting this to be more noticeably sweeter. Tasting the wine brings a tangy tickle on the tip of the tongue that suggest acidification. The winemaker probably needed to use a fair amount of tartaric acid to offset all that sugar.

The short finish ends on the mango fruitiness.

The Verdict

Photo by Midori. Released on Wikimedia Commons under CC-BY-SA-3.0-migrated.

You could probably make at least 6 bottles worth of Mamamango with this cup of mango juice.

I try my best to approach new wine trends (like aging wine in whiskey barrels or blending with cold brew coffee) with an open mind but I must confess that I was expecting Mamamango to be sickly sweet.

But it honestly wasn’t that bad. While it’s not something that I would drink at home, I could enjoy a glass at a restaurant for brunch. It struck me essentially as a hipster’s mimosa–or at least the ready made “Hamburger Helper” version of one. It obviously needed a fair amount of manipulation and tweaking in the winery to get the recipe right. No one should buy this wine expecting a natural product.

Though tasting this wine made me wonder—why not make your own Mamamango?  All you would need is fresh mangoes or even mango puree that you can get from the store.

Compared to a bottle of Mamamango costing around $12-14, you can could buy a 15 oz bottle of Naked Juice Mighty Mango for around $3 and have enough mango goodness to make 12 bottles worth of Mamamango.

Put a quarter oz splash of the mango juice in the bottom of your glass. Then pour your favorite sparkler–Moscato, Prosecco, Cava–over it and boom! Homemade Mamamango that is fresher, cheaper, better tasting and with a heck of a lot less sugar and additives.

Now that is something that Cleopatra would’ve Instagram’d.

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Geek Notes 6/26/18 — New Wine Books for June/July

Photo by Serge Esteve sce767. Uploaded to Wikimedia Commons under CC-Zero A look at some recently released and upcoming wine books that intrigue me for various geeky reasons.

For last month’s edition looking at some of the new releases from May and early June check out Wine Geek Notes 5/9/18 — New Wine Books to Geek Out Over.

How to Wine With Your Boss & 6 Other Tips To Fast Track Your Career by Tiffany Yarde. Released June 19th, 2018.

While not necessarily a wine book, the description and “look inside” preview caught my attention. Unlike other career advancing self-help books that tell you how “think rich”, “lean in” and develop habits of highly effective people, Yarde looks to be taking a different approach in utilizing wine education topics on tasting and varieties to apply them to business principles.

At least that is what the intro is describing, though the title How to Wine With Your Boss also seems to be advocating wielding your knowledge and confidence in the social lubricant of wine as a tool to advance your career. That is an approach that could be fraught with pratfalls with the associations of alcohol in the workplace in light of the #MeToo movement. While we, wine geeks, know that the point of sharing a glass of wine is not about nefarious intentions, I can’t begrudge a male manager or coworker from being reticent in accepting such an invitation.

Still, the idea of book teaching wine enthusiasts how to take their passion and knowledge of wine and apply it to business is intriguing–if that is such a book that Yarde has written. She does have a blog and website, Motovino, that describes more of her philosophy though, unfortunately, the blog is not frequently updated.

Practical Field Guide to Grape Growing and Vine Physiology by Daniel Schuster, Laura Bernini and Andrea Paoletti. To be released July 2nd, 2018.

This looks like some hardcore viticultural geekdoom here written by New Zealand wine grower Daniel Schuster, Tuscan viticulturalist Laura Bernini and winemaker Andrea Paoletti that will combine a mix of New World modernist and Old World traditionalist approaches to grape growing.

Oldies but goodies.


When I passed Unit 2 of the WSET Diploma level on Viticulture and Winemaking with Master of Wine Stephen Skelton’s Viticulture, Jeff Cox’s From Vines to Wines and the old school classic of A.J. Winkler and crew’s General Viticulture (under $15 used) were my primary study aids in the vineyard.

At around 146 pages, I can see the Practical Field Guide being an easily digestible compendium to the books I mention above and another great study tool for wine geeks seeking certifications in the WSET or Court of Master Sommelier programs.

Wine Marketing and Sales, 3rd Edition by Liz Thach, Janeen Olsen and Paul Wagner. To be released July 2nd, 2018.

I’ve had this book pre-ordered since February–so, yeah, I’m pretty excited.

While I was doing researching for my article Under the (Social Media) Influence, I realized that there was a dearth of resources for wineries and wine business students about how to effectively utilize social media. A huge reason for that is how quickly the industry and technology is changing so this updated edition of Wine Marketing and Sales was desperately needed. With how in-depth and perspective-driven the previous two editions were, I have no doubt that this and other modern topics and challenges of the industry are going to be addressed.

Dr. Liz Thach, MW is one of the most brilliant minds in the wine business whose writings in Wine Business Monthly and other publications are must-reads for anyone wanting to keep a pulse on the happenings in the wine business. In addition to Wine Marketing and Sales, Thach’s Wine: a Global Business is another resource that I’ve thoroughly gobbled up in highlighted notes and annotations.

The New Pink Wine: A Modern Guide to the World’s Best Rosés by Ann Walker and Larry Walker. To be released July 19th, 2018.

Has the “Rosé Revolution” jumped the shark yet? Who knows?

But The New Pink Wine is here to join a chorus of recently released rosé wine books in the last year and a half that includes Master of Wine Jennifer Simonetti-Bryan’s Rosé Wine (you can check out my review of it here), Victoria James and Lyle Railsback’s Drink Pink, Katherine Cole’s Rosé All Day, Master of Wine Elizabeth Gabay’s Rosé: Understanding the pink wine revolution and Julia Charles’ Rosé Cocktails that I highlighted in last month’s Wine Geek Notes.

If you want to go “old school hipster”, there is also Jeff Morgan’s 2005 work Rosé: A Guide to the World’s Most Versatile Wine which was on the Pink Train way back when Brangelina were still filming Mr. & Mrs. Smith.

What will the Walkers’ The New Pink Wine add to the conversation? At 224 pages, it’s not aiming to be a pamphlet. Both the Walkers do have lots of experience in the food and wine industry with Ann as a chef, educator, writer and frequent judge for the San Francisco Chronicle Wine Competition. Larry Walker has written for various food & wine magazine and is the editor for several of Williams-Sonoma’s Wine Guides.

I suppose as long as new bottles of rosé keeping hitting the wine shelves, we’ll keep getting new rosé wine books for the book shelf.

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Wine Geek Notes 5/9/18 — New Wine Books to Geek Out Over

Photo by Varaine. Released on Wikimedia Commons under CC-BY-SA-4.0Summer’s coming which for me brings visions of lounging in the sun with a nice glass of rosé and something geeky to read.

As I get my summer reading list in order, here are a few new wine books that are being released in May and June.

Rosé Cocktails: 40 deliciously different pink-wine based drinks by Julia Charles. Released May 8th.

Speaking of rosé, I must admit that I shudder at thought of “frosé” with its syrupy sweet slushie take on the Provençal classic. Soda-pop wine cocktails have never been my thing. But my curiosity is piqued at what talented bartenders can do crafting serious wine-based cocktail recipes. The popularity of Sherry cocktails has helped sparked new life and interest in the phenomenal wines of Jerez–taking Sherries out of your grandmother’s decanter and turning them into Adonis.

I fret that with the flood of really crappy rosés on the market, we may need to hit rock-bottom first with our brosé, frosé, 40 oz bottles and gummy bears before we’ll get a “renaissance” of taking rosé seriously again. Judging from the book’s description, Rosé Cocktails may not be a rudder steering us towards that seriousness (compared to say Jennifer Simonetti-Bryan’s Rosé Wine and Elizabeth Gabay’s Rosé: Understanding the pink wine revolution which have thankfully less liberal mentionings of “frosé”) but I’m hopeful that Charles’ book will at least offer the bros 39 other options apart from turning their rosés into wannabe frozen margaritas.

A Short History of Drunkenness: How, Why, Where, and When Humankind Has Gotten Merry from the Stone Age to the Present by Mark Forsyth. Released May 8th.

Considering this is written by the same guy (The Inky Fool) who wrote the uber-geeky The Etymologicon: A Circular Stroll Through the Hidden Connections of the English Language, I have a feeling that there will be a lot of fun word play and nerdy trivia in this 286 page “short history”.

Photo by self. Uploaded to Wikimedia Commons as User:Agne27 under CC-BY-SA-3.0

Frankly a couple glasses of Madiera puts me in the mood more to cuddle with dogs than anything else.


In fact, I would LOVE to see a book focusing on the etymology of grape names and wine words. You can find bits and pieces of things in various books (like Jancis Robinson’s Wine Grapes) but even that doesn’t go quite into detail about things like how did the Esgana Cão (Sercial) grape of Madeira and Bucelas DOC get the name “dog strangler”?

Wine Grapes suggests that it was because of the grape’s “fiery acidity” but that makes more sense as an explanation for the Friuli red grape Tazzelenghe (tongue cutter) than it does for “dog strangling”. Then you have Mourvedre which has a similar synonym “Estrangle Chien” that is instead attributed to the grape’s high tannins and tough skins.

I’m not expecting A Short History of Drunkenness to clear any of that up but mostly I’m just excited by Forsyth’s foray into the world of wine and hopeful that he’ll keep applying his sharp wit and geeky gifts to more vinous volumes.

Tasting the Past: The Science of Flavor and the Search for the Origins of Wine by Kevin Begos. Release date June 12th.

Wine wasn’t necessarily “invented” but its ancient origins and how civilizations accidentally discovered it, time and time again, is a fascinating topic. Two must-reads for those wanting to geek out about wine’s origins are Patrick McGovern’s Ancient Wine: The Search for the Origins of Viniculture and Hugh Johnson’s Vintage: The Story of Wine.

From the book’s description, it looks like Tasting the Past is going to focus on Begos’ personal journey through the modern remnants of ancient wine cultures in the Mediterranean, Middle East, Caucasus and the Americas–probably intermingling with historical details of wine origins in those places. That is an interesting approach that will be different from McGovern and Johnson’s work or even Paul Lukacs’ 2007 book Inventing Wine: A New History of One of the World’s Most Ancient Pleasures.

I’m particularly intrigued by Tasting the Past’s promise to explore “distinctive wines from a new generation of local grapes” which suggests plenty of geeky fodder involving unique grape varieties and characterful wines that depart from the “same ole, same ole”.

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Playing the Somm Game in Vegas

“Unicorns aren’t real, but the house advantage is.”

I just got back from a weekend in Las Vegas where I lost far more than I care to admit at the casinos.

Growing up in St. Louis with church bingo and riverboat casinos, I will always have soft-spot for the gambler’s heart.

But man does it suck losing.

However, as I’ve gotten older I’ve found one game that I love playing in Vegas where I’m a sure bet to come out a big winner–the Somm Game.

How to Play

It’s a simple game. You go to a nice restaurant with a thick, Bible-size wine list.

Give the sommelier your budget, what food you are ordering, let them know you are open to anything and then let them take it from there.

That’s it. That’s the game and the payoff is almost always better than anything you’ll find at the tables or slots.

Why the Somm Game works

First off, your objective is to have a great dining experience. You know who else shares that same objective? The sommelier. Their entire job is to give you a memorable experience so the house odds are already in your favor.

Just like I’m sure you perform best at your job when your clients let you do your thing, so too do sommeliers really get a chance to shine when you simply trust them to do what they are trained to do—which is far more than only opening bottles and pouring them into decanters.

And *spoiler alert* sometimes they have bottles like this just “lying around”.

Sommeliers are professionals and many have spent years honing their craft, studying, tasting and traveling the world of wine. With certification programs from the Court of Master Sommeliers, Wine & Spirits Education Trust, International Sommelier Guild and the like, the quality of wine education in the industry has never been higher. Why let that advantage go to waste?

And it is an advantage–one that even the most savvy and experienced wine drinkers don’t readily have.

Look I know my fair share about wine. I can open up a wine list and recognize most every name and region on it. I can hold my own rattling off producers, soil types, grapes varieties and facts. But I’ll tell you what I don’t necessarily know—how everything on the list is drinking now and what exactly will pair best with the particular flavors of the chef’s cuisine.

No matter how much a person knows about wine, the odds are that the sommelier team knows their own list and their own food at least a little bit better than you do. Especially at a restaurant with a good wine program that involves frequent tastings and pairing exercises, they’re going to have a leg up on you with what is drinking great right now and is pairing well.

“But Amber, I don’t want to get ripped off by restaurant mark ups!”

Okay, I know restaurant mark ups can be painful to swallow. Believe me, it’s even tougher when you’ve been in the business and know intimately what the typical wholesale and retail prices are of the wines you frequently see on wine lists.

But here’s the beauty of playing the Somm Game and trusting the sommelier to make the wine picks—most likely you’re going to avoid getting the crazy mark up wines and instead get the gems that the sommeliers themselves would pick for their own dinners.

By trusting the sommeliers you are far less likely to get “ripped off” by markups than you would be ordering on your own. They don’t need to sell you the crazy high mark up wines because your fellow diners are already buying those wines and paying the “Ego Tax” on them.

The “Ego Tax”

General rule of thumb–if an average wine drinker would recognize the name on a wine list then you are probably going to pay an “ego tax” ordering it.

Restaurants are businesses and all businesses aim to make a profit. With margins on food being so tight, it naturally falls on the beverage side of the business to earn healthy returns.

In the wine industry, there are certain well known brands that restaurants know will sell off their wine list without any effort. These are your Jordan, Caymus, Rombauer, Veuve Clicquot, Dom Perignon, Opus One and Silver Oak type wines of the world.

There is no need for effort because wine consumers will order these wines on their own as frequently these are the only names on the list they recognize. Often their ego (either hubris or an irrational fear of looking helpless) keeps them from seeking the sommelier’s assistance so they retreat to the comfort of a known quantity.

But these “known quantities” are often the highest marked up wines on the entire list!

That hesitance to relinquish control and trust the sommelier to guide you out of the realm of the “the same ole, same ole” is not limited to just “regular wine drinkers”. It hits folks who “know wine” and have been around the industry. I mean come on! We don’t need help. We know how to order wine and what’s good!

And that is why restaurants make bank off of the “Ego Tax”.

Which is fine, I suppose, if you are living off an expense account and paying with someone else’s dime. But most of us in the real world aren’t expense account dandies so it’s pointless to be paying the “Ego Tax” when all we’ve got to do is trust the somm and have some fun.

The Somm Game in Action

When I play the Somm Game, I start by introducing myself as a wine geek and telling the sommelier that all I want to do this evening is “geek out” a bit. Sometimes in the conversation that follows I will mention my wine industry background but that is rarely brought up. My approach is to present myself as just a geek that trusts and respects the sommelier’s judgement and expertise.

I give them a budget and tell them that I’m open to anything–glass pours, half-bottles, full-bottles. I recommend going a little higher in your budget than you would usually give yourself for ordering a single bottle because the more flexibility you give the somms, the more fun you can have. Trust me, it will pay off dividends.

I share with them what food I’m ordering–again emphasizing my openness in going with whatever the sommelier thinks will work best whether it be glass pours for each course or half/full-bottles, etc.

Then I sit back and have fun.

This weekend I had the opportunity to play the Somm Game at two restaurants–Lago by Julian Serrano at the Bellagio and at Aureole by Charlie Palmer at Mandalay Bay. Both restaurants have tremendous wine programs overseen by Master Sommelier Jason L. Smith, Executive Director of Wine for MGM Resorts International, and Mandalay Bay Director of Wine Harley Carbery.

When playing the Somm Game, it helps to increase your odds by playing with a stack deck.

Lago

At Lago, we were served by head sommelier Jeffrey Bencus, an Advance Sommelier who is on the cusp of achieving his MS. Talking with him, we found out that he has separately passed his theory and tasting exams for the Master Sommelier certification–just not within the same testing cycle.

On my own, when out for a nice dinner I usually aim for a bottle in the $250-300 range so I gave Jeffrey a budget of $350 and laid out the perimeters above. I told him we were geeks and opened to pretty much anything.

The style of cuisine at Lago is small plates so we started off with short rib cannelloni and red wine risotto.

These were red wine heavy dishes but we were delighted when he brought out a half bottle of 2015 Jean-Philippe Fichet Meursault.

Granted, coming from the tremendous 2015 vintage this wine was already playing with a full house.

With plots in the enviable “second crus” of Les Chaumes de Narvaux (upslope from the Premier cru vineyards of Les Bouchères and Les Gouttes d’Or) and Le Limozin (flanked by 1er crus Les Genevrières and Les Charmes) as well as 65 to 75+ year old vine plantings in Les Clous and Les Criots, this village-level Meursault was delivering premier cru quality pleasure.

Textbook Meursault with subtle butteriness, hazelnuts and that liquid-rocks minerality that makes this place so special for Chardonnay. I don’t remember what the restaurant price was, but the Wine Searcher Average for the 2015 was $65. Well worth finding.

The following course was Italian sausage skewers with red pepper sauce and a filet with a Gorgonzola demi-glaze. Originally Jeffrey was thinking a classic 2012 Brunnello di Montalcino but decided to geek it up more for us with a 2012 Mastroberardino Radici Taurasi from the legendary Campanian producer. I was quite familiar with Mastroberardino and their flagship Taurasi but my initial instinct was that a 2012 would be far too young.

But, again, here is where a somm’s expertise and experience with their own wine list pays off.

With nothing more than a splash decant the Radici was absolutely singing with the savory floral and spicy undertones of Aglianico complimenting not only my steak but also my wife’s Italian sausage with its sweet roasted red bell pepper sauce.

Black olives and black fruit with a long savory finish. A masterful wine from Mastroberardino that was drinking surprisingly well for a young Taurasi.

The Wine Searcher Average for this wine is listed at $47 but that is skewed a little by some discount Hong Kong retailers. In the US, it is far more common to find it retailing for $55-60.

For dessert we had a creme brulee and citrus cannoli and boy did we hit the jackpot with the Somm Game!

My wife and I were flabbergasted when Jeffrey brought out a tiny 187ml split of 1993 Château Pajzos Tokaji Esszencia.

I don’t think this wine was even on the wine list!

While I’ve had Tokaji several times, this was my first experience trying an Esszencia because of how rare (and expensive) it is. Made from the free-run juice of dried botrytized grapes, residual sugars can go as high as 85% and take over 6 years to ferment because of how sweet and concentrated it is. Tokaji Esszencia is truly one of the wonders of the wine world.

This wine was the #3 ranked wine on Wine Spectator’s Top 100 list in 1998 and was described as “a perfect wine” with 100 pts from Robert Parker.

And it was just….wow!

I think I finally found a wine that broke my mental 94 point barrier. It’s been over four days since I had this wine and I can still taste the amazing concentration of liquid figs, honey, cognac and lingering spice.

Folks….this is a WHITE wine!

Incredibly difficult to find retail due to its limited supply (only 165 cases made), the Wine Searcher Average for a 500ml of the 1993 Pajzos Esszencia is $698.

A stunning treat and life-long memory.

All together, the three wines were well around our $350 budget. As we were finishing up dinner while savoring that amazing Esszencia, I noticed the table next to us had ordered a bottle of 2006 Opus One which was $995 on the Lago’s restaurant list.

While I’m sure they enjoyed that bottle of Opus fine enough, I can’t help but think that we came out WAY ahead in our wine and food pairing experience by paying around a third of what they did.

Heck, all three of the wines we had which included one 375ml half bottle, one 750ml bottle and one 187ml split was less at restaurant mark-up than what one single bottle of 2006 Opus One averages at retail price.

That folks….is winning big with the Somm Game.

Aureole

The next night we visited Aureole at Mandalay Bay where we rolled the dice for the Somm Game with Kyran O’Dwyer, an Advance Sommelier since 2006.

While Kyran didn’t have an extra 187ml bottle of an uber-rare wine lying around, he had his own ace up his sleeve and delivered a remarkable and personalized experience that far exceeded our expectations.

We didn’t finish this bottle till just before dessert and it paired exquisitely with every dish we had.

Giving him the same $350 budget, the first roll came up sevens when he brought out a perfectly geeky Champagne–the Drappier Quattuor Blanc de Blancs featuring some of the rarest grapes in Champagne.

A blend of 25% Arbane, 25% Petit Meslier, 25% Blanc Vrai (Pinot blanc) and 25% Chardonnay to round it out, the wine was aged 3 years on the lees before being bottled with a dosage of 4 g/l. The Wine Searcher Average for it is $61 but most retailers in the US have it closer to the $120 release price noted by Wine Spectator. However it is incredibly difficult to find with most retailers (like K & L) getting less than a couple cases.

But oh is it worth the hunt!

This is a “unicorn Champagne” like the ones I’ve been on the prowl for since I finished reading Robert Walters’ Bursting Bubbles. High intensity aromatics that continually evolved in the glass with a mix of citrus lemon custard and orange blossoms with some creamy creme brulee action. Exceptionally well balanced between the creamy mousse, racy citrus notes and dry dosage, the long finish brought out intriguing salty mineral notes that lasted for several minutes after you swallowed.

For appetizers my wife got a black garlic Cesar salad while I had the foie gras du jour–which was seared foie gras with a balsamic berry reduction paired with a French toast concoction that had the chef’s homemade nutella filling. While we enjoyed the Champagne, he gave us each an additional 2-3 oz “taster pour” of the 2014 Braida Brachetto d’Acqui to go with the foie gras.

The wine was lively and fresh with ample acidity to balance the sweetness.

A seriously good sweet wine worth geeking out over.

The wine tasted like you were eating ripe strawberries picked straight from the bush. In a market flooded with Moscatos, Roscatos and Stella Rosa, sweet wines often get a bad rap as overly simple but tasting a wine like the Giacomo Bologna Braida Brachetto d’Acqui is a great reminder about how joyful and delicious “simple sweet wines” can be. At a retail average of $18 a bottle, it is also a great deal for folks wanting to trade out of the same ole, same ole for something new to try.

For dinner I had braised short rib ravioli with a smoked tomato cream sauce while my wife had one of the most delicious vegetarian lasagnas that we had ever tried. It must have had at least 20 layers of fresh pasta, butternut squash, sage, spinach and mascarpone. My ravioli was great but her lasagna was outstanding.

Of course, these dishes were quite different and not necessarily the easiest to pair with the same wine. Truthfully, on my own, I probably would have “wimped out” and took the easy route of ordering a village-level Burgundy with the thinking of acidity for my tomato cream sauce while some earthiness could play well with the lasagna without being too big or tannic. Not a perfect pairing but a serviceable one.

But Advance Sommeliers do not settle for serviceable.

One of the tell-tale signs of a good restaurant wine program is when the wine list has gems like this Portuguese Douro on it. Few people are savvy enough to recognize or order them but the sommeliers know what’s up.

Instead, Kyran surprised me with a 2012 Prats & Symington Post Scriptum de Chryseia from the Douro. I was already very familiar with the Symington family’s stable of Port houses like Cockburn, Dow, Graham, Warre and Quinta do Vesúvio but wasn’t aware of this particular Douro red wine label.

A blend of 53% Touriga Franca, 45% Touriga Nacional and 2% other Portuguese varieties, the wine was remarkably “St. Emilion-like” with a beautiful mix of blue flowers, dark fruit and savory baking spice notes on the nose. Far from being “too big” or “too tannic” for the vegetable lasagna, the wine was beautifully balance with juicy medium-plus acidity and velvety medium-plus tannins.

If this was a blind tasting and I pegged it as a St. Emilion, I would have been expecting it to be in the $45-55 range retail for a bottle. But here is where the savvy of a good sommelier comes into play because this absolute gem of a wine from a very underappreciated region is a total steal at around $26 a bottle retail.

The wine list price for this bottle was $67 which, compared to the usual 3x retail mark up common in the industry, was a great deal in its own right. Frankly, you would be hard-pressed to find a better bottle than this on most restaurant’s wine lists for less than $80.

We would have been more than happy with only this bottle for both our main courses.

But, again, Kyran when above and beyond as he brought my wife out a glass pour of the 2015 Domaine Laroche Vielle Voye Chablis to compliment her vegetarian lasagna. Sourced from 70+ year old vines, this village-level Chablis way over delivered and is another great value at $36 a bottle (and probably a $20-25 glass pour, at least).

The wine….they just kept coming!

Then for dessert my wife went with a blood orange creamsicle parfait while I ordered a maple brown butter creme brulee (my favorite dessert if you haven’t guess yet). Once again Kyran decided to individualize the pairing for us with my wife getting a glass of the 2008 Jackson Triggs Vidal Ice Wine from Niagara that was chock-full of orange blossoms and apricot notes while I got a 2011 Kracher Beerenauslese from Burgenland that had amazing lightness in the mouthfeel despite its rich concentration.

And coming…..
Like a hot slot machine.

With Wine Searcher averages of $93 and $61 respectively, my wife and I rarely buy full bottles of dessert wines because we never finish them. For us, it’s worth paying a little bit of a premium to enjoy them by the glass pour at a restaurant with a nice dessert. Yet, I rarely ever feel like I am paying a premium compared to the amount of pleasure I’m getting with the pairing.

With an end total of 2 bottles, 3 glasses and two taster pours over the course of a fabulous dinner with a personalize touch made this another jackpot win for the Somm Game. There is truly no way that I could have spent my money better that evening than just letting Kyran run the table with his fantastic pairings.

That is the beauty of the Somm Game.

Yes, it’s still gambling

And the house is going to get its share.

Of course, I could have likely bought (assuming I could even find them) bottles of the wines I had at each dinner for less than $350 on the retail market but that’s the same truth when comparing the cost of the food ingredients if you cooked the meal at home versus what you paid at a restaurant for a dish.

No one should approach the Somm Game or buying wine at restaurants with the perspective of beating retail prices. It’s never going to happen. These restaurants are businesses with overhead and staff that deserve to be paid living wages and benefits.

I’m not advocating the Somm Game as a way of “beating the house” though I do wholeheartedly endorse it as a way of getting the most out your money and having a kick-ass experience.

There is really not a dollar amount that you can put on your own personal pleasure or the joy of trying something new.

You “come out ahead” when you end up getting more than you expected with a tremendous evening of great wine, great food and great memories that happened just because you let the professionals do the very thing that they are really good at doing.

No, there is not guaranteed 100% success each time you play. Sometimes you may be at a restaurant that doesn’t have a serious wine program with trained sommeliers. Sure you can still roll the dice but, as with all forms of gambling, there is always a chance you will crap out.

I recommend checking out the wine list and asking questions of the staff to get a feel if this is the type of place that is worth playing the Somm Game at.

But in Las Vegas, with its high density of outstanding restaurants and sommeliers, I’ve found no surer bet.

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Cinsault — The Black Prince of South Africa

As promised in my summary post about the 2018 Hospice du Rhône Weekend, I’ll tackle some of my favorite moments from the event beginning with the first seminar on Friday — South Africa’s Cinsault Renaissance.

I’m hard-pressed to narrow down which of the four seminars were my absolute favorite. However, this seminar was, by far, my most eye-opening.

In my Quick Take on Day 1, I commented on how neither Cinsault nor South Africa tends to be on the radar of most U.S. consumers. The trade organization WOSA (Wines of South Africa) reported in 2016 that the U.S. receives only 3% of the wine exported from South Africa. In 2014, when U.S. sales of wine (both domestic and exported) were around 370 million cases, wines from South Africa accounted for less than 0.33% of those sales.

But after attending this seminar moderated by Lauren Buzzeo of Wine Enthusiast and reading about my friend Adrienne’s adventures drinking South African wines in Nambia, it’s clear that South Africa is worth paying attention to. One thing that is not to be missed is the country’s treasure trove of old vine Cinsault.

This Hospice du Rhône seminar featured 9 Cinsault and Cinsault-dominant blends from 7 producers with winemakers Tremayne Smith (The Blacksmith Wines), Andrea Mullineux (Mullineux & Leeu Family Wines), Danie Steytler (Kaapzicht Wine Estate) and Ryan Mostert (Silwervis) on the panel.

I will get into my tasting notes on the individual wines in a moment but first some geeking about Cinsault.

Cinsault: The Mediterranean “Pinot noir”?

Jancis Robinson notes in Wine Grapes that the earliest recorded mention of Cinsault was under the synonym ‘Marroquin’ in 1600 by the French writer Olivier de Serres. The modern spelling ‘Cinsault’ emerged in the 1880s. It was likely a derivative of ‘Sinsâou’ which was used in the Mediterranean Hérault department as early as 1829.

The seminar’s Badenhorst Ramnasgras Cinsault from Swartland was fantastic.

DNA analysis suggests this area is the probable birthplace of Cinsault due to its close genetic relationship to the Piquepoul varieties and the potential parent-offspring relationship with Rivairenc (Aspiran), the ancient Languedoc grape.

Today some of the oldest vines of Cinsault in the Languedoc date back to 1900. Cinsault suffered the same post-WW II image problem here it did in South Africa. However, it’s now benefiting from renewed interest with even acclaimed Burgundian producers like Anne Gros (of the notable Vosne-Romanée family) and her husband Jean-Paul Tollot tending to 50+-year-old vines in Minervois.

Outside of France, the grape is grown in the Puglia region of Italy. Here it is known as Ottavianello and must make up a minimum of 85% of the red blends in the Ostuni DOC. In Morocco, it is the most widely planted grape variety. But this is mainly because Cinsault is also a popular table grape.

Chateau Musar has long championed the grape variety in Lebanon, frequently blending it with Cabernet Sauvignon and Syrah.

In Washington State, Paul Gregutt describes wines made from Cinsault as like a “good Beaujolais”. He notes in Washington Wines that vineyards in Walla Walla, such as Morrison Lane and Minnick Vineyards, are growing the variety as well as in the Horse Heaven Hills at Alder Ridge.

Cinsault in South Africa

Tim James in Wines of the New South Africa, notes that Cinsault was introduced to South Africa in the 1880s and quickly became a widespread planting. By 1909, it was the most widely planted red grape variety and third most popular grape after Greengrape (Semillon) and Muscat.

Formerly known as “Hermitage” until the mid-1930s, Cinsault would eventually account for as much as a third of all vineyard plantings in South Africa.  It was used to make everything from dry reds, sweet fortified wines and even brandy. The rise in popularity of Chenin blanc and Cabernet Sauvignon after World War II would eventually signal the grape’s decline. However, even as its popularity wane Cinsault was still frequently used as a blending grape to add perfume and acidity to some of the country’s top Cabernet Sauvignon.

By 2008, Cinsault accounted for around a tenth of all vineyards in South Africa with notable plantings in Paarl, Breedekloof and the ward of Malmesbury in Swartland.

Roughly translated to “The Black Land,” referring to the renosterbos (“rhino bush”) shrubs that dot the landscape, it is somewhat poetic that old vine vineyards of the Black Prince in Swartland would be the source of some of the most delicious Cinsault at the seminar.

Seminar Wines

Most of these wines are limited releases and hard to find in the United States. But they are well worth the hunt if you can get them.

Color of The Blacksmith Barebones. Note how you can read through the core to see the text underneath.

2017 The Blacksmith Barebones, W.O. Paarl (Wine Searcher Average $24)

Medium intensity nose with black cherry and fresh uncured tobacco.

On the palate, those black cherry notes come through and are quite juicy with medium-plus acidity. Medium tannins and medium body contribute to the “Beaujolais” quality. Very pleasant and enjoyable with a moderate finish.

2017 The Blacksmith Prince of Bones, W.O. Swartland (No W.S. listing. At the seminar, Lauren Buzzeo priced it at $45)

Medium-plus intensity nose with lots of blue floral notes to go with the black cherry and tobacco notes exhibited by the Barebones.

On the palate, those fresh uncured tobacco notes from the nose change to more cured tobacco spice–not that dissimilar from Bordeaux wines. Medium-plus acidity maintains the juiciness of the cherry fruit with medium-plus tannins contributing to the medium-plus body of the wine. Long finish ends on the spicy note and mouthwatering fruit. Outstanding wine and probably my favorite of the tasting.

2017 Sadie Family Pofadder, W.O. Swartland (W.S. Average for 2016 vintage $42)

Medium-minus intensity nose. Light raspberry and some herbal notes. With some air, a slight watermelon note (both flesh and rind) comes out, which is intriguing.

On the palate, the fruit flavors are similarly light. High acidity and chalky medium-plus tannins contribute to a thin and skeletal feel of the wine. The very short finish brings an earthy element that is hard to make out.

2017 Craven Wines Cinsault, W.O. Stellenbosch (W.S. Average $14 but I’m skeptical as Buzzeo listed the price at $55)

Medium intensity nose with red cherry, rose petals and fresh forest earthiness.

On the palate, the earthy element becomes a little more herbal but also brings a savory black pepper spice note. High acidity and medium-plus tannins are balanced a bit better with the fruit than the Sadie Pofadder, so the wine feels more firm and structured rather than thin and skeletal. It seems young but promising.

2016 A.A. Badenhorst Cinsault Ramnasgras, W.O. Swartland (W.S. Average $38)

Medium-plus intensity with black cherry notes and lots of spice and meatiness. A mix of Burgundian and Rhone notes on the nose that had my mouth watering before even taking a sip.

On the palate, the cherry and spice carry through as the mouthwatering continued with medium-plus acidity. High tannins hold up the full-bodied fruit of the wine well and contribute to this wine feeling like a meal in itself. Another favorite.

2016 Kaapzicht Cinsault 1952, W.O. Stellenbosch (NO WS listing though one merchant offering it for $31)

Medium intensity nose with an intriguing mix of cherry pie spices and leather.

The Kaapzicht 1952. Note how much darker this wine is in the core.

On the palate, those cherry pie notes come through with a toasty graham cracker crust character as well. Juicy medium-plus and ripe medium-plus tannins give the wine great structure and mouthfeel. The long finish keeps with the cherry pie note as some cured tobacco spices joined the party. Very delicious.

2015 Kaapzicht Cinsault Skuinberg, W.O. Stellenbosch (NO WS listing though one merchant offering it for $79)

Medium-minus intensity nose. A mix of minty menthol and coffee espresso with some undefined red fruits.

On the palate, the red fruits become more defined as cherry and raspberry, but the menthol and espresso dominant. Like the 1952, the medium-plus acidity and tannins give the wine exceptional balance and structure. I just don’t know if I’m a fan of this flavor profile as much.

2015 Leeu Passant Old Vine Cinsault, W.O. Franschhoek (NO WS listing though one merchant offering it for $103)

Medium-plus intensity nose with black raspberry and blackberry notes. There is also a minty element here, but it smells more like fresh mint leaves rather than menthol.

The black fruits carry through on the palate with the minty notes being more subdued. In their place, some of that Bordeaux-style tobacco spice emerges, which gives the wine a savory element with the medium-plus acidity. Medium-plus tannins balance out the full-bodied weight of the fruit. Long finish lingers on the spice. Really well-made wine.

2015 Silwervis Cinsault, W.O. Swartland (W.S. Average $26 but I’m skeptical as Buzzeo listed the price at $50)

Medium intensity nose with coffee and cherry notes. With some air, a little floral mint and fresh tobacco leaf come out.

On the palate, the coffee notes dominant with fruit present but struggling to emerge. Medium acidity and medium-plus tannins have firm edges to them. Even though this one of the oldest wines at the tastings, it felt really young. Intriguing though.

Takeaways

Cinsault’s diversity is a joy for food pairing but a nightmare for blind tasting.

As I reviewed my notes, I saw some patterns emerging with cherry and tobacco being consistent. But many of those notes overlap with styles familiar to Burgundy, Beaujolais and lighter Bordeaux. A few examples even hit some of those savory, meaty notes of a Rhone. Still, this diversity is exciting because here we have a wine that can be anything from a great picnic & BBQ sipper to something savory and complex that can hold up to robust dishes.

While two of my favorites (The Blacksmith’s Prince of Bones and A.A. Badenhorst’s Ramnagras) were from the Swartland–along with the intriguing but young tasting Silwervis–it was hard to pinpoint terroir characteristics. Considering how much I’ve liked other wines from these producers, it could be more producer style verses region.

But a big takeaway, and one that the moderator and panelists frequently referred to, was the importance of old vines with Cinsault. The grape lends itself easily to overproduction and, with its thin skins, can be prone to producing lean flavors. While that may work for bulk rosé, it’s not ideal for making character-driven wines.

With over 1600 acres of Cinsault vines over 20 years old (and many of the wines featured in this tasting coming from 40+-year-old vineyards), South Africa does have a good bounty of older vines to work with. The really lovely Leeu Passant Old Vine Cinsault from Franschhoek was sourced from South Africa’s 2nd oldest red wine vineyard with vines that are 91+ years old. You can taste the added complexity and concentration from these older vines.

Remarkable stuff that is, again, well worth the hunt to find.

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Quick Thoughts — Day 1 Hospice du Rhone

I’m in Paso Robles this weekend attending the Hospice du Rhone. Look for a fuller review about the festivities and if I think the cost of a Weekend Pass (and travel to Paso) is worth it to be posted sometime next week.

But, in the meantime, here are a few quick thoughts from Day 1.

Seminars

Seminar One: South Africa’s Cinsault Renaissance — Very eye-opening. Cinsault is not a grape on many folks’ radar and, especially in the US, neither is South Africa but there are exciting things going on here. The diversity in styles from light, easy drinking and fruity to meaty, spicy and deep reds is remarkable.

All the wineries featured were stellar but the star of the show was Tremayne Smith’s The Blacksmith wines–particularly his Prince of Bones Cinsault.

Seminar Two: A 6th Generation Crusade in the Barossa Valley — This was a particularly fascinating seminar for someone familiar with Washington State wines to sit in on. I was surprised at how similar Barossa was to Washington with numerous vineyard growers who only grow grapes to sell to wineries that do not own any vineyards. What’s different though is that apparently Barossa has a lot more “corporate vineyards” ran by vineyard management teams rather than small family growers.

This seminar focused on wines made by 4 wineries with fruit from Hoffman Vineyard and 6th generation Barossa farmer, Adrian Hoffman. Once again the wines were stellar but I was particularly impressed with Soul Grower’s Shiraz sourced from 100 year old vines at Hoffman and Chris Ringland’s Dimchurch cuvee.

The author meeting Adrian Hoffman of Hoffman Vineyard.


Rosé Lunch

The Rosé Lunch included a very lovely memorial to the late Robert Haas of Tablas Creek and Seth Kunin of Kunin Wines. It also featured some delicious food that highlighted rosé’s versatility in food pairing with everything from Chicken Provençal, pork cassoulet to olive oil cake pairing wonderfully with the assortment of dry rosés on each table.

Opening Tasting

There were a lot of hits and misses here. I’m a bit concern about the prevalence of volatile acidity (VA) in several domestic examples. Nothing was full-blown vinegar or nail-polish (which are the more obvious signs of VA) but several wines had the subtle oxidize fruit notes on the nose and prickly “tomato ketchup” acid note on the tongue that trip my VA detector.

Truly some remarkable stuff coming from Santa Barbara County.

Among the hits though were several wineries from Santa Barbara County including the aforementioned Kunin Wines, Potek Winery and Bien Nacido Winery.

This cool-climate area is well known as “Sideways Country” for their Pinot noir but the Rhone varieties from this region were some of the most exciting wines at the tasting.

Stay Up to Date With Spitbucket!

The next few months will be a busy travel season with upcoming trips to Las Vegas for the Wine Spectator Grand Tour, to Burgundy for 5 days touring wineries and vineyards and to the Vodka Belt of the Baltic Sea countries of Sweden, Finland, Russia and more.

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Keeping Up With The Joneses of Burgundy — Coche Edition

Photo by Torsade de Pointes. Released on Wikimedia Commons under CC-Zero

Vineyards in Meursault, home to many of the Coche family’s prime holdings.

Welcome to the latest installment of my on-going series about the winemaking families of Burgundy!

Be sure sure to check out previous editions about the Boillot, Morey and Gros families.

If you have any suggestions for future editions (or know anything I missed!), feel free to leave a comment below.

Along with some internet sleuthing, my tools on this journey will be:

Remington Norman and Charles Taylor’s The Great Domaines of Burgundy
Clive Coates’ The Wines of Burgundy
Matt Kramer’s Making Sense of Burgundy
Bill Nanson’s The Finest Wines of Burgundy
Benjamin Lewin’s Burgundy (Guides to Wines and Top Vineyards)

The Coche Family

Photo by e_calamar. Uploaded to Wikimedia Commons under CC-BY-2.0

Through Léon’s grand daughter, some of the Coche family holdings are now in the hands of Domaine Roulot.

In the 1920s, Léon Coche started his domain after acquiring six parcels in Meursault, Auxey-Duresses and Monthélie. While he did some estate bottling, most of his grapes were sold to négociants. On his passing, the estate was inherited by his 3 children–Julien (who already had founded his own estate in 1940), Georges and Marthe. Georges took over his share of the family estate in 1964 and expanded his holdings with parcels in the Volnay Premier Crus of Clos des Chênes and Les Taillepieds.

Georges’ son, Jean-François Coche, assumed the domain in 1972 and appended the maiden name of his wife, Odile Dury, in 1975. In his nearly 40 years at the helm, Jean-François elevated Domaine Coche-Dury to “cult wine” level. Along with Comtes Lafon, Jancis Robinson describes the estate as one of “Masters of Meursault”. In 2010, Jean-François’ son Raphael took over the family domain as the fourth generation of Coche.

The inheritance of Léon’s daughter, Marthe, eventually passed to her daughter Geneviève who married Guy Roulot of Domaine Roulot. That estate is now ran by their son, Jean-Marc Roulot.

Julien’s Branch

In 1940, Julien Coche founded Domaine Julien Coche-Debord with just a single hectare in Meursault. The estate was expanded with some of his inheritance from his father Léon and was further enlarged when his son, Alain, took over added several notable Meursault premier crus like Les Charmes and La Goutte d’Or. Alain also changed the name to Domaine Coche-Bizouard et Fils.

Alain’s son Fabien joined the family estate in 1991 and started a négociant firm (Maison Coche-Bouillot) in 2001. Up through at least the 2013 vintage, wines have been produced under the label Domaine Alain Coche-Bizouard but now the estate is known as Domaine Fabien Coche à Meursault.

Current Coche Estates

Domaine Fabien Coche à Meursault/Maison Coche-Bouillot (Meursault) The estate formerly known as Domaine Coche-Bizouard et Fil and the négociant firm of Alain’s son Fabien. In addition to their holdings in Meursault, the estate also owns parcels in Auxey-Duresses, Monthélie and Pommard. The entire estate produces around 50,000 bottles.

Prime holdings: Batard-Montrachet Grand Cru, Meursault Premier Cru Les Charmes (0.28 ha), Pommard Premier Cru La Platière (0.20 ha)

Domaine Coche-Dury (Meursault) Ran today by Raphael Coche, son of the legendary winemaker Jean-François Coche. The estate bottles more than 70% of its holding.  Négociants like Louis Latour and Louis Jadot often purchase the rest. The winery farms the estate’s holdings sustainably with an annual production of around 50,000 bottles.

Prime holdings: Corton-Charlemagne Grand Cru (0.34 ha), Meursault Premier Cru Les Perriéres (0.23 ha and 0.37 ha in Les Perriéres-Dessus), Meursault Premier Cru Les Genevriéres (0.20 ha)

Additional Keeping up with the Joneses in Burgundy

The Boillot Familly
The Morey Family
The Gros Family
The Leflaive Family

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Who makes your Supermarket Wine? (A Running List)

April 2019 update: A lot of brand movement following the huge deal between Constellation Brands and E & J Gallo.

Sept 2018 update: If I come across new connections that haven’t been widely publish I will update this page. But I’d like to direct folks interested in this info to Elizabeth Schneider’s way more user-friendly and searchable list on her Wine For Normal People blog. It’s also regularly updated and is a fantastic resource that is worth bookmarking.

Beverage Dynamics released their report this month of The Fastest Growing Wine Brands and Top Trends of 2017.

One of the most glaring features of the report is how often you see the names Constellation Brands, E & J Gallo, The Wine Group and more appear in the rankings with their multitude of different brands. As I described in my post The Facade of Choice, when you walk the wine department of your typical grocery store the vast majority of the wines you see are going to be made by the same handful of companies.

It’s important for consumers to be aware of just how artificially limited their choices really are–especially because consumers should have choices when there are over 4000 wineries in California, over 700 each in Washington and Oregon and tens of thousands more across the globe.

Yet the average wine drinker is only ever going to see a fraction of a percent of these wines–especially those of us in the US. This is not just because our archaic three-tier distribution system severely limits consumers’ access to wine but also because of the wave of consolidations among large wine distributors.

Consolidation of Choices
Photo by Tatsuo Yamashita. Uploaded on Wikimedia Commons under CC-BY-2.0

To the best of my knowledge, General Mills and Unilever are not in the wine business….yet.

For the sake of efficiency (and profits) these large distributors tend to focus on the big clients in their portfolios–the Constellations and the Gallos. They can back up a trailer to a warehouse and load in pallets of “different wines” with different labels from all across the globe and then take that trailer right to the major grocery chains. With about 42% of the “off premise” wine (as opposed to on-premise restaurant purchases) in the US being bought at supermarkets, every consumer should take a hard look at how limited their options really are.

In some cases, you have more true options in the yogurt section than you do in the wine department.

For a couple years now I’ve been keeping an Excel spreadsheet of the various brands I’ve came across and which mega-corporation they’re made by. This is FAR from an exhaustive list and has room for a lot of expansion. Plus with the way that winery brands get bought and sold almost like trading cards it will probably be outdated by the time I hit publish. If you know of any additions or errors, please post in the comments.

Note some of the names are linked to the companies by exclusive distribution agreements.

Constellation Brands

7 Moons
Alice White
Charles Smith Wines
Cooper & Thief
Dreaming Tree
Drylands
Inniskillian
Jackson Triggs
Kim Crawford
Meiomi
Robert Mondavi
Monkey Bay
Mount Veeder
Naked Grape
Night Harvest
Nk’Mip
Nobilo
Paso Creek
Red Guitar
Rioja Vega
Ruffino
Schrader
Simi
Thorny Rose
The Prisoner
Woodbridge

E & J Gallo

Alamos
Allegrini
Andre
Apothic
Arbor Mist
Ballatore
Barefoot
Bella Sera
Black Box
Blackstone
Blufield
Bodega Elena de Mendoza
Boone’s Farm
Bran Caia
Bridlewood
Carlo Rossi
Carnivor
Chocolate Rouge
Clarendon Hills
Clos du Bois
Columbia Winery
Cooks
Covey Run
Cribari
Dancing Bull
DaVinci
Dark Horse
Diseno
Don Miguel Gascon
Ecco Domani
Edna Valley Vineyard
Estancia
Fairbanks
Franciscan Estate
Frei Brothers
Gallo of Sonoma
Ghost Pines
Hidden Crush
Hogue Cellars
J Vineyards
J. Roget
La Marca
Laguna
Las Rocas
La Terre
Liberty Creek
Livingston Cellars
Locations
Louis Martini
MacMurray Ranch
Madria Sangria
Manischewitz
Mark West
Martin Codax
Maso Canali
McWilliams
Mia Dolcea
Milestone
Mirassou
Orin Swift
Paul Masson
Peter Vella
Pieropan
Polka Dot
Primal Roots
Prophecy
Rancho Zabaco
Ravenswood
Red Bicyclette
Red Rock
Redwood Creek
Rex Goliath
Sheffield Cellars
Simply Naked
Starborough
Souverain
Talbott
Taylor’s
The Naked Grape
Tisdale
Toasted Head
Winking Owl
Turning Leaf
Vendange
Vin Vault
Whitehaven
Wild Horse
Wild Vines
William Hill Estate

Brown-Foreman

Sonoma Cutrer
Korbel Sparkling wine

Delicato Family Vineyards

Black Stallion
Bota Box
Brazin
Diora
Domino
Gnarly Head
Irony
Night Owl
Noble Vines
Twisted Wines
Z. Alexander Brown

Terlato Wines

Boutari
Bodega Tamari
Chimney Rock
Domaine Tournon
Ernie Els Wines
Federalist
Hanna
Josmeyer
Klipsun
Il Poggione
Luke Donald
Markham
Mischief & Mayhem
Rochioli
Rutherford Hill
Santa Margherita
Seven Daughters
Sokol Blosser
Tangley Oaks

Precept Brands

Alder Ridge
Browne Family
Canoe Ridge Vineyard
Cavatappi
Chocolate Shop
Gruet
House Wine
Pendulum
Primarius
Red Knot
Ross Andrews
Sagelands
Sawtooth
Shingleback
Ste. Chappelle
Waitsburg Cellars
Washington Hills
Waterbrook
Wild Meadows
Willow Crest

Vintage Wine Estates

B.R. Cohn
Buried Cane
Cameron Hughes
Cartlidge & Browne
Cherry Pie
Clayhouse Wines
Clos Pegase
Cosentino Winery
Cowgirl Sisterhood
Delectus Winery
Firesteed
Game of Thrones
Girard
Girl & Dragon
Gouguenheim
Horseplay
If You See Kay
Layer Cake
Middle Sister
Monogamy
Promisqous
Purple Cowboy
Qupé
Sonoma Coast Vineyards
Swanson
Tamarack Cellars
Viansa Sonoma
Windsor
Wine Sisterhood

Ste Michelle Wine Estates

14 Hands
Chateau Ste Michelle
Col Solare
Columbia Crest
Conn Creek
Erath
Merf
Motto
Northstar
O Wines
Patz & Hall
Red Diamond
Seven Falls
Snoqualmie
Spring Valley Vineyard
Stag’s Leap Wine Cellars
Stimson
Tenet/Pundit wines
Vila Mt. Eden
Villa Maria

Crimson Wine Group

Archery Summit
Chamisal
Double Canyon
Forefront
Pine Ridge
Seghesio
Seven Hills Winery

Jackson Family Estates

Arrowood
Arcanum
Byron
Cambria
Cardinale
Carmel Road
Copain
Edmeades
Freemark Abbey
Gran Moraine
Hickinbotham
Kendall Jackson
La Crema
La Jota
Lokoya
Matanzas Creek
Mt. Brave
Murphy-Goode
Penner-Ash
Siduri
Silver Palm
Stonestreet
Tenuta di Arceno
Yangarra Estate
Zena Crown
Wild Ridge

Vina Concha y Toro

Almaviva
Bonterra
Casillero del Diablo
Concha y Toro
Cono Sur
Don Melchior
Fetzer
Five Rivers
Jekel
Little Black Dress
Trivento

The Wine Group

13 Celsius
Almaden
AVA Grace
Benzinger
Big House
Chloe
Concannon
Corbett Canyon
Cupcake
Fish Eye
FlipFlop
Foxhorn
Franzia
Glen Ellen
Herding Cats
Insurrection
Love Noir
Mogen David
Seven Deadly Zins
Slow Press
Pinot Evil
Stave & Steel

Treasury Wine Estates

19 Crimes
Acacia
Beaulieu Vineyards
Beringer
Butterfly Kiss
BV Coastal
Cellar 8
Ch. St Jean
Chalone
Colores del Sol
Crème de Lys
Dynamite Vineyards
Etude
Gabbiano
Greg Norman
Hewitt Vineyard
Lindeman
Matua
Meridian
New Harbor
Once Upon a Vine
Penfolds
Provenance
Rosemount
Rosenblum Cellars
Seaview
Sledgehammer
Snap Dragon
Souverain
St. Clement
Stags’ Leap Winery
Stark Raving
Sterling
The Walking Dead
Uppercut
Wolf Blass
Wynns Coonawarra

Bronco Wine Company

Black Opal
Carmenet
Cellar Four 79
Century Cellars
Charles Shaw
Crane Lake
Colores del Sol
Estrella
Forest Glen
Forestville
Gravel Bar
Great American Wine Co.
Hacienda
Little Penguin
Montpellier
Quail Ridge
Rare Earth
Robert Hall
Sea Ridge
Stone Cellars

(LVMH) Louis Vuitton Moet Hennessey

Bodega Numanthia
Cheval Blanc
Cheval de Andes
Cloudy Bay
Dom Perignon
Domaine Chandon
D’yquem
Krug
Mercier
Moet & Chandon
Newton Vineyard
Ruinart
Terrazas de Los Andes
Veuve Clicquot

Trinchero Estates

Bandit
Charles & Charles
Dona Paula
Duck Commander
Fancy Pants
Folie a Deux
Fre
Joel Gott
Los Cardos
Menage a Trois
Montevina
Napa Cellars
Newman’s Own
Pomelo
SeaGlass
Sutter Home
Sycamore Lane
The SHOW

Deutsch Family Brands

Cave de Lugny
Clos de los Siete
Enza
Eppa
Fleurs de Praire
Hob Nob
Joseph Carr
Josh Cellars
Kunde Family
Peter Lehmann
Ramon Bilbao
Ruta 22
Skyfall
The Calling
The Crossing
Villa Pozzi

Guarachi Wine Partners

Black Ink
Castillo de Monseran
Guarachi
Kaiken
Nobilissima
Santa Ema
Surf-Swim
Tensley
Tenshen

Foley Family Wines

Acrobat
Awatere Pass
Butterfield Station
Chalk Hill Winery
Chalone Vineyard
Clifford Bay
Dashwood
EOS
Firestone
Foley Johnson
Four Sisters
Goldwater
Guenoc
Lancaster Estate
Lincourt
Lucien Albrecht
Merus
Nieto Senetiner
Pebble Row
Pepperwood Grove
Piccini
Poizin
Roth
Sebastini
Smoking Loon
Tahbilk
The Four Graces
Three Rivers Winery
Wayne Gretzky

Pernod Ricard

Brancott
Campo Viejo
Graffigna
Jacob’s Creek
Kenwood
Stoneliegh
George Wyndham

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